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00:00:00♪♪
00:00:30Well...
00:00:31Of course not.
00:00:32But there was caviar, duck,
00:00:35meat from the best beefs, and artichoke oysters.
00:00:38They didn't run out on expenses.
00:00:40Have there been more news from those journalists?
00:00:42Are you talking to the newspaper again?
00:00:44Shortly after the reporters left,
00:00:46I wanted to show them our indignation
00:00:48for having ignored the cancellation of the chronicle.
00:00:50And what answer did they give you?
00:00:52That it was a confusion.
00:00:53Apparently the notice did not reach the newsroom
00:00:55and that's why the reporters were at La Promesa.
00:00:57The bouquet is a first.
00:00:59What's the reason?
00:01:00You can find out.
00:01:01Santos wanted to thank me for taking care of him
00:01:04when he was in bed.
00:01:05Marcelo, you have to open your ears.
00:01:07We've told you hundreds of times.
00:01:09Miss Julia can't eat nuts!
00:01:15Does anyone want to explain to me what's going on here?
00:01:18How did Paco die?
00:01:20José Juan tells the truth.
00:01:22I'm the only one to blame for Paco's death.
00:01:30So José Juan was right.
00:01:32You are to blame for Paco's death.
00:01:35And that's why I deserve this slap in the face
00:01:37from everyone who wants to hit me.
00:01:39No.
00:01:40No.
00:01:41That's not the solution.
00:01:43Because there is no solution.
00:01:46Nothing will bring him back to life.
00:01:49I want to know the truth about what happened.
00:01:54Okay.
00:01:57Okay.
00:01:59But it still hurts more.
00:02:04You'll know how to put up with it.
00:02:08Besides, you should know
00:02:10that maybe my story doesn't coincide
00:02:12with the one your brother-in-law José Juan told you.
00:02:14Don't try to fool me.
00:02:16No.
00:02:17I would never try.
00:02:20I want the truth and nothing more than the truth.
00:02:23Even if it hurts.
00:02:26I guess your brother-in-law told you
00:02:29that the days before Paco's death
00:02:34were very hard.
00:02:36Yes, he mentioned something.
00:02:39We were entrusted with a mission.
00:02:42We spent hours and hours walking,
00:02:46eating badly,
00:02:48drinking from ponds and abandoned wells.
00:02:55One day I told them that we should stop to rest.
00:03:00And José Juan refused firmly.
00:03:05According to him, they were following us.
00:03:07Of course, I can't go on like this.
00:03:09At any moment I fall flat.
00:03:11No, I'm just like you.
00:03:13What seems to never get tired is your brother.
00:03:19Let's go.
00:03:20We could spend the night here.
00:03:26José Juan.
00:03:29We are thinking about spending the night here.
00:03:32We have to go on.
00:03:34We must go on.
00:03:35As most of us, we wanted to rest.
00:03:40That's what we did.
00:03:43We organized ourselves
00:03:45in case that German showed up.
00:03:51And?
00:03:54And I...
00:03:57I was so tired that...
00:04:02I fell asleep.
00:04:05You're a kid!
00:04:10I'm sorry.
00:04:11I fell asleep.
00:04:12Our lives were in your hands.
00:04:14Don't fall asleep.
00:04:15You're irresponsible.
00:04:17I was exhausted.
00:04:18I fell asleep.
00:04:19I trusted you.
00:04:22After that,
00:04:25we continued with the mission.
00:04:28And I felt terrible.
00:04:30I felt that I betrayed my colleagues,
00:04:32my friends.
00:04:35In fact,
00:04:37Paco
00:04:39saw me so down
00:04:42that he decided to forget about it
00:04:44to cheer me up.
00:04:49He was like that.
00:04:51He liked to make others smile.
00:04:55And he liked
00:04:58to talk about you.
00:05:00He loved it.
00:05:02In fact...
00:05:04What did he say?
00:05:08He told me that
00:05:11he really wanted to come back.
00:05:14Just to marry you.
00:05:17In the parish of
00:05:19Our Lady
00:05:21of the Perpetual Aid, yes.
00:05:28After that,
00:05:32the days passed and we kept walking
00:05:35until we were lucky enough to find a stream.
00:05:39That stream wasn't luck.
00:05:42It was a sentence.
00:05:45Slow down a bit.
00:05:47I'm in a hurry.
00:05:49I'm working.
00:05:50Don't worry.
00:05:51I'll be here in a few minutes.
00:06:04Paco!
00:06:05Are you okay?
00:06:08That wasn't luck!
00:06:14If we hadn't played,
00:06:18he might still be alive.
00:06:24And the worst part is that it was all my idea.
00:06:27To stop,
00:06:29to drink,
00:06:31to play everything.
00:06:34So, yes.
00:06:39Paco died because of me.
00:07:04The lights that have danced through our garden
00:07:08The new rumors
00:07:10Between the heart and the walls
00:07:14In the promise
00:07:16There will be particles of love in motion
00:07:20There will be secrets that will never come out
00:07:24It will be as beautiful as the flight of a bird
00:07:30In the promise
00:07:32The farewells are spins on the ground
00:07:36Even the flowers will dance in their own way
00:07:40Balancers between fear and passion
00:07:47We are like a jump to the D3
00:07:51We are love when you live life to death
00:07:55A long way to go
00:07:59In the promise
00:08:00It will be a matter of luck
00:08:03We are like a jump to the D3
00:08:07We are love when you live life to death
00:08:11A long way to go
00:08:15In the promise
00:08:16It will be a matter of luck
00:08:29What happens, what is said to happen,
00:08:32nothing has happened.
00:08:35Right.
00:08:37And what about those voices that were heard from the corridor?
00:08:41Oh, and voices, you say?
00:08:43Don't call me voices, Mrs. Petra.
00:08:45We were just talking a little louder.
00:08:47Yes, yes, that's it. You know what happens.
00:08:50One speaks a little loud and the other raises ...
00:08:52Do you take me for a fool?
00:08:54Or do you think I just fell from a fifth floor?
00:08:57Something's going on here.
00:08:59And I'm not going until they tell me what it is.
00:09:04So talk, Marcelo.
00:09:07What's going on?
