Salón de té La Moderna - Ep 247
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00:00THE CURSE
00:07Guys, could you please take them to the alley?
00:12To the left, not to the right.
00:15We have to leave the hallway open.
00:21Piedro, wouldn't it be better if you spoke to Mr. Fermin?
00:23For what?
00:25So you can rest a bit, so you can go home.
00:27The two guys can do your job perfectly.
00:29No, no, no. I want to stay here.
00:31Since I'm going home, I'll think about it more.
00:34No, I don't want to.
00:35I prefer fatigue to nervousness, Antonia.
00:38Okay, I understand.
00:40And if I tell you the truth, I also prefer to have you closer.
00:43Because if my soul falls at my feet, I'm sure you haven't slept at all.
00:46And neither do you, because I know you.
00:52Do you want to talk? Maybe you'll let it out.
00:55I don't know, Antonia, I don't know.
00:58I'm afraid.
01:00I can't deny it.
01:04This feeling of walking between life and death.
01:07Honey, don't say that, please. You're going to get out of this.
01:09Yes.
01:10Yes.
01:11But just by operating, Antonia.
01:13Just like that.
01:16Good morning, Mr. Fermin.
01:18Good morning.
01:19I'm sorry, but I couldn't help but listen to you.
01:24I am very happy that you have finally decided to carry on with the operation.
01:29Yes, that's right.
01:30There's no other way.
01:31Also, knowing that he's in good hands.
01:34In the best.
01:35Ramiro Quiroga is a great surgeon.
01:37One of the most reputed in Spain.
01:39An eminence, come on.
01:41Thank you, Mr. Fermin.
01:43I would always be grateful to him because I would never have been able to pay for these medical expenses.
01:48Friend Pietro, this is the last time I repeat it.
01:52I don't want to hear you talk about money ever again.
01:56What I want is to hear you laugh and sing your tarantellas and your arias.
02:00Enjoy your ice cream and eat your sweets, as always.
02:04The other thing is trifles.
02:06Understood?
02:09And of course, you can stop working until the day of the operation.
02:12You just have to ask.
02:14No, no.
02:15I prefer to work, Mr. Fermin.
02:16Very good.
02:17Although I need help, but I prefer.
02:19As you wish.
02:20I'm going to tell Teresa and Mrs. Lázara.
02:24Have a nice day.
02:33You'd better go.
02:36I don't want them to hurt you because of me.
02:40I love you.
02:41I love you very much.
02:43Everything will be fine.
02:51Bye.
02:53Ballesteros, just listen to me.
02:55Think about it.
02:58But are you sure?
03:00So you don't leave me another option?
03:04Can I?
03:08Of course I'll call you.
03:09Yes, when I finish managing all these matters.
03:13Goodbye, Ballesteros.
03:18Are you okay?
03:19Has something changed on the phone?
03:21Do you already have the actress?
03:23Or do we have to do more tests?
03:24No, no, no.
03:25We don't have to do more tests.
03:28Ballesteros has already decided.
03:31And the person he has chosen is you.
03:38It's a joke.
03:39No, no, no.
03:40It's not a joke.
03:41He is completely impressed with you, your talent, your spontaneity,
03:44the way you act in front of the camera.
03:46He is convinced that you are the only person who can play that character.
03:51But I'm not an actress.
03:52Well, you should be.
03:54Because if something has Ballesteros, it's smell.
03:57I don't know if it has smell or not.
03:59But I don't want to put my life upside down.
04:01Spend a thousand dead hours on set.
04:04Those early mornings.
04:05Well, you don't get up that early either.
04:06And besides, you get paid well.
04:09Tell him thank you very much.
04:11But no.
04:13Anything else?
04:17You see...
04:22Laura, I know that the situation is not easy.
04:29And I wouldn't like to pressure you, but...
04:33Ballesteros has threatened to leave the film if you don't accept this role.
04:39After the failure of The Shadow of Love, the company's numbers don't come out.
04:44Yeah, but I don't understand.
04:45What do I have to do with this?
04:46What does it have to do with me?
04:47No, no, no.
04:48This has nothing to do with you.
04:51It's just that...
04:53I've put everything I had on the line.
04:57And if Ballesteros leaves, it's over.
05:01I need you to accept that role.
05:02I beg you.
05:03It's not my fault that that movie didn't work.
05:06Or that you invested all your money.
05:07Why do you blame me?
05:09I'm not explaining myself clearly.
05:12I've tried everything with this man.
05:15But he only loves you.
05:17You.
05:18I'm going to have to talk to Inés.
05:20Because I figure it's not going to be funny.
05:22And if it is, I'm sorry, but I'm not going to do it.
05:24I know I'm the last person who has the right to ask you for something.
05:28But if you don't help me, I'll ruin it.
05:31Agustín, it's not about whether you have the right or not.
05:34Inés is my sister.
05:35And she's also your partner.
05:37Leave me alone.
05:42What's going on here?
05:47Well, well, well.
05:48It was special.
05:49Well, what do I mean by special?
05:50It was magical.
05:51Yes, because it's as if we hadn't stopped seeing each other.
05:56It seems you've spent half your life with Leonora and you've seen each other twice.
05:59Well, but the important thing is quality, not quantity.
06:02Right?
06:04Well, don't blow on it.
06:06You should be happy to have Leonora as your mother-in-law.
06:08Besides being beautiful and attractive, she's vital.
06:12Eloquent.
06:13I like her more every day.
06:14Elias, I'll tell you just once.
06:16Stop trying to seduce my mother-in-law.
06:18Let's not go back to the old ways.
06:19Come on, Floja.
06:20I'm a respectful man.
06:22After Leonora gave me pumpkins,
06:24I'm not going to keep being mean to her.
