Sueños de libertad Cap 163 (11-10-24)
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00:00How are you, Luis?
00:24You're just in time. I'll make you a sandwich. Do you want some?
00:27No, don't worry about it.
00:29Well, a glass of wine, I won't deny it.
00:32Okay, go get that glass and I'll get another one.
00:36Since we had the meeting with my father, I haven't seen you again.
00:40And I wanted to tell you that I'm very proud of you.
00:42For you and for Joaquín.
00:44In the end, you have what you deserve.
00:46Thank you very much, cousin.
00:48And you have to be very proud because you paved the way.
00:51What do you mean?
00:53That you asked for a percentage of the sales of essences
00:57when my father didn't even value that scenario.
01:00Thank you. Thank you, really.
01:03Sit down.
01:07How are you?
01:09Good.
01:11Luz told me that Begoña has left the house.
01:15Is it that bad?
01:17Frankly, it's bad.
01:19Begoña's marriage has been hell for a long time.
01:22In fact, she's going to ask for an ecclesiastical annulment.
01:25Wow, so she's gotten to that point, huh?
01:28Yes, there's no need to keep a marriage that only brings pain and suffering.
01:32I think we're not just talking about Begoña anymore.
01:35Luis, I've been thinking about it and maybe I should do it too.
01:44What do you think?
01:46Well, I've always tried to convince you otherwise.
01:50But for some time now, I don't see you well.
01:53The truth is that I'm in a mess.
01:56Because even though I'd like to move on with this annulment,
02:00my word is the most precious thing I have.
02:03And if I comply with something, my principles tell me that I have to go all the way.
02:07Do you think that by keeping your word you're going to do Maria a favor
02:10when it's just the opposite?
02:12You're condemning her to be a wretch.
02:15Without your love, her life will be a damn condemnation.
02:19But she's already in love with me, Luis.
02:22She'll open her eyes and realize that this situation hurts her.
02:25And she'll open them. You'll see.
02:28Andres, I think you should follow in Begoña's footsteps
02:32and ask for the marriage annulment.
02:35You both deserve to start over.
02:39Why are you doing this, Luis?
02:41You said it.
02:44We deserve things to change.
02:48We deserve to be happy, right?
02:51We're destined to be together.
02:56Thank you for helping me, really.
03:01It's Maria Calas.
03:03Marta, I know.
03:05And you can't imagine how angry I am not being able to go.
03:08But I can't ask Jacinto.
03:10Are we really not going to spend the night together?
03:13Because you're not able to face the situation with maturity.
03:16I see you're not up to it. Well, I'm going to have to go alone.
03:19Listen to me.
03:21Jacinto doesn't know how angry I was when they gave me a chair
03:24that was missing a leg and part of the upholstery.
03:27People give away anything they have at home.
03:30Yes, it's a shame, Jacinto.
03:32Yes, yes.
03:33If you want advice, throw it in the trash.
03:35It takes away the value of the rest of the products.
03:37That's what I'm going to do. I'm going to throw it away.
03:39Do you think someone can give me a broken chair?
03:42What is this? As if I had taken it from the trash.
03:45I can't talk right now. We'll talk later.
03:48As you wish.
04:03Now that you're both here, I have to go out for a moment.
04:06But are you okay, Fina?
04:08Yes, yes, yes, I'm fine. I just have to finish an order.
04:18I'll be right back.
04:32I thank you for making room for me.
04:34No problem. The truth is that I don't have much time.
04:37In an hour, I have a meeting in the factory of talavera shock absorbers.
04:41As you wish.
04:42Well, let's get to work then.
04:45Don Pedro, as I told you this morning,
04:47I'm focused on matters that have little to do with the queen's perfumes.
04:52And as far as I know, you are a man with a sense of smell for future business.
04:57Like the one you're going to propose to me right now, you mean.
05:00Exactly.
05:02And it's about a balneary.
05:06Are you kidding me?
05:08A balneary is not a profitable business.
05:11This one is.
05:12An estimate of profits has been made and the numbers speak for themselves.
05:16And let me tell you that we are not talking about a luxury balneary,
05:19but about the largest complex of thermal waters that has ever been seen.
05:40Oh, how eager I am to go out today for a walk.
05:43Already.
05:45What are you going to do?
05:46Well, I don't know, I'll go home and prepare dinner while I listen to the soap opera.
05:51No, look, you know how to cook.
05:53And besides, I'm very good at it, it's bad that I say it.
05:55My specialty is garlic soup.
05:57How clever.
05:59And you?
06:00No, I don't even know how to fry an egg, really.
06:02No, I mean if you're going to do something else this afternoon, apart from going for a walk.
06:07Well, yes, yes.
06:09I think I'm going to invite Fina a soda.
06:12Because today I had tickets to go to the Teatro Madrid,
06:14but since it has to be closed, she won't be able to go.
06:17Wow.
06:19It's a shame, really, because I know she was very excited.
