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00:00She looks at the camera.
00:02Her face is covered in blood.
00:06She slowly, slowly,
00:09slowly, slowly,
00:11smiles.
00:15Cut.
00:16The end.
00:17Credits roll.
00:18Written by
00:19Ayush Verma
00:20and Romil Jha.
00:22Your screenplay is interesting, Verma.
00:24It just takes a little time to do the dialogues properly.
00:27It just takes a little time to do the dialogues properly.
00:30Sir, it takes time. I'll write it quickly.
00:32You don't worry.
00:33I just feel that the interval point is a little weak.
00:38Do you have a better idea?
00:41Okay, sir. We'll think about it.
00:42What's there to think about?
00:44Sir, we'll do amazing writing.
00:47Why are you getting stuck in these things?
00:48Shraddha likes the script.
00:50So what difference does it make?
00:51There will be a 18-month buy-back clause in our contract.
00:54Prepare to make a movie.
00:56Just like your other films,
00:57don't assign it and put it in the development hell.
00:59Leave the phone and sign the cheque.
01:01I'll use the washroom and come.
01:04Not that one.
01:05Go out and turn left.
01:06This is personal.
01:12Was he talking like this in front of Shraddha too?
01:15Sir, he hasn't even started talking yet.
01:18Look, boss.
01:21I like you.
01:23I like the story.
01:24You'll be able to write a good screenplay too.
01:27But not with this Ayush.
01:30I mean, if you want to write a movie with him,
01:33ask Shraddha to introduce you to another producer.
01:35No, sir. Ayush was just joking.
01:37He talks too much, but...
01:38Yaji, we didn't dye our hair just like that.
01:42But sir, your hair is black.
01:44It's a metaphor.
01:45You're a writer. Try to understand.
01:47The thing is,
01:50if you're writing a movie with Ayush,
01:52then I have nothing to do with this picture.
01:58Want some coffee?
02:22No, I'm good.
02:52Yo! Yo! Yo!
03:02Sir, you said your guruji said the planets in this script are not right.
03:05Son, when a big star gets attached to a script,
03:08all the planets come in one line.
03:10And the script loses its focus.
03:12Guruji said, all is good now.
03:16Sir, please don't do this.
03:17These are difficult days to write a script.
03:19These are difficult days to write a script.
03:20And you had already added pickles to the script.
03:22Son, pickles are added so that
03:24when the time comes, the taste of the food is enhanced.
03:27And the time for the script has come.
03:32Sir, I'm a writer anyway.
03:33The producer should be Ira.
03:35And co-producer of productions.
03:37Tell your Ira that
03:39I'll also come with the script.
03:42Son, I worked so hard to write this script.
03:46Now it's time, right?
03:47I supported you so much.
03:49Writer is God and
03:52I am Godfather.
03:56Mr. Rakesh!
03:57Did you sell the script?
03:58I sold the car.
04:00That's why I'm walking.
04:02Did you hear your wife talking to the driver?
04:08Pooja ma'am.
04:17Pooja ma'am.
04:25Don't worry, sweetie.
04:27I'm not going to make you sign your assets to my company.
04:32Of course, you're not going to do that.
04:34Actually, I see all my contracts myself.
04:38Really?
04:40You don't have a talent agency?
04:43I don't know.
04:44A lot of people want to hire an agent but
04:48I'm not sure. I'm thinking about it.
04:51Sure.
04:57By the way, Ira.
05:00Have you heard of this
05:01very sincere producer named Rakesh Raman?
05:05By any chance?
05:08By sincere, do you mean
05:09the fraud real estate agent Rakesh Raman?
05:13Yes, I have.
05:14I met him last year for a Bharat Kumar film.
05:16And you know what he tried to do?
05:19He tried to sell me a disputed property at Royals.
05:24And I was like
05:25as if you can make a fool out of Hira Bajaj.
05:28Guts for trying though.
05:30Anyway, why are you asking?
05:35Actually,
05:38I have a small problem.
05:39Nothing big for you.
05:40I wrote this script
05:43originally for him.
05:47He wants to come on board as a co-producer
05:50otherwise he won't give me the script.
05:53I am not wasting my time with that loafer.
05:56Okay?
05:57So, you either get an NOC from him
05:59or I walk out of this film.
