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00:00I
00:04Know I see don't want to see some fuzzy, but I love it was pretty much a contest
00:07I mean to see this with the pens are no much better. I can pretend this again. Yeah, this is a decision capricciosa
00:13Nadie en el ejercito a podido demostrar que nuestras marmeladas tengan algo que ver con la intoxicación de sus soldados en áfrica
00:19No se ha podido demostrar pero todos los ojos están puestos en nosotros
00:24Esto es solo una burda artimaña para conseguir lo que te propones
00:28Llevas dĂas queriĂ©ndome quitar el negocio para dárselo a tu hija para devolvĂ©rselo más bien
00:33y si creo que ella está mucho más capacitada que tú para llevar las riendas
00:37gracias padre lo pienso de verdad tĂş levantaste esa empresa de la nada
00:41con ayuda de pelayo y por eso creo que soy los más indicados para estar al frente y eso porque
00:47tengo que recordártelo
00:50Lorenzo desde que tú estás al mando la calidad de las mermeladas es pésima es lo que pasa cuando se emplea fruta podrida
00:56Se llama ahorrar costes
00:58si también cuando quiso racanear el sueldo de las mujeres que las elaboran
01:02esas mujeres cobraban una fortuna por remover una olla con un cucharĂłn
01:06aquà lo único que importa es que ha incrementado los beneficios a costa de que del buen nombre de la familia luján
01:11avaricia rompe el saco capitán mire señor traficante no me hable de avaricia tenga un poco de vergüenza es más importante hacer un negocio duradero
01:19que no uno que de ganancias una temporada y luego acaba en la ruina eso es
01:24Ya sĂ© lo que está pasando aquĂ
01:27Los habéis confabulado para quitarme el negocio esto es un complot eso es una infamia
01:31la intoxicación ha sido la gota que ha colmado el vaso y yo como marqués de luján no puedo permitir que mi apellido se vea
01:38envuelto en ese tipo de escándalos
01:40eres un hipĂłcrita de los pies a la cabeza
01:43hablas del buen nombre de la familia pero te olvidas de que cuando tu hija llevaba el negocio el conde de añil utilizó tu palacio
01:49como tapadera para el tráfico de armas de lo cual me arrepiento profunda esa conversación ya la hemos tenido no quiero volver a ella
01:55de lo que no te interesa no se habla verdad la decisión está tomada y es firme
02:01El negocio volverá a manos de catalina y de pelayo no hay más que hablar
02:07Esto no va a quedar asĂ
02:19Y
02:38Si el arco ya se ha despertado santos como te encuentras mejor
02:46Se ha pasado la noche aquĂ
02:49SĂ, bueno el doctor palomino recomendĂł que se te vigilara la fiebre
02:53aunque afortunadamente no no te subiĂł apenas
02:59El doctor palomino
03:01si es un
03:02reputado médico de la zona que me han de traer porque yo no me quedé tranquila con el diagnóstico de
03:09No no recuerdo nada
03:12No no recuerdo nada es que estamos muy débil cuando el vino
03:19Madre mĂa siento como
03:22como si hubiera estado durmiendo un año entero
03:25ya le digo que no me acuerdo de nada
03:28bueno algo recordarás no
03:31SĂ estaba
03:34AquĂ en la cama tenĂa
03:37Mucha tos
03:39Tanta que me mareaba y
03:42Y
03:45También la recuerda usted
03:48Ha estado siempre aquĂ verdad
03:55Muchas gracias señor arcos
03:59Sabes que hablas en sueños
04:01Que
04:03No habré dicho algo inapropiado
04:06no
04:07TranquilĂzate que no dijiste nada comprometedor tan solo hablabas de
04:13recoger leña y de lo fuerte que estaba la corriente del rĂo
04:19Tuviste que pasarlo muy mal el otro dĂa
04:23Pues sĂ
04:28Madre cómo estás hijo
04:33Señor arcos
04:36No sabĂa que estĂ© usted aquĂ
04:39Ha estado toda la noche velándome
04:43Alguien tenĂa que darle la medicaciĂłn
04:45Bueno de eso me podrĂa haber encargado yo mismo no
04:49No habrĂa podido porque no me refiero a esos remedios sin sentido que le mandĂł el doctor guillĂ©n que se refiere
04:58A qué
05:00MandĂ© llamar a otro mĂ©dico que le recetĂł un especĂfico diferente pero porque hizo eso es que no le quedĂł claro
05:08como mĂnimo me lo deberĂa haber consultado por favor padre
05:13No se enfade con ella se lo ruego
05:16Mire señor piger sencillamente no me queda tranquila con lo que dijo el doctor guillén asà que pedà una segunda opinión
05:23Por supuesto mi cargo hace falta que se haga cargo de ese gasto se trata de mi hijo
05:29Lo hago muy gustosamente
05:31Insisto en que deberĂa haberme lo consultado dios se ha pasado la noche aquĂ conmigo
05:35poniĂ©ndome paños frĂos para que se me bajara la fiebre
05:44Gracias señor arcos no lo he hecho por usted señor perecer
05:54Entonces estás mejor hijo sĂ
05:59No se preocupe si tiene mucha faena puede marchar
06:17Parece que no que no le ha hecho muchas gracias al verme aquĂ ya sabe cĂłmo es
06:25Gracias santos
06:27Seguir en mi ayuda
06:30Gracias a usted señor arcos por estar la noche aquà conmigo y cuidarme
06:37Encuentro mucho mejor gracias a usted
06:47Al pie de tu ventana vengo a cantarte
06:51No arrugues el hocico que ayer fue martes
06:54Al pie de tu ventana vengo a cantarte no arrugues el hocico que ayer fue martes
06:59Olé con olé
07:00¿Qué le pasa? ¿Qué te ve tan contento?
