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00:00What a shame.
00:10Watch out. You're going to choke me.
00:12Don't be silly.
00:14You can get used to it.
00:20You look so handsome.
00:26I can go to your new job later.
00:28And you're going to bring me the cake, like you used to?
00:31No.
00:32But I want to show off, taking a bit of your arm.
00:35What? What's so handsome?
00:37More handsome than a St. Louis.
00:40Very elegant, brother.
00:42Thank you. Well, go.
00:43Go read so much nonsense that I'm going to be late.
00:46I'm going with you.
00:47See you later.
00:48You know, get on your feet.
00:52Life is starting to change.
00:54Let's go.
00:59I love you.
01:12Doña Marta, isn't it your time?
01:15Of course.
01:16Doña Marta, I just saw the shift list and this afternoon I'm not free.
01:22Could you change the opera tickets for tomorrow?
01:25No way.
01:26I've been dreaming.
01:27Do you know how hard it has been for me to get those tickets?
01:30There are so many tickets to see La Calas.
01:33Well, well.
01:34But you can change shifts with someone, can't you?
01:37No, because I thought Claudia was free, but no.
01:39Jacinto is free.
01:40And I'm not going to ask him for anything.
01:42Why?
01:43Because, no.
01:45No.
01:46Fine.
01:49We've had a fight lately and he doesn't even give me good morning.
01:53Well, you talk to him very politely, you ask him for a favor and you give it back when he needs it.
01:59Come on.
02:01We're going to have a great night in Madrid, finally alone.
02:05We have to take advantage of these moments for ourselves, right?
02:09And if you talk to him when you go to the store?
02:12He can't tell you no, he'll be forced to change shifts.
02:15Precisely now that I'm the director, I can't have favoritism in front of people.
02:20Well, ask Carmen, she'll understand.
02:23You ask her.
02:24Don't you see that she can get upset if I force her to change shifts instead of asking her friend?
02:29Yeah, that's true.
02:31Well, I'll talk to her.
02:32What's clear is that I'm not going to ask Jacinto for this.
02:36With those airs he brings me and that lip he has.
02:41With how mature you are for so many things,
02:43I'm fascinated that you behave with your partner like a child of a midwife.
02:48Marta, I have my reasons not to ask him for anything.
02:51What are they?
02:53Are you so sure he's not going to change your shift?
02:56Or is it out of pride?
03:01I'm convinced he'll know how to solve it in the best way.
03:06It's up to you.
03:07Let's have a great night.
03:09Good night.
03:17I have to go to Toledo.
03:18I'm going to buy a new tablecloth for the big house.
03:21The ones there are very worn out.
03:24Is that also part of your plan?
03:27I mean...
03:31to worry about the well-being of the Reina family
03:34when deep down we're planning to take everything away from them?
03:39Why are you saying that now?
03:41I thought we agreed.
03:43And we are, mother,
03:44but I don't think they should pay you fair for sinners.
03:48Andrés is going to stay the way he is.
03:50Nobody is going to take what's his.
03:53He's the only one who's worth it in that family.
03:56And Marta?
03:58Marta is another song.
04:00I have nothing against her.
04:03Although she's not jumping for joy either.
04:06I have my reservations.
04:07I don't know if the position has changed her.
04:09What do you think?
04:11Well, she's very attached to the company.
04:14And she's ambitious.
04:15And you've seen her.
04:17When she feels attacked, she's relentless.
04:19And she takes her place to shine.
04:20Andrés would never do that.
04:22Luis, you have to think about yourself.
04:25About us.
04:26Now more than ever.
04:28Remember all the years we haven't been able to decide our fate.
04:35We don't want to drown in the suffering of the Reina family.
04:39But we can't allow them to put their foot in our necks again.
04:45At least...
04:47We're almost on the same page, aren't we?
04:50Almost. You said it.
04:52The one who's still in charge of the company and our lives is your uncle.
04:57Don't forget that.
05:01Can I trust you without any doubt?
05:06Yes.
05:07Can you hide it from your cousin, Andrés?
05:10Mother, I've done it before.
05:22Begoña.
05:23Hi, Digna. I'm sorry to introduce myself like this.
05:25Come in, come in.
05:29I have to talk to you.
05:32Luis is about to go to work.
05:34Yes, yes, I had to go. What's up, Begoña?
05:38Do you want coffee?
05:39No, no, thank you.
05:41Well, see you later.
05:42See you later.
05:51I need your help. It's about the girl.
06:01I'll be right back.
06:05What does it say here?
06:07Come on, you're not a doctor.
06:09Two coffees.
06:11One with condensed milk and the other with cut milk.
06:14Condensed milk, it says here.
06:16Of course.
06:17Let's see if you can read a little more.
06:18Of course, Mateo.
06:19Have you been rehearsing with the tray, as I told you?
06:21Yes, yes, last night when I got home, I was rehearsing.
06:24Can't you tell?
06:25Yes, man, with a glass and it was empty.
06:27Come on, man.
