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00:14Señora.
00:15Señorita, dichosos los ojos.
00:18Había mucho que no la veía con esa sonrisa.
00:20¿Qué ha pasado?
00:21Que me caso.
00:23Pero cómo es eso.
00:24Elia y yo nos casamos.
00:26Pero dígame, ¿qué ha pasado? Cuénteme.
00:29Well, when Pelayo said she was pregnant,
00:31everything was rushed.
00:33Yeah, yeah.
00:33I know it was rushed.
00:35Because that man did it just to hurt you.
00:39No, not in the end.
00:41He said he would take care of it and that the child was his.
00:45Oh, what a joy, miss.
00:48And the marquis has granted the marriage?
00:53He's taken it by force, for a change.
00:55They want to avoid the scandal of a pregnant and unmarried daughter.
00:59As if he saw it.
01:00And after what happened to Manuel and Hanna,
01:02he is calm to be able to solve my problem easily.
01:06Miss, your pregnancy is not a problem.
01:09A child who comes into the world is always a blessing.
01:12I know, I know.
01:14The positive of all this is that the wedding will be as soon as possible and discreet,
01:18just as I wanted.
01:19And just with whom you wanted.
01:22Of course, with whom else?
01:24No, no, yes, you're right.
01:26I only say it because of how bad the last few weeks have been for you.
01:32Pelayo realized his mistake and apologized to me.
01:37And you forgave him, just like that?
01:39His regret is sincere and he was hurt.
01:43And he told me that he would take care of the child and that we would be a family.
01:47I don't know if so many comes and goes are good for a marriage.
01:52Simona, but you told me less than a week ago that Pelayo was in a crusade
01:56and that he seemed to love me.
01:58Yes, I know what I said.
02:00And I also know why I said it.
02:02Because at that moment you needed to hear that.
02:06Ah, you lied to me.
02:08No, no, no.
02:09At that time, Mr. Pelayo had not done the trick of telling everyone that you were pregnant.
02:16Everything is fine between Pelayo and me, Simona.
02:18Maybe better than ever.
02:21Really, miss?
02:23Yes, with my heart in my hand I tell you.
02:25We both have done bad things in the past, but ...
02:29Those mistakes will make us be able to build the relationship in the future.
02:34Yes, it will be true.
02:35What they say, that what doesn't kill you makes you stronger.
02:40That's right.
02:41And I feel stronger than ever.
02:43Well, I'm very happy, miss.
02:46And I hope they can form that beautiful family because ...
02:50Because you deserve it, miss.
02:52You and your child.
02:57And regarding the family, I want to ask you a favor.
03:00Of course.
03:09Good afternoon, mother.
03:10Good afternoon.
03:12Have you seen father?
03:14Why are you looking for him?
03:16He knows perfectly well.
03:18I would like to finish talking about the proposal I made to you.
03:21That is not a proposal. It is an imposition.
03:28Mother ...
03:31I come in peace.
03:33And with the best of intentions. So please, I just want us to talk.
03:36Can't I have a little peace?
03:39We managed to resolve the dissolution of Catalina and the count and now you are back in charge.
03:43Did you think that by letting time pass, I was going to forget him?
03:46Unfortunately not.
03:47No.
03:48And I know he doesn't like it, but I have plenty of reasons to demand that Hanna has her own bed next to us.
03:54And postponing this conversation does not benefit anyone.
03:57If you say so.
03:58I say it.
04:00So please tell me, have you seen father?
04:04No. And you won't find him either.
04:06He has left for Puebla de Tera and will not return until tomorrow.
04:09So even if it doesn't benefit anyone, I think you'll have to wait.
04:13And why did he do that?
04:16Son, believe it or not, you are not the center of the universe.
04:20Can you answer my question, please?
04:24He has gone to interview a friend of his, a politician.
04:28He wants to use his influence to free Mr. Baeza.
04:33At least you could see beyond your own navel.
04:38Do you really think I don't care what happens to Mr. Rómulo?
04:42I only believe what I see with my own eyes.
04:44That my son behaves like a capricious child who gets angry if he doesn't do what he wants.
04:48That's not true.
04:50All I'm asking for is what is rightfully mine.
04:53Hanna is my fiancée. And if she were another woman, they wouldn't be putting up so many obstacles.
04:56It's just a coincidence that she's not another woman. She's a maid.
04:59I don't care.
05:02What I feel for her will not change, no matter how much father acts like a coward.
05:07Don't even think about calling your father a coward.
05:10Manuel, you are an ingrate.
05:12You owe him everything you have.
05:14I never asked him.
05:15See? You're talking again like a spoiled brat.
05:18It is very unfair that you ask your father for more understanding.
05:21Because precisely if we are in this situation, it is because he did not know how to stop your fantasies in time.
05:26Are you trying to make me believe that my father is the personified goodness?
05:29He has given you much more than you deserved.
05:32Although you have not been able to appreciate it by going with that whore.
05:36Don't go against Hanna, mother.
05:38This conversation is between you and me.
05:40Look, Manuel.
05:41Tomás had many flaws, but he understood this from the beginning.
05:45The Marquis is above us, son.
05:48He is above everything, and this is how we have educated you.
05:50And this is how my father sees it.
05:52The Marquis is above everything, even me.
05:57Look, mother.
05:58Education is important.
06:00But above it is freedom.
06:03And I plan to use it to be happy.
06:05Where are you going? I'm not done.
06:10Mother.
06:12Oquesa.
06:14Good afternoon, Mercedes.
06:17That's not my name.
06:21We didn't expect your visit.
06:23I didn't announce it.
06:25I wasn't just referring to that.
