Death Streamer

  • 13 hours ago
A modern-day vampire employs technologically advanced glasses that enable him to hunt and LIVE STREAM his bloody feasts.
Transcript
00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:01:32You
00:01:34You
00:01:36You
00:04:08What?
00:04:11Hi.
00:04:38Wait.
00:05:09What's your name?
00:05:11Why?
00:05:13Why?
00:05:14Why do you want to know my name?
00:05:16Just so I know what to call you.
00:05:19When...
00:05:21When what?
00:05:23When we talk.
00:05:25That's what I mean.
00:05:27Is that what you want to do?
00:05:29Talk?
00:05:31Maybe.
00:05:34Talking might be nice.
00:05:37I mean, we could do other things.
00:05:40Your heart is beating quickly.
00:06:37Drink?
00:06:46Aren't you drinking?
00:06:48Yes.
00:06:50Later.
00:06:53Don't I get to order my own drink?
00:06:56No.
00:07:16Drink.
00:07:22I think I'd rather order my own drink.
00:07:25Drink it.
00:07:28I... I don't know you.
00:07:32What if...
00:07:34What if I...
00:07:36Drugged me?
00:07:38I did.
00:07:40What?
00:07:42I drugged you.
00:07:44Something very special.
00:07:47Now drink it.
00:07:54Wait.
00:07:56Hold on.
00:07:58Okay.
00:08:00I'm holding on.
00:08:04Now listen to me.
00:08:07You were meant to come here.
00:08:09To find me.
00:08:11That's all that matters.
00:08:14It's all you were ever born for.
00:08:17To be here with me.
00:08:19Right now.
00:08:23Now drink.
00:08:35Drink.
00:09:00I was in that drink.
00:09:03I was.
00:09:05My blood.
00:09:07Your...
00:09:10What?
00:09:12How'd you like it?
00:09:16I liked it.
00:09:34Drink.
00:09:36Drink.
00:09:38Drink.
00:09:40Drink.
00:09:42Drink.
00:09:44Drink.
00:09:46Drink.
00:09:48Drink.
00:09:50Drink.
00:09:52Drink.
00:09:54Drink.
00:09:56Drink.
00:09:58Drink.
00:10:00Drink.
00:10:22Drink.
00:10:24Drink.
00:10:26Drink.
00:10:28Is something wrong?
00:10:37Everything's perfect.
00:10:41Just like you.
00:10:43No!
00:11:13And now, it's time.
00:11:42It's time for episode 225 of Alexander's Church of Chills.
00:11:52Watch in horror as we reveal ghosts,
00:11:58monsters,
00:12:00mutants,
00:12:02and the walking dead.
00:12:08Welcome to Alexander's Church of Chills, episode 225.
00:12:12Alexander Jarvis here, along with my grizzly gals, Edwina and Juniper.
00:12:21Click like, subscribe, join our Patreon page.
00:12:25Smash those buttons.
00:12:27This episode?
00:12:28Death in the rat house.
00:12:31And?
00:12:32Haunted baby hands in Evermount Hospital.
00:12:35And the man who ate his family.
00:12:40With recipes.
00:12:41It's Church of Chills.
00:12:48Okay, and cut.
00:12:50Wanna do another one?
00:12:52Why?
00:12:53For safety.
00:12:55Maybe we can make it better.
00:12:57Seriously?
00:13:00Who do I look like to you, Stanley Kubrick?
00:13:03No.
00:13:04Not even slightly.
00:13:06Thank God.
00:13:07Alright, finish it up.
00:13:08Send it out.
00:13:09Uh, you check the feed.
00:13:11I'm gonna start work on 226.
00:13:15After I take a piss.
00:13:17Because that's how I roll.
00:13:22Well, good luck.
00:13:33Okay, you girls ready?
00:13:34Yeah?
00:13:35Alright, let's get this down.
00:13:37Alright?
00:13:38Okay, Junie, start recording.
00:13:42Okay, this is Church of Chills, episode 226, segment 3, pre-record rehearsal.
00:13:49The Vile Vivisectionist.
00:13:51And...
00:13:56The next terrifying tidbit straight out of Victorian history is called...
00:14:01Dr. Jonas Hope, the Vile Vivisectionist of St. Pinker's Hospital.
00:14:06Back then, doctors didn't know that they needed to wash their hands before surgery.
00:14:11And the most well-known butcher...
00:14:15I mean surgeon, was Dr. Jonas Hope.
00:14:22This guy loved nothing better than spending his days chopping off poor people's arms and legs.
00:14:27Well, everybody needs a hobby.
00:14:30But then, one day, a patient came in who had been freshly crushed under a falling brick wall.
00:14:36Oops.
00:14:37I'll say.
00:14:39The doctor proceeds to cut off both of this poor guy's arms and legs.
00:14:44Of course, without benefit of anesthesia.
00:14:47And he survives.
