Salón de té La Moderna - Ep 244
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00:00A FEW HOURS EARLIER
00:13How do you feel after dinner?
00:15Good, good.
00:17I feel better now.
00:20Do you know where Pietro is and who I am?
00:23Of course I do.
00:25We're at our house.
00:28And you're my wife, right?
00:29And the stewed potato omelette you made for me was delicious, as always.
00:35Oh, honey.
00:37It's a good thing my shirt didn't get to my body.
00:40I'm sorry.
00:42The last thing I want is to worry you.
00:44No, honey, don't apologize.
00:46It's not your fault.
00:50It's hard for me to believe what you've told me.
00:56I didn't know who you were or where you were.
00:59It's been terrible, really.
01:00You looked at me as if it were the first time you saw me.
01:06Pietro?
01:10Who is this?
01:12What do you mean, who am I?
01:14Pietro, I'm Antonia.
01:17I'm your wife, honey.
01:20Pietro, you're scaring me.
01:23Pietro.
01:25Let's go home.
01:27Let's go home, okay?
01:29Honey.
01:31Please.
01:33Pietro.
01:37Come on, Pietro.
01:39Calm down.
01:40Come on, Pietro.
01:42Calm down.
01:53I can only remember that we argued, Antonia.
01:56And...
01:58And then I have a big emptiness.
02:02That ends when we sit at this table.
02:10What's happening to me?
02:13I don't know.
02:16But don't worry, we'll figure it out.
02:22I'm so lucky to have you by my side.
02:24No.
02:25You're both lucky.
02:28Come on.
02:29Go to bed, you have to rest.
02:35I hope he wakes up tomorrow and discovers it was all a nightmare.
02:41Yes.
02:46I promise I'll get better.
02:50Okay?
02:51Okay.
02:55Good night.
02:56Good night.
03:02Antonia.
03:04I forgot something else.
03:11¿Qué ha pasado?
03:12Nada.
03:14No te he dicho que te quiero muchísimo.
03:16Sí, claro.
03:18Qué tonta.
03:21Venga, descansa.
03:41¡Mira cómo tengo las manos después de pasarme la tarde limpiando!
03:44Parece que las he metido en calviva.
03:46Es que los libreros tienen las manos más delicaditas.
03:49No, lo que pasa es que aquí mi maridito
03:52decidió limpiar la casa con más alfomán
03:55que el que deben usar para limpiar el palacio de oriente.
03:57Vamos, ¡una salvajada!
03:59¿Ves? ¡Ves cómo es!
04:00¿Qué?
04:01¿Qué?
04:02¿Qué?
04:03¿Qué?
04:04¡Qué?
04:05¿Qué?
04:06¿Qué?
04:07¿Qué?
04:08¿Qué?
04:09It's how they pay me for wanting to have a clean house.
04:12Well, clean and intoxicated.
04:14Because not even in the war of 14 there were gases as harmful as the ones I noticed when I entered the corral.
04:19My mother, I don't know how you didn't stay there stiff.
04:21Look, that's better. I wouldn't have to put up with your mother's comments.
04:24Let's see, but my mother was wrong.
04:26Could we stay there in the house?
04:29No, but for once you could have done it on my behalf.
04:32Well, look, I did what I could, okay? I did what I could.
04:35But she was right.
04:36If it weren't for her, who asked me to open the windows...
04:39Well, yes, the heroine.
04:40They propose the same thing for the medal of civil merit.
04:43Well, enough already. Let me get an idea of what happened.
04:46Miguel, you're going to have to take a very deep course with Esperanza to explain the commandments of cleaning.
04:52Look, if even Cañete gives me the right.
04:54Well, I'm going to the showrooms, I have to change the environment.
05:01Don't bother, friend, but Trini is more right than a saint.
05:04A little more and you'll be on the headlines.
05:06Yes, I know, I know you're right.
05:09But apart from the little mistake with the salfumán,
05:12I made the bottom of the drawers shine.
05:15What they can't deny is that you did everything with your best intentions.
05:18Yes, but I've forgotten very little.
05:20I killed you at work and I've only gotten scolding and bad faces.
05:24You'll have to persevere.
05:26Or give up and let it go.
05:28Of course, and honor Campe for your house as a general for a beloved city.
05:32It's not that I like it, but it will be temporary.
05:35I don't see you letting yourself be carried away by the current.
05:37Look, Francisco, there are times in life that it is better to close your eyes and let the storm pass.
05:41I don't agree, Miguel.
05:43You've lost a battle, but the war continues and you can't give up.
05:46You have to insist, insist and insist again.
05:49I don't see it clearly, Trini is up to the bone of these fights.
05:52Miguel, insist, insist and insist again.
05:55And then, insist again.
05:58Or do you want Leonora to stay in your house until Leon makes the first communion?
06:01No, shut up, shut up, shut up. I prefer to be in hell inside the cauldron.
06:04Well, what about Leonora can be fulfilled if you give up now. Think about it.
06:07Well, yes, I'm in a hurry.
06:09Well, you already have the recipe for your evils.
06:12Insist, insist and insist again.
06:15Insist, insist and insist again.
06:18That's it.
06:20Insist, insist and insist again.
06:23You already have it.
06:26Leave it.
06:31Leave it.
06:37Good morning. Enjoy your meal.
06:39Good morning, Rodrigo.
06:41Sir, I'll wait for you outside.
06:42Thank you. No, no, no, stay, stay. We're leaving soon.
06:48Good morning, Rodrigo.
06:50Nice show you saw yesterday.
06:52I'm very sorry about what happened.
06:54It's too late to be sorry.
06:56But I'm afraid that what happened yesterday
06:58will have very bad consequences for the Foundation.