07:02No lo sé ¿Por qué no le preguntas tú Candelilla?
07:04Olé con olé
07:06ÂżPor quĂ© estás tan cantarina? ÂżQuĂ© viene tanta alegrĂa?
07:08No estoy contento estoy tranquilo
07:10Vaya ¿Y eso por qué?
07:12¿Les parece poco motivo que no esté por aquà la duquesa de Carril?
07:14Bueno que yo sepa esta señora tampoco molesta tanto
07:16Hizo dios y el infierno con mil demonios
07:18Hizo dios y el infierno con mil demonios
07:20Pa unas fanfarriosas que yo conozco
07:22Olé con olé
07:24Bueno ya está bien Lope
07:26Está claro que tienes atravesada la duquesa
07:28Pero hace falta que lo cantes a los cuatro vientos
07:30Buenos dĂas
07:32Otra que viene con la mĂşsica en el cuerpo
07:34No sé de qué música habla doña Simona
07:36Lo que sĂ que les he traĂdo es un ramillete de flores
07:38Oye detalle
07:40ÂżEste de dĂłnde lo has sacado?
07:42He salido a variar los colchones y no he podido no acordarme de ustedes
07:44Voy a ponerlo al agua
07:47Déjelo doña Candela
07:49Ya lo hago yo
07:51Otra que está contenta como unas castañuelas
07:53¿Por qué se va?
07:55Bueno tĂş lo sabes
07:57Igual tiene algo que ver con que la señora duquesa
07:59No vaya a ser la visita de hoy
08:01ÂżNo les parece que se respira un ambiente tranquilo en el palacio?
08:03Sà eso mismo estábamos nosotras comentando
08:05SĂ
08:07Que pensamos que igual
08:09Tiene algo que ver con que hoy
08:11No nos visite la duquesa de Carril
08:13Bueno no les voy a decir yo que no
08:15Pero claro que lo es
08:17Y estáis los dos encantados
08:19Una con las flores y la otra con sus seguidillas
08:21Pero vamos a ver
08:23¿Qué pasa con esta señora?
08:25Que digo yo que es un incordio
08:27Tenerla por aquà pero vamos que al final tampoco está siendo para tanto
08:29ÂżAcaso os ha tratado mal?
08:31Pues lo cierto es que no
08:33Y no tenemos nada en contra de ella
08:35Nada personal, claro está
08:37Ustedes ya conocen el motivo
08:39Tenemos mucha faena en la cocina como para añadirle más
08:41Ya sabéis que Candela y yo no estamos de acuerdo con eso
08:44Además si la duquesa está aquà es porque tú cocinas muy bien López
08:48TĂş tienes la culpa solo por ser tan talentoso
08:50Son exageradas hasta en el piropo
08:52Vamos no seas modesto
08:54Y aunque fuera asĂ
08:56¿Por qué Vera tiene que transcribir todas las recetas?
09:00Porque Vera atiende muy bien
09:02Tiene una letra muy bonita
09:04Y es muy talentosa ÂżNo es asĂ?
09:06Claro, claro seguro que ese es el motivo
09:08Por el que me han elegido a mĂ
09:10¿Qué cosa iba a ser si no?
09:12La señora Marquesa desde su habitación
09:14Ya voy yo
09:18TendrĂa que ir Teresa
09:20Que para eso es la doncella personal de la Marquesa
09:22Olé con olé
09:24Olé con olé
09:28AsĂ que hemos decidido
09:30Que este asunto no trascienda
09:32¿Por qué?
09:34¿Por qué?
09:36¿Por qué?
09:38¿Por qué?
09:41Porque este asunto no trascienda
09:43Estoy de acuerdo
09:45Pero que lo Ăşltimo que se deberĂa enterar es tu madre
09:47SĂ, Hanna tiene razĂłn
09:49SerĂa el autentico apocalipsis
09:51Que mi madre supiese que no eres hijo de su hermana
09:55Y lo peor de todo
09:57Que yo nacĂ por culpa de una infidelidad de su marido
10:01Será mejor que seamos discretos
10:05Para mà lo más importante
10:07Es que vosotros dos sepáis la verdad
10:09And I'm really glad that you've taken it so well and that you've assimilated it,
10:14even though it doesn't sound like such a strange relationship.
