FILM Refuge of Fear (ENG 1974)
Category
🎥
Short filmTranscript
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00:02:30Very good.
00:02:32♪
00:02:42Have you looked at the thermometer?
00:02:44It's going up two degrees since yesterday.
00:02:47In a while I'll take a look at the air conditioner.
00:02:50♪
00:03:01Anyway, I think I've got more than enough points.
00:03:05That's 17, isn't it?
00:03:07♪
00:03:16Well, this doesn't interest me anymore.
00:03:18You're already beaten.
00:03:19You're quitting now?
00:03:21You were just about to win.
00:03:22You can't catch me now.
00:03:23I wouldn't count chickens before they're hatched.
00:03:26One.
00:03:28Always the optimist.
00:03:31Two.
00:03:34Keep count.
00:03:36I'll do it faster than you.
00:03:38Keep track of me.
00:03:41I'll give margin.
00:03:43Three.
00:03:45I'm hungry.
00:03:49Four.
00:03:55I think I'll surprise you with something new today.
00:03:58Good idea.
00:04:02Five.
00:04:04Hey, why don't you stop now?
00:04:07That way you'll be able to keep on thinking that you could have won.
00:04:12I like everything very clear.
00:04:15You win...
00:04:17or you lose.
00:04:22Six.
00:04:29You can put that away.
00:04:31We don't need it.
00:04:48I'm going to see what she's up to.
00:04:58Six.
00:05:28Seven.
00:05:46Is she still asleep?
00:05:48I don't know.
00:05:50I think she ought to eat something.
00:05:52Let her sleep.
00:05:54It's better for her.
00:05:58Not again. I told Chris to stop fooling around.
00:06:01But I can see it's useless to say anything.
00:06:04It's time for the connection with Peter.
00:06:06Those sounds are driving me crazy.
00:06:22Come in, double Omicron.
00:06:24Double Omicron, come in.
00:06:26T.K. Rodano is listening.
00:06:28Do you hear me?
00:06:30T.K. Rodano is listening.
00:06:32Come in, double Omicron.
00:06:34Over.
00:06:41Double Omicron, come in.
00:06:57Chris, turn the volume down.
00:06:59Those noises are bothering everybody in the house.
00:07:02The time is past when Peter's not sending.
00:07:04Unless those sounds I'm recording mean something.
00:07:08There's something wrong with your radio.
00:07:11Here.
00:07:12And don't forget your vitamins.
00:07:14Okay, right away.
00:07:15Thanks, Mom.
00:07:18Double Omicron.
00:07:19Double Omicron, come in.
00:07:21T.K. Rodano is listening.
00:07:23T.K. Rodano is listening.
00:07:25Come in.
00:07:26Come in.
00:07:30Curious.
00:07:31I began to play in the academy.
00:07:33And I wasn't that bad.
00:07:35And then they sent me to Alaska.
00:07:37Pass me the ketchup, would you?
00:07:39I don't like ketchup.
00:07:41I don't like ketchup.
00:07:43I don't like ketchup.
00:07:45Pass me the ketchup, would you?
00:07:47I was three years without seeing a bigger table.
00:07:50And when I got back, I discovered that I was as good as ever.
00:07:54Playing well is a mental problem.
00:07:56A matter of mental stability.
00:07:59This is what you hit the ball with.
00:08:02You know, the game today made me think that
00:08:06I can adapt better to this situation than I thought I could.
00:08:10Yes.
00:08:11Like Sheridan.
00:08:15Why did you say that?
00:08:17Because he, too, seemed to be perfectly adapted.
00:08:21I've been going through his papers.
00:08:24There are some notes which reflect the progression of his...
00:08:28The game isn't over.
00:08:30Whenever you're ready, we'll finish it.
00:08:33Chris hasn't been able to get through to Peter.
00:08:36It's unimportant.
00:08:38He just tells us what he's told us every day.
00:08:40It's just that he's late.
00:08:42That's all.
00:08:43We'll hear from him any minute now.
00:08:48Would you give me something for Carol's fever?
00:08:51It must be.
00:08:53From what they told me, it's always difficult.
00:08:56No, no, no, I don't think it could be that.
00:09:14Here.
00:09:16Give her one of these. It'll be good for her.
00:09:25I've used all my sleeping pills.
00:09:28And it's getting harder for me to get to sleep.
00:09:31You know it's not good to mix them with stimulants.
00:09:36Go on, then. Take all of them.
00:09:39And poison yourself if you feel like it.
00:09:42Poison yourself if you feel like it.
00:10:04Pussy.
00:10:06Pussy?
00:10:09Where could he be?
00:10:12I don't know.
00:10:36All right, out you go.
00:10:39Carol, here.
00:10:41You have to take this.
00:10:42I don't want to take anything.
00:10:44I don't need it.
00:10:45It'll bring your fever down.
00:10:47I just don't want it.
00:10:50Whatever you want.
00:11:41Bob.
00:11:49Bob.
00:11:51What time was that?
00:11:53What difference does it make?
00:11:55We're not going anyplace today.
00:12:00Margie.
