Category
📺
TVTranscript
00:00A FEW HOURS LATER
00:11What did I tell you, Clarita?
00:14Is this a magical place or not?
00:19Well, it is.
00:20It is.
00:30That's why...
00:32I wanted to be completely honest with you, Clarita.
00:38You see, I...
00:41Many times...
00:43I'm afraid that they won't accept me.
00:47That people don't appreciate me and don't want to be with me.
00:52That's why...
00:54Many times I disguise myself to feel safer.
00:59You disguise yourself?
01:01Yes.
01:13I'm actually like that.
01:15Hello.
01:18You remind me a lot of someone.
01:21But now I don't fall.
01:28With the wig I feel protected.
01:31It's like...
01:33It's like wearing an armor.
01:35Do you understand?
01:37I think so.
01:39It's like...
01:40When I put on my favorite dress...
01:42In those moments I always feel much better.
01:46Do you feel better when you put on the wig?
01:49Yes.
01:51Yes.
01:53I was very afraid...
01:55That you wouldn't understand that, that you'd get mad at me, but...
02:00I've realized that I don't have to be afraid of you.
02:03Being with you is like...
02:05It's like being with my mother.
02:09I...
02:10I loved her a lot.
02:15And you?
02:17Yes.
02:19A lot.
02:23Look.
02:29Your mother...
02:32You loved her more than anyone else in the world.
02:36Yes.
02:37But I also love my brothers a lot.
02:39Especially Matilde.
02:41Well, Clarita, I think you're wrong.
02:45Because Matilde really loves Íñigo.
02:48You told me yourself.
02:53That's why it's good for you to want to be with your mother.
02:57Because there will come a time when Matilde returns all her love to Íñigo.
03:01And you...
03:03You'll be alone.
03:06Don't you think Matilde has already forgotten about your brothers?
03:09But...
03:11I've never forgotten about them.
03:16And that's admirable.
03:19You'll have to tell your mother.
03:23But we're not in a hurry now.
03:25Today, we can stay here as long as you want.
03:31Looking at the sky.
03:33Appreciating its beauty.
03:34And so you can also think about what you're going to do when you see your mother.
03:39I'm going to hug her.
03:41And I'm not going to let her go in a while.
03:44Besides, I don't think about tears when I see her.
03:48You do very well.
03:57What about school?
03:59I have to go back to school, right?
04:05Don't worry about that, Clarita.
04:08I've already taken care of that little problem.
04:24Well, boss. Let's see, for table four.
04:27Two cutlets, a carajillo and...
04:31And I can't take it anymore.
04:32I can't take it anymore.
04:34You can't take it anymore? Is it a new type of coffee?
04:36Or are you telling me that by this time in the morning you're already exhausted?
04:39No, what I'm telling you is that you had it so quiet.
04:42But congratulations.
04:44Elia, have you had anything to drink?
04:45Not yet.
04:46But it would be nice if you invited me to celebrate that you already have the job in the boat.
04:52First, lower your voice.
04:54Second, I don't know what boat you're talking about.
04:56What boat am I going to talk about?
04:58About the boat of the rainbows?
04:59The thing is that I'm a little disgusted.
05:02Disgusted for what?
05:03Because you didn't tell me and I had to find out for someone else.
05:05And that's very ugly, boss.
05:07With the confidence we have.
05:09But it's okay, because I forgive you.
05:11Wow.
05:13Thank you very much.
05:15But...
05:17Could you tell me who gave you the blow?
05:20You say the blow, but not the blower.
05:22And what you would have to do is shout, proclaim to the four winds your love, because that's what you have to celebrate.
05:28Look, Elias.
05:29Yes?
05:30I'm just going to ask you to be discreet.
05:31Well, you know that's in my nature.
05:33And don't spread the rumor.
05:35You have it for now.
05:37We want to keep it a secret.
05:39It would be a grave.
05:40You can count on it.
05:48Hey, Elias.
05:52Couldn't you open the grave a little and tell me how you got the information?
05:57No, because then you couldn't trust me.
05:59Besides, if Mrs. Lázara finds out, she's in trouble.
06:03Wait, wait.
06:05Did you say Mrs. Lázara?
06:06Mrs. Lázara? Who said Mrs. Lázara?
06:08I said that if she gives me a straw, she's in trouble.
06:11Don't hide it, it's going to be bad for you.
06:16The vampire is very smart.
06:18Let's see, is it because you say it? Because my lips are sealed and my grave doesn't count.
06:23Well, look, yes, Elias.
06:25Between Teresa and I, there's something.
06:27And we're going to celebrate it big.
06:29You and me.
06:30See?
06:31If you say something, the celebration is over.
06:33And maybe the grave thing is no longer just a metaphor.
06:36Well, I don't care about the next two commands if I'm not able to keep a secret.
06:39Don't tempt fate, don't tempt fate.
06:43Look, I'm going to give you a vote of confidence.
06:47But you, Chitón.
06:49And above all, normality.
06:51Of course, Chitón and normality.
06:54But I have to tell you something.
06:56I'm very excited that you're finally with the woman you love, Callete.
07:00A hug.
07:01Elias, Elias, Elias.
07:02Yes, tell me.
07:03I've told you normality and that you hug me at work is not very normal.
07:06No, but I'm very excited.
07:08Yes?
07:09Yes.
