• 2 months ago
Dawson's Creek Season 5 Episode 14 Guerilla Filmmaking

Category

📺
TV
Transcript
00:00Con artist. I know you've slept your way through the entire female student body and half the faculty.
00:05The kind of boy who'll break your heart and then start in on your sister.
00:14You must be confused. Understandable. It's a common affliction among blondes.
00:19Truth is, I'm none of those things.
00:22Oh yeah?
00:24Then who are you?
00:26I'm just the boy that's gonna tear your soul apart.
00:31This is ridiculous. I can't do this.
00:36Cut, I guess. Amateurs. I'm surrounded by amateurs.
00:41Dawson, will you just run with me here for a second?
00:44If I were a girl trying to seduce a boy, and trust me, okay, I've been that girl. Many times.
00:48I would never let him know how much I want him. Never, ever.
00:51I mean, that's the exact moment when they lose interest.
00:54Sorry, it's just, it's feeble writing.
00:56Hey, hey, I'm right here.
01:00We should have made an animated movie.
01:03Woulda, coulda, shoulda.
01:07Alright.
01:09Audrey.
01:13You gotta penetrate the subtext, okay?
01:16Remember, she knows that he knows that she knows what kind of man he is.
01:19Alright, so if he knows that she knows that she knows that he knows, see what I'm getting at?
01:24Yeah.
01:25Alright, great.
01:26Alright, let's shoot this scene before we get old and die in our sleep.
01:32Okay, back to work, people!
01:38Oh, I'm sorry.
01:42If you don't swing the microphone, you run less of a risk of tipping into my shop,
01:46which I think would detract from the overall reality of the picture.
01:50Got you. You'll do perfect this time.
01:52Alright, picture's up.
01:56Alright.
02:09Marker.
02:11Twenty-seven up, take three.
02:22Action.
02:23My heart is in my hands
02:27My head is in the clouds
02:31My feet have left the ground
02:34My life is turning around
02:40Every voice inside my head
02:44Is telling me to run like mad
02:49Bows and arrows
02:51Stars and sunsets
02:53Hey, hey, hey, yeah
02:55Hey, hey, hey, yeah
02:57Every heartbeat
02:59Every kiss
03:01Just makes me wonder
03:04What all this is
03:06Suits of armor
03:08Hearts and arrows
03:10Hey, hey, hey, yeah
03:14Remember, there is no distinction between writing a story and living your life.
03:20The same elements that make a moment in your life ignite, explode, move,
03:25these same things make a scene in your writing have life.
03:30When a writer has evolved in their work, they've evolved as an individual.
03:35When the work is intense, it is because their life is intense.
03:39So the real question is, what makes life intense?
03:43Conflict. What is conflict?
03:46The essential conflict at the core of the artist.
03:49Think of the movies you've seen, songs you've heard, books you've read.
03:53To be or not to be.
03:54Bingo.
03:55In other words, your desires versus your ideals, your head or your heart.
04:01Can somebody give me an example, using their own life, of a conflict between their desires and their ideals?
04:09I have an example.
04:13Out with it, then?
04:15Well, it's, um, it's about a guy.
04:20Of course, isn't it always?
04:27Oh, it's too bad. I was curious where your story was going. You'll have to share with us next week.
04:34Same bad time, same bad channel.
04:39Yeah.
04:46We need to talk.
04:47We do?
04:48Yes, that was uncomfortable.
04:50No, that was creative writing. Uncomfortable is cut down the hall on the left.
04:55There should be a word for people who use sarcasm as a defense mechanism.
04:59There is. Sarcastic.
05:01I'm serious.
05:03Are you okay?
05:04I'm fine. I'd be lying if I said I wasn't a little weirded out by recent events.
05:11I'm sorry, Joey. I'm a creep. I've robbed you of your innocence, haven't I?
05:17Oh, you're not a creep. And don't say you're sorry. It makes me feel...
05:22Cheap?
05:24No.
05:25Dirty?
05:26No.
05:27Okay, I'm going to stop talking because obviously there are some things you want to say to me.