07:01It wasn't Rodrigo's fault. The lieutenant provoked him.
07:03I'm not going to get into that, Paula.
07:05But, Mother...
07:06I'm not going to.
07:07But his aunt, the Countess Cristina de Tucci,
07:10is a character of high society.
07:12Not only are we going to lose donations from the Foundation,
07:16but this incident can end up becoming a major scandal.
07:21I shouldn't have lost the stripes.
07:23Of course not.
07:25You should have kept your form. At all times.
07:28I don't even want to think about what would have happened
07:30if it hadn't been for your intervention and Mr. Fermin's.
07:33It would have been a nice fight.
07:35Although I would have bet on the lieutenant.
07:37I apologize again.
07:39But I also have to say that I only defended my mother from that guy.
07:43But let's see, we all listen to him.
07:45If someone has to be scandalized, it's us.
07:48Rodrigo's reaction was out of place,
07:50taking into account the circumstances.
07:52It's clear that lately you've taken pleasure in doing the opposite.
07:55I don't see anything wrong in thinking differently.
07:57It's neither good nor bad.
07:59I just expect something else from you.
08:01Well, let's have breakfast in peace.
08:05Emiliano, what are you going to do to fix yesterday's mess?
08:10You mean, apart from the check I signed?
08:12It wasn't small.
08:14Yesterday I asked Fermin to send the Countess
08:17a supply of his best chocolates from the Pedraza family.
08:21With a note written by me,
08:23trying to get him out of the way.
08:26Do you really think you can please them with a gift?
08:30Well, yes, son, yes. I hope so.
08:32We're not talking about the Philippines either.
08:35Excuse me.
08:36A masseur has brought this.
08:39Go for God's sake.
08:46The Countess says she can't accept our gift.
08:51And that her nephew, Lieutenant Márquez,
08:54is still waiting for an apology from Rodrigo.
08:57In that case, it would be better for him to sit down.
09:00Do you care if I decide that, Rodrigo?
09:02Do you care?
09:06Well.
09:09Let's all calm down, okay?
09:11I'm going to see what I can do.
09:14I'm going to talk directly to the Countess.
09:16Let's see if I can convince her to lower the smoke
09:19to her nephew's pedometer.
09:21Thank you, Mr. Emiliano.
09:23It's nothing. Go to the office.
09:26I'm going to the cinema.
09:30These chocolates are delicious.
09:33You should make more gifts around.
09:36So they don't return them to us.
09:41Rodrigo.
09:44What?
09:46Nothing.
09:58What?
10:00Don't you have anything to tell me about yesterday's party?
10:05About the auction?
10:07I don't know.
10:09Maybe what you saw in the library?
10:14No.
10:16If you want to hurt me,
10:18I warn you that I don't care anymore.
10:22And if what you're looking for is my approval,
10:25that will never come.
10:27What I expect from you
10:30is that you fix this matter
10:32before it affects my foundation.
10:38And now I'm going to the library.
10:42To read.
10:59And that smile?
11:01Nothing, nothing more.
11:03You know this is your house.
11:07Hey, who is that lady?
11:11Do you want to meet Mrs. Lázaro?
11:13And what else, Teresa?
11:15The important thing is that Mr. Fermín's wife
11:17has been very entertaining for a few days.
11:19And softer than silk.
11:21Well, I don't know if it's that bad.
11:23Don't believe it.
11:24Yesterday afternoon Vanessa
11:26dropped a tray full of cakes on the floor.
11:28And the vampire didn't scold her.
11:30In fact, she helped her pick it up.
11:32Well, that's a novelty.
11:35Come in.
11:37I was scared.
11:38I've noticed that you haven't taken your eyes off me for a while.
11:41Is there something you want to ask me?
11:43We were just checking if clients were coming in.
11:46Anyway, I'm going to get you out of doubt.
11:48That lady I was talking to
11:50was the wife of an important industrialist
11:53who left a good amount of money yesterday
11:55in the charity auction.
11:57Happy?
12:03But who do you think she is?
12:05Queen of Saba, all of a sudden?
12:07Well, look.
12:08She's going to marry high society,
12:10but not because of her merits,
12:11but because she wants to marry Mr. Fermín.
12:13Well, Teresa,
12:14whatever I do, stop being a vampire.
12:15It's none of our business.
12:16I know, but I get angry
12:17when I see her with those big airs out there
12:19when she doesn't deserve it.
12:20Don't get mad, woman.
12:23Look, I'll invite you to the movies.
12:25I feel like going
12:26after seeing how it's organized for a shoot.
12:29I don't know if I'll be able to focus on the movie.
12:33I can't get my head out of Antonia and Pietro's heads.
12:36Hey, what if we go through La Corrala first
12:38and visit them?
12:39I think it's a good idea.
12:40As long as we don't run into Miguel.
12:43Why?
12:44I can't tell you.
12:46What do you mean you can't tell me?
12:48It's like in those spy movies,
12:50like the one Inés is shooting.
12:51Yes.
12:52If I told you,
12:54I'd have to kill you.
12:58Come on.
12:59You watch a lot of movies.
13:01Come on.
13:02I just cleaned up.
13:07How are you?
13:08Have you recovered from the blow
13:10that Cesar's animal gave you?
13:12Yes.
13:13I'll be ready for a good fight.
13:15I have to recover these days
13:17that I've been locked up here.
13:18We're going to burn Madrid when you get out.
13:20You'll see.
13:22I was hoping you'd stop by the auction yesterday.
13:24I sent you a note inviting you.
13:26I...
13:27I was heading to Las Pujas.
13:29I got the message late
13:31and I already had much better plans
13:32with the Apollo racers.
13:34Malhecho.
