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00:00I chose three masterpieces from them tonight.
00:06Then, please enjoy the night scoop that Toshiyuki Nishida, the second director, loved.
00:19The director's award sent to the best VTR of the year
00:26It was not an exaggeration to say that it was the best honor for the detective.
00:36Tonight, I will deliver the three selected masterpieces from the 20 masterpieces.
00:44First
00:55I have a request for my parents today.
00:58My father has not spoken to my mother for more than 10 years.
01:03We speak to our children normally, but we don't speak to my mother at all.
01:09I have never heard my parents' conversation since I was born.
01:15I would like to find out why my father does not speak, and if possible, I would like to see the couple get along.
01:22I would like to ask you to do me a favor.
01:26I wonder if this request is a good problem for Night Scoop.
01:32It's a bright variety show.
01:37Hello, I'm Night Scoop.
01:40My father and mother have not spoken for more than 10 years.
01:44I have never heard my father and mother talking since I was 3 or 4 years old.
01:52Not even once?
01:53No.
01:55Really?
01:57My father does not speak to my mother, but my mother speaks to my father normally.
02:03Does your mother speak?
02:04Yes.
02:06Is this a video of your father?
02:08Yes.
02:10Is this your father?
02:11Yes.
02:12I'm home.
02:14The mother on the left, right?
02:16Yes.
02:17I'm home.
02:22What?
02:26I said I was home.
02:29Sumi-chan, can my father drink this juice?
02:36This is a souvenir for you.
02:39My mother is talking.
02:43I understand the taste of the juice, but I can't drink it at all.
02:45Please drink it.
02:47It's a big deal.
02:48Is it half?
02:53This is a rice bowl.
02:55Did you talk to your son?
02:57Yes.
02:59Did you talk to your sister?
03:00Yes.
03:02Your father seems to be very kind.
03:04This is a rice bowl with three flavors.
03:12I'll get my father's peach juice.
03:18I'll get it.
03:20What?
03:21I can't get it.
03:22Yes.
03:25Really?
03:26Yes.
03:27I live in a house like that.
03:33So I don't feel uncomfortable.
03:36When I was in elementary school, I felt strange when I talked to people around me.
03:42That's right.
03:43When you go to your friend's house, your father and mother often talk to you.
03:48I've never seen him talk since I was born.
03:50If he talks to me, I'm happy as a son.
03:55This is a picture of the wedding ceremony.
03:58July 1962.
04:00What happened from here?
04:03Did you talk at this time?
04:05If I didn't talk, I wouldn't get married.
04:08Do you have a brother or sister?
04:10Yes.
04:11Didn't you say that?
04:13I didn't have time to ask.
04:16Hello.
04:17Hello.
04:18I'm Takeyama, a detective from the Detective Nightclub.
04:21I'm Miki.
04:22I'll ask you a question.
04:24Have you ever seen your father and mother talk to you?
04:30No.
04:31No?
04:33No.
04:34When I was talking to my son, my mother said,
04:37If you come closer, I'll shut up.
04:39Shut up.
04:40I'm 21 years old.
04:41I'm 18 years old.
04:43It's been confirmed that I haven't spoken for 18 years.
04:48Let's go higher.
04:51Let's go to 25 years old.
04:5225 years old is the oldest, right?
04:53Yes.
04:55Sumi.
04:56I'm sorry. I'm at work.
04:58It's been confirmed that you haven't spoken for 18 years.
05:02Let's ask the oldest, 25-year-old Sumi.
05:06What is it?
05:07No.
05:09When I came to my senses, my father said,
05:12I don't talk to my mother.
05:15What?
05:17That's a given.
05:20Oh, I see.
05:23Did you think it was strange?
05:25I heard about it from my friends.
05:27When I watch dramas,
05:30I feel the most uncomfortable when I watch dramas.
05:33Suddenly, my father and mother started talking to me.
05:36I'm a little scared.
05:38That's normal.
05:40It's your first time talking to your mother, right?
05:42Yes.
05:43It's my first time talking to her.
05:45Please come to the entrance.
05:46I'll say hello.
05:48I'm home.
05:50Mom, come here.
05:53Excuse me, ma'am.
05:55I'm Takeyama, a detective from Asahi Broadcasting.
05:58Excuse me.
05:59Your father and mother
06:02have never seen you two talking
06:05since you came to your senses.
06:07Yes.