00:12:02Why don't you come to bed now?
00:12:06Robert.
00:12:11I haven't been in church for years.
00:12:14But we should have done something for him.
00:12:18A prayer.
00:12:20He really did believe.
00:12:22He did?
00:12:25Come on. We'll talk about it tomorrow.
00:12:28It concerns everybody.
00:12:35Come on.
00:13:05Come on.
00:13:35Carol.
00:13:56Carol.
00:13:59You want something?
00:14:05No.
00:14:13Give me a sip.
00:14:15Come on.
00:14:33I was thirsty.
00:14:37How do you feel?
00:14:40I don't know.
00:14:42Sleeping makes the time pass quicker.
00:14:44But I'm tired of staying in bed.
00:14:47Arthur took his sleeping pills and is sleeping like a log.
00:15:01I feel as though I was sleeping with a corpse.
00:15:04I can't stand it.
00:15:07And suppose we were all corpses?
00:15:10Have you stopped to think we all might be dead?
00:15:12The things you think of.
00:15:15They're not my ideas.
00:15:18They're Sheridan's.
00:15:21And he was right.
00:15:24Why should we be alive?
00:15:26Shut up. Are you trying to frighten me?
00:15:29We're young and we're alive.
00:15:32Really?
00:15:39And the others?
00:15:41I suppose they're sleeping.
00:15:45Sleeping? Or in bed?
00:15:47It's not the same thing, is it, Chris?
00:15:50I...
00:15:52I know it's not the same thing.
00:15:57What are you reading?
00:16:00I was looking through these drawings.
00:16:02They're interesting.
00:16:05I'd like to have lived then.
00:16:08Me too.
00:16:10It must have been exciting.
00:16:12But a little uncomfortable, don't you think?
00:16:15Maybe.
00:16:30And what period is this from?
00:16:33Well, I swear I didn't put it there.
00:16:36It's just natural, Chris.
00:16:40Did you ever think that a naked woman looks good in any time?
00:16:46Look.
00:16:47Close your eyes and imagine me here.
00:16:52Naked.
00:17:00Close your eyes, Chris.
00:17:11Look at the drawing, Chris.
00:17:14And close your eyes.
00:17:16Close them.
00:17:41Close your eyes.
00:17:59I don't know what's wrong with him.
00:18:01He's acting very strange.
00:18:03Stop worrying about him so much.
00:18:05Look, Robert.
00:18:07He's hurt himself.
00:18:08There's blood on his paw.
00:18:10My poor baby.
00:18:12Let's see.
00:18:15I don't see anything.
00:18:17What is it?
00:18:19Maybe it's not blood.
00:18:38Look.
00:18:51What you need is a psychiatrist, my dear.
00:18:55She's bored.
00:18:57And don't even think about smoking.
00:19:02Here.
00:19:03It'll help you not smoke.
00:19:06You're going to ruin your stomach with all that junk.
00:19:08It's only chewing gum.
00:19:13Can I put a film on?
00:19:15Put a film on?
00:19:16Why do you want to bother everyone right now?
00:19:18To amuse myself.
00:19:20Amuse yourself.
00:19:21We're all bored.
00:19:24And why can't you leave those balls alone?
00:19:26You've been annoying everybody with them for hours.
00:19:29Let her put it on.
00:19:31But with the sound turned down.
00:19:37I made contact.
00:19:39I just now found them.
00:19:41Hiradano.
00:19:42Attention.
00:19:43TK Hiradano.
00:19:44Come in.
00:19:45Come in with emergency modulated sound if you are having trouble with the set.
00:19:49Come in.
00:19:50Over.
00:19:51We hear you perfectly now, TK.
00:19:53TK.
00:19:54TK.
00:19:55TK.
00:19:56TK.
00:19:57TK.
00:19:58TK.
00:19:59TK.
00:20:00TK.
00:20:01TK.
00:20:02TK.
00:20:03TK.
00:20:04We hear you perfectly now.
00:20:06TK Hiradano listening.
00:20:07We hear you perfectly now.
00:20:09Peter, we're fine.
00:20:10How are things with you?
00:20:11Tell us what's happening.
00:20:12Hiradano, over.
00:20:14We're fine.
00:20:15There's nothing new.
00:20:17We're glad to hear you again.
00:20:18We've had tuning problems.
00:20:20Over.
00:20:22What do you know about STOT?
00:20:23Section 102.
00:20:24Over.
00:20:25We've lost touch completely.
00:20:27There must be some sort of radio electric disturbance.
00:20:30The last we heard was about the death of old Charles.
00:20:34Pete!
00:20:35Peter!
00:20:36Answer me!
00:20:37Over.
00:20:40Chris, what are those noises that sound like screams?
00:20:43What's happening to you?
00:20:44Over.
00:20:45They're not ours.
00:20:46There must be some kind of interference.
00:20:49I've been hearing those noises for days.
00:20:52Maybe they're coming from the official transmitter.
00:20:54We haven't picked them up in days.
00:20:56We miss their musical programs.
00:20:58You don't happen to have any good classics there, do you?
00:21:01Okay.