06:04So, this Dhoom Dhadaka is the same script
06:07you think I can do the lead for?
06:09Yes, this is the same script.
06:11But now it's stuck.
06:14And I don't know how to get out of this.
06:18Yeah.
06:20You know, I read the script.
06:22It's a beautiful story.
06:25In fact, I read it in one go.
06:27I mean, it's a very coolly written script.
06:31But...
06:34My career would have been stuck on this but.
06:37I have been trying for so many years but it's not working.
06:40And now this latest problem.
06:47I think
06:49you should write another script.
06:52And start pitching that.
06:55I mean, new energies will spread.
06:58The time will come on its own.
07:00Stop pushing it so much.
07:02It's not that easy to write a new script.
07:04It's a very difficult process.
07:05Hey!
07:06And what about the 25 flex you give?
07:10Write another one.
07:11When you wrote the first one,
07:13remember that time.
07:18Do you know how I wrote the first one?
07:21In a small mansion in Andheri East.
07:25I had finished a 100-page draft in four nights.
07:28Without eating or drinking anything.
07:31I just listened to the songs of my love.
07:36See?
07:38There you go.
07:41And I think you should definitely get an agent.
07:44That will help.
07:46Hey, Ujwadi.
07:48I know this is the best time to be a screenwriter.
07:52For someone without a voice.
07:56So that you can write in somebody else's voice.
07:59It's a golden age for writers who are willing to work on the ideas of others.
08:03If the central idea comes from the decision maker,
08:06Conversion is more likely.
08:09Forget about other people's ideas.
08:11Tell me, what about my scripts and ideas?
08:13Why can't you sell those?
08:15Actually, forget about everything.
08:17The mess that's going on in Dhoomradha, in Ira Bajaj and Rakesh sir.
08:20First, please sort this out.
08:22Nantik.
08:23K changes lives, buddy.
08:25Now that you're with me, work is just taken care of.
08:29You just take care of your heart, buddy.
08:36Actors and relationships.
08:38One's gotta be K for careful.
08:40No, it's nothing like that.
08:43Me and Sania, we're just good friends.
08:46Of course, I was just born yesterday.
08:48I know.
08:52Look, madam.
08:53If the script is ours, then the terms and conditions will also be ours.
08:5750-50 on IPP, OTT and Satellite.
09:01See, the best I can offer is 20%.
09:03And that's just because I love the script.
09:05And I'm the one getting Ayushman.
09:07I think it's a fair deal.
09:08Madam, the script for which Ayushman Shakti said yes,
09:12We have written that script.
09:14Along with this.
09:15So, if you want this script, 50-50.
09:21Okay, the last offer.
09:23I can make it 25%.
09:25And that's just because I love this guy.
09:2825?
09:2925.
09:3050?
09:3150.
09:32All I have to steal is a steal.
09:35Okay.
09:37Let me think about it.
09:39I should get back.
09:40I'll let you all know.
09:42Okay.
09:44Thanks, Ayush.
09:47Ayush, I'm thinking.
09:49Why don't we take Ananya Pandey in the role of Minty?
09:52The set up will be great.
09:54What say you, KK?
09:55Sir, she refused.
09:58She said no.
10:00The English don't say no.
10:02They just say, we'll let you know.
10:05I don't understand.
10:06Why are you letting this go?
10:08Why don't you produce it solo, Mr. Raymond?
10:11Where will Ayushman Shakti work with us?
10:14That's why he agreed to give 50% to Lady Dracula.
10:18Otherwise, he wouldn't have given 2%.
10:2410 percent is fine.
10:25Okay.
10:27Okay, sir.
10:28Sir...
10:29Don't worry.
10:31Let me get him.
10:32I'm sure he'll work.
10:33Be patient.
10:34He'll work.
10:35Ananya, you know, he...
10:36I'm not sure.
10:37I'm not sure.
10:38We'll find out.
10:39Bring him in.
10:40Okay.
10:41I'll say theентronow.
10:42Yes.
10:43Ananya.
10:44Sir.
10:45Sir.
10:46Sir.
10:47Sir.
10:48Sir.
10:49Sir.
10:50Sir.
10:52Sir.
10:53I'm not in the mood to work.
10:55Your focus has shifted elsewhere these days.
10:58What do you mean?
