Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00You're making me nervous, guys. I'm begging you, speed up a bit.
00:05We're way behind the program.
00:07Deniz, who did this girl's hair?
00:11Like an Anatolian hobbit.
00:12It's not her.
00:14Come on, speed up a bit.
00:15Yes! Yes! Yes!
00:19Those hair will burn. Why are you shining?
00:21Hey, Yaman. Come here.
00:26I think we should put Tuna here.
00:27So that we can have a layered shot.
00:29But if you take this side, you can't get the light, Mr. Gazi.
00:32Son, I want to emphasize Tuna's shadow side.
00:35Let the light be my problem.
00:37Technically, shouldn't there be some light for the shadow, Mr. Gazi?
00:40Cemal, we're going to do a fashion shoot at the bottom.
00:44We're not at the Philosophy Olympiad. What are you going to do? Give me that.
00:48A little bit.
00:50Yes, how much time do we have left? Let's speed up a bit, Buket.
00:53It's almost over, but it's a couple of rotations.
00:55Now Mr. Gazi will take the photos.
00:57Ms. Neşe will do the interview, and I'll record the voice. Okay?
01:00Yes!
01:01That's enough.
01:03Okay.
01:05Come on, guys.
01:06I'm waiting.
01:07Send the man.
01:08Please. Okay.
01:09I insist.
01:10Okay.
01:15Tuna, please. Be serious.
01:18I came with tea, brother.
01:19Is this serious?
01:21He's a writer.
01:22It's not like that, son.
01:23Look, when you say writer, he puts his two fingers here.
01:25He puts one of his fingers in his mouth.
01:28Look far away.
01:31It's done.
01:32Good.
01:34I wonder if Ms. Neşe will come.
01:36I don't know.
01:37Ms. Neşe went to a meeting on the third floor when we were coming here.
01:41I don't know if she'll make it.
01:43Oh, the meeting takes three hours.
01:45The shooting will be a lie today.
01:47Who's going to do the interview?
01:51Good luck, guys.
01:56Welcome, Mr. Yigit.
02:00Ms. Neşe has an important meeting.
02:02I'll do the interview because it needs to be done immediately.
02:11Sir, get well soon.
02:16You can press as you want.
02:19My friend.
02:23Yes.
02:24Tuna, Yigit, Deniz Üçgeni all day.
02:27Don't you get a little more nervous?
02:31Yes.
02:44As far as I know, the tenth print of the book.
02:47Everything is going well.
02:49What do you attribute this success to?
02:51I mean, as much as I can.
02:53Real emotions.
02:55Along with real events.
02:58I'm throwing it on strong heroes.
03:01The audience consists of women.
03:03What's the secret of this interest?
03:05I think women are getting closer to what I wrote.
03:09We can link this to this.
03:11Men are sometimes violent.
03:12Now, of course, we have male readers.
03:14I don't want to hurt them either.
03:15Let me put it this way.
03:16Let me tell you then.
03:18Men don't show their emotions, their weaknesses, their thoughts.
03:22Even when they approach someone and see the child inside them,
03:25they run away without looking at their minds.
03:27That's what I wrote.
03:30They do the opposite of this.
03:32I write to men with weaknesses.
03:36So what are your weaknesses?
03:38Not what, who.
03:40He knows himself right now.
03:42But don't write to him.
03:47I mean, I learned it at a very early age.
03:49You can only deal with something when you face your weaknesses.
03:54Not by running away.
03:56Do you have any wounds that you are afraid to touch from the past?
03:59There are.
04:00Isn't there?
04:01There are.
04:02For example, I wonder, of course.
04:05Why are you interviewing me when there are so many people in this magazine?
04:10I'm not going to write that either.
04:12I'm not going to write that either.
04:13What are you doing?
04:15I'm not going to write that either.
04:17I'm not curious.
04:18By obligation.
04:19You know.
04:21Someone stop this bloody war before it starts, please.
04:25But I'm already standing in front of you as an ambassador for your organizations.
04:30Let me push you a little bit for them, Tuna.
04:33Now, this man profile with his hit weaknesses.
