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00:00On the second day
00:10Cuidado, al final me vas a joar.
00:12Al final. Don't say nonsenses.
00:14This is how it's used.
00:15You can get used to it.
00:19Oh man. How good looking you are.
00:25I can see you later. At your new job.
00:27And you're going to bring me the cake, like you used to?
00:31No, but I want to show off by taking a bit of your arm.
00:35What do you think? Isn't he handsome?
00:37More handsome than a St. Louis.
00:40Very elegant, brother.
00:41Thank you. Well, I'm going.
00:43I've read so much nonsense that I'm going to be late.
00:45I'm going with you.
00:47See you later.
00:48You know, get on your feet.
00:51Life is starting to change.
00:54Let's go.
00:57Let's go.
01:12Mrs. Marta, isn't it your time?
01:14Of course.
01:16Mrs. Marta, I just saw the shift list.
01:20And this afternoon I'm not free.
01:22Could you change the opera tickets for tomorrow?
01:25No, not even in my dreams.
01:27Do you know how hard it was for me to get those tickets?
01:29There are plenty of tickets to go see La Calas.
01:32Oh, well.
01:34But you can change shifts with someone, can't you?
01:36No, because I thought Claudia was free, but no.
01:39Jacinto is free.
01:40And I'm not going to ask him for anything.
01:42Why?
01:43Well, because no.
01:45Fine.
01:48We've had a fight lately and this one doesn't even give me a good morning.
01:52Well, you talk to him very politely,
01:54you ask him for a favor and you give it back to him when he needs it.
01:58Come on.
02:01We're going to have a great night in Madrid, finally alone.
02:05We have to take advantage of these moments for ourselves, right?
02:09And if you talk to him when you go to the store?
02:11He can't tell you no.
02:13He'll be forced to change shifts.
02:15Precisely now that I'm the director, I can't have favoritism in front of people.
02:20Ask Carmen for it, she'll understand.
02:22You ask her.
02:24Can't you see that she can get upset if I force her to change shifts instead of her friend?
02:29Yeah, that's true.
02:31Well, I'll talk to her.
02:32What's clear is that I'm not going to ask Jacinto for this.
02:36With those airs he brings me and that lavishness that comes to you.
02:41With how mature you are for so many things,
02:43I'm fascinated that you behave with your partner like a child of a midwife.
02:48In fact, I have my reasons for not wanting to ask him for anything.
02:51What reasons?
02:53Are you so sure that he's not going to change your shift?
02:56Or is it out of pride?
03:01I'm convinced that he'll know how to solve it in the best way.
03:06It's up to you.
03:07Let's have a great night.
03:16I have to go to Toledo.
03:18I'm going to buy a new masonry for the big house.
03:21The ones there are very worn out.
03:23Is that also part of your plan?
03:26I mean,
03:30to worry about the well-being of the Reina family
03:33when deep down we're planning to take everything away from them?
03:38What does that have to do with anything?
03:40I thought we agreed.
03:42And we are, mother, but I don't think they should pay justice for sinners.
03:47Andrés is going to stay the way he is.
03:50No one is going to take what's his.
03:52He's the only one who's worth it in that family.
03:56And Marta?
03:58Marta is another song.
04:00I have nothing against her.
04:02Although she's not jumping for joy either.
04:05I have my reservations.
04:07I don't know if the position has changed her.
04:09What do you think?
04:11She's very attached to the company.
04:13And she's ambitious.
04:15And you've seen her.
04:16When she feels attacked, she's relentless.
04:18And she takes her place to shine.
04:20Andrés would never do that.
04:22Luis, you have to think about yourself.
04:24About us.
04:25Now more than ever.
04:28Remember all the years we haven't been able to decide our fate.
04:34We don't want to drown in the suffering of the Reina family.
04:38But we can't allow them to put their foot in our necks again.
04:44At least...
04:46We're almost on the same page, aren't we?
04:49Almost. You said it.
04:51The one who's still in charge of the company and our lives is your uncle.
04:57Don't forget that.
05:00Can I trust you without any doubt?
05:05Yes.
05:07Can you hide it from your cousin, Andrés?
05:10Mother, I've done it before.
05:22Begoña.
05:23Hi, Digna. I'm sorry to introduce myself like this.
05:25Come in, come in.
05:28I have to talk to you.
05:31Well, Luis is about to go to work.
05:35Yes, yes, I had to go. What's up, Begoña?
05:38Do you want coffee?
05:39No, no, thank you.
05:41Well, see you later.
05:43See you later.
05:51I need your help. It's about the girl.
06:01I'll be right back.
06:06What does it say here?
06:08Come on.
06:09You're not a doctor.
06:11Two coffees.
06:13One with condensed milk and the other cut.
06:16Condensed milk, it says here.
06:18Of course.
06:19Let's see if you boil it a little more.
06:20Of course, Mateo.
06:21Have you been rehearsing with the tray, as I told you?
06:23Yes, yes, last night when I got home I was rehearsing.
06:26Can't you tell?
06:27Yes, man, with a glass and it was empty.
06:29Come on, man.
06:30Some glasses were waiting for you there.
06:32Come on, cheer up.
06:35Come on.
06:39Let's see.
06:40Keep your fingers wide open.
