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00:00Everyone lose!
00:12Ahh! No!
00:15I can't hate you, I'm not a rock star
00:28Usually, there are a lot of men in this kind of program.
00:33So, I think there are a lot of women in this program.
00:36No, no, no.
00:38I'm a man, but there are a lot of old men in this program.
00:41I'm happy to be here.
00:43I don't mind if you are a man.
00:45But please look up.
00:47Be careful, there are men in pants.
00:49Be careful.
00:51I was looking at you, but you were talking.
00:54I was surprised to see you again.
00:57He is a friend of Maesetsu.
00:59I'm a friend of Maesetsu.
01:01He is a drummer of Ginner Boys.
01:05Do you remember another unpleasant story of him?
01:10No, no, no.
01:11I can understand unpleasant story.
01:13What do you mean?
01:14There is a love doll in my house.
01:16I don't know if you understand.
01:18Don't say that.
01:20I went to buy it with Jun Miura.
01:22There are a lot of women like that.
01:25The love doll is different from what you imagine.
01:29It's really not different from a human being.
01:31No, it's scary.
01:33It's scary.
01:34I know it's a doll.
01:36There is a doll.
01:38There is a doll.
01:40Many people come to see it.
01:42I came to see it with Mineta, the vocalist of Ginner Boys.
01:50Mineta is not delicate.
01:52When he came in, he said,
01:54Wow, Riri-san, is this it?
01:56He touched my chest.
01:58That's amazing.
02:00When Mineta saw it,
02:02Mineta was angry at Mineta.
02:04How can you do such a thing to Riri-san's girlfriend?
02:10The most polite person was Tomohisa Yamashita.
02:16I asked him if I could play with Riri-san.
02:18He said yes.
02:19But Tomohisa hadn't come to my house since the doll came.
02:23He said,
02:24I have a girlfriend, is it okay?
02:27I said,
02:28Yes, of course.
02:30When I came in,
02:31It's very real.
02:33You can understand it if you see it.
02:35But he said he had a girlfriend.
02:37When I came in,
02:39Tomohisa, who had eyes on the doll,
02:41said,
02:42Nice to meet you, I'm Yamashita.
02:44He is too polite.
02:46Compared to that episode,
02:48Murai-kun's episode is the worst.
02:52Yamapi said,
02:54I don't want to talk so much.
02:56Let's go eat together.
02:58At that restaurant,
03:00I was eating with my mother.
03:02You usually eat with your family, right?
03:04Yes, yes, yes.
03:05I said hello to my mother.
03:07She said,
03:08Your mother is special.
03:09Special?
03:10No, no, no.
03:11I'm happy to have such a child.
03:12I didn't know what she was looking at.
03:14My mother said,
03:15No, no, no.
03:16I'm happy to have such a friend.
03:18You always eat with your family,
03:20such as your uncle,
03:21your sister,
03:22and your mother.
03:24What?
03:25You shouldn't say that.
03:27You shouldn't say Johnny's.
03:30You shouldn't say Johnny's.
03:31Well, I think it's understood.
03:34All the members of the school are really polite.
03:38They are really good.
03:40I'm dating Fujigaya now.
03:42They are good.
03:44Even Nakai.
03:47Nakai is also very good.
03:50He teaches well.
03:52Nakai.
03:53He always says something,
03:55but he is a good person.
03:57I haven't been to the program
03:59to say cheers to my family yet.
04:01To say cheers to my family.
04:03Surprisingly,
04:05I'm not invited to Mr. Bei's program.
04:09I go to Mr. Bei's program
04:11when someone goes to the A Studio.
04:13When I go to the A Studio,
04:15I go to talk about my acquaintances.
04:17Oh, I see.
04:19To say cheers to my family.
04:21In Yamaoka,
04:23nothing happens.
04:25Almost no one is there.
04:27I thought it was strange,
04:29but I was surprised.
04:31There was no one on the bridge.
04:33And there was a shinobue flute.
04:35At the festival.
04:37It's gone.
04:39It's gone.
04:41It's gone.
04:43If it's gone, it's scary.
04:45It's like an incident.
04:47There was no one there.
04:49I went to see it.
04:51It was strange.
04:53I went to see it.
04:55It was strange.
04:57I was lying next to it.