05:31Many things.
05:34Okay. I can't promise I'll have all the answers.
05:37In fact, I can't promise I'll have any answers, but I'm willing to give it a shot.
05:46Whenever you're ready.
05:54You know, it's kind of a lot of pressure and I seem to be freezing up, so can I do this another time?
05:59Absolutely.
06:03Okay.
06:08You slept here again last night, didn't you?
06:11Wasn't that, like, violate some sort of health code?
06:14Good morning, Leslie.
06:17Now, I can only assume since it's your day off that you came down here for a little bit of playful banter
06:22and the opportunity to critique my personal hygiene, which is sweet of you, but you really should have called first.
06:27Can I have that omelet?
06:29Nope.
06:30We had plans, you know. You said you'd help me.
06:33Oh, right. Refresh my memory. That was the breast exam, right?
06:37No. Learning my lines for Dawson's movie. We talked about this last night, remember?
06:42Only vaguely. And to tell you the God's honest, Audrey, now is really not the best time for me.
06:48Good morning.
06:51That's for breakfast.
06:54Audrey, I would like to introduce you to my good friend, Gina.
06:58Excuse me?
07:00What?
07:01What's my name?
07:03Gina.
07:05My name is Rina. R-I-N-A.
07:09Which is what I said, Rina. Didn't I say Rina?
07:12You said Gina.
07:18Now, come on, sweetheart. Don't leave angry. Or if you must, at least don't drive angry.
07:23Have a nice life, Stacy.
07:29Well, on second thought, I'll be on with yours.
07:40Jack.
07:41Morning.
07:45How's it going, bro?
07:47We're hearing there's a kegger at the Cap'n Moon Pies this morning.
07:51So those of you interested in getting some nookie this evening, we should meet back here at, let's say, eleven?
07:58Break.
08:09You okay?
08:11Yeah, I'm good.
08:13Yeah, they're trying to make it up to you, though. Soon things over.
08:16I know, I know.
08:18You just gotta let them back in.
08:20Sounds good in theory, but it's just hard to forget that night. I mean, you guys totally bailed on me.
08:24I mean, you stepped over the line in a big way that night, Jack.
08:27No, it's just, I feel like that moment that I could have gracefully apologized has kind of passed me by.
08:33Yeah, every time you come around these guys I feel like an idiot.
08:37Well, stop stressing, you aren't an idiot.
08:43I know you're a snake and a con artist. I know you've slept your way through the entire female student body and almost half the faculty.
08:50The kind of boy who'll break your heart and then start it on your sister.
08:54Good morning, sunshine.
08:56Overcast and gray.
08:59There, that's the spirit.
09:02A week ago, I saw it very clearly. Now I look at it and all I see is these huge nightmarish obstacles.
09:09It's like the movie's disappeared, just gotten lost somewhere along the way. I don't know. Or maybe I have.
09:17It can't be that bad, can it?
09:21Not that bad.
09:24Okay, the ending doesn't work.
09:27Well, we have less than 12 hours to rewrite it because the lights they were going to use for that particular sequence we only have rented until tomorrow morning.
09:35But the real punchline is all of this pales in comparison to the real problem.
09:41Okay, what's the real problem?
09:42The real problem is that Oliver is without a doubt the most pathetic excuse for a thespian that's ever been.
09:54Ow!
09:57Jack and Graham's are more sexual chemistry than this kid.
10:01Hello, people.
10:07What? What'd I miss?
10:09Have a seat, Skipper.
10:12Thanks.
10:23It's time for us to think about what's best for the movie.
10:26I don't follow.
10:28Having watched some of the footage, it's occurred to me.
10:32It's possible you're not the right actor for this particular role.
10:38Huh.
10:40Well, I'm thinking you're wrong.
10:46But on the other hand, you are the director.
10:49And if this behemoth has a prayer of getting done, it's going to be because the final decision on everything, including the casting, came from you.
11:00Really? You're okay with this?
11:03On the flip side, we have to recast the part today if we're going to shoot the finale tonight.