06:28Some glasses were waiting for you there.
06:30Come on, cheer up.
06:31Some glasses were waiting for you there.
06:32Come on, cheer up.
06:33And the bull.
06:34Yes.
06:39Let's see.
06:40The fingers are wide open.
06:43He uses physics.
06:46And the glasses have to be well extended
06:52so that they remain balanced.
07:01Don't worry, man.
07:02I was looking at you and you got nervous.
07:04It's okay.
07:06Look, that table.
07:07Go get it while I make the coffees.
07:18Hi.
07:19Hi.
07:20How are you?
07:24Look at him.
07:25He's taking it easy.
07:27Yes, dad, I told you.
07:29My son is going to learn fast.
07:31He's very smart.
07:32Yes, he is.
07:33He's a phenomenon.
07:34It's like he grew up here in the canteen.
07:37Hey, that's enough.
07:39I'm learning.
07:40Okay, come on.
07:41Who's going to make me three coffees?
07:43Come on.
07:44Let's go.
07:51Dad, who's going to sell me all these tickets for the raffle?
07:54Do you have them?
07:55No.
07:56Look how nice they are.
07:57Yes, they're nice.
08:00Be careful with the coffees in the coffee maker.
08:02You're going to spill them.
08:03One moment.
08:04Yes, I'm doing it.
08:18Ea.
08:20Here are the coffees.
08:23Give me back the tray.
08:25Of course.
08:26You just made the best three coffees in the world.
08:28Look, I taught you how to carry the tray.
08:30So you can learn.
08:31Look.
08:37Come on, Romeo.
08:38Stop looking at Julieta and change the ashes.
08:44No, no, no.
08:45Leave the tickets, man.
08:46You're not trained yet.
08:49They'll pay you when they come to the bar.
08:52We've run into the church, Sancho.
08:59I saw you coming through the window and I came down to welcome you.
09:03Thank you very much for...
09:04Do you know what your son Jesus has done to Julia?
09:06He has changed her boarding school so that we can't go to see her.
09:10First news.
09:11And how did you find out?
09:13Begoña went to see her yesterday.
09:15And at school they told her that her father had ordered her to go to school.
09:18And at school they told her that her father had ordered her to go to another school.
09:22But how is it possible?
09:24Where did he take her?
09:25You go and find out.
09:27At school they told her that they couldn't tell anyone where she was.
09:29And much less Begoña.
09:31Do you think this is normal?
09:33The girl was already adapting.
09:35She had new friends.
09:37She will feel very lonely wherever she is.
09:39About this son of mine...
09:41I swear I didn't know anything about him.
09:43Then talk to him.
09:45And force him to bring Julia to this house as soon as possible.
09:49What he is doing to that girl to hurt Begoña has no name.
09:54I know that Jesus loves Julia a lot.
09:57Even if it doesn't seem like it.
09:58Well, don't love her so much.
09:59And look after her more.
10:02We already know your way of loving.
10:05Always looking for yourself.
10:07Is this always going to be like this?
10:09Are you always going to talk to me like this?
10:11Well, no.
10:12There's no reason.
10:15Talk to your son.
10:17And do everything possible.
10:19So that he brings my granddaughter to this house as soon as possible.
10:24You will know very well how to do it.
10:27I will do what I can.
10:30Igna.
10:31I didn't expect to see you here.
10:33Neither did I.
10:35But you see.
10:37There are things that never change.
10:45Your husband will love it.
10:47Enjoy your birthday.
10:49I hope so, Fina.
10:51See you later.
10:52See you later.
11:00Carmen.
11:03I just realized that I don't book this afternoon.
11:08Did you ask me to book?
11:09No.
11:10But I thought I was booking.
11:12Well, if you didn't ask me.
11:14Get organized with Claudio and Jacinto.
11:16Carmen, it's just that Jacinto has to book.
11:19And you know that he is not a saint of my devotion.
11:21Well, you know what you have to do.
11:23Carmen, please.
11:25Marta invited me to go to the opera.
11:27You know how hard it is for us to find a time together.
11:31Come on, what do you want me to ask him?
11:34Here you go.
11:37Carmen, you can't tell him that you were wrong by filling out the bookings.
11:41And that tomorrow you can get rid of him.
11:42But today it's my turn.
11:43Fina, when we've had this kind of problem, we've solved it among ourselves.
11:47Like good companions.
11:49Yeah, but it's just in this case.
11:51No, in this case I'm not going to intercede.
11:53You really look like a little girl.
11:55With the nonsense that you don't like Jacinto.
11:57Carmen.
11:58Tomorrow is the day of the bookings, Fina.
12:00If you ask Jacinto to change the day, he will win.
12:05Not anymore. Yes, yes, it's not a bad idea.
12:07But still, I can't ask Jacinto.
12:10Carmen, please.
12:11I'm not going to tell him.
12:12So if you want the afternoon off, you know what to do.
12:18And why do you want the afternoon off?