11:02It's a human duty to try.
11:05Success, failure, it's all in God's hands.
11:08Tell me the film.
11:11It's about...
11:15Life Will Not Be Reunited.
11:17Correct.
11:23Ayush, go home and get some rest.
11:27You'll be able to work only when you're in your right mind.
11:30You're right.
11:33I've been thinking about it for a long time and it's not working.
11:35I'll leave.
11:37Give me the money. I'll transfer it to you later.
11:41Charger!
11:41I didn't take it out of the bag.
11:54Hey, hi.
11:56Remember me?
11:57Kashyap's film, Yerwada, police costume the other day.
12:00Yes, of course.
12:02I liked your story that day.
12:04Really? Thanks.
12:06I couldn't tell you that day.
12:08Ayush was busy as usual.
12:10Will you listen to it?
12:12Wow!
12:19I'll listen to it till I drink coffee.
12:21But then I have to bounce.
12:23Do I look so boring?
12:26It's not you.
12:28I find actors a bit weird.
12:31I'm a writer also.
12:32I write too.
12:33I don't write as well as you but I'm trying, you know.
12:37How do you know that I write well?
12:39Your smile...
12:41It's full of confidence.
12:43Seriously, I'm honest.
12:44Tell me the stories.
12:47Kolkata based.
12:49Mishti Doi.
12:50Tramps.
12:53You know, my family is under so much pressure.
12:56They feel that if they don't watch it on TV
12:59then nothing is going on.
13:02Who will explain to them
13:04what's the scene with television?
13:07Yes, it's impossible to explain the pressure of Mumbai
13:10to your family.
13:12Why am I so unfortunate?
13:14Hey!
13:15You know, I've refused so many jobs because of my jealousy.
13:19I've refused so many jobs because of Tishnagi.
13:23And now they've cast a f**king star kid.
13:25So unfair.
13:28What's happening to me isn't fair either.
13:31But what can we do?
13:33But Kay has set a meeting for me.
13:35To join a writer's room for a series.
13:37Let's see what happens.
13:39Dude, something or the other will happen to you.
13:43I mean, you work so hard.
13:45You're the real deal.
13:47If someone deserves to make it,
13:50then it's definitely you.
13:57Okay, now that you've been validated,
13:59can we discuss about me as well, please?
14:03Yeah, yes.
14:05I was thinking, have you thought about going the south route?
14:09If you become a star there, you'll get offers for a direct lead.
14:13I've met a couple of people over the years.
14:16Nothing really worked out.
14:18But...
14:20I don't mind giving it another try.
14:24See, that's it.
14:26I can already see it.
14:28Sanya Singh dancing on some rowdy numbers.
14:31It's an image.
14:32I'm telling you, it's a very good image.
14:36Yeah, I mean, I have a friend in Hyderabad.
14:39Yeah, I mean, I have a friend in Hyderabad.
14:42He's a journalist.
14:43I can talk to him.
14:45I'm sure something will happen.
14:47Really?
14:48Yeah, yeah. Don't worry.
14:50You'll become a star overnight.
14:52And then I'll take my script and follow you.
14:55Ma'am, please give me a date.
14:57Ma'am, please give me a date.
14:59Ma'am, please give me a date.
15:01Ma'am, please go on a date.
15:10So, that's the story.
15:15I think it's a great idea.
15:17I've always wanted to do something in this genre.
15:19I think it's amazing.
15:20And the writer's room is headed by Trishant Srivastav.
15:23Do you know him?
15:24Oh, of course.
15:25And he'll meet you also if your sample scene is approved.
15:30I'm sorry, sample scene?
15:32Yeah, just three scenes should be enough, right, Rivaan?
15:35Yeah, more than enough.
15:40Please don't take me the wrong way.
15:42I don't have any qualms about writing a sample scene.
15:45I just...
15:46Qualms?
15:48It sounds so cool.
15:50Qualms?
15:51I told you.
15:52He's a man.
15:53What does it mean, by the way?
15:54Yeah.
15:56Pain.
16:00So, what I was trying to say was...
16:02Basically, I don't think I'll be very comfortable
16:05writing a sample scene for a writer's room.
16:07Look, Ayush, we have no doubt on your credentials.
16:09It's just that we want to be sure that we all are on the same page.