06:22And I don't know if that work is a miracle.
06:24Oh, what a bad leg, Fina.
06:26Yes, yes, the truth is that yes, Acinto.
06:29Because we usually solve this here between us in the store.
06:32Well, that's very good, I know.
06:34As soon as one has a problem, the other is here to solve it.
06:37Because that's what the colleagues do, right?
06:39I guess so, I don't know.
06:41Because today for you, tomorrow for me.
06:44Claudia, honey, I wouldn't mind staying until it's closed.
06:47Really, you wouldn't?
06:49As long as it's Fina who asks me to.
06:52Can you pick up the box?
06:59The truth is that it doesn't seem like a bad project,
07:01but it's not the kind of investment that interests me a priori.
07:03I'm sorry.
07:04But I've only taken a quick look at the file.
07:06Look, Jesus, my father gave me advice when I was little.
07:10Never dedicate yourself to something you don't know.
07:12It's a maxim that I've always followed.
07:14My thing is self-motivation.
07:15So I appreciate that you thought of me, but no.
07:18Take a rubber factory, I don't think you gave much to take a spa.
07:21In the end, it's about squaring the accounts, right?
07:24You are a worthy son of Damien de la Reina.
07:27You have the same persistence.
07:29Let's say that when something gets between my eyebrows,
07:32I don't stop until I get it.
07:34And especially if I see that it is a great opportunity.
07:36And this is it.
07:39Don Pedro, when I was a kid, my father also gave me some advice.
07:42You just need to put your heart into what you do,
07:44so that everything goes well.
07:46My friend is always so idealistic.
07:48Yes, but he will not deny that he has done well following that maxim.
07:51Listen to me.
07:53It's a round business.
07:54All are advantages.
07:56And you don't even have to worry about acquiring those lands
07:58because they are mine.
08:00Lands with such pure thermal waters
08:03that we are going to leave the great swimmers of Spain at the height of concrete.
08:09All right.
08:11I'll come back calmly and I'll call you.
08:15You're welcome.
08:24I just don't see it.
08:29Things disappear here.
08:33Are you looking for something?
08:34La Banda de la Reina, but I don't see it.
08:36I don't see it or I don't agree with your organization
08:38or it must have ended.
08:40It may be.
08:42I'll write it down.
08:44And what you have to ask for without fail is essence of rose.
08:46So fast because they take it away from us.
08:48It is the favorite of the clients.
08:50And of violets like you, right?
08:53No, of course.
08:54As you two are two good examples of male gorilla,
08:57you have the right to humiliate anyone you consider less than you.
09:02Where do you think you're going?
09:04Don't get involved, Fina.
09:05Don't get involved? I get involved if I want to, Pascual.
09:07He has responded to you at the height of your comment.
09:09Hey, hey, hey, what's going on here?
09:11Calm down.
09:13What did I tell you, Fina?
09:14Me?
09:15Ask them.
09:16They've gone too far with Jacinto.
09:18Good thing he put them in their place.
09:20Who put them in their place?
09:22Hey, watch what you say.
09:24Don't worry.
09:26They must be kidding, right?
09:29I can imagine what happened.
09:31The other one is a little soft and this is the opposite.
09:34It's just that neither of them nor you have the right to insult him.
09:37To begin with, because it's offensive.
09:39And then because it's part of everyone's private life.
09:43Ah, so you're telling us the truth.
09:45That the boy is from the back.
09:47But what don't you understand, Stasio, really?
09:49That selling perfumes and soaps doesn't mean anything.
09:52No, no, it doesn't mean anything, no.
09:54Well, come on.
09:55Everyone out now.
09:56Come on, to the loading dock.
09:59And you, a little more humor, right, woman?
10:01I thought you were on my team.
10:03On your team of what?
10:04Well, you've been nailing him since he arrived.
10:06If you understand as little as I do,
10:07what does such a weird guy do selling make-up?
10:09Well, there's nothing wrong with him selling make-up
10:11or wanting to be dependent.
10:13Because what would happen if now I wanted a truck stop?
10:16Or I wanted to load trucks?
10:18What would happen?
10:19What would happen, Fina?
10:20That you would be the fucking queen of the whole neighborhood.
10:22Everyone would be distracted all day,
10:24you'd be up and down,
10:25you'd carry less weight,
10:26you'd go on more trips,
10:27your job would feel new.
10:28In the end, you're worth what you're worth.
10:29But what do you think?
10:30That I'm stupid, really?
10:32Listen to me carefully.
10:34In this store, we're like a pineapple.
10:36And if you mess with Jacinto, you mess with me.
10:39What are you, the Three Musketeers?
10:41And the D'Artagnan?
10:42Or what is this?
10:43No, we're partners.
10:45But that headpiece you have
10:47is unable to understand what a word like that means.
10:54I'm sorry.
11:04Did he say that to you?
11:06Word for word.
11:07He said I was too modern
11:08and that's why I managed to disquiet Jesus.
