情熱大陸 2024年10月06日 山田尚子（アニメーション監督・＃1321）
情熱大陸 2024年10月06日 山田尚子（アニメーション監督・＃1321）
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00♪
00:30Yamada Naoko
00:36Yamada Naoko is a world-renowned animation director.
00:42She is good at expressing things without relying on words.
00:46Why is that?
00:49I think I make a lot of mistakes when I speak.
00:57I feel like I'm hurting people.
01:02I feel like I'm making a lot of mistakes when I speak.
01:08Even now?
01:09Yes, even now.
01:10That's why I'm so frustrated.
01:15The works she creates with frustration have their own atmosphere.
01:21Your color is not an exception.
01:27If I could see my own color, what color would it be?
01:37The heroine's high school girl looks like a person in color.
01:45Actually, I'm looking for a band member right now.
01:51Would you like to join our band?
02:01The original work depicts three young people who are connected by music.
02:06Everyone has their own way of looking at the young people's feelings, dreams, and conflicts.
02:15The character is lively.
02:19The details of the movements and the light are like Director Yamada.
02:28I was moved by the video.
02:37The best animation film.
02:41Your color.
02:43The winner is The Colors Within Japan.
02:49Your color.
02:53Your color won the best work award at this year's Shanghai International Film Festival Animation category.
03:042011.
03:06The film was very popular.
03:10It was a big hit.
03:14Since then, he has been active as a hit maker.
03:24What should I do to overcome the pain?
03:31Recently, he has been challenging historical countermeasures in TV animation.
03:37I will protect this girl.
03:40On the other hand, the original short film released this summer is an ambitious work that has lost all the lines and explanations.
04:00The most important thing for me is not to become a god.
04:09What should I do?
04:13Of course, I make it because I want to direct it.
04:18But I want to make it so that the creator can move it.
04:23If I make it, I can decide the weather and time.
04:32I want to make it as if I don't know anything about the world.
04:44The specific work of the animation director starts with making a screenplay.
04:54The flow of the screenplay must be sketched for each cut and the image of the video must be conveyed to the staff.
05:07By the way, this is the screenplay prepared in your color.
05:17There are few detailed instructions for movement.
05:22Yamada values the ideas of the staff.
05:28The object that receives light absorbs the color of the light, reflects it, and delivers the color to the brain through the membrane of the eye.
05:39The color is like a wave of light.
05:44Red apple, green leaves, blue fish.
05:51The waves of light are different in length and form various colors.
06:02In November of last year, the production of your color, which was called by more than 800 staff members, was in full swing.
06:20Checking the finished video and conveying corrections and requests.
06:27I think this light can be a little more.
06:31I want to make the light on the floor whiter.
06:36It's like the clouds are clear.
06:39I don't make a timeline.
06:41It's more like this than this.
06:46By the way, I thought so.
06:49I'd like to change the sense of exposure.
06:52I see.
06:54I don't know what to do with this light.
06:58I'll tell you later.
07:00The light came in a little more naturally.
07:05It's only a moment in the finished version.
07:09The accumulation of eyes for details gives the depth of the work.
07:16Color separation.
07:19The color of the surroundings surrounding the characters is also particular.
07:24I thought about this.
07:26I'll put the tip black.
07:30It's like ash color.
07:33The tip is this?
07:38I'll put this fine guy in.
07:42The staff is also familiar with Yamada's taste.
07:46I'm going to do this, and I'm going to change the color.
07:51Shall we do that?
07:54I did it.
07:57The cut where the butterfly appears is less than three seconds.
08:03It's like a butterfly and a bee looking at a beautiful flower.
08:08When I was asked to do a lot of things, I was very nervous.
08:13I've seen a lot of anime directors.
08:17I'm jealous.
08:22I feel like I'm a genius.
08:27I always want to look back.
08:31In the end, if you follow the original, you make a lot of mistakes.
08:37I can't make a big mistake.
08:41I know I'm doing it because I made a mistake here.
08:46My waist is getting lower and lower.
08:51You don't say it specifically.