06:08Why is that?
06:12How many years have you two not talked to each other?
06:17Well...
06:20Before and after my second child was born,
06:24we still talked to each other.
06:28But after my second child was born,
06:31we stopped talking to each other.
06:34That was 22 or 23 years ago.
06:36Yes.
06:37We didn't have a big fight.
06:40You didn't have a fight?
06:42No, we didn't.
06:44We didn't have a fight.
06:46Because you didn't talk to each other.
06:47Yes, I was like,
06:48I didn't talk to her.
06:50When I had a lot of things to do,
06:53I called my husband.
06:55My husband usually answers the phone.
06:58I said,
06:59Yes, what is it?
07:00He answered.
07:01I said,
07:02I'm sorry,
07:03but could you do me a favor?
07:05He just shut up.
07:10Sometimes I get anxious.
07:12If I could live with someone,
07:15I'd be happy.
07:17But if I live alone,
07:20I'd be sad.
07:22You should talk to your father.
07:24I'm happy just to hear my husband talking to someone.
07:29I get excited.
07:31Will you go back in time?
07:34Before your children were born.
07:36To the place where we went on a date.
07:40If I have a place in my memory.
07:43The only one in Nara Park.
07:48We talked there.
07:50If you go back in time,
07:53you might be able to do it again.
07:56Will I be able to do it again?
07:59You don't want to do it, do you?
08:02You want to do it again.
08:05I'd like to talk to my father in person.
08:15Hello.
08:17Hello.
08:19I got a request from Yoshiki
08:22on a program called Detective Night Scoop.
08:27Yoshiki,
08:30Your father and your mother
08:34haven't talked to each other
08:36since they got to know each other.
08:39Is that true?
08:42Is there a reason for that?
08:50I don't think there's a reason.
08:56When a child is born,
09:00it's like a family centered around children.
09:07I feel like I'm left alone.
09:14I'm still young.
09:19I feel like I've lived my life.
09:23Are you serious?
09:25I can't help it.
09:27Are you serious?
09:29Is that why you're so cute?
09:33You've been like that since then.
09:35You've lived too long.
09:39I can't say anything.
09:41You can't say anything?
09:43If you can talk,
09:45do you feel like you want to talk?
09:47Yes.
09:48You do?
09:50You do?
09:52I'm going to practice now.
09:56I'm going to move to the TV screen.
09:59I'm going to ask you a question.
10:01Please answer now.
10:04I'm going to ask you a question.
10:07How old are you?
10:12What's your favorite food?
10:19Hang in there.
10:21What's your favorite color?
10:27Hang in there.
10:30I'm going to practice.
10:32I'm not going to say anything.
10:36I'm just going to move to the TV screen.
10:39What's your favorite color?
10:45What's my name?
10:51I'm Yumi Kutaya.
10:54I'm going to tell you how I feel.
10:57I want to talk to my father.
11:02I'm waiting for you at Nara Park.
11:04Will you come?
11:11Will you come?
11:15I came to Nara Park, the promised land.
11:19My mother is very sensitive to children.
11:23I have a child.
11:25At that time, my father said,
11:28because my mother didn't treat me well,
11:31he was sulking.
11:37I was surprised.
11:40I was surprised.
11:43My father is coming.
11:47I'm going to my mother.
11:52My father is getting closer to my mother.
12:03My father is getting closer to my mother.
12:11He's coming.
12:15He's sitting down.
12:17Hang in there, father.
12:21Hang in there, father.
12:32Hang in there, father.
12:40Hang in there, father.
12:46Hang in there, father.
12:53It's been a long time.
12:57They're gone.
13:09I didn't know the children were so worried.
13:17I'm sorry for all the trouble you've had to go through.
13:36I'm grateful for everything you've done for me.
13:44I'm grateful for everything you've done for me.
13:49I'll talk to you a little more from now on.
14:01I look forward to working with you.
14:04I look forward to working with you.
14:16Congratulations.
14:18I'm happy.
14:21Are you happy?
14:22I'm happy.
14:23How was it, Yoshiki?
14:27Why did your father stop talking?
14:30He was sulking.
14:32I thought so.
14:34I didn't know.
14:35I didn't know.
14:36I didn't know.
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19:53I
20:23Know I
20:53I don't have a needle!
20:57I don't have a needle!
21:01I'm going to pull out as many as I can!
21:04It's not going to end!