11:11Now it's going to turn out
11:12that your brother hasn't done everything he's done
11:13because you've disquieted him.
11:15In the eyes of Don Agustín, yes.
11:16Well, not just that.
11:18He finished by saying that only with my love
11:21and with my dedication
11:22would I be able to heal my husband's wounded pride.
11:24I'm not surprised at all.
11:25A few days ago, he approached me too
11:27to say a few words.
11:29Really?
11:30Yes, I didn't tell you anything
11:31because I didn't want to throw firewood at Maria.
11:33And what did he say to you?
11:35After he excused her from her lies,
11:38he encouraged me to have a child with her.
11:40He said that if he did,
11:41it would only solve our problems.
11:44What's clear is that Maria
11:46won't stop until we're separated.
11:48And now that Don Agustín has told her,
11:50maybe he won't either.
11:52I'm very sorry for Maria and Don Agustín,
11:54but I'm not going to leave this world for anything.
11:58Egoña,
12:00I love you.
12:06Me too.
12:08I'm hoping that you'll get married
12:11and that we can be happy once and for all.
12:13Speaking of which,
12:15I've heard about a lawyer in Toledo
12:17who has asked for several.
12:18His name is José Manuel Zaera.
12:19Does it ring a bell?
12:20No, it doesn't.
12:21But I'll go with you.
12:23When are you leaving?
12:24I have a meeting in half an hour.
12:26But you don't have to go with me.
12:28Yes, I want to do it
12:29because I want you to advise me too.
12:34Are you going to ask for the bride?
12:37I don't want to feel like I'm wasting time
12:39with someone I don't want to be with.
12:41And besides, she's suffering for me.
12:44But there's an even more important reason.
12:48What is it?
12:50I want to marry you.
13:08Here's a box of lavenders from La Reina.
13:10Wow, that was fast.
13:11How did you get it?
13:13Well, the important thing is that it's here, right?
13:16Of course.
13:18Well, one less problem.
13:19I'm in trouble.
13:21What's that?
13:22Nothing, nothing.
13:23They've released Marilyn's latest album
13:25and my friends are staying tomorrow
13:27to go see the Gran Vía de Madrid.
13:29Well, I don't see the problem.
13:32I have to stay until the closing tomorrow.
13:37Now that I think about it,
13:38could you change my shift?
13:41Me?
13:42Yes, I'd come from Perlas
13:44to work tomorrow and not today.
13:47Yes, of course, I don't have a problem.
13:50Well, I don't know how much I appreciate it.
13:53You see, it's not hard for me.
13:55It's just that it's not the only thing
13:57I have to thank you for.
14:00You've been listening to me before.
14:02You've given them a good scolding,
14:04almost mine.
14:05I would have said the same thing.
14:08I know you and I have had our ups and downs,
14:12but above all, there's respect.
14:16And you have to work hard.
14:19You have to work hard against abuse.
14:22In the end, I feel like I've entered the store
14:24like Attila and the Huns
14:26and gotten involved with that lady.
14:28With that lady and many others, boy.
14:35Well, I'll moderate my male impetus.
14:38I'll also moderate mine.
14:40But that client was very heavy
14:42and it was clear she wasn't taking anything.
14:44If you didn't leave me,
14:46you were pretty rude and a bit of a pain in the ass.
14:49Hey, Jacinto, we're trying to make this a good topic.
14:52Please.
14:53I'd better go get my things.
14:56One more thing.
14:57Tell me.
14:59The boxes for the band of the queen are upstairs.
15:02In the first shelf.
15:04For the next one.
15:06So you knew and you kept quiet like a dead man.
15:10Look, I'm going to say that it's about ending in good terms.
15:14Bye.
15:38The band of the queen, tell me.
15:40You won't believe it.
15:41What?
15:42I have the afternoon off.
15:44Maria Cárdenas is waiting for us, my love.
15:46Great.
15:47I know that's not how you do things.
15:50It would have been more romantic
15:51if I had knelt down and pulled a ring out of my pocket.
15:55But the important thing is not how you start things,
15:57but how they end.
16:00What do you say?
16:02Do you love my wife?
16:05Of course I do.
16:07But something happens.
16:09I don't want to be too optimistic.
16:12The annulment is a very long process.
16:14Andrés, it's very unpleasant and they may not give it to us.
16:18What if they force us to stay married?
16:22I want to think for once that everything will go as we want.
16:26That would be wonderful.
16:28That we will get married and go to Northern Libya.
16:32That we will have a huge house at the foot of the mountain,
16:35near a river, where we can fish for trout.
16:38No, not trout.
16:39I hate them.
16:40You don't like them?
16:42And do you like carps?
16:43Yes, carps.
16:45Then there will be carps in our river.
16:48And what else do you want?
16:51A rowing boat.
16:53You'll have one.
16:54And a swing, on the porch, for Julia to play with.
16:57I'll build it myself.
17:00But you'll have to make two.
17:01Two?
