Category
🎥
Short filmTranscript
00:00♪♪
00:05-♪♪
00:10-♪♪
00:15-♪♪
00:20-♪♪
00:25-♪♪
00:30-♪♪
00:35-♪♪
00:40-♪♪
00:45-♪♪
00:50-♪♪
00:55-♪♪
01:00-♪♪
01:05-♪♪
01:10-♪♪
01:15-♪♪
01:20-♪♪
01:25-♪♪
01:30-♪♪
01:35-♪♪
01:40-♪♪
01:45-♪♪
01:50-♪♪
01:55-♪♪
02:00-♪♪
02:05-♪♪
02:10-♪♪
02:15-♪♪
02:20-♪♪
02:25-♪♪
02:30-♪♪
02:35-♪♪
02:40-♪♪
02:45-♪♪
02:50-♪♪
02:55-♪♪
03:00-♪♪
03:05-♪♪
03:10-♪♪
03:15-♪♪
03:20-♪♪
03:25-♪♪
03:30-♪♪
03:35-♪♪
03:40-♪♪
03:45-♪♪
03:50-♪♪
03:55-♪♪
04:00-♪♪
04:05-♪♪
04:10-♪♪
04:15-♪♪
04:20-♪♪
04:25-♪♪
04:30-♪♪
04:35-♪♪
04:40-♪♪
04:45-♪♪
04:50-♪♪
04:55-♪♪
05:00-♪♪
05:05-♪♪
05:10-♪♪
05:15-♪♪
05:20-♪♪
05:25-♪♪
05:30-♪♪
05:35-♪♪
05:40-♪♪
05:45-♪♪
05:50-♪♪
05:55-♪♪
06:00-♪♪
06:05-♪♪
06:10-♪♪
06:15-♪♪
06:20-♪♪
06:25-♪♪
06:30-♪♪
06:35-♪♪
06:40-♪♪
06:45-♪♪
06:50-♪♪
06:55-♪♪
07:00-♪♪
07:05-♪♪
07:10-♪♪
07:15-♪♪
07:20-♪♪
07:25-♪♪
07:30-♪♪
07:35-♪♪
07:40-♪♪
07:45-♪♪
07:50-♪♪
07:55-♪♪
08:00-♪♪
08:05-♪♪
08:10-♪♪
08:15-♪♪
08:20-♪♪
08:25-♪♪
08:30-♪♪
08:35-♪♪
08:40-♪♪
08:45-♪♪
08:50-♪♪
08:55-♪♪
09:00-♪♪
09:05-♪♪
09:10-♪♪
09:15-♪♪
09:20-♪♪
09:25-♪♪
09:30-♪♪
09:35-♪♪
09:40-♪♪
09:45-♪♪
09:50-♪♪
09:55-♪♪
10:00-♪♪
10:05-♪♪
10:10-♪♪
10:15-♪♪
10:20-♪♪
10:25-♪♪
10:30-♪♪
10:35-♪♪
10:40-♪♪
10:45-♪♪
10:50-♪♪
10:55-♪♪
11:00-♪♪
11:05-♪♪
11:10-♪♪
11:15-♪♪
11:20-♪♪
11:25-♪♪
11:30-♪♪
11:35-♪♪
11:40-♪♪
11:45-♪♪
11:50-♪♪
11:55-♪♪
12:00-♪♪
12:05-♪♪
12:10-♪♪
12:15-♪♪
12:20-♪♪
12:25-♪♪
12:30-♪♪
12:35-♪♪
12:40-♪♪
12:45-♪♪
12:50-♪♪
12:55-♪♪
13:00-♪♪
13:05-♪♪
13:10-♪♪
13:15-♪♪
13:20-♪♪
13:25-♪♪
13:30-♪♪
13:35-♪♪
13:40-♪♪
13:45-♪♪
13:50-♪♪
13:55-♪♪
14:00-♪♪
14:05-♪♪
14:10-♪♪
14:15-♪♪
14:20-♪♪
14:25-♪♪
14:30-♪♪
14:35-♪♪
14:40-♪♪
14:45-♪♪
14:50-♪♪
14:55-♪♪
15:00-♪♪
15:05-♪♪
15:10-♪♪
15:15-♪♪
15:20-♪♪
15:25-♪♪
15:30-♪♪
15:35-♪♪
15:40-♪♪
15:45-♪♪
15:50-¿Te acuerdas de cuando hablamos de nuestros sueños?
15:53-¿Claro.
15:55-¿Pues en realidad solo hablamos del mío?
15:58Y entonces yo...
16:00me quedé pensando y...
16:03y estaba claro.
