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FunTranscript
00:00What's the matter with you, man?
00:02You should come on a regular basis, man.
00:04Look, your sixes are starting to look good.
00:06What are you talking about now?
00:11You had a great pull, too.
00:13Hey, just look at it.
00:18I got a call from Sunitha.
00:23We have our film announcement day after tomorrow, right?
00:26Finally, man.
00:27Once the contract is signed,
00:29I'll be able to send the money home.
00:32Yeah.
00:34Did you want to tell me something?
00:37Suni sir and you weren't getting along.
00:40What do you mean?
00:41He got me to draft a script
00:43which Shraddha and Imran both liked better.
00:46Wait a second, Rupi.
00:48Which script? Where did you get it from?
00:51He told me to make this script.
00:53But I talked to him and he's ready to give you the story credit.
00:56When the story is mine, he'll give the story credit to me, right?
00:59Yes, that's why I'm ready to give you 60% of the share.
01:02But because it was your first thought.
01:04But we'll get the credit in the screenplay and dialogue
01:07because our draft has been approved.
01:10Man, where did you get all this from?
01:11Are you telling me now?
01:14Yeah, I should have told you earlier.
01:17Look, we tried talking to him,
01:19but he wasn't agreeing.
01:22Suni sir was saying that if you don't agree,
01:24then we won't make the film.
01:26And then we'll roam around...
01:27Then don't make it, man.
01:29Don't make the film.
01:30We have an actor.
01:31We'll make the director with someone else.
01:37He said that according to your contribution,
01:40it's right and I agree with him.
01:43How much contribution will Suni decide?
01:47I was setting up the field for you,
01:49and you ruined it for me.
01:51You're such a scoundrel.
01:52Aayush, calm down.
01:53Talk to me with respect.
01:55It's not our fault.
01:56You talk too much.
01:57And this is not the first time.
01:58You were talking too much in every meeting.
02:01If I hadn't brought you here from the TV set,
02:04you would have been writing the dialogue for your mother-in-law.
02:06You didn't even open your mouth in the meeting.
02:08Yeah, you open your mouth too much.
02:09This must be because of what you did.
02:12If it wasn't for us,
02:13no one would have called you for the second meeting.
02:14Do you even remember what the hell you say?
02:17Do one thing.
02:19You keep all the credit and money.
02:22Put half of it in your ass,
02:24and the other half in your producer's ass.
02:52Yo, yo, yo.
03:07Bounce on up.
03:08Yo, yo, yo.
03:17Bounce on up.
03:18Yo, yo, yo.
03:22Bounce on up.
03:23Yo, yo, yo.
03:36What?
03:41He was reading less.
03:43You should have told me.
03:45I would have called a junior artist.
03:47Then I wouldn't have had to see this a**hole's face.
03:50Are you jealous of Romil or his success?
03:59Good ball, good ball.
04:00No worries.
04:02It will go, it will go.
04:08No worries, no worries.
04:09It's a slap.
04:12I'll be right back.
04:13So, champion.
04:14Sir.
04:15My team and I read Swada Anusaar and we loved it.
04:17Mr. Jindal also loves it.
04:19We want to sign both the scripts ASAP.
04:25He read it, sir?
04:26No.
04:27He doesn't have time to read the scripts.
04:29I sent him a voice note on WhatsApp
04:30and his reaction came.
04:32Red heart emoji.
04:34You know, two A-listers have read your script
04:36and they both want to do it.
04:38You're a buddy.
04:39Your life is about to change.
04:43Sir, who is the hero?
04:45I can't tell you that over the phone, can I?
04:47Will you come see me in my office tomorrow
04:49to discuss the commercials?
04:5111 a.m.
04:52That's when all good things happen, are you sure?
05:05Come, brother.
05:06Let's go.
05:07Later.
05:16Well played, man!
05:19Good shot.
05:20Ayush!
05:21We're the only ones getting a six.
05:24So what?
05:25We'll hit it too.
05:27The atmosphere is changing.
05:30I've read Thoom Dada Ka.
05:31What is this other film about?
05:33What is this other film about?
05:34It's a rom-com around food.
05:36It's based in London.
05:39Wow!
05:40You're going to London?
05:41I'm the writer of the film.
05:42I'll definitely go to London.
05:44Who's in the cast?
05:46We'll figure that out as the process moves on.
05:53This one also
05:54you and Gayatri have written together.
06:02It's written and it's new.
06:05It's a little complicated.
06:11Whatever it is
06:13I'll clear it.
06:16Best to have your friends rooting for you.
06:43Gayatri, see
06:44I know I should have told you all this
06:46but she liked the story so much
06:47that she asked for a draft.
06:48I wrote the draft in four nights.
06:50She read the draft and greenlit the script.
06:52We'll write the upcoming draft together, right?
06:54So, it's not a big problem.
06:58Gayatri, see
07:01The story is for you.
07:13Bye.
07:26And?
07:27Miss Jamia?
07:28You're missing.
07:31Chocolate brownies?
07:32Yes.
07:33What's the occasion?
07:34Should I chill these glasses?