07:10Well, look, take that excitement and you're going to attend to Don Cipriano, who just came in.
07:15Go.
07:16Well, I'm leaving, I'm running.
07:18See you later.
07:25And, I don't know, Clarita seemed very happy when I left her at the school door.
07:30Well, maybe she would have a friend or some activity that would make her especially excited.
07:35The thing is that I'm going to give her a surprise later.
07:38I'm going to pick her up and I'm going to take her to her friend Lara's house.
07:41Well, look, the truth is that it's been a long time since you met.
07:44Yes, because I spend a lot of time with her and she doesn't stop talking about Lara.
07:49The truth is that it's strange that you haven't met yet.
07:52What a coincidence, gentlemen.
07:54Sorry for the delay, I'm sorry.
07:56No, you don't have to apologize for anything.
07:58Well, it seems to you that we are going to get down to business.
08:01I don't want to make cuts, but today I have a very tight schedule.
08:05Of course, I just wanted to inform you that I have already carried out the management
08:09and I have enclosed the last details of tomorrow's event of the Association of Writers.
08:13Great.
08:14Yes, and from now on, Teresa and Mrs. Lázara will take care of the rest.
08:19Teresa and Mrs. Lázara will take care of the rest.
08:22Thank you very much, Matilde.
08:24As efficient as always and concise, which is to thank you.
08:27For my part, I wanted to tell you that I have drawn up a plan for the acquisition of the gallery.
08:37You tell me.
08:38And if everything goes as planned and the signature is produced,
08:41we will celebrate it to the fullest, even hiring a post-it orchestra,
08:45which you, of course, Matilde, will manage.
08:49Excuse me, Mr. Fermín, but could you tell us what that plan is?
08:52Because the truth is that I'm disgusted.
08:54The plan is very simple.
08:56It's about Emiliano Pedraza buying the gallery.
09:03And who is Emiliano Pedraza? Because it's the first time I've heard of him.
09:06He is a good friend, a successful businessman, a tenacious, intelligent and very ambitious man,
09:11both personally and professionally.
09:14Excuse me for insisting, Mr. Fermín, but what is the strategy to follow?
09:17Well, I have a meeting with Mrs. Bárbara in a little while.
09:21And I hope she has the reaction I expect.
09:26Because otherwise we would be in the hands of any misunderstanding
09:30to which Mrs. Bárbara wants to sell her properties.
09:33I cannot guarantee the success of the operation, but nothing better has happened to me.
09:38Everything happens because Mrs. Bárbara gets into the game.
09:43Do you see it possible?
09:44I see that woman capable of not renewing the rents and leaving the gallery deserted.
09:49But I don't want to lose hope.
09:53I'm very sorry that my bad relationship with Mrs. Bárbara has made the negotiations difficult.
09:58You have nothing to regret, Inigo, for the love of God.
10:01But if Mrs. Carla is on her way to America, there is nothing stopping Mrs. Bárbara.
10:06The normal thing is that she is in a hurry to sell.
10:09And that is our great weakness, Matilde, and in which I trust blindly.
10:13But of course, nothing is normal with that woman.
10:33You don't have to keep thanking me for accompanying you or letting you sleep at home.
10:39I didn't want to bother you, but after what Agustín told me, I didn't want to see my brother.
10:45You don't have to give me any explanation.
10:48You know that I would do anything for you, especially in these circumstances.
10:53And now you will tell me that I should have stayed with you.
10:59I would never do something like that.
11:02I don't think it's right to try to benefit from people's bad moments.
11:06Especially if these people are my friends.
11:10I'm here to help you, Laura, not to compare you.
11:17What I would like to know is why Agustín decided to tell me precisely yesterday and precisely in the gramophone store.
11:27Do you know something?
11:32What am I going to know, Laura? I don't know anything.
11:35Celia, you just told me that you are here to help me. Please, if you know something, tell me.
11:41Okay. I saw them. I saw Agustín and your sister kissing.
11:48I told them that either they told you something or I told you.
11:53So if it weren't for you, they would continue to deceive me and act behind my back.
12:00I don't know. Laura, I don't know. I think they would have told you in the end. They love you very much.
12:06Well, what a way they have to prove it to me.
12:19Laurita, you're back.
12:31What? You didn't have enough with yesterday? Today we have to go back to show you the photo.
12:38I need to see the photo to be able to buy the frame.
12:41Yes, but yesterday I already gave you the measurements when I left work.
12:44That's why Trini, with the paper of the measurements in my hand, I went to the store and you don't see how many frames I saw.
12:50I need to go back to the photo to see which one looks best.
12:53Well, if it's giving you so much trouble and so much work, you might have to think of another gift. A plant, for example.
12:59Let's see, can you turn it around?
13:01Esperanza, for God's sake, how are you going to touch it with your hands? You have them dirty.
13:05Man, what are you going to spend on touching it so much?
13:08Oh Trini, for God's sake, you're exaggerating. I just wanted to make sure that ...
13:14What? What? What did you want to make sure of?
13:17Well, I don't know, that there is something strange. Come on, even Elias has noticed.
13:22Well, of course, and he's going to trust Elias. He always sees something strange everywhere.
13:26If he's with Elias, he's a weirdo, right?
13:29Well, you'll know how much trouble you have with that photo.
13:33Come on, if you want to tell me, tell me. And if you don't, come on, tell me.
