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00:00You
00:30You
01:00You
01:16It's not a mistake by a giant platform before
01:19Platform the by John's who caught us that we pop up a little pop a gun that guy was left off in a teak
01:24It may erupt a jitnuki Ruslan Gujarat
01:28I'm a by John key Kurbani Dekhnegah, but it's like a Yankee Barati
01:33But that was Kusum a Jata. He was a buddy. I John was a kitten
01:39The end
01:42Subhanallah, wow
01:44Kaka Nikon even for that. I've guys Baba. Kia. I'll have more time. I'll be
01:49It's nice nice nice
01:53Thank you. Thank you so much
01:55Sir, move up. I'll get your next step. I'll get ya
01:59We'll give you the LOI and then you start writing the screenplay as simple as that
02:02cha
02:04Take a name. I love me. John. I thought you were basically about to stick early in kisses you know
02:12We'll give you the LOI letter of intent and we assign you okay, you're gonna get great exposure and experience, yeah
02:19Yeah
02:20He's gonna be both a child. I've a similar job. It's all better like that intended
02:26We'll discuss the monies after the film is cast. Yeah, how's that?
02:30How's it shall I come up cast me in case we'll switch with a lead actor?
02:36We have Ritik Abhay and Imran all of them have the dates we in October
02:41Sir, I'm switching to keep is good. I'm in a SRK both achieve anything. It's not about the script
02:47It's about the dates just key available. I have a scat film Monty and this is the golden rule of the industry exactly
02:55And SRK is the king my friend. You need to earn the privilege to work with the king
03:08Coffee knowledgeable answer to of course is the experience nobody will get there
03:18Hi come in
03:23Hi, do you know who's it
03:26He does the dialogues for the leg a kuri Gujarati. Oh
03:30I wish for my mother
03:32myself from Ilja
03:36So
03:37Are you she script up there could lick here? Yeah, there's a co-writer attached
03:41G-kani
03:43Premchand's everybody's up there was cream play me right take a cool then not just get the Premchand guy next time for the meeting
03:50I'll get him to sign the LOI food
03:56Or Manto's fuck you better make a family just get him to send his CV. I'll see
04:12Yo, yeah
04:32Yeah
04:41Yeah
05:11Oh
05:34Hello
05:41Hey
05:46Abhishek both tariff karate, huh?
05:49I'm not a case are a tweets party. We'll do I use my Baba hashtag me up. Yeah, I know
05:54Yeah, I I can't come out. I mean I bought good seeking it. I have seen it. He's a coochie
05:58Yeah, I don't wish to man. May I tell you that I'll take a look at you know, it's a lot better
06:04Thank you
06:05Humility cannot heal with the app can that we have not gonna story baby. Hmm. I've never read it. Yes, he liked
06:11atrocious
06:15But love it was a
06:20Big up hum hum. Kiya Bolete. Hey, I'm not a bar. I'm gonna rate. Come here. If I please
06:25Please the narration culture in the industry go barbarker
06:29Yeah, go straight pertain, but in many party. You know, I'm on a chair. No, you have I
06:35I
06:36Said about the theory back to me. Can I say?
06:40Yeah, a key institute of engineering and I know I don't it was a I'm pass out every need
06:46I catch up with me. I saw what they won't care
06:49respect
06:50up negar Wallace
06:52Amar a garbale, huh? I'm go so much. They can't give you a coach. You are fine. It's silly. I'm Kona
06:57Who's a respect to you? Anyhow, you think?
07:00It's not passionately about carotene
07:03But I give you the back story need or want you know, she's a clear
07:08Character, can you read a guide? Oh, man, I wrote me right over here. It'll be a on the side
07:12Let's check out by a writer. But nothing on the reverse shift. Oh, yeah
07:17And a re-enact high and a reverse T.A.
07:19Like in here are on the ground now because I don't know do bandra. Well, it was a struggler's room
07:25He's tough. Let's put it. Okay. Why don't you banter on bungalow?