11:08Where are we going to find an actor who fits the bill?
11:11You know, somebody who's sexy, charismatic, and attractive.
11:18And not burdened with a soul.
11:20Exactly.
11:21Where are we going to find a guy like that in six hours?
11:24I'm used to dating him.
11:27Hmm.
11:31That's not a bad idea.
11:34Oh, yes it is.
11:37It's a terrible idea.
11:40And you would never make me do that, Witch Dawson.
11:53John Linley.
11:55How you been?
11:58Busy.
12:00Just trying to wrap my head around this whole Lemon Dyke coke phenomenon.
12:04I knew it. I knew you could never live without me.
12:08Oh, on the contrary, I actually plan to spend the rest of my life living without you, Charlie, but...
12:15I need a favor.
12:18A favor?
12:20Now, why on earth would I do you a favor?
12:24I get to make out with a really hot girl.
12:27Okay. I'm stuck in the office.
12:40The guy is unbelievable.
12:43I know. He couldn't even remember her first name.
12:46Not her last name. Her last name I might understand.
12:49I've slept with some guys whose last names have escaped me the morning after, but her first name?
12:53Who?
12:54What? Wait. Who are you talking about?
12:57Wilder.
12:59Right. Wilder. Unbelievable.
13:01So I'm standing there, completely ready to say everything I never said,
13:05and then he pulls his Jedi mind trick and suddenly I can't even remember who I am.
13:09You're Joey Potter.
13:11And I refuse to become another one of his groupies, you know,
13:13completely infatuated with a guy and reduced to a babbling idiot at the mere mention of his name.
13:17May I, um, be brutally honest?
13:21Like you've ever been anything but?
13:23You are completely infatuated with him,
13:26and you have been reduced to a babbling idiot at the mere mention of his name.
13:30But I'm not so sure that's a bad thing.
13:32How can it not be a bad thing, Audrey?
13:36Once upon a time, I had this amazing mentor,
13:40someone who believed in me and respected me,
13:43and we were friends. Good friends.
13:45And, you know, whenever you would allude to some lurid affair between teacher and student,
13:49I would just dismiss it.
13:50What, the lady doth protest too much?
13:52I have to drop his class.
13:54I mean, should I drop his class? I don't know.
13:56Are you asking for my advice, or are you just having a soliloquy here?
13:59Well, what's the alternative? I spend the rest of the year angsting over some guy I can't be with?
14:03I mean, I've been there. It's excruciating.
14:05Bunny! Breathe.
14:09Ask yourself something.
14:11When was the last time you felt as completely and totally alive as you do right now?
14:18Who are you talking about?
14:21Uh...
14:24Huh?
14:27Oh, hey.
14:30What you want with the other guys? To the athletic center?
14:32Pick up on the gymnastics team?
14:34You know, teenage girls slamming their pelvises into the uneven bars at 80 miles an hour?
14:38I think they'll be right up your alley.
14:40No, I had work to do.
14:42So I figured I'd get started with putting it off, right?
14:44Yeah, yeah, yeah. Procrastination.
14:50It's the only skill we ever learn in college.
14:53Ain't it a little early in the day to start knocking them back?
14:56Only if you're doing it alone.
14:58Besides, you and I have some unfinished business.
15:01Oh, do we?
15:02Yes, we do.
15:03Madden 2002?
15:05Oh!
15:08Yes, we do. Madden 2002?
15:11Oh!
15:12Yeah, your Patriots kicked my bears in no different times than the last time they met.
15:16And I think we're ready for some revenge.
15:19I mean, we'll get some for some disappointment, because we're going to kick your ass some more.
15:22I don't think so.
15:27You're falling in love with me.
15:30Well, I can't say you're lacking for confidence.
15:33That's not true.
15:35Blah, blah, blah, blah, blah, blah.
15:38Doesn't change the fact that you're falling in love with me.
15:41Now, how can you be so sure?
15:43I mean, how do you know I'm not going to just use you up and throw you out?
