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00:00♪
00:03Can you tell me what this is all about?
00:05♪
00:07It's not worthy of you to be so inconsiderate.
00:11Especially not towards Julia.
00:13All she's done is contribute to making these days
00:15more pleasant.
00:17♪
00:20Martina.
00:21Why are you behaving like this?
00:24Hmm?
00:25♪
00:27You can't kick Julia out like that.
00:29You're right.
00:32It was a stupid mistake.
00:34♪
00:36I'm so sorry. I'm deeply sorry.
00:39Really.
00:40It's okay. I don't give her more importance than she has.
00:42Yes, she does. She has a lot of importance.
00:44I'm so ashamed. I'm sorry.
00:47Martina, don't go.
00:48No, let her go.
00:49♪
00:51She's realized what she's done.
00:53It's normal for her to be...
00:55sorry and feel bad about it.
00:57But I don't want her to be so upset.
01:00She has to apologize.
01:02I guess she's tense about the relationship
01:04between her mother and Count Ayala.
01:06Well, she'll be aware of it.
01:08Yes, Martina told me herself, but...
01:11I didn't expect her to be so upset.
01:14Martina has never accepted that wedding.
01:16According to her,
01:18it's still very recent, the death of her beloved father.
01:23I understand.
01:24She thinks that Mrs. Margarita is replacing him too soon.
01:27That's right.
01:29But...
01:30no one will ever be able to replace him.
01:33He will always have a place of privilege in her heart.
01:36I know.
01:38And I'm sure Martina knows that too.
01:40But...
01:41it's hard for her.
01:43We also have to say that Count Ayala
01:45hasn't made it easy for her.
01:47I see.
01:49Feelings are hard to control.
01:52And if I'm being honest,
01:54I understand Martina perfectly.
01:56It's understandable, yes.
01:58But Martina has to learn to control her emotions.
02:01And not to explode for no reason.
02:03Especially against you.
02:05It's not your fault.
02:08Martina...
02:09you've given in.
02:10In every way.
02:12But in any case, I want to make it clear
02:14that you don't have to go anywhere.
02:16You're welcome in this house.
02:20I haven't kept my promise.
02:22If I tell you, it's because I'm sorry.
02:26Shall we go for a walk?
02:28Yes, yes.
02:38Have a nice trip, Mrs. de Luján.
02:41And it's time to write the culminating moment
02:44of this love story.
02:47Let's see, where is it?
02:49The happy notebook.
02:51I left it where it always is.
02:56Here it is.
03:09And young Marquez and the maiden
03:12finally made their dreams come true.
03:14And they became husband and wife.
03:18It was the most wonderful day of their lives.
03:21Together, they were going to start a new life
03:24in which they would be happy and eat perdiz.
03:28Well, and not just perdiz.
03:30For dessert, they made a great cake
03:33of strawberries and cream.
03:37Don Manuel.
03:38Maria.
03:39Are you really from Carnivues?
03:41Yes, I'm sorry, I didn't mean to scare you.
03:43But now you should be at home with Hanna.
03:45It's very far from here.
03:46I know, everything has gone wrong, really wrong.
03:48But Hanna is fine.
03:50Yes, Hanna is fine.
03:52Maria, I need you to listen to me.
03:54And please don't interrupt me.
03:55I'm sorry, I'm not going to interrupt you.
03:57Sorry.
03:59Maria, I need you to go to Ramona's cabin.
04:02Hanna is there.
04:04I need you to go find her.
04:07And hurry.
04:14You can put these boots on now.
04:16But don't get too excited.
04:18They are freshly polished and the concrete has been fresh.
04:21I don't want you to get a bruise because of me
04:23and ruin the shirt.
04:41I want you to know that I haven't told anyone anything.
04:46If it were clear that you and I are not married,
04:49I don't know what would happen for lying like that.
04:52And that's why I'm going to keep the secret, at least for now.
04:55What do you mean by that?
04:57Well, I don't know if it's worse that everyone knows
04:59that our marriage is a farce
05:01or that you show in front of everyone how little you care.
05:04I do care about you, Teresa.
05:06And a lot.
05:07And that's why you flirt with all the servants of the palace
05:10and in front of everyone.
05:11That was a trick.
05:13We were just chatting.
05:15And that's how you should take it, Arisa.
05:18I honestly don't think Maria Fernández
05:20pays attention to something so innocent.
05:23In fact, I think she had enough reasons to do it.
05:26And you just admitted it yourself.
05:28Well, if it was so important, don't you think
05:30she would have told you directly?
05:32You're her friend.
05:33No, she didn't tell me because she didn't want to hurt me.
05:35And that's why she was discreet.
05:41Marcelo, the service of this house
05:43is like a big family to me.
05:46They have been with me in the most difficult moments.
05:49Even...
05:52Even in Feliciano's terrible loss.
05:59They've seen me cry too much and that's why they want to protect me.
06:02And that's why they also gave you a job
06:05for which you are obviously not prepared.
06:07I do what I can, Teresa.