08:54I'm trying to say it.
08:57The frame I'm talking about may be sweeter than others.
09:03I don't like to decide by words.
09:08If I say this is a square, the square will come up.
09:15Even if I wanted a square, I might talk about a circle that includes a square.
09:23People who are worried may be very worried.
09:28People who understand me understand me very well.
09:35When the video was finished, the lines, music, and sound effects were recorded.
09:41I started dubbing to balance the sound.
09:45However, I was told that I should not use the camera because I was nervous.
09:52Yamada compares music and sound effects to the heartbeat of a character.
09:58In other words, the moment when two-dimensional images take on life.
10:05The moment when two-dimensional images take on life.
10:19The dubbing is over.
10:23Thank you for your hard work.
10:32Director Yamada, is there anything that you're particular about?
10:37Everything.
10:39You're just sitting there.
10:41Mr. Yamada is really one frame at a time.
10:45One frame at a time.
10:48He's amazing.
10:51He's persistent.
10:54He's been nodding his head for a while now.
11:01It's his last year.
11:03His last year.
11:07It was on the 9th that he saw the end of his career.
11:12The one he faced was a producer who managed everything from budget to schedule.
11:19It's dubbing.
11:22I can't do it anymore.
11:25You can't do it?
11:27No, I can't.
11:29There's something I can't change.
11:31The picture?
11:33There's a part where the picture and the sound don't match.
11:38When Totsuko is composing,
11:43there's no sound in the part where she's pushing her hand.
11:47I thought it would be better if there was sound.
11:50I see.
11:51Here?
11:53Yes.
11:56Here.
11:58And here.
12:01She's pushing her hand.
12:04Here.
12:06I see.
12:09It's hard to tell unless you look closely,
12:12but there's no sound in the part where she's touching her middle finger.
12:20I think it's better if there's sound.
12:23I don't know which of the two is the sound.
12:29I see.
12:32I asked Ushio to add sound.
12:35How hard is it for you to dub the recording?
12:43I'm sorry.
12:45I'm just asking.
12:47No, it's fine.
12:49I don't know if this is right.
12:55I see.
13:00She can't compromise on the fact that she made a mistake.
13:03I see.
13:04However, the story continues.
13:13She was born in Kyoto and studied fine arts.
13:17She doesn't want her profile to be too grand.
13:22Because the real image of the creator
13:24may be overlapped with the character in the work.
13:30She says that the character should be independent in the work.
13:40Such an attitude may be connected to the worldview of Yamada's work.
13:46We had a conversation with director Makoto Shinkai in the magazine project.
13:51I was impressed by how Yamada-san said
13:56how to create a story that can't be put into words.
14:03I think I'm the type of creator who makes it into words.
14:11I've been trying to maximize the part that the audience and the audience understand.
14:18I've been trying to maximize the part that the audience and the audience understand.
14:23However, I don't think director Yamada is a creator.
14:29I don't think I'm an animator.
14:33I don't think I'm an animator.
14:38I think I'm an animator.
14:39I think I'm an animator.
14:41I think I'm an animator.
14:46Do you feel like you're taking the role of a character?
14:51I do.
14:52I can't believe it.
14:55I'm making everything.
14:59It's disgusting, isn't it?
15:01No, no, no.
15:02I feel like I'm not myself.
15:04I feel like I'm not myself.
15:07I feel like I'm not myself.
15:13Is that normal?
15:16I don't know anything else.
15:18I don't know anything else.
15:21I don't want to be rude to the character.
15:23I don't want to be rude to the character.
15:26The most important thing is not to become a god.
15:30The most important thing is not to become a god.
15:33I see.
15:38In the finished film,
15:40there is a strange sense of realism,
15:43as if watching a documentary of young people.
15:54Shaking Teenagers was a big theme of Yamada.
16:00The growth of the body and the growth of the mind
16:05are the most uneven.
16:09The shape of the body changes,
16:12and there is a change that I can't catch up with.
16:18It's called the second growth period.
16:21I can't forget the feeling of what to do.