10:18You know, I've faced easier algebra deals.
10:24Oh yeah? Well, it seems very simple to me.
10:27Both are my brothers. You on the part of the father and you on the part of the mother.
10:34Curro, there's something I haven't told you.
10:41What?
10:43Well, you see, Manuel and I...
10:48Hanna, I think I got ahead of myself.
10:53You told him about us.
10:56Well, don't blame him. It was a confession of brothers.
11:01Well, what do you think?
11:06I think it's great news that you and Manuel are together.
11:11My two brothers together. What else could I ask for?
11:14And you don't think there's any complication?
11:18Well, yes. There's something that bothers me a bit.
11:24And it wasn't you who told me.
11:28Curro, I couldn't reveal it to you because the secret belonged to both of us.
11:31I know. Don't worry. I'm lucky, little sister.
11:36The important thing is that now I'm aware.
11:40Now that I see you, yes, you make a very good couple.
11:46I'm very happy that you're getting married.
11:50And have you also told them that we're getting married?
11:52You haven't left anything in ink, have you?
11:54Well, nothing concrete either. Nothing concrete either.
11:57Well, that's better.
12:00Because if at some point the storm breaks out, I guess you'll miss it.
12:05Hanna, as if I couldn't stand it.
12:07Something tells me that when this storm breaks out, there will be no place to hide.
12:13I know you are aware of this, but I have to tell you.
12:19You know that your wedding will not be well received.
12:22Not by the Marquises, not by the family, not by friends ...
12:25We know.
12:28Okay.
12:31Well, remember that you will always have me for what you need.
12:36You have my unconditional support.
12:41What I really regret is that you are going to celebrate the happiest day of your life in this way.
12:49So ... stealthy.
12:52And above all, that I will not be present.
12:56I wish you could be there. I wouldn't like anything else.
13:00And me.
13:04But you know something?
13:07I think that if there is one thing we can make clear of all this,
13:11it is that there are finally no secrets between the three of us.
13:15And there will never be.
13:18Together forever.
13:27Understood, ma'am. I'll bring you the tea right now.
13:29Put the orange drops on it.
13:31Of course, ma'am.
13:32By the way, Vera.
13:34Tell me, how are the visits of the Duchess of Carril going in the kitchens?
13:38Fine. Fine, ma'am. The Duchess shouldn't have any complaints.
13:42Well, I guess if she had, she would have told me. I'm not asking about that.
13:46I want to know what happens in those painstaking meetings in Petra's office.
13:51Well, nothing strange.
13:53The Duchess asks for a recipe, Lope dictates the steps,
13:56and I dedicate myself to writing down everything Lope says, with the best calligraphy possible.
14:00What I don't understand is why you don't write down those recipes directly in the kitchens.
14:05The Duchess was in the kitchens the first time, but she is much more comfortable in the office than in front of the stoves.
14:10Logical.
14:11Anyway, in my opinion, the office of the Lady of Keys is not the right place for those meetings.
14:16Why don't you go to the library instead?
14:18I guess what the Duchess is looking for is discretion.
14:20Discretion for what?
14:21I wouldn't know how to tell the truth, ma'am, but I imagine that, as you know,
14:26the Duchess doesn't want anyone to find out that she is making a recipe.
14:29In case someone copies her idea.
14:31I see. I guess it makes sense.
14:35And tell me, is there anything else you should tell me about those visits?
14:38No, no. I've already told you everything I know.
14:41Apparently, the Duchess is satisfied and we are delighted to serve her in the best possible way.
14:46You see, Vera, I, as the owner of this house,
14:51am aware of all the virtues of my employees and also of their weaknesses.
14:56I know you have good handwriting and that you express yourself correctly, but ...
15:00I don't know what you mean, ma'am.
15:03Well, I don't understand how that came to the ears of the Duchess.
15:06Ma'am, I don't think the Duchess knew about my skills.
15:09Oh, no?
15:10I think she just found it funny the day she came to Mrs. Margarita's snack bar.
15:14Yeah, that's what she said.
15:16But you had to impress her a lot to make her remember you so much.
15:21Even so, I think Mrs. Amalia is rather interested in Lope and his culinary art.
15:26Yeah. I guess a man in the kitchen produces a certain curiosity and even admiration.
15:32Come on, like a fair monkey.
15:34Rather, the taste of your dishes was what attracted the Duchess.
15:37I don't doubt it. I don't doubt it.
15:40Very well, then, continue serving her and don't complain.
15:43Yes, ma'am.
15:52Ma'am, I heard you called.
15:55Yes, but you came before, Vera.
15:58I'm sorry.
16:00Lately, you have been coming to my complaints a lot.
16:03What's the matter? Are your legs weakening?
16:06No, Mrs. Marquesa.
16:08But as AmadĂa from La Promesa, I have many matters to attend to.
16:13More important than me?
16:15Don't be offended, Mrs. Marquesa.
16:17But I had understood that you preferred that I attend to Teresa.
16:25Can I throw you out?
16:27Ma'am.