17:02You want one too?
17:05One for Julia
17:07and one for our baby.
17:10If you want us to form a family.
17:14I've got goosebumps.
17:19That's a yes.
17:21When I was a child, my father always asked me what I wanted to be when I grew up.
17:26And I always answered the same thing.
17:29That I wanted to be a mother.
17:32So, feeling it a lot, yes.
17:36You'll have to build that swing for our baby.
17:40Now I'm getting goosebumps.
18:07Thank you for accompanying me to the archbishopric, Father.
18:09I'll accompany you wherever I need to.
18:10I told you it's too early for them to have that papal dispensary.
18:13You requested it only a few days ago.
18:15I know, but I wanted to make sure there was no problem with the request.
18:19You seem very anxious.
18:20I am.
18:21I want to get married as soon as possible, no matter who it is.
18:24Mateo, your mother...
18:25Don't tell me you only care about my well-being.
18:27We both care about your well-being.
18:28It's our duty as parents.
18:29I thought she was more understanding than you, to be honest.
18:32She's always been like that.
18:34But after what happened yesterday,
18:35she doesn't know how grateful I am that she's been so affectionate with Claudia.
18:39She's taken a great liking to you.
18:40Yes, she seems like a good girl and pretty.
18:43She's beautiful.
18:44That's why you're so in love with her.
18:46No, it's just that...
18:47It's much more than that.
18:49It's a feeling in here.
18:52I just know I'll do it forever.
18:53Mateo...
18:55Look, when you're young and you lack certain experiences,
18:57it's normal for you to confuse love with desire.
18:59What you're saying offends me.
19:01Look, son, there was a time when I was your age
19:04when I also let myself be dragged down by my passions.
19:06But then, with time and maturity,
19:08I realised that I should always look to my future.
19:11First of all.
19:12And have enough patience to choose the right woman.
19:15Claudia is the right woman for me.
19:19Are you sure about what you're saying?
19:21Of course I am.
19:22Why do you ask?
19:23You don't realise, son.
19:24That girl isn't good for you.
19:25But why?
19:26Because you're in the same situation,
19:28and that makes me suspicious.
19:29Are you trying to warn me about her?
19:32There are women who know very well
19:33who they should approach
19:34to have a guaranteed future.
19:37Claudia isn't with me to gain a position.
19:39If not, look at me.
19:40I work in the canteen of a factory, please.
19:42But she's not stupid, son.
19:43She knows that it's for a short time
19:44that your family won't leave you hanging,
19:46that she'll always be behind you,
19:47attending to your needs.
19:49If Claudia is as she says,
19:50she would have accepted the money that her mother offered her,
19:52don't you think?
19:53And how long would that money have lasted her?
19:54A year?
19:55It's better to be hidden all your life, don't you think?
19:58Mateo...
20:00Close your eyes, son,
20:01and come work with me.
20:03I'll teach you everything you need to know about this business
20:06so that when the time comes,
20:07you can take over.
20:09And guess what the condition is.
20:12Yes, my son, yes.
20:14You'll have to forget about this girl
20:16and wait for the one who suits you the most
20:18to appear for your future.
20:19I've heard enough.
20:20You and your mother are the same.
20:22You don't know anything.
20:30Oh!
20:32Hey!
20:33What are you doing there?
20:35I caught you with your hands in the dough.
20:37Please, you scared me.
20:39Have you already eaten one?
20:41What else? What am I going to eat?
20:42No, no, stay still.
20:43Gema has prepared it for you.
20:45I don't know what they have organized in the factory.
20:47Oh, it must be because of the one at Casa Cuna.
20:50Oh, yes, yes, yes.
20:51That's why.
20:52I don't know who came up with it,
20:54but I think it's a great idea.
20:55Dr. Borrell.
20:57Speaking of her.
20:59We should ask her
21:00if it's necessary for her to continue taking so much medication.
21:03I think we could lower her dosage
21:05as recommended at the beginning of the treatment.
21:08No, leave it.
21:09We'll talk to her.
21:11Will you stay for dinner?
21:13I imagine.
21:15No, I won't be able to.
21:17I have plans.
21:19Do you know who Maria Calas is?
21:22I don't know.
21:23She wants to call me, but...
21:24She's a soprano
21:25and it's obvious she's very important.
21:27She gives a recital in Madrid.
21:28And Marta bought two tickets.
21:31In fact, she also gave me a dress,
21:33but it's beautiful, beautiful.
21:35She's going to fall on her back when she sees how beautiful it is.
21:37Wow, what a detail.
21:39Yes, the truth is that I needed it so much.
21:42To feel that I am a fundamental part of her life.
21:46That I occupy an important space.
21:51Oh, what face did you put on?
21:53Me?
21:54What face am I going to put on?
21:57Father, we already know each other at this point.
22:00And I know there's something that doesn't quite convince you.
22:04Look, daughter.
22:06I've been working in this house for 20 years
22:09and I know the family very well.
