だれかtoなかい 2024年9月8日
Category
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Short filmTranscript
00:00I've never heard of Nishijima Hideyoshi before.
00:07I've never heard of him either.
00:09His first appearance on the show.
00:11Tonight, we'll find out about the unexpected past of actor Nishijima Hideyoshi.
00:18And we'll have a conversation with the movie director, Kouki Mitani.
00:22I'm worried, so I'm going to touch his nose.
00:26Would you like to try it?
00:28From Kouki Mitani to Nishijima Hideyoshi, it's a mess for the two actors.
00:33It's totally different.
00:36Furthermore, Nishijima Hideyoshi, who loves sweets, is very excited about the popular sweets.
00:42However, it's a mess for the two actors.
00:47Nice to meet you.
00:49Nice to meet you, too.
00:52Friends with someone.
00:54Nishijima Hideyoshi is the guest of the day.
00:56This program is amazing.
00:59I don't think I'll have time to talk to him on the spot.
01:05I'm nervous.
01:07I'm glad to be on this show.
01:09I'll call him right away.
01:11He's here tonight.
01:14Please come in.
01:19This is Nishijima Hideyoshi.
01:24Good evening.
01:26Please have a seat.
01:30There is no front seat.
01:33This is my first time.
01:35There is a side seat.
01:37This is amazing.
01:39I'm Nishijima Hideyoshi.
01:41Nice to meet you.
01:43I've been aiming for this world since I was 19 years old.
01:47The first place I entered was Tokyo Actors Studio.
01:52That's the same for me.
01:54That's right.
01:55It's the top school in Shibuya Video Studio.
02:02I saw the poster.
02:04There was a picture of Nishijima Hideyoshi as a graduate student.
02:09I was 4 or 5 years late.
02:12I had an audition there.
02:16If I passed, it was free.
02:18I was taught for half a year for free.
02:21Did you win in the afternoon?
02:23I fell.
02:24I fell, too.
02:26Did you fall?
02:27If you fall, it's paid.
02:29If you fall, there is a paid course.
02:31Is it a paid course?
02:33I'm glad.
02:36I thought it was a free course.
02:38It's a great coincidence.
02:40It's the first time.
02:41Is it the first time?
02:42Is there a day and a day?
02:44It's a free course in the afternoon.
02:46Yuuki Nae and other graduates are amazing.
02:51Really?
02:53I'm glad.
02:54I thought it was a free course.
02:57I'm glad.
02:59Is there a big difference between a paid course and a free course?
03:01No.
03:03How much do you pay for a paid course?
03:06I pay 20,000 yen a month.
03:0920,000 yen a month?
03:10Don't you pay the admission fee?
03:13I don't think I paid it.
03:15I don't think it's that expensive.
03:17I think it's just about learning.
03:21Do you have a lot of classes at night?
03:26Yes.
03:27There are teachers from various fields.
03:30What kind of teachers are there?
03:31There is a teacher from TV.
03:33There is a teacher from Japanese dance.
03:36There is a teacher from classical Japanese dance.
03:38There is a teacher from Method.
03:40There is a teacher from Narashi.
03:41There is a teacher from Narashi.
03:42There are many teachers from various fields.
03:45We all avoid each other with our hands.
03:48We fight with each other.
03:51We pull each other away.
03:54We fight with each other.
03:56There are many classes.
03:58If it goes well, I try it in the afternoon.
04:01Is it a paid course?
04:03I try it once in a paid course.
04:06If it goes well, I use it for afternoon classes.
04:09It's a different feeling.
04:11It's a different feeling.
04:12What do you mean by hitting each other?
04:14It's not like that.
04:16We avoid each other with our hands.
04:18We avoid each other with our hands.
04:20We hit each other.
04:22We avoid each other with our hands.
04:24I'm getting angry.
04:26I'm getting angry.
04:29We pull each other away.
04:33We fight with each other.
04:35Why do we have to do this?
04:39I think it's for the first time.
04:42I think it's for the first time.
04:44It's like pulling out what's overflowing.
04:47It's like pulling out what's overflowing.
04:48I think it's possible to graduate from a free course.
04:51I don't think so.
04:52Do you always have a paid course?
04:54I don't think so.
04:55Sometimes it's a paid course.
04:57Sometimes it's a paid course.
04:59I'm very frustrated.
05:01Everyone is fast.
05:02Everyone is fast.
05:03It's completely different.
05:04It's completely different.
05:05It's a totally free course.
05:07It's a totally free course.
05:08Do you have the same origin?
05:10I thought it was paid.
05:11I thought it was paid.
05:13It's strange to think that it's free.
05:16It's strange to think that it's paid.
