開運！なんでも鑑定団 2025年1月28日 500年前の超伝説＜二大有名画家＞合作の精緻絵＆美麗＜銀製品50点＞を一挙鑑定！驚き値
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TVTranscript
00:00Thank you!
00:04Everything is related to Kaiyuan.
00:09We are interested in a collection of food and water.
00:16I was surprised that the world of Kaiyuan is so deep and difficult.
00:22A great discovery!
00:23A collaboration of two painters representing the Ming Dynasty in China.
00:28If you wash it now, will you eat it again?
00:31Mr. Takushi Saga, a detective.
00:35He is a 6th grader in elementary school.
00:38He is a treasure hunter.
00:42It's fake.
00:44It's real.
00:45It's real.
00:46It's fake.
00:51Today's guest is...
00:53Today's guest is...
00:56Welcome to Osaka.
00:58I'm a reporter from Nanima.
01:00I'm Tarjin.
01:02Mr. Tarjin, a talent.
01:05He is a god of location.
01:10He was born in 1962 in Osaka.
01:15He was a member of the Japanese Language Research Society when he was in college.
01:19His stage name is Tarjimaharu.
01:23He was going to be a Rakugo artist in the future.
01:27But he debuted as a talent when he appeared in the audition program.
01:36After that, he went to many locations.
01:39He created his own shooting technique.
01:44He was called the number one reporter in Kansai.
01:49Let's see his shooting technique.
01:54Today's guest is Matsubaya Usamite.
02:03This is Kitsune Udon.
02:06I'm glad.
02:07Here it is.
02:08This is the original Kitsune Udon.
02:11How is the Udon?
02:12Where did you eat it?
02:14It's the soup.
02:16Let's eat.
02:19It smells good.
02:21I can't say anything.
02:23This is the Udon in Osaka.
02:26He is reacting to it.
02:32When I roll it, it goes to my nose.
02:37The color of the soup is a little dark.
02:40Of course, it's not spicy.
02:42This fried chicken is heavy.
02:45Look at this.
02:49The fried chicken is so big that I can't see my face.
02:53This is impressive.
02:56This is a delicious fried chicken.
02:58When I hold it, steam rises.
03:03To make it easier to see the steam.
03:05I always use protoxin to make it easier to see the steam.
03:10If the back is black, it's easy to see.
03:14This is a good idea.
03:16If you want to eat delicious Udon in the cold,
03:20you should wear glasses.
03:22Then you can see my eyes.
03:26I take off the lens of my glasses.
03:31This is for that.
03:33I'm hungry.
03:37I can't stand it.
03:39I eat fried chicken.
03:47You eat fast.
03:53I don't imitate amateurs.
03:55You eat too fast.
03:57This is perfect.
03:59This is wonderful.
04:00This is amazing.
04:03I heard that you invited me to the studio.
04:05I'm happy.
04:07I'm looking forward to working with you.
04:10Just me.
04:12The client is here.
04:15He is TAJI from OSAKA.
04:19Welcome.
04:23I saw your report after a long time.
04:25You have evolved.
04:27Thank you very much.
04:28I have to go to OSAKA.
04:31I'm sorry.
04:32I don't think you can go to OSAKA.
04:36Is that so?
04:37This is a hot UDON.
04:39I cooled it down while talking.
04:43I talked a lot to show my face.
04:47I talked a lot.
04:49The director will make a place to edit the video.
04:52I can't stop talking.
04:54This is it.
04:57The camera is in the room.
05:00I can't stop talking.
05:04This is interesting.
05:06I will open the treasure.
05:08open.
05:13This is KURO-RAKU CHAWAN.
05:16KURO-RAKU CHAWAN.
05:17This is wonderful.
05:22My wife's grandmother brought this.
05:27This is behind KODAI.
05:30There is a person named RAKU.
05:32Can you see the camera?
05:34TAJI, you don't have to do it yourself.
05:37Is that so?
05:40This is made by SEN NO RIKYU.
05:45I think this is how it was made.
05:48This fits in my hand.
05:53This is not distorted.
05:56This is the beauty of SEN NO RIKYU.
06:01This is the color of green tea.
06:04SEN NO RIKYU may have used this.
06:08This is a fake.
06:15This is too beautiful.
06:19This is more than 450 years old.
