Lud Zbunjen Normalan (115 Epizoda) S4.E19 ∙ Fotografija Ricardsa Kejta
Lud Zbunjen Normalan (115 Epizoda) S4.E19 ∙ Fotografija Ricardsa Kejta
Lud Zbunjen Normalan (115 Epizoda) S4.E19 ∙ Fotografija Ricardsa Kejta
Lud Zbunjen Normalan (115 Epizoda) S4.E19 ∙ Fotografija Ricardsa Kejta
Lud Zbunjen Normalan (115 Epizoda) S4.E19 ∙ Fotografija Ricardsa Kejta
Lud Zbunjen Normalan (115 Epizoda) S4.E19 ∙ Fotografija Ricardsa Kejta
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FunTranscript
00:00I'll never understand how these Americans give names to sports clubs.
00:15What are you talking about, Bolan?
00:17Look at this, look at this, what are they called? Chicago Bulls.
00:21It's the same as if the name of a basketball club in Gatica was Gatica Bulls, I can't believe it.
00:28You're really crazy.
00:30I don't know, boss, I don't know, I can't think at all.
00:34Today, or you can't think at all?
00:37Today, Bolan, my head hurts so much, I feel like it's going to explode.
00:40Refko, open this hatch here, this one.
00:43This one?
00:44Yes.
00:46Do you see this box of pills?
00:49That's it.
00:50Those are the pills against the head. Take one and you'll feel better.
00:53Let me try.
00:59Where are you, handkerchief?
01:02Oh, Tifa, where are you from? You're not in London, are you?
01:07I came yesterday, it was dark. I was with Dada Gigana, you know, our doctor.
01:12I know Dada, Dada was my best friend before the war, before he went to London.
01:16Hey, look what I brought you, a handkerchief.
01:18He introduced me to Dada Skater, I know how much you like skating.
01:22Please sign this photo.
01:24Max for the handkerchief.
01:26Don't fuck with me.
01:30Kate's photo.
01:33To my dear friend, handkerchief, Kate Richard.
01:38I can't believe it, Kate's signature.
01:41Kate's handkerchief, this is worth a million marks.
01:45This is worth a beer, you know.
01:47What beer, Tifa? I can't believe it.
01:51You know who I'm a fan of, Kate?
01:54The only one who loves Kate more than me is Nedo Babovic.
01:57Who else would be so excited to see this?
02:01To my dear friend, handkerchief.
02:04Hello, Maria, bring me two beers.
02:07What two beers? Bring me a pack of beers.
02:10Tifa, I'm going to put it here, right next to you,
02:14so I can look at it all day.
02:17Listen, handkerchief, I'm looking at you,
02:20but somehow it looks a bit old-fashioned.
02:25I'm going to put it here, so I don't get bored.
02:28What are you going to do, Tifa?
02:30I don't give a shit.
02:31Listen, I have a job for you.
02:33A new handkerchief.
02:35It's a gift from me.
02:37Just find a guy who can bring it nicely,
02:39so you know a little bit about it.
02:41No problem, I have two left-handers who work for me.
02:44They'll do it for her.
02:46What a pain in the ass.
02:48Listen, handkerchief, I have a job for you.
02:50You and Chombe will take this old chair
02:52and put it in a container.
02:54You'll go to Tifa and bring her a new work chair.
02:58Do you count?
02:59I do, but I don't know if I can.
03:01My buttocks really hurt.
03:03Now your buttocks hurt even more.
03:05First my head hurt, then you gave me these medicines,
03:08and now my buttocks hurt.
03:10I don't count.
03:11What do you mean, you don't count?
03:12It's nicely written on them, anal-getic.
03:14That means they take anal.
03:17I don't think you took enough of them.
03:20I'm sick of it.
03:21You know how they're made wrong.
03:23It's big, round, and I can barely push it.
03:48It's the face of a child, all the way to sixty.
03:52It's the face of a child, all the way to sixty.
04:22It's the face of a child, all the way to sixty.
04:35Damir Duša bought a new TV.
04:37A new touch screen. Let me see.
04:39Damir says you can listen to music, talk, take pictures.
04:44I have a problem. I got it this morning, but I don't know how to use it.