16:09Anuel, tu...
16:11tu sueño siempre ha sido la aviación.
16:13-¿Mi sueño siempre ha sido tu?
16:16¿Y ya te he conseguido?
16:18-¿Pero renunciaste a los aviones?
16:21-¿Bueno, fue mi sacrificio, sí, pero...
16:25lo he compensado con creces.
16:28-¿Pero no tienes que hacer ningún sacrificio?
16:31¿Me puedes tener a mí y también puedes seguir con tu pasión?
16:35-¿Sin renunciar a nada?
16:37-¿Exactamente?
16:42-¿No?
16:45No, no puedo.
16:47Mis padres aceptaron el caje.
16:50Si se puede llamar así, yo me comprometí con ellos.
16:53-¡Mira, yo no te estoy pidiendo que faltes a tu palabra!
16:56Simplemente digo que...
16:58que podrías seguir dedicándote a tu pasión
17:01sin tener que subirte a un avión.
17:04-¿Y eso no sería hacer trampas a mis padres?
17:07-Pues yo creo que no.
17:09No es lo mismo hacer cálculos matemáticos y diseños
17:12en un avión.
17:13Y que yo sepa, a tu madre lo que más miedo le da
17:15es que te subieses a eso.
17:17-¿Eso es cierto?
17:19-Y los aviones en el suelo no tienen ningún peligro, que yo sepa.
17:22-¿Lo mismo que una bicicleta?
17:26¿Sabes?
17:29Cuando tenía el avión, tuve que haber llevado a mi madre alguna vez.
17:33Seguro que se le habrían quitado todos esos miedos infundados que tiene.
17:37-¡Se hubiera bajado antes de despegar!
17:39¡Eso sí se llega a subir!
17:43Sí, en eso tienes razón.
17:48Pero mira esta habitación, Manuel.
17:50Antes estaba llena de dibujos, de prototipos, de motores, de hélices,
17:54de sistemas de amortiguación.
17:59¿Estás seguro de que quieres dejar atrás todo eso?
18:06Sí, es el precio por estar contigo.
18:09Desde luego.
18:11Es que no tienes que elegir, amor mío.
18:14Yo creo que tus ideas merecen mejor suerte.
18:17Y también creo que puedes hacer carrera de esto
18:20sin tener que romper tu palabra de no subirte a un avión.
18:27Yo lo veo claro.
18:29Lo que no es tan fácil es que mi madre lo vea igual.
18:32Pero tu madre siempre está así,
18:34así que creo que debemos dejar de preocuparnos por eso.
18:37Tienes razón.
18:40Elígrate, Manuel.
18:42Estoy segura de que puedes diseñar aviones
18:44antes sean otros pilotos los que se tengan que subir a él.
18:48¿A ti ilusiona?
18:55Muchísimo.
19:10Sí.
19:12Parece una buena crema.
19:14Lo que no alcanza a comprender es cómo ha podido pagar usted
19:18los cosméticos de la señora siendo tan caros.
19:22Pues ya ves.
19:26La verdad, con los recortes que nos han hecho en el presupuesto,
19:30se me antoja casi imposible.
19:33Lo que yo he pensado es pedir los mismos artículos aquí en España
19:36con manufactura española.
19:38Bueno, Doña Cruz eso lo aceptará.
19:40Bueno, si conservamos el bote antiguo
19:42y en ese bote metemos el producto nuevo,
19:44no tiene por qué darse cuenta.
19:50Por fortuna no he tenido que pagarlo ahora
19:52porque habría sido imposible, como usted bien dice.
19:56¿Por qué no?
19:58¿Por qué no?
20:00Porque habría sido imposible, como usted bien dice.
20:04¿Entonces?
20:06Pues hice el encargo hace un tiempo
20:08cuando vi que el producto empezaba a escasear
20:11justo antes de los dichosos recortes.
20:14Vaya.
20:16Ha estado usted muy...
20:18muy previsora y oportuna.
20:20Bueno, quizá pura casualidad.
20:23No se haga de menos.
20:25Usted vio venir las estrecheces y habrá consecuencia.
20:29Es mi trabajo, ¿no?
20:31Adelantarme a los acontecimientos.
20:35Una lástima que no se conduzca usted así en su vida privada.
20:39Pues que de hacerlo estoy segura de que le iría muchísimo mejor.
20:45¿Qué tal fue la visita a su hijo?
20:48Tengo entendido que le acompaña a su novio.
20:51¿Se llevan bien entre ellos?
20:54Bien.
20:57¿Y por qué será entonces que no la... no la veo feliz?
21:02Dos hombres de su vida juntos.