06:32I didn't expect you to be here.
06:34I'm sorry.
06:37I didn't expect you to come back.
06:41And I guess you would be very happy with that possibility.
06:45No.
06:46The truth is that I'm glad you're here.
06:49Better.
06:50Because this time I didn't come for any recipes, but to talk to you.
06:56I didn't like anything.
06:58The last conversation we had.
07:01López told me they argued.
07:03It will be better if we leave the cook alone.
07:08What did you come here for?
07:10To apologize to you.
07:13With all this, I didn't do the exercise of putting me in your shoes.
07:18Well, I didn't put myself in yours either.
07:22I was afraid you wouldn't want to forgive me.
07:25After all, you have already decided that this is your home.
07:29Not for a long time.
07:32What do you mean?
07:34Well, I think it's clear that I'm leaving the promise.
07:38But forever?
07:40I have notified Mrs. Arcos of my resignation.
07:42As soon as they have a replacement, I'm leaving.
07:45Are you leaving with the cook?
07:47Sorry, sorry.
07:48No, I should have said that.
07:50It's just that for a moment I thought that maybe you would come home with us.
07:54Mother knows that's impossible.
07:56I can't go home.
07:59I know.
08:02No.
08:08Well, I'd better go.
08:11No, they've already seen her.
08:13So what?
08:15If she doesn't want people to ask questions, it will be better if she visits the cooks.
08:21Well, at least tell them it will be a short visit.
08:24I will.
08:31I will.
08:37This is fine. I've had enough.
08:39No, you'll have enough when I say so.
08:48Hanna.
08:50I didn't know you were here.
08:52I would have changed my mind about your mother.
08:56Don't give her more importance than she has.
08:59Manuel does have her.
09:01I get goosebumps just thinking that you are arguing for me.
09:04She is my mother.
09:06She has plenty of reasons to argue with me.
09:08This is not just any reason, Manuel.
09:10Your mother will never accept what is ours.
09:16Well, it's her problem.
09:18And I will repeat it as many times as she needs.
09:24My love, I love you.
09:26And there is nothing I can say that will change that feeling.
09:31What did you tell her to get like this?
09:33Actually, nothing.
09:35Because what I wanted to tell her, I also needed my father to hear it.
09:38And he's not in La Promesa.
09:40And where did he go?
09:42To Puebla de Tera.
09:44He's going to try to talk to a friend of his, a politician.
09:48To see if he can get Rómulo out of the cartel.
09:51Manuel, that's great.
09:53Yes.
09:54No, you were here.
09:56My God, we've been looking for you all over the palace.
09:58It's not like you were hiding me.
10:00Well, it didn't seem like it.
10:01We've been looking for you in your studio, in the hangar, in your bedroom.
10:05Here I am. And what do you want?
10:07That you change your clothes and come with us to play badminton.
10:11Now?
10:12Yes, Martina thinks she can beat us before dinner starts.
10:18Well, actually, that could be.
10:20Because I don't think I've ever taken a racket like this in my life.
10:22Well, that's better.
10:23Because that way I can be your teacher and you don't have to deal with work.
10:28I appreciate that.
10:30But it's going to have to be another time.
10:32And why is that?
10:34Because right now I'm very tired, Curro.
10:36But that's precisely why we've come to see you.
10:39Because badminton is like a medicine.
10:41You have to imagine that the ball is all your problems.
10:45And you hit it with a racket to get it as far away as you can.
10:49I hope that's not one of your lessons.
10:51Well, it was going to work.
10:53You'll see that the three of us will have a good time.
10:58The three of us?
11:00Isn't badminton a couple sport, like tennis?
11:04Yes, but we asked Julia, but she couldn't join us.
11:09I wasn't thinking of Julia.
11:12I'm sorry, Hanna.
11:14Well, since you can't play ...
11:16Don't worry.
11:17Why can't she play? Is she a badminton player?
11:20No, but she's a lady.
11:22And my fiancée.
11:24Let's see, Manuel.
11:26Don't worry.
11:27I don't think anyone has tried to do anything bad to Hanna.
11:29Well, that's what you've achieved.
11:30Manuel, please.
11:31Hanna, don't even think about standing by her side.
11:34Is it so hard for you to think about it?
11:36Hanna and I are going to get married.
11:37We'll be husband and wife.
11:38Who cares?
11:39Let's see.
11:40Neither Curro nor I have said otherwise.
11:41But you still treat her as if she were a couple.
11:43No, it's not like that.
11:44You know what?
11:45I don't care.
11:47I'm tired of arguing with everyone.
11:54Hanna, I'm sorry.
11:56I'm sorry.
11:57I'm sorry.
11:58I'm sorry.
11:59I'm sorry.
12:00I'm sorry.
12:01I'm sorry.
12:02I'm sorry.
12:03Hanna, forgive me.
12:04My intention has never been to ignore you.
12:06Really.
12:07I know, miss.
12:09I think your cousin is just a little over the top.
12:15I've lost my desire to play.
12:19I'm sorry.
12:27I'm sorry, sister.
12:31Come.
12:33Come.
12:44I'm sorry.
12:45I couldn't find the notebook.
12:49Good.
12:50Well, we're all here.
12:53What recipe did you want to tell me?
12:59Almond sauce meatballs.
13:03I hope you don't have a little more time, Mrs. Amalia.
13:05Because we have some garnishes that go perfectly with this recipe.
13:10Some cooked vegetables.
13:12A sweet potato with onion and wine.
13:15No, no.
13:16Almond sauce meatballs, please.
13:18We'll leave the garnishes for another time.
13:21Go ahead, boy.
13:23Yes.