13:37Well, nothing. It's a closed case.
13:41No, it's not a closed case, Miguel. Esperanza is absolutely right.
13:45You are hiding something. And it's time for you to let it go. We are in command.
13:51Hiding what?
13:52Well, I don't know. For a wise guy like me, a lince, who notices right away,
13:57he quickly realizes that there is something strange in that photo.
13:59And not only in the photo, but at the wedding, in the prolegomena, and in everything else. Come on.
14:04Why are we talking about everything else, in general?
14:07Do you know who I spoke to yesterday? With my mother. And she says she sends you greetings.
14:11Really, Trini? But what a joy.
14:13Yes, yes, yes. She says she remembers you a lot.
14:15Oh my mother, what a thrill.
14:17Well, don't surprise me, because I'm a gentleman who leaves his mark on ladies.
14:21And especially on a lady like her, who is an extraordinary, fascinating woman.
14:25Well, and she also says she loves photographs and that she wants a copy.
14:29Well, I can't agree more with your mother, completely.
14:32Yes, well, in fact, I would also like a copy, if possible.
14:35Well, no, no, it's not possible, because we are only allowed to make a copy and it's for my mother-in-law.
14:39Understand it.
14:40Yes, yes, yes, I understand it clearly.
14:42Well, because that woman deserves a copy of whatever she wants.
14:47Well, I'm going to work, I have work to do.
14:49Come on.
14:50Trini, if you talk to Mrs. Leonora, well, to your mother, give her memories of me, but very affectionate and well felt.
14:56Yes, I will do that.
14:57Okay, thank you very much. See you later.
15:01Very good player of your mother.
15:04But if you mess up again, the only photo you're going to see is that of your tombstone.
15:14Little star, Castro has called here because he wanted to talk to you urgently.
15:18I'll call you at the store in a few hours.
15:21Thank you very much, Inés.
15:23I'm going to leave you alone.
15:24No, no, stay.
15:28Laurita, I've been nervous all night, since Celia told me you were staying at her house.
15:35And that you wanted me to sleep here, with the woman who understands, with the man I love.
15:40No, really, I don't get along with Agustín.
15:43Inés, please, don't treat me like an idiot.
15:46Agustín told me, at least be brave and accept it.
15:49Laurita.
15:50No, no, don't come closer. Please leave me alone, go.
15:55Go.
15:56Go.
16:11And I had thought of accompanying the desserts with a glass of oporto.
16:14So that it is a detail and a touch of distinction.
16:17Perfect.
16:18Yes, it is important to take care of customers and guests.
16:21In our house there will never be a lack of good wine.
16:24For special moments.
16:26Totally agree.
16:27And for my future husband to dazzle his work meetings.
16:31Future? Future husband sounds good.
16:34But I'm dying to take the future out of him.
16:45Fermín, how do you imagine our wedding will be?
16:48As you want me to imagine it.
16:50Well, I don't need big things.
16:52If it has to be simple, let it be.
16:54All I want is for us to always be together.
16:56And that modesty honors you.
16:58But what woman doesn't like wedding feasts?
17:01Well, yes, but I don't want you to spend any money either.
17:05And that honors you even more, but I'm not going to stop spending.
17:09You're going to have the wedding you deserve.
17:10Thank you, Fermín.
17:11And I don't do it just for you, I also do it for me.
17:13Believe me, you don't get married every day,
17:16and even less with a woman as intelligent, attentive and beautiful as you.
17:25Now we just need to think about the date of the wedding.
17:29I'll leave the rest in your hands.
17:32Yes?
17:36Excuse me.
17:37Come in, come in, Mrs. Bárbara.
17:39Mrs. Lázares, excuse us, we have a matter to discuss with Mr. Lleón.
17:42Of course, excuse me.
17:47Will you go, Mr. Fermín?
17:48Sit down, please.
17:57But sit down as a woman and make me company.
17:59No, Salvita, I've already told you that it gives me pleasure to sit down as if I were a lady.
18:02Besides, standing like this I also make you company.
18:05As you wish.
18:07By the way, did your father tell you anything about returning the money?
18:12Yes, that you're like a whore.
18:15No, no, no, no, no.
18:16I mean, if that's what you want, go ahead.
18:21I don't know what you want.
18:24And well, it's true that I didn't expect him to behave the way he did and accept what we have.
18:32I was also surprised.
18:35It's normal not to be conscious of someone else's.
18:38But I saw that he couldn't buy you and he gave you his third arm, because that's what he wanted, to buy you.
18:43It's true that he said you had touched his heart and that's not easy.
18:48But I don't know, it's too easy.
18:50My father is weird.
18:52What do you think?
18:55I don't know, my imagination, I guess.
18:58Well, you know what I'm telling you?
19:00That one has a lot of world and it's better not to ring the bell on the flight.
19:04What do you mean?
19:06Well, it's not necessary to make a band to tell what's ours, right?
19:10What's between us can stay between us for the moment.
19:13I think it's good, yes.
19:17I mean, you didn't get what you wanted and you're almost like at the beginning.
19:23Were you already checking, Esperanza?
19:25No, woman.
19:26I was looking for you to warn you to move your butt to win your partner.
19:32But I accidentally heard what you were saying.
19:38You should know that we're not like at the beginning, as you say.
19:42That's true.
19:43Now we're much better.