06:43Use your physique.
06:46And the glasses have to be well extended
06:51so that the balance is maintained.
07:01Don't worry, man.
07:02I was looking at you and you got nervous.
07:04It's okay.
07:05Look, that table.
07:06Go get it while I make the coffees.
07:17Hi.
07:18Hi.
07:19How are you?
07:21I don't know.
07:23Look at him.
07:24He's taking it easy.
07:26Yes, Dad, I told you.
07:29He's going to learn fast.
07:30He's very smart.
07:31Yes, he is.
07:32He's a phenomenon.
07:33It's like he grew up here in the canteen.
07:36Hey, that's enough.
07:38I'm learning.
07:39Okay, come on.
07:40Who's going to make me three coffees?
07:42Come on, let's go.
07:50Dad, who's going to sell me all these tickets for the raffle?
07:53But you already have them.
07:54Look how nice they are.
07:56Yes, they are nice.
07:59Be careful with the coffees in the coffee maker.
08:01You're going to spill them.
08:02Wait a minute.
08:03I'm doing it.
08:19Here are the coffees.
08:22Give me back the tray.
08:24Of course.
08:25You just made the best three coffees in the world.
08:28Look, I taught you how to carry the tray.
08:30So you can learn.
08:37Come on, Romeo.
08:38Stop looking at Julieta and change the ashes.
08:44No, no, no.
08:45Leave the tickets, man.
08:46You're not trained yet.
08:48They'll pay you when they come to the bar.
08:52We ran into the church, Sancho.
08:58I saw you coming through the window and I came down to welcome you.
09:02Thank you very much for...
09:03Do you know what your son Jesus has done to Julia?
09:06He has changed her boarding school so that we can't go see her.
09:09First news.
09:11And how did you find out?
09:12Begoña went to see her yesterday.
09:14And at school they told her that her father had ordered the transfer to another school.
09:18And at school they told her that her father had ordered the transfer to another school.
09:22How is it possible?
09:23Where did he take her?
09:24You go find out.
09:26At school they told her that they couldn't tell anyone where she was.
09:29And much less Begoña.
09:30Do you think this is normal?
09:32The girl was already adapting.
09:34She had new friends.
09:36She will feel very lonely wherever she is.
09:38About this son of mine...
09:40I swear I didn't know anything about him.
09:42Then talk to him.
09:44And force him to bring Julia to this house as soon as possible.
09:48What he is doing to that girl to hurt Begoña has no name.
09:53I know that Jesus loves Julia a lot, even if it doesn't seem like it.
09:57Well, don't love her so much.
09:59And look after her more.
10:01We already know your way of loving.
10:04Always looking for yourselves.
10:06Is this always going to be like this?
10:08Are you always going to talk to me like this?
10:10Well, no.
10:11There's no reason.
10:14Talk to your son.
10:17And do everything you can to make him bring my granddaughter to this house as soon as possible.
10:23You will know very well how to do it.
10:26I will do what I can.
10:29Igna.
10:31I didn't expect to see you here.
10:33Neither did I.
10:34But you see.
10:36There are things that never change.
10:44Your husband will love it.
10:47Enjoy your anniversary.
10:49I hope so, Fina.
10:51See you later.
10:52See you later.
11:00Carmen.
11:03I just realized that I don't book this afternoon.
11:07Did you ask me to book?
11:09No, but I thought I was booking.
11:12Well, if you didn't ask me.
11:14Get organized with Claudio and Jacinto.
11:16Carmen, it's just that Jacinto has to be released.
11:18And you know that he is not a saint of my devotion.
11:21Well, you know what you have to do.
11:23Carmen, please.
11:25Marta invited me to go to the opera.
11:26You know how hard it is for us to find a time together.
11:30Come on, what do you want me to ask him?
11:33Here you go.
11:36Carmen, you can't tell him that you were wrong by filling out the releases.
11:40And that tomorrow you can release him.
11:42But today it's my turn.
11:43Fina, when we've had this kind of problem, we've solved it between us.
11:46Like good companions.
11:48Yeah, but it's just in this case.
11:50No, in this case I'm not going to intercede.
11:52You really look like a little girl.
11:54With the nonsense that you don't like Jacinto.
11:57Carmen, tomorrow it's inventory day, Fina.
12:00If you ask Jacinto to change the day, he'll win.
12:04No, yes, yes, it's not a bad idea.
12:06But still I can't ask Jacinto.
12:10Carmen, please.
12:11I'm not going to tell him.
12:12So if you want the afternoon off, you know what you have to do.
12:18And why do you want the afternoon off?
12:22Well, because I have a life, Claudia.
12:32Why did you ask her to come back?
12:37I don't understand you.
12:38With all the damage I've done to her and you forcing her...
12:41Fina is essential in this house.
12:43I can't let her go and lose her forever.
12:47You've lost her, Damian.
12:50You yourself confessed to me that you didn't deserve her.
12:54But I'm still in love with her, Isidro.
12:58And I hope that over time she can forgive me.
13:04Let her go.
13:06Why do you ask me if you know what I'm going to tell her?
13:10Because even though I know what you think of me,
13:14I still consider you my best friend.
13:16And what you tell me matters to me.
13:20Fina has suffered a lot.