06:22This is too beautiful.
06:25How much is this?
06:27This is 1 million yen.
06:29This is expensive.
06:32I want an electric bicycle.
06:35This is your father's car.
06:38Let's open the prize.
06:41How much is this?
06:441, 2, 3.
06:47This is 2,000 yen.
06:50This is 2,000 yen.
06:53This is 2,000 yen.
06:56This is expensive.
06:59This is 2,000 yen.
07:03This is not a tea pot from the Raku family.
07:07This is a tea pot that has been burned in a large amount.
07:13This is easy to hold.
07:16This is easy to use.
07:20This is good for everyday use.
07:22Please drink a lot of green tea.
07:25How do you feel?
07:27I was shocked.
07:30This is good for your mouth.
07:32Please drink a lot of green tea.
07:37Next is YANAKA in TOKYO.
07:41This is KOTTOICHI in ENMEIIN.
07:48The next client is NAOMI KATO.
07:53I like Western antiques.
07:55I often go to KOTTOICHI.
07:58I came here to look for something.
08:01I'm very excited because it's my first time here.
08:04What are you looking for?
08:08First of all, I got this button.
08:12Then I found it.
08:14Can I have this?
08:16Thank you very much.
08:18Have you already found it?
08:20It was different from what I was looking for.
08:22It was cute, so I bought it.
08:25The next thing I noticed was this.
08:28This is a French national flag.
08:31This is cool.
08:33Can I have this?
08:36This is different.
08:38This is cool, so I bought it.
08:41Furthermore.
08:43This is a large space.
08:45This is a dice.
08:47This is a dice.
08:51I'm not looking for this either, but I bought it.
08:56Antiques are not the same.
09:00If you miss a moment of luck, you may not be able to meet.
09:03I bought it at a glance.
09:08Because of that, I often make mistakes.
09:11Is that so?
09:14It took two hours to look around.
09:17Finally.
09:19I found it.
09:21This is what I was looking for today.
09:25So I bought it.
09:28I found something very nice.
09:30It seems to be a thin and long thing that can be easily held with your fingers.
09:35What is this?
09:37This is a common item in everyday life.
09:41Actually, I collect a lot of this.
09:44This is very interesting and beautiful.
09:49This time, I will bring a special collection.
09:54I look forward to working with you.
09:57What is it?
09:59Let's take a look at the studio.
10:01Here comes the client.
10:04This is NAOMI KOTO from FDG.
10:07Nice to meet you.
10:11This is a nice studio.
10:13The weather was nice.
10:15This is the first time I came here.
10:17Did you buy it at a glance?
10:21The camera was turning.
10:24I'm sorry.
10:26I'm sorry.
10:28I'm sorry.
10:30Do you have any tips for buying?
10:33I communicate a lot.
10:36If you ask me why I bought it, I will be very happy.
10:41I understand.
10:43I want you to buy it.
10:46That's right.
10:48If you understand the price, you will buy it.
10:52Then I will buy it.
10:54You are good at buying.
10:57I will open the treasure.
11:03This is beautiful.
11:05This is an antique spoon.
11:08This is 50 years old.
11:11This is from England and France.
11:14The oldest spoon is 1600 years old.
11:17This is 1636 years old.
11:21How much is this?
11:22This is 60,000 yen.
11:25This is expensive.
11:28If it's small, it's a few thousand yen.
11:31The shape is different.
11:33This has a hole.
11:35This is used to scoop corn.
11:38That's good.
11:40This is called BONBON SPOON.
11:43This is used to scoop sweets and fruits.
11:46This is also used to scoop corn.
11:50This is small.
11:52This is used to scoop salt.
11:54This is called SALT SPOON.
11:58This is cute.
12:00This is cute even if you put it on a bucket.
12:03This is fashionable.
12:04This is an ice cream spoon.
12:07This is used to scoop corn.
12:10This is thin.
12:12This is used to scoop ice cream.
12:14What is this?
12:16This is used to scoop the leaves of black tea.
12:20You are very relaxed.
12:25The world of spoons is deep and beautiful.
12:29I was surprised.
12:30How many spoons do you have at home?
12:32I have 200 spoons at home.
12:36This is a special cabinet.
12:38Is this for decoration?
12:40This is where I put all my money.
12:46CUTLERY is a tool mainly used for farming.