00:14:49And then, a demented light dawns on the doctor.
00:14:53Okay, hold on. Hold on.
00:14:55Wait. Cut. Cut, cut, cut.
00:14:57Oh, come... Jesus Christ. Stop recording, Junie.
00:15:02First of all, I am the only one who gets to call cut here.
00:15:07That's not true. I call cut all the time.
00:15:10Yeah.
00:15:13Yeah, you sure do. But you're not supposed to.
00:15:16All right? The director calls cut.
00:15:18The director. Me. I'm the director.
00:15:20And guess what? The director calls cut.
00:15:22Really? Since when?
00:15:24Since when? Since always. That's the rule. The director calls cut.
00:15:27No, she means, since when are you...
00:15:30Is this what you're doing here?
00:15:35Does this make you the director?
00:15:37That is what you mean, isn't it, Junie?
00:15:39Well, actually, I was referring to the general role of a director,
00:15:43but sure, yeah, whatever. Let's go with that.
00:15:46Okay, well, why don't we go with my interpretation of your remarks?
00:15:49No, no, no. How about we go with the fact that I created the show
00:15:53and my name is on it? Alex.
00:15:55And the fact that you two, you work for me. Alex!
00:15:57And I am the director, and I'm the one who gets to call cut.
00:16:00Alex! What?
00:16:02Why don't you just ask Eddie why she called cut?
00:16:05Because I know why Eddie called cut.
00:16:08Really? Yeah.
00:16:10You want to bet on that?
00:16:13What are you willing to bet, hmm, light of my life?
00:16:18A criterion collection of your Jeff Sprango DVDs?
00:16:20Are you kidding me? I wouldn't bet that.
00:16:22Oh, goddammit.
00:16:24Okay, so how about this? No more calling cut.
00:16:30For this episode.
00:16:34Deal.
00:16:35Okay, great.
00:16:36What happens if I win?
00:16:38You girls can have everything I own.
00:16:41Okay.
00:16:43No, no, wait, that's a trick.
00:16:45You don't actually own anything, you fucker.
00:16:48Okay, so what then?
00:16:50You've got to be nice to us.
00:16:56Wait, for how long?
00:16:58Forever.
00:17:00Seriously?
00:17:02A week.
00:17:06Okay, but just hold on a second, okay?
00:17:23What is this?
00:17:24That is why Eddie called cut.
00:17:28You're an independent arbiter.
00:17:32Smile when you call me that, stranger.
00:17:37You may proceed.
00:17:40Finally, thank you.
00:17:44I wanted to point out that there are around two paragraphs missing about how patients were treated in those wards.
00:17:49That was all great stuff.
00:17:50Yeah, yeah, it really is.
00:17:52As indeed all of your stuff is, Eddie.
00:17:55You're brilliant.
00:17:57But the show, it's coming in long.
00:18:00And it's got to come in on time.
00:18:01And one of us has to be an adult here, right?
00:18:05And you, my love, you don't make cuts.
00:18:10Junie, please.
00:18:17Eddie's going to bitch about the ward material being cut.
00:18:22There it is.
00:18:24So much for having to be nice to you two bitches.
00:18:28Don't give me that sourpuss look, Eddie.
00:18:31Now let's reset for take two.
00:18:34Without any calling cuts.
00:18:58And now, it's time for Alexander's Church of Chills.
00:19:29The next terrifying tidbit straight out of Victorian history is called...
00:19:34Dr. Jonas Hope, the vile vivisectionist of St. Pancras Hospital.
00:19:40See, back then, doctors didn't understand that they needed to wash their hands before surgery.
00:19:45And the most infamous butcher surgeon was Dr. Jonas Hope.
00:19:53This guy loved nothing better than chopping off poor people's arms and legs.
00:19:57Well, everybody needs a hobby.
00:20:00One day, a patient had come in who had been crushed by a falling brick wall.
00:20:05Oops.
00:20:06I'll say.
00:20:08Dr. Jonas proceeded to cut off both of this poor guy's arms and legs.
00:20:15Of course, without benefit of anesthesia.
00:20:18And he survives.
00:20:20And then, suddenly, a demented light dawned on the doctor.
00:20:27He began to wonder just how much he could remove from a human being and have that patient survive.
00:20:36He had plenty of raw material.
00:20:39A hospital full of it.
00:20:42The good doctor selected patients to bring to his special ward.
00:20:47Downstairs in his basement where he conducted his diabolical experiments.
00:20:52And as for the screams?
00:20:54Well, there were always screams coming from St. Pancras.
00:20:58But all good things, and some horrible ones, come to an end.
00:21:02About ten years later, some busybodies started to ask questions.
00:21:07And when they went to ask Dr. Hope these questions, he disappeared.
00:21:12So they cut the heavy locks of that door and headed down into that basement.
00:21:16And what did they find down there?