05:17It's strange to think that it's paid.
05:19It's from the night shift.
05:22It's from the night shift.
05:25It's the same origin.
05:27It's good that both are paid.
05:30It was unexpected.
05:31If it is paid or free, it is different.
05:34I'm proud to be from a wealthy family.
05:38I'm proud of that.
05:40He was a good member.
05:42Now that I think about it...
05:44He was a good member with a strong personality.
05:46I heard that for the first time with Nijima.
05:49If I'm proud of it, I think I've said it a lot.
05:52I've never heard of it.
05:54I've never heard of it.
05:57If I'm proud of it, I think I've said it a lot.
06:02I've never heard of it.
06:04I will say it from now on.
06:06I will say it from now on.
06:08I will say it from now on.
06:10I will say it from now on.
06:12You can say that.
06:14I was in Actors Studio at first.
06:16Nijima was the first.
06:18He was a little early.
06:20He was a little early.
06:22But he was Mr. Uno.
06:24He was Mr. Uno.
06:26What made you audition yourself before you joined the agency?
06:30I wanted to get involved in the movie industry.
06:34I didn't know anything about it.
06:38There was a studio where I shot movies every day.
06:43I wanted to get into the studio and shoot movies every day.
06:49I wanted to get into the studio and shoot movies every day.
06:57My senior from the basketball club in high school brought me the resume.
07:03Your senior?
07:05He was a boy band member of Mr. An-Louis.
07:11He was a boy band member of Mr. An-Louis.
07:13He didn't have anything to do with it.
07:16He wanted to shoot a movie.
07:18He didn't have anything to do with it.
07:20He didn't have anything to do with it.
07:22That's how I got into the agency.
07:25There was no actor section.
07:29There was no actor section.
07:35There was no actor section.
07:37I auditioned there.
07:39I auditioned there.
07:41Maybe you didn't get into the movie industry because of that.
07:44Maybe you didn't get into the movie industry because of that.
07:48In the end, a new actor was selected.
07:53In the end, a new actor was selected.
07:55Only Mr. Takioka was selected.
07:57I was a little better than him.
07:59I was a little better than him.
08:01You were better than him.
08:03I had visited Fujita Makoto and he taught me everything.
08:07I had visited Fujita Makoto and he taught me everything.
08:10That's how I got into the industry.
08:13That's how I got into the industry.
08:15I see.
08:16And then, in our generation, we got to know more about you, Mr. Nishijima,
08:20through the Asunaro Hakusho.
08:23It was when we were still watching the series.
08:26Were you watched?
08:29Yes, I was.
08:30That's a weird question.
08:31If you were watched, it's a bit weird.
08:32Yes, I was.
08:35I've never heard of the Asunaro Hakusho being watched.
08:40I think the Asunaro Hakusho had a great response.
08:42At that time, I was living in a room without a washing machine.
08:50In Nakano Shinbashi.
08:52So, I always went to the coin laundry to wash my clothes.
08:57I ate at the restaurant and went home.
09:01That's how I lived.
09:03I took a train from Nakano Shinbashi to...
09:09Where was it?
09:11I think it was TMC.
09:13I took a train to go there.
09:16But when the drama started,
09:18I was told that I shouldn't take the train.
09:22You were told that.
09:23That's right.
09:25That's how I lived.
09:28Campus life.
09:29When I went to college, I thought I would have a campus life like that.
09:33It's like a dream.
09:35I didn't have a campus life at all.
09:37I didn't go to college for three weeks.
09:39Tokyo is a science university.
09:41It's a national university.
09:42I know because I'm a science major.
09:44It's completely different.
09:46It's completely different from the world of dramas.
09:49Mr. Nishizama, I'm looking forward to talking to you.
09:55It's my first time talking to you like this.
09:58I'm looking forward to it.
09:59The person I'm going to talk to today is this person.
10:02Please come in.
10:07He is the composer and director, Kouki Midani.
10:09Nice to meet you.
10:12Good evening.
10:13Good evening.
10:14Good evening.
10:15Please sit down.
10:17Midani is a three-piece, right?
10:19That's right.
10:20What do you mean?
10:22There are a lot of three-piece.
10:23I'm also a three-piece.
10:24I'm a double.
10:25Are you the captain?
10:27That's right.
10:28I'm in this shape.
10:30Because it's a costume.
10:31I'm not a captain.
10:32Are you so worried about my three-piece?
10:34I've always thought it was a three-piece.
10:36I always wear a tie at the set of the movie.
10:40It's a set suit.
10:42I'm the type to enter from the shape.
10:44It's okay.
10:46Japanese movie directors are rough.