13:35I also wanted to tell you about a business
13:37I'm running with my father.
13:39You can tell me now, if you want.
13:41Excuse me, Mr. Iván.
13:42Do you want me to order something to eat?
13:44Yes.
13:45We'll take a stand.
13:46Very well.
13:47I'll bring it to you right now.
13:51The maid isn't bad, huh?
13:53I'm sure you and her...
13:55Don't be silly.
13:56I've known her since I was born.
13:58Much better.
13:59If you've had time to catch her, it's enough.
14:01Focus on what we're talking about.
14:03It's much more important.
14:05This business can make us very rich.
14:07Congratulations to your father and to you.
14:09You'll tell me what I'm doing with all this.
14:13I want to make more money
14:15than my father would be willing to give me.
14:17And for that, I need you.
14:20How much money would we make?
14:22If everything goes as planned
14:23and the product is a success,
14:25we could be talking about...
14:27several million pesetas.
14:32Give me more information.
14:34What's the business about
14:35and what should I do exactly?
14:37I'll tell you as the story grows.
14:40For now, I just wanted to know
14:41if I could count on you.
14:42But, man, please.
14:44We're friends, aren't we?
14:46Of course.
14:48Deal?
14:50We're going to be immensely rich.
14:53We're going to be very rich.
14:56We're going to be very rich.
15:04What a mess these dolphins have made.
15:07I hope that when they finish,
15:08they leave it as clean as it was.
15:10Don't be so picky, woman.
15:12The art that Inés has
15:14deserves to be done and untidied as necessary.
15:16Of course, because you don't have to clean it.
15:18Cleaning does have merit.
15:20And carrying a tray full of coffees every day
15:22also has merit and a lot of art.
15:26Come on, let's roll.
15:28First.
15:31Sound.
15:33Action.
15:39And action.
15:47Cut, cut, cut.
15:48Inés, look up a little more.
15:50Yes, thank you.
15:52Come on, let's repeat.
15:53First position.
15:55Sound.
16:01And action.
16:03Inés, Inés, the look.
16:05The look up.
16:08Up.
16:11Cut.
16:13Inés, let's concentrate a little.
16:16Come on, let's repeat.
16:18The first one.
16:20Silence.
16:21Sound.
16:25And action.
16:31Cut.
16:32We have it.
16:33Come on, let's continue with the opening.
16:35Come on.
16:40Well, you can leave it now, please.
16:42But I didn't say anything.
16:44What a bore. I was sleeping.
16:46Let's see, were we distracting you?
16:48Well, yes, yes.
16:50Why don't you go to work?
16:52And when the atmosphere is more relaxed, you know.
16:54Of course, let's go back to work, really.
16:56I hope you don't fall under the water.
17:01Inés, are you okay?
17:03You look a little tense.
17:05Yes, I'm fine, I'm fine.
17:06But I don't know if I can shoot today.
17:09I feel empty, blank.
17:11You have to overcome yourself.
17:13Do you want me to help you review the dialogue?
17:15No, but if that's not it, it's that...
17:17I can't interpret my role because...
17:19Well, because I need to stop.
17:21Agustín already said that he can't stop anymore.
17:23But you'll see that when you take action, you lose your nerves.
17:25Yes.
17:26This is a disaster, we can't go on like this.
17:28What's going on?
17:29The actress who was going to work with Inés doesn't show up.
17:31They say she's fallen asleep.
17:32They're going to have to go get her.
17:34This is going to delay the shooting plan quite a bit.
17:38Let's see, attention, attention.
17:42We're going to stop for a couple of hours, okay?
17:48Do you want us to go to Agustín's office and you relax there?
17:50Yes, yes, let's go.
17:53Let's go.
17:58This is a catastrophe, Agustín.
18:00We can't afford to stop.
18:02Well, you know that there are always unforeseen events in the filming.
18:04You know it by heart.
18:05Yes, yes, we can count on them, but we can't waste any more time.
18:07We're going on a tight schedule because of Inés.
18:09Her insecurities are going to ruin this film.
18:12I fully trust that little by little she will focus.
18:14Yes, yes, well, let's hope she does soon because otherwise we're lost.
18:23Yes, that's true.
18:26Emiliano, it's a pleasure to have you here.
18:29I hope the misunderstanding with the Countess has been resolved.
18:32We're working on it.
18:34I'm sure everything will be fine.
18:37Anyway, I'm going to take a walk around the room.
18:40If the cat is entertained, the mice take advantage of it.
18:44It's admirable.
18:46It's admirable how talented your wife is, you know?
18:49You're lucky, Teunet.
18:50You have a woman by your side at your disposal.
18:53We could say the same about Maruja, right?
18:56The work they do at that foundation is incredible.
19:00It's a shame about that unpleasant incident between Rodrigo and the military.
19:04Yes.
19:06It was going to be a real headache.
19:09Because now it's my turn to fix the mess.
19:12Do you mean that the apology note was useless?
19:16The Countess rejected the sweets.
19:19So I'm afraid those sweets only worked on my son's stomach.
19:24He must have swallowed them all by now.
19:26What are you going to do now?
19:30What am I going to do, Fermin?
19:32Interview her.
19:34Whatever it takes to put Maruja in a good place.
19:38I don't want her reputation to be affected by an absurd incident like that.
19:43I think we're both capable of doing anything for the love of our wives.
19:48Oh, yes.
19:50Yes.
19:52The love we have for them forces us to make certain sacrifices.
19:57Anyway, I trust you'll forgive me, but as you can imagine, I have a lot of work.
20:03I'll go with you, Meliano.
20:06What did he tell you?
20:08Nothing he didn't know.
20:09That he's willing to do anything for his wife.
20:13Your suspicions about the lack of love in that marriage are unfounded.