04:47Let me show you.
04:48Hold my hand.
04:49Here, you call.
04:51Marija, do you know what this picture means to me?
04:54Kate Richards with the signature.
04:57I'm the biggest fan of Kate on the planet.
05:01Yes, but after Nedim Babović.
05:03Okay, that's right, after Nedim.
05:05Hey, look at that little one.
05:08Who?
05:09That barber's girlfriend.
05:12Oh, really?
05:16Yes, Marija, she's nice.
05:20What do you think I'm going to do there?
05:23Okay, fine.
05:25You see, she's going to go.
05:27You're going to go, too.
05:33Hey, girls, what's up?
05:35Hi.
05:36How are you?
05:38Good.
05:39Nothing much.
05:40I called this guy from London this morning.
05:44I don't know if you know him. Kate Richards.
05:46Kate Richards? That Kate Richards?
05:48Kate Richards.
05:49Who?
05:50From Rolling Stones.
05:51Oh, yes, yes, him.
05:53We're really good friends.
05:55You know Kate?
05:57We started out together.
05:59We played a little, now we're slowly getting to know each other.
06:03You're getting to know each other from Rolling Stones?
06:05Yes, the postman brought me a letter from him this morning.
06:08But somehow he writes, no matter what.
06:11Hello, barber.
06:13What's up?
06:14What's new in Zika?
06:16Do you have a hit for us?
06:19Totally, no joke.
06:21I'll take that blanket, iron it a little.
06:23When I get inside, I'll find his photo.
06:29He sent it to me yesterday.
06:31Now I have to take a picture and send it to him,
06:35my photo, so he can frame it and hang it on the wall.
06:39To my dear friend Rukvash.
06:41Kate with love.
06:43Rukvash, yes, Rukvash.
06:45That's what he calls me.
06:47Sometimes Ruki, Rukiča, Rukola.
06:51If it's Rukola, you have to frame this.
06:54When it's my turn to frame Kate Richards.
07:00But what am I going to do?
07:01I have to frame him,
07:04because Kate could ban him
07:07and see that there's no picture of him on the wall.
07:10And get mad.
07:13Kate is a whore.
07:15Really?
07:16I know a man who frames the best photos in the world.
07:20Here, I'll give you his number.
07:22I can't find it on this tablet.
07:24Give me a lightbulb.
07:26A lightbulb?
07:27A lightbulb so I can write something down.
07:29The number.
07:30Yes, yes, here it is.
07:31He frames the best in the city.
07:33He has an anti-reflective glass.
07:36The price is great.
07:39You really know Kate.
07:46What is it?
07:48What did you put in there?
07:50Beans.
07:51I'm a horse, too.
07:53Why are you cooking beans?
07:55On Monday, beans.
07:56On Tuesday, beans.
07:58On Wednesday, beans.
08:01And then again.
08:02I've had enough of your beans.
08:05I'm sick of you.
08:07Go away, Bolan.
08:08The house is healthier and nicer than beans.
08:10Today, I don't give a damn.
08:12Zubro, Bolan, when you make beans,
08:15it's so thick that you have to stand on it.
08:19A man wouldn't drown if he had three credits on his back.
08:24No, no, no.
08:26Today, Izet doesn't eat your beans.
08:29Izet bought himself 65 kg of kebabs, a little bit of chumura.
08:34And then, right on the balcony,
08:36he set up a barbecue with a little bit of maksuzija.
08:40Life has to be a fairy tale,
08:42only if you think it over well.
08:46The beans have to be thick.
08:48What's wrong with him today?
08:50Maksuzica.
08:53You see, he made a mistake, Šaširić.
08:57My dear brothers,
08:59kebabs and maksuzija
09:01A real man needs a little luck.
09:07Bolan, this touchscreen is great.
09:10It can play a million songs,
09:12plus a phone, plus this, plus that.
09:14Son, look at this.
09:16Kate Richards' photo.
09:19She signed it herself.
09:21So what now?
09:22What now? Kate Richards.
09:24Kate Richards. Hello, hello.
09:26Okay, Bolan, I know who Kate Richards is.
09:28I mean, I'm not an idiot.