16:34Seriously, don't you feel bad that I left the language with our relationship?
16:37I don't feel bad, Manuel.
16:40I'm glad that Curro already knows the truth.
16:43And actually, you have taken a weight off my shoulders because I didn't decide to tell him.
16:49I guess you were worried about how he could take it.
16:53Well, you see, he is delighted.
16:56It's wonderful that he took it too.
16:59And that you have also taken it so well that he is your brother.
17:09If I'm honest with you, my head still spins.
17:16It's totally normal, Manuel.
17:22I could never imagine that my father could have been unfaithful.
17:26Although I can understand such a feeling.
17:30But it's a bad story.
17:33Yes, a little.
17:35But it's not exactly the same as ours.
17:37I already know that.
17:41Hanna, my mother can have a thousand flaws.
17:44But she doesn't deserve to suffer for such a painful truth.
17:47Not after so long.
17:51And less, given how things are in her marriage.
17:55I see.
17:58If this infidelity reached my mother's ears, her marriage would be broken.
18:03And both would be devastated more than they already are.
18:07You can rest assured.
18:09We are not going to hurt them.
18:13Yes, but then how are you going to get to the origin of what happened to your mother?
18:19Can we not talk about that now?
18:22I remind you that we have a wedding pending.
18:27Yes.
18:29Yes, you're right.
18:32I know you have a lot of complicity with Curro since you've been together in the front.
18:38I also know that there are things that you only tell him.
18:43And you have the doubt that if I have made him my ally and I have told him things about our wedding that you do not know.
18:51Exactly.
18:55And if I have?
18:56Manuel!
18:58Don't worry, he doesn't know anything you don't know.
19:02The fewer people are aware, the better.
19:06And you can't tell me anything else?
19:09Do you want to know something else?
19:14Yes.
19:15Come.
19:20Yes.
19:24I've been talking to Father Samuel.
19:27What?
19:29What did he tell you?
19:31That we will get married in five days.
19:34But Manuel, that's ...
19:37Wonderful, fantastic, incredible.
19:41Really?
19:45In five days you and I will be husband and wife.
19:50Yes.
19:59What was Mrs. Arcos doing in your son's bedroom?
20:02She spent the whole night watching him.
20:04And in passing, she administered the medicines.
20:06The ones prescribed by Dr. Guillén?
20:08No.
20:09No.
20:10Mrs. Arcos called another doctor behind my back.
20:13And she turned off the minute.
20:15And that?
20:16Well, I don't know.
20:17I don't know.
20:18Not a hair that would come near my son.
20:19Well, no, according to what you say,
20:21all I was doing was taking care of him.
20:23I didn't do anything reproachful.
20:24I know.
20:25I know.
20:26But I have the feeling that he is displacing me.
20:29No, in your son's affection?
20:31Well, Santos has never felt much affection for me either.
20:34At least that's how I perceive it.
20:36But I'm his father.
20:38I'm still his father.
20:39And it's my duty to take care of him.
20:41Well, I was just a good colleague,
20:43nothing reproachful.
20:45Yes, I assume that.
20:46That's why I left there.
20:47But you still don't like what happened.
20:49That's right.
20:51Can I shed some light on this?
20:54You don't know anything about Mrs. Arcos' past.
20:58Her son died of an infection when a doctor operated on him.
21:03Yes, well, I know the story, but I'm not aware of the details.
21:06That was the worst thing that has happened to her in her life.
21:09Her son died in her arms without her being able to do anything to save him.
21:14No, but Santos is not that serious.
21:19Yes, but her son also had an improvement before he relapsed.
21:23She has that on record.
21:26Probably what she wants to prevent at all costs is for that to happen again.
21:31I didn't know.
21:33Thank you for telling me.
21:35She didn't want to displace you.
21:37She was just worried.
21:40I see.
21:42Maybe I reacted badly.
21:44Well, now that you have the information, think about it.
21:47Changing the subject, how is Mrs. Villamil's husband doing?
21:52Well, he's not doing well.
21:55And to be honest, he still doesn't have the size.
21:59Is he giving you so many problems?
22:01I just receive complaints from everyone because of him.
22:05And mainly from Captain De La Mata and Mr. Hidocurro.
22:08And it is true, it is true that Lorenzo does not have the best of characters, but he is his son.
22:13No, no, no.
22:15His son, Mr. Hidocurro, was feared in his life for all his service.
22:19It is true that now he is kind and considerate.
22:21And even more so since he returned from the war.
22:24That's why I can't do anything else but consider my son Santos' warnings.
22:30He insists that Marcelo is not prepared to perform the functions of a lackey.
22:35How do you see it?
22:37I think we should give him another chance.
22:40Let's trust that Mrs. Villamil knows how to conduct him.
22:43I would like to believe you.
22:45Also trust your son.
22:47As soon as he recovers, I'm sure he will know how to instruct him properly.
22:51I don't know.
22:53I will follow your advice.
22:55But I get the feeling that over the years you are becoming more confident, Romulo.
23:01It is possible that I am softening.
23:04What are you talking about?