22:12No, please, Father.
22:14Don't tell me again that for the family,
22:16the company is the most important thing and blah, blah, blah.
22:19Yes, yes, yes, daughter.
22:20Because their priority order is not ours.
22:23You said it.
22:24First the company, then the money and their status.
22:27But Marta is not like Don Damián or like Jesus.
22:31Marta has her priorities very clear.
22:33But that's what I've known since I was a child.
22:35You yourself have told me when I was handed over that this is a job.
22:38Yeah, but Father, Marta is a woman in a position
22:41that is mostly occupied by men.
22:44So of course she has to take more hours to prove what is worth
22:47and that she is running a factory, for God's sake.
22:49Yes, very good, and that will always be her priority.
22:52And you can stay for the second course.
22:55I don't like that for you.
22:57But Father, are you happy for me?
22:59It seems that you want everything to go wrong for me.
23:01But how am I going to want that, daughter?
23:04You are the greatest thing I have.
23:07Then wish me to have a great time in Madrid.
23:10Just that.
23:11Come on, yes.
23:12Go and have a great time at the opera.
23:16I'll bring it to you.
23:18Let's see if I can get a picture of Maria Calas.
23:21No.
23:23A little kiss.
23:24Goodbye.
23:25Goodbye.
23:26Oh, what a shame.
23:28See you later.
23:29See you.
23:35I'm coming from there right now and everything is in motion.
23:37The new queen's decency remit is about to come out
23:39to start this cycle.
23:41Thank you, Joaquín.
23:42You're welcome, if you need anything else.
23:44Well, look, now that you say it,
23:46I want you to help me find a director's secretary.
23:49These are the curriculum.
23:50Me?
23:52You are the manager.
23:53The staff selection is in your hands.
23:55And you have experience looking for the right person for each position.
23:58Yes, Marta.
23:59But I have always moved between warehouse and department.
24:01As a secretary, well ...
24:03What?
24:06Well, I don't know what qualities a good secretary should have.
24:10Basically, not like Isabel or Elena.
24:15No, seriously now.
24:17Don't worry.
24:18You just have to throw common sense and all that is left over.
24:21Make sure you choose the right person.
24:23Okay.
24:24Oh, by the way, how do you want to be on the business cards?
24:28What business cards are you talking about?
24:30The ones that I'm going to hand over to the company
24:32with your name and your new position.
24:35Do you want to come out with a surname or both?
24:41I have always felt very proud to be the son of ...
24:44of my father and my mother.
24:47So, Joaquín Merino Vázquez.
24:51Yes, please.
24:55You don't know what this means to me.
24:58I know.
25:03Tell me, Mr. Marcelino.
25:06Yes, we have had a small failure in the production of essences, as I told you, but ...
25:10You don't have to get like that.
25:12No, really.
25:14Today ...
25:15Today, no.
25:16Of course, they have always been some preferential customers, but no.
25:20No, of course, of course.
25:22We'll meet in person and talk about how to fix this setback and ...
25:26and how we can ...
25:29Okay, thank you.
25:34What does he say?
25:35Pérez Yiancos, who wants to break the trade agreement with the FARC.
25:39Because we have not served the queen's essences in time.
25:46It's not for you, it's for me.
25:48Yes, you are a good kid, but ...
25:50I'm going very fair, man.
25:54Capar.
25:55Capar.
25:56Are you talking to me or who are you talking to?
26:01No, I was here with my things and ...
26:04With your things.
26:06Let's see what you think.
26:07Tassio.
26:10It's not for you.
26:11It's for me.
26:13You're a good kid, but ...
26:14I'm going very fair.
26:18I think you're in trouble, I don't know.
26:20I already told you.
26:22I have to fire Mateo and I don't know how to tell him.
26:25You have to fire him, but why?
26:27Because now he kills me, Tassio.
26:28My earnings are not enough for two salaries.
26:30Well, Capar.
26:31Let's see.
26:32If you have the same clientele practically every day, this is full.
26:35What happened?
26:36So you can't pay him now?
26:37No, no.
26:38It's just that I've never been able to.
26:39You think I'm a millionaire, but come on.
26:41My margins are very small.
26:43What a mess he's going to get into, right?
26:45No, no.
26:46I'm helping.
26:47Capar, what do you want me to tell you?
26:48That it's good news?
26:49Because it's not.
26:50It's a job, really.
26:51Shut up.
26:52You're going to make me feel worse than I am.
26:53As if I were to blame for the situation being what it is.
26:57Capar, if you had been honest from the first day, maybe ...
27:00Well, when I could.
27:01And period.
27:03Let's see how Mateo takes it.
27:05He's coming this way.
27:07Hi, guys.
27:08Hi.
27:17I knew this could happen.
27:18But if he's going to get the shipment soon, please.
27:21I know.
27:22I tried to explain it to him, but he was very nervous.
27:24You've seen that he hasn't let me talk.
27:27So I'm going to go see him to calm him down.
