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00:00This is a test.
00:01We have the proof as valid and we consider that there is a basis to decree preventive
00:08prison.
00:09Hello, how are you?
00:10So what the hell are you doing here?
00:11For a mistake, I am innocent.
00:12Could I use the bathroom?
00:13Who are you?
00:14Who are you?
00:15And that's me.
00:16Who are you?
00:17And what are you doing in my house?
00:18My colleagues, we were there studying math for an exam.
00:19Can you explain to me how you studied behind my back?
00:20I was there to help you.
00:21And you were there to help me?
00:22I was there to help you.
00:23I was there to help you.
00:24I was there to help you.
00:25Can you explain to me how you studied leaving the books and notes here in the kitchen?
00:37I'll explain another time, Mary Fran, because I'm in a hurry.
00:44I tell you that this girl is covering up her pain with sexual activity out of the ordinary.
00:49Que que play t o en Madrid contra Ibanez
00:54Yo prefiero que
00:56Que lo dejemos aquí. O sea vamos a buscar a los abogados
01:08Que pasa que no te gusta el bar o que siempre imagine local en ciudad más grande Madrid
01:15Barcelona ya pero el que me la tiene su encanto
01:19I
01:24Got ya got ya
01:26Que cojones tienes que ver tu con Javier Romagna nada y andada una puta razón
01:31una puta razón para que tenga que dejar el
01:33Con
02:03Me perdonaré perdóname perdóname perdóname
02:11Ah
02:31Hola que tal bien
02:36Si
02:38Voy a ir al baño un momento
02:41Paca
02:44Chinche
02:45Te metas con el chaval hombre
02:48Que pasa rey que parece que vas un poquito dormido no si es que no
02:53No he dormido muy bien no no por el colchón x más cómodo de lo que pensaba pero
03:00Si parece que nos ha salido morir del hijo del picoleto el hijo del picoleto
03:05Mi padre nos picoleto no no no no te lo juro que no es electricista
03:09Si si si te lo juro menuda chispa que tienes igualita que la de tu padre
03:14muy buena
03:16No te estoy mintiendo ya que ya lo sé chavales es que lo que pasa que es este sitio este lugar que nos confunde las
03:23cabezas
03:24vale pues eso
03:26Te vamos a dar un mensajito para tu padre pero el que te estoy diciendo que de verdad
03:32Mira que bonita
03:34Ya tengo una en la celda
03:37Pero parece que no lo pillas esto no
03:39No, no lo sé no te preocupes porque te lo voy a explicar yo esta manta
03:43Es para que no se escuchen las hostias que estamos a punto de darte
03:47guau guau guau lo siento muchísimo
03:51Vale vale perdóname
03:55Perdón perdón perdón perdón perdón perdón perdón perdón perdón
04:04La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la
04:34la la la la la la la la la la la la la la la la la
04:42ayo cuatro sandees pero yo pensaba que venía a tu madre ya es que ahora con el
04:48taxi madruga montón ya bueno pues nada unas anes para tres
04:53porque no vendrá nadie más no
04:57no no voy a pasar consulta nadie si es lo que te preocupa vale
05:02And I'm sorry if I got a little...
05:06dry, but I was in shock.
05:08Yeah, I understand.
05:10But I was doing everything to help John.
05:12Yes, I know you were doing it with a very good intention,
05:14but you can't play to be a psychologist.
05:16Do you know it's dangerous to give advice on certain topics
05:18without having the right information? Do you know that?
05:20Well, I looked for the right information.
05:24Where?
05:25First, I read a lot, a lot, on the internet.
05:29And...
05:31And then, well, if I offered to help you with the videos,
05:34it was a bit to learn your advice without you noticing.
05:40Okay, okay, okay.
05:42So, instead of helping me get patients,
05:44you were taking them away from me, right?
05:45It's not that, Bea.
05:47Well, I think you're exaggerating a bit, right?
05:49Good morning.
05:50Hello, aunt.
05:51What are you talking about? Desi's office, right?
05:54Does the aunt have an ear? Does she have an ear?
05:56Well, yes.
05:57You should know that in my time, there was a show called
05:59Let's talk about sex.
06:00It was hosted by a woman named Elena Ochoa.
06:03I have no idea.
06:04It was in the last century.
06:06But, from that show, we learned a lot from women.
06:09Of course, it has nothing to do with your office, but...
06:12Well, I think those videos you were doing
06:14could help you.
06:15Well, I'm not going to continue, okay?
06:17No.
06:17Why?
06:18Because no, because I've seen what my colleagues do.
06:20I don't think it really helps, okay?
06:22Well, not to mention the non-professional accounts
06:25that give advice without any kind of rigor.
06:27I mean, I think...
06:29You can't give the same value to a generic advice
06:33that you get from the internet
06:34than to one that a professional gives you
06:36in a private consultation on a very specific topic.
06:39Answer now, Desi.
06:40Yes, yes, I'm going.
06:44I can't believe it.
06:45What?
06:4536 messages for Desi's office.
06:49I'm giving you the badge and you're still with this, Desi?
06:51Seriously?
06:52Shall we continue with this?
06:53Okay.
06:54I'm going.
06:54I'm going.
06:58That's it. Group closed.
06:59Okay, so now you tell your clients or whatever
07:02that the consultation is already closed.
07:04Okay, go like this.
07:05Okay.
07:05Okay.
07:07That's it?
07:08Uh-huh.
07:09Let's have breakfast.
07:11It's good, isn't it?
07:16Uh...
07:17Well, yeah, yeah, yeah.
07:20Very good.
07:20You're welcome.
07:22Very good.
07:23Okay.
07:23No, thank you.