13:23First, the poor Gervasio.
13:26Then Valentín.
13:29And when it seems that everything has happened,
13:31she seeks refuge in you only to find more suffering.
13:36It was never my intention.
13:41Try not to hurt her anymore.
13:45We all have our limits.
13:47I love you.
14:04Tomorrow, at the latest, you will have your request for Essences de la Reina,
14:08along with a batch of our latest soaps and moisturizing creams, due to the inconvenience.
14:13If we had ever had a delay in production,
14:15and I assure you that it will not happen again,
14:17I give you my word.
14:20No, you for understanding.
14:23Good day.
14:27Come in.
14:30Did you want to see me?
14:31Come in.
14:34The new batch of Essences de la Reina should be in stock
14:37in the next 24 hours, as of late.
14:42Impossible.
14:44We already have the formula and the measures.
14:46Yes, but that would mean doubling the night shift,
14:49and I'm not going to squeeze the operators' nuts like that.
14:52Well, they are asked to make an exception.
14:55Once again.
14:56No, Marta.
14:57I think the departure could be ready a few hours later,
15:00without having to rush anyone.
15:02Look, Joaquín.
15:03I've been giving excuses for two days.
15:05I have promised the customers that tomorrow, at the latest,
15:07they would have it in their shops.
15:09And we are not going to fail them.
15:12Marta, well, call them and explain the situation to them.
15:15What situation?
15:17Do you want me to explain to them that our perfumer
15:20left at night and left us with our asses in the air?
15:24Marta, there are unforeseen events in all companies,
15:26and you don't need to give them more details.
15:30Ask them to be patient.
15:32I've already asked them to be patient.
15:35Now I've given them my word.
15:37Well, badly done.
15:38You should have consulted with me before promising them anything.
15:42But you still have time to rectify it.
15:44I'm sure they understand.
15:45No, you're the one who doesn't understand.
15:48I can't back out,
15:49because they would think that the delay has to do with my ineptitude
15:51directing the company there.
15:52No, I'm not going to back out.
15:55So that's what it's about, right?
15:57The fear that they'll think badly of you.
16:00It's about the company.
16:04If they don't get the order in time,
16:06they can think that the new management
16:08or the new directive
16:09is not as serious and fulfilling as it was before.
16:13You've only been a shareholder for one day
16:15and it seems that you've already forgotten how things work.
16:18Being in the directive is not just coming to work
16:21dressed in a suit.
16:25That comment is a work of art.
16:28And I haven't forgotten anything.
16:29Right now, I'm more aware of what's good
16:32and what's bad for our workers.
16:36And I know perfectly well the production of this factory.
16:39And I think that's the only reason I deserve a bit of respect.
16:53Choose a place in the world you want to go.
16:56Here?
16:58You've had to go so far, to Japan?
17:00They're all Chinese, what are we going to do?
17:04See cherry blossoms?
17:09Yes.
17:16Now you've studied geography?
17:21It's the globe I gave Julia for her birthday.
17:26I remember it perfectly.
17:29I wonder
17:33how many birthdays my granddaughter has left for me to live at my age.
17:37Well, she still has a lot of war to fight.
17:40Don't get so dramatic, man.
17:42It's the law of life, Jesus.
17:46I don't have much time left.
17:49And I'd like to enjoy the time I have left with my granddaughter.
17:55I miss her a lot.
18:04Me too.
18:06And even more now
18:08that everything in this house is so terribly bad.
18:12Wow.
18:14At least a trace of humanity on your part.
18:17I could say the same about you.
18:23I also miss her.
18:25I miss her joy, her laughter.
18:28So
18:30what are you waiting for to bring her back home?
18:35I could wait for things to get better, but that's not going to happen, right?
18:39That's why I've decided to change her boarding school.
18:43It's too hard a punishment.
18:46For everyone, starting with you.
18:49Julia should be on the brink of the problems in this house.
18:52And that's why she's out? To keep her safe?
18:57You've separated her from her family.
19:02She must feel very lonely.
19:05She wouldn't feel better here either.
19:07She'd have the love of all of us here.
19:10Really?
19:11While the daggers fly from one to the other?
19:15Right now, Digna would like to kill us both.
19:17Begoña doesn't even look me in the face.
19:19Andrés and María are at La Gresca.
19:21Should I go on?
19:23I imagine we'd all make an effort for her not to find out anything.
19:27Don't be ridiculous, Father.
19:29Julia sees beyond what's out there.
19:31And I don't want her to grow up with traitors
19:33who first say one thing and then do another.
19:36This house has become a hell.
19:38Well, you used to cook everywhere.
19:40Yes, but those who cook here stink.
19:44You're resentful.
19:48And you're paying for it with your daughter.
19:51I've made a decision and I have to stay firm.
19:53What kind of man would I be if not?
19:56I see a man full of resentment.
19:59You'd rather give up what you love the most
20:02so that everyone suffers the same as him.
20:07That's what you want to be, isn't it?
20:10It's been a long time since I felt that way.
20:12And I don't think I can change it.
20:16Look, Marta, honestly,
20:17if this is going to be a constant fight between you and me,
20:20I don't think we'll ever get this boat to Buen Puerto.
20:24Not long ago, you were delighted that the boat went ashore
20:27when your brother took the formula.