19:46Well, a little bit better.
19:48I don't see it so clearly, because instead of moving forward, it looks like you're going around in circles.
19:52But what circle?
19:54Let's see.
19:55As far as I know, you can't tell anyone that I'm your boyfriend.
19:59Doesn't that mean that Don Salvador went out with your girlfriend?
20:05You're right.
20:12I'm going to talk to my father and I'm not going to stop until he gives us his blessing.
20:25If it weren't for your fairy godmother, who am I?
20:28Come on, let's go to work.
20:38Well, and this would be the proposal that we can make to the entrepreneurs of the gallery for the acquisition of their premises.
20:44Tempting, there is no doubt.
20:47And I wouldn't like them to think that I'm pressuring them.
20:51And if you try it, it's in your right, as I am in mine, to reaffirm my position.
20:57I hope you understand my round negative.
20:59Certainly...
21:00Let me finish.
21:02If you have any questions, you'll see how I understand it perfectly.
21:08Do you want me to have the slightest interest in favoring the people who have ruined my daughter's life?
21:14Ma'am, I'm not going to consent to it.
21:16I don't need your consent at all.
21:19You are part of that plot.
21:21And if I had gallardia, I would admit it.
21:24Or did you not have dealings with Ñigo Peñalver?
21:27And did you even allow him to represent you in the negotiations?
21:30I think I can't be responsible or guilty of what happened to your daughter.
21:34I can.
21:35Of course I can.
21:37Just as I can prefer a thousand times to see this gallery turned into a solar before negotiating with you.
21:44It seems to me that you are not in a position to pretend to be the victim after being an accomplice to the deception that occurred to your daughter.
21:51Pretending your own death is of an extraordinary lowliness.
21:56And that has led you to run out of allies.
21:59If you sell the gallery to Don Fermín, Agustín and the other businessmen who are interested in the purchase,
22:06that would see it as a gesture of goodwill.
22:09No.
22:10For me it would be an humiliation.
22:13There is no way I can go through that.
22:16You see?
22:17I imagined a similar answer.
22:21You can't change.
22:22You will never do it.
22:25Goodbye, Barbara.
22:27I don't need to have allies.
22:29I have enough and I have enough to defend my own interests.
22:33Very good. Perfect.
22:36But be perfectly clear that you will not be able to sell the gallery to anyone,
22:40much less being in my tea room in the lot.
22:44And being in force, how are the rent contracts of the bookstore and the cinema?
22:49We'll see about that.
22:50And believe me if I tell you that I will not make any more attempts to convince you.
22:56It's good not to waste any more time.
22:59Because you already know my answer.
23:03Goodbye, Don Fermín.
23:10Goodbye.
23:28If you are looking for Laura, she is not here.
23:31It's just that we need to talk to her.
23:35The only thing I can do is tell her when she comes.
23:39If she comes.
23:40Because she is very affected.
23:44I'm not going to the rehearsal until I talk to Laurita.
23:47Has she stayed in La Bordilla?
23:52But you better not go, Inés.
23:54She is very low in spirits and angry.
23:56She needs to be alone.
23:58Yes, but we have to explain to her that everything that has happened has not been premeditated,
24:02that we did not want to deceive her.
24:06I was still not very right when I told Laura about the situation.
24:13But I felt very pressured.
24:15Pressured? You put the pressure on yourself when you kissed.
24:19I don't say anything for seeing them.
24:23And I'm not going to get into feelings.
24:25I know better than anyone that the heart plays tricks
24:28and makes you fall in love with the wrong person.
24:31But I also know that in these cases you have to face and assume the consequences.
24:36Yes, but now we have to find solutions, Celia.
24:39And for that we have to talk to Laurita.
24:41So please tell us how we can do it.
24:45And what am I going to know, Inés? I have no idea.
24:48But you've been with her the last few hours.
24:50That's why. That's why I can't give you any advice.
24:55Laura feels that you have done something terrible to her.
24:58And right now unforgivable.
25:02Excuse me.
25:06Tell me.
25:08Little star, what a joy.
25:11No, no, no, no, no. I understand perfectly the delay. Nothing happens.
25:18What?
25:20That you want to send me a bill here in the store?
25:23Yes.
25:29Yes.
25:30Yes, yes, yes. Send it.
25:33Thank you very much, little star. A kiss.
25:37Is something wrong, Celia?
25:44That I'm going to Germany in three days?
25:47But that's excellent news.
25:50Yes, it is.
25:52But it's not so much in these circumstances.
26:10Marta, wait.
26:12Lucia, how are you?
26:14Busy, packing all my things. You can imagine.
26:18When does she leave?
26:20Tomorrow.
26:21I'm going to Barcelona and from there I have a few more trains to catch.
26:27If what you want to know is if I'm in the mood, I'll tell you that I'll be fine in Italy.
26:32Don't forget that I have my son Giancarlo there.
26:35And a lot of life ahead.
26:37Well, I'm very glad that you are so excited, Lucia.
26:41Well, but before I leave, I wanted to tell you something.
26:45I wanted to thank you.
26:47For your understanding and for your company.
26:49For how well you behaved with me, Marta.
26:52You don't have to thank me for anything, Lucia.
26:54I only did what I thought I should do.
26:57Well, thanks to you, it can be said that Antonia and I are even friends.
27:03I will never forget that you were the first one who stopped turning his back on me.