09:30You have this photo, and you're like a great emperor, right?
09:33What? You're like a great emperor
09:35because you have this touchscreen.
09:37Barbara is smarter than you.
09:39She gave me the number of the man
09:41who has the best access to these photos in the city.
09:44Wait, where is it?
09:46I forgot the number in San Remo.
09:49Don't worry.
09:50We'll call Barbara from my touchscreen.
09:52She and I have this number, free of charge.
09:55Where did you see Barbara today?
09:57I saw her in San Remo.
09:59She was with that Sheila.
10:01Son, I'm good.
10:03That Sheila.
10:05You know what, Tajo,
10:07can I talk to her for a bit?
10:09Tajo, you're talking more and more nonsense.
10:12Come on, let's go have some coffee.
10:14Sheila!
10:18Everyone's ready for bed.
10:20It's just a little bit of old news,
10:22and Solo Teferic can start.
10:25Here, let me see.
10:29Here we go.
10:31In the history of five days.
10:33Great.
10:34Now no one can accuse me
10:36of burning something important.
10:39The last time I trusted him,
10:41I was just looking for a page from that bookshelf.
10:44He almost killed me.
10:50Son, you underestimate my vitality.
10:53What's so strange about it
10:55is that I'm a little bit with Sheila.
10:57First and foremost,
10:59the only and most important thing
11:01is that if Aina finds out,
11:03man, you're dead.
11:04What, Aina is in Split,
11:06she'll be back in a few days.
11:08Where's your touch screen?
11:10Please, call Barbara.
11:12I forgot the number of the guy
11:14who prints the photos.
11:16Here, call her.
11:18Hello, Barbara?
11:20It's not Damir, it's Faruk.
11:22Barbara, there's a note on the table
11:24where I wrote down the number of the guy
11:26who prints the photos.
11:28Absolutely.
11:30Write down 544833.
11:33Barbara, say hello to Sheila.
11:38And she says hello to me, right?
11:40Say hello to her one more time,
11:42from Faruk.
11:44Say hello, say hello.
11:46Where's the switch?
11:48Say hello, say hello.
11:50And what does he say?
11:52He says hello.
11:54Why didn't you send Faruk's gun?
11:57It looks like Barbara didn't cut the connection.
12:00Your Faruk is sweet.
12:02I can hear everything they're saying.
12:06Don't worry.
12:08I'm worried, I'm worried.
12:10We all know very well
12:12that you always like old men.
12:14How do I know that?
12:16We all remember Nihad very well.
12:18Nihad? Nihad was 27 years old.
12:20Yes, Nihad was 27 years old.
12:22But you were 16.
12:24What are they talking about?
12:26Shut up, you idiot.
12:28Now comes the most important part.
12:30Okay, let's not lie to each other.
12:32It's not that they're not right.
12:34Listen, I've been having
12:36a sexual crush on you
12:38for years,
12:40with an old, mature man.
12:42What are you talking about?
12:44I couldn't.
12:46I couldn't.
12:48Let me hear it.
12:50Let me hear it.
12:52I'll turn on the speakerphone
12:54so we can both hear it.
12:56And you're standing with a cup,
12:58and I'm standing with a cup,
13:00drinking like I'm bored.
13:02And next to me
13:04you see an old guy
13:06in a jacket.
13:08In a jacket?
13:10Yes, in a jacket.
13:12He looks like an Italian guy
13:14with black hair.
13:16And?
13:18And?
13:22He just told me
13:24that there's a great ballet
13:26in the National Theatre tonight.
13:28He gave me a bouquet of yellow roses.
13:30A bouquet of yellow roses?
13:32Where's the action?
13:34We said it was a sex scene.
13:36I didn't get that far.
13:38I'll just tell you
13:40that we've never been to the National Theatre.
13:42His apartment was much closer.
13:46There she is,
13:48the crazy old hag.
13:50Old man, what's wrong?
13:52Hello, are you okay?
13:54Damir, son, if you don't know where
13:56I could get a rag and some gel
13:58to wet my hair.
14:00A rag?
14:08I can't take this.
14:10Oh, Refkec, what are you doing here?