21:05Unse, ¿qué más puede pedir?
21:08¿Puede evitar el sarcasmo, señor Alcos?
21:12Problemas.
21:14¿Sabe perfectamente que entre señor Pellicer y yo últimamente
21:18hay ciertas... ciertas diferencias?
21:22Lo que no sé es por qué se sorprende.
21:24Es lo que suele pasar cuando una mujer
21:27se junta con un hombre casado.
21:29Yo no sabía que era un hombre casado.
21:31Para todos su mujer estaba muerta.
21:33Mire, en eso se parece a usted.
21:36Porque todos la dábamos también por muerta.
21:40¿Y merece? Aquí está.
21:42Igual que esa mujer.
21:45Parece ser que al señor Pellicer le gusta
21:48rodearse de muertes que no le están tanto.
21:51¿No le parece?
21:54¿Qué es lo que quiere, señor Alcos?
21:56Sea clara, por favor.
21:58Pues que puede ser que usted no supiera que esa mujer
22:01seguía con vida cuando se acercó al señor Pellicer.
22:05Pero ahora ya sí lo sabe.
22:07Por lo tanto puede quitarse de en medio.
22:10O quizá usted podría limitarse a meterse en su vida.
22:13Si es que tiene alguna, claro.
22:22¿Sabes que no dejo de pensar en ese refugio tuyo, padre?
22:25Ah, eso habla bien de ti.
22:28De hecho, muy bien.
22:30Me encantaría seguir ayudando, en la medida de mis posibilidades
22:33y, evidentemente, con total discreción.
22:36¿Y qué tienes pensado?
22:39¿Qué?
22:41¿Qué?
22:43¿Qué?
22:45¿Qué?
22:47¿Qué?
22:49¿Y qué tienes pensado?
22:51Pues no lo sé.
22:53La verdad es que yo nunca en mi vida he pasado estos jefes
22:56y creo que por eso me impresionó tanto el refugio.
23:00Señorita Ángela.
23:02¿En qué puedo ayudarla?
23:04Estaba hablando con Samuel de mi intención de seguir colaborando con el refugio.
23:07¿Ah? ¿Y cómo?
23:09Eso trataba de decirme.
23:11Ah, perdón.
23:13Continúa, señorita.
23:15Pues podría seguir transportando cosas, como el colchón.
23:18Los lujanos se sorprenderán si de vez en cuando les voy pidiendo el automóvil.
23:22Claro, eso fue una idea porque se la di yo.
23:24Y no debiste molestar a Ángela.
23:26No fue ninguna molestia. De verdad.
23:28Más bien un placer. Y más cuando vi el refugio.
23:31Entonces me di cuenta de que había valido totalmente la pena.
23:34Pero eres una invitada de la promesa.
23:36Y me temo que no puedes hacer estas cosas de forma corriente.
23:40Precisamente por ser una invitada se supone que puedo disponer del automóvil cuando me plazca.
23:45Y esto me permitirá llevar y traer cosas del refugio sin tener que dar explicaciones a nadie.
23:50Nadie tiene por qué enterarse.
23:52Ya dijo la señorita que sería una tumba.
23:56Y te agradezco el gesto.
23:58Pero me temo que si abusamos de la generosidad de los marqueses,
24:01ellos mismos se acaben enterando de que hay un refugio.
24:04Y podría comprometer su propia existencia.
24:08Además, con las restricciones económicas que están teniendo,
24:12poco hay ahora que nos podamos llevar de aquí.
24:15Bueno, pues también me apunto a eso.
24:19¿A qué?
24:20A recaudar fondos, a conseguir cosas y llevar a lo que sea.
24:24De verdad, solo quiero que sepáis que podéis contar con mi ayuda.
24:28Seguro que los necesitados que viven en ese refugio se lo agradecerán.
24:32Y qué bien ser conscientes de la realidad y tener la fortaleza para afrontarla.
24:37No como la gente que se empeña en meter la cabeza bajo el ala como las avestruces.
24:58Buenas tardes también, señor Baeza.
25:01Porque por muy enfadado que venga, saludar es lo primero.
25:06Tienes razón. Buenas tardes.
25:11Sepa que no me parece bien lo que está haciendo.
25:18Si pudiera ser usted un poco más concreto, yo se lo agradecería.
25:22Sabe perfectamente a lo que me refiero.
25:25La señora Darre, el señor Pellicer Santos...
25:29Ya veo. Así que ella le ha ido con el cuento otra vez.
25:33Y por lo que intuyo, usted se está convirtiendo en su paña de lágrimas.
25:37Olvídese del mensajero. Eso no es lo que importa.