27:11Here.
27:13What is this?
27:14A gift.
27:15A little detail that I wanted to have with you.
27:20Open it.
27:28A notebook?
27:29Yes.
27:30Well, actually, the gift is not the notebook.
27:32It is what is written inside.
27:35All the Italian recipes that I could remember.
27:39In his day, they helped me with Pietro and ...
27:42I hope they can help you now.
27:46I don't know what to tell you, Lucia.
27:49Thank you very much.
27:50I have told you many times, but ...
27:53But thank you, really.
27:54Well, well, you will thank me and give me the result.
27:58Oh, and I have something else for you.
28:00I brought it to the post office this morning.
28:02And since Antonia was not there, I took it.
28:07They are the grades for the exam.
28:09Oh, I imagined that.
28:12Don't open it, so we can celebrate.
28:16What if they are bad, Lucia?
28:18But Marta, how are they going to be bad?
28:23Do you know what I would do?
28:25I would open them with the boy from the bookstore.
28:27And so that he is the first to find out.
28:30Well, the first behind you.
28:32Always.
28:35No?
28:37Then you should break up with Vanessa.
28:40Yes, Miguel.
28:41He took it wonderfully.
28:43Soft, soft, incredible, but true.
28:45Yes, but well, your father was determined.
28:48Hey, what's so much interest?
28:50Interest? No, none.
28:52Well, the one you can have for someone you value,
28:55and he's also your boss' son.
28:59Well, yes, it's fine, yes, yes, yes, I'm interested.
29:01Because your father told me that he would ascend me
29:03because he was convinced that I had promoted your commitment to Vanessa.
29:08And little less, he told me to watch so that everything would get to a good port.
29:12In addition, he specified for the good of all.
29:15That's what my father told you?
29:17Yes, those words.
29:18And I already knew that neither good nor bad,
29:19that I was not going to get to any port,
29:20because you are for Marta and not for Vanessa.
29:23So I'm a dead man.
29:25Or, if you prefer, I am a man not ascended.
29:27Or, if you hurry me, a man fired.
29:29Well, well, well.
29:30Relax, Miguel, don't get dramatic.
29:32Look, I'm going to give you some good news.
29:34My father has accepted my relationship with Marta.
29:36Yes, yes, I already knew that this was going to end in disaster.
29:38I already knew that ...
29:40Did you tell him what you heard?
29:42That he has given us his blessing and is delighted with us.
29:45I can't believe it.
29:47Yes, yes.
29:48There is one thing left to clarify, but he has not filed a complaint.
29:52But that is excellent news.
29:54I can go back to the position of manager of the bookstores.
30:00I mean, the excellent news is that you can be with Marta
30:03and the manager thing is a possibility.
30:07What? Maybe?
30:08If you want to know more about that matter, you will have to talk to my father.
30:11Yes.
30:12By the way, he's coming this way.
30:16How are you, Salvita? Everything in order?
30:18Yes, father.
30:19Have you had a snack?
30:20If not, don't leave it for later.
30:22Eating properly is essential for a good health.
30:26That, that.
30:27Ah, hello Miguel.
30:28Good afternoon, Don Salvador.
30:30Father, I would like to have a moment to chat alone.
30:33It's about the relationship with Marta.
30:35Perfect, perfect.
30:37You first snack and then later we will look for a place to chat.
30:42Goodbye.
30:44Goodbye, Salvita.
30:52I, Don Salvador, would also like to talk to you.
30:56Now that your son's life is on track for your satisfaction,
30:59shouldn't we talk about that promotion he proposed to me at the time?
31:08Excuse me, I'm going to have a snack too.
31:13Bye.
31:24Come in, it's open.
31:30Antonio, is Clarita here?
31:32No.
31:33And she's not in the corral either?
31:35No, I don't think so. What's going on?
31:37Well, I can't find her, Antonio.
31:39I went to look for her at school and they told me they haven't seen her all day.
31:42And I took her this morning.
31:43Well, maybe she's at her friend Susana's house.
31:46No, neither.
31:47Because I found her when I left school and she told me she hadn't seen her either.
31:50And then I thought maybe she was with her friend Lara.
31:53And neither.
31:54No. And besides, no one at school knows who she is.
31:56Neither her teachers, nor her friends, nor anyone.
31:59Antonio, has something happened to her?
32:01No, no, no. No, wait.
32:05I'm sure nothing has happened to her.
32:07Calm down.
32:09And maybe she's at that Lara's house. Do you know where she lives?
32:12No.
32:13Neither me, nor anyone.
32:14There's no way to find her.
32:16And that's why I thought maybe she was here with Marta.
32:18No, no. Marta is working at La Moderna and she left this morning.
32:20And since then she hasn't come back.
32:22But wait, how come she hasn't gone to school all day?
32:28Well, because she presented some justifications supposedly signed by me.
32:31And I haven't signed anything.
32:33And neither has she, because this isn't her handwriting.
32:35Look.
32:37But there's more.
32:38What?
32:39It's not the first time she's done it.
32:41She's done it on other occasions, Antonia.
32:44Please, Antonia.
32:46I'm asking you, please, to help me.
32:48I don't know where she could be.
32:49I don't know, darling. I don't know her habits.
32:51I don't know.
32:52Really, where could my sister be?
32:54Why don't you call your brothers?