00:21:20At first, what they found didn't seem to be living at all, let alone human.
00:21:27They more resembled lines of damp leather bags with tubes coming from them, leading to bottles.
00:21:36Tubes to bring in food and remove waste.
00:21:39What were in those sacks?
00:21:41Just a brain.
00:21:42Bits of skull.
00:21:44But no jaw.
00:21:46No tongue.
00:21:48No eyes.
00:21:50No ears.
00:21:52No skeleton.
00:21:54No muscles.
00:21:56Just a few essential organs laced together.
00:21:58God knows what those brains were thinking.
00:22:01And the doctor succeeded no less than 33 times.
00:22:10But what about Dr. Hope?
00:22:12Where was he?
00:22:14As it turns out, Dr. Hope had been using a cesspit to dispose of his discarded limbs.
00:22:20When searchers closed in, he'd attempted to use it as an escape route.
00:22:25He didn't get very far.
00:22:27They found him down there, or what was left of him.
00:22:31And of course, they couldn't explain the condition of the doctor's body.
00:22:35The fact that it appeared as if it had been torn.
00:22:40Beaten.
00:22:41Strangled.
00:22:44And by many groping hands.
00:22:50Nor could anyone explain the look of stark terror on Dr. Hope's face.
00:23:06What's the word that sounds like repugnant, but it means you don't want to, um, you know, um...
00:23:20Reprehensible.
00:23:22Reprehensible. I would have thought of it, but thank you.
00:23:35Oh.
00:24:05Hey, Alex?
00:24:21What?
00:24:22Take a look at this.
00:24:24There's a video that's got over half a million hits since yesterday.
00:24:27And growing.
00:24:35Oh, yeah. Good for them.
00:24:37Yours truly is not in the market of sending traffic to somebody else's bullshit website.
00:24:42Yeah. We've got our own bullshit website to worry about.
00:24:51She's got good taste, though. She is cute.
00:24:55What?
00:24:56We never put up anything that's fake.
00:24:59Of course we do.
00:25:01Bigfoot, found alien footage, all that shit is fake.
00:25:04So this, this is different.
00:25:06It's viral marketing. You can tell.
00:25:09Oh, okay, I'm sorry.
00:25:15Yeah, see? There.
00:25:17How convenient.
00:25:18The name of the dumbass S&M club right there for everybody to see.
00:25:21A drink, a blowjob, and a mojita.
00:25:25How scary.
00:25:28You ever been to one of these clubs, Junie? Seriously?
00:25:31It's, it's like trying to go to a nude beach.
00:25:35You expect Sports Illustrated, but you get people like me.
00:25:42Ew. Yuck.
00:25:45Yeah, thanks.
00:25:47Point is, that's fucking staged.
00:25:49We could use some of those nice juicy hits.
00:25:52I'm telling you that this sort of thing flows the other way.
00:25:55It sucks our viewers to them, not the other way around.
00:25:58Now, sugar pie, honey bunch, can we please get back to work?
00:26:04And don't give me that sourpuss look.
00:26:28I'm sorry.
00:26:59I'm sorry.
00:27:22What?
00:27:23Eddie, go get Alex.
00:27:25Go get Alex.
00:27:26I need you to go get Alex.
00:27:28He's asleep.
00:27:30What's going on?
00:27:33He's asleep, what's going on?
00:27:43Is this live?
00:27:46Alex!
00:27:50Alex!
00:27:51Get down here!
00:27:53Alex, wake up!
00:27:56Alex!
00:28:01Jesus fucking Christ!
00:28:05How many fucking times have I told you to stop doing that?
00:28:08Be nice!
00:28:09Fuck.
00:28:10Oh, what a piece of work is man!
00:28:16How noble in reason, how infinite in faculty,
00:28:22yes, and admirable!
00:28:23Enough!
00:28:26Enough!
00:28:27What?
00:28:28Guys, guys, Alex, come here.
00:28:31Hellfire House is live streaming again.
00:28:33Are you fucking kidding me?
00:28:35That's why you woke me up?
00:28:37Just watch.
00:28:52It's live, it's live, it's live, it's live, it's live, it's live, it's live, it's live,
00:29:22Well, this one's in a hurry.
00:29:34Must be giving him some sort of hypnotic drug.
00:29:37Oh, so you don't think it's actually his blood?
00:29:44Look, I don't know what this is.
00:29:46So you don't think this is a real life honest-to-gosh vampire
00:29:50live streaming his killings?
00:29:51Alex, there doesn't have to be a real life vampire for killings.
00:29:54Oh, okay, yeah, that makes sense.
00:29:57All the stuff where he's turning into a vampire, that's fake.
00:29:59But all the stuff where he's killing these chicks, that's real, that's what you believe?
00:30:03Seriously?
00:30:04I don't know, Alex, there's something about this.
00:30:22I don't know.
00:30:24I don't know.
00:30:49Interesting.