12:50This is a knife, fork, and spoon.
12:55The history of spoons is old.
12:58From ancient Egyptian ruins, wooden, ivory, and animal bones were found.
13:06At that time, people used to eat by hand.
13:10This is not for eating.
13:12This is used to make cosmetics.
13:16Middle-Eastern Europe began to appear on the table.
13:22At that time, metal spoons were rare.
13:26Only some privileged classes could use them.
13:30Therefore, the spoon was a symbol of wealth.
13:34In the upper class of England,
13:37At the tip of the picture, there is a silver spoon with 12 detailed carvings.
13:46It is said that people are born in a wealthy family in Western Europe.
13:50It is said that people are born with a silver spoon.
13:57The nobles began to use cutlery to eat in the 17th century.
14:04From this time, excellent silverware began to be manufactured in England.
14:11In England, there is a system that guarantees the quality of silverware.
14:17A seal that shows various information was pressed.
14:21This is called a hallmark.
14:25One of the standard marks represents the quality of silver.
14:30For example, this horizontal lion represents 92.5% purity.
14:38The Assey mark represents three places.
14:41If it is London, it is Hyo.
14:43If it is Sheffield, it is Okan.
14:45It is determined by the region.
14:49The date letter represents the year of production.
14:53This can be distinguished from the difference in the alphabet and the design of the frame.
15:01Among the cutlery, the spoon is the most diversified.
15:05Various things were made for each dish and purpose.
15:10A large one for separating dishes.
15:14One for tea time.
15:18Fruits and desserts.
15:22There are several types of cutlery.
15:29Let's take a look at the items.
15:32With 50 silver spoons, 47 are made in England.
15:37Three are made in France.
15:41The two tablespoons are the oldest.
15:48One does not have a hallmark.
15:51But the picture says 1636.
15:58The other has a hallmark.
16:01It is from London in 1697.
16:07The tea time caddy spoon has 15 points.
16:12This is to scoop the tea from the tea caddy and put it in the pot.
16:20It is mainly used in front of guests.
16:23It is decorated.
16:26It has a shell motif.
16:29It has flowers and leaves.
16:32It is really gorgeous.
16:36Similarly, the tea time caddy spoon has 5 points.
16:41This is used to pour tea into a cup.
16:47When there was no tea strainer to strain the tea leaves,
16:51this spoon was used to scoop the tea leaves into the cup.
16:57At the tip of the pointed end,
17:00the tea leaves are pushed back into the cup.
17:05This is a sugar shifter for dessert.
17:10It is used to sprinkle sugar on sweets and fruits.
17:15It is a very elegant spoon.
17:19In addition, there is a jam spoon.
17:25This is a fruit spoon with an embossed flower pattern.
17:30This is a small but elaborate salt spoon.
17:35These are all practical items, but they are very beautiful.
17:40How do they taste?
17:55Is this real or fake?
18:04What will you do when you get a scholarship?
18:07I want to publish a book.
18:10You want to take a picture.
18:14How much is the scholarship fee?
18:161 million yen.
18:18I think it's worth it.
18:20Let's open the prize.
18:25I can't imagine.
18:32It costs over 1,000,000 yen!
18:36Amazing!
18:40These spoons from the 17th century to the early 20th century.
18:43They are all handmade,
18:45shaped and decorated in a detailed way.
18:47They are all handmade.
18:49They're all unique.
18:52It's a wonderful collection.
18:54The most expensive one is the one made in the 17th century.
18:58Each one is worth 250,000 yen.
19:00What?
19:02The one in 1636 is an old, unique shape from the 17th century.
19:07The one in 1697 is called Britannia Silver.
19:11The purity of the silver is 95.84%.
19:14It's a little higher than the standard.
19:16It's a very rare thing.
19:19The production period is very short.
19:21It's really hard to find.
19:24The reason why the caddyspoon is short is that
19:26when you put tea leaves in it,
19:28you can put it in a small container.
19:30That's why it's short.
19:32It's hard to find in Europe.
19:35It's a really good collection.
19:38I was impressed when I saw it.
19:42It's amazing.
19:44How was the result?
19:46I didn't expect it.
19:48It's our goal to buy it in Japan.
19:50We don't want to eat it in Japan.
19:52Please look for it all over the country.