00:09:10I was ...
00:09:11Because Marcelo was angry with López
00:09:14for the cake he made.
00:09:16Because Sascandí wanted to brush his teeth before the gentlemen.
00:09:19Yes, of course, that's it.
00:09:21And here we all know
00:09:23that we eat the leftovers of the gentlemen and not the other way around.
00:09:26It's not easy to resist temptation.
00:09:31When López gets ...
00:09:33Yes, besides, that cake turned out spectacular.
00:09:37It has been difficult for me not to brush his teeth.
00:09:40It would be difficult for all of us, because we are all humans.
00:09:44Yes, but above all we are professionals.
00:09:47And nobody puts their hand on the plate until it is served.
00:09:52But that has a very simple solution, Mrs. Petra.
00:09:55Next time I'll make two cakes and we'll all try it.
00:09:58But when I came down the hall,
00:10:00I didn't hear anything about this cake being finished.
00:10:03But Miss Julia can't eat nuts.
00:10:06Of course.
00:10:08That's why Marcelo was counting the portions
00:10:11to see if there was any left over from the lady.
00:10:13And he could eat it.
00:10:14Exactly.
00:10:15But I'm telling you, there won't be any left over here.
00:10:19Because that part will be eaten by Miss Martina.
00:10:22Miss Curro.
00:10:24Well, enough with the nonsense.
00:10:26And put this damn cake up.
00:10:28The gentlemen are waiting for it for breakfast and not for dinner.
00:10:31Is that clear?
00:10:32You're right.
00:10:34And stop shouting in the kitchens
00:10:36as if you were greengrocers selling peppers in a market.
00:10:40This house is serious.
00:10:42Thank you, comrades.
00:10:44I knew I was going to lose my job.
00:11:13But shut up. You're crazy. Shut up.
00:11:16Do you want everyone to find out?
00:11:18Yes, exactly.
00:11:20I want everyone to know how much I love you
00:11:22and that I'm going to marry you.
00:11:24Well, little by little.
00:11:25Because for now, no one can find out.
00:11:27Why?
00:11:29That's why I'm going to marry you.
00:11:31I'm going to marry you.
00:11:33I'm going to marry you.
00:11:35I'm going to marry you.
00:11:37I'm going to marry you.
00:11:39I'm going to marry you.
00:11:41You know, I feel like we shouldn't hide
00:11:43something as beautiful as what's between us.
00:11:46Yeah, it's hard for me to shut up too.
00:11:49In fact, I ...
00:11:51You what?
00:11:53Manuel, please, don't get mad.
00:11:56Well, I had to tell María Fernández.
00:11:58I told her we were getting married in two days
00:12:00because I couldn't help it.
00:12:01She's my best friend.
00:12:02And she had to help me with the dress, you know?
00:12:04Shh.
00:12:08It's okay.
00:12:11It's okay. I'm sure she's very happy.
00:12:14Don't you get mad?
00:12:16No.
00:12:19She is very excited that we are going to get married in a few days.
00:12:23Look, like me.
00:12:26And me too, but ...
00:12:29I don't know if we are so happy about the wedding
00:12:32that we are forgetting what comes next.
00:12:35As long as we go with the truth ahead,
00:12:37we have nothing to fear.
00:12:40And why don't we start with Father Samuel?
00:12:44What's wrong with Father Samuel?
00:12:45He still thinks he's going to marry two young people from the village.
00:12:48Manuel, the day of the wedding can't come
00:12:50without him realizing who you are just to mention your name.
00:12:53You see, what do you think if ...
00:12:55The later we talk to him about this matter, the better.
00:12:58What if he gets angry and says he won't marry us?
00:13:01No.
00:13:03No, it won't happen.
00:13:04In fact, I think he'll like it.
00:13:08Besides, I'm going to ask you one last favor when we get married.
00:13:12I will ask you to bring a letter to La Promesa
00:13:14in which I explain everything to my parents.
00:13:16Manuel ...
00:13:18I think we should tell them.
00:13:21No.
00:13:22I want us to have a quiet honeymoon.
00:13:25So when we get married,
00:13:26we'll get on a train on our way to Madrid.
00:13:28And we'll explain it to them later, when we get back.
00:13:31And what do you think about going with the truth ahead?
00:13:34You yourself said that the best thing would be to get married
00:13:38and then give explanations, right?
00:13:40Yeah, but now I don't know if it's the right thing to do.
00:13:43I think that after everything we've suffered to be where we are,
00:13:46we deserve to be a little selfish.
00:13:48At least with this.
00:13:50You're right.
00:13:54When we get back to living in La Promesa,
00:13:57then my parents will have already come up with the idea
00:13:59and we'll put everything in its place.
00:14:02And it will be fine.
00:14:04We'll start a new stage.
00:14:07Manuel, what do you mean ...
00:14:09What do you mean we're going to live here again?
00:14:11Do you think people will like that I'm going back to La Promesa?
00:14:15No one will want to sit at the table with me.
00:14:17It's my house.
00:14:18So trust me.
00:14:20Besides, the moment they get their first blow, everything will be fine.
00:14:23There will be a first, a second, a third,
00:14:25and hundreds of blows, Manuel.
00:14:27No one will accept that I marry you.
00:14:29I don't care.
00:14:32If they don't, I don't care.
00:14:35Because you and I love each other.
00:14:38And that's not going to change.
00:14:40Right?
00:14:42Never.
00:14:54What's wrong?
00:14:56Nothing.
00:15:01Manuel, I'm ...
00:15:03I'm worried about everything about Gregorio.
00:15:08You sent him notes to the tavern and you also met with him
00:15:11and I'm afraid people will think you two have something to do with each other.
00:15:14I'm innocent.
00:15:16So they won't find anything to blame me for.
00:15:19So you don't have to worry.
00:15:21Okay?
00:15:27Let's get married, my love.
00:15:29Let's get married. That's all that matters.
00:15:38Stop, stop, stop.
00:15:40Manuel.
00:15:45I have a worse view of these things.
00:15:48I'm going to have to wear the watch to the watchmaker.
00:15:52Although I could also change my glasses, don't you think?
00:15:57Is something wrong, Ricardo? Are you listening to me?