16:12Yeah, exactly. Don't worry about it.
16:14Okay, I shouldn't worry about it, of course.
16:16And any scenes of your choice.
16:18Oh, they're for my choice?
16:19Yeah.
16:20We give a lot of freedom to our writers.
16:22Thank you so much, guys. That's so considerate of you.
16:25I must ask, what's your background?
16:26FMCG Sales. I was the state head.
16:29Oh, wow. And you?
16:31I did my MBA in marketing.
16:33Amazing. That's why I said...
16:35F*****g a**hole.
16:37Buddy, everyone in this industry is a f*****g a**hole.
16:39K for capitalism.
16:41You just need to identify your kind of idiot and somehow make it work.
16:45K for compromise.
16:47What kind of compromise, bro?
16:49I've been writing here for 10 years.
16:50You know your Virat Singh?
16:52He had to play Ranji to make his comeback...
16:55Don't take my analogies.
17:01Okay.
17:02Let's just focus on Dhoom Dhadaka.
17:06It's the same script that will change my fate.
17:09Buddy, I wish you had negotiated.
17:11Why didn't you just ask Rakesh Rehman for a buyback clause on Dhoom Dhadaka?
17:16You know, your life could have been so much easier.
17:18There was a girl I asked for it when I was in Diwani.
17:21Mr. Suneer got offended and threw me out of the movie.
17:23Ouch.
17:24Buyback clause.
17:26Anyhow, now we'll have to strategize.
17:29Now we'll have to strategize and we'll have to get a big studio
17:33so that they can pay off Rakesh Rehman
17:36and Dhoom Dhadaka can take off.
17:55Rocky.
17:56Yes.
17:58You want me to raid this place?
18:00Come out of your Devdas mood.
18:03I have good news for you.
18:05Randy uncle has bought you the rights to Rush Hour.
18:09Really, uncle?
18:10What do you think?
18:12Your father...
18:14Oh, man.
18:15You're so personal everywhere.
18:16At least don't interfere in my work.
18:17I'm your elder brother.
18:18No, no, no, uncle, dad.
18:19Listen, let's focus on this.
18:20Tell me more.
18:22In the role of Chris Tucker,
18:24isn't he a comedian?
18:25Mehendra Sharma.
18:26Oh, man.
18:27His name is Akhil Sharma.
18:30We'll talk to Zohra for the heroine.
18:33We don't have to act too much.
18:35We'll have to jump around.
18:36The movie is a super hit on the packaging.
18:43What's the problem now, brother?
18:47Dad, uncle.
18:50If you guys produce a film and I act in it,
18:53nobody takes it seriously.
18:55No.
18:56If we don't produce it,
18:57who will take you in the lead and make the film?
18:59Precisely my point.
19:01My image has gone to the dogs.
19:03Nobody takes me seriously.
19:04And that's the whole problem here.
19:06And we have to change that with this project.
19:09That should be the idea.
19:12You guys didn't get it?
19:14Okay.
19:15When I didn't go to school as a kid,
19:16who used to replace me?
19:18Chotu.
19:19Right?
19:20Similarly, for this project,
19:22we need a producer.
19:24We should give him the money.
19:25Okay?
19:26And he should be the name of the film.
19:28For the world, he's making the film.
19:30But we're actually funding him.
19:31Wow! What an idea!
19:33Right?
19:34Right, Chotu bro?
19:35Absolutely.
19:35He agrees.
19:37He's right.
19:40Great.
19:41We'll do it.
19:47I love you, dad.
19:49Let's go.
19:55Sanya ji, that ad you did,
19:56you know, it was absolutely fantastic.
19:59You were quite natural in that.
20:00Ever since we saw that ad,
20:02I thought of working with you.
20:03So,
20:05does that mean that I can be the female natural star down south?
20:09Definitely.
20:11You have that sparkle.
20:12You have that talent.
20:13Could be the sparkling star, actually.
20:16Sir,
20:17I actually wanted to know,
20:19I mean, what is up with these tags?
20:20I mean, no offence,
20:22but why is everyone so self-obsessed here?
20:25It's not about them, Sanya ji.
20:28It's about the people.
20:30They consider the stars godly.
20:33Fair enough.
20:35My casting director Rajesh will contact you.
