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00:00I'm sorry, I didn't know you were busy, they told me to wait here for you to come to make up, but I'd better look for another dressing room.
00:20No, wait, there's no problem, you can come in. This is the space for all the interviewees, in fact.
00:25No, really, I didn't want to bother you, I'm sorry.
00:29You're not bothering me, you can come in, really, I'm super bored here alone. Come in.
00:38Nice to meet you, my name is...
00:40Davis, right? I know who you are.
00:43Really?
00:44Don't you sing with the Nectar group?
00:46Well, I used to sing, now I'm going to present a song with my new musical group.
00:51What's the name of your group?
00:52La Miel.
00:55First Nectar and now La Miel?
00:57Yes.
00:58It's great, how cool.
00:59Yes, La Miel comes from Nectar.
01:00Yes, of course. Well, congratulations.
01:03Thank you. And you are?
01:08Cassandra. Nice to meet you again.
01:17Nice to meet you.
01:19And you are also waiting for make-up?
01:22No, no, I...
01:23To interview or something?
01:24No, no, not at all.
01:25My mom is being interviewed right now, in fact, in the newsroom.
01:29And your mom is...?
01:31She's in charge of the Miss Peru contests.
01:34Ah, your mom is famous. And you came to accompany her?
01:38Yes, I mean, I work in the organization of the contest.
01:41So, every time I have an interview, I go with her to the newsroom.
01:44I work in the organization of the contest.
01:46So, every time I have an interview, I go with her to the newsroom.
01:49How nice.
01:50I'm also studying administration.
01:52So, eventually, I'm going to become independent.
01:55Maybe I'll open my own company. Who knows?
01:58How cool. Seriously, I mean it.
02:01I understand you, because I'm also doing my own path.
02:04Of course.
02:05In fact, I'm going to have my first presentation with my own group.
02:08Here in Sabor Nacional?
02:09Yes, yes, and it's going to be my first live presentation.
02:12Congratulations, Davis.
02:14I wish you all the best. Good luck.
02:16Thank you. You too. I wish you all the best in all the projects you do.
02:20Thank you very much.
02:23Hey, do I have to listen to you now?
02:25No.
02:26What? Why?
02:27You're going to make me nervous.
02:31Davis, I have to put on my makeup. You're coming in in 20 minutes.
02:33It's the last block.
02:34Okay.
02:35I'm going to go see my mom, because she's about to finish.
02:38But I wish you all the best, okay?
02:41I'll see you there.
02:42Yes.
02:48And I hope you like my song.
02:53I'm sure you will.
03:01Davis, the touch. Sit down, please.
03:07And you, why are you all hot?
03:08Who, me?
03:09Yes, look at you. You're all sweaty.
03:11Okay, let's go. We're running late.
03:18Well, guys, how are you going to be late?
03:21I don't know.
03:22Brother, we didn't know it was so far away.
03:24But don't worry, we're all ready and it's going to be a bomb.
03:27Right, guys?
03:28Yes, of course.
03:29I won't say it again.
03:30Davis, my dear.
03:31Hello.
03:33How's your dad?
03:35Say hello to him, please.
03:36He hasn't visited me in a long time.
03:38Let's see how much you've inherited from his talent.
03:41Are you ready?
03:42Yes, yes.
03:43Look, it's going to be a few little questions and we're going to face the musical.
03:46Today we have a short program.
03:47Yes, of course.
03:48I wanted to ask you if we can talk about the album today.
03:51No, no, no, don't worry.
03:52We're going to talk about everything you want another day.
03:54Today, just a little bit, Davis.
03:56Okay?
03:57Okay.
03:59Let's go, let's go, let's go.
04:00Hurry up, hurry up.
04:02I hope everything goes well, Cholita.
04:03Because she doesn't have any experience on television.
04:05Oh, that's enough, Jonah.
04:07That's it.
04:08That's it.
04:09Today we have the presence of Davis Orozco,
04:11former member of the group Nectar.
04:13Known on stage, like his father, Johnny Orozco,
04:16as the candy of the cumbia.
04:19And today he comes to visit us to our program to present us his new album.
04:23Right, Davis?
04:24Yes, that's right, Yanela.
04:25It's an album that I have prepared with a lot of love and a lot of dedication.
04:28Davis, excuse me, where did your desire to make music come from?