07:27Nothing.
07:27Nothing else.
07:28Nothing?
07:30I don't get it.
07:31But all the lawyers are closed.
07:32I don't get it.
07:33I'm starting to see Ibañez's shadow everywhere.
07:36I swear.
07:37Really?
07:38Okay.
07:39Do you want us to call the lawyer?
07:43I mean, yes.
07:44But in this case,
07:46with Ibañez in the way...
07:49We'll wait.
07:50Look, we haven't called these three yet.
07:52Do you think...
07:52Yes.
07:53There's still hope.
07:54Come on, let's go get them.
07:56Uh...
07:56We're going to take them,
07:57because it's clear that they're not going to call us.
08:00Okay.
08:03Look at the movie.
08:06Can you imagine he's a lawyer?
08:07The best in Spain.
08:08The best in Spain.
08:09And he comes here to look for us, to save us.
08:13With a suitcase.
08:14Let's go, just in case.
08:16I love you so much.
08:16I love you.
08:17Hello, darling.
08:18What a beautiful day, my poor thing.
08:21And you? I can imagine how you are.
08:23But the important thing is that you don't lose heart.
08:26This is the most important thing.
08:28Very good, Chari.
08:28But what are you doing here, darling?
08:30What do you mean, what am I doing here?
08:31You've put Jon in jail,
08:32and you think I'm going to stay at home so calm?
08:34Come on, not at all, not at all.
08:37Well, to the point.
08:39When can I go see Jon?
08:41Okay.
08:42Let's see, Chari.
08:43Until he wakes up.
08:45Okay, let's see, Chari.
08:47Until the trial is held, there are no visits.
08:50Are you telling me you haven't been able to go see him?
08:54No.
08:55But what lawyer do you have?
08:57Have you hired the fool of the town?
08:59Let's see, we've had some problems, okay?
09:01What problems?
09:02Many problems.
09:05Especially that right now we don't even have a defense lawyer.
09:08Are you telling me you don't have a lawyer?
09:11That's just what I just said.
09:12Oh my God, my poor thing.
09:14Let's see, Chari, please.
09:15Wait a second.
09:16We talked to the boy yesterday.
09:18It's okay.
09:18Yes, but yesterday is yesterday and today is today.
09:21Mom, please.
09:22No, no, no, no, no, no, no, no, no.
09:24This is not going to stay that way.
09:25And I'm not going to stop until we can see Jon.
09:30And what are you going to do?
09:36I have my resources.
09:45Lessie.
09:46Hey, what's up, Jacobo?
09:47How are you?
09:48Good.
09:49Hey, yesterday I tried the herbs you recommended to me.
09:51Oh, this is like to raise the libido.
09:53Yes, yes, yes, they have been great.
09:54Thank you very much.
09:55Well, I'm glad that at least someone is using my advice.
09:58Why do you say that?
10:00No, because there are people who think I'm not doing well.
10:02Girl, well, I've had a fucking great time.
10:04In fact, I was going to ask you for a second consultation,
10:06but you closed the chat and I don't know.
10:08Yeah, I closed the chat and the consultation.
10:10Don't fuck with me.
10:11Yes.
10:11Really?
10:12Yes.
10:13Can't you raise your hand with me, even if it's...
10:15No, I can't.
10:16Come on, it's me.
10:17Come on.
10:18Yeah.
10:19It's just that if I raise it with you, I have to raise it with everyone.
10:22Yeah.
10:23Well, nothing, thank you.
10:25Anyway.
10:25Nothing.
10:26Well, come on.
10:27Bye.
10:28Bye.
10:29Lessie.
10:30Isn't this the guy from yesterday?
10:32Yes, it's Jacobo.
10:33In fact, he came to ask me for another consultation,
10:35but don't worry, I told him no.
10:36Well, I'm sure he'll be fine without you.
10:38Yes, he will, but what about Jon?
10:40Because in the end, the money was for him.
10:42Yeah.
10:43The thing is, I don't think you'd make as much money
10:46as to be able to hire the best buffet in Spain.
10:48No, I was making a lot of money,
10:50but at least I did something, Marifran, and I felt useful, you know?
10:53Yeah, I understand.
10:54But you know what Bea said,
10:56that the office, no.
10:57Yes, she told me that 30 times.
10:59Yeah.
11:00The thing is, you can stay at home
11:02and receive your friends at home,
11:03and that way you can talk about your things,
11:05they can tell you about their problems, right?
11:09Of course.
11:10And then, if they are very grateful,
11:12they can give you a gift, a bag, a cake, right?
11:1530 euros, so to speak.
11:17So to speak, 30 euros.
11:19And of course, you have to take it,
11:20because if you don't, it's like bad manners, right?
11:23Very bad manners.
11:24Of course, of course.
11:25Well, I'm going to see if I can get the jacuzzi.
11:27Okay.
11:31Freedom for Jon.
11:32There is an innocent in the National Shame Prison.
11:34Comrades, thank you, thank you.
11:36Show your solidarity.
11:37Please, there is an innocent in prison.
11:39Justice, justice, please, justice.
11:43Gentleman, gentleman,
11:44they have imprisoned my grandson unjustly.
11:47And only if we unite,
11:48if the people speak up,
11:50we will be able to end this.
11:54Let's see.
11:55It will be shameless, the guy.
11:57Now I know how it feels to be in the ONG folders.
12:01Freedom for Jon.
12:02There is an innocent in prison.
12:04Comrades, there is an innocent in prison.
12:06Take it, take it, take it.
12:08National shame.
12:09There is an innocent in prison, who is my grandson.
12:12Please, show your solidarity with the cause.
12:14There is...