25:41Pues dígame, entonces, ¿qué es lo que importa?
25:43No es bueno aprovecharse de las desgracias ajenas, ni mucho menos disfrutar con ellas.
25:49Lo que no es bueno, señor Baeza, es meterse donde no le llaman a uno.
25:53¿Por qué no se ocupa usted de sus asuntos y deja que su amigo y su novia resuelvan ellos sus problemas?
26:00Este también es mi problema, porque afecta a personas a las que aprecio de verdad.
26:06¿Conoce usted el significado de la palabra amistad?
26:10Pues entonces déjete hacer sangre. Déjelos en paz.
26:31Nunca he entendido esta pasión de jugar a las cartas. Mucho menos después de comer.
26:37Se supone que es divertido.
26:40¿Y lo es?
26:42Mucho.
26:45Pues en ese caso...
26:48Ángela, ¿de qué nos estaba hablando hace un momento?
26:52Le comentaba que Suiza está manteniendo neutral.
26:55Ah, sí. Como España.
26:57No exactamente. Lo de Suiza tiene más mérito.
27:01No veo por qué.
27:03Yo se lo explico.
27:04La diferencia es que, por muy neutral que se mantenga Suiza, es un país rodeado de otros que están en plena condiema.
27:09Y que, por otro lado, le proven del turismo que tantas divisas dejan en el país.
27:13Vaya. Nunca lo había visto en esos términos, señorita.
27:18Resulta usted lo más convincente.
27:20Suiza es verdaderamente neutral.
27:22Y eso se demuestra con la que se mantiene neutral.
27:25Y eso se demuestra con la acción del Consejo Federal Suiza,
27:28que va a acoger en el país a heridos de ambos bandos.
27:31¿Sin distinciones?
27:33Sin distinciones.
27:35Yo misma me he ofrecido ayuda.
27:38Es usted admirable.
27:56Con permiso, señor.
27:59Ya sabe usted cuánto intento evitar molestarle con pequeñeces,
28:04pero a veces estas se complican si no se las atiende a tiempo.
28:09Usted es un tacto infinito. ¿Qué le preocupa?
28:12No es tanto el hecho en sí como sus consecuencias, señor.
28:16Vaya al grano, por favor.
28:18Wait.
28:19For lunch, your niece, Miss Martina,
28:23to please her fiancé,
28:25she asked us to prepare a faisan,
28:27which seems to be a dish to the liking of the young man.
28:31Yes, I am aware of the unfortunate request.
28:34The cooks didn't say anything,
28:36but they didn't know how to respond to this request,
28:39considering the recent money cuts.
28:43Yes, we are for faisans.
28:46Good thing Martina took her fiancé to Luján.
28:49In fact, it was a suggestion from Mrs. Arcos,
28:52who had the ability to make this proposal to Miss Martina,
28:56but without mentioning the restrictions, of course.
28:59Thank God.
29:00In any case, this created unpleasant moments of tension between the service
29:05because they didn't want to look bad with Miss Martina's fiancé.
29:08I'll take care of it.
29:10For not talking.
29:11When Mrs. Arcos asked to prepare a special meal for Gasajar,
29:15the new guest,
29:16the cooks knew how to get out of the way,
29:19cooking a couple of chickens instead of ducks,
29:21with more imagination than means.
29:23It was orange chicken.
29:25I didn't realize, it was very good.
29:27I celebrate it, sir.
29:28But what I wanted to tell you is that
29:30it would be good if everyone in the palace
29:33was aware of the economic situation.
29:35Otherwise, episodes like the faisan would occur.
29:38I understand.
29:39If there are such drastic cuts,
29:41we can't let the day to day seem the same.
29:45Yes.
29:47I'll do what you tell me.
29:48I didn't inform my niece,
29:50so as not to leave her wrong in front of her fiancé.
29:53But fortunately, that boy seems to be leaving tomorrow.
29:56Anything else?
29:58No, nothing else, sir.
29:59Thank you very much.
30:07Is everything okay?
30:08No, no.
30:09The truth is that I have never seen myself
30:11having to ask for an audience
30:13to Mr. Porco for a faisan.
30:15What do you mean by a faisan?
30:17Come on, I'll tell you.
30:23The truth is that Zaragoza has always impressed us a lot.
30:25Yes, yes, yes.
30:26It is a city that has changed a lot in very few years.
30:28Now it is, I don't know how to say it,
30:30a more modern city.
30:31I would say more bustling.
30:32Yes.
30:33Although it is true that the sequels
30:35that the season of June left,
30:36which had to be tremendous.
30:38Yes, yes.