15:47It's what I've always done.
15:50You can sleep with blah, blah, blah, blah, blah, not even you.
15:55I didn't know.
15:58I've never wanted anything like this before.
16:04Neither have I.
16:07A world of pain.
16:09Charlie, one step closer, you're entering a world of pain.
16:13You know, Dawson, buddy, it's difficult to really become the character here
16:17when she is not giving me anything to work with.
16:20Acting tip, it's called using your imagination.
16:23You know, I've seen enough.
16:25So, uh, Jim, thank you, sweetheart.
16:30Um, Charlie, would you mind just stepping in the room for a second?
16:35Yeah.
16:39So, is this going to be awkward for you?
16:42Your girlfriend's ex starring in our flick?
16:45I'm running out of options here.
16:47I got to say, he's pretty decent.
16:50I mean, if you're going for the brutally handsome, rippling abs,
16:55Tony Scott version of me, he's about as good as we're going to get, right?
16:58Right.
16:59Yeah.
17:00Okay, so we're using him.
17:01Yes.
17:02Problem solved.
17:03Okay, now I have to do the longer ending.
17:05We might get this done.
17:06Heavens to Betsy.
17:08First, you take away my starring role, and now you want to rewrite my ending?
17:12It doesn't make sense.
17:14Actually, it's friggin' brilliant.
17:16First, she breaks up with him, breaks his heart,
17:19then he blows her away with a 22.
17:21Poetic justice.
17:22I used to think he was great, I used to think he was perfect,
17:25but having seen the footage, yada, yada, yada.
17:28Yes.
17:29So?
17:31Did I get the part or what?
17:33Well, that depends.
17:34Can you learn your lines in three hours?
17:36I better make that two.
17:38Hmm.
17:40I don't know.
17:43All my dudes, they go to these parties every night,
17:46looking for their next girlfriend, and for what?
17:49Oh, so they can have some chick who's going to bitch and moan at them in the morning,
17:52you know, make them watch Nodding Hill over and over again?
17:54Oh, forget that, they keep their cake.
17:58I like Nodding Hill.
17:59Oh, God.
18:13Dude.
18:14Yeah?
18:18What was it like when you realized you were gay?
18:24Well, it wasn't like that, you know?
18:27It wasn't like I woke up one morning from an especially nasty dream about Robert Downey Jr.
18:32and I said to myself, hey, I must be gay.
18:38What was it like?
18:42Well, you know, so many people just, they spend so much of their lives
18:47just locked up in this cage inside themselves.
18:53And they never even know that they have the key all along.
18:59Yeah, that's how it was for me.
19:02I can't tell you when I first realized it, you know,
19:05I don't know, at some level I think I've always known it.
19:09Probably just like they've always known me straight.
19:14It wasn't about realizing that I was gay.
19:17It was about realizing that I was all right.
19:23You're an amazing guy, Jack.
19:25You know that? You really are.
19:29Yeah.
19:45You're the kind of guy that I want to be.
20:00Um, do you, uh, you want to watch some more TV?
20:07I, uh, I think they're with the world's most horrifying bungee accidents on.
20:13Um, I have, uh, work to do.
20:18Come on, man, you're not going to do it now?
20:21Oh, yeah, I have to, okay? I'm going to go.
20:25Okay.
20:28Yeah, I'll see you.
20:31Okay.
20:55Hey, you selling Girl Scout cookies?
20:58I see the coconut ones with the chocolate and the caramel, I love those.
21:03Actually, I figured out what I want to say.
21:06Excellent, I'll alert the media.
21:11Do you think it would be possible to lose the obnoxious glib for five seconds?
21:16Yes, yes, of course it is possible, sure.
21:20Sorry, go ahead.
21:22Uh, I want to say...
21:26I'm sorry you kissed me.
21:29Oh my God, Joey, I can't even begin to apologize about that.
21:33I'm not here for an apology.
21:36I didn't want one that night, and I don't want one now.
21:41Well, in a minute, I'm going to walk over there to where you are,
21:48and I'm going to shake your hand in a very masculine way.