06:26Well, I don't know about her, but you're all day going on about how beautiful she is,
06:29how good friends you are, how much fun you have.
06:32Well, that's the way it is.
06:33And besides, how fun she is.
06:35Come on.
06:36Come on, have fun.
06:37Go back to the salon and take care of the customers.
06:39You've had enough rest.
06:40Right.
06:41I'm going inside.
06:42Excuse me.
06:46I can't take it anymore.
06:47I can't take it anymore.
06:48With Elias or with your mother-in-law?
06:49With Elias, with my mother-in-law, with the boy.
06:52And that I have you.
06:53I still haven't thanked you for the walk you gave Leon yesterday with Teresa.
06:58And for leaving us alone with Trini for a while.
07:00That's what friends are for, isn't it?
07:02Well, yes.
07:03Look, quite the opposite of what mothers-in-law are for.
07:05Or at least mine.
07:06That is, going in through the house and having her on top of me.
07:09Looking over my shoulder.
07:11Let's see.
07:12What has the lady of the house told you now?
07:14Look, I don't even know anymore.
07:15What I do know is that she doesn't stop repeating all the time
07:17that with you at home she never knows what can happen to you
07:20and that I do everything for the good of the family.
07:22The colonel is here.
07:23I'm here.
07:25What is clear is that she is not a saint of your devotion.
07:27Well, neither are you.
07:28Hey, and what is Trini doing with so much growth?
07:30Not half, among you.
07:31What is she going to do?
07:32She does what she can.
07:33After all, Leonora is her mother.
07:35It's hard for her to be the opposite.
07:36I mean, to be impartial.
07:41Don't look at me like that.
07:42It's true.
07:43The other day we wanted to make potato omelette for dinner
07:47and the lady appears and says no.
07:49That omelette, nothing.
07:50That it's a lot of fried food, that a lot of oil is used and everything is lost.
07:54Come on, that she likes to send it to her house and everyone's.
07:57Besides, with an energy.
07:58I turn on the radio to listen to the news or whatever.
08:02Or whatever.
08:04And what does my mother-in-law say?
08:06That there is none.
08:07Indeed, that there is none because Leon is sleeping
08:09or because he doesn't like the news or because his head hurts.
08:12I don't know, what do you think?
08:14Well, terrible.
08:15Because in your house you live very well.
08:16Well, no.
08:17Leonora doesn't seem to live very well.
08:18That everything seems bad to her.
08:19Especially what has to do with the kid and how I do things.
08:23Don't worry, Miguel.
08:24We all have our manias.
08:25What happens is that your mother-in-law has hers and those of half Madrid.
08:28Yes, but if it were just for the manias.
08:30I'm a zero on the left in my house.
08:33If I don't feel like arriving tonight,
08:36how will it be that I'm going to stay doing inventory to arrive a little later?
08:41Well, at least you get some money out of the problem.
08:44And the suffering with rooms is less suffering.
08:47No way, not that.
08:48Don Salvador doesn't pay me.
08:50But I prefer to lose money in the bookstore than to lose patience in my house.
08:56I would like to tell you that this is going to be a streak of nothing,
08:58but you have Leonora very installed.
09:01Come on, don't even get her out with hot water.
09:12Are you going to explain it to me?
09:15Agustín, do you know something that I don't know?
09:18Well, there's something I could tell you, yes.
09:22Very well, and are you going to explain it to me, please?
09:26Ballesteros has decided for someone,
09:29but the actress doesn't want to do the role.
09:32And why doesn't she want to do it?
09:34Is she going to make another movie or what?
09:36I don't know how to tell you this and I don't know how you're going to take it either.
09:41The actress who has chosen Ballesteros is Laura.
09:47Are you kidding me?
09:48No, no, no, not at all.
09:49I already told you that he had reviewed the tests of all the actresses
09:53and he has seen how your sister has given the reply
09:55and he is sure that she has outdone them all in charisma.
09:58So I had no choice but to offer her the role.
10:02What have you done, what?
10:04But if I told you that I didn't see her working as an actress ...
10:06Inés, I had no choice.
10:08Inés, I ...
10:09Laurita, please.
10:12Agustín, give me an explanation.
10:23By the way, have you seen the Pedraza?
10:25They told me they were in the living room.
10:26Yes, yes, they were here having breakfast.
10:29I have barely been able to talk to them.
10:30They were very worried about the flood of the store.
10:33Not for less.
10:35I was there at the first hour.
10:36I wanted to see what state the store was in.
10:39Tell them not to worry.
10:40I have given Paula a card with the phone number of the squad,
10:43of the operators who usually come here to the living room.
10:49What's the matter with you? You are as if you had left.
10:52Nothing.
10:53I was thinking about the Pedraza and the opinion you have of their marriage.
10:59And?
11:00And, well, I've been looking at them especially this morning
11:03and I find it hard to believe that they are not a well-meaning couple.
11:07How obvious that you are a man without evil, dear.
11:11Does that mean that you have the evil that I lack?
11:14No.
11:15And excuse me if I'm annoying.
11:17But it is noticeable that your dear friend Emiliano
11:20makes life with other women.
11:22This marriage is a couple.
11:26It is not that I distrust your criteria, Lázaro, but I am very surprised.
11:32When Emiliano arrived at the boarding school, he was an inoffensive young man.
11:36Everyone messed with him.
11:38I did nothing but protect him,
11:40because if not, those kids would have eaten him.
11:44But people change, Fernando.
11:47You are still the same person as at that time.
11:50For the love of God, you will be kids.
11:52Yes, yes, yes, of course.
11:53But there are features that accompany us all our lives and ...
11:59Emiliano has always been a very noble young man.