07:29Those bonobo
07:31Networking go blue to go back to black coffee. We need to look at film festivals
07:35We have next story bank, but our film ideas are series ideas. You expect script ready only
07:40I think I will expect
07:42Speculations will equate the script to film Bansakhi or name. It's a part of it. She will be tomorrow as a writer Kabila Samajhata
07:50Or ha subset important cheese. I will be guilty. Say we don't really feel much
07:56Yeah, listen, I'm after non-google Karete, but Kissimmee movie to create it may happen. I mean, yeah
08:01Yeah, I put up a week on market mini. Yeah
08:04Char films to TV shows or a celebrity key autobiography
08:09You can imagine a river come on now me who's writing a test. It's a militant and I'm gonna write you guys up
08:18As a guy to remember you believe me Bobby G
08:21Namaste
08:22Congratulations. Yeah, thank you. Thank you
08:24BV 90 monkey work life
08:27Ashley my baby. Oh, did you have it at the back? Oh, yeah, what?
08:30I'm also right
08:32But I've been then next now a dumb actor O'Reilly and I'll be a cool writer you
08:38But I'm with you. I'm not cool based on the other
08:40Oh
08:42Yeah, I use the other party I like a good so I'll play a coupon Mike miss people trigger fan
08:47Oh, yeah, I've said we don't have any screenplay writer banana
08:50But we have a play to throw clearly click a passage. Oh, come on
08:54Yeah, but I've got cook up which come a bit at me. Yeah, but just like you
08:58Oh, I'll be chubby silly kid room that I got to be able to purchase leaky to go karate
09:03I
09:10Can't do to Nicole
09:13Me I don't copy do that
09:15so
09:17I'm looking deadline. I'm good
09:19Take it. Yeah. Yeah. Yeah. No, I think
09:23Bye, yeah, I'll buy it
09:34Listen
09:36Sorry, I'm currently on a job
09:38You're bored. Okay, but miss a hockey man. There's a pitching kill a producer's director. He's a number she'll give me
09:45Thank you. Thank you so much. We are looking soon. I'm not gonna throw you in a scene
09:50Okay, okay
09:53Bye
09:56Yes, baby, listen, maybe push a lady hmm
10:00But just it's the key or even a bunny as I do
10:08Every share my kismet, Nona, but she's pretty solid technique
10:12And I know that she would eat her taggy slip liquid, but don't that I got my best scripted
10:17I mean, it's a little problematic and sexist, but it feels weird and come funny me
10:23Hey, kid, not come to come to a banana. I sent it
10:26for the
10:29I seriously think that you should buy your script back on that Rakesh Raman. Hey Rakesh, so no property in between for some minutes. I'm not
10:35Just no laptop. We call it. Let's start
10:43Isn't that Jeevika from the label could he could Jackie Sonia's in you know her
10:49Man, so somebody's on phone. Of course
10:52Okay, so the show is called own me
10:55Yeah, okay, okay, and you're playing the young daughter of the biggest prostitute in Calcutta
11:01But you want to become a doctor
11:03Okay. However, your mother is really disappointed with you because she feels, you know
11:08You should take the family lineage ahead and become the biggest prostitute in Sonagachi
11:13Basically, she has this theory. He doctor committee doctor the prostitute committee prostitute killing mother
11:18She's a feminist and she's really proud of who she is
11:21And she's really proud of who she is, I mean you should really consider this
11:28We love we will let you know
11:36T2 kisses Monty
11:41Talk herself my heart will be to my side. Go to the coffee pita dinner
11:47Buddy cute. I have to minty from Calgary
11:52Oh
11:55Very long day
11:57Hi game today
11:59Kusni I told him I'll keep your script a Karma productions. Thank you. Karma productions can like me
12:05What's that? Cute? Oh, man. Lucky boss. Come back. It'll be my job. So you know what he said?
12:11There's a koi bathni setting marriage a Manhattan garden. I
12:16Was like what the fuck?
12:18I
12:19Seriously, I don't want jokers. I have to deal with
12:25Okay, listen Priyanka, let me call you back
12:30Soon hmm
12:33Make up the challenging a freezer. Wow, but I think
12:42Yet to go maybe I'll put up I need that
12:48Solid arts, I'll sit on top of it. I'll know
12:53It burn a dhundhara copy
12:55One of the time you don't have a name. I'll suck them good. Yeah, sorry. I'm gonna do it
12:59I'm gonna go get a refill
13:02How I'm gonna do it good. I'll come up my share. Actually, I'll be made a share the base room. I'll transfer them
13:11Solid ass I'll open a tuba Lana. They're buying balance or not. I think I'm a fish, right?