27:30And you're going to go to Torrijos?
27:31Now?
27:32As soon as it's necessary so that he doesn't cancel the agreement.
27:34Yes, yes, I understand.
27:35If he does, it's going to hurt us a lot.
27:36We're going to stop having presence in many cities.
27:41Do you want me to help you with anything else?
27:43No, I have to do this.
27:47Make sure everything is in order while I'm not at the factory.
27:49I'll take care of it.
28:00Perfumería de la Reina, speak to the store.
28:02Jacinto, I'm Marta de la Reina.
28:03Is Fidel in the store?
28:05He left a while ago.
28:06Do you need anything?
28:07No, no, don't worry.
28:22I'm sorry, Gaspar.
28:23It's just that I got involved with my father.
28:25What's left to do?
28:26Am I going to scrub the pots or...?
28:27No, no, no.
28:28You don't have to scrub anything, Mateo.
28:30Ah, well, then I'm going to go outside to see if there's any order.
28:32No, no, no, no.
28:34It's not necessary.
28:37You're acting strange.
28:40It's just that I have to tell you something, and it's not easy to say.
28:46Ah, well, tell me.
28:48What's wrong?
28:52You're a beautiful person, Mateo.
28:54And how can I tell you this?
28:57Gaspar, please.
28:58Tell me.
29:00I know I told you you could.
29:03But actually, you shouldn't be here.
29:08You're the second person to tell me today.
29:11What do you mean, the second?
29:13My father has insisted on the same thing.
29:16That this is not the place for me.
29:18Don't tell me, man.
29:20He even offered me a job at his company.
29:24Don't annoy me.
29:26But God has come to see you.
29:28I mean, this is a great opportunity for you, man.
29:33No, no, don't worry about me.
29:34I understand perfectly well that you're leaving, that you're leaving me.
29:36I would do it if there was no condition.
29:38And I'm afraid I guess what it is.
29:41First, I have to leave Claudia.
29:44But then, working with your father...
29:47I'm never going to accept a blackmail like that, Gaspar.
29:50Well, of course, man.
29:52Of course, man.
29:54First, my mother's reaction.
29:57And my father, as much as he wants to deceive me,
29:59I wasn't going to expect much from him, of course.
30:03I'm very sorry, Mateo.
30:05Deep down, I know how you feel.
30:08I don't understand why my family puts me in this situation.
30:11And all because Claudia is not how they would like her to be.
30:14That's because they don't know her either.
30:15They don't want to know her either, Tassio.
30:17All they care about is money and looks.
30:23When I left my house years ago to become a priest,
30:28I was running away from something like that.
30:31I didn't want to become someone like them.
30:34And today, well, my convictions have been reaffirmed.
30:40So, what are you going to do, Mateo?
30:42Well, the only option they've given me.
30:45I'm going to break off relations with them
30:47and I'm going to move on with my life.
30:49I'm going to marry Claudia and I'm going to start a family.
30:53In my opinion, that's the right thing to do.
30:55And with the money in the cellar,
30:57even if I can't afford a lot of luxuries,
31:01but at least we're going to be in peace, Gaspar.
31:05Of course, of course.
31:07And all thanks to you.
31:09I'm going to be able to support my wife and our son.
31:13Thank you very much.
31:17You don't know how grateful I am to you.
31:19You're welcome, man.
31:20Man.
31:24I'm going to leave you for a moment,
31:25taking care of this,
31:26because I have to go to Charo in Quiniela.
31:33It's better if I get a 14,
31:35because if not, I don't know how I'm going to get out of this.
31:50I love you.
31:57The lawyer didn't have so much shame either.
32:01I admire your ability to always see the glass half full.
32:04Because it is.
32:06Andrés, please, I was at that meeting too.
32:09I've just told you that it wasn't easy to get the annulment,
32:12as we thought, but it's not impossible either.
32:15Nothing.
32:16We have sinned ingenuously.
32:19In your case, it's easier.
32:21You can claim that he is a bad husband and that you got married out of fear.
32:25But I got married convinced that he was the ideal man.
32:28The monster appeared later.
32:30They don't know that.
32:31No, but I would be lying.
32:33No, you would be saving yourself.
32:35Andrés, Jesus was going to stop us.
32:38And it's okay, let's suppose I do it.
32:39And that it goes well.
32:41What good would it do me
32:42if you were still married?
32:45You would be free.
32:46You were going to do it or I would be there, right?
32:50I see.
32:53In my case,
32:55I can convince María to help me.
32:59María?
33:01Are you crazy?
33:03Nothing better than to testify that you got married without a child,
33:07without being aware of the true meaning of your marriage.
33:10María would never do something like that.
33:12She won't make it easy for us.
33:14She made it very clear to me the other day.
33:17My God, what are we going to do?
33:21I don't know.
33:25But please,
33:27don't stay down tomorrow.
33:30I'm trying,
33:32but I can't.