04:59I was lying next to it.
05:01I took a video.
05:03Does it fit that?
05:05Where no one is.
05:07I went to the flute.
05:09The old man took a video.
05:11I was silent.
05:13I thought,
05:15what's wrong?
05:17Please subscribe.
05:19Something like that happens.
05:21Strange things happen.
05:23I remember this shinobue flute.
05:25A long time ago,
05:27I had a meal
05:29with a great shakuhachi player.
05:31He was a beautiful person.
05:33He was very beautiful.
05:35I introduced him to him.
05:37He was in the shakuhachi club.
05:39Shakuhachi club.
05:41That's a club.
05:43It's not that great.
05:45It's not that great.
05:47It's a Japanese musical instrument.
05:49It's a Japanese musical instrument.
05:51It's a Japanese musical instrument.
05:53At that time,
05:55the person I like
05:57is Yuka.
05:59is Yuka.
06:01I've always loved Yuka.
06:03I've always loved Yuka.
06:05When I first met her at the studio,
06:07I said I liked Yuka.
06:09I said I liked Yuka.
06:11I still love her.
06:13The worst thing is
06:15that I want to be born from Yuka.
06:17I'm crazy.
06:19I don't understand you.
06:21I don't understand you.
06:23I love her so much
06:25that I don't think I'm Yuka.
06:27that I don't think I'm Yuka.
06:29Even though she's very communicative,
06:31Even though she's very communicative,
06:33I don't know where Yuka is.
06:35I don't know where Yuka is.
06:37I've never heard of her.
06:39I've never heard of her.
06:41Yeah, so I was going to get a ticket for the stage,
06:45and Mr. Sato told me to contact him directly.
06:50So I contacted him,
06:52and he said, let's have a meal together.
06:55Yeah, yeah, yeah.
06:57So we did.
06:58And then he said,
06:59Are you going to come to Yuga?
07:04He was so excited and took a good shot.
07:07The texture of the teppanyaki.
07:09I took a good shot, but I'll do it again.
07:12It's not that bad.
07:14Come on, come on, come on, come on, come on.
07:17But it was decided to have a meal with Yuga.
07:20Yeah, the three of us were waiting for the teppanyaki.
07:23And just before that, Yuga was really hot.
07:26He couldn't come that day.
07:28And then the two of us were in the teppanyaki room.
07:31We were holding it down.
07:33We thought Yuga was coming,
07:35so we couldn't speak.
07:37It was like a farewell story.
07:39He brought the teppanyaki to his private room.
07:43But the two of us were like this.
07:45Yuga was in the private room of the teppanyaki shop.
07:49There were two old men.
07:51At that time, the owner of the teppanyaki shop
07:55was in the neighborhood.
07:58And Sho said,
07:59Oh, yeah, there's someone I'd like to introduce to you.
08:02The three of us made a reservation at a restaurant.
08:05And he said,
08:07There's a professional teppanyaki maker.
08:11I was like, what?
08:13Wait a minute.
08:15I didn't say anything.
08:16No, no, no, no, no, no.
08:18Why are you laughing at a woman?
08:21It's a man's job to laugh.
08:23No, no, no, no, no.
08:25I didn't say anything.
08:27No one said anything.
08:29The teppanyaki maker said,
08:31The teppanyaki maker?
08:33I just said,
08:35I didn't say anything.
08:37I didn't say anything.
08:39That's rude.
08:41I didn't say anything.
08:43There's a professional teppanyaki maker in Tokyo.
08:45I've met a professional guitarist.
08:49I've never met a professional teppanyaki maker.
08:52I was like,
08:54I didn't say anything.
08:56I didn't say anything.
08:58I didn't say anything, but there's something like that.
09:01He's a professional teppanyaki maker.
09:03He has a beautiful family.
09:05Yes, he has a beautiful family.
09:07I listened to a few of his CDs after that.
09:09He's wonderful.
09:11But while eating,
09:13I didn't want to sound weird.
09:15I didn't want to sound weird.
09:17Michael Jackson's music was played.
09:19That's good.
09:21But I'm scared.
09:23I don't want to say anything weird.
09:25I don't want to say anything weird.
09:27Before that,
09:29I heard him saying,
09:31I heard him saying,
09:33You're on a world tour?