13:15How about lady I'm a koi neighbor
13:19To make me know about lady. What do you buzz it to?
13:37It's my last week of future I
13:39Don't trust it with anybody
13:41I'm tomorrow. Papa. Go on. He'll find it. I think the salt will get it to me
13:46I'll get me up for those it or up nil. I'll change color. Yeah
13:50I feel sad that we all come we can look for a chance to be excited. Oh, God
13:53Did you meet Papa gonna bullet? Yeah, I need to do it to me. I'm ready to hear that. Yeah, that's a lot of a prank
13:58so good
14:00There's a crutch again. He passed it to my boss. I'll have to be the car. He can't make a supermarket. I hope
14:06I'm bad about the boxer. I
14:09Agree with auntie. I'm struggling
14:12but hot Amiro, honey
14:15It's not a great deal. Oh, don't worry. I don't care
14:26Yeah, I don't mix me good team in film it up bandwagon
14:38See
14:44My rocky star in a car
14:49I mean, don't I got off this one? No
14:56Okay, sir
14:59Okay, sir
15:01Are you
15:22Is
15:31Sir, I've been waiting for you for so many years.
15:35If you don't like Dhoomra's new script,
15:36just return it to me.
15:38I'll start pitching it to someone else.
15:40Ayush, I can't find a hero for your script.
15:43If Rajkumar doesn't like your script,
15:45then Ayushman Shakti is not in the mood.
15:47Ranbir has a fever of a don.
15:49Now you tell me, whom should I go to?
15:51Tell me. Tell me. You tell me.
15:54I'll go to the police station.
15:55I'll go to the police station.
15:56I'll go to the police station.
15:58I'll go to the police station.
15:59I'll go to the police station.
16:00I'll go to the police station.
16:02Sir, what about Karthik Aryan?
16:03He doesn't have a date till 2026.
16:11Sir, what about him?
16:14This...
16:16Kunal Kumar, sir.
16:17Kunal is my son.
16:18I've had his signature since six years.
16:21Sir, talk to him.
16:23He is a big star.
16:26And he had an issue with the south's remake rights.
16:28The dates are free in October.
16:30Dates are also free in Uber, right?
16:32Will Kunal fit in your script?
16:35Sir, you fix the meeting.
16:38I will pick the script according to his macho image.
16:40Why?
16:42This can be your blockbuster.
16:48Do one thing, Ayush.
16:50Anything, sir.
16:51Talk to the Bengali director of four national awards.
16:55If he comes, Kunal will get a yes.
16:57Sir, I won't talk. You talk to him.
16:59I don't know Bengali. You talk.
17:01I go now.
17:02I have to go to show four BHKs in Toberon.
17:04Wish me luck.
17:19I hope your cooking is better than your writing.
17:22A guy is trying to teach you something here.
17:25And you are taunting him.
17:30Hello.
17:31Hello, Ayush. What are you doing?
17:34Nothing, sir. I was making pasta.
17:36Will you have it?
17:37Forget pasta. I am going to make your life.
17:40Kunal is ready for narration.
17:43So take the Bengali director and reach film city quickly.
17:46Yes, sir.
17:59Yeah.
18:04Balance on up.
18:05Yo. Yo. Yo.
18:15Yo. Yo. Yo.
18:20You didn't make pasta?
18:21No.
18:25This guy!
18:26Oh, shit.
18:29Dada, I saw your Bhoombada movie yesterday at the prime play.
18:32It was very slow.
18:36There's a Hindi movie going on.
18:38It'll be fast.
18:40But the producer here is very slow.
18:48Dada.
18:50Dada, you're not answering your phone.
18:52You're eating brownies here.
18:53How will the movie be made, sir?
18:54Your producer is a complete idiot, sir.
19:00That day I was giving a lecture on how to direct the opening sequence.
19:05I've won four national awards.
19:07Of course, Dada. Of course.
19:08He's teaching me how to take a shot.
19:13Dada, Rakesh sir is not a bad person.
19:15He's just a little stubborn.
19:18That day he said he'll decide who the cameraman will be.
19:21Dada, why do you take his words so seriously?
19:24Listen to one ear and take it out from the other.
19:26Do whatever you feel like doing.