13:24Well, the first thing is to season the minced meat with salt and pepper.
13:29Although it also includes other spices.
13:31Like the mejorana and parsley.
13:34And chopped garlic.
13:36Yes.
13:37And a well-chopped onion that gives it texture and flavor.
13:40And egg yolk.
13:42I get the idea.
13:44Please continue with the recipe.
13:48Well, that's it.
13:50Mix everything well.
13:53Give it the shape and fry them.
13:57And it would be to prepare the sauce with the juice of the meat itself.
14:01Yes.
14:02And there, Mrs. Amalia, is where the meatball of this recipe is.
14:07Because that sauce is an invention of López.
14:11One of his secrets.
14:13One of the best guards.
14:15I see.
14:17If it's so secret, it's better to leave the recipe here.
14:20Well, you see, if we don't tell Mrs. Amalia about the sauce,
14:25we have a recipe for meatballs, Mondo y Lironda.
14:30Is that better than revealing one of the best-kept secrets?
14:34It's a way of speaking.
14:36Besides, we're with trustworthy people, aren't we?
14:42Yes, yes. Of course.
14:44So you don't mind being revealed your kitchen secrets?
14:47So you don't mind being revealed your kitchen secrets, Mrs. Simona?
14:52Well ...
14:53It depends on what the secret is.
14:57Is there any secrets that are more valuable than others?
15:01Of course. Yes, yes, yes.
15:03And as López says,
15:05it also depends on who is told that secret.
15:09Come on, I say.
15:12Well, in this case, I think it has become very clear that
15:16the secret can appear in my recipe, right?
15:19Yes, yes. Of course, Mrs. Amalia.
15:22For my part, there is no problem.
15:27Where were we?
15:29Ah, yes. Well, then, for the sauce,
15:33we have to reserve the chopped onion
15:36because this will give color and texture to the meatballs in almond sauce.
15:47Wow, I didn't expect that.
15:50Well, if you didn't like it, you'll have to give it back to me.
15:53No.
15:58What are you reading?
15:59Nothing, the Vespertino. But I've had enough.
16:02It's nothing more than the war in Europe.
16:06So? What makes you so happy?
16:09Well, we're going to get married.
16:12So? What makes you so happy?
16:15Well, we're going to get married.
16:17And the other reason?
16:20I'm here to talk to Simona.
16:22I understand.
16:24And what? Has she given her consent for our wedding?
16:28Don't make fun of me. You know she has a lot of affection for me.
16:31Then I'll ask you seriously.
16:33Has she given her consent?
16:35At first she didn't.
16:37But finally she has wished us all the best for our future marriage.
16:42I'm calmer then.
16:45I came to ask you something.
16:48I already said that so much affection had a price.
16:52And you know that you don't need kisses to ask me for what you need.
16:56Whenever it's in my hand, take it.
16:58Do you say that to earn another kiss?
17:01Maybe.
17:08And how can I help you?
17:10I want you to come with me tomorrow to a toast.
17:13It's going to be in our honor.
17:15That's great news.
17:17And who is our host?
17:19The Duchess of Cerezuelos?
17:22Cold, cold.
17:24I don't know.
17:26The Countess of Navalmoral? She was your friend, right?
17:29Cold, cold.
17:31Carolina, if you want me to visit all the noble houses of Andalusia one by one,
17:35we can be like this until tomorrow.
17:37And still you would never get it right.
17:38Why? It's not in Andalusia.
17:40It's not in a noble house.
17:42The toast is with the service.
17:44So we can tell them the news.
17:47But you didn't finish talking to Simona.
17:49Yes, that's right, but we'll celebrate it with everyone else.
17:52And we can also tell them the reason for the wedding.
17:56But we don't have to give explanations, let alone the servants.
18:00Maybe I've expressed myself badly, but whether you like it or not,
18:02they have been a fundamental part of our relationship.
18:05I know it's not what you want the most, Pelayo, but it's important to me.
18:12Aya, if it's the fashion couple.
18:15With the permission of your brother and Cinderella, of course.
18:18What do you want?
18:20What will it be?
18:21To congratulate you.
18:23For a double game.
18:25Thank you very much, Captain.
18:28What's going on?
18:30Aren't you in the mood for congratulations?
18:35Mr. Conde, I know there have been differences between you and me in the past,
18:39but I want you to know that my wish is sincere.
18:42I hope you are as happy as you have been so far.
18:49I'd better leave it open.
18:52We don't want bad tongues to speculate about your private life, do we?
18:58Leave it, Catalina.
19:00It doesn't deserve any attention.
19:27Mr. Baeza.
19:29Mr. Manuel.
19:31I was waiting for your visit.
19:34I would have welcomed you with other wishes.
19:38I'm glad to see that you haven't lost your sense of humor.
19:48Something's going on.
19:52Something's going on.
19:57Romulo, I've come to see how you are.
20:00So my problems don't matter.
20:02Yes, they do matter.
20:03Besides, I'm telling you that there's nothing to tell here.
20:10That's about to change.
20:12Look, my father is in Puebla de Tera right now.
20:15He's talking to a friend of his, a politician,
20:17and he might be able to get him out of here.
20:20What hopes are in vain, sir?
20:22Remember that none of your father's contacts
20:25could do anything for you when he was in prison.
20:28Who would intercede for this old mayor?
20:31Whoever it takes.
20:33You are innocent and you are going to get out of this cell.
20:36Besides, that's not the only news I have for you.
20:39This afternoon I was in a meeting with Sergeant Burdina.
20:42And I told you not to get involved.
20:44It's dangerous.
20:45All I've done is give him the names of the three men
20:48with whom Gregorio fought.