04:31For my dad.
04:32He has always been my example.
04:33And now that you are with your new group, La Miel,
04:36what do you think of the people who say that directly the great Johnny Orozco
04:41is going to be your competition?
04:43Compete?
04:44No, Yanela.
04:45We are not competing.
04:46I think everyone has their own personal label.
04:48More than a competition, I would say that he is my reference.
04:51And what will your dad think now that you are stepping on his heels?
04:56What? What's going on?
04:57What are you talking about, woman?
04:58My God.
04:59Nobody is stepping on anyone's heels, Yanela.
05:01Except me.
05:02My dad supports me a lot and I am very happy about that.
05:04Oh, how cute, Davis.
05:06A big round of applause for him, please.
05:10He is very talented, beautiful.
05:12He has it in his blood.
05:14Davis, tell us.
05:15What are you going to sing for us?
05:16I'm going to sing you a song called Por Ti.
05:19But first, I would like to introduce you to the wonderful musicians.
05:21No, no, we are going to the program.
05:22I'm sorry.
05:23With you, Davis.
05:24And he sings to us.
05:25What are you going to sing for us?
05:26Por Ti.
05:27Well, the stage is yours.
05:28He doesn't even let him speak.
05:29What's wrong with him?
05:30I wanted to put him against me.
05:34What's wrong with me?
05:37Without thinking, I will kiss you
05:40I will give you my heart
05:43Every morning I only think of you
05:47I love you and I want to make you happy
05:52That my heartbeat is accelerated
05:56Because I breathe happiness
05:59For you
06:02And my smile betrays me
06:05Because I know you love me
06:07I will always take care of you
06:11For you I knew love
06:16You are my reason
06:21My universe and happiness
06:26You are my real world
06:31Miss, your car is waiting for you.
06:33Come on, let's go.
06:35My perfect melody
06:40Princess full of love
06:44The owner of my heart
06:53And this song
06:55I wouldn't have without you
06:58You wouldn't be with me
07:16What happened?
07:17Why did they cut the song?
07:18I don't know.
07:21The song is not finished yet.
07:22What's going on?
07:24We are running out of time.
07:26The next song is complete.
07:27No, wait.
07:33Leave him alone.
07:35I know him.
07:36He needs to be alone.
07:39I shouldn't have come.
07:40It was a mistake.
07:41I couldn't take advantage of this opportunity.
07:43I ruined everything.
07:49I'm sorry.
07:50I was leaving.
07:51No, no.
07:52Wait, please.
07:54I saw your presentation.
07:55I loved it.
07:56You loved it?
07:57Yes, it was on the set.
07:59Carla.
08:00Carlita.
08:01For the friends.
08:02Nice to meet you, Carla.
08:03Carlita.
08:04Carlita.
08:05I'm a big fan of Nectar.
08:06And now I'm also a big fan of the bomboncito de la cumbia
08:09of Gibi Solosco.
08:12Thank you, Carlita.
08:13I'm already on my way out.
08:14I'm from Peru, but I grew up in Bolivia.
08:16I studied marketing there.
08:17And I came back four years ago.
08:19Hey, you know, I loved your presentation.
08:21But I think there's something you're missing.
08:23Really?
08:24What?
08:25Your image.
08:26You can't go out like that with your normal clothes.
08:28You have to produce yourself.
08:30Dress better.
08:31If you want, I can help you.
08:33Free, at first.
08:34Like the help of a fan.
08:37Okay.
08:38Okay.
08:39Give me your number and we'll talk.
08:40Yes, yes, yes.
08:41Of course.
08:42Hey, I'm an expert in looks, in outfits.
08:44Good fashion, labels.
08:45I can help you drive on TV.
08:47Yeah, great.
08:48So give me your number and I'll call you.
08:50And we'll talk.
08:51Yes.
08:52This is my number.
08:53This is my email.
08:54Here's my high five.
08:55Well, everything.
08:57Great.
08:58Thank you, Carlita.
08:59So, I'm calling you and we're talking.
09:01Uh-huh.
09:07See you.
09:08Uh-huh.
09:09Bye.
09:10Bye.
09:15Well, that girl is kind of unique, isn't she?
09:17She said nothing to the table.
09:18Yes.
09:19And whenever she goes on TV, the same thing happens to her.