21:07It fell! It fell!
21:10And now...
21:13Ah! There it is! The monkey! The monkey from 3 years ago!
21:16The monkey from 3 years ago!
21:18No, it's not.
21:20It's not? The monkey from 3 years ago?
21:22No, it's not.
21:24It's dead!
21:26The monkey!
21:28It's on its back!
21:32It's on its back!
21:34The umbrella is open!
21:36The umbrella is open!
21:38The monkey!
21:42It's crossing!
21:44Yes, yes!
21:46The umbrella!
21:49The monkey!
21:51Yes, yes!
21:55It's crossing!
21:59It's crossing the forest!
22:04The monkey is desperate!
22:06The monkey is desperate!
22:12It's being covered in pink!
22:15Oh, oh, oh!
22:18Oh! Power up! Power up!
22:20It's not going in!
22:22No, it's not going in!
22:24Oh, oh, oh!
22:26It twisted its face!
22:28It's scary!
22:30Oh!
22:32Oh, oh!
22:34It's stuck!
22:36Oh!
22:38Oh!
22:40It has a strange face!
22:42Oh!
22:44It's not going in!
22:48It took off the box!
22:50It took off!
22:56It's a life-threatening
22:58Power up magic!
23:02Amazing!
23:06It's amazing!
23:08It's amazing!
23:10It won't come out of the box!
23:12You can see through it anyway!
23:18It won't come out!
23:20The second director, Toshiyuki Nishida's beloved Detective Night Scoop.
23:25The last one is this work.
23:28Thank you for your request.
23:31The next one is from Ikuo Sakamoto, who lives in Osaka Prefecture.
23:36He is 65 years old.
23:38Recently, there is something that has been stuck in my mind.
23:42It is that my father, who was born 5 months after I got married,
23:47knew that I was alive in my mother's womb.
23:57My father was recruited in August of the 19th year of the Showa era
24:01and was born in Reite Island in the Philippines.
24:05I don't know the details,
24:07but it is thought that my father died in January of the 20th year of the Showa era when I was born.
24:15My mother, who raised me as a woman, was not an ordinary person.
24:21Five years ago, my mother also had a miscarriage.
24:25One day, when I was organizing my mother's belongings,
24:28I found two old leaflets for my mother from my father, who was born.
24:34It seems that my mother read the leaflets over and over again.
24:39In addition, there was also a pencil writing, so it was quite worn out.
24:44I managed to read one of them, but I could hardly read the other one.
24:49However, in the meantime, I found a place where I could read,
24:55but I couldn't be sure.
24:57Did my father know that my mother was pregnant with me?
25:02Please read my father's leaflet.
25:09I'm sorry, but the director is crying.
25:12I can't read the important part at all, so I looked it up together.
25:21You looked it up, didn't you?
25:23Yes, I did.
25:25I did my best.
25:27Please read the leaflet.
25:29Could you show me the leaflet?
25:33This is it.
25:37It's amazing.
25:39I can read this one somehow.
25:42As always, I see your dream,
25:46but I'm worried that something will happen to you,
25:49or that you are sick.
25:54Please be healthy and free until I come back, but be patient.
25:59After all, it's a decisive battle, so it's time for both of us to do our best.
26:04If you have a hard day, there will be a happy day.
26:08Look forward to that day.
26:10I hope you will spend your days without worries.
26:13He was very worried about his mother.
26:19They were a very good couple.
26:21I can hardly see the second leaflet.
26:24This is amazing.
26:26I can hardly see it.
26:28It seems that my mother called me many times,
26:31so I can't read the fourth leaflet at all.
26:37I can't read it at all.
26:39I want to know if my father, who passed away, knew that I was born.
26:46If I continue reading this leaflet,
26:49I feel like I can read,
26:51I feel like I can read,
26:56I feel like I can read,
26:59This is my goal.
27:03Maybe it's too heavy.
27:06I don't know at all.
27:08Maybe I should make it larger and change the color.
27:12Maybe I should make it larger and change the color.
27:17Maybe I should make it larger and change the color.
27:19So I made this leaflet big.
27:21It's quite big.
27:24It's quite big.
27:26First of all, let's just trace the parts we can read.
27:29Yes, yes, yes.
27:31You can read this part, right?
27:38Ah, it's true, it's true, it's true.
27:41Mi-O-Mo.
27:43If you look at it from a little further away,
27:46this part extends like this, right?