30:39Well, the fact is that we did what we had to do.
30:41We went to visit the Virgin of the Pillar
30:42to ask her for her blessing.
30:44And that's why we know that ours is going to turn out very well.
30:48By the way,
30:49they tell me that you are a fan of aviation.
30:57Well, it was.
30:59Yes, I participated in some championship.
31:02Sure, sure.
31:03I imagine that the difficult thing will be to win it.
31:07Yes.
31:08I won two of the three championships I participated in.
31:10And in the other one I was second.
31:13Manuel, don't be modest.
31:17I didn't feel bad.
31:18Wow.
31:19So I'm facing a great pilot.
31:21A pilot of height.
31:26And he's not going to ask me anything?
31:28Do I seem so uninteresting to him
31:30that I don't arouse his curiosity?
31:33No.
31:34I don't know why you say that, miss.
31:36You are charming and that's enough.
31:39I see.
31:40I understand that you like social magazines,
31:42don't you?
31:44Well, no.
31:45Not particularly.
31:47But, like it or not,
31:49the truth is that I ended up finding out.
31:54Good.
31:55What impression did you get?
31:57Well, it was hard for me to discern if that was true.
32:01Well, it's true.
32:02I was one of the maids of this house
32:04and I have a lot of honor.
32:06Yeah.
32:09I hope that doesn't bother you.
32:13No.
32:14Not at all.
32:15The only thing that matters to me about people
32:17is that they are good.
32:18And then to be able to be smart.
32:20And it's obvious that you meet those two requirements.
32:30Shall we continue?
32:34Let's see.
32:35He's handsome.
32:36You can't deny that.
32:37And polite and kind, to be honest.
32:39Well, I think he's a bit stretched.
32:42I don't think Miss Martina is stretched
32:44after the boyfriend she had.
32:47Do you mean the son of the dukes of Carvajal and Cifuentes?
32:51The prince of Pita.
32:52He's more stubborn than a stick.
32:54Don Jacobo is not for that.
32:55That's true.
32:56I think he's kind.
32:57And he has good manners.
32:59I think the most important thing is that she is happy with him.
33:02And that's it.
33:03And that he has regained his joy.
33:06Well, for me it's enough.
33:09It was time for Miss Martina to be lucky in love.
33:12Well, that's the only reason we'll have to forgive her
33:14for all the defects to her fiancé.
33:16Another thing is if they see him with a pair of eyes up there.
33:18What he gives me and what he doesn't.
33:20And why do you say that?
33:22I don't know why.
33:23But I've heard Mrs. Marquesa talk and...
33:26And what did she say?
33:27That she doesn't trust the boy.
33:28Well, that she doesn't accept the relationship between Miss Martina and Don Jacobo.
33:33Well, I don't understand.
33:34And I'm sorry because they both seem so in love.
33:37Well, she says that the relationship has been very unexpected and hasty.
33:41Let's see, fast it has been, but it doesn't mean that it has been hasty.
33:45And what else if they love each other?
33:46It is also true that the lady did not like that the young lady,
33:49for being with the boy, missed Don Manuel's wedding.
33:52Well, I guess she was drunk.
33:55And they were very far away, they weren't going to make it in time.
33:58Yes, when you're in love, you just have eyes for your loved one.
34:02And time flies.
34:03Yeah, but the lady also expects that no one from La Promesa
34:06will meet the young man's family first hand.
34:10Well, they will meet her.
34:11She is also worried that they have been together for a short time,
34:14and they are already thinking about the wedding.
34:17Time will tell who is right and who is wrong.
34:21Although the lady is rarely wrong.
34:24Can you tell me where this came from, Mrs. Agarri?
34:36Well, it turns out that it was from the young lady's mother.
34:41Well, it turns out that it was from Miss Martina,
34:46and since the jar was empty, I decided to throw it, Mrs. Arcos.
34:53Yes, I saw it too.
34:55I mean, how Teresa threw it.
35:00Okay.
35:01Why don't you retire to rest and stop chatting?
35:05Tomorrow awaits you a hard day of work
35:07and I don't want you to be exhausted before you start.
35:10And may you be, Mrs. Agarri.
35:17Thank you very much.
35:18Teresa, thank you.
35:20I would have fallen.
35:21Congratulations.
35:22But there are times when you have given your face for us, right?
35:25Here we are all sisters.
35:27Or almost all of us.
35:28That's why we cover our backs to each other
35:31and there is no secret between us.
35:34Yes, that's true.
35:41Come.
36:00Father.
36:02Good morning.
36:05I have already made a decision.
36:08How do you know?
36:10Because it's an animal of habit, Father.