32:56Maybe they know a place you don't.
32:58Yes, or maybe, I don't know, she's somewhere where she hid.
33:01Here in La Corrala. I don't know.
33:02Of course.
33:03Yes, we should ask.
33:05Okay.
33:06I'll call my brothers and then I'll go out to look for her.
33:08Antonia, please, ask in La Corrala if anyone knows that Lara,
33:11or if she's seen my sister with a girl these days.
33:14Yes, yes. Be careful.
33:15Don't worry.
33:16Keep calm, I'm sure she'll be fine.
33:22This girl...
33:30You know, if my mother were with us,
33:33I'd ask her to take me to the river,
33:36to see the sunrise, like we did so many times.
33:41And you, what would you ask her?
33:45That we go together to the park in Los Pinos.
33:52That we play tag.
33:55That she would sleep with me and stay until I fell asleep.
34:00And that she would make croquettes for dinner.
34:13Hey, do you think I can make croquettes in heaven?
34:18Of course.
34:20You can do anything in heaven.
34:23And you'll be as happy as before.
34:26You were happy too?
34:28Yes.
34:29But now I'm going to be even happier.
34:32Because I'm going to meet my mother.
34:35Like you.
34:37I have to go.
34:40Why?
34:42Because it's getting late.
34:44I haven't told my sister that I was going to sleep outside.
34:48But, Clarita, if you go home,
34:50maybe Matilde won't let you come back here.
34:53Matilde won't let you come back here.
34:55And then you won't be able to meet your mother.
34:59I have everything ready for us to spend the night.
35:05Do whatever you want.
35:09If you prefer school and your lie life,
35:11meeting your mother in paradise,
35:13and being happy forever,
35:15it's up to you.
35:17I'm going to stay here.
35:20And if necessary, I'll travel alone.
35:25No.
35:27I'm staying with you.
35:38I'm glad you're doing well in Seville, Jacobo.
35:42Yes.
35:43Sorry, but I have to go. We'll talk later.
35:46Bye.
35:49Lidia.
35:51I was waiting for you.
35:53Any news?
35:54A lot.
35:56And they all say that the suffragette event will be a success.
36:00The first one is that apart from Clara Campoamor and Victoria Ken,
36:03she's also going to participate with Chamedez.
36:07That's good news.
36:08And not just her.
36:09Other members of the Lyceum Club and women defenders of universal suffrage
36:12have also confirmed their attendance.
36:15But there's more.
36:16More?
36:17Some media want to cover the event.
36:20But this is going to be a big event.
36:22The problem is that I won't be able to contact the missing people.
36:26That's why I've made two lists.
36:30One with illustrious women who haven't yet confirmed their attendance,
36:34and the other with newspapers that either haven't given me an answer
36:38or I haven't been able to talk to them yet.
36:41Wait, wait.
36:42What do you mean you won't be able to take care of all this?
36:46I spoke to Estrellita Castro today,
36:48and I'm going to Germany in three days.
36:52Wow.
36:53Yeah.
36:55Congratulations.
36:57I still have a lot of things to prepare for the trip,
37:00but I'll go to this afternoon's event.
37:02I'm twice as happy.
37:03And I'd like to congratulate you.
37:04Besides, you're going to go through the big door,
37:06with the organizer of events here at Madrid Cabaret.
37:12Do you want to tell me something?
37:18No.
37:21It's just that even though I haven't been here for a long time,
37:24I've made great friends, like you.
37:29And I'm sorry to leave the people I feel so much love for.
37:35I understand.
37:36But Celia thinks that her future is at stake.
37:41And maybe at some point in that future,
37:44she'll be able to meet those people she loves so much again.
37:54It's the end, Trini.
37:56The end.
37:58Come on, don't be so dramatic.
38:00It's not the end, man.
38:01It's not the end.
38:02Besides, as long as there's life,
38:04It's not the end.
38:05Besides, as long as there's life.
38:06There's no life.
38:08You haven't seen how Don Salvador looked at me.
38:10He pierced me with his gaze.
38:13The thing is,
38:14I had the feeling that he was for the work of Salvita and Marta,
38:18and I've allowed myself to put in some merits,
38:20and I've put my foot in the grave.
38:22Well, son, don't go around giving him so many turns.
38:24That's it.
38:25Besides, he still hasn't told you no.
38:27No, but he will.
38:28And worse.
38:29Because I've seen the word farewell tattooed on his forehead.
38:31It's just that I understand it less and less.
38:33I don't know what's in Don Salvador's head.
38:35It's getting more and more unpredictable.
38:37I look at it.
38:39Is something wrong with you?
38:40Well, yes, it is.
38:41Of course it is.
38:42It's just that I'm in pain.
38:43And why don't you stop giving me a hard time?
38:45All the time.
38:46All the time.
38:47And I can't take it anymore.
38:48Do you understand?
38:49You just don't listen to me, son.
38:51Woman, don't say that.
38:52Don't say that.
38:53No, I'm telling you.
38:54I'm telling you.
38:55Because this gut doesn't stop growing.
38:57And on top of that, my ankles are going to burst one of these days.
39:00And I have to act as if nothing happened.
39:04I understand you perfectly.
39:06What are you going to understand?
39:07What are you going to understand me, man?
39:08You would understand me if you had this gut or these ankles.
39:11And why don't you have them?
39:12Why not?