14:12Nothing, it's not my fault.
14:14You told me to make this.
14:16What's wrong with this?
14:18I was there this morning,
14:20and I can't move it.
14:22Let's try it together.
14:24Let's do it together.
14:26Damir,
14:28why are you drinking coffee
14:30all by yourself?
14:32The old man went to take a picture.
14:34Let him be.
14:36I sent Grah to check.
14:38What's that?
14:40This is a touchscreen.
14:42Who?
14:44Touchscreen.
14:46Barbara bought it for me.
14:48Why do you need it?
14:50It can do anything.
14:52It can play a million songs.
14:54When I'm washing up,
14:56I turn on the music,
14:58put on my headphones,
15:00and while I'm washing up,
15:02the music plays.
15:04While you're washing up,
15:06you're listening to music?
15:08Yes, like this.
15:10While you're washing up,
15:12you're listening to music?
15:14Yes.
15:16You're crazy, Damir.
15:18What are you listening to?
15:20I'm listening to rock music.
15:22Damir,
15:24the picture is gone.
15:26Richard?
15:28No, Queen Elizabeth.
15:30Of course it's Richard.
15:32Zumro, did you touch
15:34any of the newspapers?
15:36No, I didn't even go there.
15:38Are you crazy?
15:40It has to be here somewhere.
15:42I'm not crazy.
15:44I know I left it here.
15:46I left it here,
15:48and then we went to have coffee.
15:50Do you feel something burning?
15:52I feel like I'm going to die.
15:56What are you doing?
15:58I always knew
16:00you weren't over-intelligent.
16:02But when you see me
16:04making a fire,
16:06you ask me what I'm doing.
16:08In the sun.
16:10Are you crazy?
16:12I'm not crazy.
16:14It can't be Richard.
16:16Who's Richard?
16:18I'm sorry,
16:20but now you're flying
16:22from the balcony.
16:24Let him calm down.
16:26Damir, what's with this crazy guy?
16:28Let him calm down.
16:30It's not the end of the world.
16:32I'm going to crush him.
16:34Are you crazy?
16:36No, no, no.
16:38You'll remember this day.
16:40I'm going to destroy
16:42what's left of you,
16:44and what's left of me
16:46until I take a picture of Richard.
16:48Get out, get out.
16:50He's mine.
16:54You're going to cry.
16:56Get out.
16:58I'm telling you.
17:00Get out.
17:02Where are you,
17:04old man?
17:08Did you see
17:10the guy who left
17:12the stove here?
17:14Where's your crazy uncle?
17:16I don't know, and I don't want to know.
17:18If I stayed here,
17:20I'd go crazy with you.
17:22Good afternoon, Dad.
17:24How are you?
17:26What are you doing in my room?
17:28The result is 1-1.
17:30What do you mean?
17:32Come into your room,
17:34and I'll tell you everything.
17:40What did you do to Bolan?
17:42It's better if you don't know.
17:44Get out of here.
17:48He's mine.
17:50Why is he beating him?
17:54It's as if he's mad.
17:58I don't know what he did to me.
18:00He must have coded the TV.
18:02This is a crazy house.
18:04Where is he?
18:06He's beating me.
18:08Where is he?
18:10I won't have mercy for him
18:12or for his dogs.
18:14Who?
18:16Where? What is this?
18:18It's his device.
18:20He says he has to listen to music.
18:22He listens to music?
18:24Who gives him the right to listen to music?
18:26He says he has to listen to a million songs,
18:28and then he lets it go
18:30while he listens to his music.
18:32He's Bolan Kofol,
18:34some musician.
18:36Good thing.
18:38Great.
18:40There's just one big flaw.
18:42What?
18:44Wait, wait.
18:46I have to go back upstairs.
18:48I forgot.
18:52Touchscreen.
18:54You'll see, Faruk,
18:56who's Fazlinović.
18:58You'll see what he did to me.
19:06Let me order, Martini.
19:10I'm not going to wait anymore.
19:12Marija!
19:14Marija!
19:16Where are you?
19:18Please, give us two Martinis.
19:20Can't you order a beer?
19:22Beer? In Germany?
19:24It's a normal world now.