20:39We absolutely look forward to working with you.
20:42Same here, sir.
20:53Are we working today or not?
20:55No, not today.
20:56Not in the zone.
20:58Let's do one thing.
20:59I'll send you a draft by tomorrow.
21:00Let's meet for breakfast the day after tomorrow.
21:04Let's do dinner tomorrow night.
21:06I'm dying to eat at Jai Jawan.
21:08Jawan has other plans for tomorrow night.
21:11Let's go for breakfast the day after tomorrow.
21:18Ayush.
21:19Ayush.
21:22Are you and Sanya same, really a thing?
21:27You're going with her for dinner, right?
21:35See, you need to understand.
21:37Sanya is a celebrity.
21:40She's not like you and me.
21:44And I can't say anything to such people
21:47until something is official.
21:51She knows that you like her.
21:55What do you mean?
21:57As in does Sanya Sen know that you like her?
22:02Look, you know how these actors are.
22:04No, I don't know how these actors are.
22:07These days it seems like you know how these actors are.
22:10Have you ever thought about it?
22:12Maybe she's just trying to get along with you
22:14so that you can get her some work.
22:18Actually, I think
22:20it's better if we don't talk about this.
22:24And I don't need to explain my personal life to you specially.
22:27I thought we were friends.
22:28Of course, we are friends.
22:32Ayush.
22:39Ayush.
22:42Ayush, that's so rude.
22:43I think we should take a break for a few days.
22:47Until you find a better perspective.
22:49Okay?
23:10Just a second.
23:12Yes, madam.
23:13Madam, please tell me your name.
23:16Your in-laws will throw you out of the house.
23:17Excuse me?
23:18No, there must be someone
23:21because of whom you've kept 12,000 rupees.
23:23Just tell me your name.
23:25I'll beat you up.
23:26Forget it.
23:28I was thinking about your story only.
23:31I was going to call you.
23:32So, you can sleep with your trustworthy smile, right?
23:39I think we should call your story
23:41Her Choice.
23:42Okay.
23:42And it should be a series.
23:44Series?
23:46I think it needs a little more exploration
23:48and some suspense.
23:50I think it will be best like a series.
23:53Okay.
23:54Okay, how about this?
23:56I'll make a Bible for it as a series.
23:59Mr. Jaggi, Rocky is my son.
24:02You take no tension. He's in safe hands.
24:05Thank you. Thank you very much.
24:08So, I was saying, don't worry about your music, satellite, OTT.
24:12We'll do that deal for you.
24:15Wow!
24:16Who's the director?
24:18So, we've taken the film rights from Suneer Khetarpal.
24:22Yeah, and we're meeting him next week.
24:23He has Supan Verma signed with him.
24:26The director of Family Man and Rana Naidu.
24:29Supan Verma?
24:30Yes.
24:30Trial's...
24:33Kajol's OTT debut?
24:35Correct.
24:35Yes, yes.
24:35How did he get it?
24:37See, industry is like a family.
24:41Yes.
24:41All of us have to bring Rocky back together.
24:47But Mr. Jaggi,
24:49if so many people come together
24:52and make a 20 crore film,
24:54what's left?
24:55No, no, no, uncle.
24:56So, this time we're going to follow the Hollywood model.
24:59Hmm.
25:00We just need your name on the banner.
25:03Yeah, and we're going to give you 15% producer's fee.
25:06So, you don't have to worry.
25:08Dad's the one who's worried.
25:12Where were you all these years?
25:14Why didn't you come to me first?
25:16What does he think of himself?
25:18Oh, wow!
25:19He's a producer in his own blood.
25:21He's going to be a producer in the future.
25:23He's going to be a big shot.
25:26Oh, man!
25:27Aunty, I've told you so many times
25:29to keep your phone on silent during the shoot.
25:31It's your phone ringing, not mine.
25:39Hi, sir.
25:41How are you?
25:42Good, good. I'm good.
25:43Krishnan sir really liked you and so did Rajat Garu.
25:46They think you're a good match for the film.
25:49Okay.
25:50So, you want me to test for it?
25:52No, no, not needed.
25:53We want to sign you.
25:59Okay, okay, sir.
26:00So, we'll send you the contract soon for you to sign.
26:03Just read carefully the adjustment clause.
26:05I can adjust the dates.