12:04It is strange that he spends his life alternating with women.
12:07What do you say?
12:09As you can see when you have a preference for someone.
12:12You can see in the look that we are already getting to know each other.
12:15I have always considered him a little brother.
12:17And I have been very proud of his achievements.
12:19That is why I have invested all my capital in his company.
12:23Because I know it will give us great benefits.
12:25And also because it is a way to celebrate his return.
12:29I'm sure it's a good decision.
12:31Anyway, you don't trust me on financial matters.
12:34Neither short nor short.
12:37This is the last one, right?
12:39Well ...
12:41By the way,
12:43have you spoken to the boys?
12:45Yes, I have already spoken to them.
12:47And I have made it clear to them that they do absolutely everything that Pietro needs.
12:52Perfect, then we are done.
12:55What plans do you have for later?
12:57Well, I had thought of going to the jewelry store in the square.
13:00Yes, my boss thinks it's very clear.
13:02Your boss thinks it's great.
13:04And by the way, tell Don Martín to put everything on my account.
13:08Sorry, sorry.
13:10On our account.
13:12Now it's both of us.
13:13True.
13:15My God, Teresa, how quiet she has become.
13:18No, I just arrived, but if I come at the wrong time ...
13:21No, not at all. I was leaving.
13:29Sit down, Teresa, please.
13:31Thank you very much.
13:34Can I help you with something?
13:35Look, Antonia, this shawl, this shawl would look great on him.
13:40Yeah, well, I'm not in the mood right now, really.
13:43But woman, focus on these little rags and so it clears up a little.
13:46I really appreciate your hair, but ...
13:51I spoke to Pietro.
13:52And he has decided to have surgery.
13:55But that's good news.
13:58Come on, it's good to be short.
14:00Yes, yes, it's the best for him, but ...
14:02Well, it takes away from us that it is a delicate situation and that he is having a very bad time.
14:07But has something else happened?
14:10Because I'm very afraid, Esperanza.
14:13They have told us that it is a risky operation and that ...
14:16that it can cause a spill.
14:18Since I thought about it, I get sick.
14:21Well, get rid of that bad body.
14:23Because if it is to endure, Pietro endures what is not written.
14:26That will not be able with him.
14:28And besides, you have it, right?
14:30That having someone important in these situations is a long time ago.
14:34Yes, yes, but it's difficult.
14:36I really try to be encouraged and get him up,
14:40but there are times when it's hard for me to pretend that ...
14:44Well, the situation is very complicated and it hurts me.
14:47But that's normal.
14:49The strange thing would be that you don't worry about him.
14:51But come on, everything will be fine, don't worry.
14:54Well, if after the operation he needs more time in the hospital,
14:57I'll double the shifts he needs, I swear.
15:00Trini, in the hospital he will be just in time.
15:03Because look, look what I have here.
15:07What a bunch of covers you bring me.
15:10Well, I have prayed for all of them for you two.
15:12First, to the Virgin of the Victory of Lepanto,
15:16which Paula brought me one day on a motorcycle excursion.
15:18Yes.
15:19Well, this one ...
15:21She took the Ottomans out of the country.
15:23Well, imagine what she can do for Pietro.
15:25Of course.
15:26Then there is San Judas Tadeo, another one who dances so much.
15:29Look how handsome.
15:30He is the boss of the impossible causes.
15:32Of the difficult ones, but there is nothing difficult.
15:34There is nothing difficult here, because with such a good surgeon,
15:37this is going to be a piece of cake.
15:39Yes, that's true, because the doctor wants to achieve an eminence.
15:43Well, in fact, if Don Fermín trusts him so much, it will be for a reason, right?
15:46Well, of course.
15:47All this is a chore.
15:48But Pietro has everything in front of him,
15:50because he has the surgeon, you ...
15:52The stamps.
15:53Well, and with how stubborn he is.
15:55Yes, it's true.
15:56If for one thing or another, it has to go well.
16:02Oh, my God, I hope it goes well.
16:04If something happens to Pietro, I'll die.
16:06But please, calm down.
16:08If he starts crying, I'm going to start crying too.
16:11No, no, really, I'm not going to make a scene.
16:14What I'm going to do is take a little air.
16:17Shall we accompany you?
16:18No, no, I'd rather go alone.
16:27Have we left her alone?
16:33Ma'am, I'm sorry to bother you.
16:36Pepita, what did I tell you before entering the library?
16:39I told you not to come in.
16:41What?
16:42Pepita, what did I tell you before entering the library?
16:45That I didn't want anyone to bother her.
16:47But she has a visitor.
16:49At this hour?
16:51Don't wait for anyone.
16:52Who is it?
16:53It's Mr. Morel.
16:57César Morel?
16:59How strange.
17:02Let him in.
17:12Thank you, Pepita.
17:13You may leave.
17:14Excuse me.
17:18Good evening, Mrs. Pedraza.
17:20I'm sorry for not warning you that I would come.
17:22Is it a bad time?
17:23Don't worry, it's not a bad time.
17:26Although I confess that I miss seeing you here
17:29after that, let's say, conversation you had with Emiliano.
17:34Nothing to worry about.
17:37I think you underestimate my husband.
17:39No, I don't underestimate him.
17:41But I don't think he's committing any crime,
17:43even if he's taking a risk.
17:46And can you tell me why he's taking that risk?
17:50Because I don't think it's to give me the ears.
17:53No.
17:55I've come to bring you your gloves.
17:58He forgot them at my place when he came for the budget.
18:01He forgot them at my place when he came for the budget.
18:08And did he really deserve to take that risk just to give me my gloves back?
18:12That's right.
18:14When I realized that he had left them, you had already left.
18:17I had no choice but to bring them to you.