20:17Are you sure?
20:18I don't usually make mistakes with these things.
20:20Sometimes you have to be the first one.
20:22He's going to give you the key.
20:24I don't trust him.
20:26I don't trust him.
20:28I don't trust him.
20:30I don't trust him.
20:32I don't trust him.
20:33I don't trust him.
20:34He's going to face the countess to make amends for yesterday's scandal.
20:38That's not good for anyone.
20:42What surprises me the most is that it's now that Emiliano is so worried about Maruja.
20:47Especially after what I saw before the altercation with Rodrigo.
20:53Apparently your friend was alone in the library with Miss Cavalieri.
20:58That doesn't mean anything.
20:59He could have been looking for a book to lend her.
21:02Or maybe he was doing other things when Maruja found them.
21:05They're your delusions.
21:07We shouldn't make such ugly comments.
21:10You say that because you didn't see Maruja's face when she left.
21:13She was decomposed.
21:14And after two minutes, the couple left laughing.
21:17I don't know how Maruja didn't say anything.
21:19Maybe he didn't say anything because nothing happened.
21:22Think whatever you want, Fermín.
21:24But I know very well what I saw.
21:27Emiliano is an honest man and his marriage is exemplary.
21:30And it bothers me to be talking about this.
21:33Well, that's it. I won't insist anymore.
21:36But come on, I'd have a doubt, more than reasonable.
21:50Inés, you know the role perfectly.
21:52Now you just have to do what suits you so well,
21:55which is acting.
21:56And you'll see that you end up being the Spanish Greta Garbo.
22:01What happened?
22:04The actress who was going to shoot with you hasn't fallen asleep.
22:08She got a more important role in another production
22:11and she hasn't hesitated.
22:13She hasn't given up.
22:15But what a lack of professionalism, right?
22:17I guess you'll sue her.
22:19No, no, no, we can't.
22:21We had a contract with specific dates.
22:24The problem is that her scenes should have been shot days ago.
22:27I mean, legally, she doesn't have any commitment to us.
22:32Then you'll have to find another actress.
22:34That's what we're doing.
22:36It's all my fault.
22:37The shoot was delayed because of me.
22:39No, it's not your fault. You needed those days.
22:41Yes, but I haven't thought about my colleagues or you.
22:44First, the failure of The Shadow of Love, and now this.
22:46I'm putting you on the brink of ruin.
22:48Almost on the brink.
22:50I'm playing with this film.
22:52The problem is that every day, the losses increase.
22:55But I'm sure, Inés,
22:57I'm sure we'll get through this.
23:00But I can't do anything while you're looking for a replacement.
23:03No, the best thing you can do is go home and rest.
23:06You can make sure she'll rest.
23:08Yes, yes, I'll take care of it, even if I have to work hard.
23:11No, you don't have to. I'm better. Trust me, please.
23:13Of course I do.
23:14Ballesteros and I are going to find another actress,
23:17change the shoot plan, rewrite the script
23:19if necessary, so we can get through this.
23:21And Ballesteros, how is all this going?
23:23Ballesteros, how is all this going?
23:27OK.
23:30Excuse me.
23:33Yes.
23:35I'm on my way. Yes.
23:38Excuse me.
23:49It's a shame the shoot has stopped.
23:52Yeah.
23:53I think there's a lot of bad luck in that guild.
23:57I saw too many people to do so little work.
24:01So the shoot has stopped.
24:03It seems so.
24:06Is Antonia OK?
24:09Oh, are you here for Pietro?
24:11How is he?
24:13Well, not very well.
24:16Yesterday he stayed...
24:18He stayed in Mamblanco, in the middle of the corral.
24:20I didn't know who I was or where he was.
24:24It was horrible.
24:25But he came to work today.
24:27Yes, and so normal.
24:28We've already argued twice.
24:31He recovered a bit, but then he didn't remember anything
24:35of what happened.
24:37But did they go to the hospital?
24:39Because these misgivings are already too frequent.
24:43Well, I would have liked that.
24:44But he insisted that he didn't want to.
24:47And this morning he got up well
24:48and also insisted that he wanted to come to work.
24:51He should have stayed at home, resting.
24:53Yes, I would have liked that.
24:56But at least I want to think that I have him under control.
24:59Imagine that he spends time alone in the middle of the street.
25:04Well, I already told him that he can count on us
25:06for whatever he needs.
25:08We'll be on the lookout, right?
25:09Yes, I'll keep an eye on him.
25:11With the excuse that the floor of the workshop
25:13is always full of flour.
25:16Look, and we could also tell the boys
25:19to come and give him a hand,
25:20to stay a few more hours.
25:22And so Pietro is accompanied as long as possible.
25:26Yeah, well, he can't notice that we're controlling him either.
25:30Don't worry, I'll tell him to teach them
25:32in case they stay as apprentices and that's it.
25:34Ah, yes, it's a good idea, really.
25:37I really don't know how to thank you
25:38for everything you're doing for me.
25:40I alone couldn't take care of this.
25:43If it weren't for Marta being here.
25:45You haven't told her anything?
25:47No, no, I don't want her to worry, Marta.
25:50You have to be strong, Antonia.
25:52I'm sure everything will be fine.
25:56At least, with yesterday's scare,
25:57it seems that Pietro has opened his eyes a little
25:59and now he wants to see a doctor.
26:02I wish he could give us an advance on the hospital appointment.
26:05Well, I don't know how he's going to do that.
26:08It's not that easy.
26:12Listen, Antonia, maybe...
26:14we could talk to Mr. Fermin.
26:16Yes.
26:26You haven't told me how you did in Germany.
26:29I know everything about Celia and her loves,
26:30but very little about you.