12:22Well, because I have a life, Claudia.
12:32Why did you ask her to come back?
12:37I don't understand you.
12:39With all the damage I've done to her and you forcing her...
12:41Fina is essential in this house.
12:43I can't let her go and lose her forever.
12:47You've lost her, Damian.
12:50You yourself confessed to me that you didn't deserve her.
12:54But I'm still in love with her, Isidro.
12:58And I hope that over time she can forgive me.
13:04Let her go.
13:07Why are you asking me?
13:08Do you know what I'm going to tell her?
13:11Because even though I know what you think of me,
13:15I still consider you my best friend.
13:17And what you tell me matters to me.
13:20Fina has suffered a lot.
13:24First, the poor Gervasio.
13:27Then Valentín.
13:30And when it seems that everything has happened,
13:32she seeks refuge in you only to find more suffering.
13:36It was never my intention.
13:41Try not to hurt her anymore.
13:45We all have our limits.
13:47I love you.
14:05Tomorrow, at the latest, you will have your order of Essences de la Reina,
14:08along with a batch of our latest soaps and moisturizing creams,
14:12due to the inconvenience.
14:14If we had ever had a delay in production,
14:16and I assure you that it will not happen again,
14:18I give you my word.
14:21No, you, for understanding.
14:24Good day.
14:28Come in.
14:31Did you want to see me?
14:32Come in.
14:35The new batch of Essences de la Reina should be in stock
14:38in the next 24 hours, as of late.
14:40Impossible.
14:42We already have the formula and the measures.
14:44Yes, but that would mean doubling the night shift,
14:47and I'm not going to squeeze the operators' nuts like that.
14:50Well, they are asked to make an exception.
14:52Once again.
14:54No, Marta.
14:55I think the departure could be ready a few hours later,
14:58without having to rush anyone.
15:00Look, Joaquín.
15:01I've been giving excuses for two days.
15:03I have promised the customers that tomorrow,
15:05they would have it in their shops.
15:07And we are not going to fail them.
15:10Marta, call them and explain the situation to them.
15:12What situation?
15:15Do you want me to explain to them that our perfumer
15:17left at night and left us with our asses in the air?
15:21Marta, there are unforeseen events in all companies,
15:24and you don't need to give them more details.
15:28Ask them to be patient.
15:30I've already asked them to be patient.
15:33Now I've given them my word.
15:35Now I've given them my word.
15:37Well, that's bad.
15:39You should have consulted it with me before promising them anything.
15:42But you still have time to rectify it.
15:45I'm sure they understand.
15:46No, you're the one who doesn't understand.
15:48I can't back out because they would think
15:50that the delay has to do with my ineptitude
15:52directing the company there.
15:53No, I'm not going to go there.
15:55So that's what it's about, right?
15:58The fear that they will have a bad opinion of you.
16:01It's about the company.
16:05If they don't get the order in time,
16:07they might think that the new management
16:09or the new directive isn't as serious and fulfilling as it used to be.
16:15You've only been a shareholder for a day
16:17and it seems like you've already forgotten how things work.
16:20Being in the management isn't just about coming to work
16:22dressed in a suit.
16:26That comment is now.
16:29And I haven't forgotten anything.
16:31Right now, I'm more aware of what's good
16:34and what's bad for our workers.
16:37And I know perfectly well the production of this factory.
16:40And I think that's the only reason
16:42why I deserve the least bit of respect.
16:54Choose a place in the world you want to go.
16:57Here?
16:58Have you had to go so far?
17:00To Japan?
17:01They all speak Chinese. Let's go to Cerezo.
17:05To see cherry blossoms?
17:16Now you've studied Geography?
17:21It's the globe I gave Julia for her birthday.
17:26I remember it perfectly.
17:29I wonder...
17:33how many birthdays my granddaughter has left to live at my age.
17:38Well, she still has a lot of war to fight.
17:41Don't get so dramatic, man.
17:43It's the law of life, Jesus.
17:46I don't have much time left.
17:50And I'd like to enjoy the time I have left with my granddaughter.
17:55I miss her a lot.
17:59Mom...
18:04Me too.
18:06Especially now,
18:08when everything in this house is so terribly bad.
18:12Wow.
18:14At least a trace of humanity on your part.
18:17I could say the same about you.
18:23I also miss her.
18:25I miss her joy,
18:27her laughter.
18:29Then...
18:31what are you waiting for to bring her back home?
18:35I could wait for things to get better, but that's not going to happen, right?
18:40That's why I've decided to change her boarding school.
18:44It's too hard a punishment.
18:47For everyone, starting with you.
18:50Julia should be out of this house's problems.
18:53And that's why she's out? To keep her safe?
18:57You've separated her from her family.
19:03She must feel very lonely.
19:06She wouldn't feel better here either.
19:08She would have the love of all of us here.
19:10Oh, really?
19:12While the daggers fly from one to the other?
19:16Right now, Digna would like to kill us both.
19:18Begoña doesn't even look me in the face.