16:27I was scared.
16:31I can't forget it.
16:34I think it's attractive.
16:41Yamada was in a good mood when he opened two bottles of wine.
16:46Yamada was in a good mood when he opened two bottles of wine.
16:53What he aimed for was Plaha.
17:06After the long film, he takes a break and goes on a trip.
17:11This is the fourth time for Plaha.
17:16There was a time when he was in the photography club in high school.
17:21There may be a world where you can see through the lens
17:24in the content of the film.
17:28Uncle.
17:31Uncle is cute.
17:33Uncle is cute.
17:35He has a fish.
17:42Do you like strange places?
17:44I like it.
17:47Is there anything in the director's work that is alive?
17:51Yes, it's alive.
17:53It's not so ordinary.
17:55It's something important to me,
17:58and it's in the work.
18:04Every time she comes to Plaha,
18:06she visits the land of Yukari, a famous videographer.
18:12This time, she goes to the studio.
18:17This is his atelier.
18:20It's like a dream come true.
18:28This is the photographer,
18:30Jan Schvank-Meijer, who represents the Czech Republic.
18:35He is known for his surrealistic style
18:38of combining live-action and stop-motion.
18:43In her late teens,
18:45she was shocked by his films
18:47and became interested in video production.
18:54It's like...
18:58It's like...
19:00It's like...
19:02It's like...
19:04It's like...
19:06It's like...
19:08It's like...
19:12She is 90 years old,
19:14but she is still active.
19:17She doesn't want to meet him.
19:21She is so happy just to breathe the same air.
19:35I want to regain the feelings I had
19:39when I was young.
19:48Now that she is highly esteemed as an anime director,
19:53she needs time to build herself up.
20:03She shows me her favorite place.
20:10This is a cafe, right?
20:12The club is down there.
20:18She has been going to this club every night for three days.
20:31Yamada is known for his passion for music.
20:35Even when he is abroad,
20:37he often comes to her concerts.
20:45Even though she is unknown,
20:47the fresh sound that comes from her music
20:50spreads her sensibility.
20:54Yamada is interested in the members of the band.
21:00I want to be in a band.
21:02That's why I make animations.
21:13She is so cute.
21:15She is so cute.
21:17She is so cute.
21:20That's why she makes animations.
21:28I need to watch.
21:30I now need to watch it.
21:32He knows.
21:34You know?
21:38Me?
21:39No, no.
21:42I bet he does.
21:46Good night.
21:48Good night.
21:53After returning home,
21:55an unexpected job awaits her.
22:06In August,
22:08Yamada chose an unexpected job
22:10out of all the offers he received.
22:14He is in charge of the opening and ending
22:17of the TV animation.
22:22As for the ending,
22:24I want it to be the same as usual.
22:27I want people to enjoy the main story.
22:32It was Yamada's unwavering hope
22:34for a director who fell in love with his talent.
22:38When I become a director,
22:40I don't get to see the world around me.
22:47I don't get to meet other directors.
22:53I want to know what people think.
23:00I want to know what people think.
23:03I want to know what people think.
23:06I'm afraid that I'll be the only one
23:09who can complete the world.
23:12I want to know a lot of things.
23:15There are only things I don't know.
23:18I want someone to teach me.
23:21I want someone to teach me.
23:27Yamada is in charge of the opening and ending
23:30of the TV animation.
23:32It's common in the animation industry.
23:37He listens to the theme song
23:39as if he were listening to the main character
23:42and starts working on the storyboard.
23:53He is surprised by the figure behind him.
23:56He is taken aback.
24:05He is trying to pull himself together.
24:16The animation director,
24:18who creates life,
24:20values not becoming a god.
24:24Beyond the contradictions,
24:27a new world of Naoko Yamada is born.
24:38The next episode of Jounetsu Tairiku
24:41is about Masashi Yanagisawa,
24:44the sleep scientist closest to the Nobel Prize.
24:47Destructive research has to be free.
24:53The story of Masashi Yanagisawa
24:56will continue in the next episode.