06:08Well, it's not enough.
06:10I'm tired of having to face you,
06:13face two by three, every time you make a mistake.
06:16And you, instead of thanking me,
06:17you give me almost no consideration.
06:19Don't overdo it.
06:20You humiliate the one who, in front of everyone,
06:23is your wife.
06:24And what do you want me to do?
06:26Put my head in a bag and not look or talk to anyone?
06:29Is that what you want?
06:30I wish I was invisible, but I'm not.
06:32Is it so hard for you to show a little humility
06:34and recognize your mistakes?
06:35But that's all I've done since I got home.
06:38Apologize for everything.
06:39And you know what I'm telling you?
06:41I'm fed up.
06:42Don't even think about it.
06:43Turn the tortilla around and put yourself as a victim.
06:46I can't stand it when you yell at me all the time.
06:49And for everything I do.
06:52I'm leaving before I say something stupid
06:54and complicate everything even more.
06:55I'm not done talking.
06:57Marcelo.
07:08María Fernández.
07:11May I know where you're going?
07:13Where are you going?
07:16Mr. Baeza, it's just that something went wrong
07:19and I have to go to Cape Town.
07:21What are you talking about?
07:24Well, I'm talking about Hanna's wedding
07:28and Don Manuel's.
07:30It couldn't have been.
07:32About the wedding of Miss Expósito and Don Manuel?
07:35You didn't know, did you?
07:39I don't think so.
07:41Well, you know.
07:43They were going to get married.
07:45But in the end, it couldn't have been.
07:48No, it couldn't have been.
07:50And don't ask me why Don Manuel came to tell me
07:52to go urgently to look for Hanna.
07:55And where is Miss Expósito?
07:57In the Ramona's cabin.
08:00So I'm going to Cape Town.
08:02And Mr. Baeza, could you cover for me in front of Mrs. Petra?
08:06I don't have the body to take the scolding of that woman.
08:08Don't worry, I'll cover for you.
08:10Go.
08:11Thank you very much. You are a sun, Mr. Baeza.
08:14And I'm sorry to leave you with that look on your face.
08:16I wish I could tell you something else, but I don't know.
08:18Go, go.
08:19I'm going, I'm going, I'm going, I'm going.
08:28Don Rómulo.
08:30Mrs. Petra.
08:31Are you so surprised to meet me, Mr. Baeza?
08:35And do you feel a little nervous?
08:40Where was María Fernández going in such a hurry?
08:42To an urgent message that Don Manuel has sent her.
08:45That Don Manuel has sent a message to one of my eleven daughters?
08:49That is not the usual procedure, given that Ayla Calles is for it.
08:52Don't follow, Mrs. Arcos.
08:54I remind you that Don Manuel is above you.
08:58If he has something, neither you nor I have anything to object to.
09:11Manuel, son.
09:13What are you doing here alone?
09:20Why don't you go to the smoking room to chat with the rest of the men?
09:24I don't feel like it.
09:27I prefer to be alone.
09:34I see you don't mind.
09:36I see you don't mind.
09:40Son, I know ...
09:42I know you have made a great effort to keep your composure during dinner and I appreciate it.
09:48Nobody is to blame for my mood.
09:51Well, and you have been very considerate.
09:56I don't think anyone has noticed anything strange.
09:58And that you have been quiet, even when your uncle Lorenzo took out for dinner that aviation exhibition.
10:04I had no right to do what he did.
10:08It is an humiliation that I will never forgive or forget for the rest of my life.
10:12Manuel, I understand that now you are upset and ...
10:15and you say things that deep down you don't feel.
10:17I assure you not.
10:19Son, you may be angry with me now,
10:22but in the long run you will thank me for preventing you from making a mistake.
10:26You were about to ruin your life, Manuel.
10:30I know that ...
10:32sooner or later you will reconsider and you will realize.
10:37Look, I'm willing to forget everything and start from scratch.
10:41A mother forgives her son for anything.
10:47I'm willing not to tell anyone anything about everything that has happened.
10:50Not even your father.
10:52Of course,
10:54you will have to forget that slut.
10:57You will have to forget that slut forever.
11:01Because she has used you with bad arts.
11:05I don't understand anything.
11:06But don't you realize, Manuel?
11:08That woman just wants to take advantage of your money and your position.
11:11That woman loves me.
11:13If she loved you, she would have gone with you anyway and anywhere.
11:17And what has she done?
11:20She hasn't even fought for you.
11:22She has taken a stand.
11:24I'm sure she's waiting for better luck
11:26with the next bastard she can fool.
11:39Mother, no one has deceived me.
11:44You are the one who has deceived me.
11:54You are the one who has deceived me.
12:14What a shame to dress as a bride.
12:18I'm sorry I forgot to bring you the socks, Hanna.
12:21Did you use Mrs. Pia's?
12:23Good thing the woman left them here to forget.
12:27She ran out.
12:29Of course, she would really like to see the old man.
12:32I didn't know it had gone so fast.
12:36The truth is that I was very scared when he was not around.