19:55I understand.
19:57Let's go! Nandemo Kanteidan in Taku!
20:05This time, we are in Taku City in the center of Saga Prefecture.
20:10The symbol of the city was built in 1708
20:14and the Taku City Hall was built for the festival.
20:18As a public school in Japan,
20:21Taku City Hall is designated as an important cultural property
20:25by the Ashikaga School and Shizutani School.
20:31The Wall Art Project has been working hard in recent years.
20:36Professional artists make colorful works
20:41in Taku City Hall.
20:46It's also a photo spot.
20:48Two photographers are here to commemorate their trip.
20:53First, Mr. Matsumoto, who has lived in Bonsai for more than 50 years.
20:57I've lived in Bonsai for about 150 years.
20:59150 years?
21:01This is his home.
21:03Wow, look at this garden!
21:05It's amazing!
21:07What are you going to do in the future?
21:09If there is Bonsai in the future...
21:11We are a big family of seven.
21:13Oh!
21:14Maybe there will be someone who will do it for us.
21:20Some of our group members
21:23are getting old,
21:25and when they die,
21:27Bonsai will die with them.
21:31Here are the treasures!
21:35This is a plate of Nadeshimayaki.
21:38How did you get it?
21:40I worked for a big company,
21:43and they gave me this plate
21:46because I worked so hard.
21:49I don't know if they gave it to me,
21:52but it's not real.
21:55We don't know how they got it,
21:58but it was already at home during the Meiji era.
22:01When he got old,
22:03his grandmother told him not to leave the house
22:06when he got old.
22:08She said,
22:10if it's so important,
22:12you shouldn't use it,
22:14but you should keep it.
22:16About 15 years ago,
22:18when I visited the hotel lobby,
22:20I was surprised
22:22because there was a plate of Nadeshimayaki
22:24that looked exactly like this.
22:26I thought this was the same as my father's.
22:29I thought this was the same as my father's.
22:32So, the value of the Nadeshimayaki
22:34is 500,000 yen,
22:36which is more than expected.
22:38Nadeshimayaki was donated to the Shogun family,
22:41so I'm sure it's worth this much.
22:45What is the result?
22:48Come on!
22:50I'll see for myself.
22:52No.5!
22:54What a shame!
22:57It's not the Nadeshimayaki of the Edo period.
23:01It was made in Meiji
23:04by people who worked in Hanyo in the Edo period.
23:07It was sold to the general public.
23:09Nadeshimayaki has rules
23:11for its shape and pattern.
23:14It's a wooden tile type,
23:16so-called sakazuki shape.
23:18It has a high platform
23:20and a slightly deep shape.
23:22And on the high platform,
23:24you can draw patterns like the eyes of a star.
23:26And on the back,
23:28you can draw the same pattern in three places.
23:30These are the rules.
23:32I hope you'll try it.
23:37Next,
23:38Ejima-san, a 6th grader,
23:40is here with his grandfather's treasure.
23:43Kanteidan.
23:45Do you like it?
23:46Yes.
23:47Wow!
23:48What is it like?
23:50It's fun to guess.
23:52Is it real or fake?
23:55Can you guess?
23:57No, I can't.
24:00When did you get into it?
24:02When I was in the first grade.
24:04You were in the first grade?
24:06Yes.
24:07I'm so grateful.
24:09Do you ever get excited
24:11about Kanteidan
24:13with your friends at school?
24:14Not at all.
24:18Here is the treasure.
24:23It's a book of Yamaoka Tesshu.
24:25Do you know Yamaoka Tesshu?
24:27I didn't know him, so I looked him up.
24:31He was born in 1836.
24:34He was called Bakumatsu Sanshu
24:36along with Katsukai Shu,
24:38Takahashi Rei Shu.
24:41In Meiji 4th year,
24:43he became the governor of Imari Prefecture.
24:45He was a swordsman,
24:47and also a master of calligraphy.
24:50Thank you very much.
24:53This treasure is passed down from generation to generation.
24:56His grandfather believes it's real,
24:59but he...
25:01It's fake.
25:04Don't worry, Masayoshi-san.
25:06You almost got it right.
25:08Why do you think it's fake?
25:11It's a weird character.
25:13A weird character?
25:15What do you think, Nanase-chan?
25:17I think it's fake.