00:16:00Huh?
00:16:02Sorry.
00:16:06I just can't get Gregorio's death out of my head.
00:16:09Hey ...
00:16:12That secret you had hidden for so long
00:16:15has nothing to do with what's going on, right?
00:16:19Do you think I have anything to do with that murder?
00:16:22No, no, no, no.
00:16:24It's just that when you spend the night on watch,
00:16:27a lot of things come to mind.
00:16:29One day, I asked you to trust me.
00:16:34I still need you to do it.
00:16:37In a few days, I'll be able to tell you the whole truth.
00:16:40And then everything will be clear. I'm sure.
00:16:43You'll be the first to tell him.
00:16:46Well, I hope so.
00:16:49Because to be honest, it's not nice to feel that things are still hidden from you.
00:16:53I understand.
00:16:55It's not a pleasure for me either.
00:16:58But we're talking about something very complicated.
00:17:01Yes, I know, I know.
00:17:03That's why I've never pressured you to tell me.
00:17:05And I thank you.
00:17:08Every day I thought about his son.
00:17:12Now an orphan.
00:17:14Yes, it's a disgrace, yes.
00:17:16If I could do anything for him, you just have to tell me.
00:17:19I'm willing to do anything.
00:17:21But what am I saying?
00:17:23If I couldn't be a good father to my son Santos, what am I going to do for that child?
00:17:27Don't punish yourself, Ricardo.
00:17:29You did everything you could for him.
00:17:39The countryside is beautiful at this time.
00:17:42The day I don't go for a walk in the open air, I don't know, I feel like I'm missing something.
00:17:47By the way, have you seen that your mother's painting has returned to its place?
00:17:50I didn't even realize it.
00:17:52It's more colorful, right?
00:17:54I haven't noticed anything.
00:17:56Although I guess Julia must have done something.
00:17:58The important thing is that it's back in its place.
00:18:01Catalina, are you okay?
00:18:04Of course, why wouldn't I be?
00:18:06I don't know, maybe you're still upset about the mistake with the journalists.
00:18:10So what? In the end, everything was a mess.
00:18:13Yes, but I'm sure there's nothing else.
00:18:16It's okay, kid.
00:18:18It's just that since we're back in the jam business, I have a lot of things on my mind.
00:18:23What's wrong? That the captain of the mate didn't do well in the accounts and now you have more work than usual?
00:18:28It's a disaster. The accounting book is not up to date.
00:18:32But if his mouth was full bragging about his management.
00:18:35Well, there are invoices that have not been written down for months and expenses that I don't know what they are due to.
00:18:39Before you had almost all the accounting on your own and I had never seen you so saturated.
00:18:45Yes, it's true.
00:18:48It's just that I've lost the habit after so long without doing anything.
00:18:51But you wanted the business back in our hands, right?
00:18:54Yes, yes, yes.
00:18:56They say you cry more for the prayers answered than for the ignored ones, I don't know.
00:19:01Do you regret it?
00:19:03Leave it, it will pass me by when I solve everything.
00:19:08Hey, wait. What if we get to the river and get our feet in fresh water?
00:19:13Quita, kid, I'm not in the mood.
00:19:15And that?
00:19:17No, I'm not in the mood.
00:19:19Come on, let's go back to the promise.
00:19:21And what about the walk?
00:19:23I tell you that I have to review the accounts.
00:19:26And then I have to go to town to talk to the women who are part of the business.
00:19:31And it has to be this afternoon.
00:19:33As soon as possible.
00:19:35The captain has not treated them as they deserve.
00:19:38And I have to solve things with them.
00:19:41Understand it.
00:19:43The company without them has no future.
00:19:46It is important to be good.
00:19:49As you say.
00:20:05You are late for dinner, brother-in-law.
00:20:07The truth is that I'm not very hungry. I have chopped something in Villalquino.
00:20:12You smell like tobacco.
00:20:14Have you been to the casino?
00:20:16Yes.
00:20:18Since the jam business was taken away from me, I have free time to go back to the Tertulias.
00:20:24What?
00:20:26Do you find it funny that they see me like this?
00:20:28No, I find it funny that you boast about what you worked with the jams.
00:20:32When you and I know that you didn't give a damn.
00:20:34That is inaccurate.
00:20:36But it is very close to reality.
00:20:39Whatever, your husband had no right to take the business away from me to give it to his ungrateful daughter.
00:20:43Can we leave this matter now? I've been bored for days.
00:20:46You are right. I will not name it anymore.
00:20:51And what? Is there any comment on Villalquino about Gregorio's murder?
00:20:56Well, I haven't heard anything.
00:20:59Although I haven't asked either.
00:21:01Are you interested in the matter?
00:21:03It intrigues me rather.
00:21:05Well, if you want, I can ask about Lujan tomorrow.
00:21:07I'm sure he will comment on something.
00:21:09No, better leave him alone.
00:21:11I don't want them to think that we are interested in something as sordid as that crime.
00:21:14I also think it is better to leave him alone.
00:21:16Especially because you have that man working here.
00:21:19I hired him at a good time.
00:21:21He has done nothing but give problems.
00:21:23It is what the servants have, sister-in-law.
00:21:25For a good one that you find, you have to deal with three or four without shame.
00:21:29Anyway, I'm going to change.
00:21:32Are you going to go down to dinner?
00:21:34Or do I tell the service not to cover you?
00:21:37Well, it depends.
00:21:39Are you going to delight us with another little scene of disagreement with Yuval?
00:21:44I do not grant you those insinuations.
00:21:46I do not insinuate anything.
00:21:48I affirm.
00:21:49Lately, you don't stop arguing.
00:21:51It's not that it bothers me, but it starts to bore me, like you, my complaints.
00:21:54Well, you can be calm.
00:21:55Today there will be no show.
00:21:57Have you already fixed it?
00:22:00I wish.
00:22:02You don't know what it bothers me to think that I'm cheating on you with my friend.
00:22:06I already said that.
00:22:08If you allow me an advice, I would wait patiently.
00:22:13It will be time for your revenge.
00:22:15Patience is not one of my virtues.
00:22:17You know.
00:22:18Revenge is a dish that is served cold.
00:22:21Well, cold or hot, it will be served here.