00:30:52Always surprises.
00:30:55I'm impressed.
00:30:57Usually when a woman marks herself in this way,
00:31:02the canvas of flesh quite overwhelms
00:31:08the illustration.
00:31:15These
00:31:19are quite lovely.
00:31:22Do you have any tattoos?
00:31:25I'd love to see them.
00:31:27I'm afraid not, Martha.
00:31:52Wait.
00:31:56Can...
00:31:58Wind it back.
00:31:59What?
00:32:00The part where he's biting her. Wind it back. I want to see something.
00:32:03Yeah, yeah, hold on.
00:32:09Did you catch it?
00:32:10Catch what?
00:32:11Just slide over.
00:32:14Okay.
00:32:22Jesus Christ, Alex.
00:32:24What the fuck?
00:32:25Yeah, this is getting weird, even for you.
00:32:27Just wait a second, okay? Fuck.
00:32:33There.
00:32:36You see it?
00:32:37See what?
00:32:38It's her jugular.
00:32:40No!
00:32:41God, no. Okay.
00:32:44The jugular is a vein in the neck, right here.
00:32:47What you're probably thinking of is the exterior carotid arteries,
00:32:50which are here and here in the neck.
00:32:54But this...
00:32:57That's the axillary artery.
00:33:00It runs under the collarbone and provides blood to the shoulder and the arm.
00:33:06He's never going to let us forget that he took a year of med school.
00:33:10Two and a half. Get it straight.
00:33:12Okay, so whatever the fuck this monetary...
00:33:15Axillary. Axillary artery.
00:33:17Okay, axillary artery. So?
00:33:20So, why bother?
00:33:24If this is just viral marketing,
00:33:27why bother with this obscure anatomical detail?
00:33:31It makes more sense, dramatically, to just go for the throat.
00:33:35Okay, so...
00:33:38Doesn't that mean that somehow or other this is all real?
00:33:45Yeah.
00:33:48I guess it does.
00:33:51Oh, fuck.
00:33:54Okay, so what do we do about it?
00:33:59We're going to air it.
00:34:03On the next show.
00:34:08We're going to air it.
00:34:10We're going to air it.
00:34:12We're going to air it.
00:34:14We're going to air it.
00:34:16We're going to air it.
00:34:18We're going to air it.
00:34:20We're going to air it.
00:34:22We're going to air it.
00:34:24We're going to air it.
00:34:26We're going to air it.
00:34:28We're going to air it.
00:34:30We're going to air it.
00:34:32We're going to air it.
00:34:34We're going to air it.
00:34:37We're going to air it.
00:34:43And now it's time for Alexander's Church of Jill.
00:34:51Jesus.
00:35:03What is the point of this nonsense?
00:35:06Just watch, my lord.
00:35:09How did this happen?
00:35:12These dabblers.
00:35:15How did they find us?
00:35:17I don't know. I can't seem to track them down.
00:35:21They keep themselves hidden.
00:35:23Just as we do.
00:35:25No.
00:35:27Not as we do.
00:35:31They're close.
00:35:51They're close.
00:35:53Close.
00:35:55Close.
00:35:57Close.
00:35:59Close.
00:36:03In case you were wondering, the two Carnage House streams, they're both over 3.5 million hits.
00:36:08Go figure.
00:36:10Jesus, take a look at these numbers.
00:36:12780,000. 790,000.
00:36:15Well, I scored that high.
00:36:17That's not them, mastermind. This is us.
00:36:20Are you kidding me?
00:36:21Hey, guys. Take a look at this. Found another one.
00:36:25Another one what?
00:36:26Another Carnage House killing.
00:36:28This one's different.
00:36:29What do you mean? Different how?
00:36:31It's old. It's got to be the first one.
00:36:34Look.
00:36:36Okay, see one and two? They're both over a million hits.
00:36:40This one. It's only got seven.
00:36:43Why would they pull that back?
00:36:45It must be some kind of rehearsal.
00:36:49Maybe it wasn't meant for streaming.
00:36:51Or maybe something went wrong.
00:36:57Okay, well that seems to be everything on the punch list.
00:37:05We should check the mirrors.
00:37:06Of course.
00:37:19Oh, the new sign isn't in place.
00:37:23There's something there.
00:37:25Quirr... Quirrheim?
00:37:29Yes. It's the name of the home.
00:37:32It's an old word. It means house of blood.
00:37:39Oh.
00:37:41Not my blood.
00:37:44Oh.
00:37:46Not my blood.
00:37:48Blood of my family.
00:37:53Alright.
00:37:57Excuse me.
00:37:59Okay, well it seems that everything's in order.
00:38:02So it seems.
00:38:05A little rough around the edges yet.
00:38:09I can see its final form starting to peek through its chrysalis.
00:38:16Well, yes. I suppose.
00:38:21Okay, well. That is everything.
00:38:30What was I thinking?