09:21Exactly.
09:22She always does the same thing.
09:26Hey, Tavito.
09:29With respect to what we're talking about.
09:33I know you're right.
09:34All right.
09:37We're going to talk to my dad.
09:38The two of us.
09:39The two of us together?
09:40Yes.
09:41Yes, yes.
09:42The best thing is that the two of us face each other.
09:43But please let me prepare the ground so that the news is not so heavy.
09:47Of course, Nati.
09:48You'll see that we're going to get a lot of attention.
09:50I don't know how I'm going to do it, but I'm going to please your dad.
09:54You'll see.
09:55But I'm going to put it in my pocket.
09:56And your brother too.
09:57You'll see.
10:18People say that you are not a lady.
10:24People say that you are a sinner.
10:29For having so many loves in life.
10:34That your love is full of lies.
10:40People say that you are not a lady.
10:44People say that you are a sinner.
10:50For having so many loves in life.
10:55That your love is full of lies.
11:01You are a sinner.
11:04A sinful woman.
11:07But my heart loves you more.
11:12Son, what's going on?
11:14It's super good.
11:15Keep playing.
11:16It was cool.
11:17You see, you heard him, son.
11:18Keep playing.
11:20Why are you bringing him here?
11:23Son, what happens is that his mom couldn't pick him up from school.
11:26And in his house there was no one who would stay with him.
11:28That's not my business, old man.
11:30Please, son, lower your voice.
11:32Besides, I thought it was the opportunity for them to meet.
11:35For them to meet?
11:36Yes.
11:37I clearly told you that I had no intention of meeting your other son.
11:39Lower your voice.
11:40Because of that brat and his mom you destroyed our family, old man.
11:43I don't want to have contact with that brat.
11:45Son, please.
11:46Don't talk like that.
11:47Talk how?
11:49With the truth?
11:50Son, please.
11:52Calm down.
11:53Besides, you yourself told me that maybe with time you would think about it.
11:57Or don't you remember?
11:58I lied to you, old man.
11:59I lied to you.
12:00Do you know why I lied to you?
12:01Because I can't stand your face of suffering.
12:02I can't stand it.
12:03I can't stand it.
12:04Calm down.
12:05You're scaring your brother.
12:06That brat will never be my brother.
12:08Did you understand?
12:09He's not my brother.
12:10He's also my son.
12:11Then take him away from here.
12:12Take him away.
12:13Calm down.
12:14Look, old man.
12:15I'm going to tell you one last time.
12:17So that it's recorded in your head.
12:19Yes?
12:20This boy will never be my brother.
12:23I don't need a new family.
12:26Calm down.
12:34Calm down, Cholito.
12:36Calm down.
12:37Yes?
12:39Calm down.
12:57Nunez.
12:58What's up? Please.
12:59How are you?
13:00Fine.
13:02What happened?
13:05I'm sorry, Davis.
13:06I haven't been able to make your songs play on the radio.
13:37My heart is a living hell.
13:42Let me go.
13:45Let me live.
13:50Hey.
13:51How are you?
13:52Don't look at me.
13:54It's Panchito.
13:55I know he was wrong with the rhythm.
13:56Come here.
13:58Don't tell me anything.
13:59And that's how you become the best musician in Mexico.
14:01Come.
14:02Take your bass with you.
14:03Don't be stingy.
14:04Take the strings.
14:05I want to formally introduce you to my boyfriend, Tavito.
14:18Yes, as she said, me, her, us, we are in love.
14:31And that's it, right?
14:34Yes, yes, and we love each other a lot more, really.
14:46Hey, do you think he'll accept us with that?
14:48I don't know, I don't know, I think we have to look calmer, more confident.
14:52At least you can't look so nervous.
14:55Come, come, again, okay?
14:58No, I think we start like this, just so he doesn't get upset and...
15:04Hi, dad.
15:34Hi.
15:35Hi.
15:36Hi.
15:37Hi.
15:38Hi.
15:39Hi.
15:40Hi.
15:41Hi.
15:42Hi.
15:43Hi.
15:44Hi.
15:45Hi.
15:46Hi.
15:47Hi.
15:48Hi.
15:49Hi.
15:50Hi.
15:51Hi.
15:52Hi.
15:53Hi.
15:54Hi.