12:15Chari, Chari, Chari, let's see what's going on.
12:17There is an innocent in prison.
12:20Yeah, yeah, yeah, I know,
12:21but there have been several neighbors
12:23who have called for the voices, you know?
12:25Come on, ma'am, go home now.
12:27Gómez, Gómez.
12:28Okay, let's put a little left hand here,
12:30because she is the mother of the sergeant,
12:32well, of the former Romanian sergeant, I don't know if...
12:34Yes, yes, I know.
12:35Okay.
12:36But with these people you have a hard hand.
12:38If you don't, your beard goes up and you don't do it at all.
12:40Well, we're going to have a little less of a hard hand
12:42and a little more of a left hand, okay?
12:44We're going to have a little tact, we're going to keep calm.
12:46Okay?
12:47Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes.
12:49See how they are all.
12:52Chari, I'm sorry, with all due respect,
12:55but can I know what you're doing?
12:57Well, I think the sign speaks for itself, right?
13:00Yeah, yeah, but understand us,
13:02we can't allow you to put all this fuss
13:04in the middle of the square.
13:05But I can't allow the mess you've put my grandson in either.
13:08Yeah.
13:09A poor 18-year-old boy is innocent.
13:11Yeah, yeah, if I don't know...
13:12Martínez!
13:14Are you aware that my grandson is not allowed to visit?
13:18I'm aware, yes, I'm aware.
13:20Well, that's why I have no choice
13:22but to go on a hunger strike until they let us see him.
13:25But what do you mean, a hunger strike?
13:27We can't go out.
13:28Watch out, and if it doesn't work,
13:30we'll have to move on to action,
13:32because I've had enough of Manis in the 80s.
13:35I'm a friend of Cojo Manteca.
13:37I'm the one who put the firewood in the fire.
13:39Chari...
13:40Chari, please, don't make it harder for us.
13:42Where's the key?
13:44Come on, we'll unchain you,
13:45we'll take you home in a moment and that's it,
13:47and nothing's happened here.
13:48Well, it's not going to happen.
13:49I'm not moving from here, God forbid,
13:51until they let us see him.
13:53Chari, really, but if it were up to us...
13:55It's just that...
13:56Of course...
13:57But it's not up to us, do you understand?
14:00Well, it's not my problem, Majo,
14:02but if he doesn't get what I want,
14:04I'm not moving from here.
14:06Fuck...
14:07Should I call the lieutenant?
14:08No, no, no.
14:09Let me give him a...
14:11I'm going to call Javier,
14:13to see if he can think of something.
14:19Javier?
14:20What's up, Martínez?
14:21How do I explain this to him?
14:23Try to tell me right away, you'll see.
14:25Well, it turns out that his mother
14:29has decided to go on a hunger strike
14:31and has chained herself to the palace fence.
14:33What?
14:34Yes, because they won't let him visit John.
14:38How do we proceed? What do we do?
14:44Javier?
14:45Yes, yes, I'm here.
14:46Answer this question, Martínez,
14:48and tell me the truth, please.
14:53Is she dressed?
14:54Ah, yes, yes, yes, for now, yes.
14:57I'm on my way.
14:58Okay.
15:02Come this way.
15:03Justice for John!
15:05Justice for John!
15:07Justice for John!
15:09Jari, Jari, Jari, please.
15:13Paco is right.
15:15He's been through a lot.
15:18And you have to admit it,
15:20you have to admit it.
15:22I don't understand why Angela
15:25would advise him so much
15:28to go and interpret Paco's words
15:31to his colleagues in Bavaria.
15:35What do you want from me?
15:39There you have it, your wife,
15:40talking to a friend.
15:41And you, listening to her?
15:43No, but I couldn't help but listen to the conversation.
15:46But you don't understand a word of Swedish.
15:48Okay, okay, but you don't need to understand the words.
15:50The language of love is universal.
15:52The language of love?
15:53Yes, damn it.
15:54I've perfectly captured the affection he has for you.
15:56And also the excitement he has for being here.
15:58Really?
15:59Yes, damn it, really.
16:01Paco here, Paco there.
16:03It's incredible, man.
16:04The amount of years you've been together
16:06and it's stuck in your bones.
16:08But you're clear about it, aren't you?
16:10No, of course not, clarinet.
16:11You're talking to an expert in non-verbal communication.
16:14And that in politics is essential
16:16to study the opponent, you know?
16:18Look, speaking of love,
16:20here's Casanova, look at him.
16:23I need a coffee, urgently.
16:25And if it's in Mera, better still.
16:26Come on, we'll put it on right now.
16:29I was here talking to Paco about, damn it,
16:31the luck he has with Elsa, really.
16:33But well, what can I tell you about love?
16:35You've always been in another league, man.
16:38Me?
16:39I don't know, don't exaggerate either.
16:41Exaggerated, you say?
16:42What, my nephew?
16:43Are you a figurehead?
16:44I got to a point
16:45where I already lost count of the girlfriends I had.
16:47What? What's wrong with you?
16:49What?
16:50Well, he's telling you to stop.
16:52That?
16:53What's wrong, are you jealous?
16:54Yes, how strange that we've already noticed
16:56some girl from the village.
16:58No, no, the truth is no.
17:00And in fact, I'm not looking for any of that either.
17:03Of course not.
17:04There will be time, right?
17:06Besides, in love you have to go slowly.
17:09Paco, seriously?
17:12Slowly?
17:13Come on, please.
17:14Look, you know what?
17:16I think I'm going to have better coffee at home.
17:18You don't have to make anything, okay?
17:19Okay, come on.
17:20But what's going on?
17:22I mean, what a verbal communication expert, right?
