Salón de té La Moderna - Ep 244
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00:00A FEW HOURS EARLIER
00:13How do you feel after dinner?
00:15Good, good.
00:17I feel better now.
00:20Do you know where Pietro is and who I am?
00:23Of course I do.
00:25We're at our house.
00:28And you're my wife, right?
00:29And the stewed potato omelette you made for me was delicious, as always.
00:35Oh, honey.
00:37It's a good thing my shirt didn't get to my body.
00:40I'm sorry.
00:42The last thing I want is to worry you.
00:44No, honey, don't apologize.
00:46It's not your fault.
00:50It's hard for me to believe what you've told me.
00:56I didn't know who you were or where you were.
00:59It's been terrible, really.
01:00You looked at me as if it were the first time you saw me.
01:06Pietro?
01:10Who is this?
01:12What do you mean, who am I?
01:14Pietro, I'm Antonia.
01:17I'm your wife, honey.
01:20Pietro, you're scaring me.
01:23Pietro.
01:25Let's go home.
01:27Let's go home, okay?
01:29Honey.
01:31Please.
01:33Pietro.
01:37Come on, Pietro.
01:39Calm down.
01:40Come on, Pietro.
01:42Calm down.
01:53I can only remember that we argued, Antonia.
01:56And...
01:58And then I have a big emptiness.
02:02That ends when we sit at this table.
02:10What's happening to me?
02:13I don't know.
02:16But don't worry, we'll figure it out.
02:22I'm so lucky to have you by my side.
02:24No.
02:25You're both lucky.
02:28Come on.
02:29Go to bed, you have to rest.
02:35I hope he wakes up tomorrow and discovers it was all a nightmare.
02:41Yes.
02:46I promise I'll get better.
02:50Okay?
02:51Okay.
02:55Good night.
02:56Good night.
03:02Antonia.
03:04I forgot something else.
03:11¿Qué ha pasado?
03:12Nada.
03:14No te he dicho que te quiero muchísimo.
03:16Sí, claro.
03:18Qué tonta.
03:21Venga, descansa.
03:40ipreo
03:52Venta, como tengo las manos después de pasarme la tarde
03:54limpiando, parece que las he metido en calviva.
03:57Y sin dudoso de que los libreros tenéis las manos más delicaditas...
04:00No, lo que pasa es que aquí mi maritito
04:03decidió limpiar la casa con más alfoman
04:05que el que deben usar para limpiar el palacio de Oriente.
04:08Vamos una salvajada.
04:09See? That's how they pay me for wanting to have a clean house.
04:12Well, clean and intoxicated.
04:14Because not even in World War XIV there were gases as harmful as the ones I noticed when I entered the corral.
04:19My God, I don't know how you didn't stay there stiff.
04:21Look, that's better. I wouldn't have to put up with your mother's comments.
04:24Let's see, but my mother was wrong. Could we have stayed there in the house?
04:29No, but for once you could have done my part.
04:32Well, look, I did what I could, okay? I did what I could.
04:35But she was right.
04:36If it wasn't for her, who asked me to open the windows...
04:39Well, yes, the heroine.
04:40They propose the same thing for the medal of civil merit.
04:43Well, enough already. Let me get an idea of what happened.
04:46Miguel, you're going to have to take a very deep course with Esperanza so that she can explain to you the commandments of cleaning.
04:52Look, if she's up to it, she's right.
04:54Well, I'm going to the showroom. I have to change the environment, mate.
05:01Don't bother, friend, but Trini is more right than a saint.
05:04A little more and you'd be on the headlines.
05:06Yes, I know, I know you're right.
05:09But, apart from the little mistake with the salfumán, I made the bottom of the drawers shine.
05:15What they can't deny is that you did it all with your best intentions.
05:18Yes, but I haven't done much. I killed you at work and I've only gotten scolding and bad faces.
05:24You'll have to persevere.
05:26Or give up and let it go.
05:28Sure, and honor Campe for your house like a general for a beloved city.
05:32It's not that I like it, but it will be temporary.
05:35I don't see you letting yourself be carried away by the current.
05:37Look, Francisco, there are times in life when it's better to close your eyes and let the storm pass.
05:41I don't agree, Miguel. You've lost a battle, but the war continues and you can't give up.
05:46You have to insist, insist and insist again.
05:49I don't see it clearly. Trini is fed up with these fights.
05:52Miguel, insist, insist and insist again.
05:55And then, insist again.
05:57Or do you want Leonora to stay in your house until Leon makes the first communion?
06:00No, shut up, shut up, shut up. I prefer to be in hell inside the cauldron.
06:03Well, Leonora's can be fulfilled if you give up now. Think about it.
06:07Well, yes, I'm in a hurry.
06:09Well, you already have the recipe for your evils.
06:11Insist, insist and insist again.
06:15Insist, insist and insist again.
06:18That's it.
06:20Insist, insist and insist again.
06:22You got it.
06:26Leave it.
06:30Leave it.
06:37Good morning. Enjoy your meal.
06:39Good morning, Rodrigo.
06:41Sir, I'll wait for you outside.
06:42Thank you. No, no, no, stay, stay. We'll leave soon.
06:48Good morning, Rodrigo.
06:50Nice show you saw yesterday.
06:52I'm very sorry about what happened.
06:54It's too late to be sorry.
06:56But I'm afraid that what happened yesterday will have very bad consequences for the Foundation.
07:01It wasn't Rodrigo's fault. The lieutenant provoked him.