19:29Just like you do with our feedback, right?
19:32No, Dada. What are you saying?
19:36Dada, listen to the main thing.
19:38Rakesh sir has convinced Kunal Kumar.
19:41The narration.
19:43His date is empty in October and he has signed it.
19:49Kunal Kumar?
19:50Kunal Kumar, Dada.
19:52He has a day one of 10 CRs.
19:54And your film Dvesh.
19:55When it came out, he went to the hall twice to watch it.
19:59And he even tweeted.
20:00Big fan.
20:09Just because Kunal is a self-made star
20:12we are ready to work with him.
20:14Thank you so much, Dada.
20:16If he was a nepo kid, we would've never believed him.
20:19No, no, no. Of course, sir.
20:21And tell Rakesh that we will decide everything.
20:25Done.
20:26Tell him to focus on catering and property dealing.
20:30We will handle the creative part.
20:31Of course, Dada. You are the captain of the ship.
20:34Dada, what are you doing?
20:35Kunal Kumar is waiting for the narration.
20:37No. No.
20:38Dada, no.
20:44Hey, Vermeer.
20:45Hey.
20:46What are you doing here?
20:48I came to do hair and makeup.
20:50Hair and makeup?
20:51Narration, man.
20:52Come and narrate a story.
20:53Which one?
20:54Didn't you hear? Punjabi spy becomes a singer.
20:56Singer becomes a spy.
20:57You are from Punjab.
20:58You don't even have a Punjabi in you.
20:59Anyway, represent your culture, bro.
21:02What kind of narration is this?
21:04It's been three days.
21:05Today is the fourth.
21:06We will call you again tomorrow.
21:07We have spent four hours discussing the hook step of the opening song.
21:11Will you listen to the story or not?
21:13Hey.
21:14He is Anirudh Dada.
21:15He has won three national awards.
21:16Four.
21:17Sir, sir, sir.
21:18Wow.
21:19My pleasure, sir.
21:20Sir.
21:21See you.
21:22All the best.
21:25Where is your producer?
21:45Sir, Mr. Kunal didn't come.
21:47It's been a long time.
21:49Mr. Kunal is a very hardworking actor.
21:52He won't come until he gives a perfect shot.
21:54Ayush.
21:56If the director accepts the first take by mistake..
21:59..then he gives three safety takes.
22:02That's it. Fantastic.
22:04Mr. Kunal has an amazing dedication and focus.
22:07Yes, I can see that, sir.
22:08You are seeing it now.
22:09I have known him since he was roaming around..
22:12..with a portfolio in Lokhandwala.
22:13Yes.
22:15Old friend.
22:16Okay, I am just getting in a meeting.
22:17I will call you back.
22:19Rakesh, sir, how are you?
22:20How are you, Majid?
22:22I am good.
22:23Kunal, not with you?
22:24Oh, just a second.
22:32Kunal.
22:34Where is he?
22:38Kunal.
22:41Okay.
22:42I will wait for you.
22:43So Kunal is in the zone for an intense scene.
22:46So he sent me for the narration.
22:48Let's get started.
22:49Come, please sit.
22:53Ayush, how long will it take you to narrate the entire script?
22:55No, there is no need to narrate the entire script.
22:58Rakesh sir is family.
22:59And Kunal sir is a big fan of Dada.
23:02You just narrate the story. That should be good.
23:04Okay, sir.
23:06I will narrate the story.
23:11They look at each other.
23:13They slowly move towards each other.
23:16And then finally, Titu kisses Minty.
23:19And when everyone agrees to their marriage.
23:23Then Titu and Minty run away from their own marriage.
23:27Cut.
23:28The end.
23:29Wow.
23:34Sir, the story is good.
23:35The only problem is that Kunal has himself written a script called
23:38Daily Ganesh, which he is wanting to make next.
23:41So...
23:42But Majid, our script is ready.
23:45Let's do this one first.
23:46And then the one with Kunal.
23:48Anyway, Kunal, we have had this sign for so many years.
23:51What say you?
23:53Actually, that's a great idea, sir.
23:55Let's do a deal for both of them.
23:56First DD, then DG.
23:58Oh, Dada.
24:01Dada, you will manage, right?
24:03This one-man industry will be Kunal Kumar's film.