15:55Hi.
15:56Hi.
15:57Hi.
15:58Hi.
15:59Hi.
16:00Hi.
16:01Hi.
16:02Hi.
16:03Hi.
16:04Hi.
16:05Hi.
16:06Hi.
16:08Good.
16:09Good one.
16:10We sound better every time, I hear you.
16:13It's ready.
16:15We have no news.
16:23Come on, we're passing Argentina.
16:27I know, Yoni, but don't remind me.
16:29No, don't get like that. It'll be over soon.
16:33To be honest, I want it to be over soon too.
16:37Soon.
16:38So I can take some time off from Nectar.
16:41Get out of music for a while.
16:43Well, without letting her help Davis.
16:46Are you serious, honey?
16:48Yes, Cholita.
16:50I want to build our little house.
16:52Spend more time with Pierito.
16:54And most importantly,
16:56spend more time with the love of my life.
16:59My love.
17:00You.
17:06And eat pastries, and eat pizza.
17:09Eat, eat, eat.
17:10And eat ceviche.
17:11And eat tortillas cooked.
17:26I miss you so much.
17:42But I can't be sad forever.
17:52Life must go on.
18:19Do you want me to sing La Tropical?
18:22That's right.
18:23That offer has arrived.
18:25It's a new group that is sounding a lot in the province.
18:28And they want you as a vocalist.
18:30People listen to my songs?
18:32Yes.
18:33Look, I would suggest that you accept.
18:35Yes?
18:36It is better that you become known as a vocalist
18:38in this group that is already consolidating.
18:40And then, if you want, you take the honey back.
18:43But there is a problem.
18:45Which one?
18:47Juan wants it.
18:52Dad.
18:53I'm not a kid anymore.
18:55I can decide alone.
18:57I want to sing with La Tropical.
18:59You are just testing the terrain in Lima, Davis.
19:01We don't even know how to go with that group.
19:03And worse, far from me.
19:04I can't help you and I can't be there to be with you.
19:06You see?
19:07That's the problem, dad.
19:09We go back to the same old thing again.
19:12You don't want me to separate from you.
19:13To be far from you.
19:15If I'm wrong, it's my mistake.
19:17Period.
19:18You have to respect my life, dad.
19:20Do you understand?
19:21Yes, yes, yes.
19:22I know, Davis.
19:23I know.
19:24You're absolutely right.
19:25I just don't want you to make those mistakes that I...
19:29Look.
19:30I have an idea.
19:31I have a deal.
19:34You don't sing with that band.
19:37But you come with me on tour to Argentina.
19:40Really, dad?
19:41You and me in Argentina?
19:42Yes, son.
19:43In Argentina.
19:44Singing, sharing the stage.
19:45Can you imagine?
19:46It would be spectacular.
19:47Go back to the city where Nectar started.
19:49On the stage of the Bolivian Magician.
19:51What do you say?
19:53Do you accept?
19:55Dad, I can't.
19:58You can't?
19:59I can't reject that offer, dad.
20:02It's going to be amazing.
20:03Let's sing together in Argentina.
20:08Oh, Davis.
20:09The joy you give me.
20:10The tranquility I feel.
20:12Thank you, son.
20:13Thank you for understanding.
20:14I'm going to talk to Marcial.
20:15I'm going to tell him that you're coming with us to Argentina.
20:18Let's go to Argentina.
20:19Let's go to Argentina.
20:29That Naty, right, sir?
20:30She's very studious.
20:32She just went out with her friends.
20:35Just that boy.
20:37Juanco.
20:38He's always with her and helping her.
20:40Sir, why don't you like him?
20:42If that boy is very good, very calm.
20:45Who are you talking about?
20:47Juanjo, Naty's friend.
20:50Stop the car.
20:51Stop the car!
20:55Who are you talking about, Juan?
20:57Well, what happens is that Naty told me that you don't like that boy.
21:01But look, sir, I know him.
21:02And he's a good person.
21:04Besides, he loves Naty a lot.
21:07Get out of the car.
21:08But sir...
21:09Get out of the car!
21:15How is that boy?
21:16Did you see him with Natalia?
21:18Sir, he's been in the car a couple of times.
21:21But look, I swear he's always behaved very well.
21:24He got in my car with my daughter!
21:27How many times, Juan?