07:03I'm not going to get into that, Paula.
07:05But, Mother...
07:06I'm not going to.
07:07But his aunt, Grandma, the Countess Cristina de Tucci, is a character of high society.
07:12Not only are we going to lose donations from the Foundation, surely,
07:16but this incident can end up becoming a major scandal.
07:21I shouldn't have lost the stars.
07:23Of course not.
07:24You should have kept your form. At all times.
07:27I don't even want to think about what would have happened if it hadn't been for your intervention and Mr. Fermin's.
07:32It would have been a nice fight.
07:34Although I would have bet on the lieutenant.
07:37I apologize again.
07:39But I also have to say that I only defended my mother from that guy.
07:42But let's see, we all listen to him.
07:45If someone has to be scandalized, it's us.
07:48Rodrigo's reaction was out of place, taking into account the circumstances.
07:51It's clear that lately you've taken pleasure in doing the opposite, right?
07:55I don't see anything wrong in thinking differently.
07:57It's not good or bad, I just expect something else from you.
08:00Well, let's have breakfast in peace.
08:05Emiliano, what are you going to do to fix yesterday's mess?
08:10You mean, apart from the check I signed?
08:12It wasn't small.
08:14Yesterday I asked Fermin to send the Countess a supply of his best chocolates from the Pedraza family.
08:21With a note written by me.
08:23Trying to get him off the hook.
08:26Do you really think you can please them with a gift?
08:30Well, yes, son, yes. I hope so.
08:32We're not talking about the Philippine war either.
08:35Excuse me. A masseur has brought this.
08:39Go for God's sake.
08:41The Countess says she can't accept our gift.
08:45And that her nephew, Lieutenant Marquez,
08:48is still waiting for an apology from Rodrigo.
08:52In that case, it would be better for him to sit down.
08:54Do you care if I decide that, Rodrigo?
08:57Do you care?
09:01Well.
09:04Let's all calm down, huh?
09:08I'm going to see what I can do.
09:11I'm going to talk directly to the Countess.
09:13Let's see if I can convince her to lower the fumes to her nephew's pedometer.
09:17Thank you, Mr. Emiliano.
09:19You're welcome. Go on, go to the office.
09:22I'm going to the store.
09:27These chocolates are delicious.
09:29You should go around making more gifts.
09:32So they don't return them to us.
09:34Rodrigo.
09:36What?
09:50What?
09:52Don't you have something to tell me about yesterday's evening?
09:59I don't know.
10:01About the auction?
10:03I don't know.
10:05Maybe what you saw in the library?
10:10No.
10:13If you want to hurt me,
10:15I warn you that I don't care anymore.
10:19And if what you're looking for is my approval,
10:22that will never come.
10:24From you, the only thing I expect
10:27is to hear you say,
10:30fix this matter
10:32before it affects my foundation.
10:38And now I'm going to the library.
10:44To read.
11:00What's with that smile?
11:02Nothing, it's my thing.
11:04You know this is your house.
11:08Hey, who's that lady?
11:10How does she know Mrs. Lazaro?
11:13What else, Teresa?
11:15The important thing is that Mr. Fermin's wife
11:17has been very entertaining for a few days,
11:19and softer than silk.
11:21Well, I don't know if it's that bad.
11:23Don't believe me?
11:25She left a tray full of cakes on the floor,
11:27and the vampire didn't scold her.
11:29What's more, she helped her pick it up.
11:32Well, that's a novelty.
11:35Come in.
11:37You scared me.
11:38I've noticed that you haven't taken your eyes off me for a while.
11:41Is there anything you want to ask me?
11:43We were just checking if clients were coming in.
11:46Anyway, I'm going to get you out of doubt.
11:48That lady I was talking to
11:51was the wife of an important industrialist
11:53who left you a lot of money in the auction.
11:56Are you happy?
12:03Who does she think she is?
12:05Queen of Saba, all of a sudden?
12:07Well, look, she's going to marry the high society,
12:09but not because of her merits,
12:11but because she wants to marry Mr. Fermin.
12:13No, Teresa.
12:14Whatever I do or stop doing, the vampire is none of our business.
12:16I know, but it makes me mad to see her
12:18with those airs of grandeur out there when she doesn't deserve it.
12:20Don't get mad, woman.
12:22Look, I'll take you to the movies.
12:24I've been wanting to go
12:26after seeing the one that's being organized for a shoot.
12:29I don't know if I'll be able to focus on the movie.
12:33I can't get my head around Antonia and Pietro.
12:36Hey, what if we go through La Corrala first and visit them?
12:39I think it's a good idea.
12:41As long as we don't run into Miguel.
12:43Come on, why?
12:44I can't tell you.
12:46What do you mean you can't tell me?
12:48It's like in those spy movies,
12:50like the one Inés is shooting.
12:52If I told you,
12:54I'd have to kill you.
12:58Come on.
12:59You watch a lot of movies.
13:01Come on.
13:02I just cleaned up.
13:10Well, how are you?
13:12Have you recovered from the blow that Cesar's animal gave you?
13:15Yes.
13:16I'll be ready for a good fight.
13:18I have to recover these days that I've been locked up here.
13:21We're going to burn Madrid when you get out.
13:23You'll see.
13:25I was hoping you'd stop by the auction yesterday.
13:27I sent you a note inviting you.
13:29I...
13:30I was directing the push-ups.
13:32I got the message late.