07:37Hey!
07:38Hi.
07:40And, Parth?
07:42Did you find a new girlfriend?
07:44No, brother.
07:45We're writing something together.
07:48Oh, wow!
07:50I'd heard about relationship rebounds
07:53but this is the first time I'm seeing a writing partner rebound.
07:56When I see you two together
07:57I feel like I'm watching Rani's film Kashyap.
08:00Sweet.
08:01Yeah, dark.
08:03Just like chocolate brownies?
08:04Gayatri, I'm in the kitchen.
08:07Okay.
08:14Do you want to come in?
08:16Okay.
08:35Wow!
08:37Wine.
08:38Background music.
08:41You seem to be in a good mood while writing.
08:44You've never written with me like this.
08:47It's nothing like that.
08:48I opened the bottle because I dragged the scene.
08:51Okay.
08:53How is he?
08:55Your new co-writer?
08:59I think he's quite naturally gifted.
09:01Just the way he explores his characters
09:03and goes deep into their world.
09:05Tell me no.
09:08Tell me everything.
09:10Tell you in your senses.
09:11Is he better than me?
09:20I don't know about better
09:22but he's a better writing partner than you for sure.
09:24But he's a better writing partner than you for sure.
09:35Some people
09:37are like names written on sand.
09:41There's only one wind that blows them away.
09:45Should I tell you a film?
09:50Tell me.
09:54We'll see.
09:58Gayatri,
09:59the delivery guy is calling.
10:00Should I call him?
10:02Yes, call him.
10:03Okay.
10:04Thanks.
10:09Did you have some urgent work?
10:11No.
10:13I saw brownies
10:14and thought of you.
10:15So, I came.
10:17I'm leaving now.
10:20Well done.
10:24Bye.
10:28Ganesh, why do I feel like
10:31you're not improving?
10:34You're just pretending to improve.
10:40You know
10:42I can read your mind.
10:44You can't hide
10:47all your secrets from me.
10:52What kind of lines are these?
10:54Do you have a pen?
10:56Daily Ganesh is Kunal's pet project
10:58and we're really happy
10:59that you're on board for the dialogues.
11:01But, just remember
11:02the best of the lines
11:03have to go to Kunal's character.
11:05If you say, I'll make the rest of the characters dumb.
11:07You're funny.
11:09Sanya,
11:10meet Romil Jha.
11:12He's doing the dialogues for our film.
11:14Sanya, send the renowned TV star
11:16soon to break out into films.
11:17So, I've heard.
11:18Hello.
11:19Mr. Jha,
11:20I've heard a lot about you.
11:21How are you?
11:22What about your blessings?
11:24How are you?
11:25Don't try Bengali.
11:29Joke.
11:30So, you're already introduced?
11:32Great.
11:33We have a common friend.
11:35By the way,
11:37I saw your audition.
11:39I can totally see you acing this part.
11:43But,
11:45everyone says that.
11:48But, it never really materializes.
11:50No.
11:51I mean it.
11:52Why else would I say it?
11:54It would be great to have you in the film.
11:57Let's see.
11:59Let's see.
12:00And now,
12:01you'll get a say in
12:02approving the audition.
12:03I guess.
12:07Look,
12:09we just do the work
12:10and take the cheque.
12:12Casting is the work of
12:13the director and producer.
12:15I don't have any say in it.
12:16Very honest.
12:18And very unlike your friend,
12:19Ayush.
12:21He does everything
12:22and gets everything done.
12:26We don't let friendship
12:27and work come in between.
12:29Really?
12:31I mean,
12:32I feel
12:33he's very professional
12:35and he's a good friend.
12:43Sana,
12:45in this city,
12:48people fall in love
12:49very easily.
13:02I think Swaad Anusaar is perfect.
13:03Right, guys?
13:04Right.
13:05Right, sir.
13:06Even Dhoom Dharaka is great.
13:07Yeah?
13:08Yeah, sir.
13:09It is.
13:10Zinubia Kapoor and Aryan Tiwari
13:11have said yes for Dhoom Dharaka.
13:12And for Swaad Anusaar,
13:13Dhoom Dharaka and Parineeti
13:14are on board.
13:15Sir, but if you don't mind me asking,
13:17how did you do everything
13:18so quickly?
13:20It's your script, Ayush.
13:23COP is coming to 21 CR
13:24including talent.
13:25Out of which, 12 CR
13:26will get a subsidy
13:27from UK government.
13:2811 CR plus 8 CR
13:29for PNA.
13:30Aryan and Zinubia's
13:31digital satellite
13:32and music recovery is good.
13:34So, we'll get 19 from there.
13:35Also, if we earn anything
13:36in theatrical,
13:37it's a bonus.
13:38So, it's a win-win deal
13:39for everyone involved.
13:40Even Swaad Anusaar
13:41has similar economics.
13:42Sir, for Dhoom Dharaka,
13:43who were you thinking
13:44of as the director?
13:45Amit Masoorkar.
13:47We've also sent him
13:48Swaad Anusaar to read.
13:49Amit sir would be
13:50great for Dhoom Dharaka.