04:40This is a game, right?
04:42A kind of game.
04:43People should love you more.
04:45Let them read your books.
04:47An armor that you have masterfully established and made so that you are sad.
04:53Armor.
04:55Now, then there is something like this.
04:57We all don't need armor to live.
04:59You, for example.
05:00I mean, a boss's charisma, right?
05:03There is a boss's reputation.
05:05When you look at the suit, the shoes, the shirt that supports him,
05:09There is a wholeness in your hair design, right?
05:12I'm sure these kinds of wholeness have moved you forward in your business life.
05:16Is that right?
05:18That's right.
05:20Now, you talked about suits and stuff.
05:22If we ask some questions about fashion, a fashion...
05:26Assistant, don't get involved.
05:28But the magazine is a fashion magazine after all.
05:32Who's going to read these?
05:34I mean, to whom?
05:36If it bothers you, he'll say it himself.
05:39Okay, Deniz?
05:42It seems that the person you claim to be this weak has affected you a lot.
05:46Affect?
05:48He made me believe in miracles again, my friend.
05:51Miracle?
05:53Do you always go after the impossible?
05:56Impossible?
05:58I don't know.
05:59I don't have it in my language.
06:01Study it.
06:02I don't have it in my language. I don't know.
06:06It's a shame not to know, not to learn.
06:10Maybe a teacher will come up to you.
06:12What do you say?
06:14Maybe he has already come up to you.
06:16Well, if there is, we'll wait for your treatment.
06:18But if I play, I'll play until the end.
06:21Look, for example, I don't play.
06:23I win.
06:24Only my heroes always lie in the opposite corner at the end.
06:27Until the end.
06:32God save me.
06:37Cemal, our social media account has not been updated yet.
06:40I'm listening.
06:41Buket, I sent you an e-mail.
06:43I'm waiting for an answer.
06:44Still.
06:45Guys, we have a magazine we need to publish.
06:48Come on.
06:49Come on.
06:50Come on.
06:51Come on.
07:01Come on.
07:02Come on.
07:32What's that sound?
07:33Footsteps.
07:38An unknown woman is approaching us right now.
08:01We are heroes.
08:27Hello.
08:28I was looking for Ms. Asana.
08:29She is my mother.
08:34Oh my God.
08:36My dear.
08:37Ayça.
08:38Welcome.
08:43Ms. Asana, how are you?
08:46I'm fine, honey.
08:47Let's introduce you to Yiğit.
08:49Okay.
08:54Hello.
08:56Mr. Yiğit.
09:00Yiğit.
09:01Ayça.
09:02The owner of Lame Stores is Mr. Haydun's daughter.
09:06Nice to meet you.
09:07Me too.
09:08Please.
09:13Mr. Haydun is an old friend of mine.
09:15Of course, I have a lot of memories.
09:17When Ayça said she wanted to work with you, I couldn't break it.
09:21Is that so?
09:23Why don't we find a suitable position for her?
09:26Why don't we find a suitable position for her?
09:29What did you study?
09:31I studied art management in London.
09:33Then I did a master's degree in fashion in Milan.
09:36Good.
09:37Congratulations.
10:07Why would a well-educated person like you want to study in a magazine instead of working with her father?
10:13Listen, Mr. Yiğit.
10:14I'm a fashion enthusiast.
10:15You can't learn about fashion from books.
10:17That's why you need to get some practice and get into the kitchen of fashion.
10:22You're a very smart girl.
10:23Very.
10:56I'll be honest with you, Ms. Ayça, I'd like to have a smart, well-trained person like you on my team, of course, but the economic situation in our magazine is not in a way that a new staff can afford, unfortunately.
11:18Money doesn't matter. Experience is more important to me than anything else.
11:23We fell on four feet, Yiğit.
11:29What are you still thinking about? Sweetie, what's there to think about?
11:36Then welcome to Go Flamingo.
11:40I'm so glad.
11:41Great.
11:42Thank you so much. I won't embarrass you. I'm sure of it, beautiful.
11:47You're a new intern now. I'd like to take this opportunity to get to know you through this conversation between Ms. Asena and you.