00:21:02A few minutes of Brahms, then we'll sign off.
00:21:10Now I know the depths of our cowardice.
00:21:13We have resisted his plans.
00:21:15Ashes for a new beginning.
00:21:33How was that?
00:21:35So long, and be patient.
00:21:37Sure.
00:21:38Be patient.
00:21:40There's your wave transmitters.
00:22:03There's nothing strange about that.
00:22:11Well, we'll have to keep on waiting, right?
00:22:15Do you really think it's worth the trouble?
00:22:30Well, shall we have an explosion?
00:22:34I think you know what you're doing.
00:22:37You have more confidence in me than you had in Sheridan.
00:22:40And that's not right.
00:22:43With him, it was a matter of divine will.
00:22:47You want to live as much as we do?
00:22:50Mm-hmm.
00:22:51Do I?
00:22:54As far as I'm concerned.
00:22:56Don't be too sure.
00:22:58Well, doesn't anybody have anything to do?
00:23:02You, Carol, weren't you going to put a film on?
00:23:05I have a headache.
00:23:06I'm going to my room.
00:23:07No smoking, huh?
00:23:08All right.
00:23:31Bob.
00:23:32Bob, come on to bed.
00:23:36Go on.
00:23:37Get out of here.
00:23:58Bob.
00:24:02Bob.
00:24:04Bob, what's going to happen?
00:24:09Nothing.
00:24:13Nothing's going to happen.
00:24:18Everything's going to be all right.
00:24:22These were taken at Newport, where we were lucky to get an invitation.
00:24:29Marge, didn't your first husband's hand shake when he took that picture?
00:24:32No, he preferred to stay on land and work on a divorce.
00:24:37Hey, that was good, Marge.
00:24:39Tell me what's funny.
00:24:40Don't be that way, Chris.
00:24:51The whole gang, except Chris.
00:24:54Hey, what's that doing there?
00:24:56That's not part of the collection.
00:25:03And now, ladies and gentlemen, we're going to show you a shot of Marge in the nude.
00:25:09Hey.
00:25:11Oh, beautiful.
00:25:13That's what I call a dirty shot.
00:25:16Show's finished, folks.
00:25:18And the whiskey's terminated.
00:25:20Ah, the other one.
00:25:22That's what I call a dirty drink.
00:25:40Show's finished, folks.
00:25:43And the whiskey's terminated now.
00:25:46But the party goes on.
00:25:48Come on, Carol. Give us a demonstration.
00:25:50Hey, great idea!
00:25:53What are you waiting for? Come on!
00:25:54Carol, come on!
00:26:02That's a girl.
00:26:06Very good, Art. Your wife is surprising.
00:26:48Take it on!
00:27:15Yeah, take it on!
00:27:17Take it on!
00:27:48Take it on!
00:28:14Where's Chris?
00:28:15Here.
00:28:16Do you suppose I frightened him?
00:28:19All right, Carol. That's enough.
00:28:21Oh, come on, Arthur. Leave her alone. She's just beginning.
00:28:24Yeah, go on, Carol.
00:28:27Where's Chris?
00:28:28I'll leave him alone. He's still wet behind the ears.
00:28:31Come on, Chris. Have some fun.
00:28:33Take it on!
00:28:36Take it on!
00:28:38Take it on!
00:28:40Come on, honey.
00:28:46Take it off! Come on! Take it off!
00:28:51Come on!
00:28:53Take it off!
00:28:55No, no, no!
00:28:58Take it off!
00:29:00No, no, no!
00:29:02Take it off!
00:29:06I guess it's my turn now.
00:29:11Wow! Wow! Look at that!
00:29:16Oh, my God!
00:29:19Hey, Carol!
00:29:22No!
00:29:45Keep still. If you knew how to drink, we wouldn't have to go through all this.
00:29:50What's wrong, Mom?
00:29:52Nothing. Go to bed.
00:29:54Chris, do as you're told. Go to bed.
00:30:19Well?
00:30:35Well?
00:30:39Was that Marge screaming?
00:30:41She was upset.
00:30:44Maybe she had a nightmare.
00:30:47She's more hysterical than she thinks.
00:30:49Don't talk so loud.
00:30:53Don't worry about him. He won't wake up.
00:30:56You could run a steamroller over him.
00:31:06What do you want?
00:31:11I'm afraid I went too far this afternoon.
00:31:14You all seem to be enjoying yourselves.
00:31:17Everybody but you.
00:31:19I need a distraction.
00:31:21I'm afraid I'll start screaming any minute now.
00:31:24I'm not like your mother.
00:31:26I don't have to hide. I'm terrified.
00:31:31Come to my room.
00:31:33No, Chris. Please, leave.
00:31:44Here.
00:31:54Here.
00:31:56You need a shave.
00:31:58I'm not up to anything.
00:32:00I feel terrible.
00:32:03You ask him for me.
00:32:05He'll give him to you right away.
00:32:07He's your friend.
00:32:09Do it yourself.
00:32:11Or are you afraid of him?
00:32:13Sure.
00:32:15He's a real man.