25:21His grade is 100,000 yen,
25:23based on his grandfather's opinion.
25:27He may pass the exam in the future,
25:29so I hope his prediction is wrong.
25:34What's the result?
25:373,000 yen!
25:39He got it right.
25:43You got it right, Hosuke!
25:45I'm so happy!
25:48It's a shame,
25:51but it's not a Yamaoka Tesshu book.
25:56What people do is painful,
25:59but it's fun.
26:01Sanko is about nature.
26:03There's nothing old or new about nature.
26:07It's an impression.
26:09It's an impression.
26:11It's a three-character word.
26:13You can't read it as a dot.
26:15There's no line.
26:17That's the most decisive.
26:20It's a one-character word,
26:22but it goes from left to right.
26:25The line goes more quickly.
26:28That's a bit of a problem.
26:33Next is Mr. Ishida,
26:35who likes to drive.
26:38What do you like about cars?
26:40They're cool.
26:42This is his first car.
26:45When you open the roof,
26:47it's an open car.
26:49Do you drive it?
26:51I can't drive it.
26:53Why?
26:54It's hot in summer,
26:56and cold in winter.
26:58I'm a farmer.
27:00In spring, I plow, and in autumn, I farm.
27:02So I don't have time to drive.
27:05Here are the treasures.
27:12This is a vase from the 14th Sakaida Kakiemon.
27:16Five years ago,
27:18an old man asked if he could buy it
27:21because he was harvesting.
27:23He refused once,
27:25but eventually bought it.
27:28How much was it?
27:30I don't have much money.
27:33I have a mother.
27:35But that's...
27:37Why are you suddenly asking?
27:40He's kept it a secret from his wife,
27:43but he's going to tell her.
27:46It's 300,000 yen.
27:48300,000 yen?
27:50This is his wife, Ms. Motoe.
27:53When I write money,
27:55I don't write it on the side.
27:57When I write money,
27:59I don't write it on the side.
28:01The pen didn't move?
28:03Because you kept it a secret.
28:06What he likes is
28:08the pattern of plants on both sides.
28:11What's on the front?
28:13The back of a crow is a gummy.
28:16The front and the back are different.
28:19That's true.
28:21His estimate is 300,000 yen,
28:23the same as when he bought it.
28:28He's going to buy it with his wife,
28:31so what if it's cheap?
28:35What's the result?
28:37Ta-da!
28:38Come on!
28:39150,000 yen!
28:41This is amazing!
28:43I did it!
28:45The 14th Sakaeda Kakiemon work.
28:48It's a good one.
28:50It's a human-made work
28:52with a technique called Nishiki.
28:54Kakiemon is characterized by
28:56this pure white fabric.
28:58This is called Nigoshide.
29:00If you think of the Nabeshimayaki
29:02that came out earlier,
29:04I think the white part
29:06was a little bluish.
29:09It's dyed,
29:11but it's still bluish.
29:13This Nigoshide is really white.
29:16That's what I pursued.
29:18Only Kakiemon can do this.
29:20The 14th Sakaeda
29:22sketched a plant
29:24and used it as a pattern.
29:28But it's not real.
29:30The color of the plant
29:32is not the color of the leaf.
29:34It's a Kakiemon style,
29:36and he incorporated it.
29:39It's a very beautiful work.
29:43Next is the third generation
29:45of Konnyaku manufacturing company,
29:48How long have you been making Konnyaku?
29:50I've been making Konnyaku
29:52for 70 years.
29:54You've been making Konnyaku
29:56for 70 years.
29:58Aren't you tired of it?
30:00No, I'm not tired of it.
30:02I'm going to make more
30:04from now on.
30:06Today,
30:08he brought Konnyaku
30:10that he was proud of.
30:12It's recommended to eat it
30:14with vinegar miso sauce
30:17Konnyaku
30:25It's the best!
30:29Thank you very much.
30:31Konnyaku is gentle and easy to eat.
30:33The vinegar miso sauce is effective.
30:35If there was beer or sake,
30:37I think it would have been
30:39a good sake fish.
30:41It's being recorded.
30:44The treasure is a beautiful painting
30:46by Shinsui Ito.
30:48It's a picture of a woman
30:50who is hunting for death.
30:52It was obtained
30:54by his father,
30:56who was a big fan of Konnyaku.
