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00:00I
00:02Know we've almost an hour waiting and that bastard is not going to show up here, so it doesn't make sense for us to stay here
00:12Yes, you're right
00:14It will be better if we go back to the palace before it gets dark on the road
00:19If Mrs. Petra misses me when it's time to prepare dinner, I'll have a good time with her, so
00:23If
00:28You go to a good step you will arrive before dinner but you are not going to join me
00:37I'll be later
00:41And that because
00:43Because when we go through the town I'm going to approach the tavern
00:47And to do it alone, I already imagine that a maid cannot go with the son of the sea that is the tavern
00:54But
00:56It doesn't matter what they say
01:00And why do you need to go there
01:03I'm going to get closer to ask for Gregorio and find out why he hasn't come to our date
01:10And it's not going to be dangerous for him to come back alone at night
01:14While that man is still free, everything is dangerous
01:18But don't worry, I'll be careful
01:20I promise you
01:50I
02:14Didn't hear you coming. Sorry
02:17What are you doing here alone?
02:22Nothing.
02:28Looking at the darkness that comes through the window.
02:33I was getting carried away.
02:35I think it's time to go to sleep.
02:37Have a good night.
02:39Wait.
02:42Are you okay?
02:44Of course.
02:46I noticed you a little serious during dinner.
02:50Are you sure everything is fine?
02:52Very sure.
02:56Didn't it bother you that we read the news about Manolo's request
02:59that you came with Pela and me?
03:01Why would something like that bother me?
03:04Well, I don't know, but it gave me that feeling.
03:07You two left in a hurry.
03:11Because we were going for a walk.
03:13Besides, what they talk about, they don't stop talking about.
03:16I don't care.
03:18So it didn't bother you.
03:20You don't give importance to what you don't have.
03:23Well, thank goodness, because I didn't want to be the one to offend you.
03:27You?
03:28Not even you, the one who wrote the social media articles?
03:32No.
03:34But anyway, this time they didn't say anything bad about you.
03:37They just commented on the surprise of seeing you together again at a social event.
03:41I don't know how many contents there have been, right?
03:44Well, they even praised you.
03:47Yes, that's their game, to lower your guard.
03:50And then hit you again.
03:53But I don't care if they mock me or make me look bad, really.
03:58Man, it's better if they flatter you, right?
04:02If I tell you the truth, it would be better if they ignored me.
04:05If they didn't talk about me, neither good nor bad.
04:07Well, but that's impossible because you're the cousin of the Marquis of Lujan.
04:10Yes, I'm afraid of that.
04:13I'm going to have my whole life behind the press.
04:16And I will never be able to get rid of that San Benito.
04:30Good evening, mother.
04:34Are you going to rest?
04:36Yes, it's late.
04:38Good night.
04:40Are you leaving without giving her a goodnight kiss?
04:43No one understands you, son.
04:45Now you want a goodnight kiss, but you leave without saying goodbye to me.
04:50Mother, but I did tell her I was leaving.
04:53You didn't tell me you were coming back at this time.
04:56Yes, you're right about that.
05:01I stopped, I was going to come back earlier.
05:03I'm sorry.
05:05And why? If you can tell me.
05:07Nothing important.
05:09Nothing important? It can't be because of a woman?
05:14No.
05:16I was with the engineers, as I already told you,
05:18and later I waited for a book I had to hand in and it didn't arrive.
05:22And what book is that?
05:24One about airplane designs.
05:27You're never going to get enough of those things, are you?
05:29No.
05:31So the sooner you add them up, the better for everyone.
05:33Well, in any case, that has nothing to do with you not saying goodbye to me when you leave.
05:38Mother, I told you I was leaving.
05:40And I remember you were pretty dry.
05:43As if I wasn't.
05:45You allowed yourself the luxury of giving me lessons on what my marriage should be like.
05:50You're absolutely right.
05:52I'm no one to talk to you about those things.
05:54As the saying goes, I sell advice that I don't have.
05:57A saying full of wisdom.
05:59Good thing you at least admit it.
06:01Yes, I do.
06:03And I want to make it up to you with a little gift.
06:08You've let me down.
06:10You know I love these pastas.
06:13Well, now you can taste them.
06:15Thank you, son.
06:17You're so thoughtful.
06:19Do you like the disgust you have with me?
06:21Do you think you're going to buy me with some simple pastas?
06:24Mother, I want to be good to you.
06:26I suffer a lot when you're angry with me.
06:28And what do you think?
06:29I like it when we're angry.
06:31Then why don't we hug and forget all the arguments we've had these days?
06:39Come on, come here.
06:42My son.
06:44Oh Manuel.
06:49And Simona made Perallo cook.
06:51He's never cooked before.
06:53What did he cook?
06:54Well, he tried to make a snack.
06:56In his own way.
06:57Yes, yes.
06:59Come on, look, here's the great cook.
07:02Apprentice and thanks.
07:04Excuse me if I bother you, but I wanted to tell you something, Catalina.
07:08A telegram arrived for us this afternoon.
07:10And who sends it?
07:12The same newspaper that published the news about the handwriting in which we appeared.