20:50The day he didn't come to our first meeting.
20:52Now he'll just have to interrogate them.
20:54I appreciate it.
20:55Yes, I'm sure that among those men,
20:57it may be the one who ended Gregorio's life.
21:00And now, are you going to call off your inquiries
21:03or do we still have time?
21:06Adventure that has to do with the clashes
21:09of Miss Expósito and the Marquises.
21:11Am I wrong?
21:13Not a bit.
21:16My parents still don't give up.
21:19Well, if you allow me the comparison.
21:23You already knew that it was a trench war.
21:27What you have to do is maintain your position
21:30and let the enemy wear out little by little.
21:33I need to move forward, Romulo.
21:35I can't be patient with Hanna.
21:37I love her too much to wait no more.
21:42That's why I asked my parents
21:46for Hanna to have her own dormitory in the noble area.
21:49Well, the request is not small.
21:53It's what they would do if Hanna were a noble cunna.
21:55But it's not.
21:57And although I agree with you
21:59that things should be that way,
22:01but we both know
22:03that it can be a constant source of conflict.
22:06Then get used to it.
22:09No, but I'm not talking about the Marquises.
22:12I'm talking about Miss Expósito.
22:15What does she think of this change?
22:20She doesn't know.
22:22Let's see, but what are you waiting for to tell her?
22:24She is the main affected.
22:26I know.
22:27But I don't want to tell her anything
22:29until this problem is solved.
22:31The last thing I want
22:33is for this to end up harming her
22:35and for everything to go against her.
22:38She gave me some advice.
22:41You know how much I value them.
22:44Miss Expósito
22:47is not a fragile porcelain doll.
22:50She doesn't need to be protected.
22:53Miss Expósito is a stronger woman than you and me.
22:57She doesn't make the mistake of keeping her locked up
23:00in a glass case as if it were a trophy.
23:12Well, I have noticed that she is sadder.
23:15It's not for nothing, Teresa.
23:17Hanna was already excited about that snack.
23:20If the gentlemen are from Sarajevo,
23:22so is Dia.
23:23Surely there is an occasion for another banquet,
23:25dance or snack.
23:27Maybe.
23:28But none as good as this one.
23:30It was going to be petit comide.
23:32And what does that mean?
23:33Well, it's French.
23:34And it means little food.
23:36Well, what a thing.
23:37Since one goes,
23:38at least he can put on his boots, right?
23:40Don't be stupid, son.
23:41What does it mean when there are few people?
23:44When one thing is intimate?
23:46And it caught our attention
23:47that you cancel the snack from one day to the next.
23:49The guts are what you have, Teresa.
23:51They don't let you know when you go down.
23:53Maybe, María.
23:55But I don't know.
23:56I think there's a cat locked up here.
23:58You know something else I don't know.
24:00And you're already starting with that mouth.
24:02Look, I've finished the back of the chair.
24:04What do you think?
24:06How nice it looks, huh?
24:07Well, yes.
24:09Start walking.
24:10Come on, Teresa.
24:11Hey, you could also help me with the pieces, huh?
24:14Easy, easy.
24:16I don't give for nothing.
24:18Start walking for the mouth.
24:20Okay.
24:21But this is not my thing.
24:23The fact is that the other day I heard
24:24that Adelfa was telling Mari Carmen...
24:26No, it's just that she doesn't even shut up
24:27even if she's swallowing.
24:28Oh.
24:29Well, the fact is that they were saying
24:30that who cancels a snack
24:32and in a week's time
24:33just because of a bad gut.
24:34Maybe it was something more serious
24:35than a fart going through.
24:38Going through a week?
24:40Well, yes.
24:41You don't understand, really.
24:43And it was also an intimate snack.
24:45I don't know, I say that
24:46if the man had not found himself better,
24:48maybe he could have canceled it
24:50in less time.
24:51That's true.
24:52But what does Mr. Manuel's friend gain
24:54by saying no to a snack
24:55that he himself organized?
24:57And this has just arrived.
24:58But behind these things
24:59there is always the same woman.
25:01The Marquise.
25:02And besides, not a hair is cut
25:04if it has to hurt Hanna.
25:06But that doesn't make any sense.
25:08How has the Marquise managed
25:10to cause a bad gut
25:11to the man's friend?
25:12Oh, this one has fallen from a guindo.
25:14Well, I'm lying, Marcelo.
25:15Have you seen that friend?
25:17No.
25:18Well, I'm telling you
25:19that he's healthier than you and me.
25:20And I think that this
25:21is going to be the first of many.
25:23Because the Marquise
25:24is not going to sit idly by.
25:25Well, neither Hanna nor Manuel,
25:26who are more stubborn
25:27than the mule of Ambrosio.
25:29Ah.
25:30I have it.
25:32And if we organize a snack for Hanna
25:34to cheer her up?
25:35And what do we gain from that, Marcelo?
25:37Or are you going to invite
25:38Mr. Manuel's friends?
25:40No, we'll be alone,
25:41but that way the girl will be a little happy.
25:43I think it's a good idea.
25:45After Mr. Rómulo,
25:46Mrs. Pia and this,
25:47it's not going to be good
25:48to change the air.
25:50What do you say, Teresa?
25:53Let's do it.
25:59Look how beautiful
26:00I look in the sun.
26:05I love you.
26:20Well, first of all,
26:21I ask you to excuse my frankness.
26:24But I sincerely believe
26:25that the Count of Ayala
26:26is not the most suitable person
26:27for you.
26:30Good morning, dear.
26:32Good morning.
26:35Have you been able to think
26:36about what I told you
26:37about my cousins from Pamplona?