24:06You don't have any art film where you just stick the camera
24:08at one place and go for a shoot.
24:10We have won four national awards.
24:13Awesome. Let's get to work then.
24:27Hey, wait.
24:29Sir.
24:39Majid has asked for a cheque of five crores tomorrow.
24:42And Kunal has given so many likes for the song.
24:45So many likes. Ask Dada.
24:46He loves the song.
24:47I am feeling giddy.
24:49I want to make a film.
24:50Is it?
24:51You are making a film, son.
24:53Go and book a new car quickly.
24:55You were signing, so I...
24:56Sir, we still have the second instalment.
25:03Do one thing, son.
25:05You are coming to Abhishek's party tomorrow, right?
25:08Yes, sir.
25:08Take the cheque from there.
25:09Okay, sir.
25:12Abhishek, I am so happy for Abhishek.
25:14He deserves all of this and more.
25:16He does.
25:17But if I hadn't recommended his name for Patal Lok,
25:20you'd be nowhere.
25:22Point.
25:25What rubbish?
25:27I have given Abhishek to the industry.
25:31Gulati, I am so happy for Abhishek.
25:33He deserves all of this and more.
25:35He does.
25:36But if I hadn't recommended his name for Patal Lok,
25:39you'd be nowhere.
25:41Point.
25:42I have a lot of such stories.
25:44You sent a guy, right?
25:46Yes.
25:47He came.
25:48Faisal.
25:50I met him.
25:52He is a bright guy, but he talks too much.
25:55You talk too much.
25:57I send people because I see them.
26:00His uncle was my professor in college.
26:02I see.
26:04I'll do something.
26:05Nasreen.
26:07I said, Shadmeh.
26:09Don't drink this. I'll be back in a minute.
26:13Brother, whatever it is,
26:14he has broken it a little.
26:17Yes, he has.
26:18Then why don't you cast him?
26:20If we cast a good actor in A-list,
26:23the industry won't go anywhere.
26:26Brother, how are you?
26:28How are you, man?
26:30People still invite Rocky Badwani to parties.
26:33He has given five back-to-back flops.
26:35Unbelievable.
26:36The Juhu Bandra people get extra credit.
26:39If we had an actor from Aram Nagar,
26:41he would have won a village ticket by now.
26:43Ayush.
26:44Just a second.
26:46Brother, more than luck and time,
26:49only star sons have been in this industry.
26:52Star daughters have also been in this industry.
26:55Excuse me.
26:57Who are you?
27:00Ayush Verma. Screenwriter.
27:04Screenwriter?
27:06What films have you written for Ayush?
27:07Ayush Verma?
27:10I have written a lot, but no one has come yet.
27:14We will talk when she comes.
27:17I have done five projects as a lead.
27:21Yeah?
27:21Tere Mere Liye, Love Ka Bharta, Lucky Kameena, Power Plan.
27:24Shift Kara De, Shift Kara De.
27:26Got 7.1 on IMDb.
27:31So, next time at these kind of parties,
27:33when you make these general sweeping remarks
27:35on established people like us,
27:38you should go and see for yourself.
27:43Get it?
27:50Yeah?
27:51Yep.
27:53He was right.
27:54Are you sure?
27:58Dad must have given him money, but still 7.1 on IMDb.
28:01At least it should have been 8.
28:04Established.
28:07Okay, I'll be back in two minutes.
28:08If you come in my thoughts, my heart will go crazy.
28:10I'll give you Bingsham, Machcha, Two Nutella.
28:31Mr. Rakesh, this song is perfect for Nunu.
28:35No, Nikai.
28:37I don't know anything about you and Kunal's Nunu.
28:41But I promised Urvashi this song, baby.
28:45I'll look so good in this song, right?
28:47So sweet.
28:48Majid, this song is mine.
28:50Baby, this song is mine, right?
28:53This song is mine.
28:55Baby, it's mine.
28:56Listen, Majid, when I'm going to discuss the script with Kunal,
29:00I'll discuss this song. You don't worry.
29:04Baby!
29:05Baby!
29:06Sir, my cheque.
29:09Cheque, cheque, cheque.
29:12It's done, sir. It's on time.
29:18Enjoy.
29:20Baby!
29:21Sir, I...
29:22Wait, baby.