27:48Ah, I see.
27:49Like this, like this, like this, like this.
27:53Can you see this part?
28:00I can't see it.
28:03I'm sorry.
28:04I'll make it clear.
28:06If you look at it from the perspective of the truth,
28:09this part looks like it's open.
28:11Yes, yes, yes.
28:14For now, we've traced the parts we can read,
28:19but it looks like this.
28:21I don't know much about Mi-O-Mo.
28:23I don't know if it's related to each other or not.
28:26If we go back,
28:27I only know that it's related to the parents.
28:31I don't know anything about Mi-O-Mo.
28:34At least at this stage,
28:36I don't know if it's related to the baby in the womb.
28:43I don't know if it's related to Mr. Sakamoto.
28:48Now, with the power of the most advanced computer,
28:52we've come to the Visual Arts School
28:55to see if we can decipher it.
28:59Excuse me.
29:00This is the Antenna and Scoop.
29:02Can you use the power of the computer
29:05to read this?
29:08Can I touch it with my bare hands?
29:10Yes, you can.
29:13The paper is old.
29:15It's a very old paper.
29:17There's the part I want to see the most.
29:19We might be able to go there.
29:21There's a trace there.
29:23It can be subdivided to some extent.
29:26We can go there.
29:28Let's go to that part.
29:30The most important part, Mi-O-Mo.
29:32This is it.
29:33This is it.
29:34This is it?
29:35Yes.
29:36This is the part I want to see the most.
29:39This is the most wrinkled part.
29:41It's true.
29:42It's the biggest wrinkle.
29:43What do you think this is?
29:45It's heavy.
29:47What do you think this is?
29:49It's real.
29:51This is real.
29:52It's real.
29:54In the end,
29:55the part with the wrinkles
29:57is emphasized.
29:59It's true.
30:00You'll see this again.
30:02If it's a pencil,
30:04the way it's drawn
30:06is that the wrinkles
30:07are divided by the light.
30:09If it's a pen,
30:10it's broken.
30:11I see.
30:12If it's a pen,
30:13it's broken.
30:14It should be broken.
30:15There's no trace of that.
30:17By the way,
30:18what will the last four lines look like?
30:21I'm not sure.
30:23The last four lines are difficult.
30:26Is it impossible?
30:28It's a special place.
30:31It's a place where you can research
30:33things like Komonjo.
30:34It's a place where you can research Komonjo.
30:36It's a place where you can research Komonjo.
30:39Now,
30:40we're at the Nara Cultural Research Institute.
30:42There are professionals
30:44who analyze
30:46old woodcutters and books.
30:48This is the only place.
30:51Hello.
30:52I heard you called me.
30:54I'm a barber.
30:55Are you a barber?
30:56It looks like this.
30:57May I?
30:58Excuse me.
30:59Please.
31:00This is quite old
31:03and the paper is bad.
31:05What?
31:06It's a pencil.
31:08It's a pencil.
31:09It's a pencil.
31:10Then,
31:11I might be able to do it.
31:13It's hard to do with ink.
31:16I'm glad it's not ink.
31:18There's a technology to use infrared.
31:21It doesn't react to parts other than the ink.
31:26I see.
31:27It only picks up the ink.
31:28I see.
31:29I'm afraid to carry it.
31:31I'll take it.
31:33It's here.
31:34Is it here?
31:35Excuse me.
31:36I'll put it in a small glass.
31:40I'll try different kinds of light.
31:43I'll shoot with normal light
31:46and infrared.
31:56Are you making it comfortable?
31:58The data I took is sent here.
32:00I see.
32:01I'm processing the image.
32:02This is color.
32:03This is a photo.
32:05When you take a photo with infrared,
32:08it looks like this.
32:10It's black and white.
32:12It's black and white.
32:14For example,
32:15when you take a photo with infrared,
32:17you put the inverted photo on top
32:19and only half of it comes up.
32:23You put the inverted photo on top and only half of it comes up?
32:26When you shift the picture,
32:27what's this?
32:28The shadow comes up.
32:29I see.
32:31The paper itself is three-dimensional.
32:33What's this?
32:34Is there such a way?
32:36Wow!
32:37There's a lot of writing.
32:39Wow!
32:40What's this?
32:41I'm most curious about the fourth line.
32:45It's next to the work.
32:48It's a little higher.
32:51It's there.
32:53I see.