19:20Andrés and María are in Greece, am I right?
19:24I imagine we would all make an effort for her not to find out anything.
19:28Don't be ridiculous, Father.
19:30Julia sees beyond what's out there.
19:32And I don't want her to grow up with traitors who first say one thing and then do another.
19:36This house has become hell.
19:38Yeah, well...
19:39Everywhere you cook...
19:41Yes, but the ones that are cooked here stink.
19:44You're resentful.
19:48And you're paying for it with your daughter.
19:51I've made a decision and I have to stay firm.
19:54What kind of man would I be if I didn't?
19:56I see a man full of resentment.
19:59He prefers to give up what he loves most.
20:02So that everyone suffers the same as him.
20:07That's what you want to be, isn't it?
20:10It's been a long time since I've known how to be otherwise.
20:13And I don't think I can change.
20:16Look, Marta, honestly...
20:18If this is going to be a constant struggle between you and me,
20:21I don't think we're ever going to get this boat to a good port.
20:26A while ago you were delighted that the boat went to Pique when your brother took the formula.
20:30Yes, but things have changed.
20:32An injustice had been committed and now it has finally been repaired.
20:35And there's no rematch?
20:37No, Marta, no.
20:38There will be no rematch.
20:40Now a new stage opens up.
20:43Without insults and without bad manners.
20:46Like the ones I've had to put up with for years with your brother.
20:50I really don't want to question your position or your authority.
20:54What's more...
20:57I'd love for us to get along as we've always done.
21:02I'm sorry I spoke to you like that.
21:06I'm not my brother Jesus and I want to run the company in a different way.
21:11Although sometimes I get the impression that everything goes against me.
21:17There will always be obstacles.
21:19But you and me together,
21:21I'm sure we're capable of solving them.
21:26As long as we agree on them.
21:28That's all.
21:30Do you think that at least we could serve the orders to the most important clients?
21:36I'm talking about 60% of the rematch.
21:40Yes, I think that would be acceptable.
21:42But we'll have to take extra hours.
21:45And that would be paid properly.
21:48Are you sure?
21:51Deal.
22:04You can really feel her absence in this house.
22:07My little girl.
22:10You can come and see her with me the next time she goes.
22:16No.
22:17I won't do it again, please.
22:20Are you going to get offended now because I'm giving you money?
22:23For that reason, yes.
22:24Yes, I'd feel bad.
22:25How much do you want to bring Julia back?
22:28Another million pesetas? Is that enough?
22:31Money is the only thing you care about, right?
22:35You had no problem accepting it.
22:38In exchange for not reporting Begoña.
22:41In exchange for not reporting Begoña.
22:45When it comes to my daughter, there's not enough money in the world to act against my will.
22:50What kind of father do you think I am?
22:52The same one you were, Jesus.
22:55The same Jesus of the Queen.
22:58The same father who left his daughter without a mother.
23:01Because of an outburst of anger, like the one you have now.
23:07Two million? Is that okay?
23:11Yes.
23:16My daughter is not for sale.
23:18Nor will she ever be.
23:23At least tell me where she is!
23:27Damn you.
23:42Carmen.
23:43Carmen, help me with the shelves.
23:45You don't know what we've sold in the last hour.
23:47And Fina?
23:48Fina had to run to the bathroom
23:50because a woman splashed cologne in her eye.
23:52But how did that happen?
23:54Well, the woman who had the washcloth in her hand
23:56got stuck in the test tube and started doing this and that
23:59when she wanted to get out of the cologne, she splashed it in her eye.
24:01Come on, she ran to the bathroom.
24:03Oh my God.
24:05We're going to have to put the test tubes behind the display
24:07and use them ourselves?
24:09Yes, of course.
24:10Yes.
24:11And the tape?
24:12The tape has been packaged.
24:13It has gone for more essence, to the queen,
24:15because there was no more here.
24:17Let's see if there is luck, because I think that until tomorrow, nothing.
24:20Go and bring soap. Come on, we're going to keep making the basket as a gift.
24:23Okay.
24:30Good morning.
24:31Good morning.
24:32Very good, Mr. Joaquín.
24:33And congratulations on your new position in the company.
24:36I feel the suit is wonderful.
24:38It really is.
24:39Well, it took me a long time to convince him, but in the end he listened to me.
24:42Come on, you must be happy, Mrs. Gema.
24:44I'm very proud.
24:46I can't deny it.
24:47And well, at least I'll have more free time to stop by here,
24:50see the news and not have to wait for my husband
24:52to give me a discount from the factory.
24:55You know, at the blacksmith's house, a stick knife.
24:59Yes, and I understand, because after working all day
25:01between perfumes and soaps, I'm sure that when you get home
25:04you don't want to know any of that.
25:06Well, the truth is that I don't get tired.
25:08In my house, I never miss the lavender water
25:10or this wonder of perfume,
25:12which smells like salt and reminds me of my Seville in spring.
25:15Do you want to smell it?
25:16Of course.