19:26Who doesn't drink James Bond anymore?
19:28Are you a muslim?
19:30I knew it.
19:32I have to open a whole can because of two muslims.
19:42Tonight,
19:44in the chamber,
19:46in the National Theatre,
19:48they're giving
19:50a free lake.
19:52I have a card,
19:54a ticket.
19:56Can we go together?
20:00It's not even dirty.
20:02I really don't know.
20:04All day, we were having fun,
20:06and we didn't even move a millimeter.
20:08What millimeter?
20:10We didn't even move a centimeter.
20:12Come on, give me your hand.
20:14You know what to do.
20:16Okay.
20:18Come on.
20:20Give me your hand.
20:22We have an
20:24awkward situation.
20:26Refko, whatever it is,
20:28I don't care right now.
20:30Close the studio and run away.
20:32But how?
20:34You can't close the studio.
20:36Okay, okay.
20:38I'll be back in a minute.
20:40Sheila,
20:42Dušo, stay where you are.
20:44I'll be back in a second.
20:48I'll be back in a second.
20:52Here are two martinis.
20:54With all the butter,
20:56chocolate, and sugar.
20:58Five marks each.
21:02Whose is this?
21:04Yours.
21:06From whom?
21:08He adores his father.
21:14What did you tell Faruk?
21:16Don't play dumb.
21:18Why did you tell Faruk about my imagination?
21:20I told your father-in-law about your imagination.
21:22I'm not crazy.
21:24Did you see how he came?
21:26How would I see him? I was naked.
21:28He came with his hair in a black coat
21:30and a bouquet of yellow roses.
21:32And he took me to the theater.
21:34What a fool.
21:36Why are you laughing?
21:38Damir told me.
21:40I didn't know to turn on the connection
21:42on the touchscreen.
21:44I can't believe it.
21:46I can't believe he's so crazy.
21:48He thinks I'll fall for that nonsense.
21:50You don't know him.
21:52I have an idea of what we should do.
21:54I'm listening.
21:56Wait, wait. Repeat it one more time.
21:58Here's the thing.
22:00When I came,
22:02this chair was already upside down.
22:04That was in the morning.
22:06Wait, you've been trying to
22:08turn this chair upside down since this morning?
22:10All day long.
22:12This won't even move a millimeter.
22:14I have to go to the barber.
22:16I told you.
22:18That chair can't go through this door.
22:20No way.
22:22What an idiot.
22:24What do you mean it can't go in?
22:26When I say it can't go in,
22:28I mean it can't go in.
22:30Refko.
22:32Retardinho.
22:34Show me
22:36how you two
22:38are trying to move this chair.
22:40No problem.
22:48It doesn't even move.
22:50I don't know if I'd cry or laugh.
22:52Refko, tell me,
22:54what did I tell you to do with this old chair?
22:56You told me to take it
22:58and put it in a container.
23:00Put it in a container.
23:02Is it clear now where the problem is?
23:04Refko Bolan,
23:06why didn't you tell me
23:08we shouldn't move the chair,
23:10we should take it out.
23:12I'll take it out.
23:14Where's the problem?
23:16Barbara.
23:18Tell me, Barbara.
23:20Good evening, Faruk.
23:22I just wanted to ask
23:24if you found the man
23:26who's photographing.
23:28Are you happy with him?
23:30Barbara, I can't tell you now,
23:32but I have a problem.
23:34Okay, we'll talk later.
23:36What is it?
23:38What exactly happened
23:40in your other sexual fantasy?
23:42Fuck, I forgot to cut the connection again.
23:44Boss, do you want me to...
23:46My other sexual fantasy
23:48is what I can't get out of my head.
23:50The first one
23:52is just an overture.
23:54Is the same man
23:56in both of those
23:58sexual fantasies?
24:00Yes, of course.
24:02But this time
24:04he's in a completely
24:06different state.
24:10Rukvash, I don't want to interrupt you.
24:12Shut up, horse.
24:14I need to hear this.
24:16This is the most important.
24:18What is this, Rukvash?
24:20I don't know.
24:22It's too obligatory lately.
24:24I need a hunt.
24:26I have a hunt, but where can I find it?