26:39What was it about?
26:41If I should invite them to the wedding.
26:43It is true that I do not have
26:45much dealings with them,
26:46but I am sure
26:47that they will appreciate the invitation
26:49and will be generous with the gift.
26:52If you think it is convenient.
26:54I would believe it
26:55if it were not for you.
26:57I would believe it
26:58if it were not because
27:00I know I will have to endure
27:01the torture of their presumptions
27:04and their insipid conversations.
27:07Well, don't invite them.
27:09I'm afraid I have no choice.
27:11I am comforted
27:12that with their money
27:13we will buy a better wine
27:14for the invitation
27:15and that will help swallow them.
27:21Do I have something on my mustache?
27:23No.
27:26What's wrong, Margarita?
27:28Nothing, I was just thinking about something else.
27:31Well, I would have thanked you
27:32a little more attention
27:33when I told you
27:34everything about my cousins from Navarra.
27:37Good morning.
27:38Good morning, daughter.
27:40Will you join us for breakfast?
27:42I had thought
27:43to take advantage of the fresh air
27:44in the morning
27:45to take a walk in the gardens.
27:47Of course, come in peace.
27:52But can you accompany me?
27:54Mother, I wanted to show you the roses.
27:57They have thrown some beautiful
27:59and huge late flowers
28:00as you like them.
28:01Well, let's go.
28:03Now?
28:04But you haven't tasted a bite.
28:06Well, I have a closed stomach.
28:08I guess it will be
28:10the nerves of the wedding.
28:12Well, then
28:14give me five minutes
28:16and I'll go with you.
28:17No, but
28:18what interest can you have
28:19with those roses?
28:20No, breakfast, calm down.
28:22Breakfast, calm down,
28:23I was having breakfast outside
28:24and Alonso has not yet returned
28:26from his management in Puebla de Tera.
28:28Shall we go, daughter?
28:54Good morning, ma'am.
28:56What's up, Petra?
28:58Well, the cooks today, by mistake,
29:00have made an excessive order
29:02of aubergines and pumpkins.
29:03If it is something that has a difficult solution,
29:05then touch it.
29:06It can no longer be returned.
29:08So I've been working with them
29:10on a proposal
29:11for a weekly menu.
29:13Isn't it you
29:14who should supervise
29:16all orders?
29:18That's right, ma'am.
29:21That's right, ma'am.
29:23But I don't know
29:24how many aubergines
29:25are needed to stew the wine
29:27and how many pumpkins
29:28to make creams.
29:30Very well.
29:32You can go.
29:40I find you somewhat down, ma'am.
29:43Maybe I have no reason to be.
29:46I understand that it has to be difficult
29:48for you to reconduct
29:49your stepdaughter's situation.
29:51The situation?
29:53Catalina's freshness
29:54has so little understanding
29:56that she has not even avoided
29:57getting caught up
29:58in the useless
29:59converting.
30:01Good thing that
30:03at least that is solved.
30:06Does that mean that there will be a wedding?
30:09The Marquis and I
30:10have not given you another option.
30:12I just hope that it is celebrated
30:13as soon as possible
30:14and there is no time
30:15for the scandal to break out.
30:16Well, I will conveniently select
30:17the service, ma'am.
30:19I hope so.
30:21Well,
30:23it seems that in the end
30:25you have fulfilled your goal.
30:27Well,
30:28Catalina's stepdaughter
30:29will disappear from my life
30:30forever.
30:32Although Pelayo has shown
30:34to be the most useless ally
30:36I could have found.
30:38Well,
30:39soon it will cease to be a concern.
30:42She does,
30:43but there is still
30:44the illusion of my son.
30:48I am convinced, ma'am,
30:49that you will manage
30:50to get him into trouble
30:51as you have always done.
30:53I no longer have the strength I used to have
30:55and my son does not stop
30:56trying to get us
30:57into that mess
30:58even in the soup.
31:00I could ask him
31:01what he has done now.
31:03Can you believe
31:04that he intended
31:05that we give him
31:06an alcove in the noble plant?
31:09That is an insensitivity.
31:12I beg your pardon,
31:13your son,
31:14but he does not.
31:15He does it premeditatedly.
31:17All with the sole intention
31:18of torturing his mother.
31:19Really,
31:20let's see when this nightmare ends.
31:22It is true that this misfortune
31:23has crossed too many limits,
31:25ma'am.
31:26Also in the service
31:27it is causing damage.
31:29I imagine her
31:30giving herself airs of grandeur,
31:32all for being my son's beloved,
31:33as if he saw her.
31:34I don't even know
31:35what tasks to assign him.
31:39He cleans the paintings,
31:41but with his bare hands,
31:43so that the manure
31:44from under the nails
31:45cannot be removed.
31:46Let's see if my son
31:47opens his eyes at once.
31:48If you order it, sir.
31:50Of course not.
31:53He would become a martyr
31:55and would legitimize
31:56his fight against us.
31:58Correct.
32:00To finish with Hanna Expósito,
32:01you need cunning.
32:04And that fool
32:05has gone to give
32:06with the fur of his shoe.
32:12There you can't be
32:13more handsome or holier-than-thou.
32:15He's huge, Mrs. Pia.
32:17He has grown a lot
32:18since the last time I saw him.
32:20And old man,
32:21you have a bigger toy, don't you?
32:23They didn't want me
32:24to come every day
32:25to La Promesa.
32:26And what problem would there be?
32:27Right, old man?
32:28Well, the two of them
32:29in Luján, the truth.
32:30Do you know anything
32:31about your return to La Promesa?