21:53We're going to have this little silent understanding,
21:56and then I'm just going to turn around and walk away.
22:02What about my class?
22:05Uh, I don't think I can be a part of it, not now.
22:10Well, no great loss there.
22:13You know what? Screw you.
22:18Clever, Joey. No, what I meant was you're going to do great,
22:24with or without my workshop.
22:30Oh.
22:34That's what you meant.
22:36Joey, you've got it.
22:39The gift, the touch, whatever you want to call it.
22:42I don't, you do. It's a binary distinction.
22:46So all the washed-up, hags-turned English professors can wax poetic
22:51until the cows come home.
22:53In the end, your talents and your instincts
22:59are the only things that really matter.
23:06You know, you're really annoying,
23:09because every time I'm ready to do this smart, sensible thing,
23:14you go and you say something that makes me...
23:20Makes you what?
23:23Not want to go away.
23:35Okay, so let's do it one more time,
23:38but this time I'm not just going to say the lines, I'm really going to act them.
23:42Are you warning me?
23:44No, I just want you to pay attention so you can give me some notes.
23:49Okay, well, I'm ready.
23:51Just give me a minute, okay, will you?
23:54Bring it! Bring it! Bring it on! Bring it!
23:59Okay.
24:11You're not so tough, you know.
24:15Uh, well, I picked a lock to get in here, that's pretty tough.
24:22You're falling in love with me.
24:25I can see you're lacking for confidence.
24:28No, that's not true.
24:32I am lacking.
24:35I'm very insecure,
24:38but that doesn't change the fact that you're falling in love with me.
24:46Uh, how can you be so sure?
24:50How do you know I'm not just going to use you up and throw you away?
24:53It's what I've always done.
24:56You can sleep with all the right girls,
25:00and take all the right drugs,
25:03but in the end, you'll still be alone.
25:11It doesn't matter what anybody says, Gage.
25:13Nobody wants to be alone, not even you.
25:20Not even you.
25:23Wait, wait, wait.
25:26I'm not going to do this.
25:28Uh, well, no, of course not, me neither.
25:31Because, because it would be wrong.
25:36Well, it's obviously wrong, that's why we stopped.
25:40So, so,
25:46do you have any notes?
25:50No.
26:04Cut! Cut!
26:06Cut.
26:07I'm sorry.
26:08Okay, it's just that my co-star Charlie Sheen over here
26:11is ramming his tongue down my throat.
26:13I feel like he's looking for my diaphragm.
26:16Foiled again.
26:17Okay, we're going to take it from, uh, just before the kiss.
26:20All right, and, uh, pace.
26:23I see the boom dip into my frame.
26:25I begin to forget our friendship.
26:27Okay.
26:28All right, and picture's up, and marker.
26:3114-maker, take 12.
26:35And action.
26:48I didn't know.
26:51I never wanted anything.
26:54I'm sorry.
26:55Can we do that different?
26:56It's just kind of got away from me.
26:58Still rolling.
26:59Whenever you're ready.
27:18I didn't know.
27:21I never wanted anything like this before.
27:24Neither have I.
27:31Lying?
27:33I'm afraid of falling.
27:37You're afraid of...
27:40Well, Gage really says...
27:41For the love of God, just stop.
27:45Well, Gage really says...
27:46For the love of God, just say it.
27:53I'm afraid of falling.
27:55Don't worry.
27:56I'll catch you.
28:03And cut.
28:05Oh, ouch.
28:06You hit me in the ear.
28:07I'm sorry.
28:08I can't work like this, okay?
28:09It's completely unprofessional, and it's just...
28:12It's too intense with you standing right there next to me.
28:19You're a terrible boom operator.
28:37Do you remember that uncomfortable vibe you were sensing in class this morning?
28:40Yes.
28:41It's a good thing we dealt with it.
28:42Yeah, it's a good thing.
28:43Because now, the two of us alone in your house,
28:46I'm so relieved that there's no awkward tension.
28:49You just relax.