13:33And I already had much better plans with the Apollo runners.
13:38Bad move.
13:39I also wanted to tell you about a business I'm running with my father.
13:43You can tell me now, if you want.
13:45Excuse me, Mr. Iván.
13:46Can I ask you for something to eat?
13:48Yes, we'll have a stand-up tea.
13:50Very well.
13:51I'll bring it right now.
13:55She's not bad, the maid.
13:57I'm sure you and her...
13:59Don't be silly.
14:00I've known her since I was born.
14:01Much better.
14:02If you've had time to catch her, it's enough.
14:05Look, better focus on what we're talking about.
14:07It's much more important.
14:08This business can make us very rich.
14:11Well, congratulations to your father and to you.
14:13You'll tell me what I paint in all this.
14:16I want to make more money so that my father would be willing to give me.
14:20And for that, I need you.
14:23How much money would we make?
14:25If everything goes as planned and the product is a success,
14:28we could be talking about several million pesetas.
14:36Give me more information.
14:37What is the business and what should I do exactly?
14:41I'll tell you as the story grows.
14:44At the moment, I just wanted to know if I could count on you.
14:46But man, please.
14:48We're friends, aren't we?
14:50Of course.
14:52Deal?
14:54We're going to be immensely rich.
15:03What a mess these dolphins have set up.
15:06I hope that when they finish, they leave it as clean as it was.
15:10But don't be so picky.
15:12The art that Inés has deserves to be done.
15:15Of course, because you don't have to clean it.
15:17Cleaning does have merit.
15:19Well, and carrying a tray full of coffees every day also has merit and a lot of art.
15:26Come on, let's shoot.
15:28First.
15:31Sound.
15:33Action.
15:39And action.
15:42Cut.
15:47Cut, cut, cut.
15:48Inés, look up a little more.
15:50Yes, thank you.
15:52Come on, let's repeat.
15:53First position.
15:55Sound.
16:01And action.
16:03Inés, Inés.
16:04Look up.
16:05Look up.
16:08Up.
16:10Cut.
16:12Inés, let's concentrate a little.
16:15Come on, let's repeat.
16:17First position.
16:19Silence.
16:20Sound.
16:25And action.
16:31Cut. We've got it.
16:32Come on, let's continue with the opening.
16:34Come on.
16:40Well, you can leave it now, please.
16:42But I haven't said anything.
16:44What a bore, I was sleeping.
16:46Let's see, were we distracting you?
16:48Well, yes, yes.
16:50Why don't you go to work?
16:51And when the atmosphere is more relaxed, you know.
16:53Man, of course.
16:54We go back to work, really.
16:55Hope you don't fall under the water.
17:01Inés.
17:02Are you okay?
17:03You look a little tense.
17:04Yes, I'm fine, I'm fine.
17:05But I don't know if I can shoot today.
17:08I feel empty, blank.
17:10You have to overcome yourself.
17:12Do you want me to help you review the dialogue?
17:14No, but that's not it.
17:15It's just that...
17:16I can't interpret my role because...
17:18Well, because I need to stop.
17:20Agustín already said that you can't stop anymore.
17:22But you'll see that when they say action, your nerves go away.
17:25Yes.
17:26This is a disaster.
17:27We can't continue like this.
17:28What's going on?
17:29The actress who was going to work with Inés doesn't show up.
17:31They say she's fallen asleep.
17:32They're going to have to go get her.
17:34This is going to delay the shooting plan a lot.
17:38Let's see.
17:39Attention.
17:40Attention.
17:42We're going to stop for a couple of hours, okay?
17:48Do you want us to go to Agustín's office and you can relax there?
17:50Yes, yes, let's go.
17:58This is a catastrophe, Agustín.
17:59We can't afford to stop.
18:01Well, you know that there are always unexpected shots.
18:03You know it by heart.
18:04Yes, yes.
18:05We can count on them, but we can't waste any more time.
18:07Let's go.
18:08Just in time because of Inés.
18:09Her insecurities are going to ruin this film.
18:11I fully trust that little by little she will focus.
18:13Yes, yes.
18:14Well, let's hope she does soon, because if not, we're lost.
18:22Yes, right?
18:25Emiliano.
18:26A pleasure to have you here.
18:28I hope yesterday's disagreement with the countess has been settled.
18:32We're on it.
18:34Well, I'm sure everything is fine.
18:36Anyway, I'm going to take a walk around the hall.
18:39If the cat is entertained, the mice take advantage of it.
18:43It's admirable.
18:45It's admirable how talented your wife is.
18:48You know, you're lucky to have a woman by your side,
18:51with a good disposition.
18:53We could say the same about Maruja, right?
18:56The work she does at that foundation is unparalleled.
19:00It's a shame about that unpleasant incident between Rodrigo and the military.
19:04Yes.
19:06It was going to be a real headache.
19:09Because now it's my turn to fix the mess.
19:12Do you mean that the apology note was useless?
19:16The countess rejected the sweets.
19:19So I'm afraid those sweets only worked on my son's stomach,
19:24who must have swallowed them all by now.
19:26Wow, and what are you going to do now?
19:30Well, what am I going to do, Fermín?
19:32Interview her.
19:33Whatever it takes to leave Maruja in a good place.
19:38I don't want her reputation to be disturbed by an absurd incident like that.
19:43I think we're both capable of doing anything for the love of our wives.
19:48Yes.
19:50Yes.
19:51The affection we have for them forces us to make certain sacrifices.