20:29Yes, but things have changed.
20:31An injustice had been committed and now it has finally been repaired.
20:34And there is no rematch?
20:36No, Marta, no.
20:37There will be no rematch.
20:39Now a new stage opens up.
20:42Without insults and without bad manners,
20:45like the ones I had to put up with for years with your brother.
20:49I really don't want to question your position or your authority.
20:53In fact,
20:56I'd love for us to get along as we've always done.
21:01I'm sorry I spoke to you like that.
21:05I'm not my brother Jesus
21:06and I want to run the company in a different way.
21:09Although sometimes I get the impression that everything goes against me.
21:15There will always be obstacles.
21:19But you and I together,
21:21I'm sure we're capable of solving them.
21:26As long as we agree on them.
21:28That's for sure.
21:30Do you think that at least
21:32we could serve the orders to the most important clients?
21:35I'm talking about 60% of the remittance.
21:39Yes, I think that would be acceptable,
21:42but we'll have to take extra hours.
21:44Which would be paid properly.
21:46Are you sure?
21:49Deal.
22:02It's so obvious that she's not here.
22:05My daughter.
22:08You can come see her with me the next time she goes.
22:17No.
22:18I won't do it again, please.
22:21Are you going to get offended now because I'm giving you money?
22:24For that reason, yes.
22:25Yes, I'd feel bad.
22:27How much do you want to bring Julia back?
22:30Another million pesetas?
22:31Is that enough?
22:33Money is the only thing you care about, right?
22:36You had no problem accepting it
22:39in exchange for not reporting Begoña.
22:42When it comes to my daughter,
22:44there's not enough money in the world
22:46to act against my will.
22:47What kind of father do you think I am?
22:50The same one you were, Jesus.
22:52The same Jesus of the Queen.
22:55The same father who left his daughter without a mother
22:58for a snatch of anger like the one you have now.
23:04Two million?
23:05Is that okay?
23:13My daughter is not for sale,
23:15nor will she ever be.
23:20At least tell me where she is!
23:24Damn you.
23:25Damn you.
23:41Carmen, help me put the shelves back
23:44because you don't know what we've sold in the last hour.
23:46What about Fina?
23:47She had to run to the bathroom
23:49because a woman splashed water from Colonia in her eye.
23:51How did that happen?
23:53The woman who had the water in her hand
23:55got stuck in the test tube
23:57and started doing this and that
23:58when she wanted to get out of Colonia.
24:01She ran to the bathroom.
24:03Oh my God.
24:04We're going to have to put the test tubes
24:06behind the display and use them ourselves?
24:08Of course.
24:10What about Acinto?
24:11Acinto has been packed.
24:13He's gone to the Queen's for more essences.
24:15There weren't any left here.
24:16Let's see if we're lucky.
24:17I don't think he'll be back until tomorrow.
24:20Go and bring Boni.
24:21Come on, we're still making the basket.
24:23Okay.
24:30Good morning.
24:31Good morning.
24:32Very good, Mr. Joaquín.
24:33Congratulations on your new position in the company.
24:36I'm sorry, the suit is wonderful.
24:39It's true.
24:40Well, it took me a long time to convince him,
24:41but in the end he listened to me.
24:42Come on, Mrs. Gema will be happy.
24:44I'm very proud.
24:46I can't deny it.
24:47And well,
24:48at least I'll have more free time
24:49to stop by and see the news
24:51and not have to wait for my husband
24:52to give me a discount from the factory.
24:55You know,
24:56at the blacksmith's house,
24:57knife or stick.
24:58Yes, and I understand,
24:59because after working all day
25:01between perfumes and soaps,
25:02I'm sure that when you get home
25:03you don't want to know any of that.
25:05Well, the truth is that I don't get tired.
25:07In my house I never miss
25:08the lavender water
25:09or this wonder of perfume
25:11that smells of azar
25:12and reminds me of my Seville in spring.
25:14Do you want to smell it?
25:15Of course.
25:17Come on, thank you.
25:20Oh, how wonderful.
25:22But how did I not know him before?
25:25Come on, Mrs. Gema.
25:27Don Joaquín.
25:28It's nice to see you around here.
25:29Do you remember me?
25:30How can I not remember?
25:31After the great job we did
25:32selling clothes to the ladies.
25:34Yes.
25:35I haven't seen Mrs. María in a long time.
25:37Is she well?
25:38Of course, she's perfectly well.
25:40I'll send her memories of you.
25:42Yes.
25:43And tell her that we're doing a raffle
25:45here in La Colonia
25:47to create a cradle house.
25:49Yes, so mothers can go to work
25:51and leave their children alone.
25:53What a good idea.
25:54Yes.
25:55Look.
25:56Today I got the tickets from the printing house.
25:58A whole lot of perfumes from La Reina
26:00is being raffled off.
26:02And also a trousseau
26:03donated by Porcelana Romero.
26:05That was thanks to our priest, Don Agustín.
26:07But well, we're open
26:09to many more donations.
26:11And if you want to buy a ticket,
26:14we can also donate something.
26:16Right, Joaquín?
26:18Yes, of course.
26:19Well, I'll look for something to donate
26:21so we can encourage everyone
26:22to participate in this raffle.