10:50I'm wearing a hat.
10:51I'm wearing a black sweater.
10:54I used to admire Hitchcock and Yuzo Kawashima.
11:04I was fine this time.
11:07When I shot the last movie, there was a golf scene in the middle of the summer.
11:15I was worried about what to do at that time.
11:18The staff said,
11:20Mr. Mitani, it's dangerous.
11:22You'd better wear a T-shirt.
11:24Don't overdo it.
11:26Mr. Koike came to me the day before.
11:29Mr. Koike came to me and said,
11:32Mr. Mitani, are you wearing a suit again tomorrow?
11:34It's cool.
11:35He left.
11:36I have no choice but to go in a suit.
11:39He's bad.
11:40Right?
11:41He's bad.
11:42I got a fever.
11:44It's not what you think.
11:47I'm sorry.
11:48I was nervous.
11:49It's been a long time since I've talked to him in person.
11:53In the city?
11:54Yes.
11:55I was walking down Inogashira Street.
11:58Suddenly, a suspicious car stopped.
12:01A gorilla came out of the car.
12:05I thought it was a terrorist.
12:07I stopped the car and said,
12:09Mr. Mitani, I'll be on stage next month.
12:11Please come and see me.
12:13I didn't know him at all.
12:15You didn't know him at all.
12:16I didn't know him at all.
12:19I saw him from a distance.
12:21I was so scared that I threw away the flyer.
12:25You should have seen it at least once.
12:29You should have seen it at least once.
12:31I was scared.
12:33You should have seen it at least once.
12:35I shouldn't have received it from a stranger.
12:38Did you meet him?
12:39I met him and said hello.
12:41I thought he would remember me if I gave him the flyer.
12:44I'm sorry. I was like a gorilla.
12:46I was surprised.
12:47When did you meet Mr. Nakai?
12:51Are you talking about me?
12:54When did you meet me?
12:55I met Mr. Nakai and Kinichi Hagimoto about 10 years ago.
13:03We had a talk.
13:06Yes, we did.
13:07We didn't have a good conversation at that time.
13:12Mr. Nakai was a graffiti artist.
13:18I see.
13:19Mr. Nakai was a graffiti artist.
13:21He was in charge of choosing graffiti.
13:27I was very nervous.
13:29Was Mr. Nakai nervous, too?
13:32Yes.
13:33Mr. Nakai looked different from Mr. Nakai when he was young.
13:41Mr. Nakai saw my play and liked it very much.
13:46He wanted my autograph.
13:48He asked me if he could talk about Mr. Katori.
13:52He confirmed it.
13:54Are you okay now?
13:56He asked me if I could talk about Mr. Katori.
14:02I wrote an autograph for Kinichi.
14:05You wrote an autograph for Mr. Katori.
14:08Mr. Hagimoto liked me very much.
14:11Yes.
14:12As a director and an autographer, Kinichi was reluctant to talk about me.
14:17He had a great sense of humor.
14:19Yes, he did.
14:21Then I met him once.
14:24Which time?
14:25It was a private meeting.
14:26No, it wasn't a private meeting.
14:28You may have forgotten.
14:30When I was in the waiting room of a TV program on Saturday, he suddenly came to me.
14:40I was wearing makeup.
14:43He suddenly came to me and asked me how I was doing.
14:46At that time, I was not in good shape.
14:50That was later.
14:52At that time.
14:53I didn't know at first.
14:55You were a little thin.
14:58I was surprised.
15:00He said,
15:01Did you come to say goodbye?
15:05What do you mean?
15:07I thought I was dead.
15:09I thought you were a ghost.
15:12I thought I was going to die soon.
15:14No, no.
15:15I thought I was already dead.
15:16That's dangerous.
15:17That's rude.
15:19I was surprised.
15:20We don't have much interaction.
15:25Why did you come to me?
15:28He was always with me.
15:31But he was a member of SMAP.
15:34I talked to him.
15:36I thought he was there.
15:38I was happy.
15:40I was surprised.
15:41Since then.
15:42Since then.
15:43I have to apologize.
15:45I have to apologize for my dark skin.
15:50I'm sorry.
15:51I'm sorry.
15:53Why do I have to apologize?
15:55I don't apologize.
15:57We don't apologize.
15:59It doesn't matter to me.
16:02I'm sorry.
16:03I'm sorry.
16:05I don't know what to do.
16:09This time, NISHIJIMA appeared in MITARI's work for the first time.
16:14How was it?
16:15Is this your first time?
16:16This is my first time.
16:17This is my first time.
16:18It was fun.
16:19SUOMI.
16:20It was released on September 13th.