12:39Of course, what were you going to know?
12:41If when Mr. Baeza found out, you were getting married.
12:45Or was that supposed to be?
12:49What am I going to do with that dress?
12:54Hanna, what are you doing with a bridegroom to get married?
12:58María, I told you it was over.
13:01I'm being very serious.
13:03More serious than a priest with his palpite.
13:05And you can't let Mrs. Marquesa's Alpia ruin your love story.
13:11I'm still afraid of the body.
13:14Well, when it's over, you attack again.
13:18You haven't fought for your Manuel as much as you have for your land now.
13:22When I saw him appear through the door of the hermitage,
13:24María, I swear I felt like I was going to die.
13:27Of course, not for me.
13:28You were expecting a priest.
13:30And the devil appeared in person.
13:32I don't even want to imagine what Mr. Manuel would be going through.
13:35When it turns out that the devil is your mother.
13:41You can imagine it.
13:44He stayed pale, colorless.
13:47I see.
13:49Yes, when he came to see me at the dormitory to ask me to come get you,
13:53he hadn't recovered.
13:55He was totally disembodied.
14:01I was very excited, María.
14:04We had everything planned and this shouldn't have happened.
14:13And sometimes I think,
14:14the Marquise has to be from another world or she has powers.
14:18Because if she's not a witch, how did she find out?
14:20She was very discreet.
14:22María, she's not a witch.
14:25If the Marquise found out, it was because you wrote it all down in your notebook.
14:30What?
14:31What you're hearing.
14:35But I didn't put your name.
14:38I'm going to be the only thing you didn't put, because apparently it was very easy to identify us.
14:45But how did my notebook get to your hand?
14:48Well, I don't know.
14:49María, I don't know, but the fact is that it got there.
14:52The Marquise had to tie it up, call the parish and confirm her suspicions.
14:59Then the hermit appeared and ruined the happiest day of my life.
15:03I'm sorry.
15:06I'm sorry, Ana.
15:07I'm sorry.
15:13I'm sorry.
15:16I'm sorry, Ana.
15:38I didn't think you'd come down so soon.
15:41A lackey just told me he wanted to see me and came as soon as possible.
15:44Well, you didn't have to hurry.
15:46You could come down tomorrow, when you had some free time.
15:48I have it right now.
15:49What did you want to tell me, Simona?
16:08You are disturbing me.
16:12What I have to tell you is something ...
16:15Something intimate.
16:17Maybe too much.
16:19That's why I want to apologize in advance for meddling in your life.
16:24It's still time not to do it.
16:27I'm very worried about Miss Catalina.
16:32I'm sorry that what you want to tell me is not true.
16:35I'm sorry that what you want to tell me has nothing to do with the marmalade business as I thought.
16:41I really don't mind gentlemen with these matters, but ...
16:44But it's so late and I've seen the young lady ...
16:47Bad. Very bad.
16:49Worse than when she locked herself in the hangar and didn't want to know anything about the world.
16:54She was devastated.
16:56She threw herself into my arms and started crying like a baby.
16:59And did she tell you why?
17:01No.
17:02And that's what worries me the most.
17:05The poor woman could not articulate a word.
17:09And I imagine it must be something very serious for her not to be honest with me.
17:16I imagine you know something else. Am I wrong?
17:20It's over.
17:22I repeat, I just want to help Miss Catalina.
17:29Look, Simona, I didn't imagine you were going to call me to deal with such a personal matter.
17:36I repeat, my apologies.
17:40But ...
17:42Seeing that girl like that breaks my heart into a thousand pieces.
17:46You know I love her very much.
17:48She practically grew up between my skirts.
17:49Yes, she told me that the other day when I went down to the kitchen to prepare that cake.
17:54At that moment you wanted to show us how much you loved her.
18:00In fact, she said that her only desire was to make her happy.
18:06What's going on?
18:08Don't you want to make her happy anymore?
18:12Thank you for worrying about Miss Simona.
18:15I promise to talk to her personally.
18:33Come in.
18:36Did you send for me, ma'am?
18:39Come in, yes.
18:44You should have been there.
18:48Can't you imagine Hanna's face when she saw me appear in that hermitage?
18:53Well, I don't think they expected a surprise like that, sir.
18:58It was pure poetry.
19:00I admit that I have enjoyed dynamiting that meaningless wedding.
19:03I waited until the last minute to catch that scoundrel.
19:07It was all luck that you were able to avoid committing such a mistake.
19:15Well, yes. I even wore a wedding dress, the shameless one.
19:19Well, that dress has not been made in this palace, ma'am.
19:22I can assure you.
19:23Because if it had been like that, I would have been aware.
19:26Surely it was my son's brainless.
19:28And he must have been entrusted to an outlaw.
19:31Lately, he entered and left the palace without any justification.
19:35Ma'am, what is about to happen is very serious.
19:39Very serious.
19:40It's a debacle for the marquis.
19:42So no one can find out. It has to be a secret.
19:44Yes, ma'am. The less people know, the better.