00:22:29I'm sorry.
00:22:43Marcela cannot afford these mistakes.
00:22:45They can cost her the job.
00:22:47I know perfectly well, Mrs. Simona.
00:22:49Let's hope so, because I'm telling you,
00:22:51that neither Mr. Baeza nor Petra will beat me again.
00:22:54But have they said anything?
00:22:55No, because they haven't found out.
00:22:57You don't need to be divine to know that for next time,
00:23:00your husband is already on the street.
00:23:03They told me they wanted to talk to me.
00:23:05Yes.
00:23:06And you can imagine why.
00:23:08I have a good idea.
00:23:09Marcelo, we don't want to bother you, but you have to calm down.
00:23:11I know.
00:23:12Imagine that Miss Julia comes to pick up the walnut cake.
00:23:16She comes to the hospital, and we in the Guardia Seville quarter.
00:23:19At worst, she doesn't even get to the hospital.
00:23:22I'm sorry, really.
00:23:24You're going to be more careful from now on, right?
00:23:26Yes.
00:23:27I don't know what I was thinking.
00:23:28The saint went to heaven.
00:23:30I'm partly to blame too.
00:23:32When he told me it was a breakfast for Mr. Curro,
00:23:34I should have asked him if he was going to have it with someone else.
00:23:37I didn't think that was important.
00:23:39Well, it was, huh?
00:23:40It was.
00:23:42I should have warned you that you can't serve that cake to Miss Julia.
00:23:46Well, thanks to María Fernández,
00:23:49things didn't get any worse.
00:23:51And she was left in shock.
00:23:52And the important thing is that Marí Mandrajo doesn't know about this,
00:23:54because if she finds out, she's going to be in big trouble.
00:23:58After all, I've been lucky.
00:24:00Yes, but it won't happen again.
00:24:02So from now on, a lot of cake, boy.
00:24:06Don't worry, I'll have it.
00:24:08I'll keep an eye out so this doesn't happen again.
00:24:10And thank you all very much for giving him a hard time.
00:24:13Between colleagues is what comes first.
00:24:16You know the saying, don't you?
00:24:18Even the best writer makes a mistake.
00:24:22I won't force you much more, I promise.
00:24:35Enough.
00:24:41Do we know anything about Gregorio's murder?
00:24:45Not that I know of.
00:24:46But I hope you meet with the person responsible soon
00:24:48and that this matter stops spoiling the good name of La Promesa.
00:24:52That won't be easy with all those journalists wandering around here.
00:24:56There are no more journalists around here.
00:24:58And as far as I know, there's nothing that can link the crime to La Promesa,
00:25:02even if that sergeant has passed through this house.
00:25:06The sergeant came because they killed a man who worked here as a butler,
00:25:09but they didn't kill him in our lands.
00:25:11Besides, that guy was very pedantic.
00:25:13I'm sure he had a lot of enemies.
00:25:15I think he was recently involved in a great trifle.
00:25:18I wouldn't be surprised if that had to do with his death.
00:25:21Even so, journalists are capable of making up anything.
00:25:25Well, for now, the journalist who came didn't write anything bad about us,
00:25:29despite the scolding we gave him.
00:25:31For now.
00:25:32Let's see what that newspaper guy is capable of.
00:25:36You'd love to see me in the limelight again, right?
00:25:39Catalina.
00:25:41I don't care how they put you, dear.
00:25:43I'm just warning you that they're resentful.
00:25:46I don't know how you came up with the idea of bringing one home.
00:25:48We already told him.
00:25:49It was all a misunderstanding.
00:25:51I see.
00:25:52As if you had no intention of airing your life in front of everyone.
00:25:56As if it were a vulgar foyer.
00:25:59You know perfectly well that we didn't intend to air anything.
00:26:02As long as the truth was known about our relationship after so much infamy.
00:26:07Enjoy getting in trouble.
00:26:10Can we have dinner with a little peace, please?
00:26:13What's the matter? Can't we say anything in this house anymore?
00:26:16Yes, yes, you can.
00:26:17Besides, I'm going to agree with something he said.
00:26:20No, look, I didn't expect that.
00:26:23It's true that we shouldn't have accepted that journalist's request in the first place.
00:26:27I don't like talking about my life.
00:26:29I've never liked it.
00:26:31Luckily, we canceled that column.
00:26:33It was a mistake that was made in time.
00:26:35Thanks to that protest.
00:26:36Are we going to stop talking about that?
00:26:38I have nothing more to say.
00:26:40Me neither.
00:26:42The vegetables.
00:26:44Well, Alonso, you choose the topic we can discuss.
00:26:48I'm just trying to have dinner in peace, nothing more.
00:26:53Why don't we talk about the jam business?
00:26:56Oh, no, maybe it's not such a good business anymore.
00:26:59It won't be, Marquesa.
00:27:01We'll soon find new customers.
00:27:03It's on the way to a solution.
00:27:04On the way to a solution?
00:27:06You can't solve something that worked well.
00:27:08You can't solve something that worked well.
00:27:13I'm not hungry.
00:27:24He killed Gregorio.
00:27:26Yes, that's what I said.
00:27:30Mr. Baeza, I know it's not right to be happy about the death of others, but ...
00:27:36I feel like a relief to think that I will not cross it again.
00:27:40I understand.
00:27:41You are not the only one.
00:27:42The world is a better place without that criminal.
00:27:45So don't you think I'm a bad person for thinking that?
00:27:48Not at all.
00:27:51But who killed him?
00:27:52How could it happen?
00:27:53I don't know, but that man had many enemies.
00:27:55Of course.
00:27:57If he led the world as he led me, there would be many people who would like to see him dead.
00:28:02Without a doubt.
00:28:03Well, he's officially a widow.
00:28:06Yes, well, a widow and ...
00:28:09And for many, a deceased.
00:28:12What strange days we have had to live.
00:28:14Well, but other better ones will come and the routine will arrive.
00:28:19You know what I'm telling you?
00:28:20I'm wishing to get bored.
00:28:22Get bored and have a life like that, with no ups and downs.
00:28:25I'm also wishing to get out of here and ...
00:28:28and be able to see my son and ...