00:38:32You have to sign the deed.
00:38:36Is this completely necessary?
00:38:39No.
00:38:54Great. Okay.
00:38:57Well, I think that's everything then.
00:38:59So, I'm gonna get going.
00:39:03I can't be leaving yet.
00:39:05I have to christen the place.
00:39:07Oh, no.
00:39:09No, I really don't have time for that.
00:39:12Please.
00:39:25Ah.
00:39:27Well.
00:39:32Two extraordinary things.
00:39:34Yeah.
00:39:36Two extraordinary things.
00:40:07Oh.
00:40:10Wow, that is some strong stuff.
00:40:15Yes, well, I found it necessary.
00:40:19Necessary?
00:40:21Necessary for creating a connection between us.
00:40:25Don't you feel a connection between us?
00:40:29Yeah, no.
00:40:31I really should.
00:40:33I gotta go.
00:40:36I have to go.
00:40:38Oh, that would be a terrible waste.
00:40:41Wouldn't you agree?
00:40:45There we are.
00:40:47A sad house so much finer you appear without those rags wrapped around you.
00:40:54A sacrifice perfect for the gods.
00:40:58Ready to be laid on the altar.
00:41:01Yeah.
00:41:03Yes.
00:41:05This was all meant to be.
00:41:09Taken.
00:41:11No.
00:41:15No.
00:41:17No.
00:41:19No.
00:41:21No.
00:41:23No.
00:41:25No.
00:41:27No.
00:41:30No.
00:41:45Please.
00:41:50No.
00:42:00No.
00:42:02No.
00:42:04No.
00:42:08Jesus.
00:42:10Some fucking rehearsal.
00:42:27We're on.
00:42:30I've heard that name before.
00:42:32It's some big old stately home or something, isn't it?
00:42:35Beats me.
00:42:53You'll find that your machines no longer work.
00:42:56For now.
00:42:59What the hell?
00:43:01Shit.
00:43:04Fuck, he's right.
00:43:05Yes, I am.
00:43:07So do I have your attention now, Mr. Jarvis.
00:43:13Ladies.
00:43:15Holy shit.
00:43:17Alex, if he knows our names.
00:43:19Okay.
00:43:22You have our attention.
00:43:25What can we do for you?
00:43:26What you can do for me?
00:43:28I was thinking more along the lines of what you've done to me.
00:43:33By making public what I've chosen to keep private.
00:43:38I suspect you have no idea to what extent your thoughtlessness has inconvenienced me.
00:43:44What do you mean we made public?
00:43:47You live stream your thing to hundreds of thousands of people.
00:43:52Don't light that cigarette.
00:43:55In fact, I want you to stop smoking altogether.
00:43:58It's a sordid habit.
00:44:00A habit of weak men.
00:44:02And it pollutes the body.
00:44:05Dude, it's just a cigarette.
00:44:07Put.
00:44:09Down.
00:44:13Okay, I'm sorry.
00:44:16Mr. Jarvis.
00:44:18I plant my seeds very cautiously.
00:44:22That's why no one outside of my circle knows about us.
00:44:26That is, until now.
00:44:28Because of you.
00:44:30You've chosen to imprudently scatter those seeds to the wind.
00:44:34I'm sorry.
00:44:36I didn't understand.
00:44:38I don't understand.
00:44:40I don't suppose you're willing to share why you want to do this seed scattering.
00:44:52Just to threaten us?
00:44:54I don't threaten people.
00:44:58If I considered you a danger to me, you would never have seen me coming.
00:45:04Then I don't know what to explain.
00:45:08Or, um.
00:45:10I don't know what to say.
00:45:14I don't know what to say.
00:45:16I don't know what to say.
00:45:18I don't know what to say.
00:45:20I don't know.
00:45:24I guess I'm done.
00:45:26I mean, I'm done guessing.
00:45:30Renfield.
00:45:32Junie, what?
00:45:34I'm afraid I didn't quite catch that, young lady.
00:45:40Renfield is a character in the novel Dracula.
00:45:44It's an awful job.
00:45:46Yes.
00:45:49I agree with the work.
00:45:51Renfield is...
00:45:53How would you describe him?
00:45:55The grovelling, lunatic, servant of the vampire.
00:46:00I thought that...
00:46:04Maybe you thought about us...
00:46:06Like that.
00:46:08You're not far from wrong, Miss Colbert.
00:46:10But upon examination, it's obvious to me that you're all thoroughly trivial creatures.
00:46:18Not even useful to me as...
00:46:21Renfield.
00:46:23As you put it.
00:46:26Of course...
00:46:28You agree.
00:46:30Don't you?
00:46:34I don't know.
00:46:36Don't you?
00:46:38Yes.
00:46:43Yes, I agree.
00:46:45I mean, I...
00:46:47I can see exactly.
00:46:58They're gone.
00:47:01The sunlight.