19:47My son Manuel, you and me.
19:49Well, I think we should add Hanna and her friend María Fernández.
19:54The bride and her friend, the gossip.
19:56Yes.
19:57And I'm afraid that at this point they will already be together.
20:01Because that afternoon I saw María Fernández running out of the palace.
20:04And I have deep suspicions that he was going to get together with the shameless Hanna.
20:12And what do you mean?
20:13Because when I asked Don Rómulo where he was going,
20:17he replied that he was going to fulfill an order from his son, Don Manuel.
20:20Come on, you don't have to be a lynx to tie a knot, ma'am.
20:24I'm sure he was going to take his things to that whore.
20:27Or help her escape out of the region.
20:30If you want, I'll ask that maid, I'll throw her out of the language and we'll get out of doubts.
20:33No, you better not do anything.
20:35Enemy that flees, silver bridge.
20:37Let that whore go and help her little friend Hanna.
20:40Let her go far away from here.
20:42But ma'am, do you really think it will be so easy for us to get rid of that whore?
20:48Not so easy, Petra.
20:49That our thing has cost us.
20:52Well, now the cards are on the table.
20:54Of course, that maid is shameless.
20:57Although I don't think so much as to face my daughter face to face.
21:01She would have to be very timid or be very crazy to do that, ma'am.
21:05On the other hand, I spoke to my son Manuel a while ago.
21:08And even if he doesn't recognize him,
21:10I think he is aware that he has been about to make a catastrophic mistake.
21:16I hope that's true what you say.
21:18What do you say?
21:20I'm going crazy just thinking that that wretch was about to fulfill her goal.
21:26She has deceived him with bad arts.
21:30Yes, there is no doubt about it.
21:32That woman has taken advantage of the fact that her son Manuel is a very innocent man.
21:36And also that he was going through a moment of weakness after his return from the war.
21:42After the war? And after the death of Ximena?
21:46Without a doubt, she has taken advantage of a poor, vulnerable man.
21:49My son is a victim in all this.
21:52It is necessary to be twisted to do something so miserable.
21:54Not so much that yes, ma'am.
21:57It is that that wretch can be much worse than we can imagine.
22:02That's why you have to be very alert with all the maids.
22:06Because they are all wolves with sheepskin.
22:12I'll tell him.
22:15Yes.
22:39Good morning, Martina.
22:41Breakfast?
22:42And lunch and dinner.
22:44If I have this splendid breakfast, I will not need to eat again in several days.
22:49I have to control myself because if I neglect, when I leave the promise, I will weigh twice as much as when I came.
22:56Although I know that if they have prepared this breakfast, it has been by a direct order that I have given the job.
23:02How generous.
23:04Between you and me, too much. It has gone too far.
23:08By the way, it is assumed that you should be here with us to have breakfast and play badminton later.
23:15But hey, if there is no time, we could start playing this guy.
23:19Yes.
23:20Yes, but hey, I need a coffee first, otherwise I'm not able to do anything.
23:24Of course. Sugar?
23:26No, thanks.
23:28I wanted to apologize again for yesterday. I shouldn't have spoken in those terms.
23:33Don't say that again, please.
23:35I don't know what motivated me to act in such an indecorous way, really.
23:39We can all suffer a slap in a given moment.
23:42Yes, but I want you to know that I didn't feel what I said.
23:47Really, you don't have to apologize anymore.
23:50I'm sorry.
23:51It's just that I didn't feel what I said.
23:54Really, you don't have to apologize anymore.
23:57Maybe your impulse was a bit abrupt, but I was not absent of common sense.
24:06What do you mean?
24:08I've been thinking about it and maybe it's true what you said, that the time has come for me to go back home.
24:15No, it's not necessary.
24:16But my parents have already come back and I'll have to face the problems face to face.
24:21Martina, it's a decision. As soon as I see Curro, I'll tell him to call me.
24:25No, really. You can keep the promise as long as you want.
24:28I'm not trying to be annoying.
24:30You're not.
24:32And much less a conflict between Curro and you.
24:35I've seen how well you get along and I wouldn't want to break that friendship for anything in the world.
24:41Julián, I insist. Really, keep the promise.
24:45It's just that if I said what I said, it was because...
24:52It was because I felt that I was too much.
24:56That I was too much.
24:59No, no, for God's sake.
25:02That I was too much.
25:05I don't understand you.
25:07No.
25:11It's just that seeing the harmony between you and Curro,
25:16I confess that I felt jealous.
25:21Jealous?
25:27Let's see, it's just that before you got to the promise,
25:30I was jealous.
25:33Curro and I...
25:35We were the youngest in the palace.
25:39And we had a...
25:44A special connection.
25:48You've felt left out.
25:52I'm sorry I've caused that misunderstanding.
25:55Far from my intention.
25:57Now I'm the one who feels the one who has to apologize to you.
26:00Yes, yes.
26:02Please forgive me.
26:06I forgive you.
26:08As long as you keep the promise.
26:13Then I gladly accept your invitation.