07:16And what do they want?
07:17Nothing bad, calm down.
07:19They just want to interview us and take a few pictures for their society notes.
07:23How fun, with photos and everything.
07:25I don't want to know anything about journalists.
07:27Especially after what they did to us.
07:30What the newspapers want is to sell.
07:32And they don't care about looking for the morbid and the unfortunate, even if it's a lie.
07:35But I've already told you that in the last news there was no lie.
07:38They even made fun of you.
07:39Well, I prefer not to tempt fate by allowing them that chronicle.
07:42I think it would be a golden opportunity to end the rumors about us once and for all.
07:48But I don't care what people say.
07:51Well, I don't.
07:52And neither do you.
07:54And if you don't remember the discomfort we felt when we arrived at the party
07:57and we saw that everyone was looking at us.
08:00Maybe.
08:01Maybe, but then I forgot.
08:03Well, not me, Catalina.
08:04And that I tried.
08:06Come on, think that it would allow us to give our opinion about what happened.
08:09Because so far the world has only heard curses and slander.
08:12Pelayo is right.
08:14Besides, it will be very entertaining to have the house full of journalists and photographers.
08:20Come on, Catalina.
08:21Think about it, at least calmly.
08:24Okay, I'll think about it.
08:26But that doesn't mean I'm going to say yes.
08:52Manuel?
08:54But what are you doing in my room?
08:57Don't you think you could have surprised me?
08:59Undress.
09:01I wouldn't see anything I haven't seen yet.
09:05Even so, it's not convenient and you know it.
09:09Get out of here.
09:12You can't keep coming in like this because they're going to find out.
09:15So what?
09:16You don't care.
09:19My love, in a few days we're going to be husband and wife.
09:22So what else do we have?
09:26They should find out when we get married.
09:29Yeah.
09:31Well, come on, tell me.
09:33Have they told you anything about Gregorio at the tavern?
09:36Yes.
09:38In fact, I was coming to that.
09:40You see, apparently there was a fight outside the town.
09:44And Gregorio had to see it?
09:46Judging by the description made by those who were present, yes.
09:50Maybe that's why he didn't go to the meeting.
09:52It could be.
09:54Because it was a fight of the fatties.
09:55In fact, the civil guard had to come.
09:57And there was some injured.
09:59And they didn't stop anyone?
10:00No.
10:01They just limited themselves to dissolving the noise.
10:04Well, it's a shame.
10:05Because they could have put Gregorio back in the dungeon.
10:08Yes.
10:09And you don't know where he stops?
10:11Neither.
10:12But I'm sure he'll drop by the tavern again.
10:15That's why ...
10:20I'm going to leave this letter to the taverner.
10:22So he can give it to him as soon as he sees it.
10:25And what have you written?
10:26Nothing new, it's the same location as last time.
10:28And I'm not going to tell you when.
10:31No, because you can show up there again.
10:33But let's see, Manuel, the only thing I ...
10:34There are no buts that are worth it.
10:36Hanna.
10:40And why do you think he's coming back?
10:42After this fight, maybe he doesn't feel like it.
10:46I hope so.
10:48But as long as he feels that Doña Pia is around, he won't go far.
10:53Unfortunately, you're right.
10:55I hope this time he comes to the meeting.
10:58And we can forget about this nightmare once and for all.
11:02I'm afraid it won't be that easy, Manuel.
11:05Gregorio has a single purpose.
11:07Which is to take Doña Pia's life.
11:10And it's going to cost us blood, sweat and tears if he doesn't get it.
11:18And now, please.
11:20Tell me when.
11:25No.
11:36Santos.
11:37Santos, can you hear me?
11:40Santos, can you hear me?
11:44God.
11:45You're burning.
11:48I have to go down, I have a fever.
11:52Mrs. Hercules.
11:54Mrs. Hercules, what's wrong with me?
11:57I can't see well.
11:59I have eyes, Mrs. Hercules.
12:01What's wrong with me?
12:04I can't see well.
12:05No, nothing's wrong with your eyes, Santos.
12:08Don't worry, you're fine.
12:10It's just the stone.
12:15At what bad time?
12:17At what bad time did you fall to your knees and eat?
12:34How are you, son?
12:38I've had better times.
12:43Can you please put the pillow back on me?
12:51Hug me, please.
12:53Please.
13:07We should have hugged more.
13:11It's a wonderful feeling.
13:14Yes.
13:16It's also because you call me that.
13:19Mother.
13:23I don't know why I didn't do it more often.
13:27Why did I insist on reproaching him so much?
13:32It's my fault, Feliciano.
13:36I shouldn't have left you by my side, son.
13:53Mother.
14:17Aren't you going to ask me about your son Manuel?
14:20I know he's here.
14:22I overheard him go to his room last night.
14:24And you don't care where he's been?
14:27I imagine you're going to tell me.
14:29Yes, because it seems I'm the only one here who cares about those things.
14:36He told me he went to talk to some engineers.
14:39Good.
14:40And what's the problem?
14:42Stop suspecting him.
14:44I have my reasons.