00:28:31and hug him and kiss him and kiss him.
00:28:35I mean, maybe I could go look for him now, right?
00:28:37No, no, no. I think you should wait a few days.
00:28:40But why? If Gregorio is already dead, there is no danger for either of us.
00:28:43No, but if you leave suddenly, then the Civil Guard would make you the main suspect in his death.
00:28:49What do you mean? I haven't done anything.
00:28:51I know, I know. But I also know that this idea would go through the heads of the authorities.
00:28:55But that doesn't make sense, Mr. Baeza.
00:28:57Well, it would prove my innocence.
00:28:59I'm just asking you for a few days.
00:29:01Let the investigation continue.
00:29:03Maybe they'll find the culprit and you can breathe easy.
00:29:07Do you think they'll find him?
00:29:08Yes, I'm convinced of that. That sergeant is relentless.
00:29:14I don't know how long I'll be able to hold on, Mr. Baeza.
00:29:16I'm wishing to see my son.
00:29:18And soon you will.
00:29:20But be patient.
00:29:22Well, from now on you can be at ease.
00:29:25You could even have the doors of the house open.
00:29:28That man is no longer a danger.
00:29:32Okay, okay. I'll wait.
00:29:35Now we should think, as we told the news, that you are alive.
00:29:41Well, that's another one. I hope I don't hurt everyone who has helped me so much.
00:29:46Because soon the Marquis is aware, so on that side we will have no problem.
00:29:50And justice?
00:29:51Everything we have done has been for a good cause.
00:29:54It is more than justified, anyone can understand it.
00:29:57I hope so.
00:29:59Well, at least today I will be able to sleep peacefully.
00:30:03Without thinking about the noise out there.
00:30:05That's right.
00:30:06What do you think? If to enjoy your new life,
00:30:11we go out to drink that infusion out there, fresh?
00:30:15Out?
00:30:17There is nothing to fear.
00:30:21Yes.
00:30:28Yes.
00:30:33Julia.
00:30:35You were serving me a digestive.
00:30:38I've had too much, do you want me to serve you one?
00:30:41It's fine, but little.
00:30:45It has been good to have dinner alone in the greenhouse, right?
00:30:49The truth is yes.
00:30:50We hope that my aunt Cruz has not bothered us, because if not ...
00:30:54Possibly she forbids it.
00:30:57Can something like that bother her?
00:31:00My aunt Cruz can be bothered by anything I do.
00:31:06I don't want to sound heavy, but I need to keep talking about it.
00:31:11About Paco's death.
00:31:13I see that I am very predictable.
00:31:16Well, after all, we are talking about the man she was going to marry.
00:31:21So yes, it will be better if I tell you everything.
00:31:24So she will be calmer.
00:31:28Shall we sit down?
00:31:30Yes.
00:31:40As I already explained to you, Paco received a shot
00:31:45and fell to the ground injured with a bullet in his stomach.
00:31:49Yes.
00:31:53José Juan didn't want to leave him there,
00:31:56so we decided to make a bed to transfer him to a doctor.
00:32:03But were there any doctors around?
00:32:07No.
00:32:09We were in the middle of a forest and there were no doctors.
00:32:14I see.
00:32:16There was nothing we could do.
00:32:20Paco was agonizing and José Juan decided he had to kill that German.
00:32:27The one who had injured his brother.
00:32:30Was he still around?
00:32:32No, we didn't know.
00:32:34He could be stalking or he could have run away.
00:32:38Manuel saw him so desperate that he decided to accompany him.
00:32:44And when they left, was Paco still alive?
00:32:49Yes.
00:32:50Yes, yes.
00:32:52I stayed with him while he was bleeding.
00:32:59Was he conscious?
00:33:03He was barely able to speak, but he could still talk.
00:33:08In fact, he left me a message for you.
00:33:13A message that I haven't stopped repeating since that day,
00:33:17so I don't forget.
00:33:23He told me that he loved you
00:33:25and that he had never told you before because we forget to tell the important things.
00:33:31But he was there.
00:33:32And that he had never told you before because we forget to tell the important things.
00:33:37But he was fed up with keeping his feelings quiet.
00:33:43He did it because he had never loved anyone like that before.
00:33:49He told me that he wanted you to be happy.
00:33:54That you should not wear mourning.
00:33:56That you are beautiful in red.
00:34:00He always told me that.
00:34:02Yes.
00:34:05He also told me that his perfume drove him crazy.
00:34:11That his skin was the map where to find himself.
00:34:18And that his voice was his favorite music.
00:34:25He told me that I wish I could hear him one more time.
00:34:30Just one more time.
00:34:33Paco.
00:34:36He told me that I owed him nothing.
00:34:38That he just wanted me to be happy.
00:34:41And that that commitment, that it would never end in marriage,
00:34:48that it would not be in this life,
00:34:51but that he would be taking care of her from heaven.
00:34:55And that that filled him with peace.
00:35:03He asked me again to tell him that I loved her.
00:35:09That it was the most important thing for him.
00:35:14And then ...
00:35:18Then it went out.
00:35:33I feel that his presence is here with us.
00:35:40Thank you for telling me all this, Curro.
00:35:46Even if it doesn't seem like it, I feel more comforted.
00:35:55I am glad to have fulfilled the task that Paco gave me.
00:36:03He was ...
00:36:07He was a wonderful person.
00:36:33Santos.
00:36:35I have something for you.
00:36:39I want you to have a flower from the bouquet you gave me.
00:36:45But were they all for you?
00:36:47Put it in your room.
00:36:49You'll see how it gives you a little joy.
00:36:54No, I'm the one who has to thank you for the gift.
00:36:58I'm going to check that all the windows are closed
00:37:01and that nothing is left on before I go to sleep.
00:37:04Very good.
00:37:06Working until the end,
00:37:08which is just what the rest of your colleagues don't do.
00:37:11Well, I simply fulfill my obligations.
00:37:14Yeah, that's what they don't do, precisely.
00:37:17I'm glad you're back to work, Santos.
00:37:19You were missing,
00:37:21because neither the mayors are doing their tasks well anymore.
00:37:24Oh, no?
00:37:25Not so much.