28:51Yeah, yeah, I've never been this relaxed.
28:53I might fall asleep.
28:57We're being sarcastic.
29:01Look, Joey, the thing is,
29:03the thing I wanted to say to you is, like,
29:06I can't afford to lose my job.
29:08That's the last thing that I want.
29:10But it's important to me that you know that what happened between us,
29:14I've never done anything like that before.
29:18I know.
29:25You know, Joey Potter, I...
29:27I don't think I've ever met anyone like you.
29:31That's what all the boys say.
29:33Yeah, well, they're right.
29:35I was being sarcastic again.
29:39You want to hear my example?
29:42Hmm.
29:44My example of an eternal conflict between my ideals and desires.
29:53You sure you don't want to save it for class?
29:58I think I want to run it by you first.
30:03Fair enough.
30:10You're vibrating.
30:17Excuse me.
30:24Hello?
30:26Hi.
30:29What's going on?
30:32Right now?
30:35Yeah, I'll be right there.
30:40I have to go.
30:43Okay.
30:45I'm sorry.
30:47Don't be.
31:09Bye.
31:31Bye.
31:40Bye.
31:47Eric told us what happened.
31:50What are you guys talking about?
31:52Eric told us you tried to kiss him.
31:55You can't be serious.
32:00Oh my God, you are.
32:02Please don't waste everyone's time scrambling to deny it.
32:05It's better if you just admit the truth.
32:08You're right.
32:11Because, you know, I was just nancying around my room in my thigh highs
32:16and I thought to myself, I'm going to lay a wet one on an unsuspecting fraternity brother
32:20because that's probably a great way to smooth things over with the house.
32:23Jack.
32:24If you guys imagine just for a second that I would, could ever in a million years
32:29do anything like that to any one of you guys, then I guess you guys never knew me at all.
32:33Wait a minute.
32:34You want us to believe that Eric, like, fabricated this whole thing?
32:38No, what I'm saying is that I don't care.
32:41Because it wouldn't matter if I did.
32:42You guys have already made up your minds.
32:44You know what, so have I.
32:45I'm moving out of the house tonight.
32:46I'm not coming back.
32:47That's not what we want, Jack.
32:50Well, with all due respect, my brothers, get out.
33:05So, Dawson, let's say that, hypothetically speaking,
33:09I might have some insight into why your ingenue is so exasperated today.
33:14And let's also say that, hypothetically speaking,
33:17I might be mildly culpable for her, uh, exasperation.
33:24Which really is not important.
33:26Actually, I'm sure it's nothing.
33:27So, uh, forget I mentioned it.
33:29My patience is wearing just a little bit thin.
33:32My patience is wearing just a little bit thin.
33:35Okay, well, uh, here's the thing.
33:38I kissed her.
33:40You idiot.
33:41Didn't anybody ever tell you the first rule of the universe?
33:44Uh, yeah, that energy is conserved.
33:47First rule of the universe would never get involved with an actress.
33:50Oh, it's trying to think.
33:56I just wanted to offer a few ideas.
33:59Particularly on the way I make character.
34:01Script notes?
34:02Are you seriously going to give me a reason to slap the silly out of you?
34:06Come on, son.
34:07Come on.
34:10She's got Moxie now.
34:11That is not...
34:12Shh, shh, shh, shh.
34:13Who's this Moxie?
34:15I'm sorry.
34:17Good thoughts.
34:18I'm okay.
34:19Hey, guys.
34:20Okay.
34:22Joey, not a moment too soon.
34:24Uh, take Pacey by force if necessary and extract Audrey from the bathroom.
34:28All right, Oliver.
34:30Hey, Charlie, I found a cozy little corner not big enough to use notes.
34:35Jen.
34:38Sweetheart, I don't want you to have an embolism.
34:40Dustin, he's evil.
34:41Isn't it entirely possible that he is the antichrist packed into the body of a handsome musician?
34:46I need you to do me a big favor.
34:48You want me to kill him.
34:49I need you to go home.
34:51Right now.