25:19Come on, thank you.
25:21Oh, how wonderful.
25:23But how did I not know him before?
25:26Come on, Mrs. Gema, Mr. Joaquín.
25:29It's nice to see you here.
25:30Do you remember me?
25:31How can I not remember?
25:32After the great job we did selling clothes to the ladies.
25:35Yes.
25:36I haven't seen Mrs. María in a long time.
25:38Is she well?
25:39Of course, she's perfectly well.
25:41I'll send her your memories.
25:43Yes.
25:44And tell her that we're doing a raffle here in La Colonia
25:48to create a cradle house.
25:50Yes, so that mothers can go to work
25:52and leave their children alone.
25:54What a good idea.
25:55Yes.
25:56Look, today I got the tickets from the printing house.
25:59A whole lot of perfumes from La Reina is being raffled.
26:02And also a cradle donated by Porcelana Romero.
26:05That was thanks to our priest, Mr. Agustín.
26:08But we're open to many more donations.
26:11And if you want to buy a ticket...
26:15We can donate something too, right, Joaquín?
26:18Yes, of course.
26:20I'll look for something to donate
26:22and we encourage everyone to participate in this raffle.
26:25Thank you very much, Mrs. Gema, really.
26:28And this is a gift for you.
26:30Yes.
26:32Here you go.
26:33Oh my, thank you so much.
26:34Well, let's see if you feel like coming here again.
26:36That's it.
26:38Done.
26:39Shall we go, Joaquín?
26:40Yes.
26:41Have a good day.
26:42You too.
26:43See you later.
26:44See you later.
26:58Come in, it's open.
27:01Good morning.
27:02Dr. Borrelli isn't here.
27:04Can I help you with anything?
27:05Or do you want to book an appointment for another day?
27:08Good morning.
27:10Fortunately, I don't need anyone to see me.
27:12I have an iron saddle.
27:16Well, you tell me.
27:18How can I help you?
27:21What a beautiful profession you have, right?
27:23Always helping others.
27:26Just like me.
27:27Only you take care of the machinery
27:29and I take care of the spirit.
27:31Well, for me, it's all connected.
27:33Body and soul.
27:35Maybe that's why you're so famous for being so good at what you do.
27:39First news.
27:40I didn't know I was famous for anything.
27:43I've heard a few comments about how hardworking you are
27:47and how modern you are.
27:49Is that why you came?
27:51Do you want to discuss with me
27:53about how modern or classic I am for some special reason?
27:56You tell me, since you're so smart.
28:02The infidelity you've committed is not typical of a good Christian.
28:06You're accusing me of something very serious.
28:09Penalty on earth as well as in heaven, my daughter.
28:11I've always loved you for good.
28:14What you're saying, I can't prove it.
28:21I can't.
28:22But maybe someone else can.
28:26Maybe.
28:35Well, well, well.
28:36You're good at this.
28:38You're a good boy.
28:40What else would I want?
28:43Hey, by the way, can you stay here for a moment?
28:45I have to cut the cheese.
28:46Gaspar has left.
28:47I don't want to leave this alone.
28:49Well, come on, Mateo.
28:50But hurry up, I have to go back to the store.
28:52Yes, yes, don't worry.
28:53How many tickets have you sold?
28:54Well, none.
28:56They are just as you have left them.
29:00Come on, we're busy.
29:01I know.
29:14Good morning.
29:15Good morning.
29:16Don't go, please, and buy me one of those beautiful ones.
29:19Come on.
29:20Come on.
29:21Come on.
29:22Come on.
29:23Come on.
29:26There's no one here who can buy me a glass of wine.
29:32Excuse me, sir.
29:33The waiter has just left,
29:35and the boy who helps him is inside cutting cheese.
29:37But they still serve it, huh?
29:39Well, what a way to run a business.
29:40Then they'll complain when the bills don't fit.
29:43No, no, sir, it's something specific.
29:45I come to this canteen every day
29:47because I work here as a waitress in the store next door.
29:50And they always serve it very well.
29:53Excuse me for bothering you, sir,
29:56but are you interested in social causes?
29:59Some more than others.
30:02And how would you see that here in La Colonia,
30:04in factories like this one,
30:06they built a shelter
30:07so that mothers could leave their children there
30:09and go to work quietly?
30:11It seems to me that mothers should stay at home
30:13taking care of their children instead of going out to work.
30:16Well, of course.
30:17That goes without saying.
30:18The problem is that mothers don't pay us anything
30:21for staying at home taking care of their children.
30:23Pay?
30:24It would be good if you now considered
30:26being a mother and a paid job.
30:29Well, it's a job we do for a living.
30:31The thing is that sometimes, with my husband's salary,
30:34it's not enough for all the expenses of a family.
30:37That's true, you're right.
30:39It's a sad reality.
30:41And imagine, there are even worse people.
30:45Women who stay widowed, for example.
30:48They have to work, yes or yes.