29:29Amar, hurry up. You've been making it since so long.
29:31How are you making it?
29:33You'll only go to Akshay Kumar's parties, right?
29:36No, no. Come on. Come on.
29:38Bye, bye, bye.
29:49Don't complain, Aayu.
29:52You've just started working hard, got it?
29:55You'll have to work a lot more.
29:57Then you'll understand
29:59that being a part of a good and a hit film
30:02is no less than a miracle.
30:08You should've congratulated me instead of giving me advice.
30:10Oh, come on.
30:12Am I your industry friend?
30:15I'll wish you best of luck, brother.
30:18Because you need luck a lot.
30:23Come inside.
30:24Yes, we'll celebrate this too.
30:29Congratulations, Amar.
30:52You know, I didn't give Neha a credit for her film's poster.
30:57Neha Yagnik?
30:59Tell me.
30:59I spoke to her.
31:01I told her that if your producer doesn't give you a front credit
31:04for your film's trailer, she'll tell me.
31:07I'll tag her and tweet her.
31:08In our industry, writers have to fight with the studio and producers
31:11for their own credit.
31:13It's like a soldier on the border.
31:16This is the situation in 2023.
31:18One hit.
31:19Aarti, let me get just one hit.
31:22I'll fix all the unrest in the industry.
31:25I'll change the industry.
31:26Why do film people talk about films all the time?
31:30Why can't we discuss something else?
31:32What else do you expect?
31:34You're in Versova.
31:35Forget it.
31:37Tell me what you'll do after your first hit.
31:40Let me guess.
31:41He'll go to Hollywood like Shekhar Kapoor after his first hit.
31:46There's no chance.
31:47I'll tell you what I'll do.
31:48Tell me.
31:49What?
31:52I'll make a film with SRK.
31:54Oh!
31:55The best film of his career.
31:57Oh!
31:59I wrote the emotions of Nilwale.
32:01In my special 26, script number 13.
32:04The title is Masala.
32:07Masala.
32:09It's a good title.
32:10Masala.
32:11You're the real Viceroy of Versova, Ayush.
32:14Your wish will surely be fulfilled.
32:17Son, Aryan has also become a writer-director.
32:21Yes.
32:22SRK has a long waiting list.
32:23We'll have to give him at least four hits to reach there.
32:25If at all.
32:26If at all.
32:28I've been working hard for the past ten years.
32:30SRK is my God.
32:31My prayers are for the mosque, temple,
32:34the village, Madina and everything else.
32:36Wait and watch.
32:37Wait and watch.
32:39One day, the weather will change.
32:42Absolutely.
32:43SRK will call me from the front.
32:46Brother, listen to me.
32:49Yes.
32:49If he calls you from the front,
32:50you'll be in trouble that day as well.
32:54Give me a chug.
32:54Cheers.
33:04Don't you feel like giving up?
33:07The process of making this film is so tough.
33:10Such a long wait and so much uncertainty.
33:14Is it even worth the effort?
33:19In India, a film is not just a film.
33:23A picnic for the family,
33:25a meeting point for couples,
33:27a mingling spot for singles,
33:30a stress buster for office and college people.
33:32What we make is the biggest source of entertainment for the people of our country.
33:37And a way to preserve our culture for art-lovers like us.
33:41But now, the OTT people have asked...
33:43OTT, DVD, Blu-ray, Cassette, Satellite.
33:48So many have come and gone.
33:50But cinema is still standing where it is.
33:52And it will continue to stand.
33:54Do you know why?
33:56Because there's a mother in every name.
34:06You know, I hope your excitement starts soon.
34:09Yes.
34:18Oh, my God!
34:20Congratulations!
34:22Ayush, this is amazing news. I'm so proud of you.
34:25Thank you so much.
34:26Wait, I'll tell everyone in the court.
34:29Right? Let's celebrate.
34:31Let's go home and have a bottle of wine.
34:33We'll watch the sunrise.
34:35I'm going to be a great writer now.
34:39Not today, Ayush. Some other day.
34:43Okay.
34:48Titu wears a leather jacket and goes out of his house.
34:50Looking all macho.
34:52He turns around and sees that the house is on fire.
34:55But Minty's valentine's day gift is left inside the house.
34:58Despite the neighbors' insistence,
35:00Titu jumps into the fire.