00:47:03Shit, that's why he's gone.
00:47:06For now.
00:47:08Fuck.
00:47:15Fuck.
00:47:27Alex.
00:47:29Alex!
00:47:32So what the fuck do we do now?
00:47:38I'll tell you what we're gonna do.
00:47:40The footage of the contractor lady.
00:47:44We air it tonight.
00:47:46Are you fucking crazy?
00:47:48Haven't we pissed him off enough?
00:47:50He obviously didn't want it aired.
00:47:52There's clearly something on there that he didn't want anyone to see.
00:47:54So we're gonna let people see it.
00:47:56Seriously, Alex, you're fucking mental.
00:47:59Juniper, what are you doing?
00:48:01What does it look like I'm doing, Alex?
00:48:03You really think you're gonna be able to outrun this guy if he wants to find you?
00:48:06I think I have a better chance of outrunning him if I fucking run.
00:48:09Goddammit, where are my shoes?
00:48:11Where are my fucking shoes?
00:48:14Can you please just calm down?
00:48:16I am calm!
00:48:18Okay.
00:48:22Alex, I want my money.
00:48:24I need my money.
00:48:26Jesus, Juni, we didn't even discuss-
00:48:28Cut the bullshit!
00:48:30You always said we were equal partners in this.
00:48:32We have money.
00:48:34I'm resolving the partnership.
00:48:36I need whatever part of the share that is mine, okay?
00:48:38So go get that cash box, Alex.
00:48:40I need my money.
00:48:42Juni, can we just talk?
00:48:44Talk about what?
00:48:46Fine, Eddie, fine, yeah, go ahead.
00:48:48Talk. Talk about what?
00:48:50I just don't think that-
00:48:52That's right! There's nothing to talk about.
00:48:56Enough! Go get the cash box, Alex.
00:49:00Alex.
00:49:06Fine!
00:49:12Seriously, Alex?
00:49:14You keep the key in the lock?
00:49:16What do you want from me? I would have lost it otherwise.
00:49:18Jesus Christ, hurry up!
00:49:20Hey!
00:49:22I don't have time for this.
00:49:24We don't have time for this.
00:49:28Shit, I didn't realize how broke we were.
00:49:30Seriously, take a look around.
00:49:32Fine, fine, fine.
00:49:34Okay, $850.
00:49:36That's my share.
00:49:38I'm taking it.
00:49:41Juni, please.
00:49:43Juni, wait!
00:49:57Alex?
00:50:07Take care.
00:50:10Take care.
00:50:18I love you guys.
00:50:22Just do yourselves a favor
00:50:24and run.
00:50:26Eddie.
00:50:28So-
00:50:32So-
00:50:36So we do what I fucking said, okay?
00:50:38We air it tonight.
00:50:40And we try to figure out why the fuck he didn't want anyone to see it.
00:50:42And shit,
00:50:44I don't know.
00:50:46I don't know.
00:50:48I don't know.
00:50:50I don't know.
00:50:52I don't know.
00:50:55And shit, I don't know.
00:50:57I don't know what the fuck else.
00:50:59I'm not fucking Van Helsing, Eddie.
00:51:01There are no more fucking Van Helsings.
00:51:03Jesus Christ, Alex.
00:51:05Why the fuck are you yelling at me?
00:51:07What did I do?
00:51:09What do you want from me?
00:51:11I don't know.
00:51:13I don't know.
00:51:15I'm sorry, okay?
00:51:17I know it's not your fault,
00:51:19but I'm just-
00:51:21I'm just-
00:51:23I'm just-
00:51:54Shit.
00:52:02Jesus Christ!
00:52:04Reading room.
00:52:06Oh.
00:52:08Well,
00:52:10I'm sorry I scared you.
00:52:12I mean, you scared me to death.
00:52:14I'm so sorry.
00:52:16I didn't mean to creep up on you.
00:52:18It's-
00:52:20It's okay.
00:52:22I was just wondering if I might be able to help with this.
00:52:24I-
00:52:26I'm not sure.
00:52:28I'm not sure.
00:52:30Oh, I'm so sorry.
00:52:32It's always getting tangled up
00:52:34in everything.
00:52:36Here, let me-
00:52:38It's okay.
00:52:40Hmm.
00:52:42Crime?
00:52:44Yes.
00:52:46I'm trying to find-
00:52:48Local history.
00:52:51I think I can help you.
00:52:53Really?
00:52:55Yes. I'll be back.
00:53:21Here it is.
00:53:23Crime vampire cults.
00:53:25Holy shit, it's here!
00:53:27Got it!
00:53:29Seriously, thanks.
00:53:31I would have never found this on my own, I swear.
00:53:33You are a fantastic librarian.
00:53:35Who said I was a librarian?
00:53:45Christ.
00:53:47Why does stuff like this always happen to me?
00:53:50I don't know.
00:54:00Okay.