13:51What about Hansal Mehta
13:52for Swaad Anusaar?
13:53Great choice.
13:54Perfect choice.
13:56Wow, sir.
13:58Sir, actually,
13:59I had an idea.
14:00I was thinking,
14:01what if we change
14:02the title of Swaad Anusaar?
14:05I was actually
14:06revisiting the script
14:07and I thought
14:08the title seems
14:09a bit off.
14:11Sure, champ.
14:12It's your call.
14:13You have any suggestions?
14:14Tell me quickly.
14:15We're going to do
14:16a Mumbai Times announcement
14:17for both the films together.
14:20Sir, By The Way?
14:22No, sir, it's the title.
14:23By The Way.
14:24Oh.
14:26Actually, sir,
14:27whenever we met,
14:28the first name was
14:29By The Way.
14:30So, I think it'll be
14:31Good Luck.
14:32Sounds good.
14:33Right, guys?
14:34Yeah.
14:35I'll book the tickets.
14:36I'll do it.
14:37I had asked Antima
14:38to book the tickets.
14:39What happened?
14:42Babe,
14:43are you not serious about us?
14:46Of course, I am.
14:47That's why I want to
14:48live in.
14:50So that we get to spend
14:51more time with each other,
14:52isn't it?
14:53Yeah, but
14:54if Ayush stays with us,
14:55we can't live like a couple,
14:56no?
14:58Babe,
14:59please try and understand.
15:00Priyanka,
15:01I can't throw him out like this.
15:02You very well know that.
15:06I mean, I need to support him
15:07until he's in a better
15:08position financially,
15:09right?
15:11Okay?
15:12So,
15:13just with him for the
15:14next few months, okay?
15:16Okay.
15:17Thanks.
15:19Let's do one thing.
15:21We'll talk about
15:22living later.
15:24I don't want to do
15:25a threesome on this
15:26two-seater sofa.
15:27Oh, come on, baby.
15:29What come on, baby?
15:30We've talked about
15:31this so many times.
15:32It's the same story
15:33with you every single time,
15:34no?
15:35You never keep up
15:36with your promises.
15:38I know.
16:03Now Varun gets on the train
16:05and the train leaves.
16:09Now Bindiya
16:10is standing alone
16:11on the platform.
16:12For the first time,
16:13she feels like
16:14she doesn't need anyone.
16:19I feel this has the potential
16:21to be a definitive show
16:22about desires of women
16:23from all spectrums of life.
16:26Interesting.
16:27I really like the sub-version
16:28you've taken in the story.
16:30Sounds like something
16:31that could fit on our slate.
16:33I'm glad you liked it.
16:35Arjun and I
16:36worked really hard on this.
16:38And...
16:39In fact, we want Arjun
16:41to play Varun.
16:43We can surely look at it.
16:45I mean,
16:46Arjun is an expert
16:47at being a saviour in life.
16:48Right?
16:49Right, Arjun?
16:50Yeah, well...
16:52You know me well.
16:53It just took me a while
16:54to recognise you.
17:00Anyway,
17:01please give us a few days
17:03to read and revert
17:04on your Bible, yeah?
17:05I really love your script.
17:07And I think
17:08you have a very unique voice.
17:10Thank you so much, sir.
17:11I'm glad that you liked it.
17:13Actually,
17:14Dhoom Dhadaka is
17:15really close to my heart.
17:16You know,
17:17Dhoom Dhadaka is fine.
17:19But Swaad Anusaar,
17:21that one is outstanding.
17:22So original.
17:24How did you come up with it?
17:27How did you like the screenplay, sir?
17:29Screenplay needs work.
17:31We'll work on it.
17:33But the core idea
17:34of Swaad Anusaar
17:35is amazing.
17:37How did you crack it?
17:41Sir,
17:42Amitabh Bhattacharya has said,
17:44who knows,
17:45in our story
17:46or in the story,
17:48such stories
17:49find me.
17:51I've actually written
17:5226 other scripts also.
17:53Sure, easy.
17:55Do one thing,
17:56email me all these log lines.
17:58I'll read them next week.
17:59I agree
18:01that where the faces
18:02of outsiders end,
18:04that's where
18:05our journey begins.
18:07But what about the
18:08pressure,
18:10constant scrutiny,
18:11the eyeballs on our phones,
18:12the expectations?
18:15Sir, can you please
18:16just excuse me for a minute?
18:17Okay.
18:19First,
18:20we have to prove it to ourselves
18:21that we can do it.
18:23Then we have to prove it
18:24to the world that
18:25we are good enough
18:26to carry these brands,
18:27the tag names,
18:28the surnames that we have.
18:31This burden of legacy
18:32is not easy.
18:38That's the end goal.
18:40I don't have the style
18:41to waste my time
18:42in the middle.
18:44Neither dating,
18:45nor shating.
18:46If you want to make
18:47a lifelong commitment,
18:49get it done
18:50from your mom.
18:54Chitu.
18:58I'm sorry, buddy.
19:00I wish
19:01No, it's okay.