17:25Attack.
17:26But what?
17:27What have I said now?
17:28What have I done?
17:31You don't know how to get it right, damn it.
17:35Fuck.
17:38So, Borja, your problem is that
17:40you don't feel sexually attracted to anyone.
17:43In other words, your boyfriend is not able
17:45to get you to orgasm.
17:47Let's see, Lucas, if you tell me
17:49that you haven't had sex in the last month
17:51and you can do it alone,
17:54I can recommend that you go to the doctor,
17:56because this thing with the pills is very important, okay?
18:00Look, if I'm not going to recommend you
18:01some sex toys,
18:03I'm not sure this is a problem.
18:05What it could be is that you're asexual.
18:08Well, and above all, that you talk to your girlfriend,
18:10because if it wasn't you, it was her who hit you,
18:12who's cheating on you, Lucas.
18:14Because, girl, nowadays,
18:16who needs a boyfriend, right?
18:18No, man, no, but neither do I.
18:21No, don't cry, Lucas.
18:23This is not a problem,
18:24nor is it that you're a weirdo,
18:26it's just an option like any other, right?
18:29If I'm going to make you a discount on the horns,
18:32I'm going to take ten euros from you.
18:38It's cute, he eats it.
18:39Bring it to me for a while.
18:41Yes, come on.
18:42Mom, what's going on here?
18:43What are you doing? What's going on?
18:44What's going on?
18:45I want to see my great-grandson.
18:47Ah, your great-grandson.
18:48Yes.
18:49Well, look how easy it is.
18:50You unchain yourself right now,
18:51and you go with the light,
18:52the child is delicious, really.
18:54Don't even dream about it.
18:55But what's going on?
18:56Don't you want to see John?
18:57Yes, I want to see John,
18:58how can I not want to see him?
18:59But what can't be is that I'm going to visit John
19:01on even days, and you on odd days.
19:03Mom, calm down, calm down,
19:04that Grandma is doing this for John.
19:05Don't bother me.
19:06Which side are you on?
19:07Well, which side am I on?
19:08John, because we don't have a lawyer, Dad,
19:10and we have to protest.
19:11We can't do this.
19:13They can't do what they're doing to John either,
19:15and they're doing it.
19:16That's how you talk.
19:17The situation is calm.
19:18No, you, please, don't add more firewood to my fire.
19:20Please, Martín.
19:21I remind you that you are not allowed to talk on the phone with your son.
19:23And if something has happened to him, what?
19:25Don't tell me that because that doesn't leave me calm.
19:27Well, it's the reality, Pichurrín.
19:29Because you know perfectly and better than anyone
19:32what kind of criminals John is with.
19:34And you know how John is, Dad,
19:35how sensitive,
19:36that he doesn't have to be having a good time there,
19:37locked up alone.
19:39That's enough, please.
19:40No, no, we can't keep our arms crossed.
19:42That's why we're here.
19:44No, no, they won't move us.
19:47No, no, they won't move us.
19:49It's over. Silence.
19:50Silence, Mom, please.
19:52Silence.
19:53It's over, Mom.
19:54What?
19:55Come with me for a moment.
19:56What?
19:57Well, let's keep calm.
19:58What calm, Martín?
19:59We have to keep calm.
20:00What do you always tell me in this kind of situation?
20:02Let's keep calm.
20:03A cold mind.
20:04Besides, this isn't good for you.
20:06You know.
20:07Well, breathe a little.
20:09Okay, okay, okay.
20:10In the end, it's your mother and we know how it is.
20:12And this, well, okay?
20:14Okay.
20:17I don't...
20:20Gómez.
20:21Gómez.
20:22I'm sorry, I've lost my mind today.
20:24And, and, and, fuck.
20:26You're out of your mind.
20:27Get yourself together, too.
20:29Fuck.
20:31No, no, they won't move us.
20:34No, no, they won't move us like the river next to the sea.
20:40But what river?
20:41La Ribera, Mom.
20:42Please, stop it.
20:50Careful.
20:51Hey, careful.
20:54What's wrong?
20:55Aren't you comfortable or what?
20:56Damn, I'm sorry.
20:57Don't worry.
20:58Have I done something?
20:59No, no, you're not going to do anything.
21:01Are you sure you're okay?
21:02Yes, but I wouldn't know either.
21:03If I had broken something, I wouldn't have found out either.
21:06The question is, why are you taking pictures of these houses in this town?
21:10Well, because of the architecture.
21:13I don't know.
21:14It's different, it seems curious to me.
21:16Yes, curious.
21:18I'm really sorry, I haven't seen you, I swear.
21:20No, no, I know you haven't seen me.
21:22Well, I thought you were pretending to be Swedish, you know?
21:24Swedish?
21:25Of course, Swedish.
21:27I mean, I mean Swedish as an expression.
21:30Like...
21:31Well, I'm not listening...
21:33Yes, I know what you're saying.
21:35Okay, I know.
21:36Spanish people are so funny.
21:38Ah, Spanish people.
21:39Aren't you Spanish?
21:40No, I'm actually Swedish.
21:42It's not true.
21:43I swear.
21:44No, seriously, come on.
21:45Yes, I am.
21:46How can you be Swedish?
21:47I promise you I'm Swedish.
21:48Totally Swedish.
21:49Yes, yes, totally.
21:50I can't believe it.
21:51Damn, what a aim I have.
21:52I'm really sorry.
21:53No, no, no.
21:54Yes, but the aim is also mine.
21:56And what does a Swedish woman do in front of the king?
21:58Well, that's a long story.
22:00But I'll tell you another day, okay?
22:02I have to go.
22:03Yes, yes, of course.
22:04As you wish.