00:37:27Both your father and Don Rómulo
00:37:29seem to be more concerned with their private matters
00:37:32than with the matters of the promise.
00:37:35It turns out that I don't ...
00:37:37I wouldn't want to speak ill of your father.
00:37:40Don't worry.
00:37:42This can stay between us.
00:37:45Better so.
00:37:47Discreetly.
00:37:49Not like the rest of your colleagues
00:37:52who are all day talking to him.
00:37:53Well,
00:37:55and not just talking to him,
00:37:57but someone like María Fernández
00:37:59has given him to write.
00:38:01As if what he says wasn't enough for him.
00:38:03And what did you tell me he wrote
00:38:06in that notebook you found?
00:38:08They were like stories, tales.
00:38:11With the little sincerity he has,
00:38:13I'm sure they're infamous.
00:38:15Sure.
00:38:17Stories about lovebirds and silly things like that.
00:38:20But could you read any of the tales?
00:38:21I could just take a look at them.
00:38:24And you haven't seen that notebook again?
00:38:26No.
00:38:28No, the other times I've met María Fernández,
00:38:30I didn't have it with me.
00:38:32I suppose she'll keep it in her room.
00:38:34That day she took it out for some reason
00:38:36and left it forgotten.
00:38:38Yeah.
00:38:40Well, it's a shame,
00:38:42because it would have been fun to read the nonsense
00:38:44she writes.
00:38:48You know what?
00:38:49If I see that notebook again,
00:38:51I'll take it
00:38:53and show it to you.
00:38:55Well thought out.
00:38:57Because we can laugh
00:38:59reading her nonsense.
00:39:01Well,
00:39:03I'm going to bed now, Santos.
00:39:05Tomorrow is a busy day at work.
00:39:07Have a good night.
00:39:09Good night, Mrs. Alcor.
00:39:19Good night.
00:39:29You haven't gone to bed yet?
00:39:32Well,
00:39:34I wanted to propose a plan for tomorrow.
00:39:36We could go play badminton.
00:39:38No, we can't.
00:39:40The kids haven't put the net in the garden yet.
00:39:43Yeah, but you told me it was a good idea
00:39:45to practice with the ball
00:39:47to get the hang of it.
00:39:49Yeah, but
00:39:51it's much better to play one game
00:39:53and get bored with the other.
00:39:56Well, let's wait.
00:39:58Better.
00:40:02We could also go to Lujan tomorrow.
00:40:06No, I'm not in the mood.
00:40:10Is something wrong?
00:40:14No.
00:40:15No, it's just that I'm a bit apathetic.
00:40:18But that's not very normal for you.
00:40:21Is something wrong?
00:40:23No, no, don't worry.
00:40:25It's probably just that I'm tired.
00:40:29Well, at this hour,
00:40:31I can go to bed and not get up in eight hours.
00:40:34Very little.
00:40:38Are you sure you're okay?
00:40:46Well, as I can see,
00:40:48you don't want to give me explanations either.
00:40:50It's okay, I'm not going to insist.
00:40:53You can tell me when you want.
00:40:58Okay.
00:41:15Good night.
00:41:31Are you going to bed?
00:41:33That's right.
00:41:35Good night, Father.
00:41:39Where's Flor?
00:41:41What's wrong?
00:41:44Could it be about the bouquet you gave to Mrs. Harcourt?
00:41:47You're also aware of it?
00:41:49Of the promise you made?
00:41:51I saw it in the dining room.
00:41:53It's a very beautiful bouquet,
00:41:55one that they don't even give to the Marquis.
00:41:57Does it bother you?
00:41:59No, not at all.
00:42:01It was a very nice detail.
00:42:03Yes, as the saying goes,
00:42:05it's good to be born grateful.
00:42:07Even so, you should be more careful with the rooms.
00:42:08Your diary doesn't give for such joys.
00:42:10It's my money, Father.
00:42:12I've earned it by working,
00:42:14and I spend it on whatever comes to me.
00:42:16Nobody says otherwise.
00:42:18That woman has gone through life for me
00:42:20without being my family or anything like that.
00:42:22She deserves that bouquet and a hundred more.
00:42:25Have a good night.
00:42:27I say the same thing.
00:42:39Is everyone asleep?
00:42:41Shall we have a drink now that we're alone?
00:42:44I'm very tired.
00:42:46Come on, Lope, we haven't talked all day.
00:42:48Besides, I've got the kettle on fire.
00:42:53Is there no other remedy?
00:42:55No, there isn't.
00:43:01By the way,
00:43:03the cauliflower cream turned out great.
00:43:05I've never tried one like it.
00:43:06And what I've eaten
00:43:08in the best restaurants in this country.
00:43:10Well, it's not that great.
00:43:12It's just a simple cream.
00:43:14I'm not exaggerating.
00:43:16It's curious how bad the cauliflower smells
00:43:18when you cook it,
00:43:20how good it can be.
00:43:22Senses sometimes deceive.
00:43:24Yes.
00:43:26There are some things that change a little
00:43:28by disguising them, right?
00:43:30Yes.
00:43:32And there are others that,
00:43:34no matter how much they disguise themselves,
00:43:36they don't change.
00:43:38Do you mean something in particular?
00:43:40No, nothing.
00:43:42I see.
00:43:44Well, I'll go and see if the water is boiling.
00:43:48Vera, don't bring me the mug.
00:43:51I think I'm going to bed.
00:43:54Lope, do you know what's wrong with you?
00:43:56Since yesterday, you've been very strict with me.
00:43:58And now that we can be alone,
00:44:00you prefer to leave.
00:44:02Nothing's wrong with me.
00:44:04Nothing?
00:44:06What did you tell me yesterday?
00:44:08What are you talking about?
00:44:10Don't you remember the story you told
00:44:12about your heart transplant?
00:44:14Yes. And?
00:44:16I don't know, did I say something that could bother you?
00:44:18No, no, it's not that.
00:44:20Then what is it?
00:44:22Well, that story has reminded me
00:44:24that we come from very different worlds
00:44:26and that we have very different lives.
00:44:28Lope, you're already with the same Montserrat.
00:44:30It's just that it's important, Vera.
00:44:32Do you know how many heart transplants
00:44:34the girls in my town have?