39:13Why not?
39:14Well, then you don't understand me.
39:15But don't worry.
39:16Don't worry because we're going to put a remedy to all this.
39:20What remedy?
39:22Well, yes.
39:23I think it's time to tell them that I might be pregnant.
39:26And after a few days, we'll tell them that I'm actually pregnant.
39:29And that's it.
39:30No more lies.
39:32And no more hiding.
39:35Well, you're right, my love.
39:37We're going to make everyone find out.
39:38But we're going to do it in the fastest and most effective way.
39:43Elias.
39:45Good idea.
39:52Once I read in a book that was up here.
39:55Don't talk.
39:56Sorry?
39:57Execute.
39:59Mrs. Lázara.
40:00How do I tell you?
40:02But how did this woman find out if we haven't told anyone?
40:05Well, I don't know.
40:07But Elias already knows.
40:08And he has escaped, because the manager has told him.
40:12Well, that's because he has seen us talking and he has drawn his own conclusions.
40:15Yeah, but we talk to everyone.
40:18Yeah, well, maybe we've lowered the guard.
40:21And he has seen too much complicity.
40:23We have to be more competent, Cañete.
40:26Competent?
40:27Yes.
40:28Competent.
40:30Every time I look at you, I feel like kissing you.
40:35Well, that's exactly what we don't have to do.
40:40Excuse me.
40:41I didn't want to bother you.
40:43I just wanted to know if everything is ready for the meeting of writers tomorrow.
40:49Yes, everything is ready.
40:50Don't worry.
40:51Very well.
40:52I didn't expect less.
40:53I'll let you continue with your thing.
40:56Our thing.
40:58Yes, of course.
41:00With the work.
41:01Right?
41:04Of course.
41:05The work.
41:06That's what we were doing.
41:07Putting an issue in common.
41:08Very well.
41:09That's how I like it.
41:10That there is communication between those responsible for La Moderna.
41:16To work.
41:20You have to see the cold blood this woman has.
41:23But you've seen what she's done with her little finger.
41:25Yes, yes.
41:26Surrounding herself with all the cynicism in the world.
41:28Well, look, I'm a little jealous.
41:30I wish I had half the cynicism she has.
41:32So even if she marries Don Fermin, I would go to the salon.
41:36But I can't, Cañete.
41:37I can't.
41:38Desulfura, woman.
41:40What you have to do is forget everything that has happened.
41:43I see.
41:44But it's not that easy either.
41:47Yes, I have the feeling that if I don't warn Don Fermin one last time, I'm going to regret it.
41:52Teresa, you already know that you can count on me for whatever you need.
41:57But you should put your feet on the ground.
41:59Yes, but Don Fermin is going to make a huge mistake.
42:01Teresa, Don Fermin is already old enough to own his actions.
42:05Besides, what have you achieved so far?
42:07Any confrontation with Don Fermin?
42:09Many headbutts?
42:11Encounters with the vampire?
42:13And all for what?
42:16That woman is a demon.
42:17Yes.
42:18And she has resources for everything.
42:19And it's not that she only saves the skin, always.
42:22It is that as you continue to be enemies with her, she is capable of not stopping until you sink.
42:27And hey, we all feel affection for Don Fermin.
42:30But we cannot be responsible for his decisions.
42:34He will know what he is doing.
42:50Do you know anything about Clarita?
42:51Nothing. It's as if she had swallowed the earth.
42:53Hasn't she come for the corral?
42:54No, Lucia has said no.
42:56She has gone to look for her through the dumpster.
42:58And Antonia?
42:59Antonia is asking all the stores in the neighborhood, but nobody knows anything.
43:03No, not for the stores, not for the corral.
43:05Because I have already asked everyone and nobody knows anything.
43:08And Lara, her friend, neither.
43:11Nobody knows who that Lara is.
43:13They haven't even heard of her, which is very strange.
43:16And Matilde? Has she found out anything?
43:18Matilde has gone to Madrid, Cabaret.
43:20To talk to Íñigo and warn him.
43:22And to ask for his help.
43:23Hello.
43:24Hello.
43:25What are you talking about?
43:29Well, since I haven't said anything,
43:31I wanted to tell you that my father has told me that he is willing to talk long and tender about ours.
43:36That's good.
43:38And also to ask you about the grade of your exam.
43:40Have you received it?
43:41Yes, I have received it, but I haven't looked at it yet.
43:44And that?
43:46Well, look, Salvita.
43:47First, because I don't dare.
43:48And second, because I don't have time for that now.
43:51If it's because you've suspended me, you can tell me anyway.
43:53No, that's not it.
43:54But I don't have time, I'm telling you.
43:56Salvita, please.
43:57If you haven't come to help us, please, don't be so stubborn.
44:01Help what?
44:03I mean, something serious has happened, but ...
44:06Clarita, Matilde's sister, has disappeared and we can't find her.
44:09I didn't know anything.
44:11But I'm at your disposal to help you in whatever is needed.
44:14We have to split up the neighborhoods of the city.
44:17Let's go.
44:27Laurita.
44:29Laurita, we want to talk to you.
44:30We need to talk to you.
44:31Yeah, but I don't want to listen to you.
44:34What are you going to tell me?
44:35What I already know, that you have been laughing and lying to me for a long time.
44:38Look, I don't want explanations, so either you leave or I leave.