35:02And puts out the fire with his bare hands.
35:04When his mother, sister and Minty's gift is saved
35:07and he comes out of the house,
35:09he looks at a very scared Minty and says,
35:11I'm sorry.
35:13Your gift is also like mine.
35:14Hey, Shibu. Order an avocado salad.
35:19Rakesh, what would you like to eat?
35:21You can order, son. I've already eaten at home.
35:25Is everything fine at home?
35:26Everything was fine till this morning.
35:30Dada.
35:31Order a mutton biryani for us from Calcutta.
35:34Aakash, what would you like to eat?
35:36Sir...
35:38I'll order a mutton biryani.
35:40Okay.
35:40I'll order a mutton biryani for you.
35:42Okay.
35:43And...
35:44Ayush, you're a writer. You can eat anything.
35:47Anything.
35:50Sing a song.
35:52I'll continue the story, sir.
35:53Aakash...
35:56I can't enjoy it.
35:58I can't charge my phone.
36:00Ayush, sing with a little energy.
36:03With background music.
36:05Sir, I remembered.
36:07The next thing we're going to do is the first playback song.
36:10Nutella 2.
36:12This song will be sung by Nutella 2's Nunu.
36:15Nunu?
36:17She's taking ballet dancing classes.
36:18She has become amazing.
36:20She has become famous.
36:21Naunika loves this song.
36:23Very good.
36:23She'll do complete justice to this song.
36:25Superb.
36:26But, son...
36:29I promised Urvashi song.
36:32You won't say no to me because of an item song.
36:36I'm doing it because of you.
36:39Why do you need someone else?
36:41I'm a f*****g industry by myself, Mr. Rakesh.
36:44No, Kunal. I've already committed to Urvashi.
36:49She's so sweet, girl. Just like your sister.
36:52If your wife comes to know that you're Urvashi's best friend
36:56you'll be out of the house.
36:58Kunal, I think you mean Menaka's best friend.
37:03No, that's...
37:04Aakash, am I a writer?
37:05No, right? You're a writer.
37:08Is it my job to be factually correct?
37:10No.
37:10No.
37:11You got the context, right?
37:13Got it, sir.
37:15Yes. Good.
37:27Idea, sir.
37:30Let's do a duet.
37:32Sunidhi Chauhan and Shreya Ghoshan.
37:34No, I mean Ms. Naunika and Mr. Urvashi.
37:36Both of them will be happy.
37:37What an idea!
37:39That's why I say, a writer is God. God is a writer.
37:43Urvashi and Nunu.
37:45Go ahead.
37:46What say you, Kunal?
37:47Good idea.
37:54Do it.
38:03I'm out of this.
38:05I'm not enjoying it.
38:08I'm not getting charged.
38:09No, no. Kunal sir.
38:12We can change things according to you.
38:14Sir, we can change.
38:16Sorry, Ayush.
38:20You guys are at the office. Where are you going?
38:23Brother, please talk to him.
38:24Brother.
38:27Ayush, there's too much bad blood.
38:31We've won four national awards.
38:34We don't want to do all this.
38:36Sir, if you talk to him, maybe you'll get something.
38:38Please, try once.
38:41Now even Guruji has made me pay.
38:44This damn script is a pain.
38:46I'm sorry, Inspector.
38:48My cheque bounced.
38:49I stopped payment.
38:51I go.
38:52Come, Guruji.
38:55Next time, I'll bring a charger for this idiot.
39:05I'm sorry, sir.
39:06I'm sorry, sir.
39:07I'm sorry, sir.
39:08I'm sorry, sir.
39:09I'm sorry, sir.
39:10I'm sorry, sir.
39:11I'm sorry, sir.
39:12I'm sorry, sir.
39:13I'm sorry, sir.
39:14I'm sorry, sir.
39:16I'm sorry, sir.
39:17I'm sorry, sir.
39:18I'm sorry, sir.
39:19I'm sorry, sir.
39:20I'm sorry, sir.
39:21I'm sorry, sir.
39:22I'm sorry, sir.
39:23I'm sorry, sir.
39:24I'm sorry, sir.
39:25I'm sorry, sir.
39:26I'm sorry, sir.
39:27I'm sorry, sir.
39:29I'm sorry, sir.
39:30I'm sorry, sir.