32:33Mrs. Marquesa
32:34already gave her last word.
32:36I don't know.
32:37I don't know.
32:38I don't know.
32:39Mrs. Marquesa
32:40already gave her last word.
32:41And Mr. Marques?
32:42Because I imagine
32:43you had to talk to him
32:44and Mr. Rómulo
32:45when you started
32:46the whole plan
32:47to get rid of Gregorio.
32:48Mr. Marques gave me
32:49some money
32:50to complete
32:51Diego's maintenance
32:52and he also gave me time
32:53to look for a new job.
32:54I'm lucky to have
32:55Hospitalidad de la Veni
32:56who lets me stay
32:57at her house
32:58as long as I need.
32:59She's much better
33:01than the bacon broth.
33:02Well, yes.
33:03I try to help
33:04in the mill work
33:05because I'm not
33:06hand in hand.
33:07You've never been
33:08hand in hand.
33:09But that job
33:10is not for someone
33:11like you, Mrs. Pia.
33:12This house hasn't seen
33:13a better and more capable
33:14keymaker
33:15in all the centuries
33:16it has.
33:17Candela, that's
33:18in the past.
33:19No one will want
33:20to hire a keymaker
33:21with a son
33:22and no husband.
33:23So what are you going to do?
33:25For now,
33:26I'll stay in Lujan
33:27until Mr. Rómulo
33:28is released
33:29from the barracks, of course.
33:30Do you think he could
33:31make the Marqueses
33:32look different?
33:33I don't think so.
33:34I don't want to leave here
33:35and stay there.
33:36I'd rather be free.
33:37Mrs. García,
33:38Mrs. Márquez.
33:41Mr. Pellicer,
33:43I'm sorry
33:44I came without telling you.
33:45You don't have to apologize.
33:46Diego,
33:47do you know
33:48what a bicycle is?
33:49Come with me
33:50and I'll show you
33:51what a bicycle is.
33:52Come on.
33:54Wait, Mrs. Candela,
33:55we're coming with you.
33:56Look.
34:00Well, it seems
34:01Candela has forgotten
34:02that you wanted
34:03to tell her something.
34:04Yes, yes, it seems so.
34:05Mr. Pellicer,
34:06I came to La Promesa
34:07because...
34:08well,
34:09I was hoping
34:10to meet you.
34:11Why?
34:12Because we have
34:13to talk.
34:14I already told you
34:15everything I had
34:16to tell you.
34:17Please,
34:18give me the chance
34:19to explain myself.
34:20Why?
34:21Facts speak for themselves.
34:23I wasn't worthy
34:24of your trust
34:25when you decided
34:26to fake your death.
34:28So now
34:29I'm not either.
34:30Mr. Pellicer,
34:31it wasn't premeditated.
34:32I don't need
34:33any explanation.
34:34I want to give it to you.
34:37I'm sorry,
34:38I can't see you now.
34:39I have to talk
34:40to Mrs. García.
34:58Catalina?
35:04Are you okay?
35:05Yes, yes.
35:06I was just resting
35:07for a while.
35:12You know,
35:15I think
35:16I've seen you
35:17lying down all day
35:18in my life.
35:20Except that time
35:21you had to stay
35:22because you got intoxicated
35:23with the smoke
35:24from the fire.
35:26I'm fine,
35:27really.
35:28It's just that
35:29a few days ago
35:30I had
35:31a terrible dream.
35:32Of course,
35:33because of the pregnancy.
35:34Yes,
35:35I notice changes every day.
35:36It's strange.
35:38Sometimes it's hunger,
35:39sometimes it's sleep.
35:40And the nausea?
35:41No, no,
35:42fortunately not.
35:44Why were you looking for me?
35:46You see,
35:47I needed to have
35:48a quiet chat
35:49with the only sane person
35:50in this house.
35:52What did Cruz do this time?
35:56You know what?
35:57I'd rather not talk about her.
35:58Why don't you tell me
35:59how you're doing?
36:01I already told you,
36:02I'm tired.
36:03But I wasn't asking you about that.
36:06Well,
36:08I feel like
36:10a boat drifting.
36:13Sometimes on the crest of the wave
36:14hoping
36:15everything will be fine.
36:17But sometimes I feel
36:19so small
36:22at the mercy of the tide.
36:28You know, sister,
36:29I'd have my doubts
36:30about anyone else.
36:32But about you,
36:34I'm sure
36:35you'll stay afloat.
36:38I'm telling you I won't.
36:41I had my doubts
36:42when I knew
36:43what was waiting for me.
36:45The world fell on me.
36:47You were afraid
36:48I'd put you aside.
36:52And you've seen
36:53it hasn't been like that.
36:56I'm sure
36:57you'll be fine.
37:00No.
37:02We're getting married.
37:05If it were up to me,
37:06the wedding would be this week.
37:09What do you think about the wedding?
37:11Do you agree with her?
37:14Well, I
37:15love Pelayo
37:16as much as you love Hanna.
37:17So, yes.
37:19Deep down,
37:20I can't be happier.
37:22Besides, it's the best
37:23for me and the baby.
37:27Can I?
37:30Yes, but it's too soon.
37:31You won't notice anything.
37:33Still.
37:40Hi, nephew.
37:42Or niece.
37:46You're right.
37:48Hi, niece.
37:58You know,
37:59it's a miracle
38:00you have
38:01a baby
38:02growing inside you.
38:05It's life, Manuel.
38:07Yes.
38:11I have to admit
38:12that when Pelayo
38:13told me you were pregnant,
38:14I...
38:17It hurt a bit.
38:19Why?
38:22I guess
38:23everything that happened
38:24with Ximena
38:25was a lie.