14:45He's been very rude to me.
14:48And when he behaves like that, I know he's hiding something from me.
14:51Maybe he's just fond of his mother.
14:53No, I know him well and I know there's something else.
14:56Cruz, stop looking for trouble.
14:59You have to trust people more, especially when it's about your son or me.
15:03You wouldn't have given me reasons to trust you.
15:07Besides, I say that someone will have to worry if our children come or go.
15:12What's this about now?
15:13That Manuel comes and goes.
15:15And you?
15:16You don't even bother to ask where he can be.
15:20Of course, we don't even talk about giving him explanations.
15:22I think he's too old to go wherever he wants.
15:25You never need to ask anything, Alonso.
15:28I'm not surprised that the family is like this.
15:30I don't understand you.
15:31Where do you want to go?
15:32That we have become everyone's food, Alonso.
15:35Catalina, for example, goes to look for Pelayo and comes back with him without asking anyone's permission.
15:42But what's this about now?
15:43You're skipping from one subject to another.
15:44And besides, your beloved daughter decides to go to a party with her old fiancé so that everyone knows how stupid he is.
15:51And you?
15:52Instead of stopping him, you don't even open your mouth.
15:55It's just that my beloved daughter can decide what to do with her life.
15:57Yes, while she ruins ours.
15:59You're taking things out of context again.
16:01I'm not taking anything out of context, Alonso.
16:03All I want is for this to be a decent house and for there to be no more scandals.
16:07But you don't care.
16:10And then you come to me with what you want to fix things.
16:12Between you and me.
16:14But I can see that you're trying to get my children in the way to mess everything up.
16:27Come on, Mrs. Candela.
16:28I need the prisms fixed to put them in the drawer.
16:31The day has just begun and we are working like chickens without heads.
16:34And you, Mrs. Simona, how is Clara doing?
16:36Is she about to snow?
16:37One or two minutes to go.
16:40Good morning.
16:41Good morning.
16:43Why are there so many good morning tasks?
16:45We want to speed up the work so that Lope and Simona have more time in the afternoon.
16:49Another visit from the Duchess?
16:51Yes, if I catch him, we have to take care of him later.
16:53So ... or do we speed up dinner and food?
16:57I don't know, Arturo.
16:58It is what it is.
16:59Well, no.
17:00Because they are making you work more than you can handle.
17:03And for the same day.
17:05Don't believe it, no one here has struggled with the issue of rooms.
17:08I think it's very bad.
17:09They should complain to end this nonsense.
17:11Leave it.
17:12If the Duchess comes to the kitchens, it is because the Marquise has allowed it.
17:16And if the Marquise allows it, we have no choice but to shut up and do our job.
17:22But it is unfair.
17:23They are making you work more and more without any compensation.
17:26And even if it was a one-day thing, that Duchess is walking around here constantly.
17:30Yes.
17:31It seems that she has taken the pleasure.
17:33One day they will install the promise.
17:35Yes.
17:36If they keep working like this, they will start to get the daily dishes wrong.
17:39And the Marquise will end up reprimanding them.
17:41And what do you want us to do, little girl?
17:43Vera is right.
17:44In addition, she is having to work much more with all this.
17:48We have to complain, Mrs. Yesimono.
17:51With education, but complain.
17:53And who does it?
17:54Who is going to put a cap on the cat?
17:56Who is going to take care of the Marquise?
17:58Of course not.
17:59It is true that we work more, but we are already used to it.
18:02Besides, everything will happen.
18:04The visits of the Duchess.
18:05Of course.
18:06She will get tired of so many recipes and so many round trips here.
18:09Mrs. Yesimono, we don't have to put up with this.
18:12She has worked all her life.
18:14We have also worked more in the hunts.
18:17Or when the gentlemen organize a party and fill the palace with guests.
18:21Here we have always had to complain, okay?
18:24That this seems something different, but in the end it is the same.
18:27Work.
18:28Work for many.
18:29Work for one.
18:30But work.
18:31That's what we have come to this world for.
18:33I wouldn't have to be like that.
18:35You can.
18:36But you know what the Bible says, right?
18:38That you will earn the bread with the sweat of your forehead.
18:41There are worse things, because I admit that the visits of a duchess don't bother me that much.
18:46No, not even me.
18:47A very nice lady and who treats us with sympathy.
18:50And she tells you stories where someone important always appears.
18:52Yes, she told us that once she had dinner with the kings.
18:55Then they are not going to tell the Marquise anything.
18:57I'm not crazy.
18:58Me neither.
19:00Do whatever you want.
19:04Pupillo, this has to be.
19:06And this has a little bit left, huh?
19:21Manuel.
19:27Work.
19:29You arrived just in time.
19:31You were missing.
19:35Actually, I arrived yesterday.
19:37Now I come from Lujan.
19:40Well, if you have arrived now, it means that you left early.
19:46Yes.
19:48Yes, that's right.
19:54Is something wrong?
19:57No.
19:59No, nothing happens.
20:02I think I should go to the studio to ...
20:05Yes, yes, of course.
20:07Don't worry, come.
20:27You and I have a conversation pending.