19:57Anyway, I trust you'll forgive me, but as you can imagine, I have a lot of homework.
20:03I'll go with you, Marlena.
20:17What did he tell you?
20:19Nothing he didn't know.
20:21That he's willing to do anything for his wife.
20:24Your suspicions about the lack of love in that marriage are unfounded.
20:29Are you sure? I don't usually make mistakes with these things.
20:31Sometimes you have to be the first one.
20:34He's going to confront the countess to make the scandal of yesterday disappear once and for all.
20:38And that's not a good thing for anyone.
20:42What surprises me the most is that it's now that Emilia doesn't worry so much about Maruja.
20:47Especially after what I saw before the altercation with Rodrigo.
20:53Apparently your friend was alone in the library with Miss Cavalieri.
20:57Well, that doesn't mean anything. Maybe he was looking for a book to lend her.
21:01Or maybe he was doing other things when Maruja found them.
21:05Those are your delusions. We shouldn't make such ugly comments.
21:09You say that because you didn't see Maruja's face when she left.
21:12She was decomposed. And after two minutes, the couple left laughing.
21:16The truth is that I don't know how Maruja didn't say anything.
21:18Maybe he didn't say anything because nothing happened.
21:22Think whatever you want, Fermín, but I know very well what I saw.
21:26Emiliano is an integral man and his marriage exemplary.
21:29And it bothers me to be talking about this matter.
21:33Well, that's it. I don't insist anymore.
21:35But come on, I would have a doubt more than reasonable.
21:49Inés, you know the role perfectly.
21:52Now you just have to do what suits you so well, which is acting.
21:55And you'll see that it ends up being the Spanish Greta Garbo.
22:01What happened?
22:04The actress who was going to shoot with you hasn't fallen asleep.
22:09She got a more important role in another production and she hasn't hesitated.
22:14She hasn't given up.
22:16But what a lack of professionalism, right?
22:18I guess you'll sue her.
22:20No, no, no, we can't.
22:22We had a contract with specific dates.
22:25The problem is that her scenes should have been shot days ago.
22:28I mean, legally, she has no commitment to us.
22:33Then you'll have to find another actress.
22:35We're on it.
22:37All this is my fault. The shoot has been delayed because of me.
22:40No, it's not your fault. You needed those days.
22:42Yes, but I haven't thought about my colleagues or you.
22:45First the failure of The Shadow of Love and now this.
22:47I'm putting you on the brink of ruin.
22:50I risk everything with this film.
22:53The problem is that every day the losses increase.
22:56But I'm sure, Inés, I'm sure we're going to keep going.
23:01But I can't do anything while you're looking for a replacement.
23:04No, the best thing you can do is go home and rest.
23:08You can make sure she's going to rest.
23:10Yes, yes, I'll take care of it, even if I have to inflate the canvas.
23:12No, really, you don't have to. I'm better. Trust me, please.
23:15Of course I do.
23:16Ballesteros and I are going to look for another actress,
23:18to change the shooting plan, to rewrite the script if necessary,
23:21in order to move forward.
23:22And Ballesteros, how is all this being taken?
23:27Bad.
23:30Sorry.
23:32Yes.
23:35I'm coming. Yes.
23:37Excuse me.
23:47Well, it's a shame that the shooting has stopped.
23:50Yeah.
23:52I think there's a lot of bad luck in that guild.
23:56I saw too many people to do so little work.
24:00So the film has stopped.
24:02Well, it seems so.
24:05Is Antonia okay?
24:08Oh, are you here for Pietro? How is he?
24:12Well, not very well.
24:13Not very well.
24:15Yesterday he stayed...
24:17He stayed in Mamblanco, in the middle of the corral.
24:20I didn't even know who I was, or where he was.
24:23Horrible.
24:24But he had come to work.
24:26Yes, and so normal.
24:28We've already argued twice.
24:31He recovered after a while, but...
24:33Then he didn't remember anything about what had happened.
24:37But they went to the hospital.
24:39Because these misgivings are already too frequent.
24:42Well, I would have liked that.
24:44But he insisted that he didn't want to.
24:46And this morning he got up well and also insisted that he wanted to come to work.
24:50He should have stayed at home, resting.
24:53Yeah, I would have liked that.
24:55But at least here I want to think that I have him under control.
24:58Imagine what happens to him alone in the middle of the street.
25:03Well, I already told him that he can count on us for whatever he needs.
25:07We will be aware, right?
25:08Yes, I will keep an eye on him.
25:10With the excuse that the floor of the workshop is always full of flour.
25:15Look, and we could also tell the boys who come to help him
25:20to stay longer.
25:22And so Pietro is accompanied as long as possible.
25:25Yeah, well, they can't notice that we are controlling him either.
25:29Don't worry, I'll tell him to teach them in case they stay as apprentices and that's it.
25:34Yes, good idea, really.
25:35I really don't know how to thank you for everything you are doing for me.
25:39I alone could not cope with this.
25:42If only Marta were not here.
25:44You haven't told her anything?
25:46No, I don't want her to be calm.
25:49You have to be strong, Antonia.
25:51I'm sure everything will be fine.
25:54At least with yesterday's scare, it seems that Pietro has opened his eyes a little
25:59and now he does want to see a doctor.
26:01I wish they could advance the hospital appointment.
26:03Well, I don't know how he's going to get that.
26:06It's not that easy.
26:10Listen Antonia, maybe we could talk to Don Fermin.