18:20Is that wrong?
18:23No, not at all.
18:26Quite the opposite.
18:28You're a very brave and gentlemanly man.
18:32I suppose you'd learn that in France.
18:37I didn't know you were aware of my biography.
18:42There's a lot of mystery around you.
18:45And I like to be well informed.
18:48And what do you think of that information?
18:52It's not as fierce as it looks.
18:58Thank you very much.
18:59I think this blouse is very modern.
19:02But it's going to look good on me.
19:04Yes, take it.
19:05There's always time to spare.
19:07Hello.
19:08How can I help you?
19:10I'm so glad you're done.
19:12Look, we have a big problem.
19:15What's going on?
19:16Don't you decide?
19:17Don't you see sizes?
19:18No, no.
19:19It just so happens that, since these prices are so good,
19:23we've been fired.
19:25So fired that we've forgotten about the panel.
19:28Well, what she's saying is that...
19:30Well, that we've come from home without money.
19:33But since the prices are so good,
19:35it's an opportunity that we couldn't miss.
19:37So we're asking ourselves
19:40if it would be possible to put aside some clothes
19:43and pay for them at another time.
19:45Of course, without a woman.
19:46No problem.
19:47Well, that's great.
19:49So I want to ask you,
19:51Well, that's great.
19:52So I want this, and also this.
19:55And me.
19:56This one.
19:57What?
19:58And this one too.
19:59This one.
20:00This one.
20:01That when I put it on in town,
20:03I'm going to look like a rich woman.
20:05Oh, well, and Antonia's dress too.
20:07She had to go, so...
20:09That would be all, right?
20:11Very well, then.
20:12Have you been able to try it on?
20:13No, it's just that it's so wet
20:15that I can't see the shit that fell here with the water.
20:17But come on, don't worry,
20:19with these beautiful dresses and these serrano bodies,
20:21we're going to look great.
20:23Well, we'll be back tomorrow,
20:24and we'll pay for the clothes and take them with us.
20:26As you wish.
20:27If you want, you can take them today,
20:29and tomorrow we'll settle the bills.
20:31Are you sure?
20:32In fact, they would do me a favor.
20:34All the wet clothes that I can get out of the store, better.
20:37So I'll keep them and leave with them.
20:41No, no, no, no, no, no, no, no, no.
20:42It's not necessary, woman.
20:44If we take it like this,
20:45if we're going to have to put them in a bag,
20:47in the wardrobe, so...
20:48Besides, we're going to the box.
20:50Oh, if this store didn't exist,
20:52we would have to invent it.
20:54Thank you very much, beauties.
20:56You too.
20:57Let's go.
20:58Bye.
21:08What the hell is this?
21:11Wow, little sister.
21:13I've been trying to cheer you up,
21:15but I see that you have plenty of spirits and customers.
21:18That's what it's like to sell clothes at half price.
21:21Winning, I don't win,
21:22but at least with everything that has been wet,
21:24I don't lose money.
21:26I can see it now,
21:27turning the omelette around.
21:29You're all over the place.
21:31Do you have any idea how this could have been flooded?
21:35Well, it seems that it was a pipe that broke there in the back of the store.
21:39But I don't know, it's something that surprises me,
21:41because when we set up the store, everything was in order.
21:43I don't know, but it's fixed now.
22:13What's up?
22:34Ivan?
22:35Ivan?
22:36Are you listening to me?
22:37What were you saying?
22:39I don't understand what happened.
22:40Where were you?
22:42Talking to myself.
22:44About?
22:45That I have things to do.
22:47See you later.
22:48Goodbye.
22:55Now you are the one who is mysterious to me.
22:58May I know what else you have discovered?
23:01That you are a man of many worlds.
23:04Plenty of rumors.
23:05Surely some unfounded.
23:08But I know for a fact that you have no cause for justice.
23:14You are very well informed.
23:17Do you take the same trouble with everyone's biography?
23:24You will have to find out.
23:27It will be a pleasure.
23:30By the way, I have reviewed the budget,
23:32and I see that it is also a man of his word.
23:35It is a very fair price.
23:36I already told you.
23:37Friendly price.
23:39With everything that has happened between us,
23:41we had to fix the problems.
23:43I believe it.
23:45My son has told me that he will stop by your place today.
23:48You and your sister have managed to convince him.
23:51I see that you are very persuasive.
23:54I could convince you too.
23:56I would love to be able to invite you to a cocktail at the Madrid Cabaret.
24:01He is very kind.
24:03But I don't usually go to nightclubs.
24:07At my age it is rare to go to such places.
24:10At your age?
24:11Yes.
24:12Is there an age limit to have fun?
24:15I assure you that the Madrid Cabaret is the perfect place to have a good time.
24:19I assure you.
24:21Even so.
24:23I am a married woman,
24:25and if I did it, it would have to be with my husband.
24:29Then better another time.
24:33I won't take up more time.
24:35It has been a pleasure.
24:42It is fortunate that the flood stopped in time.
24:45Otherwise, it would have been a fatal start for your daughter's accident.
24:50It was a good scare, yes.
24:52But look at Paula.
24:54She is smarter than hunger.
24:56In every crisis, she sees an opportunity.
24:59You must be very proud of her.
25:01I am.
25:02I have been for a long time.
25:05It is very difficult, Fermin.
25:07Very difficult.
25:08So for a long time I am proud,
25:10and for a long time I would prefer her to be in the conchita.
25:14But tell me what brings you here.
25:16I suppose you have come to be interested in your investment in my business.
25:19No, no, no, absolutely not.
25:20I have deposited my capital in your hands,
25:22so I am completely calm.
25:25Wow.
25:26I thank you for what I have to do.