09:35You're on a world tour?
09:37Perfectly.
09:39When I was talking,
09:41When I was talking,
09:43I was wondering if you can do all the songs
09:45I was wondering if you can do all the songs
09:47that he composed
09:49that he composed
09:51in the first album.
09:53He said he'd bring them back.
09:55He said he'd bring them back.
09:57It's a long story.
09:58It's a long story.
09:59But when I asked him,
10:01if it's a long story or a short story,
10:05he said,
10:06even if it's a long story or a short story,
10:09it's a short story.
10:11I said,
10:12I can't do that either.
10:15That's not true.
10:16That's strange.
10:17That's strange.
10:18That's strange.
10:19I said,
10:20I can't do that either.
10:21Seriously,
10:22seriously,
10:23the more you talk,
10:24the more you talk.
10:25Listen to me.
10:26I thought you were going to a strange place.
10:29Even if it's a long story or a short story,
10:31it's a short story.
10:32That's true.
10:33But that's strange.
10:34It's not a long story.
10:35Even if it's a short story,
10:36it's a short story.
10:37I said,
10:38I can't do that either.
10:39I said,
10:40I can't do that either.
10:41That's not true.
10:42Even if it's a short story,
10:43it's a short story.
10:44And he's a beautiful person.
10:45But he's funny.
10:46I know.
10:47I know.
10:48So I asked him,
10:49and apparently everyone says that.
10:51I heard that.
10:52There are adults who don't have a heart.
10:54There are people who don't have a heart.
10:58You're not good either.
11:00You don't have a heart.
11:02But really,
11:03after that,
11:04you were in Osaka's Mugaku,
11:06where you're taught.
11:07Yes, yes.
11:08At the house of the priest.
11:09And,
11:10you had an event with the teachers of the Shogunate.
11:14At Debayashi.
11:15Yes, I did it at Debayashi.
11:17But really,
11:18people who have been doing it for a long time
11:21have already passed through.
11:22So I can't say anything about that.
11:24But,
11:25that's true.
11:26Really.
11:29No, but really.
11:30So,
11:31even if you think that you can have a meal with Yuka,
11:34but in the end,
11:35for me,
11:36the teacher,
11:37after you become a member of the Shogunate,
11:39the teacher comes,
11:40and after that,
11:41you go to Mugaku together.
11:42It was more interesting.
11:43It was more interesting.
11:44That's what I think.
11:45Yes, yes.
11:46So,
11:47rather than doing it precisely by decision,
11:49it's better to gradually become funny.
11:51Yes, yes.
11:52So,
11:53you can't make a reservation for a meal three months later.
11:55I definitely don't want to.
11:56At that time, I was happy.
11:57I'm glad.
11:58I'm really going to go.
11:59I'm really going to go.
12:00But when I get closer,
12:01I don't want to go.
12:02I understand.
12:03I understand.
12:04I don't want to go.
12:05I think it's better to go this way.
12:07It's okay to follow the person who made the reservation,
12:10but if you make a reservation yourself,
12:12I'm worried about whether I want to eat this on that day.
12:16But,
12:17I don't know.
12:18There are people's thoughts,
12:20and I think I'll be happy if I go.
12:22You're right.
12:23So,
12:24I don't want to do it.
12:25I don't want to.
12:26I don't want to.
12:27I don't want to.
12:28I don't want to.
12:29By the way,
12:30do you buy a present like this here?
12:32That's like a birthday present.
12:34But I'm a little scared to receive a present.
12:38What's a souvenir?
12:40A souvenir?
12:41Like a Daruma?
12:42Oh, I remember Daruma.
12:44There are many movie festivals in Japan.
12:47You get it two or three times a day, don't you, Mr. Kirin?
12:49And I thought, well, that's the kind of person he is.
12:53He'd give a speech, and I'm grateful for the award,
12:56but he'd say, you know, he'd give me a dharma instead of a trophy.
12:59He'd say, I can't throw that away, so I'll give it back to you.
13:05You don't have to say that in a speech.
13:07Even if you can't throw it away, you can put it here.
13:12And it says, Mr. Kirin, even if you walk and walk, you'll get it back.
13:16You can't throw it away.
13:18He'd say, I don't want that trophy.