34:52Just gather your stuff and leave.
34:54It's the only way I'm going to get this done.
34:56But who would do the clappy thing?
34:59We'll manage.
35:08Pace, why did Dustin insist you come along on this mission?
35:11I didn't.
35:12Did something happen between you and Audrey?
35:14No.
35:15No.
35:16Of course not, because if something happened between me and Audrey, it would be a horrible, terrible, awful thing, right?
35:21Pacey, you're an idiot.
35:23Okay, if one more person calls me an idiot, I'm really going to start feeling bad about myself.
35:26Don't you think I prefer you hooking up with someone amazing like Audrey,
35:30rather than some random ditz whose name you can't even remember in the morning?
35:34What?
35:35I can remember her name.
35:39Go away.
35:40Severe flooding.
35:41Out of order.
35:43Audrey, it's me.
35:44I'm with Pacey.
35:45We're coming in.
35:46What do you mean?
35:47I can't go in there?
35:48That's the ladies' room.
35:49Joe, ow, ow, ow.
35:55Audrey, you looked great in that dress.
35:57Really?
35:59No.
36:00Forget it.
36:01I don't deserve to talk to you.
36:03I don't even deserve to be in the same lavatory as you.
36:06Why?
36:07Because you kissed Pacey?
36:08What?
36:10You told her?
36:11How could you?
36:13Amateur.
36:14Audrey, I'm sorry.
36:16How could you?
36:17Amateur.
36:18Audrey, Pacey didn't tell me.
36:21I intuited.
36:22That's amazing, Joey.
36:24You're very intelligent.
36:26Next step, rock of science.
36:28I'm not upset.
36:29Well, you should be.
36:32Our friendship is like the specialist thing that I've found since I came here.
36:36What do I do?
36:37I step on it.
36:39I betray you.
36:40Why?
36:41Because I am weak when it comes to men.
36:42You're not.
36:44Okay.
36:45Maybe you are weak.
36:46But kissing Pacey is not weak.
36:48In fact, it could be the smartest thing either one of you has done for a long time.
36:53Really?
36:54You think?
36:56I love you.
36:58I love you.
36:59I love you both in the best, simplest way.
37:02And all I care about is that you guys are happy.
37:05So you're, like, giving us permission?
37:10You don't need my permission.
37:12I'm giving you my blessing.
37:16For what it's worth.
37:18I want you to listen to me closely because you're never going to get anything like this again.
37:44You know the truth.
37:46You know what really happened in that room and what didn't.
37:48And you're going to have to live with that.
37:53Believe me when I tell you, Eric.
37:57You've got some serious issues to deal with and you're going to need some serious help.
38:08I really hope you find it.
38:16Rest in all calm.
38:47This is kind of beautiful.
38:54She says as she exits, kind of, right?
39:01So if there are no further crises you need me to bail you out of...
39:05As long as you can fix the ending.
39:07What's wrong with the ending?
39:09I'm not even really sure that it's wrong. I'm just...
39:14Unsure?
39:15Yeah.
39:17Well, it's a love story, right?
39:19No.
39:20So do they end up happily ever after or not so much?
39:24Not so much. She kills her.
39:27A little depressing.
39:30A little cynical for the Dawson I know.
39:33Apparently we're in the dark period.
39:35That's really true. Why are you so reluctant to film it?
39:38Because part of me wishes I could still be that embarrassing romantic kid.
39:43I'm the one who believes with such conviction in the gospel according to Spielberg.
39:47You know, I'm having trouble mustering anything resembling sentimentality or corn or...
39:53I like the better word, hope.
39:57I was at the bus station one time and someone had written these words on a bench.
40:03Hope dies last.
40:06I always loved it.
40:12I think you're waiting for a sign.
40:15Been waiting.
40:17Freezing my ass off out here.
40:19Did it ever occur to you, Dawson Leary, that maybe I'm the sign you're waiting for?
40:36It's gonna be okay.
40:39For all of us.
40:42Every moment.
40:46A lifetime passes through your eyes.