36:12And I know that when he makes a decision at the last hour of the night,
36:15he likes to communicate it at the first hour of the next day.
36:20You are very observant.
36:22You know me better than I know myself.
36:25Maybe.
36:28What have you decided? Can you tell me?
36:37I'm not going to give you the palace of Cádiz.
36:41It was already clear to me the last time.
36:45I already told you that that palace is the inheritance that Don Juan left to his daughter
36:48and that she is not in favor of me giving it to you.
36:51You don't have to repeat it to me, Father.
36:53I already have the idea.
36:55Cruz can only eat it with potatoes if he wants.
36:58The only thing that annoys me about all this is that Cruz is not going to do anything with the property.
37:03Beyond preventing me from taking advantage of it.
37:05It's like the dog of the gardener who neither eats nor lets eat.
37:08Don't get upset, Catalina. I haven't finished talking yet.
37:11Don't get up, please.
37:13Sit down.
37:18For the same reason that prevents me from giving you the palace of Cádiz,
37:21I have decided that the fortune, the palace of Madrid, is for you.
37:26It's fair.
37:28You don't have to say anything.
37:29You don't have to say anything.
37:31I have already ordered the lawyer to prepare the paperwork to transfer you his title.
37:37But, Father, are you sure about all this? Because if you have doubts, I prefer not to do it.
37:41I am completely sure.
37:44As you know, that palace has belonged to my family for centuries.
37:48It was a gift from His Majesty Fernando VI.
37:50So I feel entitled to have it as I see fit.
37:55And that's what I'm going to do.
37:56And I'm going to do it as soon as possible.
37:59Because I care much more about my grandchildren than all my properties together.
38:04So that palace and its lands will be yours in a few days.
38:08Thank you, Father.
38:12But what about Leonor?
38:15The palace of Madrid must be for her.
38:18Leonor doesn't need that palace at all.
38:21Besides, I'm sure that if we asked her, she would agree.
38:25And what did Cruz say about all this?
38:27He hasn't taken it the wrong way yet.
38:30But we'll see.
38:31I don't understand.
38:33It's just that I haven't told him.
38:36Well, good luck then.
38:38And I'm not going to tell him either.
38:41Because in the same way that that palace comes from the heritage of his family,
38:45fortune, the palace of Madrid, comes from the heritage of mine.
38:49So I don't have to give explanations to anyone.
38:51And I'm going to do with it whatever it takes.
38:57Enjoy it, daughter.
38:59I will.
39:02Thank you, Father.
39:13But what is this mystery about?
39:21Why is it so urgent and intriguing?
39:23Come in.
39:27You see, Hanna, I brought you here to tell you something very important.
39:31I guess so, but what is it about?
39:34I've been inquiring about the strange behavior of Marcelo, Teresa and Vera.
39:38And about the comments on that woman's name.
39:42Lala?
39:43Yes.
39:44You see, I haven't told you anything.
39:46But Hanna, they've discovered something very big.
39:50Tell me what it is.
39:54For her, yes.
39:55Because they asked so much about Gloria.
39:57Each of these letters is signed by her.
39:59And chosen by Mr. Vázquez.
40:03But ...
40:08Where did you get all this from?
40:10It's not a long story.
40:12Look, Hanna, I don't know what you think.
40:14But it all fits me.
40:15And the only person I can think of who could have written these letters ...
40:19It's Dolores.
40:22Your mother.
40:35I thank you very much for the welcome you have given me.
40:37Martina had told me wonderful things about you, but now I think she even stayed short.
40:42It has been a pleasure to have you among us.
40:45It has been a pleasure to have you among us.
40:48It's a shame that your stay here was so short.
40:51I only came to meet you and to officially announce my commitment to Martina.
40:56And what about the handshake?
40:58Well, everything gets complicated when Martina's mother is so far away.
41:01And apart from that, at some point we will also have to visit my parents.
41:04It's the same.
41:05Although I don't worry much about my mother either, because you are there.
41:09Which I will clearly have to tell you, but ...
41:12Martina, you know we love you madly.
41:14But you don't want her daughter's wedding to be lost, do you?
41:16No, no, of course not.
41:17Well, as I said, it's a pleasure to be at your house.
41:20Thank you very much.
41:21Really, the pleasure has been mine and ...
41:23See you very soon.
41:25A pleasure.
41:34That young man can't be put a but.
41:37He is ... perfect.
41:39Or almost.
41:40He is polite, kind, from a good family, but ...
41:43I don't know, there is something that scares me.
41:45That's what I think.
41:48There is something that I don't like.
41:50Yes, there is something about him that I don't know what it is, but there it is.