19:03Generally,
19:04you had reasons
19:05to do what you did.
19:06I had reasons
19:07to do what I did.
19:08So, it's okay.
19:10No bad blood.
19:11Seriously.
19:15By the way,
19:16Dhoomdara is finally
19:17getting made.
19:19Yeah?
19:20Okay.
19:21I mean,
19:22all the best.
19:23Thanks.
19:25And I wish you
19:26all the best.
19:28I'm pretty sure
19:29that all the critics
19:30will do all of them wrong.
19:31Of course, I will.
19:32Of course, I will.
19:34Announcements
19:35will be made soon.
19:38Yeah.
19:39Wow.
19:41So, what do you think,
19:42Mr. Supan?
19:43Our Rocky
19:44will suit Jackie's role, right?
19:45Our Rocky, my boy.
20:00Sir, what happened?
20:02Any changes in the script?
20:04Anything different?
20:05Script is perfect.
20:08I'm just stunned
20:09at your timing.
20:12I was looking for something
20:13light-hearted and
20:15this is perfect.
20:17So, perfect, sir.
20:18We're on then, right?
20:19Absolutely.
20:20I mean, between
20:21Rahaan Raju 2
20:22I have this window.
20:23I think we should
20:24shoot this film in between then.
20:25Great.
20:26Rocky.
20:27Sir.
20:28I need to have a word with you.
20:29Alone?
20:30Me?
20:31Sure.
20:32Can you give me five minutes?
20:33Yes.
20:34Sure, sir.
20:35Sure, sure.
20:36Let's go.
20:37Let's go out.
20:38Tea is already served.
20:39Tea is already served, Jaggi.
20:41Mr. Supan,
20:42I was thinking
20:43we can keep the look very casual.
20:44You know, flowy and easy.
20:46By the way, you know something?
20:47I met Rambo the other day.
20:48Oh, okay.
20:49He was praising you a lot.
20:50You know that?
20:51He was telling me,
20:52sir, meet Rocky.
20:53He has a lot of potential.
20:54A lot of untapped potential.
20:55Very sweet of him, sir.
20:56Very sweet of him.
20:57And here we are.
20:58I have my hero.
20:59I have a great script.
21:00We have a great movie, buddy.
21:01I know, sir.
21:02Everything is destiny, you know.
21:03It's all written.
21:04Just one thing, buddy.
21:06I want you to do a look test
21:07before I sign on the film.
21:08Yeah?
21:11Sir,
21:12I mean, sir,
21:13I mean,
21:14we all know, sir,
21:15look test is another word
21:16for an audition, right?
21:18That's not the point.
21:19I don't want you to think that
21:21you got this role
21:22because you're the producer of the film.
21:23You should earn it, bro.
21:25Yeah?
21:29Hey!
21:35I've been refusing to watch TV
21:37for the past two years.
21:39But I don't know how long.
21:42I'm slowly going broke, buddy.
21:45Your expenses are more than
21:46the GDP of a small country.
21:50I'm an actress, buddy.
21:51There's maintenance, right?
21:54Right.
21:56But you know what?
21:58If this Kunal Kumar film
22:01gets made,
22:03it's going to be a great break for me.
22:09I think,
22:11I can talk to Romil
22:12about this Kunal Kumar film.
22:14What?
22:15You're going to talk to Romil?
22:18Yeah.
22:19No.
22:21I mean,
22:22weren't you guys like
22:23Biru and Gabbar?
22:25More like
22:26Aamir and Deepak Tijori
22:28from Joji Tawai Sikandar.
22:30But whatever.
22:31End of the day,
22:32we're friends.
22:33And because I love you,
22:34I can do this much for you.
22:37I'm sorry.
22:39What did you just say?
22:42I said, because I love you,
22:43I can do this much for you.
22:48Ayush,
22:50I think I need to come clear on this
22:52before you take it otherwise.
22:54But,
22:56for me,
22:57you're just a good friend.
22:59Nothing else.
23:01Okay, we're friends now.
23:03Then we'll fall in love.
23:05And we'll get married soon.
23:07Ayush, what are you saying?
23:10Listen,
23:12I'm going on a date tomorrow.
23:14There's this guy from Bangalore.
23:16He's been after me for a long time.
23:19His name is Sudipto Banerjee.
23:21Nice Bengali guy.
23:23He has a travel startup.
23:34What?
23:43Sania, I've done as many pitch meetings
23:45as you've auditioned for.
23:48I can sense Anu from miles away.
23:50I can sense Anu from miles away.
23:53You don't need to make shit up for me.
23:56I'm just being honest.
23:57Don't want to lead you on.
23:58You don't want to lead me on.
24:00You're walking with me on this desolate road
24:02so late at night.
24:03You want to share your feelings with me first.
24:06You want to tell me everything that happens in your day.
24:09You want to have coffee with me.
24:11You want to invite me to your house
24:12and make me drink wine.
24:13You want to share your success,
24:14your failures,
24:15everything with me.
24:17Whatever your mind says,
24:18there's something for me in your heart.
24:22Ayush, you're such a movie star.