16:22The screenplay was directed by KOUKI MITANI.
16:24The main character is MASAMI NAGASAWA.
16:26The movie is called SUOMI NO HANASHI.
16:30This time, NISHIJIMA appeared in MITARI's work for the first time.
16:34SUOMI NO HANASHI.
16:36I was surprised.
16:37I thought I was going to die.
16:38I thought I was going to die.
16:41I laughed immediately.
16:43I laughed immediately.
16:44I was in this position.
16:46I watched the movie before the release.
16:48The long shot was shot in one take.
16:51The position of the camera and the position of the camera were moving.
16:54When I saw that, I wanted to go back to the beginning.
16:56I wanted to go back to the beginning.
16:58The long shot was shot in one take.
17:01I thought it was strange.
17:03I shot it like a stage.
17:06I rehearsed for about a month.
17:08It's like a rehearsal.
17:11Is there a reason why MITARI offered you to play NISHIJIMA?
17:14There are many strange people in the movie.
17:17Among them, NISHIJIMA is the main character.
17:23He is a detective named KUSANO.
17:25I thought I would watch the movie with the feeling of a detective.
17:28I thought it would be easy to express my feelings.
17:30I can't express my feelings.
17:32I can't express my feelings.
17:34I can't express my feelings.
17:36From the perspective of SETO, NISHIJIMA is also a strange person.
17:42In the end, that's what happened.
17:44I thought he was a serious and quiet person until I met him.
17:54The first time I met him was when I went to see the movie SHIN ULTRAMAN.
18:02At that time, I went to see MASAMI NAGASAWA.
18:06At that time, NISHIJIMA happened to be there.
18:08I met him for the first time at that time.
18:10He was very bright.
18:13He talked a lot.
18:17He talked a lot.
18:20He didn't talk at all.
18:24He is an interesting person.
18:27He laughs a lot.
18:30When it's important, it's getting more and more interesting.
18:34I decided to make him laugh next time.
18:37You can't do that.
18:39I don't want to do that.
18:42I have a disadvantage.
18:45I'm having fun.
18:47There is a person named TAKASHI KOBAYASHI.
18:49He is very weak.
18:51KOBAYASHI is the best.
18:54He has a lot of eye boogers.
18:58He is very serious.
19:00I don't know why he has eye boogers.
19:02He has a lot of eye boogers.
19:04He is a very bright person.
19:06Is that true?
19:08When did you do that?
19:09When I do that, I get eye boogers.
19:11Do you have eye boogers?
19:13Of course.
19:14I thought I should put in a lot of eye boogers today.
19:17You don't have a lot of eye boogers.
19:19You are having a lot of fun.
19:21When I don't know what to do, I get eye boogers.
19:24Everyone was funny.
19:27I'm glad you watched it.
19:29I can't hold my sweat in my hands.
19:34You say interesting things.
19:36I don't know what to say.
19:38You can't hold your sweat in your hands.
19:40When I hold my sweat in my hands, I don't know what to do.
19:45When I try to hold my sweat in my hands, I am released.
19:49When I watch it, it doesn't come out as a big hit.
19:53But I can't hold my sweat in my hands.
19:55That's the last one.
19:57I don't have such a big sweat in my hands.
20:01It's a movie that I've been watching as if none of the scenes were there.
20:06That's a good thing.
20:07The story development progresses.
20:09There are many things to do, but the story is developed.
20:16He just said some really good things.
20:19I was surprised.
20:21You have to keep developing interesting films.
20:25If you keep having the same relationships, you'll get bored.
20:28No matter how good the film is, you'll get bored.
20:31Every scene has to be developed little by little.
20:35The distance between the characters changes.
20:36That's what's important. I just realized that recently.
20:39That's a really good point.
20:41I've been watching all of Mitani's films.
20:45I finally got a part-time job.
20:47I was waiting for the cancellation of the Parco Theater.
20:50I was watching all of Mitani's films.
20:52I still think about it now.
20:53There's a moment when all the characters are alive.
20:56There's a moment when they all become the main characters.
20:57There's a moment when it's a military drama.
20:59When will I be able to appear in this Mitani film?
21:01I'm thinking about it, and I'm still alive.
21:08That's really true.
21:11Nakasawa-san was good too, right?
21:12There are so many kinds of Suomi.
21:17I think Nakasawa-san has a lot of charm.
21:20Which one do you like the most?
21:22I liked Nakasawa-san the most when he was a taxi driver.
21:27Which one do you like?
21:29I like Suomi.
21:30Suomi.
21:33I think he's my type.
21:37I'm a little embarrassed.
21:39I'm a little embarrassed.
21:41I see.