30:58His father donated
31:00most of his collection
31:02to the museum,
31:04but he didn't know
31:06if his father liked
31:08this Kakejuku.
31:10When I saw it,
31:13I thought it was
31:15beautiful.
31:19Have you ever seen
31:21a real Kakejuku?
31:23No, I haven't.
31:25Do you know
31:27if it's real?
31:29I don't know very well,
31:31but I know
31:33an elementary school student
31:35who knows this kind of thing.
31:37Let's ask him.
31:39How do you feel
31:41about this Kakejuku?
31:43It's like a real Kakejuku.
31:45Which part?
31:47The bottom part.
31:49The bottom part?
31:51The painting?
31:53The balance?
31:55It's like a real Kakejuku.
31:57Thank you very much.
31:59The value of this Kakejuku
32:01is 500,000 yen,
32:03according to his father.
32:05Mr. Ejima said
32:07it was a real Kakejuku,
32:09so I'm looking forward to it.
32:11What will happen?
32:13Stay tuned
32:15after the commercial break.
32:24If it's real,
32:25do you want to eat more?
32:26I want more.
32:35Ito Shinsui's beautiful Kakejuku
32:37left by Mr. Ejima.
32:39What is the result?
32:43It's 5,000 yen!
32:51Thank you very much.
32:57It's a great fake.
33:01If you look at the kimono sleeves,
33:03there are tires.
33:05It's like a real Kakejuku.
33:07You can't do that with a kimono.
33:09One more thing I can say is
33:11about the feet.
33:13The soles of the feet are
33:15flowing to the right.
33:17If you look closely,
33:19when you put your left foot
33:21behind,
33:23it moves like this.
33:25You're pulling your right foot.
33:27It's strange.
33:29Thank you very much.
33:31Next,
33:33Mr. Ikeda, a collector.
33:35Did you get into it?
33:37I walked around museums
33:39and art museums.
33:41When I saw them,
33:43I thought,
33:45this is wonderful.
33:47He started collecting
33:49two years ago.
33:51He has 25 collections.
33:53He believes that
33:55all of them are masterpieces,
33:57but his wife...
33:59It's been a year or two,
34:01but I still can't believe it.
34:03She said,
34:05but I want you to believe
34:07my eyes.
34:09I'm sorry,
34:11but I'm not in the middle of a marriage.
34:13Here are the treasures.
34:21Tokyo Satsuma plates.
34:25Tokyo Satsuma is
34:27a Satsuma-style plate
34:29that was made in Tokyo
34:31in the 1970s.
34:33He discovered it
34:35at an online auction last year
34:37and fell in love at first sight.
34:39However,
34:41he didn't have an appointment at the time.
34:43I contacted the seller
34:45and told him
34:47to wait for two or three months.
34:49At that time,
34:51the price offered by the seller
34:53was 200,000 yen.
34:55After three months,
34:57he was able to make it.
34:59When he saw it,
35:01he thought,
35:03I'm sure it's the one.
35:05He put it in all of the plates.
35:07He's very careful.
35:09There's no gold or silver.
35:11The Satsuma plate
35:13doesn't have the motif
35:15of a fairy.
35:17He looks like his wife.
35:19I think
35:21my wife is prettier.
35:23All right.
35:25Let's go.
35:27By the way,
35:29what does Ejima-san think?
35:31He looks like a fake.
35:33He's too bright.
35:35He's too bright.
35:37He's a great teacher.
35:39He's a great teacher.
35:43His evaluation is
35:451 million yen.
35:49Today, he brought
35:51his most proud item
35:53in the world.
35:55What's the result?
35:57Come on, Ejima-san!
35:59350,000 yen!
36:01It's a great result!
36:03That's great!
36:05I'm sweating.
36:09It was made in the Meiji era.
36:11It's a display plate for export.
36:13It's a display plate for export.
36:15It's a display plate for export.
36:17It's a display plate for export.
36:19It's a display plate for export.
36:21It was used for the Tokyo thing,
36:23but I can't show it to you.
36:25It's written Tokyo mission,
36:27or the bulletán.
36:29It's written Tokyo mission,
36:31or the bulletán.
36:33It's written Tokyo mission,
36:35it's written Tokyo mission,
36:37Tokyo mission.