26:27The truth is that I'm glad about the harmony my daughter has with that Julia.
26:31Yes, they seem to make good friends.
26:34They're both having breakfast in the garden.
26:38I think that girl has come in handy for my daughter Martina.
26:47And what are those notes? What are you going over with such interest?
26:51I was doing numbers.
26:53You know, maybe it's not a bad idea for Lope to be in charge of our wedding banquet.
27:00And what happened to that cook from the royal house that you had obtained through a friend?
27:05I don't know. It seems to me that all that prestige is more of a mouthpiece than anything else.
27:11Well, we all know Lope's kindnesses, of course.
27:14Yes, that's true.
27:16The problem is that I have already contacted that cook.
27:19Maybe I rushed to do it before talking to you.
27:22Ignacio, the decision you make will be perfect.
27:25Are you sure?
27:27Well, not even that cook well endorsed by the royal house. I have little or nothing to say.
27:32I appreciate it.
27:34I want this wedding to be perfect.
27:37I will not spend money to give you the ceremony you deserve.
27:40The ceremony will be perfect because it will be with you.
27:44I can't wait to see us happily married.
27:48I wish I could get ahead of time and that the three of us were already settled in my palace.
27:53The three of us?
27:55Martina, you and me, now we are a family. We have to be together.
28:05Let's see.
28:12Again.
28:18Almost.
28:20It seems that you are having a great time.
28:22Yes, a lot.
28:24We had to start without you because we didn't have time.
28:26I'm sorry I'm late.
28:28You missed it.
28:30By the way, the breakfast was great.
28:33Martina, and this sudden change of mood?
28:37Well, because I can't be having so much fun and at the same time being with you, right?
28:41Why don't you join the game? Are you able to beat us?
28:44Two against one.
28:45And you dare?
28:48Well, I'm inferior in terms of conditions, but...
28:51Stop complaining and show your skills in badminton.
28:54What's wrong? Are you afraid of losing against two ladies?
28:57Martina, I'm not afraid.
28:59Go ahead.
29:06Let's see.
29:08We have to win.
29:09I want to practice here.
29:15Let's see, ladies.
29:17I'll do it.
29:18Perfect.
29:21Let's see.
29:22I'll do it first and then I'll practice with the ball.
29:26Ready?
29:32Well, we're not going to hit twice in a row, right?
29:35Let's see, today's game is won by the one who does it better or worse.
29:39Martina.
29:41I'll do it.
29:45Hey, hey.
29:49We got it, Martina.
29:57Alioli is a sauce that is widely used in the Mediterranean countries
30:01to accompany fish or seafood preparations.
30:04Lope, stop talking and explain to Mrs. Duquesa how it's done.
30:09Yes, well, it's very simple.
30:11The first thing we have to do is chop the garlic well so that it releases all its juice
30:15and helps it bind with the oil.
30:17And then we have to add the oil little by little, drop by drop, so that it doesn't cut
30:23while we stir it with the mallet.
30:25Can you add an egg yolk to make it bind better?
30:28Yes, you can do that.
30:30It is true that alioli is usually used in cold dishes,
30:33but it is not so rare to see it in the oven accompanied by food to gratin.
30:37It tends to enhance the flavor a lot.
30:39Like cod.
30:40The problem with garlic is that it is repeated a lot.
30:42That's right, ma'am, but there are many tricks to avoid it.
30:46I'm sure they don't work at all.
30:49I usually remove the germ inside, that helps a lot.
30:54And if you chop the garlic well with a little acid, such as lemon or vinegar ...
30:58Yeah, maybe all these little tricks help mitigate the problem, but they don't solve it.
31:06Ma'am, we can't do without garlic. It has many health benefits.
31:11Come on, now you also have medical knowledge.
31:14No, no, of course not.
31:16But it is known by everyone that it has anti-inflammatory properties and against infections.
31:21But it stinks of horrors. Or are you going to deny this too?
31:25Of course not. But it will be an inconvenience that will have to be assumed if you want to taste a good dish.
31:29The smell of garlic is disgusting and is typical of the lower classes.
31:34Do you think so?
31:35Yes.
31:37Well, the most prestigious chefs in France use it.
31:40Otherwise, what would happen to the escargot salat bougnignon without garlic?
31:43Escargot ...
31:44For God's sake, I hate snails.
31:46Could you stop talking about nauseating dishes?
31:49Well ...
31:51I suggest taking a break to have a cold drink.
31:54Yes, yes, it would be better at this point.
31:57Why don't you and Lope have a snack, Mrs. Simona?
32:00Yes, of course. Right now, in a snack.
32:04Let's go, Lope.
32:11Can you tell me what happened to you today, mother?
32:13I was bored at home and you came here to ruin my life.
32:16You are the one who is ruining my life.
32:19Tell me where the money you took is.
32:22I've told you a thousand times that I don't have it.
32:24But how long are you going to keep torturing me?
32:26That's exactly what you're doing to Lope. Torturing him.
32:29The poor man is not to blame.