25:29You seem to be in an excellent mood.
25:31How does it show that you are newly married?
25:33Yes, yes, yes.
25:34I must admit that I am very lucky.
25:37And in my best dreams,
25:39I thought that at this point in my life I would be so happy,
25:42much less that I would be married to a woman who understood me so well.
25:45Yes, if she sees you happy, yes.
25:47Take advantage of it.
25:49I don't want to be ash, but that lasts as long as it lasts.
25:52I hope it lasts many years.
25:56And you, how are you with Maruja?
26:00Sorry, I didn't mean to bother you with the question.
26:06You don't bother me.
26:08No.
26:09You are my soul mate.
26:11My brother.
26:13If I don't tell you these things, who am I going to tell them to?
26:15I'm glad to hear that.
26:17You'll see.
26:21When I returned to Argentina,
26:23after going through boarding school here in Spain,
26:26I fell in love with a young woman.
26:29Well, that would be before meeting Maruja, right?
26:33Yes.
26:34Young people.
26:36Uncautious.
26:38We started a relationship.
26:41It was a clandestine relationship.
26:43We were not of the same social class.
26:45But there, in the hacienda,
26:48I don't know, everything seemed possible.
26:51The fact is that my father found out.
26:54At first, he wasn't very angry.
26:57I guess he thought it was
27:00a kind of entertainment for me.
27:03Maybe he had had similar feelings.
27:07Judging by the look on your face,
27:09it was more than entertainment for you, right?
27:12And when I told him that it was serious,
27:16when I told him that I wanted a future with that woman,
27:21he told me that it would never be an option.
27:23That he would never allow me to marry someone
27:26who didn't have my status.
27:30And then I met Maruja.
27:33A good woman, with many qualities.
27:37But if you want me to be completely honest,
27:40I've never been in love with her.
27:44Nor have we come to understand each other completely,
27:46beyond what is necessary to generate our children.
27:52I never imagined that your relationship would be like this.
27:57I've never stopped thinking about that woman
28:01whom I abandoned,
28:04whom I gave up.
28:07She made me feel alive,
28:10happy,
28:12cheerful.
28:16And I don't know, Fermin, I think I've been
28:19all my life looking for what she gave me in other women.
28:25What Maruja has never been or will never be able to give me.
28:30I'm sorry, Emiliano, that you weren't free to choose
28:35the woman you had to share your life with.
28:38But even so,
28:40I still consider that Maruja is an exceptional woman.
28:45She is.
28:46Actually, she has had as little luck as I have.
28:50And how does she handle all this?
28:52I've never cheated on her.
28:54Never.
28:56One day I told her about the existence of this woman.
29:00I asked her for discretion.
29:01And well, she takes it with the greatest dignity she can.
29:06Sorry, sorry, surprise, Emiliano.
29:08But I'm not judging you, of course.
29:10But from the outside,
29:12you look like such a well-matched couple.
29:15You think so?
29:17Well, I suppose that the force of habit,
29:19the inertia of the days.
29:24Maruja and I are a perfect marriage for our children,
29:27for society, for business.
29:31She lives devoted to her foundation and I like to support her.
29:36I respect her, I appreciate her.
29:39And do you still miss her?
29:41The woman you fell in love with, I mean.
30:03Mom.
30:04Oh, daughter, what's wrong? Are you short of breath?
30:06Is something wrong with you?
30:07Mom, you have to be nice to Miguel.
30:11Come on, daughter, daughter.
30:12Come on, lie down on the couch.
30:14He's going to give you a piggyback.
30:15Come on, like that, very good.
30:17Look, you know what?
30:19With your legs up.
30:20They say it's very good for articulation.
30:23Like this, like this.
30:26Thank you, I've been standing all day.
30:29Oh, you work too much.
30:31I don't know if being a bad worker was a good idea.
30:34Well, but have you listened to me or not to what I've told you?
30:36You have to try not to short-circuit Miguel, okay?
30:39He's very tired.
30:40We've had enough with Leon.
30:42Yes, yes, yes, I understand you.
30:44Talk, talk, I'm listening to you.
30:45You tell me, vent.
30:46But later.
30:50Because now, look what I have.
30:53I just made you a lemonade.
30:56Look, fresh, sweet, as you like it.
30:59Well.
31:01And then I'm going to make you a fillet.
31:03Without fried potatoes.
31:05But with peas.
31:06That suck your fingers.
31:10And that silence?
31:12Have you slept already, Leon?
31:14Today, yes, like the big shot.
31:16I've given him the drink, I've bathed him, and he's fallen down.
31:19Oh, you don't know how much I appreciate it.
31:21Oh, normal.
31:23Oh, daughter, thank goodness you see how good I am and how much I help you.
31:27What were you going to do without me?
31:29Yes, I see it, yes.
31:30And the truth is that I don't know how we could thank you.
31:33Yes, women, for these things we are more avid.
31:36We know what to do.
31:38Well, we even know how to do several things at the same time.
31:40But Miguel, oh daughter, it seems that instead of blood he has horchata.
31:45That's it, that's it, a moment.
31:47That's what I was telling you, okay?
31:49Let's see, you have to treat Miguel with more tact, with more affection.
31:53You can't say those things.
31:54Enough already.
31:55Yes, yes, enough, enough.
31:56I don't say them if you don't want to.
31:57Okay.
31:58What daughter do I have to be all day on top so that he doesn't make a mistake after another, huh?
32:02Please.
32:03Look, look, look, look.
32:04How little he gets, Edito, huh?
32:05Not for the house, not for the child.
32:07He's like an elephant in a scrapyard.
32:09I know Miguel is not at your level, but to be a man he is not bad at all.
32:12Plancha, wow.
32:13Much better than me.