26:25You haven't told me how it went for you in Germany.
26:28I know everything about Celia and her loves, but very little about you.
26:31Well, Germany is not the best place to live now.
26:35The housing is very expensive, there is no work, prices go up from one moment to another.
26:40Yes, I know it hasn't been very good for them after the war,
26:43but what I want to know is what kind of life you had there.
26:47A normal life.
26:49I worked as much as I could.
26:51I slept, ate, worked again.
26:54But what did you do in your free time?
26:56I don't know, did you meet someone interesting?
26:58No.
27:00No, nothing like that in my free time.
27:02I went out for a walk and nothing else.
27:05Are you sure you don't want to tell me anything else?
27:07No.
27:12I have good news.
27:14We have already found candidates to replace the actress who has left us.
27:18We are going to start the tests as soon as possible.
27:20Well, I can go and give them my character's replica if they want.
27:24It's not a bad idea, but Ballesteros doesn't want you to spend energy on that.
27:30He prefers to reserve you for the shoot.
27:32In any case, we will find a person suitable for that profile.
27:35I don't know, but it makes me angry.
27:39And Laurita?
27:41She could collaborate.
27:43After so much reviewing with me, she knows the text better than me.
27:45And you would only have to give the replica in a casting test and nothing more.
27:49It's a good idea.
27:51Sure.
27:53No, I would be ashamed.
27:56And if I do it so badly that you don't like any candidate because of me?
27:59No, no, it's not that complicated.
28:01You would only have to read the lines of her character.
28:04Sure.
28:06Please say yes.
28:10Okay, but only if you promise me that you won't laugh at me when you see the test.
28:23No.
28:30You didn't have to insist on coming here.
28:36I don't know how he's going to react.
28:42This is a very nice place.
28:44He has thought if one day he arrives and finds it destroyed,
28:48he could do little.
28:49I'm going to do it.
28:51Because people of our class are way above the trash.
28:56My sister has just asked you to leave in a very good way.
29:01And I also advise you not to come here again.
29:05And I hope that the next time you open the place, you find it as it is.
29:09Okay?
29:15Let's pretend you and I haven't had this conversation.
29:20Okay.
29:37Is there a table for us?
29:40Of course.
29:42As for any client.
29:44Take a seat, they will serve you right away.
29:50Okay.
29:56Has that guy come back here again?
29:59That's right.
30:01And we're going to serve him as if nothing happened.
30:04Could I pour a little bleach on their glasses?
30:07Just a little.
30:08Don't talk to me about bleach, please.
30:09It was a joke.
30:11The bleach seems soft to me.
30:13I would put something as poisonous as them.
30:15Stop being silly.
30:17Now that the waters have returned to their source, I don't want to have any more problems.
30:22In any case, I thank you for going to talk to them.
30:25I think it's a good idea.
30:27Even if it was only to see the palace where they live.
30:30Someday we will have a house like that.
30:32You know I don't.
30:34I see.
30:36For that we would need the earnings of three or four guys like him.
30:40What impression did Ivan's mother give you?
30:44Elegant, polite.
30:46But without any affectation.
30:48For me it is quite simple.
30:50Despite being a lady.
30:52It seemed to me too.
30:54It seems a lie that a lady with so much class has a son with so little, right?
31:00It gave me memories for you.
31:02I would say that with a lot of interest.
31:05I think you liked him.
31:09I also found him very pleasant.
31:12I don't doubt it.
31:13For how your eyes shine.
31:14Do you want to stop talking nonsense, little sister?
31:17Please take care of those vultures.
31:19Well, sorry.
31:20To the million customers.
31:22I can't go back.
31:24No, it's up to you.
31:26Jesus, a tray.
31:28We have to toast to the life that we run at the cost of invoking Pardini.
31:31As Ivan Pedraza.
31:32I have a lot of money.
31:34We are offered a business.
31:37Do you want to drink something?
31:40Well, we would take a couple of waitresses.
31:42A couple of waitresses.
31:43Like you.
31:44They don't serve.
31:45Do you want to drink something or not?
31:47Don't get mad at the candy.
31:48Look, for now you are going to bring us a bottle of champagne.
31:51We will ask more when he comes to invite us.
31:58Two whiskeys for Don Luis Bocañera.
32:02I can't stand that guy.
32:05I can't stand that kind of people either.
32:08But unfortunately they are the ones who make the register box scratch, sister.
32:12Although they never pay.
32:14I'm sure he's waiting for Ivan to arrive
32:16so that he can run with the expenses of the farra that are going to hit tonight.
32:19You have no doubt about that.
32:21Are you going to do something to prevent it?
32:24No.
32:25I've already been transferred.
32:26The last time I tried to warn him about the type of friendships he frequents.
32:30Are you sure?
32:32Are you going to allow them to take advantage of Pedraza's son?
32:34I'm sorry, but I have no other option.
32:38Later, sooner or later, he will realize the kind of people he's going with.
32:42Or he will be left without a penny.
32:46I'm going to get the champagne.
32:54Thank you, Jesús.
32:56Thank you, Jesús.
33:02I'm really sorry that no one believed Pietro.
33:04I don't know who's putting the smell on, if Pietro or Antonio.
33:07I just don't want to think about another possibility other than his recovery.
33:10I hope it's something temporary.
33:12But at least, what are you doing here?
33:14Shouldn't you be with the boy?
33:17It's just that Salfumán is still there.
33:19He's back there.
33:21And the poor boy doesn't stop coughing.