26:32Well, Germany now isn't the best place to live.
26:36The house is too expensive, there's no work,
26:38prices are rising from one moment to the next.
26:41Yes, I know it hasn't been very good to them after the war,
26:43Pero yo lo que quiero saber es qué tipo de vida tenías tú allí
26:48una vida normal trabajaba de lo que podía dormía comía volvía a trabajar
26:55pero y que hacías en tu tiempo libre no sé conociste alguien interesante no no nada de eso en mi tiempo libre
27:02salí a pasear y poco más
27:05Segura que no quieres contarme nada más no
27:08No
27:12Tengo buenas noticias
27:14ya hemos encontrado candidatas para sustituir a la actriz que nos ha dejado
27:18vamos a empezar las pruebas cuanto antes pues yo puedo ir a darles la réplica de mi personaje si quieren
27:25no es mala idea pero
27:28ballesteros no quiere que gastes energía en eso prefiere reservarte para el rodaje
27:33en cualquier caso encontraremos una persona adecuada para ese perfil
27:36Ya no sé pero me da rabia
27:40Y la ahorita
27:41ella podría colaborar de tanto repasar conmigo se sabe el texto mejor que yo y sólo tendrías que dar la réplica
27:48en una prueba de cast y nada más es una buena idea claro no sería ese favor no yo
27:55me muero de vergüenza y si lo hago tan mal que por mi culpa no os gusta ninguna candidata no no no es tan
28:00complicado realmente solamente tendrías que leer las líneas de su personaje claro
28:06di que sí por favor
28:11Está bien pero pero sólo si me prometéis que no os vais a reír de mí cuando veáis la prueba
28:30No teníais que haber insistido en venir aquí
28:36No sé cómo va a reaccionar
28:42Un local muy bonito este
28:44ha pensado si algún día llegara y se lo encontrará destrozado
28:48poca cosa podría hacer
28:50porque gente de nuestra clase está muy por encima de la basura
28:56Mi hermana le acaba de pedir con muy buenos modales que se marche
29:01Y yo además le aconsejo que no vuelva a pasar por aquí
29:04Y espero que la próxima vez que habrá el local me lo encuentre tal y como está de acuerdo
29:15Vamos a hacer como que usted y yo no hemos tenido esta conversación
29:33Cuatro
29:37Hay alguna mesa para nosotros por supuesto como para cualquier cliente tomen asiento que enseguida les atienden
29:56Ya ha vuelto ese tipo por aquí otra vez así es y vamos a atenderle como si nada
30:04Podría echarles un poquito de elegía en las copas
30:07sólo poquito no me hables de elegía por favor era una broma
30:11la elegía me parece suave yo les pondría algo tan venenoso como ellos déjate de tonterías
30:17ahora que las aguas han vuelto a su cauce no quiero tener más problemas
30:22En cualquier caso te agradezco que fueras a hablar con la pedraza me parece una buena idea
30:27aunque sólo fuera por ver el palacete donde viven
30:30Algún día tendremos nosotros una casa igual sabes que no
30:36Para eso necesitaríamos las ganancias de tres o cuatro cabarets como este qué impresión te causó la madre de iván
30:44Elegante educada pero sin nada afectación para mí que es bastante sencilla
30:50pese a ser toda una señora a mí también me lo pareció
30:54parece mentira que una señora con tanta clase tenga un hijo con tan poca verdad
31:00Me dio recuerdos para ti yo diría que con mucho interés me parece que le caíste bien
31:09A mí también me pareció muy agradable
31:12no lo dudo por cómo te brillan los ojos
31:15quieres dejarte de tonterías hermanita
31:17póngase por favor a atender a sus votaraces bueno perdón a los niños clientes
31:23no puede ir atrás no te ha tocado a ti por la estilla
31:26Jesús una bandeja
31:38Quieren tomar algo
31:41Pues nos tomaríamos un par de camareras como tú no se sirven quieren tomar algo o no
31:47No te enfades bombón mira de momento nos vas a traer una botellita de champán ya pediremos más cuando venga que nos invite
31:56Y
31:59Dos whiskeys para don luis boquenela
32:02No soporto a ese tipo
32:06Yo tampoco aguanto ese tipo de gente
32:09Pero desgraciadamente son los que hacen que la caja registradora rosca hermanita aunque ellos nunca pagan
32:15estoy segura de que está esperando a que llegue y van para que corra con los gastos de la farra que se van a
32:19pegar esta noche de eso no te quepa ninguna duda vas a hacer algo para impedirlo
32:24No ya salí trasquilada la última vez que trate de advertirle el tipo de amistades que frecuenta
32:31segura
32:32vas a permitir que se aprovechen del hijo de los pedraza me da pena pero no me queda otra opción
32:40Más tarde más temprano se dará cuenta el mismo de la clase de gente con la que se va o se quedará sin una peseta
32:47Voy a por el champán
32:53Y
32:56Gracias
33:04No sé
33:07Es que no quiero pensar en otra posibilidad que no sea su recuerdo espero que sea algo pasajero
33:12pero menos que haces aquí no tendrías que estar pronto con el niño
33:17es que ahí sigue
33:18Estando a sal fumar que está para atrás y el pobre niño no para de toser se ve que el olor le grita la garganta
33:25pues si está tosiendo tanto habrá que ir ahora mismo al médico para ver si está resfriado
33:31eso es mucho gasto
33:33bueno pero es la única forma que tenemos de quedarnos tranquilos
33:39Además tendremos que ir los cuatro los cuatro para aquello para que
33:42porque así le cuentas al médico los síntomas de león no puede ponernos pegas le encanta que la escuchen
33:48Bueno puede que no haya tosido tanto un par de veces lo mismo se ha atragantado el pobre
33:52Vamos que estaba exagerando un poquito por no decir que lo del olor a sal fumar era un embuste
33:58Cuidadito con lo que dices de mí que una de mentirosa no tiene ni un pelo
34:02sigue apestando y yo he tenido que sacar al niño con el riesgo de que se constipe ya
34:06comprendo yo sigo siendo el padre responsable y usted la abuela que no deja de salvar a león de todos estos peligros
34:11lo has dicho tú no yo