00:32:17And look at you.
00:32:19Whimpering like a baby for a few...
00:32:21Why don't you shut up? I've had enough of you.
00:32:23I'm tired of you putting me down.
00:32:25Making me look like a piece of shit.
00:32:27Like you did yesterday, dancing for Chris and for Robert.
00:32:30And why should that upset you?
00:32:33There are a lot of things that haven't bothered you for a long time now.
00:32:36Everything's a game to you, Carol.
00:32:38Marge is upset by your insinuations.
00:32:40It's a difficult situation.
00:32:42They make problems with their guests.
00:32:44Is that all that worries you?
00:32:49Don't use too much water.
00:32:51The filter's almost saturated. We don't have any more.
00:33:02Hey, the water's gone. Turn off the tap.
00:33:12Carol, you know you're supposed to take only one shower a week.
00:33:15Don't you?
00:33:17If you call this a shower.
00:33:21It was fun yesterday.
00:33:23We had a good time.
00:33:26It's too bad Marge drank too much.
00:33:30Chris?
00:33:33Try this sweater on.
00:33:36What am I wrong with another sweater?
00:33:38It's hardly cold in here.
00:33:40What's the matter?
00:33:43I almost prefer you when you're drinking.
00:33:49I'm sorry, Mom.
00:33:51I shouldn't have said that.
00:34:01Attention, attention.
00:34:03We interrupt this program to bring you a bulletin from the coordinating center.
00:34:07Attention.
00:34:08The coordinating center, faced with the possibility that the present difficult situation will continue,
00:34:13finds it necessary to announce a series of obligatory regulations
00:34:16to achieve maximum economies in the consumption of food, fuel, and oxygen.
00:34:22The self-chiefs, or those persons of the civil defense to whom command has fallen,
00:34:27shall not hesitate in using arms for the strict discipline of the following regulations.
00:34:33One.
00:34:34We're not going to get out of here.
00:34:36We're trapped.
00:34:44It's not over.
00:34:47Why go on with this, Marge?
00:34:51Marge.
00:34:54It's over.
00:34:57Marge.
00:34:58Marge.
00:35:03We should have let Jared finish us off.
00:35:07It would have been better.
00:35:10We repeat.
00:35:11The self-chiefs, or those persons of the civil defense to whom command has fallen,
00:35:15shall not hesitate in using arms for the strict discipline of the following regulations.
00:35:22The outside radioactivity is not dropping,
00:35:25at least not as rapidly as we expected.
00:35:28Now, as self-chief,
00:35:30I have to be prepared to see that the orders from civil defense are carried out.
00:35:34What's left of civil defense?
00:35:37Beginning with today's meal,
00:35:39all consumption will be cut in half.
00:35:44Give me as much as usual.
00:35:46I prefer to eat a meal every other day.
00:35:49We'll do just like the rest of us.
00:35:51Can I not eat if I don't want to?
00:35:55Do as you want.
00:36:01You're kidding.
00:36:05It's my food.
00:36:06It belongs to all of us.
00:36:21Carol, you have to eat.
00:36:52We have to get used to the idea that this is just the beginning.
00:36:56The problems will really begin when we're able to go outside.
00:37:00We'd be better off if those damn fools in civil defense would tell us who won.
00:37:05I'm beginning to suspect the worst.
00:37:08Now, if the enemy has won,
00:37:10we must be prepared to organize our resistance outside.
00:37:13Now, I have papers showing the secret location.
00:37:17I have stores of weapons put there for that possibility.
00:37:26Perhaps the others weren't as well prepared.
00:37:29And everyone's dead.
00:37:32Many may be left alive and hiding in the shelters, waiting like us.
00:37:35We have to be prepared for this to take the initiative in the attack.
00:37:40We could think about getting scattered groups together, regrouping.
00:37:47Chris, put out that lamp.
00:37:49If you want light, come to the table.
00:38:16Oh.
00:38:18Oh.
00:38:35It can't be Arthur. Robert gave him some more sleeping pills.
00:38:47Where did Sheridan sleep? In this bunk?
00:38:50Yes.
00:38:52The upper one was mine.
00:38:55Why do you want to know that now?
00:38:57I don't know.
00:38:59Sometimes I think about him.
00:39:02Those shrieks you get from the radio.
00:39:04Like a song.
00:39:06I don't know.
00:39:08Sometimes I think about him.
00:39:11Those shrieks you get from the radio.
00:39:13Like a song.
00:39:14Sometimes I think about him.
00:39:18He was very strange.
00:39:20What a great guy.
00:39:22He couldn't even pretend to hurt a child.
00:39:26I don't understand what happened.
00:39:30He seemed to like us all a lot.
00:39:33How did you become friends with him?
00:39:36He used to visit us a lot.
00:39:39When my mother married again, he still...
00:39:42When my mother married again, he still came to see us.
00:39:46But he only talked to me about religious things.
00:39:49Sometimes.
00:39:52He accepted my parents for what they were.
00:39:55Robert said Sheridan kept on coming.
00:39:58Because he was in love with Margie.
00:40:02I never noticed anything strange about him.