30:50Or in the case of an operator in La Colonia,
30:53this week she had to leave her child
30:55with the doctor of La Colonia
30:57because she was afraid of baricele and couldn't take it.
30:59Well, not to mention the number of women
31:01who leave their children in situations...
31:03Miss, tell me, please,
31:05who is trying to sell me?
31:07Save it for later.
31:09Well, the truth is that I would love to sell you
31:11a ticket for the raffle we are organizing.
31:13Precisely to raise money for the Cuna house.
31:16It's very cheap.
31:18It only costs a little.
31:19Less than the wine you're going to drink.
31:21In addition, a whole lot of perfumes from La Reina are raffled off.
31:25You give that to your wife and she looks like a king.
31:29Come on, gentleman, buy me one.
31:31With how elegant you are,
31:33I'm sure the colleagues here in the canteen
31:35will be encouraged to buy me another one.
31:38I'll give you one.
31:39One? No, I'm not interested.
31:40But twenty, yes.
31:42Twenty?
31:43Twenty.
31:45Come on, give me twenty.
31:50Have you sinned? Do you admit it or not?
31:52Of course.
31:53And according to you, I deserve to be stoned.
31:55No?
31:56Maria has already thrown the first stone and now it's your turn.
32:00My duty is to save souls.
32:03Did you promise God to respect and love your husband
32:05until the end of your days?
32:06He promised the same thing
32:07and the next day he was in bed with his secretary.
32:10My husband does not deserve my respect
32:12or my love
32:13because he has done terrible things to have me subdued.
32:16Women like you have the power to disdain
32:18the most honest and devoted husbands.
32:21What does that mean about women like me?
32:24You just have to look after anyone
32:26before your husband.
32:27That is not the role of a good wife.
32:30I have tried for a long time.
32:32I have given my body and soul to my husband and his daughter,
32:34which is the only thing worth this marriage.
32:37And you know what I have done?
32:39I have put the girl in a boarding school
32:40just to keep her away from me.
32:42The girl is suffering only because she wants to punish me.
32:44That does not seem cruel to her.
32:45That man is hurt in the depths of his pride.
32:47Only you have the balm that could heal him
32:49with your love and dedication.
32:52Think about the harm you have done to Maria and Jesus.
32:55I know you are a good woman.
32:57You just have to go back to the path of truth.
32:59I could help you if you...
33:00I appreciate it.
33:02But it is not necessary.
33:03I have already helped myself enough.
33:06Now, if you will excuse me, I have to keep working.
33:08Are you kicking me out?
33:10I don't know.
33:12Tell me, you are so smart.
33:15I'm sorry.
33:28Come on, come on.
33:29You bought me 20 bolitos.
33:31That's good, huh?
33:32I was cutting cheese and I couldn't do anything else.
33:39Father.
33:41I thought you were in...
33:43Colombia, on a business trip.
33:46I came back last night, Mateo.
33:48Your mother wrote me very alarmed.
33:51So...
33:53I've come here to make you forgive me.
33:54What I have said is true.
33:57A mother never lies, even if she can exaggerate.
34:00Your mother didn't exaggerate,
34:01saying you were working in a tavern
34:03and that you had left Sardorcio.
34:05Well, I see you have met Claudia.
34:08My fiancée.
34:10So you are the famous Claudia.
34:12It's the same.
34:15I would like the three of us to sit down
34:17and have some wine, if possible.
34:25Mateo, I think it's time for lunch.
34:27I'm going to call the tavern to tell them I'll be late.
34:35Okay.
34:47I'm here.
34:48I'm sorry for having entertained myself so much.
34:49Thank you, Tere, for starting with the smooth,
34:51but I'll take care of it.
34:53Teresa, I'm going to finish the rooms, please.
34:57You know...
34:59You know how much they respect their son in the factory.
35:02Well, no.
35:03It's a great impulse.
35:04Yes.
35:05For being such a good worker.
35:07And finally, he is where he deserves to be.
35:10Oh, by the way, if I didn't know,
35:12they are going to organize a raffle in the store
35:14because they want to build a house in La Colonia.
35:16Really?
35:17That's a good idea, isn't it?
35:18Yes.
35:19So the workers can take their children there.
35:21That's it.
35:22And I have proposed to your son
35:23to see if we can donate some value
35:25so that people are encouraged to buy all the tickets.
35:29Donate?
35:31Well, daughter, we...
35:33We don't have much to have.
35:43Aspar, can you make me a sandwich, please?
35:47Don't you prefer a skewer or better?
35:49No, no, no.
35:50I prefer a sandwich that is to take and eat it in the warehouse
35:52when customers give me a little peace of mind.
35:55Why?
35:56Because I bought less bread to save
35:58and I don't know if I'll have enough for lunch.
36:01How can you be so stingy?
36:03I don't have the money to pay Mateo's salary.
36:06And I like to have it here,
36:07even if it's just an eight with the tray.
36:10Oh, you see Claudia talking about her fiancé.
36:14She says he's almost a better waiter than you.