34:14Yo prefiero estar un rato solo
34:18Ya está
34:20Conseguido esto lo que has hecho
34:22Lo que ha hecho tu marido
34:25Venga venga para adentro por favor padre no no no no no no el niño me lo dejas
34:30por pagas tú
34:36Pero bueno que le pasa lentito
34:44Muchísimas gracias y volved pronto que tendremos muchas más novedades
34:51Buenas tardes
34:52hola
34:54esto está siendo un éxito tienes la tienda llena a todas horas
34:58si la verdad que no me puedo quejar
35:01y yo todavía no te he comprado nada
35:03debo de estar quedando como una muy mala madre
35:05espérate a que me llegue un segundo pedido que va a ser un género mucho más moderno
35:08pero es que con el gusto que tú tienes para las ropas seguro que te lo quitan de las manos
35:13Había pensado en invitar a la sobrina del embajador de italia que la conocí ayer en la fiesta
35:18no creo que invitar a elena caballieri a la tienda sea una buena idea
35:23además seguramente ya estará ocupada en otros asuntos
35:26y de todas formas si tú no necesitas publicidad tu ropa se vende sola
35:31no pero es que ayer en la sola es que prefiero no hablar de eso
35:35No
35:37entonces a que has venido madre si no es a comprar ropa ni hablar de la subasta
35:44Te ha mandado a mi padre a que arregles las discusiones que hemos tenido no no me ha mandado él
35:50pero lo cierto es que tendrías que solucionar vuestras desavenencias
35:53sigue siendo tu padre no lo olvides no comprendo cómo puedes aceptar sus planes sin rechistar
35:59no es cierto que vaya a mantener ambos modelos de producción
36:02La fibra sintética acabará con los cultivos y con la gente que vive de ello pues yo no creo que me haya mentido
36:08además por mucha fibra que se invente
36:11siempre se utilizará el tejido natural así que no te pongas dramática con eso que nos conocemos
36:15vamos que quieres que me pase ahora por su despacho y le dé la razón aunque no la tenga no
36:21tampoco te pido tanto
36:23principalmente porque no está
36:25Ha intentado arreglar las cosas con la condesa de tucci para que interceda ante su sobrino el teniente
36:31y no lo ha conseguido
36:33Esa gente son unos soberbios nunca van a admitir que se han equivocado pues sí sí que lo son
36:40pero pueden hacernos mucho daño
36:43Tu padre quiere que el teniente y rodrigo se encuentren mañana y que rodrigo le pida disculpas será una broma
36:49no
36:51rodrigo no tiene la culpa de nada él sólo se defendió no le podéis obligar a que haga algo tan humillante para él
36:56Paula está en juego el prestigio de nuestra familia
36:59acabamos de instalarnos en madrid no podemos caer en desgracia ni tener un escándalo es que no lo puedo entender
37:05están humillante lo que le estáis pidiendo a rodrigo
37:08también está en juego el futuro de las donaciones de la fundación a ver si así lo entiendes
37:14rodrigo tendrá que hacerlo
37:16su obligación es servir a los pedraza
37:20Discúlpame debo atender a la señora
37:27Hola buenas tardes
37:38No vas a decir nada
37:42Mejor empiezas tú
37:48Ya sé que nuestros problemas se quedan cortos
37:51Comparados con los de pietro y antonio bueno y además nosotros tenemos a león que es una alegría y nos queremos con locura
38:00Sí bueno no hay duda de eso pero es que yo no puedo soportar a tu madre ni un minuto más me enerva me saca de
38:06quicio me descompone bueno
38:10Y yo no digo que no se desviva cuidando a su nieto pero es que no puedo vivir más con ella
38:15Toda paciencia tiene un límite y el mío lo ha superado dos veces a ver leonora es mi madre pero es verdad que es un
38:21latazo y me doy cuenta de lo difícil que te lo está poniendo
38:26Y qué hacemos no podemos hacer nada aunque tenga una buena noticia
38:32esta mañana mi madre me ha preguntado que dónde habíamos dejado la maleta
38:36tú crees que está pensando en irse
38:39Pero mi amor esa es la mejor noticia que me han dado en diez años
38:43bueno la mejor no porque la primera fue cuando me dijiste que íbamos a ser padres
38:47bueno no la segunda porque la tercera vamos porque la segunda fue cuando nos casamos
38:51Que diablos
38:53Olor de ceja
38:55Es que miren y que aplaudan
38:57Ay
38:59Qué hermoso ha sido tu padre
39:01Tiene que vivir mi amor
39:04Ay no no no
39:06Qué pasa
39:08Qué pasa
39:12Conozco un merendero muy discreto que está cerca de la villa del pardo que creo que te gustaría
39:19Elena solo se trata de pasar un rato agradable en buena compañía
39:25Sí claro comprendo que tengas otros compromisos pero no no yo pensé que podríamos vernos pronto
39:33Bueno
39:35No no no no por supuesto como tú quieras
39:37Otra vez será
39:39Ha sido un placer hablar contigo claro
39:41Hasta pronto
39:45Estúpida
39:55Pepita
39:57Puedes venir un segundo
39:59Dígame señor
40:01Estabas escuchando
40:03Yo
40:05Sí y tú
40:07No
40:09Tus asuntos no son de mi incumbencia
40:11Además que me has dado lo que escuché yo
40:13Si ya sé como eres con las mujeres
40:15No me voy a sorprender
40:17Me encanta que me conozcas tan bien
40:19Y que me aceptes tal y como soy
40:21Supongo que por eso sigo aquí
40:24Estás muy hermosa esta tarde
40:26Más que de costumbre
40:28No tengas tanta prisa
40:30No tengas tanta prisa
40:32Quédate un rato conmigo
40:34Que no Emiliano que tengo mucha tarea
40:36Bueno ya a la hora de otra sirvienta
40:38Vamos a tu cuarto
40:40Que no que la casa está llena de gente que nos pueden ver
40:42Escucha escucha
40:44Maruja no volverá hasta la cena
40:46Paula está en la tienda
40:48Y Iván
40:50Cualquiera sabe dónde está Iván
40:53No me pones tantas pegas y al final vas a hacer lo que yo te pida
40:55O me equivoco
40:57No verdad
40:59Vamos
41:01Vamos a tu cuarto
41:03Venga
41:17Don Germín
41:19Que sorpresa
41:21Voy a hablar con Pietro cuanto antes
41:23Por favor pase
41:25Gracias
41:27No no no se levante
41:29¿Cómo se encuentra?