00:44:36None.
00:44:38And what does that have to do with us?
00:44:40A lot.
00:44:42Lope, you and I love each other and that's what's important.
00:44:44We're not just Vera and Lope.
00:44:46We're the place where we were raised.
00:44:48We're the education we've received.
00:44:50And go on, Perico.
00:44:52Do you know what I'm telling you?
00:44:54Did you leave the kettle on fire?
00:44:57Yes, I was going to remove it right now.
00:45:00At a good time?
00:45:02If it happens to me, it'll burn.
00:45:04But don't worry, it won't happen either.
00:45:06I'll go get a cup of wine.
00:45:08Leave it to Vera.
00:45:10I'm going to bed.
00:45:12Get some rest.
00:45:17I'm dying.
00:45:19Come on,
00:45:21bring the bottle closer to Dani
00:45:23so he can see a little smile.
00:45:25Why are you worried about me?
00:45:27There's a fire.
00:45:32What a disgrace.
00:45:37Oh.
00:45:40Sometimes you have to make a mix.
00:45:42It changes a lot.
00:45:44I'll be right back.
00:45:46Believe it or not,
00:45:48I'm not so sure.
00:45:57Well,
00:45:59I'm ready.
00:46:01If you want, we can go to work.
00:46:07Come on.
00:46:13Did you put on perfume?
00:46:15Me?
00:46:16No.
00:46:17What do you mean, no?
00:46:18In one drop or two, come on.
00:46:20You're going to see Don Manuel.
00:46:22Maria, really, how are you?
00:46:24Is it a lie?
00:46:27Well, no.
00:46:28But what's the matter?
00:46:29I don't know, I don't care.
00:46:30But with that mustache you're leaving,
00:46:32the Marquise herself smells like flies to you.
00:46:34But it smells a lot.
00:46:36No.
00:46:37It's my smell.
00:46:38Of a fox.
00:46:40You know,
00:46:42every time I think about it, I can't believe it.
00:46:44What?
00:46:45What do you mean?
00:46:46That I'm going to marry the little man.
00:46:48Yeah, it's hard for me to come up with the idea.
00:46:52I wasn't going to say that in the end
00:46:53I was going to end up being Don Manuel's wife.
00:46:56It's like a dream.
00:46:58And a very nice dream.
00:47:00So don't wake up.
00:47:03Well, not everything is going to be that easy.
00:47:06Come on, why not?
00:47:09Well, why not?
00:47:10Manuel wants us to come and live the promise after we get married.
00:47:14And I don't know what they're going to think
00:47:15when I get there with a maiden in my hand.
00:47:17Well, but we already knew that that moment was not going to be easy.
00:47:20Whatever.
00:47:21Well, put on the skin of your parents.
00:47:23And I do.
00:47:24That's why I say whatever.
00:47:27I don't know.
00:47:29Would you like the king to marry a whore?
00:47:33Hanna, you're not a whore.
00:47:35You are my Hanna of my soul.
00:47:37And the kings, well, the kings are the scapegoats of the country
00:47:40and they can't do whatever they want.
00:47:43But the son of a marquis
00:47:45doesn't have to give in to anyone.
00:47:47I don't think his parents think the same.
00:47:50But it's true that Manuel is not going to give in to them.
00:47:52So now we just have to see how they react when we arrive.
00:47:57Well, I'm going to cross that bridge when I get to it.
00:48:00For the moment, you have to enjoy it.
00:48:02How is it going?
00:48:05Look at her.
00:48:06She has been sentenced to marry before me.
00:48:09Maria, it was unintentional.
00:48:10And you're going to get married soon too.
00:48:13I wish.
00:48:14Since Salvador left, I've missed him a lot.
00:48:19Everything will arrive. You'll see.
00:48:21And I hope it arrives soon.
00:48:32Let's go.
00:48:41Let's go.
00:48:49This doesn't come here.
00:48:51You learn at some point.
00:48:53What are you doing?
00:48:58When are you going to give me the quadrant with the shifts of the maids?
00:49:01You should have given it to me yesterday.
00:49:03Oh yes, the quadrant.
00:49:05It's just that I've been very busy.
00:49:06And besides, in the end I had to square everything again because ...
00:49:09because Raquel got sick.
00:49:11You always have an excuse, huh?
00:49:14Although then you don't let anyone else pass.
00:49:17It's not an excuse.
00:49:19It's the truth.
00:49:22And if I haven't given you the quadrant before, it's because I've had a lot of work.
00:49:26You always have a lot of work.
00:49:29What do you mean?
00:49:31Are you doubting my word?
00:49:32No, no, I don't doubt anything.
00:49:34But a few days ago, when Santos was sick, he couldn't do his job either.
00:49:39And it bothers you that I'm taking care of him?
00:49:42They don't pay you for it.
00:49:45How?
00:49:46How can you say that?
00:49:48And more, taking care of your own son.
00:49:50That's it, Mrs. Arcos, that's it.
00:49:53Santos is not your son, but mine, which seems to be getting confused.
00:49:57No.
00:49:58Here the only one who gets confused is you, Mr. Pellicer.
00:50:02I know very well that I took care of Santos in my free time.
00:50:05Look where, I doubt that.
00:50:09You doubt whatever you want, Mr. Pellicer.
00:50:12I know perfectly well what I did.
00:50:14And the truth is, I think your reproach has nothing to do with me neglecting my responsibilities.
00:50:21It's the only thing that concerns me.
00:50:25No.
00:50:27What bothers you is that Santos and I get along.
00:50:35What nonsense.
00:50:36No, it's not.
00:50:38But you and I know that here there are many servants who leave a lot to be desired in their performance.
00:50:44So take better care of them and leave Santos and me alone.
00:50:51Because you like everything, Mr. Pellicer.
00:50:53We will continue to support each other whenever we can.
00:50:57And now, if you allow me, I have a lot of work to do.
00:51:13Really, Maria, it was a very big favor.
00:51:16Don't worry, woman, it wasn't that big.
00:51:18For me, yes.
00:51:19If it weren't for you, Mrs. Arco would have found out about Marcelo's leg injury.
00:51:24Well, the important thing is that you don't get chained.