21:42But it was good for the first time, right?
21:45It was good.
21:46The cast was in a really good mood.
21:50It was a good balance.
21:53I'd like to work with Ishima-san again.
21:58I'd like to work with the actor I'd like to work with again.
22:04I'd like to work with Ishima-san again.
22:06It's not a good or bad thing.
22:09I think we have a common language.
22:11For each other.
22:13For example, I've been doing this for a long time,
22:17so I don't have to tell the other person what I want them to do.
22:20If I take time, I can tell them someday.
22:23But it takes 10 to 20 minutes.
22:26I think people who can tell in an instant can spend time on something else.
22:30If you can shorten it.
22:32In that sense, Ishima-san is a very common person for me.
22:36The director's understanding and interpretation is fast.
22:39But don't you call actors who don't match the language?
22:46To be honest,
22:48I've only been out once so far.
22:51If you look it up, you'll find it.
22:53Why did you say that?
22:55I said it, but...
22:56It's coming out.
22:58There's also a schedule.
23:01I wanted it to come out this time, but I couldn't.
23:04I've been rejected by an offer.
23:07There are various conditions.
23:09Let's talk about common languages.
23:11Please.
23:13For example,
23:15I wrote a script
23:18about touching flowers while worrying.
23:24Can you try it?
23:26Now?
23:29Why did you do that?
23:31Because I'm from Kin-chan.
23:33Let's try it.
23:35Let's try it.
23:37Let's try touching flowers while worrying.
23:41It's been approved.
23:43Let's do it right away.
23:46Let's try touching flowers while worrying.
23:52Yes, this is it.
23:54This is what I wanted.
23:57You don't have to say anything.
23:59I understand.
24:01Use your thumb and index finger.
24:04Let's ask Mr. Muro.
24:06Mr. Muro.
24:07Let's try touching lips while worrying.
24:12Let's try it together.
24:14After this.
24:16It's completely different.
24:22And tonight,
24:23Hidetoshi Nishijima, who loves sweets,
24:25is excited about the popular sweets.
24:28It's delicious.
24:29I think it's better to narrow it down to one.
24:32Fujigaya talks with his benefactor, Nakai.
24:36Fujigaya is angry about his private trip.
24:39Who is his opponent?
24:42You said you wanted to do something, right?
24:44It's Sumasuma.
24:45The reporter said he wanted to do it.
24:47I thought there was a reporter for Nakai.
24:50So I thought about it.
24:52Shingo and Tsuyoshi.
24:54It's Zubuzubu.
25:00He loves sweets.
25:02I like sweets.
25:04Hidetoshi Nishijima eats his favorite sweets.
25:08The price is...
25:09One.
25:11What?
25:19Let's try touching nose while worrying.
25:21Let's try it.
25:25This is it.
25:27This is what I wanted.
25:29It's fast.
25:30Let's ask Mr. Muro to do it.
25:32Let's do it with Mr. Muro touching his lips while worrying.
25:39Let's do it together.
25:47It's completely different.
25:51It's weird to clap.
25:53It's weird to clap.
25:57I was surprised.
25:58It's good.
26:00It's not correct, but it's different from what I thought.
26:05You said it would take a long time.
26:09There are many ways to touch nose.
26:13Touching like this.
26:15But he chose this.
26:19It's not correct.
26:21It's not correct.
26:23It's completely different.
26:26It's completely different.
26:28I made a mistake.
26:30Let's make it difficult.
26:32Mr. Muro is playing with his hands without doing anything.
26:37Let's start.
26:39Start.
26:50Is that okay?
26:52There is still time.
26:58Cut.
26:59It's completely different.
27:02You made a sound.
27:06You made a sound.
27:10You make it funny.
27:13You make it funny.
27:15We don't get along well.
27:18I talked to Mr. Mitani before.
27:22We talked a lot.
27:24We talked a lot.
27:26Do you remember?
27:27I remember.
27:29You said you wanted to do it.
27:31I said that.
27:33It was a long time ago.
27:35I remember.
27:37It was written as Furuhata.
27:42The culprit knew it.
27:44Furuhata came out later.
27:47He came out and said you were the culprit.
27:52He asked me if it was the opposite.
27:55I think I talked about it.
27:58I thought it was the opposite.
28:02I wanted to ask more.
28:06So I started.
28:09It's 15 years ago.
28:12But after that, I realized that Nakai-san also has a detective role, so I thought of a lot of things.
28:19I thought that a police officer would be better.
28:22I thought that a uniformed police officer would be more suitable.
28:24So you had an image of a detective.
28:26Yes, more than a detective.
28:27I wanted to do something like a countryside detective, solving a village case.