33:35I don't know how we're going to solve it, but
33:38I promise you I'll find a way.
33:41I would love to let myself be carried away by that optimism, but
33:44maybe we're going to assume that we're doomed to live
33:47a life we don't want.
33:50No, no, no.
33:52I refuse to do it.
33:53And you shouldn't either.
33:55But there are no moments of rest.
33:57I feel like I'm in the middle of the sea
34:00trying not to sink with the waves.
34:03My love.
34:05And when I feel like I'm finally out on the water,
34:08another one hits me again, I don't even know where it's coming from,
34:11and it takes me back to the bottom.
34:14Begoña,
34:16look at me.
34:18I can feel your anguish.
34:21I can't take it anymore.
34:23Of course you can.
34:25And I'll be by your side.
34:28Hold me when you think you're going to sink,
34:31and I'll hold you so you don't drown.
34:36Don't promise me.
34:38I promise you.
34:40I won't give up on you.
34:44I love you.
34:47I think you're gorgeous.
34:50Yes, Carmen.
34:52Don't you think I look a bit disguised?
34:55Disguised? I wish I could dress like that every day.
34:58You're going to the opera with the director.
35:02Look.
35:03The final touch.
35:06You should check
35:08your lips a bit.
35:14You're gorgeous.
35:16Especially because you've relaxed this mole.
35:18Oh, Carmen.
35:19Ever since you met Finto,
35:21my goodness, your face.
35:23But, well, he told me that
35:25Abel Limón is lazy.
35:27Let's see.
35:28The boy is a bit stubborn,
35:29but the truth is that he doesn't do it with bad intentions.
35:32He's like that, and that's it.
35:34He's a bit particular, but he's a very good person.
35:36I told you,
35:37but you have to admit
35:39that no one beats you in a fight.
35:40Now, are you going to mess with me or what?
35:42No, it's a joke.
35:43But I don't like that you're so stubborn.
35:46In the end, you're the one who gets it wrong.
35:48Yeah, that's true.
35:50That's weird.
35:51No, it's Lucy.
35:52I left her two pesetas for the designer.
36:02Well, I'm going to the canteen.
36:05And, well, if I don't see you,
36:07have a good time.
36:10Goodbye, Carmen.
36:12Goodbye.
36:18Well, what do you think?
36:21This one is beautiful.
36:23Doesn't Carmen seem a bit exaggerated to you?
36:25Not at all.
36:28And you're going to go like this?
36:30Gina,
36:33there's been a setback.
36:37They've canceled the recital.
36:39Not that I know of.
36:42I won't be able to go.
36:45I know it's a disgust.
36:46I'm like that too.
36:49You know we're having problems
36:50with the production of Esencias de la Reina.
36:53And there are many clients who are not satisfied.
36:56Well, you see, I have to meet with one of them urgently
36:59because they want to break the commercial contract with us.
37:01And no one else can go?
37:04I'm the director.
37:05No one else can or should go.
37:07Not even your brother?
37:09You think I haven't thought about it?
37:10But Andrés doesn't know the terms of the contract.
37:13And if the client leaves us,
37:14we could be in a very vulnerable position.
37:19With so much change,
37:20I'm having a lot of weight on my shoulders.
37:22And I'm not alone in the company anymore.
37:23The Merinos are there.
37:24I can't be weak in front of them.
37:31I know it's a disgust, but...
37:34you understand, right?
37:38I understand it perfectly.
37:41You don't have to stop going.
37:45And what am I going to do without you?
37:48Well, it's an opportunity.
37:49And you're gorgeous.
37:50Tell Carmen.
37:51She'll be thrilled.
37:52And then you're going to dance.
37:53No, Marta.
37:54I'm not going without you.
37:57Are you sure?
38:00Very sure.
38:04Are you angry?
38:05Not at all.
38:09I understand that the company comes first.
38:10No.
38:15I know it's a disgust,
38:16but thank you for being there
38:19and understanding it.
38:23Wish me luck with the lucky client.
38:25Good luck.
38:35Bye.
39:05Bye.
39:22Maria, can I come in?
39:24Sure, come in.
39:29I need to talk to you.
39:31I have nothing to talk to you about.
39:32You can leave.
39:33Maria, it's important.
39:35It'll be a few minutes.
39:37Then I'll look at you and leave you alone.
39:41Two minutes.
39:44I know you don't see it now,
39:47but prolonging this situation
39:48is going to hurt us both a lot.
39:50I agree, Andrés.
39:52This has to change.
39:54And I want you to know
39:55that what I'm going to do
39:57is the best for both of us.
40:00What do you mean?
40:02I'm going to cancel the wedding annulment.
40:06What?
40:08Maria.
40:09Leave.
40:10Maria, I love you very much
40:11and that's not going to change.
40:13Even if we're not married.
40:14Leave, please.
40:17I understand your reaction,
40:19but we can't let ourselves be carried away by inertia
40:21and keep something that doesn't work.
40:23Maria.