00:51:27And that Miss Julia didn't taste that sponge cake.
00:51:29Well, yes.
00:51:30Because if the ladies had poisoned him, I don't even want to think about it.
00:51:33Her hair is like scorpions.
00:51:36Well, don't give him any more strength, because I'm sure that after this Marcelo will leave.
00:51:41I hope so, because sometimes it seems that he doesn't listen.
00:51:45Yes, it seems that he is a little on the side.
00:51:47Let's tell him the truth.
00:51:51Hey, how did you fall in love with him?
00:51:57Well ...
00:51:59Yes, I already told you.
00:52:01In the palace, they always bought at his expense and ...
00:52:05and he brought us the goods.
00:52:07Yes, yes, yes, you already told me that, but ...
00:52:09but what happened?
00:52:11Did he start to ...
00:52:13to seduce you?
00:52:15Well, he started ...
00:52:17he started to want to get my attention.
00:52:20And you let him get your attention?
00:52:22I started to look at him and one thing led to another.
00:52:25You know, we got engaged very quickly.
00:52:28But in the middle of all that, I had to go to the United States.
00:52:32And that's when you broke up.
00:52:35Yes.
00:52:36We realized that we missed each other a lot and ...
00:52:40that's why we decided to get married, not to mention coming back.
00:52:45And now you are very well married, right?
00:52:48Yes, I am.
00:52:50But ...
00:52:51I'm worried that he won't do his job well.
00:52:54Because you're not worried that he's going to thank our partners, right?
00:52:59Well, he's like that, Maria.
00:53:02He always ...
00:53:04wants to please everyone.
00:53:05I already told you that what worries me the most is that ...
00:53:08he doesn't give up doing his job.
00:53:10That's why ...
00:53:11I don't take my eye off him and ...
00:53:12and I would ask you, please, to do the same.
00:53:16Well, you don't even have to tell me that.
00:53:18I was already taking my eye off everything you do.
00:53:21Hey, and ...
00:53:22is married life ...
00:53:24different from single life?
00:53:25Apart from what you already know.
00:53:27Maria, I'm sorry, but I forgot that I have to iron a dress for Miss Martina.
00:53:35Maybe married life makes you a quieter person.
00:53:39Although I doubt that will happen to me.
00:53:42I have to go.
00:55:25Come in, come in, Sergeant.
00:55:30Take a seat, please.
00:55:39Do you want me to ask you for some infusion?
00:55:42No, thank you.
00:55:44Good.
00:55:45What brings you here again?
00:55:47I came to give you this.
00:55:57They are the personal effects of Gregorio Castillo.
00:56:01I don't understand why you bring them to the promise.
00:56:05I know you told me you didn't want to know anything about him,
00:56:08so I only brought what has some value.
00:56:13200 pesetas.
00:56:18It's a lot of money to let him go, right?
00:56:20Yes, it is, yes.
00:56:23What business would that man be involved in to carry so much money on him?
00:56:27You'll see.
00:56:30The point is that that money must go to pay who is in charge of Mr. Castillo's son.
00:56:36Do you know the existence of that child?
00:56:40Not because someone in this house has informed me, of course.
00:56:45We found out that Mr. Castillo had a son with Mrs. Adarre,
00:56:49and that he is still very young.
00:56:51That's right, yes.
00:56:53And do you know where that child is?
00:56:55Mrs. Adarre could not work and at the same time take care of the child,
00:57:00so she took care of the child herself.
00:57:02Mrs. Adarre could not work and at the same time take care of the child,
00:57:06so she left him to the care of a woman from the town, Benita Pérez.
00:57:12The child is in Lujan.
00:57:16Well, the truth is that Mrs. Pérez,
00:57:19a long time ago she traveled to visit some relatives,
00:57:22she took the child with her.
00:57:26And do you know where they stop?
00:57:27No, I don't know at the moment,
00:57:29but I can ask you and tell Mrs. Pérez to contact you
00:57:34so that she can receive that money.
00:57:36I would appreciate it.
00:57:40Do you want anything else?
00:57:44The truth is that yes.
00:57:47Apart from the wallet, Mr. Castillo
00:57:50had something on it that caught my attention.
00:57:54What is it about?
00:57:55And what is it about?
00:58:02Why would he carry an envelope with the member of the promise
00:58:09and his name written on it?
00:58:21Lately in the promise it seems that everyone is very upset.
00:58:24Are you going to compare me to being in the front
00:58:26with the leg of a spoiled little girl?
00:58:28Are you going to attack my daughter now?
00:58:30Well, let her mature for once.
00:58:31Enough Cruz.
00:58:32Mr. Báezale, I assure you that I have nothing to do with his death.
00:58:34You don't have to tell me.
00:58:35I totally believe in your innocence, sir.
00:58:38Don't worry because the sun doesn't show anything.
00:58:40What it shows is that I was with that man a few hours before I died.
00:58:44What is there between Curro and you?
00:58:45I know we are fine.
00:58:46And that maybe there is some possibility that there is something else.
00:58:50And do you think that Julia's presence can ruin that possibility?
00:58:54I'm afraid it's true.
00:58:56Well, I'm afraid she's going to hit Marquesa.
00:58:59You're going to rent balconies to see it.
00:59:01You can rent a good one because no one can stop this.
00:59:04The truth is that she hasn't stopped thinking.
00:59:06Yes, it was a mistake to ascend to Amadellávez.
00:59:10Yes, you have already transmitted that to me on several occasions, ma'am.
00:59:13But both of us know the answer.
00:59:15The mistake would have been to ascend.
00:59:17I'm tired, Lope.
00:59:19I can't keep this up.
00:59:23So what do we do?
00:59:24No, the question is what are you going to do?
00:59:26What, to hit?
00:59:27Me?
00:59:29But I was just shaking the carpets.
00:59:32And with what were you shaking them? With your tongue?
00:59:34Why do you say that?
00:59:36I say it because I'm not Lela and I know perfectly what I was doing.
00:59:39Camelarto Latrimi.
00:59:40That's it.
00:59:41Don't keep reading.
00:59:42What's going on?
00:59:44I think this notebook will be much more useful than I imagined.
00:59:52I'm going to examine it in detail.