28:36But you haven't acted for a long time, more than 10 years.
28:40You know, a detective and a strong person, it's like a zubuzubu.
28:46It's not a good way to say zubuzubu.
28:48So there's that, and I don't want to break that.
28:54It's an interesting relationship.
28:57You can't touch it.
28:59I've heard that story for a long time, and I've been watching it for a long time.
29:04I feel like I've seen that story before.
29:13Do you two get along in private?
29:19Yes, we do.
29:21Well, there are a few of us.
29:24Yes, yes, yes.
29:26Noro-san?
29:27I'm the one who gets along with him.
29:29We eat together and talk about the same script.
29:33I don't.
29:34You don't?
29:35No.
29:36I've never had a good time drinking with an actor.
29:42What happened?
29:43For example, I think he's a wonderful actor, and I feel good at the scene,
29:48but if I go to drink and think,
29:50Oh, this person is like this.
29:53It's a shame, isn't it?
29:55It's a minus for everyone.
29:57You don't want to put in weird information.
29:59Yes, yes.
30:00I've learned in my life how much better it is to have a relationship only at the scene.
30:06For example, there are 13 people in Kamakura.
30:09After all, everyone gets along, right?
30:11I heard later that the actors went to drink together.
30:14Why didn't you give me a call?
30:17Are you jealous?
30:18Do you want me to call you?
30:20I want to refuse.
30:22Is there such a thing?
30:24I don't want to be ignored.
30:26If you call me, I'll say,
30:28I have a member like this.
30:30Would you like to join us?
30:32I'm sorry, I can't today.
30:34You want to do this.
30:36And then,
30:37There was such a thing before.
30:40If I say I'm sorry, it's over.
30:42I want you to call me again.
30:45It's a hassle.
30:47Call me again from a different person.
30:50Isn't it bad to be persistent?
30:52If it's about twice,
30:53Okay, twice.
30:54If you call me for the third time,
30:56I'll go.
30:58I'm good at it.
30:59I'll call you many times.
31:01I'll invite you many times.
31:03I'll invite you many times.
31:05If I hear that, I'll do it all the time.
31:07If I meet you in the city,
31:08I'll give you a guerrilla.
31:10It depends on the person.
31:14Well then,
31:15Mr. Nishijima has been an actor for 30 years.
31:21Have you ever been influenced by him?
31:25Well,
31:27I've liked Takeshi Kitano since I was a kid.
31:32I like him as a movie director.
31:34I also like actor Bit Takeshi.
31:37I've been watching actor Takeshi since I was a kid.
31:40I was inspired by him.
31:46I like acting, too.
31:48I've heard that you were very nervous when you were in the movie.
31:54When I was in the movie,
31:56I was directly directed by the director.
32:01It was so much fun.
32:03I've heard that from somewhere.
32:05Yes.
32:06He's in charge of the base now.
32:08The assistant director comes to tell me.
32:12You get tired from time to time.
32:14Yes.
32:15It was so much fun.
32:17It's been a long time since I've been in a movie.
32:21It was so much fun.
32:23I like the sense of tension.
32:25So,
32:26Mr. Takeshi,
32:28if you go to a screening,
32:30you might be fired.
32:31I like that feeling.
32:33The tension.
32:34There is a precedent.
32:36There are no such people anymore.
32:40Have you ever been fired on the scene?
32:43I've never seen it.
32:46I went to the set.
32:49It was a very large set.
32:52I made a set after I was fired.
32:59The pillars were thin.
33:02He told me to make it thicker.
33:04He made it all thick.
33:07It was an important scene for me.
33:09I made it with sand.
33:12I cut it in one cut.
33:16I thought it would end in one cut.
33:18I didn't think there would be a gap.
33:21I made the set for this scene.
33:27I cut it in one cut.
33:32Do you have a scene with Mr. Takeshi?
33:34There was a variety called
33:36how to make Beat Takeshi a long time ago.
33:39There was a mini-drama in it.
33:42Was it 30 years ago?
33:44I think it was more than 20 years ago.
33:47I wrote that book.
33:50I remember the last episode of the drama.
33:54Mr. Takeshi is the main character.
33:58He doesn't come to the scene.
34:01I made a set.
34:03There was a guest, Mr. Tadao Takashima.
34:05Everyone was waiting for him.
34:08He doesn't come to the scene.
34:11At the end, the producer said
34:13Mr. Takeshi, there is a ghost in your house.
34:18Don't you want to come?
34:20It was the last episode.
34:22I saw it on the radio.
34:24He said there was a ghost in his house.
34:27It happens all the time.
34:29It happens all the time.
34:32I was still a newbie.