13:21Mr. Kirin is a man who loves to display his trophies at home.
13:27He doesn't like to look at them,
13:29so he turns all his trophies into lamps.
13:32That's great.
13:33He puts them out in the electrical shop.
13:35And he says, that's great.
13:38I have a trophy of yours that's turned into a light.
13:42I have it.
13:44Why would you do that?
13:45It's a trophy that someone gave me.
13:48But it's a light.
13:50But Mr. Kirin has changed.
13:52I was in a drama called Glass Fragments.
13:56That was a long time ago.
13:57He was a really bad character.
13:59I'd never met him before.
14:02It was when I was doing Crankin.
14:04My friend would say, Mr. Kirin is here.
14:08At home.
14:10At home.
14:11He loves to look at houses.
14:13That's right.
14:14He loves to look at land.
14:16It was when I had just built my house.
14:19It was a big house.
14:21It was a really big house.
14:24It had 444 rooms.
14:26And...
14:27That's a pretty bad joke.
14:31I sold it.
14:32There was a pool.
14:34What?
14:35It was a hot spring pool.
14:37I heard about it.
14:38Mr. Kirin came over and said,
14:41Mr. Kirin is here.
14:42I didn't know.
14:45I'd never met him before.
14:47I was just about to meet him.
14:50I said, he's here.
14:52He said,
14:55what a cheap-looking house.
15:00I said, leave me alone.
15:03The conversation between Mr. Bei and Mr. Kirin
15:06was like a fistfight between two people who said the wrong thing.
15:10I said, we'll meet.
15:12We can walk together.
15:15I wasn't in it.
15:18I wasn't in it.
15:21When you wrote the novel Tokyo Tower,
15:24Mr. Kirin played your mother.
15:27What are you?
15:29You wrote the novel Tokyo Tower.
15:32You wrote Oden-kun.
15:34You wrote Oden-kun.
15:36I haven't written anything recently.
15:40I've only been drawing squares.
15:44I'm sorry.
15:46I finally drew it.
15:48I finally drew it.
15:51I drew a dot.
15:55It's good.
15:58You're close.
15:59I feel like we're friends.
16:01Mr. Bei, you play the teacher every month.
16:07I did it yesterday, too.
16:09Dozens of people come to Osaka every month.
16:13I've been doing it for 25 years.
16:15There are a lot of great people.
16:19The U.S. Secretary of State,
16:22Mr. Saito Kazuyoshi.
16:25Yes, yes, yes.
16:28Mr. Skip is in it.
16:29It's Spitz.
16:33I drew it on a cow's head.
16:37I drew it on a cow's head.
16:38I drew it on a cow's head.
16:45This is a 23-year-old woman.
16:49I'm in the Z generation.
16:52There are many things I like about Showa.
16:55First, I don't have a smartphone.
16:58When I didn't have a cell phone,
17:01I used to use a fixed phone, a telephone board, and a letter.
17:06It was romantic.
17:07I didn't have to worry about social media.
17:11Mr. Tsurube, what do you like about Showa?
17:15What do you like about Showa now?
17:17I used to hang out with people from Shikoku.
17:20When I talk on the phone, my parents come on the phone.
17:25It's fun to hang out with your parents.
17:28I had to talk to my parents first.
17:31When I talked to my male friends on the phone,
17:35my older brother and his parents came on the phone first.
17:38My older brother would say,
17:40Hey, Manabu, wait a minute.
17:42Hey, Manabu!
17:45I knew Ken Ozawa when I was in Tokyo University.
17:50Ken Ozawa.
17:52He was about 19 years old.
17:54When I called his house,
17:57he was the first Tokyo University student I met.
18:01When I called his house,
18:04my older brother came on the phone.
18:06He didn't just say, Hey, Manabu.
18:10He said, Yes, this is Kenji.
18:12Please wait a minute.
18:16I was so surprised.
18:19My older brother came on the phone,
18:22and he was wearing a long coat.
18:25I could hear him, and after a while,
18:27he said, Yes, hello.
18:29This is what a good house is like.
18:33It's amazing.
18:35You can't go directly to him.
18:37You can imagine the smell of the house over there.
18:41My parents-in-law were artists.
18:45My father and mother.
18:47My family went to Shikoku during the summer and winter holidays.