40:50Do you notice the fire?
40:54Blinded by your own track minds.
40:58It might sound corny.
41:02To stop and smell the roses.
41:06But they'll light out if there's a message of truth.
41:11You alone?
41:13No, I got the Vienna Boys Choir with me.
41:17Can you put the biting sarcasm to rest?
41:21You waiting for a bus?
41:23Nope.
41:25I'm just sitting here being cold.
41:38What's happened to you?
41:42Well, it's hard to say.
41:47I seem to remember the two of us hanging out in front of that coffee stand at the beginning of the year.
41:54Then dumb guy with a dream comes up and invites us to a fraternity party.
42:01Everything after that's kind of a blur.
42:06Can I ask you a question?
42:08You can ask me a question.
42:12Did you like Notting Hill?
42:14Are you kidding? I love that movie.
42:33You're right. The ending sucks.
42:38Audrey?
42:39Hi.
42:40Alright. Here's what we're going to do.
42:44We're going to cut all this.
42:46We're just not going to do it, okay?
42:48We're going to keep this. We're going to keep that.
42:50And we're going to forget all about this.
42:52And we're going to end it with that.
42:55And when you do it, forget everything you've done up until this point.
42:58This is the moment where she lets down her defenses.
43:01It's not dry. It's not sardonic.
43:03It's just honest and it's vulnerable.
43:07When you do it...
43:11But doesn't that completely...
43:13You should first ask questions later.
43:15Okay.
43:17Frank, you ready?
43:19Okay.
43:21We're going to do this.
43:23And we're going to do it in one shot.
43:25Think Orson Welles, Touch of Evil.
43:27Everybody knows where they are.
43:29Everybody knows exactly what they have to do.
43:31Let's be the ball, people.
43:33Pictures up.
43:36Action.
43:43Rolling.
43:45Scene 32, take 1.
43:53And...
43:55Action.
43:58You ruined my life.
44:02You wrecked me.
44:06I know.
44:10And I'm sorry.
44:16I did a bad thing.
44:22And, um...
44:25I've done a lot of bad things in my life.
44:30I didn't have a choice.
44:33I had to do it.
44:35Because it was all part of the trip.
44:40The journey.
44:46To this place.
44:49This moment.
44:51With you.
44:54Think about life.
44:56You can't lose.
44:59And you can't win.
45:03But you've got to try.
45:08Don't speak.
45:11Don't speak.
45:24Don't speak.
45:54Figure it out.
46:08So listen.
46:09I think I should probably apologize for what happened earlier.
46:12In your room.
46:14My mind just took a brief vacation to the Bahamas.
46:18I don't really know what came over me.
46:20Yeah.
46:22Me neither, right?
46:24It's just been the method.
46:26I've been watching a lot of James Clifton lately.
46:29Yeah, yeah.
46:30That must be it.
46:31Because, you know, now that we have her permission,
46:33the feeling is just...
46:35No.
46:39You're not my type.
46:41You're not my type.
46:52You're not my type.
46:54You already said that.
46:56I know.
46:57I'm just...
46:59convincing myself.
47:01Well, how's that going for you?
47:03No, not so good.
47:04Not so good?
47:05Mm-mm.
47:07I...
47:10Okay, I'm going home.
47:13Right now.
47:16Goodbye.
47:21Of course.
47:23I don't have a car.
47:26So...
47:29I'm gonna have to walk home.
47:31Well, no, you can't have that.
47:34You're amazing at that.
47:37Was I?
47:38Yes, you were.
47:40And then, of course, there's that.
47:42That thing that you do.
47:44How do you do that thing?
47:46What thing?
47:48You smile and the whole world lights up.
47:53Acting.
47:55Beats a hell of a lot of work.
48:03Okay.
48:25Two to three is the count.
48:27Bottom of the ninth base is loaded.
48:29Sammy, something is up to bat.
48:32Potter's one last shot at immortality.
48:34They'll wind up the pitch.
48:38And the crowd goes wild.
49:32© BF-WATCH TV 2021

Recommended