23:06Who has seen you and who sees you, dear friend?
23:16What's going on, Teresa?
23:18Do you want to lower your tone?
23:22What have I done this time?
23:24That's exactly what you should have told me.
23:26And not go finding out for third parties.
23:28For third parties? What have they told you?
23:31Yesterday you left Captain de la Mata very unhappy.
23:34Well, he was also very unpleasant with me.
23:36For God's sake, Marcelo, gentlemen don't have to be nice to service members.
23:40You just don't get it.
23:42Tell me exactly what happened.
23:44You haven't told third parties?
23:46Marcelo ...
23:47Okay.
23:48I introduced myself to him with all the courtesy in the world to serve him the snack.
23:53And I asked him if he wanted coffee with or without milk.
23:55He always drinks it with a cloud of milk.
23:57I didn't know that.
23:58Not if he wanted it cold, hot, or how many floors he wanted.
24:01In any case, you are forgetting the most important thing.
24:04Wasn't the captain talking on the phone?
24:06So that third person did tell you something else.
24:08But how dare you interrupt him?
24:10It wasn't supposed to be like that either.
24:11The captain hung up the phone and started yelling at me like a madman.
24:14You can't interrupt gentlemen.
24:17They weren't difficult questions to answer.
24:20Besides, it doesn't seem like an important call either.
24:22And how do you know that?
24:24His tone of voice gave me that feeling.
24:26But he set up a scandal out of place.
24:28Oh my God, Marcelo.
24:29He was in a dog's mood.
24:30If I find out, I'm not going to tell him.
24:32But do you really think you can choose whether to attend or not to the gentlemen?
24:36What happened with Mr. Curro?
24:38They have also gone with the story.
24:39Everyone says that Mr. Curro is kind.
24:41But with me it was a tickle.
24:43Explain yourself.
24:45I went to help him get dressed to ride a horse and everything was a problem.
24:48Those boots seemed like they didn't want to fit in his foot.
24:50It is the skin that has to enter the boots and not the other way around.
24:53I sincerely doubt that Mr. Curro was rude to you.
24:56He was.
24:57And yet you must attend to him.
24:59I know.
25:00In addition, I admit that I forgot to warn the ladies to prepare their set.
25:05But that's the first thing to do.
25:07I'll take it into account for next time.
25:09Well, as you continue like this, I don't think there will be a next time.
25:11This is not working, Marcelo.
25:13If you don't pay attention to your tasks,
25:15the only thing you're going to get is for the truth to come to light and for everything to come out.
25:23I don't know.
25:25Do you really think he's very daring?
25:28It's to go to the beach.
25:30He won't pretend to go with his ankles covered.
25:33I don't know what my parents would think if he wore something like that.
25:36Well, luckily you don't have your parents' age, do you?
25:39At least they put gloves on him.
25:41Yes.
25:42Yes, very useful to play with sand.
25:44Yes, sir.
25:45Do you really think he's scandalous?
25:47Because it seems to me that he is simply made to ignite the imagination of men.
25:55Well, here we have a man we can ask.
25:58Curro.
26:00What do you think of that image? Let's see.
26:04Well ...
26:06At the risk of being branded as outdated,
26:09I think it shows more.
26:11What a disappointment.
26:13No, don't bother with the boy because he simply said what he thinks.
26:17And this drawing?
26:21Look, this one is fun.
26:26Yes.
26:27Not like the ones they published.
26:32Well, let's see how Catalina and Pelayo are doing with that journalistic chronicle.
26:37Do you think they will talk about us?
26:39I doubt it.
26:40Because journalists are only interested in the flesh.
26:43Well, it's a shame.
26:44Because Julia and I would be having a great time in the garden.
26:49Oh, I just remembered that I have to go to Wuhan.
26:52Yes, I have to send a letter to the merchant.
26:55The one who sold me all the badminton equipment.
26:57Haven't you bought a badminton game?
26:59That's right. And I don't know why, it's being delayed.
27:02And that's why I want to go, to ask if something has happened.
27:04And why? Don't you tell Don RĂłmulo or Don Ricardo?
27:07I mean, so you don't mind getting close to the town.
27:10No, I prefer to go myself.
27:13Do you want me to go with you?
27:16Well, I warn you that I was thinking of going for a walk.
27:19Better. I've been sitting all day and it will be good for me to stretch my legs a bit.
27:24Well, in that case I will be delighted.
27:29Shall we go?
27:31If you'll excuse us.
27:32Of course.
27:34Well, I see that you were right that our guest had a special and short interest.
27:42Do you think so?
27:44Please, Martina. You just confirmed it in front of our eyes.
27:48But I also tell you that I think you make a beautiful couple.
28:04How dare you?
28:06I'm working, Cruz. That's how they come.
28:08Don't pretend to be innocent now.
28:10You know perfectly well why I'm like this.
28:12No, I don't.
28:14Lorenzo just told me that you have withdrawn him from the jam business.
28:17Ah, that. Yes, that's true.
28:20Alonso, it is unacceptable that you give your daughter control of that business.