32:31Ah, look. I see that I have given you where it hurts the most.
32:34Give me back the money and leave that cook alone.
32:37When is he going to understand that I have no money?
32:41In the end you will get tired and give in.
33:08A month later.
33:22Is that infusion for me?
33:24That's right, sir.
33:26But I didn't order anything.
33:28It's my thing.
33:30I thought you would need a relaxing herbal tea.
33:33I prepared them, Hanna, and I'm sure they are very effective.
33:36I appreciate the detail.
33:39Do you feel my nervousness so much?
33:41I would lie to you if I told you otherwise.
33:45You are always aware of me, Don Ricardo.
33:48It's the least I can do.
33:50The day before yesterday, without going any further, when I was about to get on the horse,
33:53you advised me to calm down first and ...
33:55It was a very wise advice.
33:58It is not wise to ride upset.
34:00The horse can get scared and cause a fall.
34:02Yes.
34:03Due to the bad luck I have lately, I am sure that if I had been upset,
34:06I would have lost my temper.
34:09I know you are going to tell me that you only fulfill your duties as a butler,
34:12but believe me, not all butlers are the same.
34:16And you have shown loyalty and empathy that go beyond the professional field.
34:20Thank you, sir.
34:22But, nevertheless, you seem to know me and I barely know you.
34:26Well, that's how it should be, sir.
34:29Tell me something about your life, Don Ricardo.
34:31Are you married?
34:35I was.
34:37But, unfortunately, my wife passed away.
34:42I'm very sorry, I didn't know.
34:44Well, it was many years ago, don't worry.
34:47Did you get along with her?
34:49A lot.
34:50I loved her with all my soul.
34:53What you say is very beautiful.
34:55That's why her loss left me very sad.
34:59We were soulmates, there were no secrets between us.
35:03Trust in a couple is fundamental.
35:05I believe so too.
35:10Tell me, Don Ricardo, how much love is necessary to forgive a betrayal?
35:16I don't know.
35:18But if you allow me, what I can tell you is that the stronger the love, the more painful the betrayal.
35:29Martina.
35:30Daughter.
35:31What are you doing here alone?
35:33Why are you breathing like that?
35:35I was recovering from sleeplessness after the badminton game.
35:38I didn't know it required so much physical effort.
35:40Well, yes.
35:41Yes, the thing is that during the game it is not noticeable because it is very fun.
35:44But I'm already here.
35:46I'm going with you.
35:47Well, I'm glad you're so excited.
35:50Well, tell me, what is this game about?
35:52You have to pass a ball over the net, right?
35:55The ball is called a flyer.
35:57Ah, flyer.
35:58And yes, that's basically what it is.
36:01But hey, to understand it, the best thing is to try it.
36:03Me?
36:04Yes.
36:05At my age?
36:06No, you're crazy.
36:07Well, at first it's complicated, but little by little it gets easier.
36:11No, daughter, sport is not for me.
36:13But have you ever done sports to say that?
36:16Well, look, once your father wanted to buy a bicycle,
36:19because those trunks were fashionable,
36:21which cost 200 pesetas, no more, no less.
36:23But that's very expensive.
36:24Well, something out of this world for us.
36:26But it's true that they let you pay in installments of 20 pesos.
36:30Yes, yes, yes.
36:31Wait a minute.
36:32Almost two years of savings to buy a bicycle.
36:35Yes, yes, yes, but your father worked hard.
36:37So they let us try that trunk to see if it convinced us.
36:40No, I can't imagine my father riding a bicycle.
36:43Well, don't believe it, don't believe that he had money.
36:46Now my thing, I look at another singer.
36:49Because I was not able to maintain the balance.
36:52But did they buy it?
36:54No.
36:55No, because Fernando's ideas always stayed in that.
36:58In ideas.
37:01Well, but I don't want to get melancholic.
37:04I am very happy that you had a good time with Curro and Julia.
37:07In fact, I think you have a lot of complicity with that girl.
37:10I saw you having breakfast together today.
37:12Yes.
37:13Yes, we understand each other very well.
37:15Well, you know that after a disagreement, friendship either breaks or is trusted.
37:20A disagreement?
37:21Why?
37:22Did you argue about something?
37:23Yes, this morning, in fact, we were making peace.
37:27I was very unfair with her.
37:29What have you done to her, Martina?
37:31Well, I answered her wrong.
37:34For a silly thing, really.
37:37I even told her to leave the promise.
37:40And I even told her to leave the promise.
37:43Well, you have to control yourself soon, daughter.
37:45Well, I know.
37:46I know and I try.
37:47But ...
37:48Well, at least when I don't get it, I know I have to apologize.
37:53I know.
37:54That yes.
37:56Let's see, changing the subject.
37:58How are the preparations for the wedding going?
38:01Well, there they go.
38:02There they go.
38:03On course.
38:05I didn't say it very excited.
38:08Doesn't it excite you?
38:10Yes, yes, yes.
38:11Of course it excites me.
38:13But I'm not going to fool you.