41:31Más o menos bien
41:33Le agradezco su visita
41:35Es lo menos que podía hacer
41:37Además le traigo buenas noticias
41:39Bueno siéntese por favor
41:41Gracias
41:43¿Quiere un café?
41:45No gracias
41:47Después de hablar con Antonia
41:50De Teresa
41:52Me he puesto en contacto con un reconocidísimo doctor
41:54Amigo mío
41:56Y le he pedido que
41:58Se encargue de su caso
42:00¿Y cómo se ha tomado tanta molestia?
42:02No molestia ninguna Pietro
42:04Además Antonia me dijo que no hay manera
42:06De que les atiendan en el hospital
42:08Yo no podía quedarme con los brazos cruzados
42:10Cariño no te moleste por haberle contado
42:12Pero no podíamos seguir así
42:14Pietro
42:16Nos conocemos hace muchos años
42:18Se obsesiona por su salud
42:20Pero lo que ocurrió ayer
42:22Eso hay que tomárselo muy en serio
42:26No sé cómo agradecerle a don Fermin
42:28Que se preocupe tanto por mí
42:30No tiene que darme las gracias por nada
42:32La gente de la moderna es mi familia
42:34Usted ahora lo único que se tiene que preocupar
42:36Es de ponerse bien
42:38Lo sé
42:40Gracias
42:43La verdad es que
42:45Es que tengo miedo don Fermin
42:51Que no sé qué me está pasando
42:53No lo sé
42:57No sé si voy a perder la razón
42:59Si dejaré de ser lo que soy
43:03Si todo lo que he vivido
43:05En esta vida lo voy a olvidar
43:07No supongo lo peor Pietro
43:09Puede que todo sea algo pasajero
43:13Y si me olvido hasta el amor don Fermin
43:19Si me he olvidado
43:21Cuanto amo a mi esposa
43:25Cariño yo voy a estar aquí siempre
43:27Y lo va a estar durante mucho tiempo
43:29Antonia no lo dude
43:31Pietro
43:33Mi amigo el doctor Ramiro
43:35Lo va a visitar
43:38Lo va a visitar muy pronto
43:40Y seguro que le indica el tratamiento adecuado
43:42Ahora bien antes de verle
43:44Tendrá que pasar
43:46Por algunas pruebas
43:48Si claro
43:50Para cuando me digan
43:52Pues he conseguido que sean mañana mismo
43:54Tan pronto
43:56Si si no tenemos tiempo que perder
44:00Además le necesitan un laborador
44:02Al 100% ya lo sabe
44:04Allí estaré
44:06Le aseguro
44:08No sabes cuanto le agradecemos
44:10Todo lo que hace por nosotros
44:12Pietro
44:14¿Por qué está tan serio?
44:16Le aseguro que está en las mejores manos
44:18Porque me siento avergonzado don Fermin
44:20Mucho
44:22Habrá tenido que mover
44:24Muchos hilos para que me atiendan
44:26Tan pronto
44:28Vergüenza tendría que sentir yo
44:30Si no hubiera hecho nada por usted
44:32Somos amigos desde hace mucho tiempo
44:35El uno al otro
44:37Es un honor para mí que me tenga
44:39En tanta consideración
44:41De verdad
44:43Todo va a ir bien
44:45Ya lo verán
45:01No sabes
45:04Necesitaba esto
45:06Porque vaya día de perro que llevo
45:08Ahora tienes que irte
45:10Que yo tengo que seguir trabajando
45:12¿A que viene tanta prisa?