33:23You can see that the smell irritates his throat.
33:25Well, if he's coughing so much,
33:28we'll have to go to the doctor right now to see if he's cold.
33:31That's a lot of expense.
33:33Well, but it's the only way we have to stay calm.
33:38Besides, we'll have to go all four of us.
33:40All four of us? Why?
33:42Because if you tell the doctor the symptoms of Leon...
33:44He can't give us a hard time.
33:46He loves to be heard.
33:47Well, he may not have coughed so much.
33:49A couple of times the same thing, the poor boy has choked.
33:51Come on, I was exaggerating a little.
33:53Not to mention that the smell of Salfumán was a disaster.
33:57Be careful with what you say about me,
33:59that a liar has no hair.
34:01It still stinks.
34:02And I had to get the boy out with the risk of constipation.
34:05I understand.
34:06I'm still the responsible father,
34:08and you're the grandmother who doesn't stop saving Leon from all these dangers.
34:11You said it, not me.
34:15I prefer to be alone for a while.
34:18That's it, we've got it.
34:20Is this what you've done?
34:21You want to say what your husband has done?
34:24Please.
34:25Come on, come on, inside, please, Father.
34:27No, no, no, no, no, no.
34:28You leave the boy to me.
34:29Well, you pay for it.
34:35But hey, what's going on, Leon?
34:43Thank you very much,
34:44and come back soon, we'll have many more news.
34:46There's a lot more to come.
34:50Good afternoon.
34:52Hello.
34:53Paula, this is a success.
34:55You have the store full at all times.
34:58Yes, I can't complain.
35:00And I haven't bought you anything yet.
35:02I must be looking like a very bad mother.
35:04Wait until I get a second order,
35:06which is going to be a much more modern genre.
35:08But with the taste you have for clothes,
35:10I'm sure they'll take it off your hands.
35:12I was thinking of inviting the niece of the Italian ambassador.
35:16I met her yesterday at the party.
35:18I don't think inviting Elena Cavalieri to the store is a good idea.
35:22Besides, she'll probably be busy with other things.
35:26And anyway, if you don't need publicity,
35:29your clothes will sell on their own.
35:31No, but yesterday at the auction...
35:33Paula, I'd rather not talk about that.
35:36So what are you here for, mother?
35:39Yes, it's not about buying clothes or talking about the auction.
35:44My father sent you to fix the arguments we had.
35:48No, he didn't send me.
35:50But the truth is that you would have to solve your disagreements.
35:53He's still your father, don't forget that.
35:55I don't understand how you can accept his plans without arguing.
35:58It's not true that he's going to keep both production models.
36:02Synthetic fiber will end up with the crops
36:04and with the people who live from it.
36:06Well, I don't think he lied to me.
36:08And besides, no matter how much fiber is invented,
36:10natural fabric will always be used.
36:12So don't get dramatic with that, we know each other.
36:15Come on, do you want me to go to his office now
36:17and give him the reason, even if he doesn't have it?
36:19No, I'm not asking you so much either.
36:22Mainly because he doesn't have it.
36:25He has tried to fix things with the countess of Tucci
36:28so that he can intercede before his nephew, the lieutenant.
36:31And he hasn't succeeded.
36:33Those people are arrogant.
36:35They will never admit that they were wrong.
36:37Well, yes, they are.
36:40But they can hurt us a lot.
36:43Your father wants the lieutenant and Rodrigo to meet tomorrow
36:46and that Rodrigo apologize to him.
36:48Is it a joke?
36:49No.
36:50Rodrigo is not to blame for anything.
36:52He only defended himself.
36:53You can't force him to do something so humiliating for him.
36:56Paula, the prestige of our family is at stake.
36:59We just settled in Madrid.
37:01We can't fall into misfortune or have a scandal.
37:04I just don't understand it.
37:05Is what you are asking Rodrigo so humiliating?
37:08The future of the donations of the foundation is also at stake.
37:11Let's see if you understand it that way.
37:13Rodrigo will have to do it.
37:16His obligation is to serve the Pedraza.
37:20Excuse me.
37:21I have to attend to the lady.
37:27Hello, good afternoon.
37:36You're not going to say anything?
37:40You better start.
37:42Are you sure?
37:45Let's see.
37:46I already know that our problems are short
37:50compared to those of Pietro and Antonia.
37:52Well, we also have Leon, which is a joy.
37:55And we love each other madly.
37:58Yes, well, there is no doubt about that.
38:00But I can't stand your mother one more minute.
38:03It makes me nervous.
38:04It takes me out of balance.
38:05It breaks me down.
38:06Well, well, that's it.
38:07You don't need to talk anymore.
38:08I understand you.
38:09And I'm not saying that she shouldn't be taking care of her grandson.
38:12But I can't live with her anymore.
38:14Every patient has a limit.
38:16And mine has exceeded it twice.
38:17Let's see.
38:18Leonora is my mother.
38:19But it's true that she's a pain in the ass.
38:21And I realize how difficult it is for you.
38:24It's normal.
38:26And what do we do?
38:27Well, we can't do anything.
38:28Although I have good news.
38:31This morning my mother asked me where we had left the suitcase.
38:36Do you think she's thinking about leaving?
38:39But my love, that's the best news they've given me in ten years.
38:42Well, not the best.
38:43Because the first was when you told me we were going to be parents.
38:46Well, no, the second.
38:47Because, the third, come on.
38:48Because the second was when we got married.