38:15Not the same excitement as when I got married for the first time.
38:20Well, the first times are always special, right?
38:24Well, especially because you never think there will be a second one.
38:27When I married your father, I took care of all the preparations, the dress, the invitation, the guests.
38:33But now it's Ayala who takes care of everything.
38:37But he does it with pleasure, right?
38:39Yes, yes, yes.
38:40He is delighted with life.
38:42Well, let him enjoy it and you limit yourself and wait.
38:45Yes, I guess that would be the smart decision, but ...
38:48It costs me a lot because I'm not used to someone taking the reins.
38:54I see.
38:55But hey, they are new experiences.
38:58Marriage in maturity doesn't have to be the same as youth.
39:03And besides, all that matters here is that you are happy.
39:09Aren't you?
39:10Yes.
39:12Yes, I'm happy.
39:13Yes?
39:14No.
39:31Are you hiding from me?
39:32Why would I want to hide from you?
39:34The last time we talked you left me speechless.
39:36Come on, look, it's what you just did to me right now.
39:40I don't allow you to leave me lying like that.
39:42But who do you think you are to treat me like that?
39:45Come on, Teresa, calm down, please.
39:48All I wanted was for us not to get involved in another eternal discussion.
39:52That's why I've been avoiding you.
39:54To have the party in peace.
39:56Besides, I haven't done anything wrong.
39:57And above all, don't get arrogant, huh?
39:59Look, Teresa, I'm fed up.
40:01It doesn't matter what I do or what I say.
40:03Because in front of your eyes it will always be wrong.
40:05Then do it right.
40:06How?
40:07I put all my attention, I make an effort.
40:10And there is always a but.
40:12There is always the happy comparison with Feliciano.
40:20What's the point of talking about Feliciano now?
40:24I'm sorry this hurts you.
40:26But I can't compete against a ghost.
40:29Especially against one who did everything right and was perfect.
40:34At least in your memories.
40:40Well, you know what you have to do.
40:43If you don't want to continue with this,
40:46you don't have anything else to say.
41:04Really, Santos, it hurts my soul to have to throw away the flowers you gave me.
41:08Everything withers, Mrs. Arcos.
41:11Even the most beautiful things.
41:13Yeah.
41:14Well, at least I will always keep in my memory the branch so beautiful and fragrant.
41:19And above all, I will never forget the gesture so beautiful you had with me.
41:23I'm glad you liked it so much.
41:25Much more than that, Santos.
41:27It moved me.
41:29You know that it is the least I could do after all the care and affection you had with me during my convalescence.
41:36I admit that you never cease to surprise me.
41:38And I'm not just referring to the gesture of the flowers, but to your performance in your tasks.
41:44Every day that passes, you do your job better.
41:48Do you really think so?
41:50If it weren't true, I wouldn't tell you.
41:52You know that I'm not very good at giving compliments.
41:55And that's precisely why it gets me more inside.
41:58Because it came from you.
41:59It's what I feel.
42:01Your progress has been spectacular.
42:03Come on, who saw you?
42:06No one can learn without a good teacher.
42:08Or, as in this case, a teacher.
42:10And I have had the best.
42:12You have marked my path to follow.
42:14And that's why you have a lot of merit.
42:16Thank you for telling me.
42:19My way of thanking you is by applying your teachings and doing things right.
42:24And I really like well done things.
42:27But don't think that everyone receives my advice in the same way as you.
42:33Well, I can't understand it.
42:35In this life, you have to be humble and learn from the one who knows more than you.
42:38Yes, but there is a lot of arrogance here.
42:40Even the lowest strata.
42:42Many of the servants I try to instruct prefer mediocrity to excellence.
42:47Well, I already told you that I don't understand that attitude.
42:49And it shows.
42:51From the first moment, you have always shown yourself willing to learn.
42:55And I don't mean just the tasks related to your position,
42:59but the way you treat and relate to the gentlemen.
43:04But that is more important than drying some glasses or fixing a suit.
43:10I wouldn't have expressed it better myself.
43:14And then you are surprised because I give you a bouquet of flowers.
43:17It doesn't seem like much to me.
43:21You know that no one has ever treated me as well as you have.
43:29Continue with the task.
43:59Teresa, are you okay?
44:02Yes.
44:03It's just that I've been going from one place to another all day and I needed to sit down for a while.
44:09I see.
44:12By the way, where did you go yesterday afternoon?
44:18Well, I had to go out.
44:21Go out? Where?
44:23Well, I would love to tell you, Teresa.
44:25In fact, I'm making a very big effort not to do it.
44:29And if I insist?
44:31Well, I beg you not to do it.
44:33And don't get me into that mess.
44:36By the look on your face, it seems like it's not a good thing.
44:40It's not just something that's not good.
44:42It's worth a lot when it's known.
44:44But what's going on, Maria?
44:46I don't know.
44:47I don't know.
44:48It's not just something that's not good.
44:50It's worth a lot when it's known.
44:52But what's going on, Maria?