36:39It's said that he made
36:41such a display plate.
36:43He paint spectacularly.
36:45It is not only a display of his hands.
36:47It is not only about clinical mass production,
36:49But there were a lot of products for export in the Meiji era, so it didn't go to a million yen, but I think it's a very good product.
37:08Next, from Kumamoto City, Kumamoto Prefecture.
37:12As soon as they visited their home, they enjoyed drinking together.
37:21The next client is Mr. Masafumi Oike, 72 years old.
37:26I've known Mr. Oike since he was in junior high school.
37:34I'm two years younger than him, but for some reason, we get along well.
37:44These are two high school students.
37:48He's big and good at sports.
37:53He's also good at fighting, so he's a reliable big brother.
37:59He's known for his old stories.
38:04Actually, I've been on the jury before.
38:09That was in 2019.
38:13Here's the treasure.
38:17It's a strange drawing of a line of charcoal.
38:23What do you think this is?
38:25I don't know.
38:26Grass?
38:29I can draw this.
38:32He's said that a lot.
38:35But the result is...
38:415 million yen!
38:44This is amazing!
38:47I'll go home and draw 10 more.
38:50Mr. Takeo Yamaguchi is a pioneer of abstract art in Japan.
38:56It's rare to see a drawing of a line of charcoal.
38:59Mr. Yamaguchi has always pursued the form.
39:04I don't know what he's drawing.
39:08But it's fascinating that we can have a conversation just by looking at it.
39:13I was surprised.
39:14It's strong.
39:17I didn't expect it to be this strong.
39:20But he's surprised inside.
39:24I have something even stronger.
39:27That's the treasure.
39:30His grandfather, who was the head of the Minamimanshu Railway, got it at the site.
39:36It's a big name Chinese work from 500 years ago.
39:41My work was 5 million yen.
39:45I thought it would be more expensive.
39:48It's 5.5 million yen.
39:51I'm looking forward to working with you.
39:54Will he be able to surpass his friend?
39:57Here's the client.
40:00This is my client, Mr. Masafumi.
40:06Nice to meet you.
40:08Nice to meet you, too.
40:10It's nice to have a drink with you in Kumamoto.
40:14No, no, no.
40:16Always.
40:18My friend, Mr. Matsuda, came to the studio today.
40:22What are you doing?
40:24I was asked if I would like to go home from the museum.
40:28It's a memory of my father.
40:30Did you actually see it?
40:33How did you feel when you saw it live?
40:38This time, it's even better.
40:42I'd like to see it.
40:44Open the treasure!
40:50This is a work of two painters from the Ming Dynasty in China.
40:54QA and Bun Chaomei.
40:58Bun Chaomei in QA's painting?
41:01It's written in Chinese.
41:03I heard that they are the best four painters of the Ming Dynasty.
41:06They are the two painters of the Ming Dynasty.
41:08The best four painters of the Ming Dynasty?
41:11That's amazing.
41:13The painting is very detailed.
41:15Each person's face is drawn in great detail.
41:20It's very detailed.
41:22I can't draw this.
41:25There's a horse, too.
41:27Sugai's favorite horse.
41:29It's very detailed.
41:30The horse's legs are very detailed.
41:35Even the hair.
41:37Sugai, you're too excited.
41:39You like horses that much?
41:42Four painters from the Ming Dynasty in China.
41:45QA, Bun Chaomei, Tao Yin, and Bun Chaomei are called the four main painters of the Ming Dynasty.
41:53The artists of the works are QA and Bun Chaomei.
41:58Their works are highly regarded worldwide.
42:03In recent years, their works have been sold at auction for more than 100 million yen.
42:08QA's life span is not known.
42:12It is said that he was active in the first half of the 16th century.
42:16He was born in a poor family in Suzhou.
42:19He was originally a craftsman.
42:22He was found by a painter, Shu Xin, and became a disciple.
42:27By imitating the paintings of the Tang and Song Dynasties,
42:33QA learned the traditional techniques and became a professional painter.
42:40At that time, professional painters who painted and sculpted
42:45were seen as inferior to those who painted as a hobby.
42:49QA was recognized by everyone for his outstanding painting skills.
42:55QA also developed his own style of painting.
42:58Until then, he used mountains as the main subject of his painting.