20:38That's right.
20:56I love you.
21:02I guess you know what I'm going to tell you.
21:08I know that Hanna and you are brothers.
21:10I know.
21:12And yet, the two of us have decided to shut up these days.
21:15And act as if nothing had happened.
21:17Well, I had decided to take the first step if I saw that you didn't.
21:22Well, you're going to let me leave the room without saying anything.
21:25Yeah.
21:27You'll see, Manuel, it's just that ...
21:29I've started to think that ...
21:32Maybe you were disgusted when you found out.
21:35Disgusted is not the word.
21:40Surprised ...
21:43Yes.
21:45It is not for less.
21:48I needed time to assimilate it.
21:52I understand you.
21:53It's an easy story to take on.
21:56Imagine.
21:58To think that you are the son of some people.
22:01That your origin is one.
22:03And suddenly ...
22:06Everything is a lie.
22:08Yes.
22:10Everything is a lie.
22:14It's like ...
22:16If you wanted to throw the foundations of a house.
22:19Pretending that they will stand.
22:22It seems impossible.
22:24It is.
22:28And that's why now ...
22:30I'm a different person than I was before.
22:33Another better one, I want to think.
22:37And all thanks to Hanna.
22:39Yes.
22:40For having her as a sister.
22:49Has she changed you so much?
22:51Hanna is the best thing that has happened to me in this life.
22:56Yes.
22:58I've always thought that ...
23:01That the captain has never loved me.
23:04And my mother ...
23:06The poor woman.
23:07She couldn't give me much love.
23:11But Hanna did.
23:13In fact, I would tell you that I have not been luckier than dating her.
23:19The same thing happens to me.
23:23How do you say?
23:27That Hanna is the best thing that has happened to me in life.
23:39I also have my secrets, cousin.
23:42No.
23:48You ...
23:49You and Hanna ...
23:52Yes.
23:54Since the first day the promise came.
23:56When we saw each other in the gardens and neither of us knew who the other was.
24:01No.
24:02No, no, no.
24:04You're kidding, right?
24:06I fell in love with her from the first moment I saw her.
24:10So ...
24:12Hanna and you ...
24:14Are you together?
24:19Yes.
24:21But it wasn't easy to get here.
24:25Before we had to go through a marriage that made no sense.
24:30Because of my accidents.
24:32Even because of this stupid war.
24:36But nothing has managed to separate us.
24:40Now I understand why he told you that we were brothers.
24:45We have tried to keep it hidden, but we have not always succeeded.
24:51Well, it seems that you have succeeded.
24:59You and my sister are dating.
25:03Sooner or later, something more than that.
25:06Let's get married.
25:11Are you going to get married?
25:14Yes.
25:16Wait, you have nothing against your sister's fiancé?
25:21No.
25:23What two of the people I love the most ...
25:26... are going to be together can't bother me.
25:31It's just that ...
25:33It's just that ...
25:37I'm going to need some time to assimilate it, yes.
25:46Here it is, doctor. Come in.
25:49The fever doesn't go down and it's hard for him to breathe.
25:56Dr. Guillén says he has a cold that attacks his lungs.
25:59And why are you calling me then?
26:01Because I wanted your opinion.
26:04The effectiveness of Dr. Don Emilio Palomino is known throughout the region.
26:10And I was calmer.
26:12There, on the table, you have the medicines that Dr. Guillén sent you.
26:17In fact, I asked her to marry me before we went to the front.
26:21So all those letters I saw you write weren't just for your family?
26:27No, most of them were for her.
26:32And I say, during all this time in the trenches ...
26:36... I've been thinking about you.
26:39I've been thinking about you.
26:42And I say, during all this time in the trenches ...
26:46... didn't you think about telling me?
26:49Curro, I swear I wanted to tell you many times.
26:55I didn't want to compromise her.
26:58I see.
27:00I understand you. Yes.
27:04You see, Manuel, I also have to tell you something.
27:08Something I wanted to tell you.
27:10It seems we interrupted.
27:14No, no, no, nothing important.
27:17Right, cousin?
27:20No.
27:23In fact, I'm leaving.
27:28Curro.
27:32Cousin. Cousin. Julia.
27:34Julia.
27:38Julia has already told me that you apologized.
27:41That's right.
27:43And I think you accepted it with pleasure.
27:45That's right. Besides, I also had a lot of guilt.
27:48I was also tired of the war.
27:50Well, that's in the past.
27:54The point is that to make you forget my bad habits ...
28:00... I've been thinking about making it up to you.
28:02Oh yeah?
28:04Yes.
28:18You say the dish you want to learn ...
28:21... and that we don't care to teach you one or the other.
28:24Well, the truth is that today I didn't want to learn any particular dish.
28:28But something else.
28:30A dessert?
28:31No.
28:32I want you to help me, all of you.
28:34To make a gala menu.
28:38Sure.
28:39We ... to order.
28:43That dinner would be for something in particular.
28:45A birthday, a handshake ...
28:48Yes, my husband wants to make a dinner for businessmen with whom he wants to do business.
28:54And do you know, more or less, how many people it would be?