39:31I'm sorry, sir.
39:32I'm sorry, sir.
39:33I'm sorry, sir.
39:34I'm sorry, sir.
39:35I'm sorry, sir.
39:36I'm sorry, sir.
39:37I'm sorry, sir.
39:38I'm sorry, sir.
39:39I'm sorry, sir.
39:40I'm sorry, sir.
39:41I'm sorry, sir.
39:42I'm sorry, sir.
39:44I'm sorry, sir.
39:45I'm sorry, sir.
39:46I'm sorry, sir.
39:47I'm sorry, sir.
39:48I'm sorry, sir.
39:49I'm sorry, sir.
39:50I'm sorry, sir.
39:51I'm sorry, sir.
39:52I'm sorry, sir.
39:53I'm sorry, sir.
39:54I'm sorry, sir.
39:55I'm sorry, sir.
39:57I'm sorry, sir.
39:58I'm sorry, sir.
39:59I'm sorry, sir.
40:00I'm sorry, sir.
40:01I'm sorry, sir.
40:02I'm sorry, sir.
40:03I'm sorry, sir.
40:04I'm sorry, sir.
40:05I'm sorry, sir.
40:06I'm sorry, sir.
40:07I'm sorry, sir.
40:08I'm sorry, sir.
40:09I'm sorry, sir.
40:10I'm sorry, sir.
40:12I'm sorry, sir.
40:13I'm sorry, sir.
40:14I'm sorry, sir.
40:15I'm sorry, sir.
40:16I'm sorry, sir.
40:17I'm sorry, sir.
40:18I'm sorry, sir.
40:19I'm sorry, sir.
40:20I'm sorry, sir.
40:21I'm sorry, sir.
40:22I'm sorry, sir.
40:23I'm sorry, sir.
40:25I'm sorry, sir.
40:26I'm sorry, sir.
40:27I'm sorry, sir.
40:28I'm sorry, sir.
40:29I'm sorry, sir.
40:30I'm sorry, sir.
40:31I'm sorry, sir.
40:32I'm sorry, sir.
40:33I'm sorry, sir.
40:34I'm sorry, sir.
40:35I'm sorry, sir.
40:36I'm sorry, sir.
40:37I'm sorry, sir.
40:38I'm sorry, sir.
40:40I'm sorry, sir.
40:41I'm sorry, sir.
40:42I'm sorry, sir.
40:43I'm sorry, sir.
40:44I'm sorry, sir.
40:45I'm sorry, sir.
40:46I'm sorry, sir.
40:47I'm sorry, sir.
40:48I'm sorry, sir.
40:49I'm sorry, sir.
40:50I'm sorry, sir.
40:51I'm sorry, sir.
40:53I'm sorry, sir.
40:54I'm sorry, sir.
40:55I'm sorry, sir.
40:56I'm sorry, sir.
40:57I'm sorry, sir.
40:58I'm sorry, sir.
40:59I'm sorry, sir.
41:00I'm sorry, sir.
41:01I'm sorry, sir.
41:02I'm sorry, sir.
41:03I'm sorry, sir.
41:04I'm sorry, sir.
41:05I'm sorry, sir.
41:06I'm sorry, sir.
41:08I'm sorry, sir.
41:09I'm sorry, sir.
41:10I'm sorry, sir.
41:11I'm sorry, sir.
41:12I'm sorry, sir.
41:13I'm sorry, sir.
41:14I'm sorry, sir.
41:15I'm sorry, sir.
41:16I'm sorry, sir.
41:17I'm sorry, sir.
41:18I'm sorry, sir.
41:19I'm sorry, sir.
41:21I'm sorry, sir.
41:22I'm sorry, sir.
41:23I'm sorry, sir.
41:24I'm sorry, sir.
41:25I'm sorry, sir.
41:26I'm sorry, sir.
41:27I'm sorry, sir.
41:28I'm sorry, sir.
41:29I'm sorry, sir.
41:31Yo, yo, yo.
41:40Bouncin' up.
41:41Yo, yo, yo.
41:50Yo, yo, yo.
41:59Bouncin' up.
42:00Yo, yo, yo.
42:09Bouncin' up.
42:10Yo, yo, yo.
42:14Bouncin' up.
42:15Yo, yo, yo.