00:40:04But then, of course, I was just a kid.
00:40:07But Robert liked him just like my real father did.
00:40:11Robert.
00:40:19What's that?
00:40:22That's what I'm trying to find out.
00:40:25Someone is trying to communicate with us.
00:40:29But don't worry.
00:40:31I don't think it could be Sheridan.
00:40:36I think...
00:40:37They're from some distant galaxy.
00:40:39They're trying to find out what happened.
00:40:43Maybe they want to help us.
00:40:48But I can't make out their signal.
00:40:51You always end up frightening me with your fantasies.
00:40:56I've thought about it a lot.
00:40:59And you know...
00:41:01I'm not so sure it's a fantasy.
00:41:07Well...
00:41:27Well.
00:41:29Everything all right?
00:41:37Yes.
00:41:55I was wondering if it's really true that they sing when the oxygen gets scarce.
00:42:00You'll be better off if you never find out.
00:42:04We could tie his feet closed.
00:42:06Then how would he be able to sing?
00:42:13Good morning.
00:42:15Good morning.
00:42:16How are you, Marge?
00:42:18You both seem very happy.
00:42:21What's going on?
00:42:23You must be serious.
00:42:37The table's off balance.
00:42:45The iodized calcium is used up.
00:42:48The carbon dioxide is reaching a dangerous level.
00:42:50We might be able to open the intake to the outside air when the storm is over.
00:42:55Can I help with anything?
00:42:58I don't think so.
00:43:00I don't think so.
00:43:02I don't think so.
00:43:04I don't think so.
00:43:07Give me the oil can.
00:43:12I'm worried.
00:43:15There's no way to tell what the oxygen level is in the atmosphere.
00:43:19Since Sheridan forced the safety valve, it hasn't worked right.
00:43:23I'm trying to adjust it by eye, but I'm afraid we're using it up too rapidly.
00:43:28It would be pretty funny if Sheridan got his own way after being dead.
00:43:32What does it say in one of his notes?
00:43:34Haven't you read his notebook?
00:43:36It goes something like this.
00:43:38To live, you have to die.
00:43:40For this is the moment chosen by the Lord.
00:43:43According to him, to oppose the divine will meant putting off the coming of the kingdom of God.
00:43:50But if we survive, it'll be by the will of God.
00:43:53Have you checked everything out?
00:44:02No.
00:44:14Robert!
00:44:16Robert!
00:44:23Poor pussy.
00:44:28What could have happened?
00:44:30I don't know.
00:44:33Perhaps it's best this way.
00:44:39Could have been a natural death.
00:44:41What else could it have been?
00:45:03I don't think it's just the billiard table.
00:45:05The whole shelter is tilted.
00:45:07Two degrees at least.
00:45:09Don't be silly.
00:45:15What do you say we eat?
00:45:20Although I admire your charms, Carol, do you think you're dressed properly?
00:45:27We don't dare let down.
00:45:28Discipline will keep up our morale.
00:45:30Please, Robert.
00:45:31My long ride.
00:45:35It could have been a readjustment of the superficial layers of the Earth's crust.
00:45:40Let's see.
00:45:41We may be close to the epicenter of one of the explosions.
00:45:46You certainly find it easy to make alarming guesses.
00:45:53Are you going to start censorship?
00:45:56If necessary.
00:45:59Chris, come on to the table.
00:46:00Why do we always have to wait for you?
00:46:03Carol's not here.
00:46:06What do you care what Carol is doing?
00:46:08Do as Robert says.
00:46:10Even though you sleep with Robert, he's not my father.
00:46:13Wait a moment.
00:46:14Just what's gotten into everyone today?
00:46:17And you, young man, get one thing straight.
00:46:20I may not be your father, but what I say here goes.
00:46:31Is this suitable for dinner?
00:46:33Given the circumstances, it seems quite adequate to me.
00:46:40This way you won't contaminate me.
00:47:01I heard a sound.
00:47:03I thought maybe it was you.
00:47:05Strangely enough, I believe I saw a rat.
00:47:08A rat?
00:47:11There.
00:47:12For Carol.
00:47:14She's not eating well.
00:47:16I'm sorry.
00:47:17But there can't be any exceptions.
00:47:19I don't think you fully understand our situation.
00:47:22This is all we have left.
00:47:24And this.
00:47:26This is all we have.
00:47:27This is all we have left.
00:47:29And this.
00:47:32Pussy.
00:47:36I just want you to know how far we have to go to make use of everything.
00:47:40And I hope I don't have to remind you of the emergency regulations.
00:47:44You're a soldier just as I am.
00:47:46Tell me, what's the matter with you?
00:47:48You know that instead of coming down here, we should have joined our unit.
00:47:52They call that desertion where I come from.
00:47:57We did the sensible thing.
00:47:59It was essential to survive the attack.
00:48:18We shouldn't have agreed to come to their shelter.
00:48:20Did we have any choice?
00:48:22Was this or...
00:48:27I don't know.
00:48:46I see the readjustment is still going on.
00:48:48The shelter is very strong.