18:52That was the first time I went to a big house.
18:57I went there by boat.
18:59From Matsuyama in Shikoku.
19:02It was a long trip.
19:04When I went to pick up my wife,
19:08she refused to go with me.
19:11What?
19:13She wouldn't let you go with her?
19:16That's right.
19:17I was an actor, too.
19:19You talked to your wife about that.
19:22I told her when I was a student.
19:24You told her you were going to get married.
19:26She said she didn't want to hear that.
19:30I was surprised.
19:31You didn't tell her at all,
19:34but she was nice to you when you were a student.
19:38I was a kid.
19:39I was 18 or so, so I was worried.
19:43I stayed at a station in Matsuyama.
19:47I asked my wife when she was coming, but she wouldn't let me.
19:51It was a kind of helplessness.
19:53I went there by boat.
19:55I'm on a plane now, but I went there by boat.
19:57It was nostalgic.
19:59So, in the end,
20:01being useful doesn't mean being rich.
20:04I think it was good in the Showa era
20:07when there was nothing like that.
20:11Do you want me to read one more?
20:13This is from Komachi Musume.
20:17It's better to see the scenery while you're alive.
20:23I always go on a trip, but I look it up on the Internet.
20:27In the end, it's a safe tourist spot.
20:31That's what I like about it.
20:32I think you've been to a lot of places around the world.
20:38The people, the people of the city.
20:42I know.
20:43I think the people here are all good people.
20:47Yame-chan's Yame.
20:48Fukuoka.
20:49Fukuoka.
20:50Yame people are wonderful.
20:52You've pinpointed everything.
20:54Fukuoka's Yame.
20:57I've been walking around thinking,
20:59this is a good city.
21:00When I met Yame people,
21:02Yame is close to me.
21:04Yame tea is delicious and sweet.
21:06Yame tea is delicious.
21:07It's not like I'm welcoming people because they're on TV.
21:11It's very natural.
21:13It's very good.
21:15Where is it?
21:17Yame...
21:18But as you said,
21:21it's not about the place,
21:23it's about the people and the scenery.
21:26I think that's a good point.
21:28When I went to India before,
21:30I climbed to the top of the world heritage site.
21:35I was riding a cow.
21:38The cow's back was the subject of the movie.
21:41I was so impressed by the world heritage site.
21:44The person who was in control of the cow,
21:48was smoking a cigarette,
21:50and the cow's head was on fire.
21:52I was so impressed,
21:55the world heritage site was blown away.
21:57In the end, people's memories make the scenery.
22:02I was blown away.
22:05But it's good.
22:05The young man in the letter said,
22:10please go to Yame in Fukuoka.
22:13I want to go.
22:14Yame tea is really sweet, and I love it.
22:18So you're going to Oten?
22:20Well...
22:21But it's delicious.
22:24By the way, when I came to the toilet today,
22:28at the restaurant,
22:30it said, even men should lower the toilet seat.
22:34You can do that at the restaurant, right?
22:37Do you stand or sit?
22:39I'm told to sit at home.
22:41I'll let others know.
22:42Even if you don't let others know?
22:44I try not to let others know.
22:47If I tell them, they'll get angry.
22:49I understand.
22:51I'm sure you'll do that in the movie.
22:54But we're going to talk standing up,
22:56so I don't think you can go back for 40 to 50 minutes.
22:59I don't think that's going to happen.
23:02I've already put a stopper in my pocket.
23:07I'm not sure if it's a fart or a poop.
23:12So I'm going to put it in my pocket.
23:15What kind of MC are you?
23:17I was going to do it at 60 or 70,
23:19but I didn't have one of these.
23:21Really?
23:23I have a guest, so I'll do it at 3 o'clock.
23:26I'll go like this.
23:29In the program, we are collecting letters from all of you.
23:33If you have any questions for Shofuku Teitsurube and Lily Frankie,
23:36or if you have anything you want them to talk about,
23:39please send us a letter.
23:42If you send us a letter,
23:44we'll send you a program-specific stamp to reply.
23:48And in the program, we are recruiting spectators.
23:51This is the only place where you can see their talks.
23:54For more information, please visit the program's website.
23:57Nice to meet you, nice to meet you, nice to meet you, nice to meet you.
24:00See you again, see you again.