26:24Thank you so much, Mrs. Hema.
26:27And this is a gift for you.
26:31Here you go.
26:32Oh my, thank you so much.
26:33Well, let's see if you can come here again.
26:35Yes.
26:37Done.
26:38Shall we go, Joaquín?
26:39Yes.
26:40Have a good day.
26:41You too.
26:42See you later.
26:44See you later.
26:57Come in, it's open.
27:01Good morning.
27:02Dr. Borrell isn't here.
27:04Can I help you with something
27:05or do you want to book another day?
27:08Good morning.
27:10Fortunately, I don't need anyone to see me.
27:12What do you do for a living?
27:16Well, you tell me.
27:18How can I help you?
27:21What a beautiful profession you have, right?
27:23Always helping others.
27:26Just like me.
27:27Only you take care of the machinery
27:29and I take care of the spirit.
27:31Well, for me, it's all connected.
27:33Body and soul.
27:35Maybe that's why you're so famous
27:36for being so good at what you do.
27:39First news.
27:40I didn't know you were famous for anything.
27:42I've heard some comments
27:44about how hardworking you are
27:46and how modern you are.
27:49Is that why you're here?
27:51Do you want to discuss with me
27:52how modern or classic I am
27:54for some special reason?
27:55You tell me,
27:56since you're so smart.
28:02The infidelity you've committed
28:03is not a good admission.
28:06You're accusing me of something very serious.
28:08I'm sorry for you,
28:09both on earth and in heaven.
28:10I've always loved you for good.
28:13What you're saying,
28:14you can't prove it.
28:21I can't,
28:22but maybe someone else can.
28:34Well, well, well.
28:35You're doing great.
28:37What?
28:38You're a big shot.
28:40What else would I want?
28:43Hey, by the way,
28:44can you stay here for a moment?
28:45I have to cut the cheese.
28:46Gaspar's gone.
28:47I don't want to leave this alone.
28:49Well, come on, Mateo.
28:50But hurry up,
28:51I have to go back to the store.
28:52Yes, yes, don't worry.
28:53How many tickets have you sold?
28:55Well, none.
28:56They're just like the ones you left.
29:00Come on, we're busy.
29:01Yeah.
29:07Good morning.
29:14Good morning.
29:15Good morning.
29:16Don't go, please.
29:17Buy me a cup of coffee.
29:19A coffee.
29:20Don't leave me there.
29:22Thank you very much.
29:25Pinar,
29:26can you bring me a glass of wine?
29:31Excuse me, sir.
29:33The waiter has just left
29:34and the boy who helps him
29:35is inside cutting cheese.
29:37But he's being taken care of.
29:38What a way to take care of a business.
29:40Then they'll complain
29:41when the bills don't add up.
29:43No, no, sir,
29:44it's something specific.
29:45I come to this canteen every day
29:46because I work here as a waitress
29:48in the store next door
29:49and they always take good care of her.
29:53Excuse me for bothering you, sir,
29:55but are you interested in social causes?
29:59Some more than others.
30:01And how would you see
30:02that here in La Colonia,
30:04in factories like this,
30:05they built a cradle home
30:07so that mothers could leave their children
30:09and go to work in peace?
30:11I think mothers should stay at home
30:13taking care of their children
30:14instead of going to work.
30:16Well, of course.
30:17That goes without saying.
30:19The problem is that mothers
30:20don't pay us anything
30:21for staying at home
30:22taking care of the children.
30:23Pay?
30:24It would be good
30:25if you now considered
30:26being a mother
30:27a remunerated job.
30:29Well, it's a job
30:30we do for a living.
30:32The thing is that sometimes
30:33with the husband's salary
30:34it's not enough
30:35for all the expenses
30:36of a family.
30:37True, you're right.
30:39It's a sad reality.
30:41And imagine,
30:43there are even worse people.
30:45Women who stay widowed,
30:47for example,
30:48they have to work COC
30:50or, in the case of a waitress
30:51in La Colonia,
30:52this week she had to
30:53leave her child
30:54all week
30:55with the doctor of La Colonia
30:56because she had varicella
30:57and she couldn't take it.
30:59Well, not to mention
31:00the number of women
31:01who leave their children
31:02in situations...
31:03Tell me, please,
31:05who are you trying to sell me?
31:06Save it for later.
31:09Well, the truth is that
31:10I would love to sell you
31:11a ticket for the raffle
31:12we are organizing.
31:13Precisely to raise money
31:14for the Cuna house.
31:16It's very cheap.
31:17It only costs a little.
31:18Less than the wine
31:19you're going to drink.
31:21In addition,
31:22a whole lot of perfumes
31:23from the queen is raffled.
31:25You give that to your wife
31:26and she looks like a king.
31:29Come on, gentleman,
31:30buy me one.
31:31With how elegant you are,
31:32surely your colleagues
31:33from the canteen
31:34will be encouraged
31:35to buy me another one.
31:37I'll give you one.
31:38One? No, I'm not interested.
31:40But twenty, yes.
31:41Twenty?
31:42Twenty.
31:44Come on, give me twenty.
31:50Have you sinned,
31:51admit it or not?
31:52Of course.
31:53And according to you,
31:54I deserve to be stoned, don't I?