00:48:50It might have lacked the exit.
00:48:52Look, here!
00:48:58No!
00:49:09I have to get it ready for when we go out.
00:49:12We don't know what we'll find up there.
00:49:28They can't all be dead.
00:49:31They've probably all come out of their shelters and we don't even know it.
00:49:36Someone has got to go outside and see what's happening.
00:49:40I'll go myself if you want me to.
00:49:42The counter will tell us when we can go outside.
00:49:45With the present level of radioactivity, going out is suicide.
00:49:48I suppose the counter isn't working right.
00:49:50Are we supposed to rot here?
00:49:53Yes.
00:49:55We may have to do just that.
00:49:58Look, take it easy.
00:50:01Let's finish our failure game.
00:50:03I don't feel like playing.
00:50:06I really don't need you to finish it.
00:50:10Let's see, it was my shot.
00:50:12No, there are more important things to be done.
00:50:15What's the matter with you?
00:50:18This just doesn't seem to be your day.
00:50:22What's more important?
00:50:28Ninety-four.
00:50:36Leave that alone.
00:50:45Ninety-five.
00:50:47The billiard table is off balance.
00:50:51That makes it much harder for me, doesn't it?
00:50:57Ninety-six.
00:51:04Nothing.
00:51:17Ninety-seven.
00:51:19We're tied.
00:51:21Three more and I'll finish you off.
00:51:23It bores me to see you fool yourself.
00:51:25If you could only see yourself the way you really are.
00:51:27And what would you be in my position?
00:51:30Ninety-nine.
00:51:34You know something?
00:51:36Carol's period hasn't come yet.
00:51:38And she tells me just like that.
00:51:41As if it were nothing.
00:51:45Marge, tell your bat what that means.
00:51:48It means nothing.
00:51:50It means that Carol is pregnant.
00:51:53Do you think I had anything to do with it?
00:51:55I can see what you're thinking.
00:52:01And you told me because I'm so understanding.
00:52:05What did you expect me to do, adopt it?
00:52:09Please, Arthur.
00:52:11Don't you worry.
00:52:13We're all one big happy family.
00:52:15Well, I'm damn tired of being understanding.
00:52:18I said I don't want to play!
00:52:21Don't ever do it again.
00:52:23Don't ever do it again or...
00:52:27...you'll regret it.
00:52:47One hundred.
00:52:49You'll have to give him something.
00:52:53Take a tranquilizer.
00:52:56You'll be less dangerous if you poison yourself.
00:53:13Is it true what Arthur said?
00:53:15It could be.
00:53:17I just made a remark in passing.
00:53:19He figured the rest out for himself.
00:53:22I didn't think he'd put two and two together.
00:53:25What are you going to do?
00:53:28Arthur will get over it.
00:53:33I love you, Carol.
00:53:48Arthur!
00:54:01Arthur!
00:54:17Arthur!
00:54:23If he's changed his mind, it's too late.
00:54:31I don't think he killed himself.
00:54:47I don't think he killed himself.
00:54:48Lord, to you who has been our refuge...
00:54:51...we give thanks.
00:54:53We thank you.
00:54:55We thank you.
00:54:57We thank you.
00:54:59We thank you.
00:55:01We thank you.
00:55:03We thank you.
00:55:05We thank you.
00:55:07We thank you.
00:55:09We thank you.
00:55:11We thank you.
00:55:13We thank you.
00:55:15We thank you.
00:55:16Lord, to you who has been our refuge...
00:55:19...from generation to generation...
00:55:21...since before the mountains were formed...
00:55:23...and the earth was formed...
00:55:25...over the centuries of centuries, thou art God.
00:55:28Who killed him?
00:55:36You return to man until he is broken...
00:55:39...and you say, be converted, sons of men...
00:55:42...because a thousand years in your eyes...
00:55:43...are like yesterday which is past...
00:55:46...and like one of the night watches.
00:55:48Violent deaths, like a torrent of water...
00:55:51...are like dreams...
00:55:53...like the grass that grows in the morning...
00:55:55...in the morning they flower and grow...
00:55:57...in the evening it's cut, dries.
00:56:00Amen.
00:56:10Arthur Singer, rest in peace, amen.
00:56:13Amen.
00:57:14Chris.
00:57:19Chris, where is he?
00:57:25You have to go after him.
00:57:27We still have time to save him.
00:57:29No, Marge. He's chosen to pay for his crime.
00:57:31He didn't do it.
00:57:33Chris is not a killer.
00:57:35Let me go.
00:57:37Marge, it's too late.
00:57:39I have to go to him.
00:57:41Too late, Marge.
00:57:44Go after him. You have to go after him, Chris.
00:57:47No one leaves here. No one.
00:57:59Chris, why did you leave?
00:58:13Why did you leave?
00:58:43What?
00:59:13Chris.
00:59:43Chris.
01:00:13Chris.
01:00:15Chris.
01:00:43Chris.
01:01:13Chris.
01:01:15Chris.
01:01:17Chris.
01:01:19Chris.
01:01:21Chris.
01:01:23Chris.
01:01:25Chris.