22:05See you.
22:13Hey, bird.
22:14So you're not a couple, you almost break your neck
22:16getting Paco's daughter's marriage certificate.
22:18What are you saying?
22:19Really, stop talking nonsense.
22:21Nonsense, yes, yes.
22:24Paco's daughter.
22:25Are you crazy?
22:29From Sweden.
22:32Not from Sweden, Valencia.
22:33From Sweden.
22:43You too?
22:44Let's see, we're talking about my son.
22:45My nephew.
22:46And my son too.
22:47But you're not going to get anything like that.
22:49Yes, draw attention.
22:50What I don't understand is how you don't get involved here with us.
22:53No, dad, join us.
22:54What for?
22:55To make things worse, Silvia, please.
22:57What can't get worse, my love?
22:58That's it.
22:59My son is too prudent.
23:00Well, let's see, what were we talking about, girls?
23:02That, grandma, hunger strikes, you can drink water.
23:05Yes, you can drink water to survive.
23:07Sorry, hunger strike?
23:08You didn't tell me, you only told me here in Catalunya.
23:10I made it clear.
23:12But come on, if you don't have to eat, you don't eat.
23:14Very good.
23:15Look, Luz, look at all the people who have come there.
23:17Look.
23:18No, mom, they are tourists.
23:19Well, better, international coverage.
23:22Justice for John!
23:23Justice for John!
23:25Justice for John!
23:26Justice for John!
23:27Justice for John!
23:28Justice for John!
23:29Justice for John!
23:30Justice for John!
23:31Justice for John!
23:32Justice for John!
23:33Justice for John!
23:34If you happen to watch us on TV, let us know.
23:37Very good, very good.
23:38What are you doing?
23:39What are you doing?
23:40Seriously?
23:41Are you going home?
23:42It seems to me that you have seen too many movies.
23:45I wish it were a movie, Ibanez, because movies win the good ones.
23:49Blessed are the eyes, Sergito.
23:52You too, Chari, but what are you doing here?
23:54Well, you see the twists and turns of life, huh?
23:57Who was going to tell us that we were going to meet and in this situation?
24:01Well, yes, yes.
24:03And all because of you.
24:04No, no, forgive me, I was wrong.
24:06It's not my fault.
24:07Do you remember, Sergito, when I found you in the park crying because you had fallen and your knee was bleeding?
24:15Vaguely.
24:16Well, I remember perfectly.
24:20I took you to my house to heal you and give you a snack.
24:23Until your mother came for you.
24:26You remember, right?
24:31Martínez.
24:33Martínez, call the firefighters.
24:35Yes, yes, I've been calling.
24:37What happens is that they don't pick up the phone.
24:39No, the firefighters don't pick up the phone.
24:43I don't know why, Martínez.
24:44It's a bit of an excuse.
24:46No.
24:48Take it, dad.
24:49Very good.
24:52How were we not going to hook you up?
24:54Come on.
24:56Don't look at us.
24:58Join us.
24:59Don't look at us.
25:01Join us.
25:02Martínez, call the firefighters.
25:05Yes, yes.
25:08What?
25:09Justice for John.
25:10What is justice?
25:11Justice for John.
25:12Justice for John.
25:14Justice for John.
25:15Justice for John.
25:16Justice for John.
25:18Justice for John.
25:19Do you think the protest in the square will help?
25:23Who knows?
25:24But everyone does what they can to help John, right?
25:27Yes.
25:28Even if it's with the worst idea possible.
25:30Yes.
25:31Don't get frustrated now.
25:33That's it.
25:35In fact, I have to congratulate you.
25:39Me? Why?
25:40Yes, because you did very well in closing the consultation.
25:42I'm very proud of you.
25:45Yes, well, that's it.
25:47It wasn't a good idea.
25:48That's it.
25:49Yeah, but I don't know.
25:51Maybe there's another person who goes through everything,
25:53who keeps going,
25:54and you, however, look, how good.
25:56Yes, yes, that's true.
25:58That I also tell you.
26:00I know you do it with very good intention.
26:02Let's find another way you can help.
26:06What's up? Is something wrong?
26:08No.
26:09No, nothing.
26:10All good.
26:11Okay, okay.
26:12I was telling you that we can find a way
26:14in which you can help the cause, you know?
26:16Yes, of course.
26:17You!
26:18Fucking psychologist!
26:19That I've cheated on him and I've hit my boyfriend?
26:22What do you want me to tell you?
26:23Oh, and cool.
26:24It's that the paddles stick like this.
26:26Look, I've never been unfaithful to my boyfriend.
26:28But the very idiot has just been in a camp.
26:31Well, maybe he slept there with another one, right?
26:33And how do you want me to know?
26:35Well, if you don't know, why do you meddle?
26:37Well, girl, I also tell you one thing,
26:38that if your boyfriend has cheated on you,
26:39you're doing a favor, right?
26:40But don't tell him to leave me.
26:41In any case, I'll leave him.
26:42Well, that's fine.
26:43That's fine.
26:44Sorry to meddle.
26:45The first thing, if your boyfriend leaves you
26:47because I did it to someone,
26:48maybe he doesn't have many lights.
26:50That's also true.
26:51Yes.
26:52Then, the second thing,
26:53the paddles, okay?
26:54They are not only transmitted via sexual.
26:56Also by contact with bedding, towels ...
26:59Do you say he's been in a camp?
27:01Uh-huh.
27:02Well, maybe he's been infected out there, right?
27:06Sure?
27:07Sure, I don't know.
27:08But he's your boyfriend, ask him and you'll get out of doubt.
27:11Okay.
27:12Okay?
27:21Phenomenal.