28:24It is a very meditated decision.
28:26Lorenzo has been imprudent and has exposed us all.
28:29Or don't you know that there has been an intoxication because of our products?
28:32As far as I know, that has not been able to be demonstrated.
28:34Fortunately.
28:35Because otherwise we would have a much more serious problem.
28:39The business is better in the hands of Catalina and Pelayo.
28:41Thank goodness.
28:42You don't believe that either.
28:44You do this just to take the opposite from me.
28:46That doesn't make any sense.
28:48So?
28:49Why did you make this decision without consulting me?
28:52Because I knew your opinion about it.
28:54And you have decided to skip the bullfight.
28:56Cruz, please, let's leave it. I'm working.
28:58To hell with work, Alonso.
29:00You have made this decision exclusively to punish me.
29:03For the distance between us.
29:05This decision has nothing to do with what is happening between us.
29:09I don't intend to punish you, Cruz.
29:11It's not a personal matter, it's business.
29:14Well, you are making a very serious mistake.
29:16One more on the list.
29:18Nothing new under the sun, dear.
29:20And that comment is not personal either, is it?
29:23Don't fool me, Alonso.
29:24Besides, you have made this decision since your daughter threatened to take advantage of that story to speak ill of me.
29:49Are you happy?
29:55I don't know if it's a lot to ask at this point,
29:57but I would ask you to be a little more polite and pay attention to me.
30:03What do you want, Captain?
30:07It's curious.
30:10You used the jam business as a cover for arms trafficking
30:15and yet you insist on claiming it as if you had a right.
30:20You know what's curious?
30:22You always say it as if you had never participated in that same business.
30:27You and Catalina left this business to your luck.
30:31If it weren't for me, there would be no jam.
30:34Don't you get tired of repeating that nonsense?
30:36And don't you get tired of being so ridiculous?
30:38I'm not the one who lost this duel.
30:40You would never beat me in a real duel.
30:45What are you going to do, challenge me?
30:47You are not a rival to me.
30:49Not at all.
30:52I bet you don't even have the guts to punch me.
30:55Please, Captain, don't be a puerile.
30:58And you, don't be a coward.
31:00In the face.
31:01And for once, don't shield yourself from others.
31:04I don't shield myself from anyone.
31:05I don't agree. You shield yourself from my niece Catalina.
31:10Okay, Captain. As you wish.
31:14Let's punch.
31:17Yes.
31:18Let's go.
31:19Let's go.
31:45You don't know how to run a business.
31:48I'm not the one who's about to lose one.
31:52The only thing I've done is meet the demand and the needs of the market.
31:55You know, I don't think the Marquis thinks the same.
31:58I recommend that you enjoy this little triumph as long as you can.
32:02What do you mean?
32:04Well, just as I managed to get the army as a main client,
32:07I can make them fall back.
32:09They will lose the only client they have.
32:12Do what you deem appropriate. We will look for new clients.
32:16That's very arrogant, young man.
32:19I would recommend a little more humility before being defeated.
32:24After everything I've done to my niece,
32:27I should be grateful that the doors of this palace have been opened to her again.
32:33That's none of your business.
32:40And now accept defeat.
32:43And leave us alone for a damn time.
33:14What are you doing with that?
33:16Hanna.
33:19Why do you want a gun?
33:22I'm going to Gregorio's meeting.
33:25I'm going with you.
33:26No!
33:27Hanna, you're not coming with me.
33:30You're staying here.
33:32I'm not going with you.
33:34I'm going with you.
33:36I'm not going with you.
33:38I'm not going with you.
33:40Hanna, you're not coming with me.
33:42You're staying here.
33:45I have been confirmed that I have received the note that I left on the board.
33:48Manuel, you can't go alone.
33:50Yes I can.
33:51And that's what I'm going to do.
33:53Do you really think you need the gun?
33:56It's for safety.
33:57The last time I took it too.
33:59Better to prevent.
34:01Okay, then let me go with you.
34:03Under no circumstances.
34:07Please.
34:10For better or worse, I'm used to handling these situations.
34:13I'm not going to see anything I haven't seen in the war.
34:16Manuel, don't underestimate it.
34:19This really scares me.
34:21I know.
34:23And I understand you.
34:25But that's why I need you to stay here.
34:29Please, swear to me that you won't go this time.
34:34Swear to me.
34:39I swear.
34:47But promise me that you will take care of yourself.
34:53And that you will not lower your guard, Manuel.
34:56Because we are fulfilling a dream.
34:59And soon we will be husband and wife.
35:02So if something happens to you, I won't get over it.
35:07Trust me.
35:17I love you.
35:33Well, you took a long time to get back from Wuhan.
35:36Yes, I had to show Julia a couple of places.
35:40Did she like them?
35:42Yes, I think so.
35:45I bet it's not the only thing she liked.
35:50What? What do you mean?
35:52Don't be naĂŻve.
35:55It's clear that Julia is interested in you.
35:58Interested?
35:59Yes.
36:00And if you're not reading between the lines, I mean a romantic interest.