43:03However, he drew a landscape with a huge river more than half of the screen,
43:09which surprised people.
43:12The greatest attraction of QA is its ease of understanding.
43:17It is easy to get acquainted with the person who is painting.
43:20Even if you don't know the details of the painting,
43:24you can simply enjoy it as a painting.
43:29The representative work is this painting, which depicts the gorgeous palace of the Tang Dynasty.
43:36There are 114 people in the painting.
43:39Some people read books while lying down.
43:43Some people play musical instruments or dance.
43:46Each person enjoys the beautiful scenery of spring.
43:52The person who is holding the gorgeous painting is QA.
43:56He sits in front of the painter and is a model of portrait painting.
44:02He draws each person carefully, including gestures, facial expressions, costumes, and accessories.
44:09It is as if he has seen this scene before.
44:13On the other hand, QA was born in 1470.
44:18He was born in Soshu.
44:21He took the exam to complete his studies from the age of 26 to 53.
44:27However, he failed to pass the exam.
44:31When he was young, he was not good at calligraphy.
44:34That was the reason why he failed the exam.
44:37He learned calligraphy from the calligraphy book.
44:40He made an effort to write 10 calligraphy sentences a day.
44:45He improved his calligraphy skills.
44:48He also learned calligraphy and painting.
44:51He became the leader of the people of Soshu.
44:57He is good at calligraphy.
45:00He is good at painting.
45:03He is good at painting.
45:05He is good at painting.
45:08When he was 83, he drew a small square with a width of less than 1 cm.
45:15He drew over 4000 characters with a simple calligraphy.
45:20He drew over 4000 characters with a simple calligraphy.
45:25He was more than 20 years older than QA.
45:29He was more than 20 years older than QA.
45:32They seem to have met each other.
45:35They seem to have met each other.
45:42Let's look at the requests again.
45:46This is a drawing of QA.
45:49This is a drawing of QA.
45:52This is a drawing of QA.
45:57People are surrounded by tables.
46:00People are surrounded by tables.
46:05People are surrounded by tables.
46:10People's expressions are drawn in detail.
46:18People's expressions are drawn in detail.
46:27People's expressions are drawn in detail.
46:31If this is a real drawing , people will be very surprised to look at it.
46:37Will people be surprised to look at it?
46:42Did you see the real painting closely?
46:45How do you feel about seeing it closely?
46:49Will people be surprised to see the real painting closely?
46:52What did you think when you first saw it?
46:54I thought it was very realistic.
46:56I thought it might be real.
46:58The letters are very detailed.
47:01Excuse me, I think it's real.
47:03No, no, it's not.
47:04It's too early, Mr. Aki.
47:06Can a friend's illness be more than 5 million yen?
47:18If this is real, it's going to be a big deal.
47:21I don't think it's more than 5 million yen.
47:26How much do you think it is?
47:28I think it's 5.1 million yen.
47:315.1 million yen?
47:32I think it's more than 10,000 yen.
47:34I think it's 8 million yen.
47:358 million yen?
47:37I think it's 8 million yen.
47:39Okay, let's go with 8 million yen.
47:41Mr. Tadai, do you think it's more than 100 million yen?
47:43100 million yen?
47:45I want it to be more than 100 million yen.
47:47Let's open the price.
47:521, 2, 3, 4, 5, 6, 7, 8, 9, 10
47:57500,000 yen!
48:03500,000 yen is a lot of money.
48:05Mr. Tanaka.
48:06I think it's a fake that was made around the late 19th century.
48:16Especially the face of the person.
48:19It's a softer line.
48:21This is too hard.
48:23Each person looks almost the same.
48:27It's just been written more than 200 years ago.
48:30I think it's less than 500,000 yen.
48:33How much would it have been if it were real?
48:35I think it's close to 100 million yen.
48:36100 million yen?
48:38Mr. Masuda.
48:39I'd like to go home and have a three-year party.
48:42Please drink a lot.
48:43Please enjoy it to your heart's content.
48:44Thank you very much.
48:46Please come to our store.
48:48We're looking for a client.
48:50If you want to sell a treasure, please apply to the address you see, including photos and episodes of the treasure.
49:00We're waiting for you.
49:02For more information, please visit the program's website.
49:07Kanteidan is being broadcast on TVer and U-NEXT.
49:10Please watch it.