24:24Are you listening?
24:25What are you saying?
24:26I...
24:27Listen!
24:28Let me be very, very clear with you.
24:31I'm not interested in you romantically.
24:33But Sania, we can talk.
24:34What?
24:35What can we talk about, Ayush?
24:36There has to be something to talk about.
24:44This you, this me,
24:46these moments of yours and mine,
24:48these shining moments in the talks of the night,
24:51these fragrant moments blossomed from mistakes,
24:55moments that become a story.
24:58Why did this happen?
25:02My heart was broken
25:06that the dream that I got,
25:09was stolen from my open eyes.
25:16The clubbing scene in Delhi,
25:18it's a different story.
25:20People come there to have fun.
25:22Look here.
25:25Raveena, don't fly.
25:27Okay.
25:28She's right behind you.
25:32She's here?
25:34Listen, but...
25:35now that she's here,
25:37use this moment to go and say sorry to her.
25:40Sorry?
25:41Yes.
25:42Sorry.
25:43Use this moment to go and say sorry to her.
25:45Sorry?
25:46Me?
25:47Yes.
25:48No.
25:49It's a mutual break-up.
25:50I'm not apologizing to her.
25:51Only you feel that way.
25:53Not her.
25:55Listen, Arjun.
25:57We need her on our side.
25:59Please go and speak to her.
26:00Come on.
26:02Please.
26:04I'm doing it for you.
26:13I'm doing it for you.
26:34So for the part of the cop,
26:37we wanna go for a bigger name.
26:39I've spoken to Vijay Verma,
26:41and he's game for it.
26:43Sir, Ma'am, I have written this part for myself.
26:47I am an actor first.
26:49And that's why we are having this meeting.
26:52To tell you that we can't cast you as an actor for this project.
26:55I feel this part is not suitable for you.
26:58But we will give you something else in future.
27:00What future? I said sorry to you in front of 4 people yesterday.
27:04What are you taking revenge for?
27:05What nonsense are you talking about?
27:07I am meeting you for the second time in life.
27:11Wow!
27:13Wow!
27:16Fine.
27:17No, it's okay.
27:19We will take this show to someone else.
27:21It's okay.
27:22Of course you can.
27:23But in case you guys decide to stay with us.
27:25I am all game for giving the female lead to Gayatri.
27:29I think she is going to be a great Bindiya.
27:32I like her.
27:33Not you.
27:35Ma'am, try to understand.
27:36I am also a star.
27:37I live in a sea facing house.
27:39Excuse me.
27:40I have a SUV.
27:41I pay taxes.
27:42GST and everything.
27:49Will you get your photo or not?
27:51Yes, mom.
27:52If you call me for the photo shoot, I will get the photo and name too.
27:55Okay, I will call you later.
27:57Have you eaten?
27:58Mom, please hang up.
28:00Done, sir.
28:01I should look good in the article, okay?
28:04How do I look?
28:05Fantastic, sir.
28:07Sir, I thought you will take my photo too.
28:10Of course, I will.
28:11We will do a separate article with you very soon.
28:13No worries.
28:15But sir, please include my name in this article.
28:17Mom and dad will read it.
28:18They will like it.
28:20Of course, Ayush.
28:21Goes without saying.
28:24Excuse me, sir.
28:26Mom, why do you keep calling me?
28:31Listen, come here.
28:34Show me the copy of the article.
28:36Yes, sir.
28:43You didn't include the name of writer Sharma in this?
28:45Sorry, sir.
28:46Actually, I forgot.
28:47I will get it done.
28:48Get it corrected.
28:49Yes, sir.
28:50Sending you the contact.
28:51The industry is full of C's.
29:06Okay.
29:36Block WOOD
29:39Block WOOD
29:42Block WOOD
29:48Block WOOD
29:57Hey!!
29:58So finally it's official.
30:00Congratulations.
30:01Where is the party?
30:03I will give you.
30:04You rascal, you'll have to throw a party in Yauja today.
30:07Ayushi!
30:07Oh, man!
30:09Don't f**k with me.
30:11These marketing people are a bunch of a**holes.
30:12What is this?
30:14By the way, Ayushi suits you.
30:18Okay, I wanted to talk to you about something.
30:20Yes.
30:26Priyanka is moving in.
30:27So...
30:27Okay.
30:29You'll have to look after yourself.
30:34Okay.
30:45She's moving in with us.
30:47Really?
30:47I mean, she's staying under our rent.
30:49You're so lucky, man.
30:53No...
30:53Guys, sorry. I have to take this.
30:55Excuse me.
30:56Hello.
30:57Actually, I wanted to tell you something.
30:59You've given the whole world a clue today, bro.
31:02Your film's official announcement has arrived.
31:04What did you keep saying?
31:06The wind will change.
31:07No, bro.
31:09Actually, I'm getting a sea-facing 2BHK.
31:12It's quite sexy.
31:12No, man.
31:13This flat is absolutely fine.
31:14And who will dare to change the flat again?
31:17No, I'm moving out next month.
31:20What do you mean?
31:22I mean, my career is finally taking off.