26:07That's not an issue.
26:09Yeah, dates along with, you know, demand and supply.
26:12Sir, I'm not giving an economics exam here.
26:15Can you please be a little more precise?
26:18Okay.
26:19So, in the adjustment clause,
26:21you'll be liable to get comfortable with the producer
26:23at all stages of the film.
26:24During the making, the promotions after that.
26:27You've met Krishnan sir, right?
26:29You already have a comfort level with him, right?
26:31He told me you guys had a great meeting.
26:34Are you fucking insane?
26:36What is insane in this?
26:37At least we're being honest and upfront about it.
26:42Tell your sir to put this honesty in his ass.
26:46Understood?
26:55Shall we go?
26:58We'll do it in a while.
27:02You know, Ayush, we are setting up our new office.
27:04Yes, sir.
27:05But in the meantime, I was so excited to see you
27:07that I called you here.
27:11Sir, who is he?
27:12Is he Mr. Gandhi?
27:14No, no. He's above him.
27:15Oh! He's my boss, Mr. Jindal.
27:18Does he also have an input in the script?
27:19Mr. Jindal is not like the other studio owners.
27:22He has given me complete creative authority.
27:25Fabulous.
27:26When K told me about you, Ayush,
27:28I thought of your script, Bade Bhaijaan.
27:30Sir, if you like it so much, we can make it today as well.
27:33I still have the rights.
27:35It's time for that, Ayush.
27:37But I loved your Dhoomdhara.
27:39I think we can make it, but...
27:41What?
27:44So, we want to make it,
27:45but right now we are looking for a rom-com set in London.
27:52Sir, isn't this too specific?
27:56Ayush, we are a research-driven company.
27:58Our research says that this is what will work as our first venture.
28:02Because I loved your writing,
28:03so I thought I'll talk to you and see
28:04if you can come up with a good draft for something like this.
28:07You know, Jayesh,
28:09you have a lovely name, but can I call you Jay?
28:11Sure.
28:13Just providing some K for context.
28:16Ayush wrote his first complete screenplay in four days straight.
28:21Which is to say that he's super driven and passionate about his work.
28:24Wonderful then.
28:25Ayush, tell me a freshly baked idea that you believe fits into our parameters.
28:29Sir, I want to make Dhoomdhara right now.
28:32We'll make that also.
28:34First, you give us this rom-com.
28:35I've already got dates of two big stars for October.
28:38Sir, it's been so long, but you haven't changed at all.
28:41I don't know about the script, but you've locked the cast in.
28:44You'll write the script in four days,
28:45and I'll read it in one day.
28:47Unlike others.
28:48Now tell me a good idea which makes me go wow, Ayush.
28:50Yeah, break a leg, buddy.
28:56Sir, I have an idea.
28:59And I think it will fit your parameters also.
29:03Okay, my boy. Go for it.
29:09Sir, it's a story of 25-something...
29:11Why are you reading it?
29:12I'll mail it to you, right?
29:15It's a story of a 25-something female chef based in London.
29:19She's ambitious, fierce, but a little rude.
29:24She wants to be the world's number one chef.
29:27Then she meets a couple who are rich like Adani Ambani.
29:31He says, if anyone will cater to our wedding, it'll be you.
29:35Exactly a week before her wedding,
29:38our chef loses his sense of smell.
29:42Now she has to be nice to everybody she has been rude to.
29:45Particularly to this male chauvinist chef, who's amazing at his job.
29:49Now she has to be nice to him so that he can do all his work.
29:52It's a coming-of-age story, juxtaposition with the love story of two people
29:56who are from enemy countries.
29:58The name is...
29:59Suad Anusaar.
30:00Interesting.
30:02I like the title as well.
30:04This idea is...
30:09It's a super hit. I like the sound of it.
30:11This story idea is yours alone, and you have a co-writer with you.
30:14Ayush and I have worked on this together.
30:17We have cracked this idea together.
30:20The story and the idea are both mine.
30:23You'll get the dialogue draft in the next four days, if you really want to make it.
30:26Honestly, I doubt if we'll take this up at this point.
30:29We already have two female-centric films in our next year's slate.
30:32I'll submit not just one, but both the scripts.
30:36And not just one from you, but both the signings.
30:38Superb then!
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