21:29How many times?
21:31Answer me!
21:33Sir, they love each other a lot.
21:35Really, they love each other a lot.
21:36How could you let that guy get in my car?
21:39And with my daughter!
21:40That criminal!
21:42And you still talk to me as if I were nothing.
21:44As if I were an idiot.
21:47I don't want you to step foot in my house again.
21:49Not even in my car.
21:50Get out.
21:51Get out!
21:53Sir.
22:07Hello, Matias.
22:08Where are you?
22:09Where is your sister?
22:11She's been seeing that criminal.
22:13Where is your sister?
22:16At the university.
22:23Davis!
22:24Hi.
22:25Carlita?
22:26What are you doing here?
22:27Didn't I tell you I'm Nectar's number one fan?
22:29How could I not know where they rehearse?
22:30I know everything.
22:31Everything!
22:32Hey, Davis.
22:33You didn't call me.
22:34Very bad.
22:35Very bad.
22:36I'm sorry, Carlita.
22:37I don't know if you noticed, but honey didn't hit as much as I wanted.
22:41So I went back to Nectar.
22:43I'm going on tour with them next week.
22:45Well, in a few days.
22:46How cool!
22:47Well, anyway, I'm there to say goodbye.
22:50Hey, Davis.
22:51And did you think about it?
22:53Do you want me to help you sell your image?
22:55I can even be your representative.
22:57Carlita, I'm already working with Nunez.
22:59He's my producer.
23:00Ah, but I don't want to be your producer.
23:02I want to be your image advisor.
23:04See what interviews you give, what you say, what you don't say.
23:06That kind of thing.
23:07Of course, but for that I already have my dad as an example.
23:09Davis, with all the respect that your dad and all the masters of the cumbia deserve,
23:14you and I are cooler.
23:15Well, we're in a different mood.
23:16We're going to understand each other better.
23:17Yes or no?
23:20I don't know.
23:21Look, I already opened a fan page for you.
23:23Las Bonboncitas.
23:24There are all the links.
23:26We also have Hi5, MySpace, YouTube, a blog, everything.
23:29Go to your computer, check it out and let me know.
23:32But anyway, you're going to love it.
23:34Oh, Carlita, I don't know what to say.
23:37If you like what you see, we can get together for a coffee or an ice cream and have a nice chat.
23:42Can you give me your number so I can call you tomorrow?
23:44Because if I wait for you to call me, I'll get old.
23:54Okay.
23:55You win, Carlos.
23:56Oh, good one, Davis.
23:58Write down my number.
23:59Okay.
24:00934-89478.
24:05Done.
24:06Okay, I'll call you tomorrow.
24:08Yes, see you tomorrow.
24:09We'll have an ice cream and then we'll talk about the image.
24:12Perfect.
24:13Done.
24:14Bye.
24:15Bye.
24:17Well, I'm going to go.
24:18Bye.
24:19Bye, take care.
24:20Take care.
24:21Bye.
24:22Good luck.
24:23Bye, see you soon.
24:24Bye.
24:25Bye.
24:26Good luck.
24:27Bye.
24:28Bye.
24:29Bye.
24:30Bye.
24:31Bye.
24:32Good luck.
24:33What are you doing, Natalia?
24:34Dad, what are you doing here?
24:35You have been seeing that boy.
24:36You've made fun of me.
24:37But this is over.
24:38Let go of me, dad.
24:39Let go of me.
24:40Shut up.
24:41Don't shout, dad, please.
24:42You believe in the great university, don't you?
24:43The good girl and applied girl.
24:44And you end up doing crap with that gang of assholes.
24:48You're a shame, Natalia.
24:50Let's go.
24:51Dad, please let me go.
25:14After hearing the tone, record your message.
25:18Hi, Natalia.
25:21I was waiting for you in the park, as we agreed, but...
25:25you never came.
25:28Is everything okay? Did something happen?
25:37This is weird.
25:40Natalia would never...
25:42would never leave me standing...
25:44without telling me.
25:47Natalia is isolated.
25:49I was fired.
25:50And no one is going to approach her until she goes to Spain at the end of the month.
25:53Dad, you can't leave her locked up as if she were a criminal.
25:56She's in my house and I do whatever I want.
25:59It's a decision already made.