11:58Which one would you prefer? I mean, content, interview, writing, or if you're interested in fashion shoots, it could be in the studio. Which one?
12:09Writing, reading, I'd like to start with the content.
12:16Content.
12:21Okay. Then I'll introduce you to my content editor, Mr. Tuna. Because you're going to be his intern from now on.
12:29Okay. Let's get to know each other.
12:35Michael.
12:36I have to start over. I'm editing.
12:38I know. You're translating what I just said, Michael. But what you're going to say now is more important. So listen to me.
12:43People are talking here.
12:45People are listening. Go ahead.
12:47I'm saying that in your interview, there was a bit of a squirrelishness, a foxishness, a ratness, a nervousness, a something. What's up?
12:55What?
12:56I'm saying that you had a thing.
12:58What thing?
13:00Now, even though we're like this, I saw a celebrity.
13:04Celebrity.
13:05When I'm famous, I feel like I've seen a celebrity. I mean, excitement and stuff.
13:10I'm serious.
13:11I'm glad to be your assistant.
13:16Editor.
13:19Let me introduce you to your new assistant.
13:24I don't need it. Do you want tea?
13:32Assistant.
13:33Hi, I'm Ayça.
13:38Actually, intern.
13:39Editorial history of young generations...
13:41Wait a minute. Wait a minute. I'm going to say something.
13:43I've been working here for a few years.
13:45And I've never used an intern for a few years because I like to do my own job.
13:48So why an intern now?
13:53Everything has a purpose, editor. Right?
13:56You're a famous writer.
13:57We don't want your work and our work here to be in vain.
14:00You say that so well.
14:01I'm glad you agreed, editor.
14:03Good luck.
14:04Good luck.
14:08Can you write?
14:09Okay, okay.
14:11Oh, sorry.
14:16Get well soon.
14:21It's a small wound.
14:23Well, let's see. Take a sandal.
14:26You're welcome.
14:29It's a small wound.
14:31Well, let's see. Take a sandal.
14:41Yes.
14:42A dessert is served on a long-distance pizza.
14:44Here you go, friends. Enjoy your meal.
14:46Is it sweet?
14:47No, it's not from spices or anything.
14:48It's not usually sweet.
14:49Because I know.
14:50I don't quite understand, Mr. Cemo.
14:52Did you say something to me?
14:55No, it's because of your sincerity.
14:57That's why.
14:59But, I mean...
15:05Friends, before it gets cold,
15:07let's finish this pizza before Ms. Asena comes.
15:10Come on.
15:16Bro, my sweets are so bad.
15:25What's up, bro?
15:26I love the thick one.
15:35I'll tell you something.
15:36Are we going to tell the municipality?
15:37Are we going to open a dam here?
15:39What are we going to do?
15:40I mean, can't I live with this here?
15:50I'll tell you something.
15:52Didn't Princess like the pizza?
15:54Why doesn't she eat this pizza?
15:57It's a shame.
15:58She's an intern.
15:59I know what an intern is.
16:00I've experienced it.
16:01Maybe she's allergic to something.
16:02Maybe she's on a diet.
16:03I mean, whatever the diet is,
16:04it's doomed to collapse.
16:06Besides,
16:07she's an intern to you.
16:09To you.
16:11I'm telling you, she's an intern to you.
16:13I mean...
16:14Look, I get it, okay?
16:15There's something strange about her.
16:17She has a strange look on her face.
16:18Her eyes sparkle when she looks at her face.
16:20I get it.
16:21Her eyes are sparkling.
16:22Maybe it's because of the lemon.
16:23It's the first day.
16:24It's the first day of work.
16:25Lemon makes you bored.
16:26I don't know.
16:27You know,
16:28you cry a lot
16:29because Deniz said
16:30it was a bouquet.
16:32Anyway,
16:33enjoy your meal.
16:34I'm so hungry.
16:39Mr. Tuna,
16:40would you look at this?
16:42I'll show you something.
16:44How do you open this?
16:45Let me show you.
16:46Look.
16:48Turn left.
16:52II.
17:05Oh, my God!