38:27I was so excited
38:28when she told me
38:29she was pregnant.
38:33And I suffered
38:34when everything went wrong.
38:36Everything was a lie, Manuel.
38:38You don't have to torture yourself.
38:40I know.
38:43You and Hanna
38:44will have children.
38:46And that will make you happier.
38:51Sister,
38:52I'm already very happy.
38:54The arrival of Lujan
38:55to the family
38:56is always a source of joy.
38:58And you will be
38:59the best uncle in the world.
39:02That's easy.
39:03I'll be his only uncle.
39:04That's true.
39:18Martina.
39:20You're back already?
39:22That's right.
39:24How was the walk?
39:26Pleasant.
39:27And before you ask,
39:28Rosales was also very well.
39:30Wait.
39:32Where's your mother?
39:35I guess in her room
39:36because she came back before me.
39:39And why didn't I see her?
39:42She was guarding her door.
39:44Answer my question.
39:45I did.
39:46She came back before me
39:47because she was tired of walking.
39:51You can't lie to me.
39:53What happens to your mother
39:54is not tiredness.
39:55It's your fault.
39:59Let me go because I haven't done anything.
40:00You're messing with us again
40:01to cancel our wedding.
40:04That's not true.
40:05No, no.
40:06I swear it's not true.
40:10Maybe what's happening
40:11is that she's realizing
40:12what you really are.
40:14Shut up, insolent!
40:16I was kind and tolerant with you
40:17when you attacked my life,
40:18but I can change my mind.
40:22And who would have believed you?
40:24Because you said in front of everyone
40:25that you might not have been poisoned.
40:27What are you going to do?
40:28Find a third doctor?
40:29Make him a diagnosis
40:30to refute the refuted?
40:33I have many ways
40:34to get rid of you.
40:36I already sent you to a asylum
40:38and I put you at the gates of jail.
40:40Do you remember?
40:42I'm not scared of your games
40:44because I know what you're made of.
40:49If you knew,
40:50you wouldn't be so calm.
41:17Can I come in?
41:19What do you need?
41:21I'd like to talk to you.
41:23It's about the squares.
41:26Wow.
41:27Well, this time
41:28you can't complain.
41:30Well, I do have to complain
41:31because I've seen
41:32that you haven't assigned me any tasks.
41:35Now it turns out
41:36that the problem is not working.
41:39Look, I thought
41:40that was your goal.
41:43I don't know what you mean.
41:49Whenever a maiden
41:51falls in love with a man,
41:53she ends up acquiring certain privileges.
41:56In fact, some of them
41:57have even managed to have
41:58their own little house
41:59away from the rest of the maidens.
42:03Look, my relationship with Don Manuel
42:04and my job have nothing to do with it.
42:08But put yourself in my shoes, Hanna.
42:11How am I going to give orders
42:13to the woman
42:14who shares the bed
42:15with the next Marquis of Lujan?
42:18I'm not in love
42:19with any man,
42:20Doña Petra.
42:22And as a maid,
42:23you should know
42:24that I sleep in my room,
42:25the one I share with María Fernández,
42:26and in my bed.
42:29If you're not his beloved now,
42:31it's because Doña Jimena passed away
42:33and you don't have anyone
42:34to cover up the scandal.
42:36What are you insinuating?
42:40That maybe now
42:41you won't have sex
42:43with Don Manuel.
42:45But you've done it before.
42:46Otherwise,
42:47you wouldn't have him
42:48as enchanted as you have him.
42:51Look, you have no right
42:52to meddle in my privacy.
42:53I haven't been the one
42:54who's blown him away
42:55with the four winds, Hanna.
42:58But it's fine,
42:59you've come here for work.
43:00Well,
43:01you'll work and iron.
43:03Work that doesn't compromise
43:04the hands
43:05of a future Marquise.
43:07But if all I want is...
43:08What do you want?
43:10You've come here
43:11demanding the same treatment
43:12as the others
43:13and you come with requirements?
43:14No, Doña Petra.
43:17You've come here
43:18for work, haven't you?
43:19Well, you've got it.
43:40Martina!
43:41Martina!
43:46Martina!
43:48What's wrong?
43:52Look, get up.
43:59What happened?
44:03The idiot
44:04about the Ayala cone.
44:06What did he do this time?
44:08He threatened me
44:09with...
44:11with sending me to jail.
44:13But why did he do that again?
44:14It doesn't make sense.
44:16For a walk.
44:17I don't know, I swear he's crazy.
44:19It's fine.
44:21It's just that I don't understand
44:22why...
44:24Why a walk?
44:25A walk with whom?
44:27I don't want to talk about it.
44:29Really, I don't...
44:30Martina, it's not good
44:31that you keep it inside.
44:32If that man has threatened you,
44:33everyone has to know.
44:34And your mother first.
44:35I swear I don't want to talk about it.
44:40Martina.
44:41What's wrong with me?
44:44Lately, you've been acting strange.
44:46And if there are more people,
44:47you know how to hide it.
44:48But alone?
44:49It's obvious you're upset about something.
44:51Of course I'm upset.
44:52Curro.
44:54How can you reproach me
44:55for being strange to you
44:56when you're the first one
44:57to hide things from me?
45:00What are you saying?
45:04I can't.
45:05No.
45:06That's not the point, Martina.
45:07I told you there's nothing romantic
45:08between her and me.
45:09No, the bullets don't go that way.
45:10Don't play dumb.
45:11Well, then?
45:12I don't understand anything.
45:13I think you're very upset.
45:14I'm upset because
45:15you don't tell me things.
45:16What things?