32:14And about the child, well, I don't know, I don't know.
32:17We are learning.
32:19No, Trini, no.
32:20Don't try too hard.
32:21You already have very long days to be covering up for him.
32:25Well, you and especially me.
32:27I have time for all this to be more or less in order.
32:29I don't complain.
32:30But daughter, daughter, daughter, you have to push him.
32:33I'm not going to be here all the time.
32:38No, no, I'll take care of it.
32:47It's pure magic.
32:51It worked with you too.
32:53Do you think Miguel could do something like that?
32:56Well, no.
32:57Of course not, but neither do I.
32:59It's very difficult.
33:00I wish I had learned this when we were both alone,
33:02that we couldn't even sleep.
33:04Well, you don't need to because your mother is here to do it.
33:07Don't forget, my girl.
33:09Thank you, mommy.
33:10Are you okay?
33:11Yes.
33:24Good afternoon.
33:25Mercedes.
33:27Here I am.
33:28I come in peace.
33:30Good afternoon.
33:31I'm glad to see you in such a good mood
33:33and that you accepted my invitation to return to our place.
33:36Well, I've decided that maybe it would be better to forget what happened.
33:39More than anything because this is one of my favorite places in Madrid
33:43and because you are much nicer than your brother.
33:48And because you are much nicer than your brother.
33:54I hope I can ease your laziness.
33:56It would be a shame to lose a client like you.
34:00Hi, Iván.
34:01I'm glad to see you here.
34:05I was just telling your sister that I came back because she is very nice.
34:09I don't know if I can say the same about you.
34:13I repeat my apologies and I hope I can change her mind.
34:17What happened will not happen again.
34:19I understand that you have recuperated.
34:22You are calmer than the other day and less aggressive.
34:25That's right.
34:26It won't happen again.
34:28I like your attitude.
34:30Although there is something you shouldn't forget.
34:34The other day you caught me by surprise.
34:36What were you going to tell me?
34:38Well, I think it's all said and done.
34:41We should not talk about you again.
34:43Of course not.
34:45Because if you repeat yourself and don't act like a traitor, I'll kill you.
34:51I insist that we should go on a date.
34:55In fact, from today we will consider you our favorite client.
35:03Great.
35:04Since everything is clear, let's do the usual.
35:07Of course.
35:08We have reserved a table next to the stage
35:10so you can enjoy the jazz performance we have tonight.
35:15Thank you very much, Mercedes.
35:17We'll bring you your drink.
35:21Well, little brother.
35:23What's done is done.
35:25You seem very optimistic about Ivan.
35:27I don't want to have problems, but I doubt he can have fun without them.
35:31But if we can avoid them and not lose a good client, it's better.
35:35If it weren't for the patience I've had, we would have had a problem again.
35:40It's better to be calm.
35:42I'm glad you're so calm.
35:45We get along very well, little brother.
35:47Yes, very well.
35:48By the way, have you talked to the distributor about the order?
35:52No.
35:54I'm sorry, I'll do it tomorrow. I've had more important things to do.
35:57More important things like what, for example?
36:00Well, for example, visit Mrs. Pedraza.
36:05Really?
36:06Have you gone back to Mr. Emiliano's house?
36:08That's right.
36:09I forgot the gloves at the store and I thought it was convenient to take them.
36:12She is a very kind woman.
36:14Of course.
36:16Let's see if you've gotten out of a mess and you're going to get into another much bigger one.
36:19Stay calm, everything is fine.
36:22Serve the glass.
36:43I can finally see you.
36:46What a longer and more complicated day.
36:49Thank God the flooding of Paula's store has not gone any further.
36:54By the way, do you know what happened to my daughter?
36:58Seeing that she had spoiled the gender, she decided to put the clothes at half price.
37:02They were taken off her hands.
37:04I think she has inherited an instinct for business.
37:09Although I tell you something else, this actually makes sense to me.
37:13Because I told her that at those prices, the working women would not be able to pay them.
37:18Well, if you lower it to half, yes.
37:20But that cannot be done continuously, right?
37:22It would not be profitable.
37:25No?
37:27Of course.
37:30Has something happened?
37:32No, no.
37:33It's just that I'm going around Rodrigo's studies a lot.
37:36You know that for me it is the most important thing.
37:39If you could give me a push on that scholarship, I would appreciate it very much.
37:43But Pepita, think a little.
37:46You pressured me to get him into my company.
37:49We have made him a man of law and order.
37:51And now you ask me to get rid of him.
37:53Rodrigo wants to be a doctor.
37:55I think that if he has worked for you, he has made so much effort,
37:58and he has assumed the great help you say,
38:00there is no reason to help him fulfill his dream.
38:05No.
38:07I need it.
38:08I'm sorry.
38:10I'm sorry, but there will be no scholarship for Rodrigo.
38:14But why?
38:15Don't you appreciate him?
38:17You have seen him grow up, you know what it's worth.
38:19It doesn't make sense that you don't want to help him.
38:21But I'm not helping him.
38:24In any case, he will not stay with you all his life.
38:26Why not?
38:27No, tell me, why not?
38:30What's wrong with that?
38:32Look, Pepita, I don't want to talk about this now.
38:35I come here to see you in a good mood and you receive me with long faces.
38:38That's why I already have my wife.
38:40It's Rodrigo's future.
38:41I'll have to say something, I'm his mother.
38:44Yes, woman.
38:46Now I don't want to go to bed with you.
38:48No, of course not.
38:50Or are you going to force me to stay by your side like my son?
38:53Don't talk to me like that.
38:58Are you going to force me, Emiliano?
39:00Are you going to force me?
39:03That's what cowards do.
39:05They don't know how to get things the other way.