41:53Nothing specific.
41:54Exactly.
41:56Nothing specific.
41:57Who knows?
41:58Maybe it's a matter of skin.
42:00Or that everything has been so rushed that distrust is inevitable.
42:05They are inevitable.
42:13Come in.
42:24What can I do for you, Mrs. Arcos?
42:27Actually, nothing.
42:29I just thought it was the best way to hear from you.
42:34Because lately we don't see each other much.
42:42And I have the feeling, Santos, that you avoid me as much as your father.
42:49No, Doña Petra.
42:50I try to avoid my father, but ...
42:53But not you.
42:55I know.
43:00And how are you?
43:03Bad.
43:06That my father and I don't get along is no secret.
43:10But what blows me away is that ...
43:12is that he has twisted things so much that suddenly he seems the victim.
43:16Yeah, when he's actually the executioner.
43:19And to top it off, I've had a fight with Mr. Baeza's thousand demons because of him.
43:23But of course, since he is the superior, he has not been able to defend me.
43:27The boss is always right.
43:30But because of what Mr. Baeza has told you.
43:34He told me that ...
43:37that I couldn't talk to my father like that.
43:40When they get along, he's my father.
43:42And when he's not, he's the superior.
43:45And you know what, Doña Petra?
43:49I'm fed up.
43:52I'm fed up with all this.
43:53I'm fed up.
43:57Santos, I ... I don't take away your reason.
44:01But maybe ...
44:03neither the argument with your father nor the fight with Mr. Baeza were for so long.
44:08And maybe you're getting carried away by frustration.
44:13And what do you want me to do?
44:16I ... I can't keep living like this.
44:19With this burden.
44:23And what are you going to do, Santos, to change things?
44:31Well, you know what?
44:36I think I've already decided.
44:38Ricardo.
44:50Ricardo.
44:51Wait, I want to talk to you.
44:54About what?
44:55Well, about Ana.
44:56About your wife.
44:58Well, she's part of a very distant past and she should stay there.
45:01Ricardo, that's your wish, it's not reality.
45:02Ana is still existing.
45:04If Santos has gone to see her, he will talk to her.
45:07What are you trying to get out of all this now?
45:09What I want to know, Ricardo, is what happened between you two.
45:15I don't want to talk about that.
45:16Yeah, I understand that you're closing in on each other because it's ...
45:19it's a part of your very intimate life and ...
45:22and very painful too, but ...
45:24it's also my life.
45:25And if I want to share it with you,
45:27I need to know the land on which I live.
45:31And I suppose you understand my doubts because the first time I told you about your wife,
45:36you hid the truth from me.
45:43Okay.
45:46Ask whatever you want.
45:47I promise to be as honest as possible.
45:49What do you want to know?
45:50Why do you refuse to talk to her with such fervor?
45:53Ricardo, if that's what your son asks of you.
45:55Maybe if you talked to her, your son would know firsthand who is lying and who is telling the truth.
46:00And everything would be solved before.
46:02If I refuse to talk to her, it's because I'm afraid, Bea.
46:05But afraid of what?
46:07If the relationship with your son can't be worse, Ricardo.
46:10Maybe if he talks to Ana and faces her lies,
46:14maybe he'll win.
46:17I'm afraid of myself.
46:21Of my feelings.
46:27I'm afraid to discover ...
46:30... that I'm still in love with her.
46:41And the best thing is that Bea tells us that her fiancé likes Faizan a lot.
46:45Like everyone who has tried Faizan.
46:47Don't I tell you?
46:49Of course, we couldn't say no.
46:53Why?
46:55For not being in the wrong place in front of this girl.
46:59I don't understand.
47:01Me neither.
47:02You see, it's clear that no one has told Miss Martina
47:05that the house is short of money, that we are saving,
47:08that you don't see, and she asked for Faizan.
47:10How could she have asked for anything else?
47:12I still don't understand why they didn't tell her the truth.
47:15I'm sorry, but it's not a good time.
47:17And now there is no money for Faizans.
47:20It's just that it's not that easy, father.
47:22Why?
47:23Because we were facing a stranger who was the fiancé of Miss Martina.
47:26And of course, we assumed that Mrs. Marquesa would not be pleased
47:29if she found out about all this.
47:30Yes, Mrs. Marquesa has always preferred to clean the dirty rag at home.
47:35And how did you get out of the mess?
47:37Well, we didn't get out.
47:39It was Maria Mandrajos who divinely taught her
47:42so that that boy and Miss Martina would go to eat in Luján.
47:46That's what my aunt Adelita called it.
47:48I fulfilled and did not spend.