45:20How could we have
45:22all the confidence in the world
45:26for this?
45:29For this what?
45:31Martina, don't be offended.
45:34But I think you can explain yourself
45:35much better.
45:36I think you have to explain yourself
45:37for this.
45:39Fine.
45:41I'll explain whatever you want.
45:43If you tell me,
45:44why the hell are you upset?
45:47What's that about Han being your sister?
46:00Good morning, Father.
46:01How are you?
46:02Hello.
46:03Take them to my rooms.
46:04How was the trip?
46:05Longer and more tiring
46:06than I would have liked.
46:08I asked for a refrigerator
46:09in the living room.
46:10Well, I appreciate it
46:11because I haven't eaten anything
46:12since I left Puebla de Tera.
46:17Father, what did your friend
46:18the politician tell you?
46:19What is he going to tell me?
46:20He's going to try.
46:22But does he have any hope?
46:24That he can free Romulo from prison?
46:26Not directly.
46:27No one has that power
46:28except the judge
46:29or Alfonso XIII himself,
46:31if I may say so.
46:33And then?
46:34Because of his political career,
46:35he has certain tendencies
46:36about the governor.
46:38Maybe he went to mediate
46:39so that Romulo
46:40could be appointed
46:41a favorable judge.
46:43Well, that's not a small thing.
46:44No, it's not if he gets it.
46:46But the truth is
46:47that I have my doubts.
46:49Well,
46:50how about around here?
46:52Any news?
46:54You better not ask.
46:56What happened?
46:58What happened, Father,
46:59is that my mother and I
47:00have argued again.
47:01This is not the time, Manuel.
47:02Don't you see that your father
47:03is tired from the trip?
47:04It's not the time for what?
47:07Remember the conversation
47:08we had before he left?
47:10Ah,
47:11you're still insisting
47:12on that nonsense.
47:13I insist,
47:14and I will insist, Father.
47:15Hanna is my fiancée
47:16and therefore deserves
47:17a dormitory on the noble floor.
47:18We'll see about that.
47:19You'll see, I assure you.
47:20No, Manuel,
47:21because this is my house.
47:22Well, that's enough,
47:23both of you.
47:25I think
47:26we should all
47:27give ourselves a little more time
47:28to meditate on this issue
47:29and to reflect.
47:31You haven't had enough time
47:32to reflect?
47:33It's obvious that I haven't.
47:35Actually,
47:36there's not much to think about.
47:37What you're asking for
47:38is an impossible.
47:40A maid,
47:41no matter how much she loves a man,
47:42cannot sleep
47:43on the noble floor.
47:44She wouldn't even know
47:45how to behave.
47:46She's not used to it.
47:48It's her last word.
47:50And the first.
47:51Neither your mother nor I
47:52have ever given Pablo
47:53such nonsense.
47:57Fine.
48:03Fine.
48:06If the presence of Hanna
48:07bothers you so much,
48:09I'll spare you the trouble
48:10of having to see her
48:11every day.
48:14What do you mean?
48:16Hanna is leaving
48:17this palace.
48:18Very well.
48:22But I'll go with her.
48:33Hanna and you,
48:34brothers.
48:36Please.
48:38That's what I told you.
48:39Don't come to me
48:40with this nonsense.
48:41Get to work.
48:42Where did you get
48:43that nonsense from?
48:44I don't know, really.
48:45Because I...
48:46Don't deny it to me.
48:47In the village,
48:48no one knew who he was.
48:49But I told you,
48:50be patient
48:51and cautious.
48:52But I couldn't
48:53continue like this,
48:54Mrs. Petra.
48:55What you can't do
48:56is take a false step.
48:57And you know it, Santos.
48:58Your father
48:59won't tell you anything.
49:00We have to find a way
49:01to find out the truth
49:02without your father
49:04knowing your intentions.
49:06A few weeks ago,
49:07I would have told her
49:08that I loved her deeply,
49:09but...
49:10Right now,
49:11I don't know what to say.
49:12And yet,
49:13you're going to marry her?
49:14Yes,
49:15that's what I've decided.
49:17But I admit
49:18that I won't finish
49:19her pregnancy.
49:20I've already taken
49:21a first step to do it.
49:22A step that I don't know
49:23if it was a false step.
49:24Did he really threaten you?
49:26He reminded me
49:27of my stay in the asylum.
49:29He told me
49:30that if
49:31he was about to send me
49:32to jail once,
49:33I could do it a second time.
49:35I'm going to have to
49:36talk to him.
49:37I've learned to move forward
49:38on my own.
49:39And I don't need
49:40his help anymore.
49:41We all
49:43make mistakes,
49:44all of us.
49:45But let me fix them.
49:47I want to help you.
49:49Tell me what happened
49:50so you want to leave
49:51this house like this.
49:52Manuel, the capricious
49:53nanny?
49:54Catalina, pregnant?
49:55The truth is that
49:56youth is in decline.
49:57I always say it.
49:58Enough!
49:59Enough!
50:00And you don't believe
50:01that you are.
50:02You are criticizing
50:03my nephews
50:04who have the most noble
50:05heart than any of us
50:06here.
50:07My dear.
50:08No, not my dear,
50:09not at all.
50:10I need you to tell me
50:11what's going on
50:12with your parents.
50:13I've already told you.
50:15They don't accept
50:16that I want to marry you.
50:18Manuel, I think
50:19there's something else
50:20you're not telling me
50:21because you don't want
50:22me to worry.
50:23It's time to put the cards
50:24on the table.
50:25Speak, Simona.
50:26We can stop this farce.
50:28We know that
50:30Vera is actually
50:31your daughter.