26:01Well, Marci, if the decision is made, there's nothing to do.
26:18Guys.
26:21I've called you here because I have something very important to tell you.
26:26We have a new member.
26:28He's coming with us to Buenos Aires.
26:31He's coming to the tour.
26:33And...
26:35this new member...
26:37is also...
26:39well...
26:40he's...
26:41Hey, Peyonita, what's up?
26:42What's up with your little intrigue game?
26:44Say it again.
26:45Officially, Davis is back!
26:53Thank you, Dad.
26:55And thank you all for giving me this...
26:58welcome.
27:08Son.
27:10Son, listen to me.
27:11What do you want?
27:12For that, old man.
27:15For that, so much practice?
27:18I'm making an effort like you have no idea, old man.
27:22And I wasn't even going to choose Davis.
27:24That guy comes out and puts whoever he wants.
27:26Don't you know why?
27:27Because in the end, the only one who rules is him.
27:29It doesn't sound like that, son.
27:31Let me explain.
27:32Davis also made an effort.
27:33Come on, old man.
27:34I've had enough of that story.
27:35I know.
27:36I know.
27:37I know that Davis also made an effort.
27:38That he has more experience.
27:39I know, old man.
27:40I'm tired.
27:41Understand it.
27:43In the end, I'm making an effort like an idiot reverend.
27:45And all for what?
27:47All for nothing.
27:49It's not like that, son.
27:50Understand me.
27:51You're still with us.
27:52Keep fighting, son.
27:54You know what?
27:55I'm going to leave it here.
27:58It was a mistake to trust you again.
27:59How can you say that, old man?
28:01It was a mistake to trust you, old man.
28:03And it's gone.
28:06Come on, stay with your son.
28:08Son.
28:09Come on.
28:10You're free.
28:11Come on.
28:12But...
28:19You don't have to worry, little star.
28:22The presentation of your album is already closed.
28:25It will be on Sunday.
28:27Okay, perfect.
28:29And in the meantime,
28:31Johnny will tour Argentina, right?
28:34And his son with his new group.
28:36What I have prepared for you will be unmatched.
28:39Only the best for my dear boss of the cumbia.
28:42You better, Marcial.
28:44Because I've waited a long time.
28:46And I don't have time to keep losing him in nonsense.
28:49Little star.
28:51Little star.
28:52Berly.
28:54Little star, here you are.
28:56My beautiful queen.
28:59Let's go.
29:00It's late.
29:01The interview is on the radio.
29:02You're right.
29:03Yes, yes, yes.
29:04Let's go, let's go, let's go.
29:05But first, I'm going to introduce you as you should be.
29:07Marcial, let me introduce you to Perlita.
29:10Perlita is my counselor.
29:13She's my public relations.
29:15My personal assistant.
29:17My nail polish, my everything.
29:19She will accompany me everywhere.
29:22So I avoid being alone with certain people.
29:27Excuse me.
29:32Excuse me.
29:36Excuse me.
29:45My good friend, Marcial Montero.
29:49Don't worry, man.
29:51You always get pale every time I visit you.
29:55Nobody has seen me.
29:57Don't worry.
29:59I hope you haven't missed me too much.
30:06I love you.
30:07I love you.
30:35Don't worry, man.
30:37Don't worry, brother.
30:39Everything will be fine.
30:42Thank you, Davis.
30:44Something must have happened.
30:45I'm sure of it.
30:47Suddenly Natalia went ahead and told him on his own.
30:50Now Uncle Marcial must want to keep her away.
30:53I'm sure he's doing that.
30:55He threatened her with doing it.
30:57I don't know what to do.
30:59What if I tell my dad?
31:01Why should I talk to Marcial?
31:03Do you think your dad will believe that?
31:05Anyway, Tavito.
31:08He loves you a lot. He appreciates you.
31:09Besides, he knows that you are a good person.
31:13My dad and Marcial have been friends for years.
31:15He helped him when he needed it most.
31:18I'm sure he convinces him to let them be together.
31:21Yes, yes. That's good.
31:23But be gentle.
31:26I don't want to have problems with Uncle.
31:28You should have seen him.
31:30When he saw us together, he went crazy.
31:33He scared me.
31:34Tavito.
31:35If you love each other,
31:37no one has to meddle.
31:39You are adults.
31:40You are adults.