44:41And I don't care if I leave like this.
44:42Laurita, please.
44:43We want to ask you, beg you, if necessary, to forgive us.
44:45I beg you, please.
44:46It all happened unexpectedly.
44:48Can you forgive us?
44:49No.
44:50What you have done to me, I will never be able to forgive.
44:53How have you been so stupid?
44:55You have been the most stupid in the world.
44:56I didn't realize when I prepared dinner for you and you were so strange.
45:00Or when I talked to you about Agustín and you were so weird.
45:02Or even when I went to see you rehearse.
45:04How could I not see it?
45:06Besides, it's been going on for a long time.
45:08No, but if you have noticed something strange between us, it is because we were fighting against what was happening to us.
45:13We felt very bad.
45:14Don't be a hypocrite.
45:15You've been playing me.
45:16But do you really think I'm enjoying all this?
45:19Well, yes.
45:20The truth is that I think so.
45:22I'm going.
45:28What's going on here, nieces?
45:31Your voices can be heard from the attic.
45:33What's going on?
45:34Dude, what are you doing here?
45:35Well, I've come to see how you are.
45:37Celia told me this morning that you were upset.
45:40Yes, I'm upset.
45:42Well, not anymore.
45:43It seems to be.
45:44At least from the voice.
45:51Someone is going to explain to me what's going on here.
46:00I really appreciate the deference that your publication brings a photographer.
46:04No, no.
46:05Your wife is not invited.
46:06She is very invited.
46:09Yes, it will be over tomorrow.
46:11Sorry, I have to go.
46:12I have an emergency.
46:13Goodbye.
46:14Goodbye.
46:16Raquel, what's going on?
46:19It's Clarita.
46:20She's not here.
46:22What do you mean she's not here?
46:23We've been looking for her everywhere.
46:25And today there is no trace of her.
46:27And we don't know where else to look.
46:29Well, honey, calm down.
46:30Maybe she's with her friend Lara and that's why she's being delayed.
46:33Well, I want to think about that, but I don't know where Lara lives.
46:35And nobody can give me her address or her signs because nobody knows anything about her or her family.
46:42Indigo, I have a bad feeling.
46:47Clarita gave these justifiers at school.
46:50Signed with my name.
46:52And I haven't signed anything.
46:56What?
46:58No.
47:04The Holy Virgin.
47:07It can't be.
47:08What? What can't it be?
47:12You've seen this letter a thousand times, Matilde.
47:17It's Carlo's letter.
47:29That woman is neither a lady nor is she in her right mind.
47:31The only thing she is, is a criminal who wants to ruin Indigo and Matilde's life.
47:35And I hope she fails this time.
47:44Do you really intend to find my daughter among these four walls?
47:47What my agents expect to find is some proof that tells us where Carla is hiding.
47:52You have to find something, Inspector.
47:54Whatever it is.
47:55My sister's life is at stake.
47:58My father has appointed me today at the last hour of the morning in the living room.
48:00And what good news does that have?
48:02Well, it's to close the last gaps in our relationship.
48:06I see.
48:07What if I'm not capable?
48:09Of course you're capable.
48:10You stabbed yourself with the needle and that's only done by girls who are very, very brave.
48:14Lara, this is very different.
48:16It's much simpler.
48:17I have to keep seeing them and I want to fulfill my dream.
48:20Has your dream really come true?
48:23Has your dream really come true to betray your sister in the worst possible way?
48:27Fermin, it is not necessary to make blood.
48:30No, it's not making blood, Lara.
48:31No one in their right mind would forgive a stab like this.
48:35No one.
48:36I have a very strong need to be a mother.
48:38I've told you a lot of times.
48:40You are more reposed, more filled.
48:43Yes?
48:44Well, because happiness swells.
48:45Swells.
48:51Estrellita Castro called you today.
48:54I have accepted the offer.
48:56Congratulations, Celia.
48:58I'm sure you're doing very well and you're becoming a renowned artist.
49:02They have to keep calm.
49:04Any false step can be fatal for your sister.
49:06The situation is already fatal, Inspector.
49:09We have no news of Clarita.
49:11It seems that the saint has gone to heaven, Teresa.
49:16Wait, Mr. Fermin.
49:18I know we've already talked about this, but I need to do it one last time.
49:21I have a series of recommendations for you, Salvita.
49:24Of course, you may not follow them,
49:26but when I expose them to you,
49:28you will realize that it is the best for your happiness and for your future.
49:32Well, woman, it will not be the first time that Mr. Fermin faces you.
49:36Yes, but his future wife has taken the measure well.
49:39I think it takes a lot of vampires to finish what we started.
49:42I have the feeling that this is going to end badly.
49:44You still have a lot to do, right?
49:47No, Miguel, no.
49:49You and I have already talked about it.
49:51I'm fed up with lies.
49:53I can't take it anymore.
49:55Tomorrow I'm going to talk to Teresa and tell her that I'm pregnant.
49:58We have to clear things up, sister.
50:00For everyone's sake.
50:02If you had thought for everyone's sake,
50:04we wouldn't be in this situation.
50:06But don't worry.
50:08If you had thought for everyone's sake, we wouldn't be in this situation.
50:11But don't worry.
50:13I have thought of a solution to end all this.
50:20Our mothers are very proud of our bravery.
50:23Are you ready?
50:28Clarita, please come here.