00:54:16Stupid.
00:54:20It's just-
00:54:38Fuck.
00:54:40Jesus Christ.
00:54:42I'm sorry.
00:54:50Come on, you piece of shit.
00:54:52Come on.
00:54:54Ow! God!
00:54:56Damn it!
00:54:58Oh, please forgive me.
00:55:00Please forgive me.
00:55:02Okay.
00:55:06Okay.
00:55:19Fuck.
00:55:49Come on.
00:56:19Come on.
00:56:50Fuck.
00:57:12Hey, Alex.
00:57:14I love what you've done with the place.
00:57:20What do you got?
00:57:31That's the place.
00:57:33It was built in 1880.
00:57:35Whatever he's doing now,
00:57:37he was trying to do the same thing back then.
00:57:39He just couldn't make it work.
00:57:41Wait, what is this book?
00:57:43Death cults through the ages.
00:57:45Let me read this to you.
00:57:47This is a quote.
00:57:50So speaks Senior Artur Valanor
00:57:52of the family Valanor.
00:57:54I have labored in the shadows
00:57:56for a very long time
00:57:58to bring forth a great change in the world,
00:58:00a change that will be forged
00:58:02in passion and blood.
00:58:04When the final sacrifice is performed
00:58:06before the great convocation of my followers,
00:58:08the world of the living
00:58:10will be overthrown
00:58:12and the lord of the eternal night will rule.
00:58:14Here, listen to this.
00:58:16Multiple reports,
00:58:18screams in the night,
00:58:20and horrible odors coming from the Kruerheim Mansion.
00:58:22Kruerheim Mansion?
00:58:24Right, that's that big closed up place
00:58:26out by Regency Park.
00:58:28It's right here in town.
00:58:30Police conducted a raid in the summer of 1892.
00:58:32In the basement,
00:58:34they found the torn, decayed
00:58:36and partially devoured remains
00:58:38of over 200 women and children.
00:58:42Evidence suggested unholy,
00:58:45ritualistic acts conducted both
00:58:47before and after death.
00:58:49Lovely.
00:58:51No trace was ever found
00:58:53of Valanor or his followers.
00:58:55Ownership of the mansion
00:58:57was passed to a single
00:58:59relative who has sealed up the property.
00:59:01It has been maintained unoccupied
00:59:03for over a century.
00:59:07Alex, look at this.
00:59:11Don't you see, Alex?
00:59:14Look at them.
00:59:16All three of them.
00:59:18They haven't aged.
00:59:20Yeah, yeah, I see.
00:59:22This is what he's trying to do.
00:59:24It's what he's been trying to do since...
00:59:26since back then.
00:59:28This motherfucker isn't just
00:59:30looking for blood and tits.
00:59:32He's trying to destroy the whole fucking world.
00:59:34I mean, he hasn't had much luck though, right?
00:59:36Because it's been, what, like a hundred and something years?
00:59:38Goddammit, don't you get it?
00:59:40They didn't have live streaming back then.
00:59:42Don't you see what he's doing?
00:59:44He needs some...
00:59:46critical mass.
00:59:50That's what all this is about.
00:59:52Look, see?
00:59:54The stars.
00:59:56Just right.
00:59:58The number of worshippers, just right.
01:00:00The sacrifices, just right.
01:00:02The rituals, just...
01:00:08Jesus Christ, Alex.
01:00:11Don't give me that look.
01:00:13Don't tell me
01:00:15you suddenly don't believe it!
01:00:17This is what's happening right now!
01:00:19Okay, right, so what are we supposed to do?
01:00:21Go over there and stake him through the heart?
01:00:23They would kill us in two seconds!
01:00:25We can't just let this...
01:00:27Okay, okay, let's just...
01:00:29let's just think about this, okay?
01:00:33He didn't want anybody to know this stuff, right?
01:00:35To know who he is,
01:00:37where he lives, what he's trying to do?
01:00:40So we do, like I said.
01:00:42We put it up and let people see it.
01:00:44And maybe,
01:00:46you know, maybe that screws the whole thing up.
01:00:48It blows up the ritual.
01:00:50No, no, come on!
01:00:52We gotta get this streaming before sunset.
01:00:54Jesus, I don't know if we have the time.
01:00:56It doesn't matter. It's fine.
01:00:58Come on, we'll get it streaming and just let it go.
01:01:00Come on.
01:01:10And now,
01:01:12it's time
01:01:14for Alexander's
01:01:16Church of
01:01:18Chills!
01:01:20This is an
01:01:22emergency broadcast.
01:01:24Listen, this
01:01:26is Kruerheim,
01:01:28built in the 1800s.
01:01:30It has been the scene
01:01:32of nightmares
01:01:34and nightmares
01:01:36and nightmares
01:01:38of nightmares and murders.
01:01:40It still is.
01:01:42This man is
01:01:44Arturo Valenor, only he's not just a man.