32:55I can't read Miomo.
32:58It looks like Miomo.
33:00Can I see another picture?
33:03We have reinforcements.
33:05Reinforcements?
33:06Yes.
33:07We have Yoshikawa,
33:09who is in charge of reading Komonjo.
33:12You all seem to be familiar with the characters.
33:15This is a real-life scene.
33:17I wonder if this will be heavy.
33:20I can't say it's not,
33:22but I can say it's absolutely true.
33:25Let me see the whole picture.
33:27I see.
33:28If you look at the whole picture,
33:29you can't tell if it's real or not.
33:32I think we can make it a little more.
33:34I see.
33:35Can you give me some time?
33:37Of course.
33:38I'll wait.
33:39Now, let's wait for Matsunomori.
33:42Let's trust everyone and wait.
33:44If you can tell me about me around here,
33:47I might be able to tell you
33:50to take care of your stomach.
33:53I hope so.
33:56That's right.
33:59I'm sorry.
34:01Are you done?
34:02Yes.
34:03There are some parts that I can't read,
34:07but I can read almost everything.
34:09Almost everything?
34:10Yes.
34:11Really?
34:12Yes.
34:13So, as I said earlier,
34:15whether it's real or not,
34:17I think it's definitely real.
34:20Is that so?
34:21Actually, the reason we can say it's real
34:25is because it's hidden in the last four lines.
34:30I think it's a song that's close to a poem,
34:34but I can read three lines.
34:43Wow, that's amazing.
34:46My heart is filled with feelings for you.
34:50I can't say it in words.
34:53I'm asking you,
34:55my parents, my siblings,
34:57my ex-husband, my ex-wife,
35:00my heart is filled with feelings for you.
35:04My pregnant wife.
35:09Wow, that's amazing.
35:11You can tell, right?
35:13You can tell, right?
35:17Thank you so much.
35:23My heart is filled with feelings for you.
35:26I see.
35:29Thank you so much.
35:34He can read almost everything.
35:40Because you didn't bring cigarettes or cigarettes,
35:43I'm sorry.
35:45You should have something to carry.
35:48When you were in Osaka,
35:50you said you'd go somewhere to work when you got a job.
35:54I won't forgive you for that.
35:56No matter what happens,
35:58I won't allow you to go to work.
36:02Until the day we meet again,
36:06let's have a good time.
36:09When we get home, let's have a good time.
36:13I remember Omiya Shrine.
36:16I can't help but remember the movie on the 8th.
36:20But now that we're separated,
36:22I can't help it until I get home.
36:25I've said it many times,
36:27but I'll ban any selfish behavior.
36:30At the end,
36:32I'll sing my heart out to you.
36:35I'll sing my heart out to you.
36:43I'm a pregnant woman,
36:47and my parents want me to get a job.
36:54I'm a pregnant woman,
36:57and my parents want me to get a job.
37:01I'm a pregnant woman,
37:05Thank you very much.
37:07Thank you very much.
37:10I'm thankful even though I want to cut this thread.
37:15I see your parents crying.
37:23I'm sorry that I was so nice to you.
37:28Thank you very much.
37:29Mr. Soda, the director is also holding a handkerchief for you.
37:34Thank you very much.
37:47Your father is amazing.
37:50Yes, he is.
37:52Nishida-san is crying, and I'm crying, too.
37:58I've never seen anyone cry like this.
38:00That's amazing.
38:01Thank you for calling me.
38:04He laughed a lot for 19 years.
38:09He cried a lot.
38:13Anyway, Nishida-san loved Night Scoop.
38:18That's right.
38:21And the day of the director's funeral.
38:27Finally, I would like to say hello to Mr. Nishida, the director of the Detective Night Scoop.
38:35I'm Nishida Toshiyuki, the second director of the Detective Night Scoop.
38:39Thank you very much.
38:41Thank you very much.
38:43I laughed a lot and held a handkerchief and cried a lot because I was hot, stupid, and straightforward.
38:55It was a really happy time.
38:58Thank you very much for 19 years.
39:02Thank you very much.
39:04Thank you very much.
39:06Thank you very much.
39:09The director's seat for 19 years.
39:12Hitoshie Matsumoto and a baton touch.
39:24What should I do?
39:25Detective Night Scoop, which will survive the Reiwa era from now on.
39:30I would like to slowly return to the audience and enjoy it.
39:35Thank you very much.