38:50What are you doing?
38:52Oh, you're kissing me again.
38:53What's wrong?
38:54Look, Mica, clap.
38:58How nice to be your father.
39:01Look, how nice, my love.
39:06What's going on?
39:07What's going on?
39:08How nice.
39:11I know a very discreet snack bar that is near Villa del Pardo.
39:16I think you would like it.
39:19Elena.
39:21It's just about having a nice time.
39:24And in good company.
39:27Yes, of course, I understand that you have other commitments.
39:29But...
39:30No, no, I thought we could see each other soon.
39:35Well...
39:37No, no, no, of course, as you wish.
39:40Will it be again?
39:42It's been a pleasure talking to you.
39:43Of course.
39:45See you soon.
39:48Stupid.
39:57Pepita.
39:58Can you come here for a second?
40:02Tell me, sir.
40:04Were you listening?
40:05Me?
40:06Yes, and you?
40:08No.
40:09Your business is none of my business.
40:11Besides, who cares what I hear?
40:13I already know how you deal with women.
40:15I'm not going to be surprised.
40:17I love that you know me so well.
40:19And that you accept me as I am.
40:21I guess that's why I'm still here.
40:24You look very beautiful this afternoon.
40:26More than usual.
40:28Emiliano.
40:29Don't be in such a hurry.
40:30Don't be in such a hurry.
40:31Stay with me for a while.
40:32No, Emiliano, I have a lot of homework.
40:34Well, I'll talk to you later, maid.
40:36Let's go to your room.
40:37No, the house is full of people.
40:38They can't see us.
40:39Listen, listen.
40:40Maruja won't be back for dinner.
40:42Paula is at the store.
40:43And Ivan.
40:44Anyone knows where Ivan is.
40:46But he's at the rest of the service.
40:48Why are you giving me so much trouble?
40:51Why are you giving me so much trouble?
40:53And in the end you're going to do what I ask of you.
40:55Or am I wrong?
40:56No, right?
40:58Let's go.
40:59Let's go to your room.
41:01Come on.
41:17Don Germín, what a surprise.
41:19What are you doing here?
41:20I wanted to talk to Pietro as soon as possible.
41:22Please, come in.
41:24No, no.
41:25Don't get up, please, Pietro.
41:26Don't get up.
41:28How are you?
41:29More or less well, doctor.
41:32I appreciate your visit.
41:34It's the least I could do.
41:35Besides, I have good news for you.
41:38Well, sit down, please.
41:41Would you like a coffee?
41:42No, no, thank you, Antonia.
41:45Look, after talking to Antonia,
41:47and thanks to Teresa's mediation,
41:50I've got in touch with a very well-known doctor friend of mine.
41:55And I've asked him to take care of your case.
41:59And how has he taken so much trouble?
42:00No trouble at all, Pietro.
42:02Besides, Antonia told me there's no way they can be treated in the hospital.
42:06I couldn't stay with my arms crossed.
42:09Honey, don't get upset for telling him, but we couldn't go on like this.
42:12Pietro,
42:14we've known each other for many years,
42:16and I know you're not obsessed with your health,
42:19but what happened yesterday,
42:22you have to take it very seriously.
42:26I don't know how to thank you, Mr. Fermin, for being so concerned about me.
42:29You don't have to thank me for anything.
42:31The people of La Moderna are my family.
42:33All you have to worry about now is getting well.
42:39I know.
42:43The truth is, I'm afraid, Mr. Fermin.
42:51I don't know what's happening to me.
42:53I don't know.
42:57I don't know if I'm going to lose my mind,
43:00if I'm going to stop being who I am,
43:03if I'm going to forget everything I've lived in this life.
43:08It's not the worst thing, Pietro.
43:10It's not the worst thing, Pietro.
43:12Maybe it's all just a fleeting thing.
43:16What if I forget even love, Mr. Fermin?
43:23What if I forget how much I love my wife?
43:28Darling, I'll always be here.
43:31And you'll be here for a long time, Antonia.
43:33Don't doubt it.
43:34Pietro,
43:36my friend, Dr. Ramiro,
43:38is going to visit him very soon,
43:39and I'm sure he'll give him the right treatment.
43:42Now, before I see him,
43:45I'll have to go through some tests.
43:47Yes, of course.
43:49When will they tell me?
43:50Well, I've got them to be done tomorrow.
43:54So soon?
43:55Yes, yes, we don't have time to lose.
43:59Besides, they need the doctor 100%.
44:02You know that.
44:04I'll be there.
44:05I assure you.
44:07You don't know how much we thank you for everything you do for us.
44:11Pietro, why are you so serious?
44:13I assure you that you're in the best hands.
44:17Because I feel ashamed, Mr. Fermin.
44:20Very.
44:21I'll have had to move a lot of threads
44:23for them to attend to me so soon.
44:26You'd be ashamed if I hadn't done anything for you.
44:29We've been friends for a long time, Pietro.
44:32It's the law that we help each other.
44:37It's an honor for me to be taken into such consideration.
44:40Really.
44:43Everything will be fine.
44:44You'll see.
45:01You don't know how much I needed this.
45:05It's been a long day.
45:07You have to go now. I have to keep working.
45:10Why are you in such a hurry?
45:11Go back to bed, woman.
45:13No, it's too late.
45:14Your wife should be about to arrive.
45:16Maruja,
45:18now you're going to worry about that.
45:20But she knows perfectly well who I spend the nights with.