31:56Maria has already thrown
31:57the first stone
31:58and now it's your turn.
32:00My duty is to save
32:01the lives of my loved ones.
32:03You promised God
32:04to respect and love
32:05your husband
32:06until the end of your days.
32:07He promised the same
32:08and the next day
32:09he was in bed with his secretary.
32:11My husband doesn't deserve
32:12my respect or my love
32:13because he has done
32:14terrible things
32:15to make me submissive.
32:16Women like you
32:17have the power
32:18to despise husbands
32:19who are more honest and devoted.
32:21What does that mean
32:22about women like me?
32:24You just have to look at yourself
32:25serving anyone
32:26before your husband.
32:27That's not the role
32:28of a good wife.
32:29I've tried for a long time.
32:31I've given myself
32:32and my soul
32:33to my husband and his daughter
32:34which is the only reason
32:35why this marriage was worth it.
32:36And do you know what I've done?
32:38I've put the girl in a boarding school
32:39just to keep her away from me.
32:41The girl is suffering
32:42just because she wants to punish me.
32:43That doesn't seem cruel to her.
32:44That man is hurt
32:45in the deepest part of his pride.
32:47Only you have the balm
32:48that could heal him
32:49with your love
32:50and your dedication.
32:51Think about the harm
32:52you've done
32:53to Maria and Jesus.
32:55I know you're a good woman.
32:56You just have to
32:57go back
32:58to the path of truth.
32:59I could help you if you...
33:02But it's not necessary.
33:03You've helped me enough.
33:05Now, if you'll excuse me,
33:06I have to get back to work.
33:08Are you kicking me out?
33:10I don't know.
33:11You tell me,
33:12you're so smart.
33:28Come on, come on.
33:29You bought me 20 boletos.
33:30Oh, that's great.
33:31I was cutting cheese
33:32and I couldn't do anything else.
33:38Father?
33:41I thought you were in...
33:43in Colombia,
33:44on a business trip.
33:45I came back last night, Mateo.
33:48Your mother wrote to me
33:49very alarmed.
33:51So...
33:52I've come here
33:53to make her cry.
33:54What I've said is true.
33:56Mother never lies,
33:57even if she exaggerates.
33:59Your mother didn't exaggerate
34:00when she said you were
34:01working in a tavern
34:03and that you had left
34:04the antidote.
34:07Well,
34:08I think she has met
34:09Claudia,
34:10my fiancée.
34:12So you're the famous Claudia?
34:14The same.
34:17I'd like the three of us
34:18to sit down
34:19and have some wine
34:20if possible.
34:26Mateo,
34:27I think it's time for lunch.
34:29I'm going to call the store
34:30and tell them I'll be late.
34:45I'm here.
34:46I'm sorry
34:47I took so long.
34:48Thanks, Tere,
34:49for starting with the floor,
34:50but I'll take care of it.
34:51Teresa,
34:52I'm going to finish
34:53the rooms, please.
34:56You know...
34:58You know how much
34:59your son is respected
35:00in the factory.
35:02He's earned it
35:04for being such a good worker.
35:07And he's finally
35:08where he deserves to be.
35:09Oh, by the way,
35:10if I didn't know,
35:11they're going to organize
35:12a raffle at the store
35:13because they want to build
35:14a house in La Colonia.
35:15Really?
35:16That's a good idea, isn't it?
35:17Yes.
35:18So the workers
35:19can take their children there.
35:20That's right.
35:21And I've proposed to your son
35:22to see if we can
35:23donate some value
35:24so that people
35:25can buy all the tickets.
35:27Donate?
35:30Well, dear,
35:32we don't have much to give.
35:42Aspar,
35:43can you make me
35:44a sandwich, please?
35:46Don't you prefer a skewer?
35:48No,
35:49but a sandwich
35:50to take and eat
35:51in the store
35:52when the customers
35:53have a bit of peace.
35:55Why?
35:56Because I've bought
35:57less bread to save
35:58and I don't know
35:59if I'll have enough for lunch.
36:00How can you be
36:01so stingy?
36:03I don't have the money
36:04to pay Mateo's salary.
36:06And I like having him here
36:07even if it's just
36:08an eight with the tray.
36:10Oh,
36:11so you see Claudia
36:12talking about her fiancé.
36:14She says he's almost
36:15a better waiter than you.
36:19Oh,
36:20it has to do
36:21with the little turtles.
36:22I don't know
36:23what they're for,
36:24but they're good people.
36:26I'd give anything
36:28to help them,
36:29but I'll have to
36:30take it from me
36:31to give it to them.
36:32But,
36:33dear Aspar,
36:35why did you hire him
36:36if you can't pay him?
36:38Because no one wanted
36:39to hire him
36:40and I felt sorry for him.
36:41The poor guy
36:42needs to get money
36:43from anywhere
36:44to get married
36:45and raise his son
36:46with Claudia.
36:47You should tell him.
36:48But how?
36:49In the end, how?
36:50I'm not even able
36:51to tell him
36:52to leave the puppies
36:53in the trash
36:54when they get cold.
36:56You're on good terms with him.
36:57Yeah.
36:59He's a good kid,
37:00but he's raised
37:01like a gentleman
37:02and he's used to
37:03everything being done to him.