27:24Are you going to say anything else?
27:25No.
27:28You just saw the consequences of your actions.
27:35Let's see, urgent, urgent,
27:37what is said urgent, well, neither.
27:40I mean, well, when you can come and without hassle, okay?
27:45Okay, well, here we are.
27:47Perfect, thank you very much.
27:51I'm starting to get hungry.
27:52But we started you, Luz.
27:54I don't know how Gandhi was 21 days without eating.
27:57Well, that's how the man stayed, like a sigh.
28:00I don't know this, I don't know this, really.
28:03I should have been unchained.
28:05No.
28:06Yes.
28:07Trust, really, trust.
28:08You'll see how the authorities give up
28:10as soon as the press does something.
28:12But what press, Charly,
28:13if only that man is recording with his cell phone.
28:15Oh my God, we just need to go viral.
28:18Martínez.
28:19Firefighters.
28:20I've already managed to talk to them.
28:21They told me they had a lot of trouble, but they're on their way.
28:23A lot of trouble?
28:24Yes.
28:25A lot of trouble.
28:27We'll talk about this with you and me, Martínez.
28:29We'll talk.
28:32Nothing.
28:34No, no, no, no, no, no, no.
28:37But Menchu, can you tell me what you're doing here?
28:39Well, to show solidarity, can't you see?
28:41Yeah, but you can't go on a hunger strike in your state,
28:44understand me?
28:45Well, that's why I brought my tupperware, my bread,
28:47and I eat for three, I bring everything.
28:49In the end, you get me in trouble, huh?
28:51Oh, really, Martínez.
28:52Well, if there's a problem,
28:53let that lieutenant of yours come and talk to me.
28:55I'll tell him four things.
28:56Say yes, Menchu.
28:57Don't look for me in the mouth, huh?
28:58Don't look for me in the mouth.
29:00Well.
29:01Well.
29:03For me, you can do whatever you want,
29:06you'll get tired.
29:08I'm going home to have dinner.
29:12And don't worry about me, huh?
29:14In jail, they also serve dinner.
29:20What a disgusting person, huh?
29:21What a disgrace.
29:22I don't even know how he can stand himself.
29:23Hey, hey, hey, hey.
29:24Calm down, calm down, calm down, huh?
29:26With how cute he was when he was little, huh?
29:28Yeah, he's become a Darth Vader again.
29:32I don't know.
29:43Sergio.
29:45What?
29:48You have a bad face.
29:49Yes, I can imagine.
29:51What face do you want me to have?
29:53With the one that the Romans have set up for me,
29:55with Pani there on the street.
29:57I already found out.
29:59Oh yeah?
30:00You already found out?
30:01Damn.
30:02The news is flying in town, huh?
30:05The news and the videos.
30:08Damn.
30:10Brother, listen to me.
30:13And do what you have to do
30:14so that family can visit their son.
30:17It's not that easy.
30:20Use your contacts.
30:23It's enough punishment to be in jail.
30:25Don't you think?
30:27But what do you think I am?
30:29A monster?
30:30That I have no feelings?
30:32That I don't care about anything?
30:33That not a minute goes by
30:35without me remembering how bad it has to be for that kid
30:38to be in jail?
30:40But what's the other option?
30:42That Nuria is in his place?
30:43I know, I know.
30:45But you can also make things easier for that kid.
30:48So that he can at least receive visits.
30:50We can't slack now, Diana.
30:53No, it would also be a little suspicious.
30:56Sergio.
30:57What?
30:58How long do you think it will take
31:00for the press to be interested in the case?
31:02Damn, I don't know.
31:04Do you really think the Romanians will give in
31:06without getting anything?
31:10Well, I don't know.
31:11But...
31:12I'm afraid not.
31:14Then maybe you regret
31:16not stopping this show sooner.
31:19We have to allow visits to John.
31:22For his sake
31:23and for ours.
31:29Hey, hey, hey.
31:31What's up, man?
31:32What's up, Greta?
31:33Don't say no.
31:34You're so annoying.
31:35No.
31:36What do you mean, no?
31:37Damn.
31:38She's so hot, so smart, so hot.
31:41Yeah, and she has a lot of time
31:43to have a relationship with a great player like me.
31:46What nonsense is that?
31:48Why wouldn't she look at someone like you?
31:50Of course she can look at someone like me.
31:52Look, she can look in the eyes,
31:54in the hair,
31:55in the wheels.
31:58Why can't she look at you now?
32:00I really appreciate
32:02that you're trying to cheer me up with all this.
32:05But it's not a topic
32:07that makes me feel comfortable, that's it.
32:09But I've always given you
32:11a lot of trouble, man.
32:13You didn't have anyone to resist you.
32:15Look, even you, saying churri,
32:17you have more possibilities than me.
32:19We're getting old.
32:20It's true.
32:21Besides, I'm going to tell you something.
32:22Rejecting a date with a Swede,
32:24a Spaniard,
32:25that's against the laws of nature, kid.
32:27A super modern thought, man.
32:29It was a joke, fuck.
32:31No, man, I'm serious.
32:33Look me in the eyes.
32:34Don't you like her?
32:40It's true
32:41that I've always been good at
32:44relationships with girls.
32:47But that was before.
32:50Now,
32:51for whatever reason,
32:55I feel insecure, fuck.
32:57Very well,
32:58you have to work with that insecurity.
32:59No.
33:00That's it, no.
33:01No.
33:02What do I have to offer the girls right now?
33:04No, no, I'm serious.
33:05Tell me one thing.
33:06Before, I could take them
33:08with the motorbike anywhere.
33:10We could go dancing at a club.
33:11Now what?