36:17You have to see.
36:19Oh, you have to see with the little turtles.
36:22They are so...
36:24They are good people.
36:26I would give anything to help them,
36:28but I'm going to have to take it from me to give it to him there.
36:32But, little Aspar of my life,
36:35why did you hire him if you can't pay him?
36:38Because nobody wanted to hire him and I felt sorry for him.
36:41The poor man needs to get money from anywhere
36:43to be able to get married and raise his son with Claudia.
36:47You should tell him.
36:48But how?
36:49In the end, how?
36:51I'm not even able to tell him
36:52to leave the puppies made of crap
36:54when they get cold.
36:56Well, you're on good terms with him.
36:58Yeah.
36:59Yes, the boy has good will,
37:01but of course, he has grown up like a little man
37:04and is used to everything being done to him.
37:06Well, he was helping us in the store,
37:09making bows,
37:11and he wasn't doing anything wrong.
37:13Wow.
37:15And why don't you hire him as a dependant?
37:17Yes, well,
37:19we already have Jacinto's list.
37:21Jacinto, he makes me...
37:23He makes me look bad,
37:24with that face, he knows everything.
37:27And on top of that, I'm going to have to work
37:29to ask him for a favor.
37:34How are you?
37:35Very good. Can you get me a coffee to go?
37:37Of course, on my way.
37:42What a disaster.
37:43I thought we'd have something worth it,
37:45but we're poorer than rats,
37:46no matter how much Joaquin is the boss now.
37:48Well,
37:49soon you'll make more money,
37:51and you'll be able to do everything you deserve.
37:53When, Digna? When?
37:55In many years, based on savings.
37:58I'm stupid,
38:00to think she was a lady.
38:02I have nowhere to go.
38:03You have money to buy tickets, like me.
38:05There are people who don't even have money for that.
38:07And people who have money to give and take,
38:09like those in La Reina.
38:12Gemma,
38:13I think I know what you can donate.
38:15Something that has a lot of value,
38:16and that no rich girl will ever dream of.
38:19Of what?
38:20The sweets of your town.
38:22They taste like holy glory.
38:25The deer's bones?
38:27They taste wonderful.
38:28Every time you've made them for a special occasion,
38:30they've turned out great.
38:32Wouldn't it be a bit strange to bring something to eat?
38:35No, not at all.
38:36Those sweets are a gem.
38:39We'll buy some nice ties,
38:40wrap them up nicely,
38:42and you'll look like a queen.
38:44Well, if you say so.
38:45Well, I'll finish the stew,
38:46and I'll go out for a second to buy the almonds.
38:48No, no, no, I'll finish the stew.
38:51Really?
38:52Of course, go.
38:53They're going to lock you up.
38:59I'm going to fly, then.
39:05Oh, God.
39:08Well, what about you?
39:11Have you found what you were looking for in the warehouse?
39:13Yes.
39:14Yes.
39:15But it took me a while,
39:16thanks to your system, to find it.
39:20Well, we've always found our way.
39:23You'll get used to it.
39:25Here you are, the coffee.
39:28Let me see.
39:29Let me see this.
39:31These are cracks, let me see.
39:32Yes, I have them torn apart from so much scrubbing.
39:35They made me see a cut
39:37with the trash can that...
39:39I see.
39:40Well, look.
39:41You put on this hand cream every night
39:44and you'll see how those cracks go away.
39:47Man.
39:50Where have you seen a man put on hand cream?
39:54Well, I don't know, you...
39:56Do you think it's a decorative ointment?
39:59Well, this, yes, yes.
40:01Thank you very much.
40:02You're welcome.
40:03I'm giving away samples to all the customers in the store
40:06and you weren't going to be less, Gaspar.
40:09Why didn't you tell me you had a remedy for my hand problem?
40:13But what remedy, Gaspar?
40:14What remedy?
40:15Let's see if now the friend here thinks he's a pedicure.
40:18Hey, girl, leave the sandwich.
40:29My good friend Pedro.
40:31What a joy to see you.
40:32I'm glad to see you too, Damian.
40:35Although I've seen what I've seen,
40:36I should have come back earlier.
40:38Well, you'll tell me why.
40:40Do you want something to drink?
40:41No, thank you.
40:42I just had a glass of wine in the cellar of your factory
40:44and I shouldn't drink any more.
40:46Last night I came back from Colombia
40:48and I could fall asleep at any moment.
40:51Well, I suppose you're here to say goodbye to Mateo
40:53before he goes to Rhodesia.
40:55I thought he was going to leave earlier,
40:56but it is known that he has delayed his trip.
40:59No, Mateo is not going anywhere.
41:00That is why I have postponed my trip to America.
41:03How is that?
41:04How is that?
41:05So the boy is not going to the missions?
41:08You really don't know anything, Damian.
41:10Look, I asked you sincerely
41:12to keep an eye on him.
41:13Yes.
41:14On my way back, I find him here working in a tavern.
41:16I'm sorry.