37:05Well,
37:06he was helping us
37:07in the store
37:08and making the appointments
37:09and he wasn't doing
37:10anything wrong.
37:12Wow.
37:14Why don't you hire him
37:15as a dependant?
37:17Well,
37:18we already have
37:19Jacinto's son
37:20who makes me
37:21feel bad
37:22with his face
37:23like he knows everything.
37:26And I'm going to have
37:27to work to ask him
37:28for a favor.
37:33How are you?
37:34Can you get me
37:35a coffee?
37:36Of course.
37:37I'm on my way.
37:41What a mess.
37:42I thought we'd have
37:43something worth it,
37:44but we're poorer
37:45than rats.
37:46Even if Joaquin
37:47is the boss now.
37:48Well,
37:49you'll make more money soon
37:50and you'll be able
37:51to do everything
37:52you deserve.
37:53When, Digna?
37:54When?
37:55In many years
37:56and by saving.
37:58I'm so stupid
37:59to think she was
38:00already a lady.
38:01I have nowhere
38:02to go.
38:03You have money
38:04to buy tickets,
38:05like me.
38:06There are people
38:07who don't even have that.
38:08And people who have
38:09to give and take
38:10like the Queen.
38:12Gemma,
38:13I think I know
38:14what you can donate.
38:15Something that has
38:16a lot of value
38:17and won't even happen
38:18in your dreams.
38:19Like what?
38:20The sweets from your town.
38:22They taste like glory.
38:25The Benavente sweets?
38:26They're wonderful.
38:28Every time you've made them
38:29for a special occasion
38:30they've turned out great.
38:32Wouldn't it be strange
38:33to bring something to eat?
38:34No, not at all.
38:36Those sweets are a gem.
38:38We'll buy some nice ties,
38:39wrap them up nicely
38:41and you'll look like a queen.
38:43If you say so,
38:44it'll be true.
38:45I'll finish the stew
38:46and I'll go out for a second
38:47to buy the almonds.
38:48No, no, no.
38:49I'll finish the stew.
38:51Really?
38:52Of course, go.
38:53They're going to lock you up.
38:54Thanks.
38:59I'm off then.
39:05Oh, God.
39:08What about you?
39:10Have you found
39:11what you were looking for
39:12in the warehouse?
39:13Yes,
39:14but it took me
39:15quite a while
39:16thanks to your system
39:17to find it.
39:19Well,
39:20we've always found
39:21what we were looking for.
39:23You'll get used to it.
39:24Here you go,
39:25the coffee.
39:27Let me see.
39:29Let me see this.
39:30These are cracks,
39:31let me see.
39:32Yes, I have them distorted
39:33from so much scrubbing.
39:34They made me see a cut
39:36with the trash can
39:37that...
39:39Well, look.
39:41Put on this hand cream
39:42every night
39:43and you'll see
39:44how those cracks
39:45go away.
39:47Oh, man.
39:50Where have you seen
39:51a man put hand cream
39:52on his hand?
39:54Well, I don't know.
39:56Do you think
39:57it's a decorative ointment?
39:59Well, it's like that, yes.
40:01Thank you very much.
40:02You're welcome.
40:03I'm giving away samples
40:04to all the customers
40:05in the store
40:06and you weren't going
40:07to do less, Gaspar.
40:09Why didn't you tell me
40:10you had a remedy
40:11for my hand problem?
40:12What remedy, Gaspar?
40:13What remedy?
40:14Let's see if now
40:15my friend here
40:16thinks he's a pedicure.
40:18Hey, girl,
40:19leave the sandwich.
40:29My good friend, Pedro.
40:31What a joy to see you.
40:32I'm also glad to see you,
40:33Damián.
40:34Although I've seen what I've seen,
40:36I should have come back earlier.
40:38Well, you'll tell me why.
40:39Do you want something to drink?
40:40No, thank you.
40:41I just had a glass of wine
40:42in the cellar of your factory
40:43and I shouldn't drink any more.
40:45Last night I came back from Colombia
40:47and I could fall asleep
40:48at any moment.
40:50Well, I suppose you're here
40:51to say goodbye to Mateo
40:52before he goes to Rhodesia.
40:54I thought he was going to leave earlier,
40:55but it's known
40:56that he has delayed his trip.
40:58No, Mateo is not going anywhere.
40:59That's why I'm ahead
41:00of my trip to America.
41:02How is that?
41:03How is that?
41:04So the boy
41:05is not going to the missions?
41:08You really don't know anything, Damián.
41:10Look what I asked you
41:11to do.
41:12I asked you to keep an eye on him.
41:13Yes.
41:14I'll find him working
41:15in the tavern when I get back.
41:16I'm sorry.
41:18Things have happened to me
41:19in my family lately.
41:20They've kept me away
41:21from the factory.
41:23But as you said,
41:24he's working in the tavern.
41:26Yes, son, yes.
41:29Mateo has left the priesthood
41:30because he fell in love
41:31with a girl
41:32who works in your company.
41:34He has even asked
41:35for the papal dispensation
41:36to get married.
41:37And since he has given up
41:38his salary as a priest,
41:39he has no choice
41:40but to work at my tables.
41:42Oh, that's terrible.