34:35I wrote the script.
34:37Everyone was waiting for the last episode.
34:40What does it mean that Mr. Takeshi doesn't come?
34:43I was a little angry at that time.
34:46What is Takeshi?
34:49Mr. Takeshi doesn't come to the last episode.
34:52I thought it was no good as a human being.
34:55After that, there was a party.
34:57Mr. Takeshi was over there.
34:59He looked at me and stood up.
35:02I was impressed.
35:04At that moment, I thought he was a wonderful person.
35:11I like sweets.
35:13I like sweets.
35:15I like sweets.
35:17I like sweets.
35:19I like sweets.
35:21I like sweets.
35:24What does it mean that Mr. Takeshi doesn't come?
35:27I was a little angry at that time.
35:30What is Takeshi?
35:32Mr. Takeshi doesn't come to the last episode.
35:35I thought it was no good as a human being.
35:38After that, there was a party.
35:41I joined as well.
35:43Mr. Takeshi was over there.
35:46I was at the end of the party.
35:48I thought I would go home.
35:51So I said, excuse me, and he was over there, and he looked at me and stood up and said,
35:57Oh!
35:59I was so moved.
36:01At that moment, he was such a wonderful person.
36:05He said, Oh! to me.
36:07But I get it.
36:08I get it.
36:10Everything was there.
36:12That's not just Oh, isn't it?
36:15No, that's because I didn't see that Oh.
36:17Oh, really?
36:18That was it.
36:20It's kind of like that, isn't it?
36:22That's right. When I got the offer for my neck, I was in the corridor of a variety show.
36:26He said, Oh, are you listening?
36:28I said, Oh, somehow.
36:29He said, Don't ask me.
36:31I said, Yes.
36:33I'll go.
36:35Yeah, yeah, like that.
36:38I want you to talk to Takeshi.
36:41No, I'm nervous about that.
36:44Don't say anything weird.
36:46It's kind of like that.
36:48It's kind of like that.
36:51He's a cool guy.
36:55I'm going to move on to the next topic.
36:57I was going to talk to you about something, so I'll ask you.
37:00No, it's okay.
37:02We don't get along.
37:04It's almost the first time.
37:06It's almost the first time we've talked.
37:08It's a bit of a flash.
37:10I said it at the beginning, but I can't get rid of the desire to be liked.
37:15I want to make a possibility of being in a variety show.
37:18The more I erase it, the better it should be.
37:20But I admit that I can't erase it.
37:23So even if I'm in the middle of it, I don't have any strange emotions.
37:28But it's a good opportunity.
37:30Yes, it is.
37:31Now, as far as I've researched,
37:34Mr. Nishijima likes sweet drinks.
37:36Oh, yeah?
37:37I like it, too.
37:38I like it, too.
37:39I'd like to take the time to see Nishijima's smile, who loves sweets.
37:44I've prepared a few things.
37:45That's nice.
37:46The famous pudding has landed in Korea.
37:49And the second one is the Guinness World Record ice cream.
37:54What does that mean?
37:55I'd like to introduce them one by one.
37:56Thank you very much.
37:57The famous pudding has landed in Korea.
37:58Do you drink alcohol?
37:59I drink alcohol, but I also drink sweets.
38:01Oh, both of them?
38:02Yes, yes.
38:03Now, everyone, the famous pudding has landed in Korea.
38:07Everyone, can you open it?
38:10I'll open it.
38:12Is it like a hamburger?
38:14You'll know when you see it.
38:16It's a pudding!
38:17It's a pudding.
38:18Wait a minute.
38:19What is this?
38:20Mr. Nishijima, please hold it.
38:23Yes.
38:24Please shake it.
38:25It's a little dangerous.
38:27It's shaking.
38:28Please try it.
38:30It's shaking.
38:31It's shaking a lot.
38:34It's shaking a lot.
38:35It's shaking a lot.
38:36It's shaking a lot.
38:37It's shaking a lot.
38:38It's shaking a lot.
38:39It's shaking a lot.
38:40Don't mix it.
38:41Don't mix it.
38:42Don't mix it!
38:43The face is a little ashamed.
38:48What is this, everyone?
38:49What is this?
38:50This is a sweets that you can enjoy by shaking.
38:52It came from Korea.
38:54You shake it, beat it with a spoon, and take a picture.
38:57Where do you eat this?
38:59In the video.
39:00Where should we eat it?
39:01It's a pudding with milk, so I hope you can eat it with a berry sauce on it.
39:07You eat it from the butt.
39:09Mr. Nishijima, go ahead.
39:11It's going to his face, but...
39:13I'm sorry. I feel bad for him.
