• 10 hours ago
部活ピーポー全力応援!ブカピ!2024年10月15日 栗原恵が潜入!東福岡高校男子バレーボール部・前編!戦術バレーを徹底解説!
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Transcript
00:00This year's Bukkake is a special edition of the East Fukuoka High School Volleyball Club,
00:08which won the 10th place in the inter high school tournament.
00:13Megumi Kurihara, a former All Japan player, has joined the team.
00:18She's going to show us her combination volleyball, which is famous in East Fukuoka.
00:25She's really showing us a variety of attacks.
00:32If you think I'm going to hit you, I'm going to toss you.
00:34If you think I'm going to hit you, I'm going to toss you.
00:37Bukkake People All-out Support, Bukkake.
00:41Bukkake People All-out Support, Bukkake.
00:52Bukkake People All-out Support, Bukkake.
00:53Hello, Naenano. I'm Megumi Kurihara.
00:56I'm Megumi Kurihara.
00:57Nice to meet you.
01:00I'm so happy to hear from you.
01:07Congratulations.
01:09Thank you for having me today.
01:11Today, I'm visiting the East Fukuoka High School in Fukuoka Prefecture.
01:16The East Fukuoka High School is a very strong school in the inter high school tournament.
01:22It's the only high school that won a set.
01:26And it's a very strong high school that has won six times in national tournaments in the past.
01:32The combination is also very famous, and we're going to build up a precise volleyball.
01:37Today, I'd like to get closer to the secret of volleyball.
01:41Let's go.
01:46East Fukuoka High School.
01:49Mr. Yamada interviewed me a year ago.
01:54I've seen it before.
01:57It's really beautiful.
01:58It's like Harry Potter.
02:01The volleyball club, the rugby club, the soccer club, etc.
02:04It's a private high school known as a strong high school, and it's been a strong school since 2025.
02:11That's a lot of trophies and flags.
02:25You're doing it fast.
02:28That's a lot of people.
02:33The East Fukuoka High School Volleyball Club.
02:36It was founded in 1955.
02:38There are 35 members.
02:42Based on the genius of effort, it is the best in Japan in the past six times.
02:48Combination Volleyball is a weapon from a strong receiver.
02:53I'm going to use everything I have.
02:55There's no genius without effort.
02:58It's cool.
03:00The East Fukuoka High School Volleyball Club.
03:22I saw the speed girl's broad.
03:26It's called a broad.
03:28She's showing me a lot of attacks.
03:39I can't stop.
03:41I can't stop.
03:43I can't stop.
03:45I can't stop.
03:55I can't stop.
03:57I can't stop.
04:02The East Fukuoka High School Volleyball Club.
04:06There aren't many of them in the game.
04:11I think it's because the players are working hard.
04:20The East Fukuoka High School Volleyball Club.
04:23Combination Volleyball.
04:24There are many kinds of surprises.
04:29Spike.
04:32Back attack.
04:36Broad attack.
04:38Spike while moving.
04:47Block attack.
04:49Spike directly without raising the setter.
04:53One.
04:55Strike with two.
05:02Take set one.
05:04Toss while pretending to hit.
05:10It's like hitting.
05:12Don't hit.
05:21Toss while pretending to hit.
05:24Toss while pretending to hit.
05:34I don't get it.
05:37Take set three.
05:39Toss while pretending to hit.
05:44Don't hit.
05:49Toss this way.
05:52I thought it would go this way.
05:55It went from behind.
05:58Toss while pretending to hit.
06:05This is fun.
06:07The Inter high school team won the combination volleyball game.
06:14I don't get it.
06:17This is just a part of it.
06:19There are many more?
06:22The East Fukuoka High School Volleyball Club.
06:27Can you tell us why you were able to create such a variety of attack patterns?
06:34I do it every time.
06:36Depending on the characteristics of the player,
06:39there are different characteristics,
06:44such as which ball to hit from the right,
06:46which ball to hit from the left,
06:48which ball to hit at a fast tempo,
06:50and which ball to hit while flowing.
06:53Based on these characteristics,
06:55I give them weapons.
06:57When I combine the weapons I give them,
07:01it becomes a combination.
07:03There aren't that many.
07:05One, three, four,
07:08from the left,
07:10from the left, two types,
07:12from the right, two types.
07:14Based on the characteristics of the player,
07:16it becomes a combination.
07:19That's all I can see.
07:22In your mind, it's very simple.
07:25Yes, it's simple.
07:27That's why there are so many combinations.
07:29That's right.
07:39Even if you have a variety of combinations,
07:41if you don't get close to the net,
07:43you can't use them as a combination.
07:46You have to be particular about the quality of the receive.
07:50The quality of the receive.
07:52It's not easy to think about the opponent.
07:54In the court,
07:56you only have 24 hours to practice.
07:58You have to practice for 3 to 4 hours.
08:00I put 20 hours of sleep into the rest of the practice.
08:04You have to think about the opponent,
08:06think about your teammates,
08:08and pass the ball gently.