01:01:43Chris.
01:01:45Chris.
01:02:13Chris.
01:02:39Chris.
01:02:40Don't leave me.
01:02:41Why did you leave, Chris?
01:02:43Don't leave me.
01:03:11Don't leave me.
01:03:42Don't leave me.
01:04:00Carol, come out and eat.
01:04:03Do you hear me?
01:04:07Yes, I'm coming.
01:04:11I'm coming.
01:04:42What are you doing in your room all day?
01:04:45Nothing.
01:04:58How's Marge?
01:05:01She's better.
01:05:03Right now, she's crying.
01:05:05I don't know what to do.
01:05:07I don't know what to do.
01:05:08She's better.
01:05:10Right now, she's sleeping.
01:05:18Sheridan.
01:05:21Marge, listen.
01:05:23Please, you must listen.
01:05:25You must understand.
01:05:27We should all be dead by now.
01:05:30It's his will.
01:05:38It's his will.
01:05:56Bastard.
01:06:03The sedative's hard enough now.
01:06:05We have to come to a decision.
01:06:08Come on.
01:06:38No.
01:06:42No, no, no.
01:06:44No, no.
01:06:54No.
01:06:58You didn't have to kill him.
01:07:01No.
01:07:05Marge, what's the matter?
01:07:08This will calm you down.
01:07:10No.
01:07:14It wasn't an accident.
01:07:16You were there in the injection.
01:07:18There was nothing else to do.
01:07:20Marge, we had to kill him.
01:07:22It was for all of us.
01:07:29This way, you won't make any more trouble for me.
01:07:33Marge.
01:07:36I know what's best for you.
01:07:38You have to take the injection.
01:07:40No, no.
01:07:44No.
01:07:59First him.
01:08:01And then Arthur.
01:08:04And now Chris is outside.
01:08:05Going through the most terrible agonies.
01:08:09All alone.
01:08:11Dying all alone.
01:08:16Oh, Carol.
01:08:18We must get out of here.
01:08:20We must.
01:08:22I'd rather die outside.
01:08:28We're going to have to fight to stay alive.
01:08:30We're going to have to fight to stay alive.
01:08:53What are you going to do with those?
01:08:56We'll need them for when we go outside.
01:08:58For the after effects of the radioactivity.
01:09:04Do you think I'd be capable of hurting you?
01:09:07Tore me loose.
01:09:09This is absurd.
01:09:11Why do you believe what she says?
01:09:13Arthur couldn't have killed himself.
01:09:16He didn't take any more pills.
01:09:18But he did eat the meal that you prepared for us.
01:09:21What do you care about Arthur?
01:09:23He was a danger to all of us.
01:09:25Don't you understand?
01:09:26And in order to survive, we didn't need him.
01:09:29The fittest always survive.
01:09:37And you're one of them.
01:09:40And you.
01:09:42You and I.
01:09:46Thanks for including me.
01:09:49As long as one man and one woman are left alive,
01:09:52it can all begin again, Carol.
01:09:57Yes, you're right.
01:09:59Up until just a little while ago,
01:10:01it didn't matter to me one way or another.
01:10:04But now I want to live.
01:10:07You know why?
01:10:09To see you in court, charged with murder.
01:10:15In court?
01:10:17Before what judges?
01:10:19We'll have to make new rules.
01:10:23We will survive.
01:10:27I think I'm beginning to understand, Sheridan.
01:10:31It is better to die than to live at any price.
01:10:36You have to come to me.
01:10:38I turned the oxygen off.
01:10:41To burn up the excess, I turned it off.
01:10:43And you don't know how to turn it back on.
01:10:45We'll figure it out.
01:10:50This is insane!
01:10:52Do you hear me? Tell me loose!
01:10:56Get out of here!
01:11:26I'm going to kill you!
01:11:44You should hang the canary from the ceiling.
01:11:46That way it'll warn us in plenty of time.
01:11:50Don't you worry.
01:11:52I'll notice in sufficient time.
01:11:54The oxygen.
01:11:56It's running out.
01:11:58The floor is the last place it runs out.
01:12:03Are you going to turn me loose to eat?
01:12:05I suppose I'm going to eat.
01:12:09After all, I am the hunter.
01:12:12The Geiger counter has gone up.
01:12:14It's going crazy.
01:12:17It's radioactive waves.
01:12:20Soon this damn storm will pass.
01:12:22Do you remember how clean the air was after storms?
01:12:27It was ozone.
01:12:29The heart of oxygen.
01:12:53Heart!
01:12:56Carol!
01:12:58Carol!
01:13:00Marty!
01:13:22Carol!
01:13:38Carol!
01:13:41Carol!
01:13:52Carol!
01:14:22Carol!
01:14:52Carol!
01:15:22Carol!
01:15:24Carol!
01:15:26Carol!
01:15:28Carol!
01:15:52Carol!
01:16:22Carol!
01:16:42Carol!
01:16:44Carol!
01:16:46Carol, wake up!
01:16:52Carol!
01:16:54Carol!
01:16:55Carol!
01:16:56Carol!