33:12Well, you can do a lot of things, man.
33:14Go for a walk, go to the cinema.
33:17Who likes to go to the first row of the cinema?
33:20The first row?
33:21Oh, the stairs.
33:22I don't care, man, fuck.
33:24I'm sure you're a great player.
33:26And you know why I'm telling you this?
33:27Because you're my nephew.
33:30And we share genes.
33:31And we've always had a special gift for women.
33:34And that's the same special gift that has helped you
33:37with Mabela's relationship.
33:39Look,
33:42if you don't want to talk, then nothing, man.
33:44It's time for you to realize.
33:55Chari, I don't know if this is going to work
33:57so that they don't let us see John.
33:59You'll see.
34:00Look, say hello.
34:01Oh, please.
34:02What a beautiful thing.
34:04Come closer, come closer.
34:05Oh, what a thing.
34:08Please, let's go home, let's go home.
34:11I don't want to go home, I'm chained up.
34:13Don't your legs hurt?
34:14My legs are going to hurt.
34:15If I get tired, I'm going to work the triple.
34:17I asked you a question.
34:18I don't want questions, really.
34:19Stop worrying about me, please.
34:21I want to be here.
34:22I'm not talking to you, Menchu.
34:23I'm talking to you, Menchu.
34:24This can be drunk, right?
34:25Because it's water.
34:26It's water.
34:27Be careful.
34:29The phone, the phone.
34:31Take it.
34:32I don't have hands.
34:33Martínez, help him, take it.
34:34I'm not doing anything.
34:35Take it, you're more official.
34:36This one?
34:37Yes.
34:38Okay, do I put it on speaker?
34:39Yes, yes.
34:40It's Estrella.
34:41Who is Estrella?
34:42Estrella, the lawyer.
34:43The ex-lawyer.
34:44Tell me, Estrella.
34:45I just got a call from the law firm
34:47because I guess I still have to act as John's lawyer.
34:50But what's going on?
34:51Is John okay?
34:52Yes, yes, yes.
34:53He's fine, he's fine.
34:54Don't worry.
34:55But, well, they told me
34:56that they have authorized the visits.
34:59We can't do that.
35:00We can't do both.
35:01Maximum two.
35:02But yes.
35:03But how many people are there?
35:04I'll tell you later.
35:05I'll tell you later.
35:07The people united will never be defeated.
35:11The people united will never be defeated.
35:14The people united will never be defeated.
35:21Are we really going through this?
35:33But have they hit him here?
35:35I don't know.
35:37But don't worry.
35:38Nothing's going to happen to John.
35:39Are you sure?
35:40I'm sure he won't hurt him.
35:41I'm sure.
35:43I'll see you later, okay?
35:45Don't worry.
35:46My love.
35:50I'm fine, I'm fine.
35:52Okay, okay.
35:53Don't worry, don't worry.
35:55Sit down.
35:56I'm sorry, I didn't know.
35:57I'm sorry.
35:58Okay, I know.
36:03Nada, how are you?
36:04I'm fine.
36:05Yes?
36:06Yes, yes, I'm fine, I'm fine.
36:07Are you sure?
36:08Yes, don't worry.
36:10Don't worry, okay?
36:12Tell us everything, okay?
36:14Really, tell us everything.
36:15Okay?
36:16Don't hide anything from us.
36:18Okay, well.
36:19I have had some problems.
36:34I'm sorry, I'm sorry, I'm sorry.
36:35I'm sorry, I'm sorry, I'm sorry.
36:37I'm sorry.
36:38I'm sorry, I'm sorry, I'm sorry.
36:39I'm sorry, I'm sorry, I'm sorry.
36:40Hey!
36:45The first one who touches the kid, I'll kill him.
36:47Okay?
36:54Damn, Poppea.
36:55I didn't know you had dealings with the picoletos.
36:58Since I got my ass kicked.
36:59Is there a problem?
37:03You know, lightening up.
37:05From now on, Elvis is mine.
37:08Do you understand?
37:11Deal.
37:13Let's go!
37:22Thank you, thank you, Poppea.
37:23And really, do you want to hit me yourself or...?
37:27What the hell?
37:28You're a genius, Tronco.
37:29You're a genius.
37:31Today he came to see me.
37:32There, Elvis, you know?
37:33Yes.
37:34To leave me forever.
37:35Wow, I'm so sorry.
37:36No, it was the other way around.
37:38Suddenly, I read the letter you wrote to me,
37:41and it got stuck in my arms.
37:43Can you imagine the joy we've had in Elvis?
37:46The joy of...
37:47Samba de Janeiro, we've had.
37:49De Janeiro? Really?
37:51De Janeiro, of the good, of Rio de Janeiro.
37:53Fuck, come on.
37:54I'm empty of love.
37:55Come on, let's go.
37:56I'm very happy, Poppea.
37:57You don't know me.
37:58Come on.
37:59Come on.
38:03As long as I'm here,
38:04nothing good is going to happen to you.
38:06Romeo is going to kill me.
38:09Wait, I haven't told you yet.
38:11I used to play...
38:12Well, what the hell, I used to play on the radio.
38:14I used to play with...
38:15Sigma Tobis, with...
38:16Well...
38:23Poppea?
38:25That's it.
38:26And that's all?
38:29Okay.
38:31And...
38:32And you've become friends with this Poppea?
38:35Yes.
38:36And you know him?
38:37The Poppea?
38:38I know him and everyone knows him.
38:40He's Alavina.
38:41What's he like?
38:43Well...
38:44Be careful with Poppea.
38:46I know, I know.
38:47But I'm lucky because now I'm his bodyguard.
38:49What?
38:50Yes, yes, yes.