28:57Yes, around ... 20.
29:00A menu for ... 20 people.
29:05And do you know the tastes of those gentlemen?
29:07No. But since many of them come from far away, I would like them to serve products from these lands.
29:15And what do you think of beef?
29:17I don't think it's a bad idea.
29:19What dishes do you suggest?
29:23A gala menu for 20 people.
29:25Men, above all.
29:27I don't think anyone comes with their wives.
29:31Say something. Any dish you can think of.
29:33If you're pointing to Vera.
29:35It's not that simple, ma'am.
29:38A gala menu is not decided in a sigh.
29:42You have to think it over.
29:43That's right. In addition, the rushes are not good, counselors.
29:47This is not preparing the recipe for a dish.
29:49We have to think of a menu, as a whole.
29:52Yeah.
29:53The truth is that I didn't imagine it would be so complicated for you.
29:58I'm thinking of several ideas that I think you might like.
30:02Uh-huh.
30:03What do you think of preparing smoked salmon canapés with cheese cream and caviar?
30:08If caviar doesn't seem like much to you, dispense.
30:10No. I've never thought of it.
30:13And the truth is that mixing it with salmon seems like a good idea.
30:16To continue, some chicken sandwiches with a sauce called curry.
30:20They eat it in India and it's delicious.
30:22Besides, it would give the dinner an exotic touch.
30:26Good. So there is variety.
30:28For starters, I propose mushroom cream with centeno bread croutons.
30:32I would flavor it myself with mint.
30:35And the croutons, being crunchy, would give it texture.
30:38It could be.
30:39I can think of two main dishes.
30:42Cocoban with truffle mashed potatoes.
30:45More chicken?
30:46Yes.
30:47The difference is in the truffle.
30:49We have a delicious truffle that they bring us from Camañas.
30:51It's a beautiful village in Teruey.
30:54But if I don't convince you, we can make a grilled lamb loin
30:57with mint sauce and asparagus risotto.
31:00Look, the Italian touch never goes wrong.
31:04As you can see, what we're doing is preparing a classic menu with modern touches.
31:08Yes. I see it perfectly.
31:12And for dessert, what do you think?
31:15Crème brûlée with a touch of lavender.
31:18Lavender on a plate.
31:21Yes. It gives it an exquisite touch, I can assure you.
31:24I didn't know lavender was used in desserts.
31:27Well, yes.
31:29And if you tell me the sparkling wines you have in your winery,
31:32I can recommend you a better marinated wine for dinner.
31:39Well, the truth is, young man,
31:41not knowing what to recommend a moment ago,
31:44you got a menu out of your sleeve in an instant.
31:52Come on, Shantos.
31:54Open your mouth. This medicine will do you very well.
31:57You'll see.
32:05Can you do it?
32:09No, it's dangerous.
32:14That's it. Very good.
32:18They told me another doctor came to see him.
32:21Is he worse?
32:23No, but he's not better either.
32:26And his fever doesn't go down.
32:29So I had Dr. Palomino come.
32:32He's a doctor from the countryside.
32:35And what did he say?
32:37Well, he sent you this medicine.
32:40It seems to work very well.
32:43Well, he sent you this medicine.
32:46It seems to work better.
32:48And in a short time it should get better.
32:51May God hear you.
32:54Yes.
32:57I wish when my son Feliciano was so bad,
32:59I would have brought other doctors to treat him.
33:03But I didn't.
33:07Don't worry about that, Mrs. Arcos. It's useless.
33:10No.
33:12We don't do anything.
33:14And we allow that butcher to operate on him.
33:17That's not true. Of course things were done.
33:20Although they were done late and badly.
33:22Which is the same as doing nothing.
33:24And we didn't know that the doctor who sent to bring her,
33:26Mrs. Marquesa, would behave that way.
33:29If he kills himself, he's a criminal.
33:33And he treated Feliciano without any kind of examination.
33:36Yes.
33:38But I'm sure that with Mr. Curro, he acted in another way.
33:41Of course he did.
33:46But as I say, it's not worth turning around.
33:50We have to look forward.
33:53Forward.
33:58There's no other way.
34:04No.
34:06I see that you have looked forward.
34:09And that you have forgotten soon, Teresa.
34:12For God's sake, don't start with that again, Mrs. Arcos.
34:15Does life go on?
34:16No.
34:17It doesn't.
34:19My life was tied to my son's recruitment, Feliciano, forever.
34:23While yours changed.
34:24And what did you want me to do?
34:26That I would be single for life?
34:28No.
34:29Not that.
34:30But not that you would get married so soon.
34:33You have such a poor memory.
34:36I swear I haven't stopped thinking about ...
34:38No.
34:39Don't say his name.
34:42I swear I haven't stopped thinking about ...
34:44Don't say it!
34:47I'm not going to repeat it to you.
34:50Do you know the only thing?
34:53The only good thing about Feliciano's death, Teresa,
34:58is that I can't marry you.
35:02Because you would have made him a disgrace for life.
35:06Yes.
35:09Now go.
35:12Go.
35:35Yes.