24:28What, Rukvash?
24:30Why are you whining?
24:32I'm not whining.
24:34I'm just saying it's not right
24:36that you broke Damir's musical instrument.
24:38It's not his fault
24:40that he leaves things at home.
24:42His uncle is going to fuck you up.
24:44Don't be so stupid
24:46to do it again.
24:48You're acting crazy.
24:50Get out of my house,
24:52you crazy man.
24:54I don't want him to
24:56break the marshal
24:58and leave it on me.
25:00Let's see
25:02what kind
25:04of mega giga
25:06marshal this is.
25:10These drums.
25:12Let's see if
25:14someone can touch this drum.
25:16Let's see
25:18what it's like.
25:24See what it does.
25:26It's not
25:28as good as
25:30some jappies.
25:32That witch
25:34says I'm crazy.
25:36I'm absolutely crazy!
25:38I'm crazy!
25:40It's just
25:42all the crazy people around me.
25:44I don't know.
25:46I think we overdid it.
25:48No one is crazy to do
25:50everything we asked them to do.
25:52My Sheila, you don't know Fazlinović.
25:54We asked him to jump off the bridge
25:56Marija, Marija,
25:58give me a drink and a meal
26:00from the whole tavern.
26:02Everyone drinks and eats
26:04at Faruk's expense tonight.
26:08Marija, give me a drink.
26:14Marija, it didn't turn out
26:16as I planned.
26:18You're crazy.
26:26Wait, let me see.
26:32It's over. He's dead.
26:34He'll never do this.
26:36Get out!
26:38Get out!
26:40Hold on tight,
26:44I'm coming for you.
26:52Do they beat you up like this?
26:56My people,
26:58one day
27:00it all started
27:02with a barbecue,
27:04kebabs and maksouzi,
27:06and ended
27:08with a sunbathing
27:10Tito Marx and Lenin.
27:12I'm sorry, my dear friends.
27:16And so
27:18the war continues.
27:20Faruk, Faruk, you don't know
27:22what you've gotten yourself into.
27:26Motherfucker, who am I?
27:28Idiot.
27:30I really have the talent
27:32to make a fool out of myself.
27:34Motherfucker.
27:36What's this?
27:38What's this?
27:40Fuck!
27:42These are my pants!
27:44It's not normal.
27:46Look,
27:48that idiot
27:50threw them at me.
27:52Get out!
27:54I'm going to break you.
27:56If he throws me
27:58a rolling stone,
28:00I'm done.
28:02I'm going to break you.
28:16Traila B, Traila B,
28:18Refko and Combo are throwing bombs.
28:20After a short musical break,
28:22we're back in our program.
28:24The topic is, as you know,
28:26photographs of famous people
28:28and autographs.
28:30Professor Faruk Izeta Fazlinović
28:32got an original photograph
28:34of Richard Cate.
28:36He also got an autograph
28:38of the same Richard Cate.
28:40So, if you have an autograph
28:42of a famous person,
28:44or if you want to get it,
28:46call and tell us what you would like.
28:48We have a listener.
28:50Hello, Chombe.
28:52I really liked that hobby you mentioned.
28:54I'd like to start collecting
28:56signatures of famous people.
28:58I'd like to know
29:00if you could suggest
29:02who to start with.
29:04Who should I ask first?
29:06It's best to start
29:08with Biti Voren.
29:10Biti Voren?
29:12You mean Voren Biti?
29:14That's the same.
29:16If you don't want him,
29:18you can start with Pacino Al.
29:20Al Pacino?
29:22Al Pacino is a man.
29:24That's his name.
29:26Pacino Al, De Niro Robert,
29:28Jackson Michael, Richard Cate,
29:30Refko, please,
29:32delete this from the program.
29:34Now let's play some music.
29:36Purple Deep is next.
29:38Refko, why would you
29:40let such fools into the program?
29:42He really pissed me off.
29:44Refko, please, don't learn from him.
29:46Okay.
29:56Let me live,
29:58just to survive.
30:00A little sadness and happiness,
30:02life will not wait for you.
30:04Let me live,
30:06just to survive.
30:08A little passion and pain,
30:10life is to be afraid.