31:41You know what you are doing.
31:43No matter how much of a father Natalia is,
31:45he can't meddle in that way.
31:47Yes, Davis, but...
31:48But nothing, Tavito.
31:50My dad is going to talk to Marcial.
31:52Everything will be solved.
31:54I swear.
31:57Just drink your water.
31:59Calm down.
32:01What are you doing here, Chacal?
32:03Let's say that the time I gave Chile
32:05to give me the light I deserve
32:07is over.
32:09There is a lot of competition out there.
32:11I managed to have certain territories,
32:13but I was not born to be second.
32:16No.
32:18I was born to be the king.
32:20Like in Argentina.
32:22And now in Peru.
32:24From now on,
32:26I'm going to dedicate my full time
32:28to this beautiful land
32:30that saw me born.
32:32Chacal, stop talking nonsense.
32:34Losing you in Chile
32:36affected your head, didn't it?
32:38What are you talking about, idiot?
32:40I decide when to leave
32:42that is different.
32:44From now on,
32:46I'm going to run my business
32:48here, but alone.
32:50Chacal, what do you want?
32:52Your money has always come to you at the end of the month.
32:54I have taken care of giving it to you myself.
32:55Well, let's just say
32:57that now I prefer you to come alone.
32:59Okay?
33:01I don't need you anymore, Marcial.
33:03I asked you to be my representative
33:05for obvious reasons,
33:07but now that I settle here,
33:09I don't need you.
33:11Your golden age as a musical producer
33:13is over.
33:15Chacal, you can't do that.
33:17I need all the information
33:19of all the groups
33:21we have been representing.
33:23I want to pay them a visit.
33:25Chacal, you and I had a deal.
33:27You can't do that
33:29just because you failed in Chile.
33:31What are you saying, idiot?
33:33Look, things are very different here than in Argentina.
33:35You could have done a thousand things there,
33:37but you are nobody here.
33:39I am the powerful one here.
33:41And I gave you that power
33:43and I can take it away from you like this.
33:45I thought I would do it today,
33:47in a good way,
33:49but you will force me to take other measures.
33:51Chacal.
33:53Chacal, wait.
33:55Please, Chacal,
33:57I don't want a war with you.
33:59You scared me, Montero.
34:01Listen to me.
34:03I'm going to handle everything alone.
34:05Learn to let go, man.
34:07Learn to let go.
34:09Please, Chacal, don't you realize
34:11that you alone will not be able to do anything here?
34:13You need me.
34:15I am your facade, your mask.
34:17No one will want to do business with you.
34:19And I don't think you can run the machine
34:21like you did in Argentina.
34:23Not here.
34:25You're talking to Johnny right now.
34:27Everything is going to hell.
34:29Money can be dirty, yes.
34:31But it's not always stained with blood.
34:33I know how to negotiate, Chacal.
34:35You don't.
34:37You almost convinced me.
34:39I'm moved, Montero.
34:41Okay.
34:43Let's see what happens now.
34:45In the meantime,
34:47we are still partners
34:49until death separates us.
34:56My God.
34:59Marcial and Chacal
35:02are talking as if it were nothing.
35:05And they're shaking hands as if they were partners.
35:09It can't be.
35:12It can't be.
35:14It can't be.
35:16It can't be.
35:18It can't be.
35:20It can't be.
35:22It can't be.
35:23It can't be.
35:27Toothbrush, mouthwash, headphones, wallet,
35:30more documents, cell phone charger,
35:32and book of compositions.
35:34I think we're done.
35:36We don't need anything to take the trip to Argentina.
35:38Congratulations, nephew.
35:41We're going to Argentina.
35:43It's going to be a blast
35:45to see you and Johnny singing together
35:47in the place where it all started, nephew.
35:49What am I talking about?
35:51Everything started here.
35:53It's true.
35:55You and my dad loved music since we were kids.
35:57Since we were kids.
36:00When we were kids, we'd go to bed.
36:02Before going to bed, we'd look at the sky
36:04and say,
36:06I want to be that star.
36:08And Johnny would say,
36:10I want to be that star that shines more.
36:12And we'd spend the night like that.
36:14Of course, we were little kids.
36:16We didn't even have a roof.
36:18Oh, God.
36:20So many things have happened.
36:21Many things, nephew.