35:36Yes, General.
35:37Don't worry.
35:40No, no, no.
35:41I assure you that we can't be the origin.
35:43You have my word.
35:46I already told you that's impossible.
35:50Because the raw material we use is of the highest quality.
35:53Excuse me, sir.
35:54Would you like some coffee with milk?
35:58Yes.
36:00Yes.
36:01No, no, no, General.
36:03The process of sterilization of the fruit continues at a rapid pace.
36:08They boil, they boil for several minutes a day.
36:12That's why I tell you that the origin can't be our jam.
36:15Sir, how many jars do you want?
36:19My General, we have several people supervising the process on a daily basis.
36:24That's why you have to help me.
36:27Yes, deny that our jams have something to do with the poisoning of those soldiers.
36:33Of course, of course.
36:34I would know how to pay that favor with interest.
36:39Always at your disposal, my General.
36:43If you had the kindness to let me know if there were any news,
36:47at your command, my General.
36:50Goodbye, goodbye.
36:52So, Captain, do you want a jam or two?
36:55You're an idiot, aren't you?
36:57Excuse me?
36:58Do you know what this is?
37:00A phone.
37:01And do you know what it's for?
37:02To talk.
37:03And haven't you been told that when a man is talking, he must not be interrupted?
37:07You don't even know that?
37:08I thought that...
37:09Don't think so much.
37:11Focus on following orders.
37:12I don't think it's that difficult.
37:14I'm sorry. I'm sorry to have bothered you.
37:16Well, you have.
37:17I was having a very important conversation and you couldn't think of anything else but to bother me.
37:22It won't happen again.
37:23Of course it won't happen again.
37:24Because as this is repeated, I will personally make sure that you are fired.
37:28Do you understand?
37:29Yes, sir.
37:30Get out of my sight. Come on, I don't want to see you.
37:32But I haven't put the seal on it yet.
37:44It's cold.
37:46It will be useless.
37:50You have barely told anything about that hand request.
37:53There is not much to tell.
37:55Well, daughter, there will be something.
37:57Did you have a good time?
38:00He was excited.
38:01Right, Pelayo?
38:02Yes.
38:03They brought a good orchestra and we met old friends.
38:06What is this about some journalists and even a photographer coming to this house?
38:10What are you saying, Cruz?
38:12What you are hearing, dear.
38:13Here your daughter and the count intend to bring a journalist to interview them.
38:17They want to take pictures all over the palace.
38:20Is that true?
38:22How is it true?
38:24Do you think I'm making it up?
38:26I don't know how you dare to say something like that without our consent.
38:30Can I speak, Cruz?
38:31Of course, speak.
38:33Let's see how you justify this insensitivity.
38:35First of all, you asked us for permission, Milla Pelayo,
38:38when you quarreled with that journalist who started the persecution against us.
38:42Honey, I'm not the one who has to give explanations here.
38:45Of course, of course. I'll give them to you.
38:48Well, let's try to solve this misunderstanding.
38:52This misunderstanding has nothing, Alonso.
38:54Let me speak.
38:57Those journalists must be guessed,
38:59because neither Pelayo nor I have said yes to that interview.
39:02They just made us the proposal,
39:04and Catalina said from the beginning that she wanted to think about it.
39:07And she pretends to believe me.
39:09It's the truth.
39:10But seeing how she's dressed, I'm craving that interview.
39:13I think I'm going to say yes.
39:15This is a provocation, Alonso. Do you hear her?
39:17Let's see, I don't think we should worry about an interview.
39:21So you think it's okay?
39:23What I'm saying is that we've been isolated here for months,
39:26without social life.
39:28Maybe it's even good for us that the press comes.
39:32I'm just saying that I have to be informed
39:34about what is going to be done in this palace.
39:36Well, it's been informed.
39:38And I'm sorry to tell you, Father,
39:40but Cruz should be worried about the visit of those journalists.
39:44And why is that?
39:46Because I'm going to tell you everything I think about you
39:48and how you've treated me during these years.
39:50Enough, Catalina.
39:51Don't you dare bring any journalists to this house.
40:22Teresa, are you okay?
40:25Yes. Yes.
40:27Yes?
40:29And then why are you crying?
40:31No, it's just that I was just removing a stain with aguaraz
40:35and the steam got into my eyes.
40:40I see.
40:42You can keep lying to me, Teresa.
40:45But you can't fool me.
40:52Mrs. Arcos has given me a good scolding again.
40:58Has it been because of the job?
41:00You don't listen to that woman.
41:02She's a whore.
41:05It's been because of Feliciano.
41:08Is he still asking you to marry Marcelo?
41:14And he's told me very ugly things.
41:16And he's told me very ugly things.
41:20You see, that woman has a very poisonous tongue.
41:24Do you know what I do when I start to let go of Billy?
41:27Of what?
41:29Well, I start to make very difficult accounts for myself.
41:33I start adding 63 with 45, for example.
41:36And this takes up so much of my brain that I don't think about what you're telling me.
41:42I wish I could do something like that, but I don't think I can.
41:46It's good to expose yourself.
41:49It's okay.