39:14Let's go.
39:44Hello?
39:59Hello?
40:00Honey?
40:02Lower your voice, man.
40:04My mother is trying to sleep.
40:06You don't know what I'm going to do.
40:09Why did you come so late?
40:11What happened? Did something happen?
40:12No, because I had to stay doing inventory.
40:14Because the bookshop was a bit messed up.
40:17And with the news and the refunds, there was no one to clarify.
40:21If it weren't for my mother ...
40:23The truth is, next time try to come earlier.
40:25Because I also come back from work and sometimes I don't know how to sleep.
40:29Yes, yes, you're right. I'll take it into account.
40:31Hey, do you know where my slippers are? They're not in their place.
40:36It's just that my mother has changed them.
40:38She has left them in the room because she says that at the entrance it is very vulgar.
40:41And you're right.
40:43Of course.
40:44Whatever the sergeant says goes to mass.
40:46Look, Miguel, my mother is helping us a lot.
40:50Okay? If we are overwhelmed, for God's sake,
40:53you can make an effort and be a little more kind to her.
40:56Yes, I understand that she wants to help us.
40:58But what do you want me to tell you? I'm fed up.
41:00This is my house. And many times, no.
41:02Many times, no.
41:03Always.
41:04I always feel like an intruder.
41:05It's temporary.
41:06Temporary? Until when?
41:08Until Leon reaches the age of maturity?
41:10No, your mother came with the intention of keeping him in the face from the beginning.
41:13No, no, no, no, no. My mother did not come with any intention.
41:15So please stop exaggerating and getting obsessed with the subject.
41:19My mother, when she sees that you and I get along better with Leon,
41:21she will leave and that's it.
41:23And look, thanks to her we can have these magnificent talks.
41:27You and me. The dinner is ready.
41:30Cacho Mollejas.
41:32Mollejas?
41:33Yes.
41:35Well, I'd rather have a can of tuna and a piece of bread for dinner
41:38and have a little peace.
41:40But why do you say this?
41:41But if you don't stop making an effort, my mother.
41:43Yes, make an effort.
41:45If I were a fly, I would kill myself with a broom.
41:47But why do you say that?
41:49Well, because it may be a charm with you and the child.
41:51But as a mother-in-law, what do you want me to tell you?
41:53It's a disgrace.
41:55It doesn't even let me breathe.
41:56That loud voice.
41:57Season it, you're going to wake up the kid.
41:59But I do have an angelic voice.
42:01Angelic voice with devil's tongue.
42:03I see you very strange. I see you coming.
42:04Look, Leonora.
42:05No.
42:06Be careful, son-in-law.
42:07Don't say anything you're going to regret.
42:13You see?
42:14A charm.
42:15I'm the luckiest man on the planet.
42:17Look, Miguel.
42:18This is not easy for me either.
42:19Okay?
42:20But you're going to have to think of a way to get along better with my mother.
42:23Because it is what it is.
42:25Okay?
42:26She's behaving very well and she's helping us a lot, man.
42:28But if I...
42:29I understand that.
42:30But you don't realize that if we continue like this,
42:32our marriage is in danger.
42:34Our intimacy is in danger.
42:35Our communication.
42:36Our tranquility.
42:37Of course.
42:38Because you only think about the bad.
42:40Because you don't want to admit that if it weren't for her, we would be lost.
42:43But no, of course.
42:44You think about intimacy.
42:45About your panties.
42:47And...
42:48Look, please.
42:49Take it.
42:50Take a lemonade and refresh yourself a little bit.
42:53And leave me alone.
42:55Very good.
42:59Well, yes, it's good for you.
43:02My mother made it.
43:11You had a fantastic idea about lowering the garments.
43:14Existences have run out, haven't they?
43:17Yes.
43:18I'm sure it was a good strategy to let us know.
43:21The best way out is that women wear the garments
43:24and talk to each other.
43:27Then why do you seem worried?
43:29Because between what we previously sold
43:32and this campaign,
43:33we are practically without existence.
43:36Wow.
43:37From now on, it is impossible to replace the genre.
43:40And it's a shame, because I'm sure this has caught the attention,
43:43the word has spread,
43:44and new customers will arrive whom I will not be able to serve.
43:47Don't get yourself in trouble before the wound, woman.
43:49If you could see how happy they left.
43:52They were happy, and so was I.
43:54And it must continue to be.
43:55Even if you have to close the store for a few days
43:57until the new merchandise arrives.
43:59How long will that take?
44:02A week, more or less.
44:04It's what they usually take normally, Paula.
44:08Closing the store for a week would be a complete disaster.
44:11Just now that we are starting to make noise,
44:13closing from night to morning.
44:16If you approach this store,
44:18because they have told you about it,
44:19and you find it closed, don't come back.
44:21And couldn't the order be accelerated?
44:23That's very complicated.
44:25You know that the warehouse is in Alcázar de San Juan,
44:28in the middle of a railway junction.
44:29I'm afraid that the supplier has no choice
44:31but to send the clothes by train.
44:33And the trains have their times.
44:36What other alternatives could there be?
44:38Because closing the store now would be a disaster.
44:41I don't know if I can think of anything else.
44:44Don't worry.
44:46You always come up with something and you solve it.
44:49This time, I don't know what to tell you, Rodrigo.
44:53I have been serving customers all day
44:55and I am completely exhausted.
44:57It's natural.
44:58You are taking on many responsibilities.
45:00It's a lot even for you.
45:03Maybe there is no other remedy than to close for a week.
45:07Although I don't like it at all.
45:10Well, he had my phone for about ten minutes.
45:14In the end, I didn't want to alarm her,
45:17but I did tell her about the operation, Pietro.
45:20I understand.