31:25My work will also increase.
31:27If I stay alone, I'll be able to concentrate better.
31:33But how did this come to your mind all of a sudden?
31:36It didn't come to my mind all of a sudden.
31:37Bro, this was the plan always.
31:39The film has been announced.
31:42The shoot is about to begin.
31:44I think it's the best time to become independent.
31:47And how long will I be a burden to others?
31:51Oh, yes.
31:52I'm pending Rs. 86,832.
31:56I'll do one thing.
31:57I'll send you Rs. 90,000.
31:58Is that okay?
32:00Yeah.
32:02Cool.
32:07Let's go.
32:11Close the door.
32:29Sir, I'll talk to you later.
32:30Okay.
32:31Bye.
32:59So, the climax must be working for you.
33:01I put in a lot of effort.
33:04Ayush, I don't think we can take you to London.
33:06There are some budget issues.
33:08The rupee is crashing and the pound is smashing.
33:10Sir, how can you not take me to London?
33:13I'm the main writer of your film, sir.
33:15And I need to discuss things with Amit sir.
33:17Things that we'll improvise on set.
33:19Trust me, sir. You won't be able to do it without me.
33:21Ayush.
33:22You know you've done a splendid job till now.
33:25Your script is very good.
33:27Me, Mr. Jindal, Amit.
33:29We all are very happy with the script.
33:32But at the same time, we all feel that you're close to new ideas.
33:36Sir, why are you saying this?
33:38I'm open to new ideas.
33:39There's nothing like that.
33:40Relax, my boy.
33:41It's filmmaking.
33:43And filmmaking is like a war.
33:45There are casualties in wars.
33:47But, as the commander of this battalion, I've already done the needful.
33:51I've hired a local dialogue writer for the film from London itself.
33:54Sir.
33:57Hey, Zain.
33:58I have the main man here, Ayush.
34:00Bonkers story, right?
34:02Hi, Ayush.
34:03Great script, man.
34:04Really looking forward to working on this one with you.
34:06Zain knows London like you know Andheri and Warsaw.
34:09Plus, his dialogues are very Gen Z.
34:11Am I right, bro?
34:12Yup.
34:13I'll call you back in a bit, buddy.
34:15Bye, Ayush.
34:16See you in London, Jayesh.
34:17Take care.
34:18Bye. See ya.
34:21Bright kid, huh?
34:23Sir, this is Gen Z.
34:24But the script is not Gen Z.
34:25It needs experience that I have, sir.
34:28And sir, tell me one thing.
34:29What kind of a budget issue is this that you can't take me along?
34:31Sir, don't get me a hotel.
34:33Get me an AirBnB.
34:34Send me a mattress.
34:35Ayush.
34:36Why don't you come in the Mumbai schedule?
34:38What's the big issue?
34:39Sir, I'm in the Mumbai schedule.
34:40What will I do with just the songs, sir?
34:42The songs alone make the film great, my friend.
34:46Okay, you know that you're important to us.
34:48And your script is the foundation of this film.
34:51Which is already on paper.
34:52Hardly matters where you are.
34:53Tell me.
34:54Sir, Amit sir was insisting that he and his AD team stay in the same hotel.
35:00So...
35:02Do one thing.
35:03Shift all of them to the B-Crew hotel.
35:05Problem solved.
35:06Okay, cool.
35:08What will you have?
35:09Tea or coffee?
35:10Sir, why do you feel that I'm not open to new ideas?
35:13Hey, leave that now.
35:14Listen.
35:15What was I thinking?
35:16We need a strong performer for Minty's sister, Ginni.
35:20How will Sania sing?
35:22The TV actor?
35:23She's a good friend of mine.
35:25What do you think?
35:30She's...
35:32She's a good actor, sir.
35:33Good actor, right?
35:34I thought so.
35:52I'm sorry.
35:53I'm sorry.
35:54I'm sorry.
35:55I'm sorry.
35:56I'm sorry.
35:57I'm sorry.
35:58I'm sorry.
35:59I'm sorry.
36:00I'm sorry.
36:01I'm sorry.
36:02I'm sorry.
36:03I'm sorry.
36:04I'm sorry.
36:05I'm sorry.
36:06I'm sorry.
36:07I'm sorry.
36:08I'm sorry.
36:09I'm sorry.
36:10I'm sorry.
36:11I'm sorry.
36:12I'm sorry.
36:13I'm sorry.
36:14I'm sorry.
36:15I'm sorry.
36:16I'm sorry.
36:17I'm sorry.
36:18I'm sorry.
36:19I'm sorry.
36:20I'm sorry.
36:21I'm sorry.
36:22I'm sorry.
36:23I'm sorry.
36:24I'm sorry.
36:25I'm sorry.
36:26I'm sorry.
36:27I'm sorry.
36:28I'm sorry.
36:29I'm sorry.
36:30I'm sorry.
36:31I'm sorry.
36:32I'm sorry.
36:33I'm sorry.
36:34I'm sorry.
36:35I'm sorry.
36:36I'm sorry.
36:37I'm sorry.
36:38I'm sorry.