40:33Fina.
40:34What are you doing here?
40:36Hey, hey, hey.
40:38That dress you're wearing
40:39is as beautiful as you told me.
40:41It's beautiful.
40:44Weren't you supposed to be at the opera?
40:46What was the singer's name?
40:47You told me.
40:49Maria Calas.
40:50But no,
40:51we couldn't go in the end.
40:54Wow.
40:56Something has come up for Marta, hasn't it?
40:59Yes, Father.
41:00At the last moment,
41:01when she was already dressed and everything was fine,
41:03she told me she had to go to Torrijos.
41:05To Torrijos?
41:07For a very important client
41:09who apparently wanted to cancel the contract
41:10because of the stock problems
41:11they're having with Essentias.
41:14And you're waiting for her to arrive?
41:17Well, we didn't make it to the opera,
41:19but we could go get a drink later.
41:23Milk, cookies...
41:24I think you've already ruled that out.
41:27Just tell me, Father.
41:29Tell me.
41:30You already warned me it could happen,
41:31and look, it did.
41:33No, dear, no.
41:34I have nothing to tell you.
41:35I'm not like that.
41:36And if I insist so much on warning you about that,
41:39it's so you're prepared for these situations.
41:42I hate seeing you disappointed.
41:46Dear,
41:47the management of a company
41:48involves a lot of responsibilities.
41:49There are a lot of people who depend on it,
41:51but you already knew that.
41:54Yes, Father.
41:55Of course I did.
41:56Both of us are aware of that.
41:59But when Marta admitted
42:00that she wasn't spending time with me because of the company,
42:04all I could do was tell her I understood.
42:08Of course.
42:09And I'm sure you said it with all your heart.
42:11But now your generosity is making you sad.
42:14As much as I understand it, it hurts me.
42:17It hurts me and it bothers me to be second.
42:22And if it were the other way around, what would you do?
42:28I can't even make a judgment, Father.
42:30I can't even imagine it.
42:31I've never wanted a position like this for myself.
42:34And it scares me, I won't deny it.
42:37Because pressure and responsibilities change people.
42:41Carmen has changed since she was in charge.
42:43I know you love Carmen very much,
42:45that she's very close to you,
42:46but Marta is something else for you
42:48and her commitment to the company is much greater.
42:52Don't you think it would be better to talk to her?
42:54Yes, yes, I guess so.
42:56But not today.
42:58And I feel like a broken toy replaced by another
43:01and I don't like feeling like that at all.
43:03Don't say that, daughter.
43:04I'm sure Marta feels the same for you as she did before.
43:07And you'll see how as soon as she takes a little break,
43:10she'll make time for the two of you.
43:12And if she doesn't, what, Father?
43:15Do I have to resign myself to occupy her spare time?
43:17Satisfy myself with the gifts she gives me to compensate?
43:20No.
43:21No.
43:22That's what the ladies do.
43:23No, no, daughter.
43:24I'm not telling you to stay home
43:26waiting for the phone to ring.
43:27No, no, you save your life.
43:29Have fun.
43:31If you don't, you'll end up hating Marta
43:33for what you must feel.
43:35Think as you should think.
43:37Be selfish with yourself.
43:39Really, this seems like a contradiction, but it works.
43:43Yes, yes.
43:44I'll try.
43:47But right now it seems impossible to me.
43:50Well, let's see if this helps you.
43:54Think about your life before Marta gets there.
43:58Your world didn't start or end with Marta.
44:02That's how you should work.
44:04Your life is the most important thing, daughter.
44:07Live for yourself.
44:08Not for others.
44:10Okay?
44:14Come on, good night kiss.
44:17Good night, Father.
44:26Maria, I'm sorry.
44:28I was very honest the other day when I asked you.
44:30No, no.
44:31You weren't and you never will be.
44:33You told me you wouldn't leave me helpless,
44:35that I wouldn't lack anything.
44:36But I know what your word is worth.
44:38Maria, you won't lack anything.
44:40You want to marry her, right?
44:43As you want to marry when you find the right man.
44:46You are the right man.
44:48Maria, you insist on something that can't be.
44:51And it causes you a lot of pain, don't you realize?
44:53I'm not going to tell you what you want to hear.
44:55Neither am I going to tell you.
44:57Even if you don't realize it, I look at it for both of us.
45:01Who have you really come to?
45:04Because I don't think it's telling me your intentions.
45:09I need you to help me with the annulment.
45:12That you claim that you got married too young.
45:15Without really knowing what marriage was.
45:21Listen to me.
45:23We got married in love.
45:24Or did you swear that to God?
45:26Just like you swore to be with me.
45:28Just like you swore to always be by my side.
45:30So you have nothing to claim before that court.
45:32Do you hear me?
45:34You will fulfill your commitment to death.
45:36Maria, please.
45:37And now leave.
45:39Leave if you don't want everyone to tell me how miserable you are.
45:44Okay.
45:58I love you.