41:43Well, the only thing
41:44that comes to mind
41:45is that the priest
41:46hasn't wanted to do anything to me
41:47because of all the problems
41:48I've had.
41:50May I know what they are?
41:52Well, there haven't been many.
41:55The worst
41:56has been the death
41:57of my son-in-law Jaime.
41:59Marta's husband
42:00was diagnosed
42:01with a brain tumor
42:03and couldn't get over it.
42:06May God rest his soul.
42:08You don't know how I feel.
42:10The truth is
42:11that I haven't had
42:12any of your news either.
42:13Mateo hardly ever tells anything.
42:16I can only tell you about him
42:17with all sincerity.
42:19He seems to me
42:20to be a wonderful, honest boy
42:22with a good heart.
42:24Yes, he has always been
42:25a defender of lost causes,
42:27like that Claudia of yours.
42:29Ah, it's about Claudia.
42:31Well, I see
42:32that at least you know her.
42:33Yes.
42:34He offered to marry her
42:36when he found out
42:37that she had gotten pregnant.
42:38Well,
42:39it was a long time ago.
42:41So it's a long story.
42:43Well,
42:44it was a purely altruistic thing.
42:46He just wanted to help her,
42:47but she convinced him
42:48to go back to the seminary
42:49and get married.
42:50Really?
42:51Well, now she seems delighted
42:52to be able to marry him.
42:54She's a good girl, Pedro.
42:56What if it's a scandal
42:57of great proportions,
42:59too?
43:01And that can spoil our business.
43:03Man,
43:04but if you have the firstborn here...
43:06Don Pedro,
43:07how long!
43:08I didn't know you were going to visit us.
43:10Well, it was an impromptu visit.
43:11The truth is,
43:12I came here to see my son
43:13who is working in the canteen
43:16and I couldn't leave
43:17without saying hello to your father.
43:20Well, it's probably a call
43:21I'm waiting for.
43:23Take care of our guest in the meantime.
43:25Of course.
43:28Well, well.
43:31You tell me, how are you?
43:32Tell me.
43:34Do you still have a firm hand?
43:36The truth is
43:37that now I'm in other deals.
43:40Oh, I see.
43:42It's hard for me to believe
43:43that your father has let you escape.
43:45Well, all the chicks
43:46end up leaving the nest, right?
43:48What are you doing then?
43:51It's...
43:52It's a long story.
43:54Are you going back home
43:55or are you staying in Toledo?
43:56No, I'll stay here for a few days
43:57with my wife
43:58in the house we have in Talavera.
43:59I just arrived from Colombia
44:00and I don't want to walk from here to there.
44:02Well, if you think so,
44:03I'll call you tomorrow
44:04and we'll meet.
44:06Good.
44:08Good.
44:10I have to go.
44:11Do you mind
44:12apologizing to your father?
44:13No, of course not.
44:14I'll walk you to the door.
44:15Good.
44:17So you've been in a lot of deals lately, haven't you?
44:20Yes.
44:21And according to what Damien told me,
44:22he has offered him
44:23a lot of money
44:25in exchange for bringing the girl here.
44:27But it's gotten worse.
44:29He has refused radically.
44:31But then
44:32he doesn't know
44:33where he's taken her.
44:34Not even.
44:36He hasn't been able to find out.
44:39Begoña, are you there?
44:41Yes.
44:42Yes, yes.
44:43Thank you for trying, Digna.
44:45I'm going to do everything I can
44:47until I know where Julia is.
44:49You're not alone in this, Begoña.
44:51I agree.
44:55Come in.
44:59Digna, I have to leave you.
45:00We'll talk later more calmly.
45:01Yes, of course.
45:02Don't worry.
45:03Goodbye.
45:10What happened?
45:11It was Digna who told me
45:12that your father had spoken to Jesus
45:13to bring the girl back.
45:15And he hasn't got her.
45:17It was to be expected
45:18from a soulmate like my brother.
45:19But she's his daughter.
45:20Andrés.
45:21How can he just let her suffer like that?
45:24Can't you imagine how cruel it was with her
45:25when he found out she wasn't his natural daughter?
45:29The poor thing didn't understand anything.
45:32Begoña.
45:33Can I get an idea?
45:35He's destroying her.
45:37And he's going to keep doing it
45:38little by little while she's alive.
45:40Like he's doing to me.
45:42Do you realize
45:43how that girl is going to live?
45:45That nightmare will end
45:46when Jesus goes to jail.
45:48It will never end for me.
45:49Because I will always be united to him.
45:51Before God and before the law.
45:58The only way out would be...
46:01Which one?
46:04To ask for a marriage annulment.
46:09That would be the only way to get freedom.
46:13I know it's very difficult, but...
46:15Andrés, no one can force me to live
46:16with an unscrupulous murderer
46:17capable of anything.
46:19That's what scares me the most.
46:21What gives me strength
46:22is to end this once and for all.
46:24I could kill you when I know
46:25I could lose you forever.
46:26You've already lost me, Andrés.
46:28And I swear I'd rather be dead
46:29than spend another minute with him.
46:31Virginia, please, don't say that.
46:32For what you love most.
46:34What I love most is you and Julia.
46:36And I'm not comforted
46:37by being with you for a while.
46:40I love you for everything.