36:39I'm sorry.
36:40I'm sorry.
36:41I'm sorry.
36:42I'm sorry.
36:43I'm sorry.
36:44I'm sorry.
36:45I'm sorry.
36:46I'm sorry.
36:47I'm sorry.
36:48I'm sorry.
36:49I'm sorry.
36:50The mattress is so good.
36:53It's comfortable.
36:55Come on, be happy.
36:57Come on, son.
36:59Are you happy?
37:00Yes.
37:02Mr. Prabhunath, let's go.
37:04Okay.
37:05Let's go.
37:06Just a minute, papa.
37:07That was a good scene.
37:14I can't do it, Arjun.
37:15Oh, Gayatri.
37:18Look,
37:19If something good is happening in your life,
37:22it means something good is happening in my life.
37:24Look, that's really sweet. I think that...
37:26Okay. Listen to me. Give me your hand.
37:30Give me your hand.
37:36I will genuinely like it if you say yes to them.
37:41And it's very simple.
37:43If you are successful, then I am successful.
37:46You become a hit actress.
37:48Write something for me.
37:49Produce it too.
37:51LHS is equal to RHS.
37:54Winning, madam.
37:56It's simple.
37:57Rakesh sir will easily agree for the NOC, right?
38:19In the excel sheet of the budget,
38:21there's an entire column dedicated to him.
38:23So, yeah.
38:25Fair enough.
38:28Anyways, can you please let Jai sir and Amit know
38:31that I am ready with my pointers on Zain's draft?
38:34They are all at Land's End for the reading with the actors.
38:37Zain is joining online.
38:38Reading? Wait a second.
38:40Reading my script?
38:42Yeah.
38:44And you didn't call me?
38:46Jai sir will call you.
38:48He will.
38:49When? After the shoot is over?
38:53There's a get-together tonight for the crew.
38:55You are coming for that. Meet him there.
38:57Speak to him.
39:00There's a get-together for the crew tonight.
39:03I'll send you the invite.
39:06By the way, this is the same draft
39:08that we sent you in the mail yesterday.
39:10I think I'll still check it.
39:12I'll check it one more time.
39:14You do you.
39:25The whole of Bombay used to tell me
39:27that the police force could take my name.
39:29I don't know why.
39:30I used to do all the things that they couldn't even think of.
39:34They couldn't even do it.
39:35No one knew that I was getting fired from the inside.
39:38But I still used to do it.
39:39Nice.
39:40Arjun can't.
39:42I knew you were a range-rover.
39:44I saw your range today, bro.
39:45Yeah? You like it, sir?
39:47I love it.
39:48And I love you, Rocky.
39:50In fact, I've decided after watching this,
39:54you're going to make a big action-scale action comedy.
39:57Sir, that's amazing.
39:58You know, Rakesh sir and dad are also on the same page.
40:00They really want to go all out with this one, sir.
40:02We're a team.
40:03Absolutely.
40:05And because we're a team,
40:06I've decided something to make it even bigger.
40:08I spoke to Rambo and he said yes to play Jackie Chan's part, bro.
40:12Who?
40:13Rambo.
40:16No, sir.
40:17If Rambo plays Jackie Chan, what will I do?
40:20Chris Tucker's part, bro.
40:22Your comic timing is impeccable.
40:25You're born to play this role.
40:26You're outstanding.
40:29And both the brothers together, it's a casting coup, bro.
40:32It's going to be a super-duper hit.
40:34Congratulations.
40:36And now, no more protein shakes.
40:39The comedy starts.
40:40I'll talk to Rakesh sir.
40:42Let's get the order ready, okay?
40:43Get it, bro.
40:56SIX MONTHS EARLIER
41:26SIX MONTHS EARLIER
41:56Hi.
41:59B2?
42:00What's wrong?
42:02What happened?
42:04What?
42:05Did you smoke too much?
42:08I can't be a part of the Rashari men.
42:11First, he made me audition.
42:13And now, he's giving me a consolation prize
42:16of being second fiddle to Rambo.
42:19I just can't. It's humiliating.
42:23Look, Rocky, I know everything.
42:27The director discussed it with me and made this decision.
42:31Now, you're riding on Rambo's shoulders.
42:36Rambo is our family, after all.
42:40I promise you, you'll be in the lead in the next film.
42:44Yes, B2.
42:45It's not the length of the room.
42:47It's the effect that is her.
42:50But, Mom, who are we fooling here?
42:54And we were making noontaraka.
42:57He said the exact same thing to Dad.
43:00Did he make noontaraka?
43:01I said, no, Mom. Lead?
43:02He said, lead.
43:04Always it is.
43:06Your record is still stuck there.
43:10Okay, my son, you go to sleep now.
43:14We'll talk in the morning.
43:16No. No, Dad.
43:22Now, I will do what I feel like.
43:26I will make what I feel like.
43:30And I'll prove it to you guys and the world.
43:33To everybody who has ever questioned me in life.
43:38That I can act.
43:44I can act, Dad.
43:45Rocky, listen. Rocky, please.
43:55Rocky, please.