01:16:57Carol!
01:16:58Carol!
01:16:59Carol!
01:17:00Carol!
01:17:01Carol!
01:17:02Carol!
01:17:03Carol!
01:17:04Carol!
01:17:05Carol!
01:17:06Carol!
01:17:07Carol!
01:17:08Carol!
01:17:09Carol!
01:17:10Carol!
01:17:11Carol!
01:17:12Carol!
01:17:13Carol!
01:17:14Carol!
01:17:15Carol!
01:17:16Carol!
01:17:17Carol!
01:17:18Carol!
01:17:19Carol!
01:17:20Carol!
01:17:21Marge!
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01:24:03Marge!
01:24:04Marge!
01:24:05Marge!
01:24:06Marge!
01:24:08Let me go.
01:24:10I want to die outside.
01:24:12We can't die, Carol.
01:24:14We must live.
01:24:16We cannot die.
01:24:38Marge.
01:24:40Marge.
01:25:07Marge.
01:25:10Marge.
01:25:13Marge.
01:25:16Marge.
01:25:19Marge.
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01:27:04Marge.
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01:27:34Marge.
01:27:39In later bulletins, we will give you instructions as to the leaving of shelters and receiving of assistance.
01:27:44Please stay tuned in.
01:27:59Did that damn radio wake you up, Carol?
01:28:02I was already awake. I heard the whole thing.
01:28:06They've gone crazy. All of them.
01:28:09Everything's destroyed.
01:28:11Can you hear me, Chris? Do you read me? G.K. Arradano.
01:28:14Double Omicron here.
01:28:16We have a broadcast recording from the special coordinating center.
01:28:18It's Peter.
01:28:20Radio activity is decreasing.
01:28:22In the Palmdale area, north of Los Angeles, it's almost disappeared.
01:28:25We're going to make it, Chris.
01:28:27I'd like to hear you. Over.
01:28:36Carol.
01:28:39What were you thinking of doing to me?
01:28:45Robert, there's hardly any radio activity outside.
01:28:48Will you accuse me, Carol?
01:28:50I'd like to think that you wouldn't.
01:28:55We can go out now.
01:28:58You're the only witness.
01:29:00If you lie, no one will ever know.
01:29:03I don't want to hurt you.
01:29:05Together we can forget this nightmare.
01:29:15Carol.
01:29:17All I ask is that you swear you won't say anything.
01:29:23Robert, please.
01:29:27All I want is your word, Carol.
01:29:30Promise me.
01:29:32Promise me.
01:29:54Carol, open up.
01:29:57Robert, let me go.
01:30:02I swear I won't say anything.
01:30:32Let me go.
01:31:02Robert.
01:31:33T.K. Arradano.
01:31:35T.K. Arradano.
01:31:37What's wrong?
01:31:39I hope you're receiving me.
01:31:41Come in, Chris.
01:31:43Outside radio activity is dropping steadily.
01:31:46The coordinating center has ordered all survivors from this area
01:31:48to report to the Fulton and Placentia hospitals.
01:31:51The coordinating center has ordered all survivors
01:31:53to report to the Fulton and Placentia hospitals.
01:31:56T.K. Arradano.
01:31:58T.K. Arradano.
01:32:00The coordinating center has ordered all survivors in this area
01:32:03to report to the Fulton and Placentia hospitals.
01:32:06Chris, come in. Over.
01:32:10T.K. Arradano, come in. Over.
01:32:30T.K. Arradano.
01:33:00T.K. Arradano.
01:33:05Hi, Marge.
01:33:07It's us.
01:33:09Hello there. Good morning.
01:33:17Hi. We finally made it.
01:33:19At last. I'm dying of thirst.
01:33:22We were about to start without you.
01:33:24It's about time you got here.
01:33:26We finally arrived.
01:33:28Marge.
01:33:29Oh, hi.
01:33:30You look great, Marge.
01:33:31You're just being kind.
01:33:33How are you, Mr. Singer?
01:33:34Good to see you.
01:33:35Fine.
01:33:36We'll see you later.
01:33:37Be good, Chris.
01:33:38Come with me. I want to show you something.
01:33:40You remember Reverend Sheridan.
01:33:41Good to know you.
01:33:42Same here.
01:33:44Do you know Reverend Sheridan?
01:33:45Hello. How are you?
01:33:46What would you like to drink?
01:33:47I'd like a whiskey.
01:33:48I've finally made up my mind.
01:33:50This model is more expensive, but it's much safer.
01:33:53It has everything.
01:33:54What do you think?
01:33:57I don't really know.
01:33:58I don't like the idea very much.
01:33:59Listen. With the information we have,
01:34:01we have to be prepared for anything.
01:34:02We'll feel a lot better with the shelter.
01:34:04We're going to build it right over there.
01:34:09So the ruins of the house won't block the exit.
01:34:11That's it, precisely.
01:34:12You have to think of everything, you know.
01:34:15Everything is...
01:34:16Your drinks are ready.
01:34:17Oh, wonderful.
01:34:18Let's have a drink.
01:34:20Ready?
01:34:27Let's go.