08:10That's how I get to this point.
08:12So, the core of KOMU BALLERINA
08:14is the feeling of thinking about your teammates?
08:17Yes, if you don't have that,
08:20you won't be able to pass the ball.
08:26I think the practice over there is pretty tough.
08:33He's passing the ball to a good spot.
08:35Wow, that's far.
08:38It's far.
08:39He's passing the ball to a spot
08:42where he can do his best.
08:47Tamadashi Meiji.
08:49Koji Koguchi.
08:55He's a demon.
08:56Even though he's passing a difficult ball,
08:59he's thinking about the person
09:01who's going to receive the second ball.
09:03He's thinking about the person
09:05who's going to receive the second ball.
09:07I think that's what he's focused on.
09:09I think that's what he's focused on.
09:11I think that's what he's focused on.
09:14He's just going to pass the ball to them.
09:16He's just going to pass the ball to them.
09:18You can tell when you see the ball
09:20that he's going to pass the ball
09:22to someone else, even if it's a bit high.
09:24I think that's just what he's focused on.
09:26I think that's just what he's focused on.
09:28For a KOMU BALLERINA like that,
09:30the quality of the first defense
09:32is really important.
09:34So, when he passes the ball
09:36to someone with a really resolute ball,
09:39I think that's what he's focused on.
09:42You can tell from this practice that it's a foundation for building a close-knit ballet.
09:52I can't compromise at all.
09:54I can't either.
09:56This is really tough.
09:59Go for it!
10:02Go for it!
10:08Three people.
10:13Wow!
10:15That was so fast!
10:18The ball just keeps coming out.
10:22It's so slippery.
10:25I can't get it.
10:30Just a little more.
10:33Just a little more.
10:35People tend to pay attention to the first receive.
10:40But when the first receive and the second receive are together,
10:44the ball just keeps coming out.
10:46It just keeps coming out.
10:49The quality of the second receive is really good.
10:53I feel like I'm practicing a live ball.
11:03Even though we're practicing so hard,
11:06everyone keeps their voices down.
11:09They keep it short and easy to understand.
11:13I feel like they have good eyes.
11:17Their eyes are perfect for following the ball.
11:23It's a very physically demanding practice.
11:26But no one gives up until the end.
11:30The voice is important in ballet.
11:33Yes, the voice is important.
11:35It's called breathing.
11:37But you have to tell them where you are with your voice.
11:43When the ball is busy like this,
11:47it's important to tell them where you are with your voice
11:50and what you're going to do.
11:57The quality of the first receive...
12:00It's a simple word.
12:02But when you look at it, it's amazing.
12:05It's a great quality.
12:13In the ballet club,
12:15the captain calls out,
12:18and everyone starts moving.
12:23But without saying anything,
12:25the coach moves forward and back,
12:27and naturally switches to the next practice.
12:31He's always looking at the ball,
12:36but he's also aware of the coach's movements.
12:39Everyone is aware that this is what's going to happen next.
12:44I think he knows how to move forward.
12:49Usually, we meet once and explain,
12:52and then we practice the next practice.
12:55The coach throws the ball and lifts it up.
12:59He throws the ball at a busy pace,
13:02so you have to judge the situation.
13:04You have to make sure you don't bump into people.
13:06You have to decide where you're going to take the ball.
13:08The ball comes out from all kinds of places,
13:10so you have to decide which way you're going to throw it.
13:13You have to judge the situation in this practice.
13:19The movement of the players passing the ball
13:22is also very smooth.
13:25It's amazing how fast they're moving forward.
13:32It's not a waste of time.
13:33I've never seen anything that's not a waste of time.
13:38They have a lot of variations of attacks.
13:43They have 0 quick attacks and broad attacks.
13:45If you do that,
13:47no matter how good the first receive is,
13:49if you don't connect it to the attack,
13:51you can't reach the attack.
13:53You have to think about that a lot.
13:56You have to develop your defense and attack.
14:00That's what you can see from the practice.
14:03They've been practicing for a year, two years, three years.
14:10That's why they're able to build a school like this.
14:16It's perfect for Odanmaku.
14:19She's a genius who works hard.
14:21I can see that from this practice.
14:27It's a practice that's really not a waste of time.
14:31You hit the ball, pick up the ball that fell,
14:34take it to the coach, and hit it.
14:38There's no waste of time in this cycle.
14:43Everyone's moving all the time.
14:46Up-to-date information!
14:50The U18 Nishin Shokukin Top League,
14:53the highest level of high school basketball,
14:55is being held.
14:57Top-level schools selected from all over the country are gathering.
15:00This year, high-level matches are being held.
15:04Which team will win the title of the best in Japan?
15:09For more information,
15:11please visit the official website of the U18 Nishin Shokukin Top League.
15:33This team is a two-man team.
15:36It's a team that can win the second place.
15:40At first, it didn't go well at all,
15:43but as we practiced more and more,
15:45we were able to understand each other without having to talk.

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