39:15I'll eat it.
39:17Let's taste it.
39:19Mr. Nishijima's.
39:21How is it?
39:23It's good.
39:25It's good.
39:27What is this?
39:29It's like a Babaloa.
39:31It's more like a pudding.
39:33Is that where you're going?
39:35You're crazy.
39:37He's going to get mad.
39:39His eyes are on his mouth.
39:41It's good.
39:45Thank you for liking it.
39:47It's good.
39:49How is it, Mr. Nishijima?
39:51It's good.
39:53It's good.
39:55Mr. Nishijima, there's more.
39:57This is ice cream.
39:59But it's very precious.
40:01Here you go.
40:03First,
40:05Please open this ice cream.
40:07What is it?
40:09There's already something in it.
40:11There's a jewel in it.
40:13It's in a box like this.
40:15Please open this.
40:17I'll open it.
40:19There's something in it.
40:21Please open this.
40:23What is it?
40:25Is it a sauce?
40:27It's going to explode.
40:29Why are you saying that?
40:31He's a foreigner.
40:33I'll open it.
40:35What is it?
40:37Is it a pudding?
40:39It's a truffle.
40:41A truffle?
40:43Before I explain it to you,
40:45I'd like you to try it.
40:47You can put oil on it.
40:49You can put oil on it?
40:51Is it oil?
40:53Is that a wooden box?
40:55Is that a wooden box?
40:57Is that a wooden box?
40:59Please don't do this.
41:01Please don't do this.
41:03Please eat it with a spoon.
41:05It's expensive.
41:07Please eat it with a spoon.
41:09Is that all?
41:11Is that all?
41:13Is that all?
41:15It's Guinness World Record.
41:17It's Guinness World Record.
41:19It's Guinness World Record.
41:21It smells good.
41:23The price is...
41:25The price is...
41:27After this, Nishijima tried the super expensive ice cream.
41:31He spilled his drink.
41:33It's Guinness World Record.
41:35Eat it.
41:37Guinness World Record.
41:39Eat it.
41:41The smell is amazing.
41:43What will it be?
41:45The smell is amazing.
41:47It's truffle.
41:49It's truffle.
41:51It's hard to eat.
41:53It's hard to eat.
41:55Wow, the smell of truffles!
41:57Is it amazing?
41:58Amazing!
41:59Really?
42:00Isn't it sweet?
42:01No, the bottom is sweet.
42:02Can you mix it?
42:03Is it truffles and cheese?
42:06The truffles are strong.
42:08Doesn't this go well with alcohol?
42:10Alcohol?
42:11It goes well with alcohol.
42:12Then pour some oil.
42:15Should I open it?
42:16Yes.
42:20I see, this is...
42:22This is...
42:24This is white truffle oil.
42:26Is this okay?
42:28When should I eat this?
42:30Mr. Nishijima, please listen while eating.
42:32This is the most expensive white truffle ice cream.
42:35It's called Byakuya.
42:37The price is...
42:39880,000 yen.
42:40What?
42:45He spilled it.
42:47Mr. Nishijima.
42:48He spilled it.
42:50Suddenly, my left hand started shaking.
42:52I spilled about 25,000 yen.
42:54No way.
42:55It's 880,000 yen.
42:56Isn't it over 80,000 yen?
42:57This is the most expensive white truffle ice cream
43:01that has been sold at the highest price in the past.
43:04This is the most expensive white truffle ice cream
43:06that has been sold at the highest price in the past.
43:07I'm looking forward to it.
43:08Me too.
43:09I'm sorry.
43:10Mr. Nishijima and Mr. Nakai,
43:12as you can see from the price,
43:14there is only one production cost.
43:19If you can't eat it,
43:21take it home.
43:24That's right.
43:26It's a waste.
43:27There is still about 700,000 yen left.
43:30Even if you take it home,
43:31you don't have time to eat it.
43:33What do you think, Mr. Nishijima?
43:35This is beyond the concept of ice cream.
43:38That's right.
43:39Even if it's just this.
43:41Even if it's just this.
43:43You can eat it.
43:46I can't eat it.
43:48I can't eat it.
43:49I can't eat it.
43:51I can't eat it.
43:53I can't eat it.
43:57I can't eat it.
44:00But it smells good.
44:02It smells good.
44:04That was Nishijima Hidetoshi and Mitani Kouki.
44:06Thank you very much.
44:08Next time.
44:09The only person who talks about this topic is Mr. Nakai.
44:11Fujikai claims to be Nakai.
44:13The person who matches him is...
44:15Don't make that stupid face.
44:18Actress Yuki Uchida.
44:20Nakai is a bit rough.