45:23She's delighted not to have to share a bed with me.
45:26She may know, but you don't have to show it to her face.
45:29If you don't care about that, I'll decide.
45:31Go on.
45:32Go back.
45:34Sit down a little, woman.
45:42Listen,
45:44Maruja doesn't have to complain.
45:46She has everything she wants.
45:48Today, without going any further,
45:50I've spent all day trying to fix the mess that happened here during the auction,
45:54the fight.
45:56That countess and her nephew are horrible people.
45:59Yes, and very stubborn.
46:01During my interview with the countess,
46:03she seemed willing to admit that her nephew had taken things out of place.
46:07That's exactly what the lieutenant did,
46:09taking things out of place.
46:10Of course.
46:11But in the middle of our conversation,
46:13she received a phone call from her nephew.
46:17So she told him she was meeting me.
46:19And I don't know what that brat had to tell him,
46:22that she had completely changed her mind.
46:24And that's it.
46:25She didn't admit her guilt.
46:29I guess the lieutenant didn't like you talking to his uncle.
46:32So she told me that what I have to do is talk directly to him,
46:36to the lieutenant,
46:38who is supposed to be the aggravated one.
46:40The aggravated one.
46:41He's a pain in the ass.
46:43So what I've done
46:44is arrange a meeting in the reserve of La Moderna,
46:47to which Fermin and Rodrigo will also go.
46:49And I'm very sorry, Pepita, but...
46:52your son is going to have to apologize.
46:55Well, let's hope everything stays there.
46:57Yes, because I need this matter settled as soon as possible.
47:00I have more important things to do.
47:02Of course.
47:04By the way,
47:05has Iván made any profit today,
47:07or has he spent the day lying on the couch?
47:09His friend Mellado came to see him,
47:11and I think they were talking about business.
47:13Business?
47:15I'll have to see him.
47:16The only business Iván knows
47:18is emptying my wallet.
47:22Mother?
47:23Are you there?
47:24Yes.
47:28Mother, I need to talk to you.
47:30It's important.
47:31Mother?
47:39I was telling Mrs. Teresa
47:41that thanks to Mr. Fermin
47:42you were given an early appointment
47:43to do the tests at the hospital.
47:45Antonia, why don't you publish it
47:47in the ad board?
47:48Why are you going to apologize to Lieutenant Marquez?
47:51If you kneel once, you'll have to do it again.
47:53That man humiliated you,
47:54and I'm not going to look the other way.
47:56He caught my attention the other day.
47:57At the party, he spent a lot of time
47:59talking to a guest.
48:00I don't remember the name.
48:01Elena Cavalieri.
48:02I guess they were talking about business.
48:05No.
48:07I'm sorry, I didn't want to...
48:08If we're going to be friends,
48:10it's better to call things by their names.
48:12You've come here for an apology, right?
48:14Well, you won't leave without it.
48:16Rodrigo, please.
48:19Ready to give the candidates the replicas?
48:21Yes.
48:22Where's Ballesteros?
48:23He's meeting with the art director.
48:25He asked me to take care of it,
48:26and then he'll see the material we're filming.
48:28I didn't think Madrid Cavalieri
48:30would fit in with his idea of entertainment.
48:32I don't think he knows me.
48:33I wanted to organize a charity gala,
48:35and I thought I'd do it here.
48:37What do you think?
48:38I'm glad you came to me.
48:40I wanted to see you again,
48:42and I didn't know if that was going to happen.
48:44There shouldn't have been a threat.
48:46You know I'd never do anything
48:48that could hurt you.
48:49You choose.
48:50What do you prefer?
48:51Being my worst enemy,
48:53or my best ally?
48:54A four-leaf clover.
48:56A lucky charm.
48:57It's beautiful,
48:58but it shouldn't have bothered you.
49:00Everything I do for you is little.
49:02Don't think this has anything to do
49:05with the generous gesture you made
49:07when you dissolved society
49:09and shared the inheritance with me.
49:11Why not?
49:12You have to believe me.
49:13Millado wants to bribe you.
49:14I see you're insistent.
49:15I'm just trying to stop an injustice.
49:17Nothing more.
49:18Did you think I'd bite the bait?
49:20That I wouldn't find out about you?
49:22What have they told you about me?
49:23That you're not clean wheat?
49:24Do you know how easy it is to defame someone?
49:26If they're against me,
49:28it could be for another reason.
49:29Tell us, when did you buy the ticket?
49:31What ticket?
49:32The bus ticket.
49:33That's why you're packing.
49:34No, I wasn't packing.
49:36So you're not leaving?
49:38I've invested a lot of money in this film,
49:41and I can't afford another failure.
49:43That's why I feel so responsible
49:44when I'm not up to it.
49:45We have the actress,
49:46and she's a gem.
49:47Perfect.
49:48Who is she?
49:49No one.
49:51What do you mean, no one?
49:53If she's not one of these,
49:54who the hell is she?
49:55You've been very exciting.
49:56When you want to realize it,
49:57you're so involved in the role.
49:59We already have an actress.
50:00You can relax,
50:01because all of them were very good.
50:02You should be as euphoric as I am,
50:04because you just witnessed something unique.
50:06The birth of a star.
50:08They gave me the results, Antonia,
50:10and that's why it took me a little longer.
50:13And?
50:14And they told me they would
50:16call me
50:17to the doctor
50:18as soon as possible.
50:28Now you're not so brave,
50:30you bastard!