44:25You are straight, aren't you, bro?
44:29Even if I wasn't straight, I wouldn't have made you my boyfriend.
44:37I would have made you my friend.
44:39You are my friend, Ayush.
44:47I am your friend, Ayush.
44:49I am your friend, Ayush.
44:51I am your friend, Ayush.
44:52I am your friend, Ayush.
44:58How did you know that I will meet you here?
45:03You are a very basic bitch, man.
45:06I know you are sad.
45:08Where do you go? What is your source of energy?
45:11Yes, I told you.
45:13Yes.
45:15Tell me, will you come inside?
45:19He is very good friends with Dad.
45:20And always so sweetly and kindly since I was this big.
45:27No, man.
45:29I won't go like this.
45:32I will go when they call me from the front.
45:39Weird flex.
45:40But okay.
45:41Your wish.
45:44You know, it will be very interesting to see
45:47that what kind of a director you become.
45:49Imtiaz Ali or Siddharth Anand.
45:54I will become Ayush.
45:56SRA's best film's best director.
46:01You do one thing.
46:02Give yourself Filmfare and National Award both.
46:04Finish it today.
46:07How will I give the award?
46:09I don't know about the director.
46:12Writing shop is also not opening.
46:15It will happen, bro.
46:17Patience.
46:18Also, I thought I will tell you that
46:21I have decided to sell my Panvel farmhouse.
46:25That is your dad's farmhouse.
46:27That is my farmhouse.
46:28I heard that day.
46:29What did you hear?
46:30My grandma left it in my name in the will.
46:32How does dad's name come every time?
46:33It's my farmhouse.
46:34Is it yours?
46:35Yes.
46:37Then why do you want to sell it?
46:42Because if I don't sell the farmhouse,
46:45then how will I produce the film?
46:46How will you produce the film?
46:50Oh.
46:54Congratulations, man.
46:56Thanks, man.
46:59Which script?
47:00Who is directing?
47:06You.
47:08Yeah.
47:09You write and direct.
47:11I will act and produce.
47:13You minus.
47:14I minus.
47:16Let's become plus together.
47:28Let's do it.
47:32Rocking, bro.
47:34Let's do it.
47:35Let's do it, bro.
47:40And now my apps are also coming.
47:41Almost there.
47:42Yeah.
47:43Yeah.
47:45Apps will come.
47:46Script.
47:47There is no script, right?
47:48There is a script, right?
47:49Where is the script?
47:50Bro, let's make Dhoom Dhadaka only.
47:53Bro, you are clearly not happy with the way things are going, right?
47:55Yeah.
47:56Right?
47:57Yeah.
47:58So let's make it the way we want to make it.
48:00The OG team.
48:01You and me.
48:02OG is fine.
48:03But Jayesh has the script.
48:04He is going on floors.
48:07Bro, Rocky rocks when he really wants to.
48:10Jayesh won't give.
48:11Rocky rocks.
48:12He won't give.
48:13Jayesh won't give.
48:14Jayesh's father will also give.
48:15What has your grandma written in the will?
48:17Tell me, bro.
48:21Bro, I am no Sylvester Stallone.
48:24But I do know how to fight like Rocky.
48:26Because it ain't about how hard you hit.
48:28Yeah.
48:29It's about how hard you can get hit.
48:31And keep moving forward.
48:33That's how winning is done.
48:34That's how.
48:35Yeah.
48:36You get it?
48:40Hello.
48:42Mr. Jindal.
48:45Rocky here.
48:47I am coming to see you tomorrow.
48:49Atlantis, Dubai.
48:503 p.m.
48:51Bro, can you fly by 3 p.m.?
48:56But a week before that spitting,
48:59she loses her sense of smell.
49:01And then she has to be nice to all her co-workers.
49:04Especially this male chef who is really good at his job.
49:07It's a coming-of-age journey duxter position
49:09with a love story of two people
49:12who are polar opposites to each other.
49:14And the name is
49:16Swaad Anusaar.
49:22This film is getting made.
49:25Really, sir?
49:27You like it?
49:28No. Ayush Verma's By The Way.
49:31This is his story.
49:33It's Jayesh from PFC.
49:34He had sent it to me.
49:35My shoot dates didn't work out at that time.
49:38So I didn't do it.
49:40Same story.
50:06Bounce on up, yo, yo, yo
50:17Yo, yo, yo
50:26Bounce on up, yo, yo, yo
50:36Bounce on up, yo, yo, yo
50:41Bounce on up, yo, yo, yo
50:43Yo
51:03Yo, yo, yo
51:06Bounce on up, yo, yo, yo
51:24Yo, yo, yo
51:32Bounce on up, yo, yo, yo
51:35Bounce on up, yo, yo, yo Bounce on up, yo, yo, yo
52:05Yo, yo, yo
52:14Bounce on up, yo, yo, yo
52:24Yo, yo, yo
52:27Bounce on up, yo, yo, yo
52:43Bounce on up, yo, yo, yo
52:48Bounce on up, yo, yo, yo
52:57Bounce on up, yo, yo, yo