45:14Vuelve a la cama mujer
45:16Que no que es muy tarde
45:18Tu mujer debe estar a punto de llegar
45:20Maruja
45:22Ahora te vas a preocupar por eso
45:24Pero si ella sabe perfectamente
45:26Con quien paso las noches
45:28No ves que está encantada
45:30De no tener que compartir cama conmigo
45:32Anda, vuelve
45:34Siéntate un poquito, mujer
45:42Oye
45:44Maruja no tiene de que quejarse
45:46En serio, tiene todo lo que quiere
45:48Hoy sin ir más lejos
45:50Me he pasado todo el día tratando
45:52De arreglar el lío que se produjo aquí
45:54Durante la subasta, lo de la pelea
45:56Esa condesa y su sobrino
45:58Son unas personas horribles
46:01Durante mi entrevista con la condesa
46:03Ella parecía dispuesta a admitir
46:05Que su sobrino había sacado las cosas de Kizio
46:07Es que eso fue justo lo que hizo el teniente
46:09Sacar las cosas de Kizio
46:11Por supuesto
46:13Pero en mitad de nuestra conversación
46:15Ha recibido una llamada telefónica
46:17De su sobrino
46:19Entonces ella le ha dicho que estaba reunida conmigo
46:21Y no se que le ha debido decir el niñato ese
46:23Que ella ha cambiado completamente de éxito
46:25Y ya está
46:27No admitía su culpa
46:29Supongo que al teniente no le ha gustado mucho
46:31Que vayas a hablar con su tío
46:33Supones bien
46:35Entonces ella me ha dicho
46:37Que lo que tengo que hacer es hablar directamente con él
46:39Con el teniente
46:41Que se supone que es el agraviado
46:43Y el agraviado manda narices
46:45Así que lo que he hecho
46:47Es concertar una cita en el reservado de la Moderna
46:49A la que también acudirán Fermín y Rodrigo
46:51Y lo siento mucho Pepita
46:53Pero tu hijo va a tener que pedir una disculpa
46:55Bueno, esperemos que todo quede ahí
46:58Pues sí, porque yo necesito que este asunto quede zanjado lo antes posible
47:00Tengo cosas más importantes que hacer
47:02Claro
47:04Por cierto, Iván
47:06¿Ha hecho hoy algo de provecho?
47:08¿O se ha pasado el día tumbado en el sofá?
47:10Ha venido a verlo su amigo Mejado
47:12Y me pareció que hablaban de negocios
47:14¿De negocios?
47:16Habrá que verlo
47:18El único negocio que conoce Iván es el de vaciarme la cartera
47:22¿Madre?
47:24¿Está ahí?
47:28Madre, necesito hablar con usted
47:30Es importante
47:32¿Madre?
47:40Le estaba contando a doña Teresa
47:42Que gracias a don Fermín te han adelantado la cita
47:44Para hacerte las pruebas en el hospital
47:46Antonia, ¿y por qué no lo publicas en el tablón de los anuncios?
47:48¿Por qué piensas disculparte con el teniente Márquez?
47:50Si te arrodillas una vez, tendrás que hacerlo siempre
47:52Ese hombre te humilló
47:54Y yo no pienso mirar a otro lado
47:56El otro día me llamó la atención
47:58En la fiesta pasó mucho tiempo hablando con una invitada
48:00No recuerdo el nombre
48:02Supongo que estarían hablando de negocios
48:04No
48:06Lo siento, yo no quería
48:08Si vamos a ser amigas
48:10Mejor llamar a las cosas por su nombre
48:12Usted ha venido aquí por una disculpa, ¿verdad?
48:14Bueno, pues no se irá sin ella
48:16Rodrigo, por favor
48:18¿Lista para dar las réplicas a las candidatas?
48:20Sí
48:22¿Dónde está Ballesteros?
48:25He reunido con el director de arte
48:27Me ha pedido que me ocupe yo
48:29Luego ya verá el material que filmemos
48:31No pensaba que el marido caballero te encajara en su idea de entretenimiento
48:33Lo que me parece es que no me conoce
48:35Quería organizar una gala benéfica
48:37Y he pensado hacerlo aquí
48:39¿Y usted qué me dice eso?
48:41Que me alegro mucho de que haya acudido a mí
48:43Tenía ganas de volver a verla y no sabía si eso iba a ocurrir
48:45No tendría que haberte amenazado
48:47Ya sabes que nunca haría nada que pudiera perjudicarte
48:49Tú eliges
48:51¿Qué prefieres?
48:53¿O mi mejor aliada?
48:55¿Un trébol de cuatro hojas?
48:57¿Un amuleto de la buena suerte?
48:59Es precioso, pero no tendría que haberse molestado
49:01Todo lo que haga por vosotras era poco
49:03No vayáis a pensar que esto tiene algo que ver
49:05Con el gesto tan generoso que habéis tenido
49:07A la hora de disolver la sociedad
49:09Y compartir la herencia conmigo
49:11¿Por qué no?
49:13Tienes que creerme, Millado quiere escafarte
49:15Creo que eres insistente
49:17Tan solo intento parar una injusticia, nada más
49:19¿De verdad creías que iba a morder el anzuelo?
49:22¿Qué te han dicho de mí?
49:24¿Que no eres trigo limpio?
49:26¿Tú sabes lo fácil que resulta difamar a alguien?
49:28Si te están poniendo a mi contra, puede ser por otra razón
49:30¿Y díganos para cuándo ha comprado el billete?
49:32¿Qué billete?
49:34El del autobús, por eso está haciendo la maleta
49:36No, no estaba haciendo la maleta
49:38¿Pero entonces no piensas irte?
49:40He invertido mucho dinero en esta película
49:42Y no puede permitirse otro fracaso
49:44Por eso yo me siento tan responsable cuando no estoy a la altura
49:46Tenemos a la actriz y es una joya
49:48Perfecto
49:51¿Ninguna?
49:53¿Cómo que ninguna?
49:55Si no es ninguna de estas, ¿quién demonios es?
49:57Has sido muy emocionante
49:59Cuando te quieres dar cuenta, estás tan metida en el papel
50:01¿Ya tenemos actriz?
50:03Puedes estar tranquila porque todas eran muy buenas
50:05Deberías estar tan eufórico como yo porque acabas de asistir a algo único
50:07El nacimiento de una estrella
50:09Me dieron los resultados, Antonia
50:11Y por eso he tardado un poco más
50:13¿Y?
50:15Y me dijeron que me citarían
50:17Con el médico
50:19Lo antes posible
50:29¿Ahora ya no eres tan valiente?
50:31¿De los gatos?