44:54I have to serve dinner to the gentlemen because Leopoldo is sick again and you're going to leave me with this intrigue.
45:00That's how you're going to stay.
45:02I'm very sorry.
45:18It's too hot for this time of year.
45:21I like it.
45:23Nothing like feeling the Spanish sun on your face.
45:26For a while.
45:27After a few minutes, you hug yourself.
45:30Yes, luckily, we played badminton in the morning.
45:34In the afternoon, the bochet was unbearable.
45:37I'm sorry.
45:38I'm sorry.
45:39I'm sorry.
45:40I'm sorry.
45:41I'm sorry.
45:42I'm sorry.
45:43I'm sorry.
45:44I'm sorry.
45:45I'm sorry.
45:46In the afternoon, the bochet was unbearable.
45:48The more physical exercise you do, the more you sweat.
45:51So please, stop this sweat we're eating.
45:54Yes, we would appreciate a little decoration.
45:57Well, you'd better get used to sweating.
46:00Because there is an exceptional heat wave from Tetouan, in North Africa.
46:04Yes, I read something in the newspaper.
46:06A colleague told me that the thermometers have marked 70 degrees to the sun.
46:11Please, what an exaggeration.
46:12Not that they were in a wood oven.
46:14Well, almost.
46:16Apparently, the heat was such that some thermometers and bottles containing cologne water,
46:21oxygenated water and some soda were blown up.
46:25I know from experience that in those latitudes, the wind that comes in the desert is worse than the heat itself.
46:30That's right.
46:32Notice how serious it is that General Jordana has ordered to cancel military exercises
46:38until the rigor of the temperatures ends.
46:41I thought a soldier had nothing to resist.
46:43Well, maybe if I had been in charge, it would not have been so benevolent.
46:50Well, given the panorama out there, we can conclude that the temperature in La Promesa is the most pleasant.
46:58We could ask the Count of Añil.
47:01Has he canceled the exercise of his presence due to the heat?
47:08Pellayo has decided to have dinner in Falcoba.
47:10Pellayo has decided to have dinner in Falcoba.
47:21Manuel, are you okay?
47:24You seem very quiet.
47:26How was your day?
47:32It was a strange day.
47:34Oh yeah?
47:36And why is that?
47:41Because I suffered a hard setback.
47:49Can you be a little more explicit?
47:51Of course.
47:54Look, I've realized that that setback is not going to make me give up my purposes,
48:02but rather the opposite.
48:06It has made me fight harder for them.
48:10Why?
48:17Because if there is something that I am clear about in this life,
48:22it is that I am going to fight for love,
48:26until its last consequences.
48:40Until its last consequences.
49:10I want to announce to you, my family,
49:16that I am deeply in love with the woman in front of me.
49:20Hanna Expósito.
49:29And I have the firm intention of marrying her.
50:00Don Manuel and Hanna announced ...
50:03They announced that they were going to get married.
50:05Are you serious?
50:07That's what Don Manuel told the Marquis.
50:09But something happened that prevented the wedding.
50:11That Hanna is Don Manuel's mistress.
50:14And what do you think?
50:15That I would not have said four things to Aunt Cruz in the dining room?
50:18I thought they would have been useful.
50:20Of nothing.
50:22In this family, things work like this and you have to respect them.
50:25For Manuel.
50:27You're right.
50:28But I'm not going to sit idly by.
50:31My mother asked me again for the money I took from my father.
50:33Well, it's normal, right?
50:35I don't know why so much alarm.
50:36Do you want to know where the partner is?
50:38No, I know there's something else behind all this.
50:41I'm getting more and more aware that all this fake book and recipes ...
50:44It's not to get me back.
50:45And it's to get the suitcase back.
50:47Aren't you happy for Manuel?
50:48Of course.
50:49Of course I'm happy.
50:51It's just that ...
50:53We are assuming that they are the ones who have to completely change their appearance.
50:57But they do have some reason.
51:00I'm eager to decorate my palace to our liking.
51:03I mean, to the liking of the three of us.
51:06You don't?
51:08No, yes, for me, of course.
51:11But my doubt is Martina.
51:13Have you spoken to her?
51:14No.
51:16Well, don't take too long.
51:18But don't you understand, Marcelo?
51:20That my obligation is not to go after you, solving your problems.
51:23Wait, Teresa ...
51:24No, leave Teresa alone, don't get her involved in this.
51:26The mistake was yours.
51:27I'm very busy.
51:28But Teresa ...
51:29I'm sorry, but I have a lot of work to do.
51:31Such a passionate statement is precisely a statement of intentions.
51:35That doesn't mean it's going to come true.
51:37Let me doubt it, Captain, because we are talking about love.
51:40Sincere love.
51:41Oh?
51:42For me, the most important thing in a relationship is trust.
51:45The trust that comes from the most absolute sincerity.
51:48Eugenia, calm down, please.
51:50No, don't ask me to calm down, Manuel.
51:52Everyone has the right to think about my future and no one asks me what I want.
51:57No one asks me how I feel, Manuel.
52:01No one.