36:24But now we're here.
36:26And we're a very united family.
36:28That's what counts.
36:30And now we're going to Argentina.
36:32That's the beauty, old man.
36:34He'll sing it very well,
36:36but your Argentinian accent is terrible.
36:40Our music is going to go so far, David.
36:42So far that even the angels
36:44are going to hear us
36:46and start dancing their cumbia.
36:48You'll see.
36:50You excite me with what you say, uncle.
36:52You always do.
36:55I'm very happy to sing with my dad in Argentina.
36:58But you know,
37:00it also makes me very happy
37:02to sing with you, uncle.
37:04Because you supported me
37:06since I was a little boy.
37:08And you always did.
37:10Do you remember
37:12that you taught me to sing and play
37:14without anyone noticing?
37:17And I would do it again, nephew,
37:19over and over again.
37:21Do you know why?
37:24Because you're a son to me.
37:29The son I could never have.
37:35I'll always love you, David.
37:37Always.
37:40I love you very much, uncle Kike.
37:42You're my nephew.
37:47I love you.
37:52Enough!
37:54Too much melodrama here.
37:56I'm still hungry.
37:58Why don't you have a little tea,
38:00a little tea with soup?
38:02With some fried duck?
38:03Speaking!
38:04I invite you.
38:05Thanks uncle.
38:10So, if David travels with us,
38:12you mean he's not going to stay with his group?
38:14Not for now.
38:15But I'm sure that when we return, he will continue with his group.
38:20Father and son singing together in Argentina. I love it.
38:26Every time we play in El Galpón, they pay us a misery.
38:29And I see that place full and the people and what falls, it doesn't make sense.
38:34Explain to me, do you know why we are winning less and less?
38:38Yes, Johnny, Johnny, you're right, you're right.
38:40But you know that El Galpón is not managed by Mario, and this guy is a shameless.
38:44Is there anything you want to tell me?
38:50No, I don't. And you, Marcial, is there anything you want to tell me?
38:56About what?
38:58I don't know, about the tour. Is there anything going on, Marcial?
39:04No, no, everything is going very well. I take care of everything. You trust me.
39:14I love you.
39:45I think we could let your hair grow, right?
39:47Like to give you a more rebellious touch, but just a little bit.
39:50Like to make you some interesting hairstyle.
39:53I know, stripes.
39:54No.
39:55Yes.
39:56Ah, and your look, we definitely have to change it.
39:58You have to put on something more striking. I can accompany you to buy ...
40:01Carla.
40:02It may be Thursday, you tell me if at four in the afternoon you are fine, I can accompany you.
40:05Carla, please relax, breathe a little, sit down and finish your ice cream, please.
40:08Sorry, I get excited.
40:09Yes, I know.
40:10Well, I have everything available Thursday, you just tell me the time and that's it.
40:13Don't worry, I'll let you know, Carla.
40:15Here, on your side, please.
40:25After hearing the tone, record your message.
40:28It's been several days, Natalia.
40:31I've been waiting for you outside your house, at the university, but I don't see you.
40:36I've been waiting for you outside your house, at the university, but I don't see you.
40:40What happened?
40:43When you hear this message, please answer me.
40:46I ask you.
41:05I want to be with you forever.
41:35I want to be with you forever.
42:05I want to be with you forever.
42:07I want to be with you forever.
42:36No!
42:48No!
42:49No!
42:54Please!
42:58Natalia!
42:59Natalia!
43:00Natalia!
43:01Natalia!
43:03No!
43:06No!
43:08No, no, no.
43:10What happened, Johnny?
43:13Cholita, we have to take care of Davis.
43:21He can't travel to Argentina.
43:24He can't travel.
43:27No, my love.
43:28What a bad dream, Cholita.
43:30He can't travel.
43:41You're an imbecile!
43:43I'm going to report you to everyone for having betrayed you.
43:47We're going to have to cancel the tour.
43:49No, Johnny.
43:50We can't cancel the tour.
43:52A bad feeling.
43:54Davis, I've decided that I'm going to travel alone to Argentina.
43:56Davis!
43:57Davis!
43:58Davis!
44:01What's wrong, Johnny?
44:02Oh, my God.
44:03I don't know why I'm scared, but I don't want him to go.
44:10I'm going to leave Nectar in heaven!