01:01:46He's
01:01:48something else.
01:01:50One of the undead.
01:01:52A vampire who feeds on
01:01:54human blood. He's there right
01:01:56now at Kruerheim.
01:01:58And what he was trying to do back then,
01:02:00he is still trying to do right now.
01:02:02He's trying to destroy the whole
01:02:04fucking...
01:02:07What the hell?
01:02:09Alex, the feed. What happened to the feed?
01:02:11How should I know?
01:02:15It's him.
01:02:17Some of you, no doubt, have been
01:02:19tuning in to Mr. Jarvis'
01:02:21Church of Chills.
01:02:23We here at Kruerheim have been enjoying
01:02:25it all evening.
01:02:27But now,
01:02:29we have other business to attend to.
01:02:31I'm sure all of you
01:02:33will accept our invitation
01:02:36to join this ritual.
01:02:56Jesus.
01:02:58Alex, do you know how many people are watching this right now?
01:03:00Christ, Eddie, I don't think right now's the time for that.
01:03:02185.
01:03:04187. And that's just us.
01:03:06What the fuck?
01:03:08I mean, how did he even know that we were
01:03:10going to be str... What are the numbers on his stream?
01:03:12No good.
01:03:14He's locked us out again.
01:03:18Sanguis Vitae Est.
01:03:20Sanguis Vitae Est.
01:03:22Sanguis Vitae Est.
01:03:24Efficionius.
01:03:26Efficionius.
01:03:28Sanguis Vitae Est.
01:03:30Sanguis Vitae Est.
01:03:33Efficionius.
01:03:55Holy shit.
01:03:57The sacrifice. Fuck. It's Juni.
01:03:59Oh my God.
01:04:01Fuck! What do we do? Oh my God!
01:04:04Fuck!
01:04:05You fucking leave her alone, you asshole!
01:04:08Fuck!
01:04:38Oh my God!
01:04:50What do you want from us?
01:04:51What do I want?
01:04:54What does a cat want with a mouse?
01:04:58Come on!
01:04:59Let's go!
01:05:26He's gone!
01:05:53What a terrible shame.
01:05:57So pale and pure.
01:06:02Oh, if I had the time to truly enjoy.
01:06:09They are untouchable.
01:06:13Delights.
01:06:15Enjoy these.
01:06:17You long-toothed rat!
01:06:22Ow!
01:06:52There's someone down there.
01:07:21Who's there?
01:07:50What?
01:07:59I thought I told you to stop smoking.
01:08:05I said...
01:08:09Put it out.
01:08:12Junie.
01:08:18Junie, what happened?
01:08:20Are you okay?
01:08:22Yes, I'm quite alright.
01:08:25Everything turned out just as I'd planned.
01:08:29I was worried for some time that you two fools wouldn't play your appointed roles.
01:08:35But in the end...
01:08:38You performed the final sacrifice.
01:08:41Admirably.
01:08:43I don't understand.
01:08:46What's going on?
01:08:48Yes, I was worried about that.
01:08:52Alex, you idiot, it's not Junie.
01:08:55What?
01:09:11Listen to them.
01:09:13The children of the night.
01:09:17What music they play.
01:09:47What music they play.
01:10:16What music they play.
01:10:45What music they play.
01:11:14What music they play.
01:11:43What music they play.
01:11:44What music they play.
01:11:45What music they play.
01:11:46What music they play.
01:11:47What music they play.
01:11:48What music they play.
01:11:49What music they play.
01:11:50What music they play.
01:11:51What music they play.
01:11:52What music they play.
01:11:53What music they play.
01:11:54What music they play.
01:11:55What music they play.
01:11:56What music they play.
01:11:57What music they play.
01:11:58What music they play.
01:11:59What music they play.
01:12:00What music they play.
01:12:01What music they play.
01:12:02What music they play.
01:12:03What music they play.
01:12:04What music they play.
01:12:05What music they play.
01:12:06What music they play.
01:12:07What music they play.
01:12:08What music they play.
01:12:09What music they play.
01:12:10What music they play.
01:12:11What music they play.
01:12:12What music they play.
01:12:13What music they play.
01:12:14What music they play.
01:12:15What music they play.
01:12:16What music they play.
01:12:17What music they play.
01:12:18What music they play.
01:12:19What music they play.
01:12:20What music they play.
01:12:21What music they play.
01:12:22What music they play.
01:12:23What music they play.
01:12:24What music they play.
01:12:25What music they play.
01:12:26What music they play.
01:12:27What music they play.
01:12:28What music they play.
01:12:29What music they play.
01:12:30What music they play.
01:12:31What music they play.
01:12:32What music they play.
01:12:33What music they play.
01:12:34What music they play.
01:12:35What music they play.
01:12:36What music they play.
01:12:37What music they play.
01:12:38What music they play.
01:12:39What music they play.
01:12:40What music they play.