38:51I mean, now I'm...
38:53He says I'm his.
38:54His? What's his?
38:55That I'm his Elvis.
38:57His Elvis? What's that?
38:58Yes, because he calls me Elvis.
39:00Ah, Elvis.
39:01He says I look like Elvis.
39:02Ah.
39:03I look like Elvis, yes.
39:05Be careful, okay?
39:06Be careful with that, be careful.
39:07Because it can be good, but it can also be very bad.
39:10Don't worry, I've got it.
39:11I've got it all figured out.
39:13Yes.
39:16We are very proud of you, my love.
39:18Very.
39:21You've got it, okay?
39:23With strength, okay?
39:24With courage.
39:25The whole family, okay?
39:27We have to be strong, okay?
39:29Until the day of the trial, okay?
39:31What do you mean, until the day of the trial?
39:35Until the day of the...
39:36Are you telling me that I have to stay here until the day of the trial?
39:39Wait, Dad, please.
39:40How many days is this?
39:41This is not what you told me, Dad.
39:44Listen to me.
39:46Estrella is no longer a lawyer.
39:51Okay?
39:52Well, it's okay either, because that woman was a show.
39:55I mean, that's what she was.
39:56Estrella, please.
39:57Definitely.
39:58The thing is, we still don't have the ideal lawyer for you.
40:02We're working on it.
40:03John, come on, okay?
40:05Come on.
40:07Show me the video.
40:09Show me the video.
40:10Okay.
40:11Well, look at...
40:15the one that your grandma Charlie messed up.
40:17Okay?
40:23What is it?
40:25UND!
40:26Don't look at us!
40:28UND!
40:29Don't look at us!
40:31What are you doing here?
40:33We're crazy.
40:34It's so cool.
40:35But I...
40:40You've all chained up.
40:41I mean, you're all chained up.
40:43I see it.
40:44Some more than others, but there it was all.
40:50UND!
40:51Don't look at us!
40:52UND!
40:53Don't look at us!
40:54UND!
40:55Don't look at us!
40:56Here.
40:57Here.
40:58Anti-system.
40:59I'll do anything for you, son.
41:00You take the mustache off.
41:02You put it on like...
41:03Like a mustache.
41:04A crest.
41:05It would look good on him, the same mustache.
41:06The same mustache.
41:07No, cut and copy here.
41:09And put it here.
41:10You're funny.
41:11You're very funny.
41:12With color.
41:13I've been a rebel today, you know?
41:15You're going to be your rebel.
41:17A piece of bread.
41:18Look at you.
41:19Look, kid.
41:20We've never told you this.
41:21Oh, well.
41:22Oh, yes, a pendant.
41:23Oh, oh, oh.
41:24Let your mother tell you how she made me the hole in the pendant.
41:27You haven't told us this?
41:28Me, but...
41:29Well, I wanted him to be a bit rebellious too, like Julio.
41:32And that he had his pendant, but he didn't want to.
41:34Julio.
41:35So I took a pendant that he had without a tip.
41:38Without a tip.
41:39Before going to a party.
41:40I put it on him.
41:42And I did.
41:43He still burbles.
41:44I put it on him.
41:45He burbles.
41:46I put it on him.
41:47He burbles.
41:49At four ten, an elephant's ear was in my ear.
41:52Things were getting in my ear.
41:54He burbled.
41:55He burbled.
41:56I thought it was an infection.
42:01Hey, listen to me now, since you're not a Civil Guard,
42:04you could also get a tattoo here.
42:06There's a man here who does tattoos for free.
42:08Don't you dare get a tattoo.
42:10We can put a little tricornio on him.
42:12Tricornio.
42:13Yes, yes.
42:14On the triceps.
42:15On the triceps.
42:16Yes.
42:18Tricornio.
42:19Hey.
42:35I've just run out of conditioner.
42:37Are you leaving?
42:38Right now.
42:39I have to go pick up my things.
42:42Bye.
42:49Hi, how are you?
42:50I'm Beatriz Vega and I wanted to announce
42:52that today I'll be doing a live show
42:54to talk about how to overcome a rupture
42:56and the tools that can help us in these cases.
42:59I invite you to leave any questions you have about it
43:02in the comments.
43:04It's very interesting to see two aunts
43:06from different generations discussing
43:08a little taboo topics.
43:11What's going on?
43:12Are you still looking for a lawyer?
43:14There's no one.
43:15The trial is over.
43:16There's no one.
43:17Now that I can see that you can get visits,
43:20could you arrange for Desi to see him?
43:24Yes.
43:25Do you think they'll be comfortable?
43:28I have to go.
43:29No, man.
43:30Now that we're here...
43:31No.
43:37I'll be waiting for you.
43:39You shouldn't have put the kid in the middle of the bar.
43:41Not in the middle of the bar.
43:42In the middle of her husband's bar.
43:45It's Armando's trial sentence.
43:46Aren't you going to open it?
43:48I don't dare, Mary.
43:52What's going on?
43:54Oh, please, what's going on?
43:57Why am I in jail?
43:59Huh?
44:00What did you think?
44:01That I wasn't going to find out?
44:03The pharmacist's lawyer was humiliated.
44:06It's clear that John is threatening you
44:08so that you'll confess.
44:09Where did that video come from?
44:11Where did it come from?
44:13Forget about the demagoguery.
44:14What?
44:15What matters is to think about your future, okay?
44:17Future, Dad?
44:18When has my future mattered to you, damn it?
44:21Oh, I'm thinking about something
44:23that might be a little crazy, but...
44:25It doesn't matter, I'm desperate.
44:27Say it.
44:28I know a lawyer.
44:29Who?