45:22Don't worry.
45:24Marta is like a daughter to us.
45:26She has every right to know.
45:29It's been an unfair day, but I think it's important
45:32that we count on her love and support, right?
45:35Yes, really. Don't justify yourself.
45:37She wouldn't like it if I hadn't told her.
45:40No, really.
45:42Well, she offered to come to the operation
45:44in case we needed her.
45:46What a good girl.
45:48I miss her a lot.
45:50Yes, me too. A lot.
45:52And how is she?
45:53Fine, fine. She has been very well.
45:55She has had a great life.
45:57She is studying a lot, helping Salvita in the bookshop.
46:00In the end, her plans, which seemed crazy,
46:03turned out well.
46:05They deserve all the luck in the world.
46:07Yes.
46:11How are you?
46:12Me? Fine.
46:14Fine?
46:15Fine, yes.
46:17Well, I try not to think about it too much, but...
46:22Well.
46:24Not every day you face such a complicated situation, honey.
46:28Yes, I know.
46:30The operation seems very complicated,
46:32but the alternative was worse, right?
46:36What am I going to do?
46:38I don't like either of the two options.
46:41Well, what you have to do is be positive, Pietro.
46:44Yes.
46:45A lot has been done right now
46:48in these diseases.
46:49Right now, science...
46:51Besides, Dr. Quiroga is an eminence.
46:53He is the best specialist.
46:55I know, I know.
46:59But sometimes it happens to me that I think
47:02that not even the best doctor knows everything, right?
47:07The human body is a mysterious machine, Antonio.
47:13Something can go wrong, right?
47:16And...
47:17And one thing is to be positive,
47:20but another thing is to be deceived.
47:22No, I'm not asking you that.
47:25Antonio, I...
47:27I want to tell you something.
47:31If I don't get out of the operation,
47:33you have to promise me that...
47:34No, no, Pietro, don't go on.
47:36Don't even think about it, because that's not going to happen.
47:41Antonio.
47:43Antonio, listen to me.
47:45This can happen.
47:48You understand, right?
47:51It's better that you don't think about it.
47:53I understand.
47:55But look at me.
47:58I have to put my affairs in order.
48:03You understand, right?
48:09I need to write down my last wills.
48:13Antonio, I'm not very fine and I wanted to dictate it to you.
48:16I'm not going to write any will because it won't be necessary.
48:19I need to do it, Antonio.
48:21I'm sorry to tell you this, but I need to.
48:25I'm not going to write any will, Pietro.
48:28Antonio, I'd be irresponsible if I didn't.
48:32I'm not going to write any will because...
48:35we have all the time in the world.
48:39All the time we deserve.
48:41After everything we've fought for, Pietro.
48:44Now what?
48:49No.
48:50Antonio, listen to me.
48:55We can't turn our backs on reality.
48:58You understand, right?
49:00Please, help me.
49:01Pietro, please, don't ask me for money.
49:03You could die because I don't want to.
49:05Please, I can't.
49:07I can't.
49:15Do you know what business you want to embark on?
49:18Well, I have several ideas.
49:22But I need to mature them.
49:24And above all, I'd like to know that I have my father's trust
49:28to be able to tell him and get his opinion about it.
49:31And if you start by telling your mother, to vary?
49:35But I had no other option, I promise you, Inés.
49:37Really, I was even going to fire Ballesteros.
49:40But I can't do this, I can't delay the shooting any longer.
49:43We have to reschedule it as soon as possible to stop the losses.
49:47I've seen that Paula's store is closed.
49:49I imagine that the flood would have been a big setback for her.
49:53No, quite the opposite.
49:55Yesterday she sold all her stock.
49:58She had no choice but to travel to Alcazar de San Juan to buy more merchandise.
50:02Was someone talking about my mother?
50:04We were just talking about how good of a couple she is with Elias.
50:08Can you imagine that they end up together?
50:10No, no, no, please, no kidding.
50:12I don't want a boyfriend for my mother, much less for Elias.
50:15But it's true that you would have to think about how to deal with my mother.
50:19Who, me?
50:20Yes, of course, you.
50:21I've been thinking about the conversation we had the other day.
50:24About working at the factory.
50:26And I don't think it's the most convenient thing.
50:28So I'm willing to show you that I'm also able to run my own business.
50:33Here's our teacher.
50:34For what I need, when I don't need it.
50:37Tratsilias, I want to ask the three of you a favor.
50:40Whatever you want, Pietro. Count on us.
50:42You're already telling me what the hell is going on.
50:45You know too much.
50:46Oh, my God.
50:47To know what things I would have done to have you on your knees.
50:50Another one would have left if they treated her like you did to me yesterday.
50:54You're not serious.
50:58I'm sure everything will be fine.
51:01Dofemin, I want you to be my albacea.
51:05Please.
51:06Between Elias and Leonora, the spark has already jumped.
51:09We just need to give them a push so that the flame lights up again.
51:12Yes, but that flame behaves with risks.
51:14We're talking about Elias.
51:15It's easier to scare Leonora than to make her fall in love.
51:17You better put it on me.
51:19Because if she falls in love, she takes your mother-in-law out of the house to court her.
51:22And if she scares her, your mother-in-law takes the door and leaves.
51:26To lose her sight.
51:28Maruja Pedraza speaking. Who do I have the pleasure of talking to?
51:31Mom.
51:32We have a conversation in the middle.
51:33I was hoping we could continue with her where we left her.
51:40Mrs. Pedraza, are you still there?
51:42Yes, yes, sorry.
51:44So what do you say?
51:46I'm a little worried, but I have a gap at dinner time.
52:02Your work at the foundation has absorbed you.
52:06That's right.
52:09I can't get it out of my head.