41:18Really, things have happened to me in my family.
41:20Lately, they have kept me away from the factory.
41:23But as you said, he is working in a tavern.
41:27Yes, son, yes.
41:29Mateo has left the priesthood
41:30because he has fallen in love with a girl
41:32who works in your company.
41:34He has even asked for the papal dispensation to get married.
41:37And since he has renounced the priesthood,
41:39he has no choice but to start serving tables.
41:42Oh, what barbarity.
41:44Well, the only thing that comes to mind
41:45is that the priest has not wanted to do anything to me
41:48because of all the problems I have had.
41:50May I know what they are?
41:53Well, it has not been few.
41:55The most serious
41:57has been the death of my son-in-law Jaime,
41:59Marta's husband.
42:01They detected a tumor in his brain
42:03and he could not overcome it.
42:06I do not have his glory.
42:08You do not know how I feel.
42:10The truth is that I have not had your news either.
42:12Mateo almost never tells anything.
42:16I can only tell you about him with all sincerity, really.
42:19He seems to me a wonderful, honest, good-hearted boy.
42:24Yes, he has always been a defender of lost causes,
42:27like that Claudia.
42:29Ah, it's about Claudia.
42:31Well, I see that at least you know her.
42:33Yes.
42:34He offered to marry her
42:36when he found out that he had become pregnant
42:40some time ago.
42:42So the matter comes from afar.
42:44Well, it was a purely altruistic matter.
42:46He just wanted to help her,
42:48but she convinced him to return to the seminary and get organized.
42:51Really?
42:52Well, now she seems delighted to be able to marry him.
42:55She's a good girl, Pedro.
42:57What if it's a scandal of great proportions too?
43:01And that can splash our business.
43:04But if you have the firstborn here ...
43:07Don Pedro, how long!
43:09I didn't know you were going to visit us.
43:11Well, it was an improvised visit.
43:12The truth is that I came here to see my son who is working in the canteen
43:16and I couldn't leave without saying hello to your father.
43:20It's probably a call I'm waiting for.
43:23Take care of our guest in the meantime.
43:25Of course.
43:28Well, well.
43:31How are you?
43:32How are you?
43:33Tell me.
43:35Do you still have a firm hand?
43:37The truth is that now I'm in other deals.
43:41Oh, wow.
43:43I find it hard to believe that your father has let you escape.
43:46Well, all chicks end up leaving the nest, right?
43:49What are you doing then?
43:52It's ... it's a long story.
43:54Are you going back to your house or are you staying in Toledo?
43:56No, I'll stay here for a few days with my wife in the house we have in Talavera.
44:00I just arrived from Colombia and I don't want to walk from here to there.
44:03Well, if you think so, I'll call you tomorrow and we'll meet.
44:06All right.
44:08All right.
44:10I have to go.
44:12Do you mind if I apologize to your father?
44:14No, of course not.
44:15I'll walk you to the door.
44:16All right.
44:17So you've been in a lot of deals lately, haven't you?
44:20Yes, and as Damien told me, he has come to offer him a lot of money in exchange for bringing the girl here.
44:28But it has been even worse.
44:29He has refused radically.
44:31But then he doesn't know where he's taken her either?
44:34Not even.
44:36He hasn't been able to know that.
44:39Begoña, are you there?
44:41Yes, yes, yes.
44:43Thank you for trying, Digna.
44:45I'm going to do everything I can until I know where Julia is.
44:50You're not alone in this, Begoña.
44:52I agree.
44:55Come in.
44:59Digna, I have to leave you. We'll talk later more calmly.
45:03Yes, of course. Don't worry. Goodbye.
45:11What happened?
45:12Digna was going to tell me that your father had spoken to Jesus to bring the girl back.
45:16And he hasn't got her.
45:18He was going to wait for a soulmate like my brother.
45:21But she's his daughter, Andrés.
45:23How can he treat her like that?
45:25Can't you imagine how cruel it was with her when he found out she wasn't his natural daughter?
45:30The poor thing didn't understand anything.
45:33Begoña, can I get an idea?
45:36He's destroying her.
45:38And he's going to keep doing it little by little while she's alive.
45:41Like he's doing to me.
45:43Do you realize how that girl is going to live?
45:46That nightmare will end when Jesus goes to jail.
45:49It will never end for me.
45:51Because I will always be united to Him, before God and before the law.
45:59The only way out would be...
46:01What?
46:05To ask for a marriage annulment.
46:09It would be the only way to get freedom.
46:13I know it's very difficult, but...
46:15Andrés, no one can force me to live with an unscrupulous murderer capable of anything.
46:20That's what scares me the most.
46:22What gives me strength is to end this once and for all.
46:24I could kill you when I know I could lose you forever.
46:27You've already lost me, Andrés.
46:29I'd rather be dead than spend another minute with him.
46:32Begoña, please, don't say that. For what you want most.
46:34What I want most is you and Julia.
46:37And I'm not comforted by being with you for a while.
46:40I want it all.