47:50The truth is that I am not the one who defends Petra.
47:53We could get to Petra, but you have to admit that we were there early.
47:57It's true.
47:58Miraculously, we were fine in front of this boy.
48:01And he left the palace without finding out that the Marquesas
48:04are more stubborn than the telegraph posts.
48:07It's funny, because it's the second time that Miss Martina has made a boyfriend.
48:10And both of them have been suddenly.
48:12Except that when it comes to the little prince, there was more wax to cut.
48:17Father, it seems that you have another wedding around the corner.
48:23I'm afraid I won't be the one to celebrate this wedding.
48:26And why is that?
48:33I'm leaving the promise.
48:36I only say that that girl, the day you decide to look at her without prejudices,
48:40will surprise you for good.
48:42And I tell you that day will never come.
48:44What he said about the food, he said it with good faith, not to bother you.
48:47I don't want to talk about her anymore.
48:49Leocadia is so difficult to understand.
48:51I can't stand her.
48:53I don't want to talk about her.
48:55I don't want to talk about her.
48:57I don't want to talk about her.
48:59I don't want to talk about her.
49:01I don't want to talk about her.
49:03You see, I can't stand her.
49:05Talking about Hanna annoys me.
49:07Seeing Hanna annoys me.
49:08Thinking about Hanna annoys me.
49:10Everything that has to do with that insufferable little girl annoys me enormously.
49:14Well, I'm forced to remind you that that insufferable little girl is your daughter-in-law.
49:19And that she is also pregnant with your son's firstborn.
49:22You insist on reminding me everything I want to forget, right?
49:26You have to accept Hanna Cruz, if you are not going to live a bitter life for the rest of your life.
49:30It's just that she's not the only reason for my bitterness.
49:33I wish she was.
49:35Oh, there are other reasons?
49:37Well, if you want to tell me.
49:39The stabs in the back.
49:41Especially if they come from someone who is supposed to be your friend.
49:46I don't know if I understand you, Cruz.
49:52I know it was you who found the photographer.
49:55You aired Hanna's past to put us in the spotlight.
49:58And you don't dare to deny it.
50:00I was able to gather all the money that unimaginable man asked for.
50:03And I have a letter from the person who hired him.
50:07The signature of a man named Leo.
50:10I could recognize your handwriting from afar.
50:13You've been lying to me all this time, you've laughed at me.
50:16You even gave me the contact of the photographer.
50:18What did you want?
50:19What did you want me to find out?
50:24I wanted you to realize.
50:25Realize what?
50:26Realize what?
50:27Come on, Cruz, don't tell me you don't know.
50:30I've come to avenge my death.
50:34But what if...
50:36If you're alive?
50:38To your sorrow.
50:41Twenty years ago, I had to leave Spain.
50:43At night.
50:44With nothing.
50:46I left to save my life.
50:48Because you,
50:50my soul friend,
50:51had had me killed.
50:54It's time to settle accounts.
51:07I just wanted to be completely honest.
51:09And I'm also going to be honest with you, Ricardo.
51:13And I tell you,
51:14that the little or the much that was between us,
51:19ends right here.
51:20It ends right here.
51:21Well, the truth is that, as someone who told you two days ago that you know each other,
51:25and Jacobo's parents,
51:26it's still a mystery to me.
51:28And what did you tell him so that he would be calm?
51:31Well, I answered all the questions he asked me about Jacobo,
51:34but with what I knew she wanted to hear.
51:37Because otherwise it would have been that she had told him the truth.
51:40And what is the truth?
51:42I would like to ask you a favor.
51:43If it's in my hand.
51:46It's a matter related to my daughter, Ángela.
51:48I need you to talk to her,
51:50to convince her not to leave her studies.
51:53Be a little patient, sir.
51:55I have no choice, Romulo. I've already told you.
51:57We must play more important games.
51:59Are you insinuating that the dismissals will begin?
52:04I've been thinking about it,
52:06to see if I could find a solution to get us out of this hole.
52:09Illustrate us.
52:10Where do we have to look?
52:12Here, rather.
52:14Your own son, Curro.
52:16Curro.
52:17What?
52:18But why did Doña Pia want those letters?
52:19Look, now we have everything in our hands.
52:21Well, calm down.
52:22In exchange for his silence,
52:23he has forbidden me that none of the four of us
52:25continue to whine about the lives of the gentlemen.
52:27And that's what we're going to do.
52:28This sounds like a story about enchanted houses.
52:31It would be worthy of a brochure.
52:32I tell you that if someone writes it,
52:34it becomes a success.
52:36Doña Pia, I need to go to that room.