36:05What are you talking about, Martina?
36:07The only thing she showed interest in was the war in Europe, as far as I know.
36:11Well, maybe that makes you more interesting in her eyes.
36:16Look, I don't know where you get all this from, Julia.
36:20Well, maybe I do.
36:23I think what happens to you is that you are jealous.
36:27No.
36:28No?
36:29No.
36:30I'm telling you this to open your eyes.
36:34Because it's clear that Julia is interested in you and my mother told me that.
36:38Ah, your mother.
36:39Yes, she told me that you make a very good couple.
36:44Enough nonsense, Martina.
36:48From now on, I will make the differences with Julia.
36:50And if necessary, I will talk to her and tell her that I am not interested.
36:56Are you sure?
36:58Yes, very sure.
37:01And I'm so sure because my heart belongs to another woman.
37:05Oh yeah?
37:07Who?
37:09Are you really asking me?
37:12Give me a clue.
37:14Okay.
37:16Well, it's a girl.
37:19Very pretty.
37:21She has eyes that you can get lost in.
37:25And she has lips that every time I see them, they ask me to kiss them.
37:31Well, what a shameless girl, right?
37:45Well, no, Petra.
37:47None of these dresses convince me.
37:50Well ...
37:52Look, miss.
37:57I already have it.
37:59I already know which one I'm going to wear.
38:01I will wear the same one that I wore at the reception that Alfonso XIII gave at the Gardens of the Ranch.
38:05But miss, that was a rumored event.
38:07And it could even be in the press.
38:09They will think that you don't have more suits.
38:11And I will also wear the same hat and the same shoes.
38:14Are you sure?
38:16Yes.
38:17Well, in that case, I will order them to iron it and have it ready.
38:21Have you already decided where you want the photos to be taken?
38:24Because we should make sure that they shine in all their splendor.
38:28I think the gardens will be a good place.
38:31Excellent idea, miss.
38:33I understand that natural light is the most suitable.
38:36Well, in that case, I will also propose the greenhouse and ...
38:39And I don't know if the living room, where the piano is.
38:42Very well.
38:44I will order those spaces to be prepared and ...
38:47The maids and maidens will take special care of their cleaning.
38:50We will put fresh flowers and we will drain the curtains.
38:53Perfect.
38:54Miss.
39:09I see that you are consciously preparing those photographs.
39:12We all want them to come out well, don't we?
39:15But more than the photographs, I'm worried about what you can say in that interview.
39:20What do you mean?
39:21Come on, daughter.
39:23I witnessed the threats you launched against Cruz.
39:26I see.
39:29Do you think I exceeded myself?
39:31Well, I want to think that you were not serious.
39:34And that you don't want to take revenge on your stepmother in such a vile way.
39:38Wouldn't it be bad for her to take some of her own medicine?
39:41And are you going to lower yourself to that, Catalina?
39:44You are not like that.
39:46Dirty rags are washed at home.
39:49Father, please.
39:50Catalina.
39:52I'm just asking you to think about what you're going to do.
39:56Will you do it?
40:14Yes.
40:41Santos.
40:42Look.
40:43I brought you a slightly more succulent snack.
40:46Because I imagine you will be more than fed up with so much broth.
40:50Thank you very much, Mrs. Arcos.
40:53You are always so attentive.
41:01This is delicious.
41:03Although, to be honest, I feel like something sweet.
41:09You have become greedy.
41:10That is a sign that you are recovering.
41:12If you bring me a biscuit filled with chocolate, I'll do it right away.
41:15That you are able to make jokes is a good sign.
41:18You'll see that you have me going down the stairs, two by two.
41:21I hope so.
41:22But be careful.
41:23Don't fall down the stairs now.
41:26Don't worry.
41:28How do you manage services without me?
41:31Badly.
41:33Marcelo doesn't give the size as a substitute.
41:36He would have to be born twice to be able to do it.
41:39He is a complete incompetent.
41:41And the service doesn't stop receiving complaints because of him.
41:44Really?
41:45Yes.
41:46First it was Mr. Curro.
41:48And then Captain De la Mata.
41:49Is he stupid?
41:51I have to get out of here as soon as possible.
41:53What are you saying?
41:54Don't even think about getting up.
41:56It's just that everything that's happening is my fault.
41:58No, that's not true.
42:00It's Marcelo's fault.
42:01If he hadn't fallen, you wouldn't have been behind.
42:04And the important thing now is that you recover.
42:07Yeah, but I have to take care of Mr. Curro.
42:09No.
42:10All you have to do is recover.
42:14Besides, the more time Marcelo spends without your help,
42:19the easier it will be to leave it as evidence.
42:23And then?
42:24Will it be a matter of time before they kick him out?
42:27Yes.
42:29And I hope his wife's pharisee goes after him.
42:34Sometimes you just have to sit on the threshold
42:38and wait for your enemy's corpse to pass.
42:46Pray for us sinners, now and at the hour of our death.
42:51Amen.
42:58I have to thank you, Virgin.