41:51Well, no.
41:52Not because I came to tell you something very urgent.
41:55What happened?
41:56Well, your husband, who was serving coffee to the captain of the Mata,
41:59and he had to do something that was getting him upside down.
42:03Why?
42:04Well, because he interrupted her while she was talking on the phone.
42:08And what did the captain tell him?
42:10Well, about you being less handsome.
42:12That's why I came to tell you, to cheer you up a little.
42:15And to correct you, to see if you don't get in trouble.
42:18Thank you very much for letting me know, María.
42:20We've been together for a long time.
42:22Yes, but that's what you have each other for.
42:25That you're married for a reason.
42:46Have you put a good bone of ham in the broth to give it substance?
42:49A very beautiful bone.
42:51That broth brings back a dead man.
42:53Oh, don't say those things, Candela.
42:54They give me very bad luck.
42:55It's a way of speaking, Simona.
42:57She's so young.
42:58I'm sure she's got a big cold.
43:00Look at you, in two days we'll have her around here giving her a hard time.
43:02And then we'll regret that she recovered so soon.
43:06Hello.
43:07Has the Duchess of Carria left already?
43:09Yes, thank God.
43:10Because when that woman is here, I can't do anything in the kitchen.
43:13Well, what dish did they teach you today?
43:15No, today I didn't want a specific dish.
43:17Today I wanted a whole menu.
43:20Well, I don't know what your cooks will think,
43:22but I certainly don't think they'll find it very funny.
43:24Well, imagine that.
43:25As if now the Marquess would start to plant herself in the kitchens of other palaces
43:29and get interested in her dishes.
43:31That would leave us in a good place.
43:34And then they got a menu that she liked?
43:36Lope has begun to speak with his golden beak.
43:40He has begun to speak with his golden beak.
43:42And we have come out of the way.
43:44Yes, boy, it's worth a little bit.
43:46A menu has been taken out of the sleeve.
43:48The sea of pineapples.
43:49Well, let's see if he prepares it for us one day.
43:55Is it full?
43:56Some are left.
43:58The pantry, along with the fish that they brought from the village.
44:01Well, let a maid add a good piece in a jug of water to Santa's room.
44:05Has the fever not gone down, boy?
44:07Nothing. Not a pinch.
44:09He's making a very tasty pusherito with a good ham bone.
44:12Well, later I will try to make him take it.
44:15Although it will be difficult because the fever has it completely numb
44:18and it takes work until he takes the medicines.
44:22Do you want me to go see how he is?
44:25You.
44:26And what are you going to do?
44:27Send him one of your magic remedies?
44:31Maybe I can help him.
44:33Yes, of course.
44:34Like the medicine you sent my son helped him, right?
44:40Doña Petra, Feliciano was very weak.
44:43And the remedies don't work miracles either.
44:45I could see that with my son.
44:47Go if I saw him.
44:49So you don't want me to go?
44:52No.
44:53Of course not.
44:55Let a maid add ice to Santa's room.
45:06What a pulse you have.
45:08This is nothing.
45:09I should go work as a miniaturist.
45:12They are able to paint a picture in a grain of rice.
45:15In a grain of rice?
45:17Let's see, as entertainment it's fine, but ...
45:21I don't know if it's the most practical thing to decorate a wall.
45:27Do you have a favorite painting?
45:30Or some special painter?
45:33No.
45:34There are so many that I like.
45:37Well, I think my favorite painting would be the birth of Venus.
45:41I saw it once in a photograph in a magazine and I was dazzled.
45:45From Botticelli, yes.
45:46Yes.
45:47Beautiful.
45:48I would love to see it for real.
45:50Well, I'm afraid I'll have to wait because it's in Florence.
45:52And with Italy at war, it's not a good time to travel.
45:55Let's see if that damn war is over, really.
45:59Did you know that Botticelli also painted part of the Sistine Chapel?
46:03Well, I had no idea.
46:05Well, I'm pretty ignorant about art, to be honest.
46:09It's hard to learn.
46:13Julia, Martina.
46:15Do you remember that this morning I told you that I was going to compensate you for being so grumpy?
46:20Of course.
46:21One does not forget things like that in a house where there is nothing to do.
46:25Well, the promised is due.
46:28This is the compensation.
46:32A remedy against wrinkles?
46:35You're not going to compensate us with that because I don't have any at the moment.
46:38No, not this one. Look at this one.
46:41I don't understand.
46:43Let's see.
46:44I've arranged everything necessary to play the band.
46:48We'll set up a challenge in the garden and we can do a tournament.
46:51Challenge Pelayo, Catalina, Manuel ...
46:53Hey, I've never played, but I think it's a lot of fun.
46:58And you, Julia, have you ever played?
47:01Yes.
47:03Only once.
47:05Well, you'll see that we're going to have a great time playing.
47:09And if you don't know, I'll show you.
47:17The truth is that I did everything I could.
47:19But Feliciano was very sick, so I don't know what I could do to save him.
47:23Didn't you notice Marimandra or is she like that?
47:26She is convinced that I am to blame for the death of her son.
47:31And she has been in charge of repeating it to me several times.
47:34That woman is resentful of the world.
47:36That's why she says those barbarities.
47:39But I wish I could have saved Feliciano.
47:41What do I tell you? Don't listen to her, Leñe.
47:44Santos has more tracts and more venous than usual.
47:48That's true.
47:50It's true that he has taken a lot of credit for that boy.
47:52Look how far he has gone to look for another doctor to examine him.
47:56But yesterday Dr. Guillen came to see him.
47:58Well, she went to look for another doctor today.
48:01And do you know who paid her?
48:03Her?
48:04Exactly.
48:05From her own pocket.
48:07When she has seen Marimandra or something like that,
48:10for someone who was not her son.
48:12Leña, it's pretty weird.
48:14So don't listen to what she tells you.
48:16Because she is lost.
48:20Yeah.
48:21Yes.
48:44Well, Father, here we are.
48:47But if you're going to convince me to ...
48:49Wait, Catalina.
48:51You still don't know why I called you.
48:53Sit down.
48:56You're right, I'm sorry.
48:59I thought that after the discussion with Cruz, I was going to throw a rag at you.
49:03No, I'm not going to do that.
49:05Although I didn't like what I saw.
49:07I don't like to argue either.
49:09Neither with Cruz nor with anyone.
49:11That's what I want to think.
49:13Someday we'll talk about that.
49:15But not today.
49:17So why did you call us today?
49:22Come in, Lorenzo.
49:23We're all here.
49:24Sit down.
49:25And that?
49:27Is this meeting going to last long?
49:28I hope not.
49:29But I don't think I welcome you standing and us sitting.
49:33Okay.
49:35But be brief.
49:38I'm waiting for a phone call.
49:41Be careful.
49:45I just want to tell you that I've made a decision about the jam business.
49:50What decision do you have to make?
49:51The business is going perfectly.
49:53Really?
49:54And then why have we had those problems with the army?
49:57We are not responsible for those intoxications.
50:00What intoxications are you talking about?
50:01It doesn't matter, Catalina.
50:03I'll get to the point.
50:05I have decided that the business will return to the hands of Catalina and Pelayo.
50:11What?
50:12Yes.
50:40Curro.
50:41Did you want to see me?
50:45I have something to tell you.
50:49Is that what you wanted to tell me before you got to Julia Martínez?
50:53Yes.
50:54Yes, that's right.
50:57Good.
50:58Come on, I'm all ears.
51:00You'll see, Manuel.
51:02You've been honest with me.
51:05Telling me about you and Hanna.
51:10And I have to be honest with you.
51:13Is that okay?
51:15Honest with what?
51:18There's ... there's something else I haven't told you.
51:23And I can't keep hiding it from you, so ...
51:30Hanna and I are brothers, yes.
51:34But from different fathers.
51:40Oh.
51:45And what do you mean by that?
51:50That I have a brother.
51:54Yes, a brother with whom I do share a father.
51:59Oh.
52:01Well.
52:03And who is it?
52:09It's you.
52:13Manuel, you and I are brothers.
52:22I had another doctor come in.
52:24He prescribed a different specific.
52:27But why did he do that?
52:28Isn't it clear to you?
52:30At the very least, you should have asked me.
52:32Don't you think there's a calm atmosphere in the palace?
52:35Do we think it has anything to do with the fact that the Duchess of Carril is not visiting us today?
52:40Well, I'm not going to tell you no.
52:43But let's see, what's wrong with this lady?
52:45It's a disgrace to have her around, but come on, it's not that bad after all.
52:49If this infidelity reached my mother's ears, her marriage would be broken.
52:54And both would be more devastated than they already are.
52:56You can rest assured.
52:58We're not going to hurt them.
53:01Yes, but then how are you going to get to the origin of what happened to your mother?
53:05How are the visits of the Duchess of Carril going in the kitchens?
53:09Fine. Fine, ma'am. The Duchess shouldn't have a complaint.
53:12I want to know what's going on in those painstaking meetings in Petra's office.
53:16How is the husband of Mrs. Villamil doing?
53:19All I do is receive complaints from everyone because of him.
53:22That's why I can't do anything else but consider my son Santos' warnings.
53:27He insists that Marcelo is not ready to perform the functions of a lackey.
53:31Have you bought a badminton game?
53:32That's right. And I don't know why, he's being late.
53:35And that's why I want to go, to ask if something has happened.
53:38Do you want me to accompany you?
53:39I was thinking of going for a walk.
53:41Better. I've been sitting all day and it will be good for me to stretch my legs a little.
53:45You have made this decision exclusively to punish me for the distance between us.
53:49This decision has nothing to do with what is happening between us.
53:53I don't intend to punish you, Cruz.
53:55It's not a personal matter, it's business.
53:57Well, you're making a very serious mistake.
53:59One more and I'll be ready. Nothing new under the sun, dear.
54:02Well, if you keep doing this, I don't think there will be a next time.
54:04This is not working, Marcelo.
54:05If you don't pay attention to your tasks,
54:07the only thing you're going to get is for the truth to come out and for everything to come out.