43:03The wedding is going great and if God wants,
43:05Manolo and I are getting married in five days.
43:10But I'm also very worried because
43:13he's meeting with Gregorio today.
43:17That person is a very dangerous man,
43:19so please, I ask you to protect him.
43:22Please.
43:30Well, when you're done with your prayer, help me with this.
43:33I'm sorry, Maria.
43:34That's more like it.
43:36I needed a moment alone to pray.
43:40Are you regretting a sin?
43:42No.
43:43What happened?
43:45What hasn't happened, you mean.
43:49Well, please tell me.
43:51Starting at the beginning, Manolo and Curro already know the truth.
43:56But what about you?
43:58Didn't they leave you one in the inkwell?
44:00I told both of them.
44:03And did they react well?
44:06That's good news.
44:09Well, yes, the truth.
44:10Now there are no secrets between us.
44:14But the most important thing is that Manolo told me
44:18that we're getting married in five days.
44:21What?
44:23But that's around the corner.
44:25But don't ask me anymore because I can't tell you.
44:30Congratulations.
44:38I don't understand why you're not jumping with joy.
44:40Were you talking to the Virgin to thank her?
44:42Well, yes, partly, but...
44:47But what?
44:49That Manuel is going to meet with Gregorio today.
44:53And you haven't gone with him?
44:56I swore I wouldn't follow him.
44:58But he's a criminal, Hanna.
45:01And you think I don't know?
45:03The worst part of all this, Maria,
45:05is that I've seen Manuel taking a gun from the library.
45:10Stop, I don't understand everything.
45:12As soon as he calls the dormitory,
45:14we're going to pick up that little virgin and we're going to kiss her together.
45:17This matter is being brought up.
45:18Well, the sooner the better.
45:23Okay.
45:25Okay, okay.
45:52You don't look like yourself.
45:54Yes, I went to my appointment.
45:56I'm glad you went too.
46:00Don't be so formal with me.
46:03Don't be so mysterious.
46:05I don't have all day.
46:07Calm down, Gregorio.
46:09Let's talk.
46:11Doesn't the house want to know what I have to say about Pia Carre?
46:15It depends on what it is.
46:18If you're going to reveal your whereabouts to me,
46:21I'm all ears.
46:23No, I'm not going to do such a thing.
46:25In fact, I'm here to demand that you get out of your life once and for all.
46:29Well, we're off to a bad start.
46:34You're not the one to intervene in our marriage.
46:38I remind you that you're talking about my wife.
46:42Enough nonsense.
46:45If you value your life in any way,
46:47tell me where I can find you.
46:50Or I'll have nothing to do with you.
46:54You understand, don't you?
47:02I'm afraid of the reprisals they might take.
47:05Especially my uncle.
47:06Now forget about the captain and focus on something adventurous.
47:09For example, what are we going to wear to look good in the news?
47:13That's another matter I wanted to talk to you about.
47:16I'd like to cancel it.
47:17Excuse me, ma'am.
47:19This postcard just arrived.
47:26Here.
47:27I'm sure you're more excited to read it to yourself.
47:30It's from Maria Antonia.
47:31Don't you realize it's always the same?
47:33I read the letter to you, I yell at you,
47:35and you swear and swear that you're going to correct yourself.
47:37And I'm not saying it to say it.
47:38What's the point of saying it?
47:39If the next day you do exactly the same thing again ...
47:42So today I don't meet with the cooks?
47:44No.
47:45Not today or in the next few days. I'm going on a trip.
47:48Well, I could have told you.
47:50The cooks have organized to attend to her and I assure you that it is difficult for them to fit everything.
47:54Yes, I'll take care of it.
47:56And that's why, as a displeasure, I've brought you a gift.
48:01Here is the regulation of the very noble sport of badminton.
48:04I'm sure you'll be able to read it and that Curro will explain how it's played.
48:07I know him better than you, but I'm sure you're an expert.
48:13What I have to tell you, he won't like it.
48:15Beyond the contingency, I have to tell you, Mrs. Villamil,
48:19that your husband was not up to what was expected of him.
48:23You don't know how sorry I am, Mr. Raida.
48:25I wanted to talk to you about another matter.
48:28These last few days I have noticed that you have a fixed interest in me
48:32and I would like to clear things up before I go any further.
48:36I thought you were no longer sick as usual, like when you were a child.
48:39Come on, father.
48:41And that you suffered my affections a lot.
48:43I was never there to see them.
48:45I always did it to be aware of what was happening to you.
48:47You don't have to lie.
48:48That's why I'm so grateful for what Mrs. Petra has done for me.
48:51It may be that Marcelo is a little confused, to put it mildly.
48:56How confused?
48:58That he has already seen it and I am a few times more concerned
49:01in making the maids laugh than in his own work.
49:05I'm tired and I'm also worried that I'm going to cheat him.
49:08Worried about what?
49:09Well, all this almost surpasses me.
49:12And now that it seems that everything is going to be resolved, I don't know ...
49:16I'm afraid that it will be twisted at the last moment.