Lud Zbunjen Normalan (120 Epizoda) S4.E24 ∙ Povratak na staroLud Zbunjen Normalan (120 Epizoda) S4.E24 ∙ Povratak na staro
Lud Zbunjen Normalan (120 Epizoda) S4.E24 ∙ Povratak na staro
Lud Zbunjen Normalan (120 Epizoda) S4.E24 ∙ Povratak na staro
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00:00THE END
00:07Well, that's how things are.
00:10Barbara left.
00:13She liked it, she came in.
00:16She didn't see my eyes.
00:18She never liked me.
00:20Shit.
00:22I've been thinking.
00:24I think it's best for Gemma and I to move in here.
00:27It doesn't make sense to pay that much for the two of us.
00:30You know what doesn't make sense?
00:32It doesn't make sense that I don't have an empty flat in my best sexual years.
00:37That doesn't make sense.
00:38You need an empty flat to drag chicks into it, right?
00:41What are you talking about?
00:43Your dad never thinks about moving in.
00:46From what I see, you're planning to move in.
00:49My sexual life has no future.
00:52Man, how can you be so heartless?
00:56Let the kid move in here.
00:58It's not his fault that Barbara left him.
01:01No, it's my fault.
01:03It doesn't matter who's to blame.
01:05What matters is that it's all my fault again.
01:08Okay, people, it doesn't matter.
01:10Gemma and I can stay in the flat.
01:12It's not profitable, but if we have to...
01:15You know what we'll do?
01:16You and the kid can move in here.
01:19But I don't even want to hear about paying the rent.
01:23You can talk to your father-in-law.
01:25He'll pay you half.
01:26That's not a problem.
01:27We can do that.
01:29Right?
01:30Right, Gemma?
01:49Is it madness or joy?
01:54Is it a man or a woman, all the way to the 60s?
02:00Madness, madness, madness, madness, it's normal
02:03Madness, madness, madness, madness, it's normal
02:06Everywhere around me, music and women
02:13I wouldn't play, I'd study
02:19Questions torture me, they pull me out of the house
02:25Problems and solutions are endless
02:32Madness, madness, madness, madness, it's normal
02:35Madness, madness, madness, madness, it's normal
02:38What's wrong with you?
02:40Come on, what are you waiting for?
02:42Bring him in, Mom.
02:43Be careful not to turn the door.
02:45Let's be careful, brother.
02:47Look at you, you're heavy, that Dalinski.
02:50I'm ashamed of you.
02:51It's the same thing.
02:52I accept my son and grandson to live under my roof,
02:55and you're arguing with me.
02:57Come on, Bolan, where are we going to put him?
02:58Normally, in my room.
03:00That's right, we're taking him to his room.
03:02When he has a TV in his room,
03:04Damir, you and I will be able to watch whatever we want during the day.
03:08Mom, stop lying.
03:10Stop it.
03:11Put him in your room.
03:12You'll break it, Dalinski.
03:14You'll break it, God.
03:17Hey, man, where are we going to put him?
03:19Put him there, so I can see him from the bed.
03:23People, break this shelter for me.
03:26I've had enough of this.
03:28Mom, I'll never get married again.
03:30It's better for you not to get married.
03:33Old man, leave Damir alone.
03:35Don't bother him.
03:36I don't understand at all.
03:39I have a natural talent for women,
03:42and you two, my mother,
03:44it's as if we didn't meet on the road.
03:46You were just watching me
03:49go after women.
03:51I wouldn't need any school.
03:53When we're talking about that,
03:54I think the problem is that we learned about women from you.
03:58As far as I remember, you were the first one to teach me.
04:00You're lying like a dog.
04:04Normally, nonchalantly,
04:06you know, you put your hand across your hair,
04:09and you look her in the eye like a toad.
04:12Let's try it now.
04:14The first meeting, I'm with her,
04:16you're with you,
04:18you approach her,
04:20she's the first to arrive,
04:22you leave her alone to wait a bit.
04:25You go.
04:26What do you tell her?
04:27What do I tell her?
04:29I tell her...
04:32Hi, Alma.
04:34You look beautiful today.
04:36No, I don't!
04:37It's a disaster!
04:39Look at you!
04:41You're like a paragraph.
04:43Fix yourself.
04:44Put your hands in your pockets.
04:46You walk up to her,
04:47you put your left arm up,
04:49and your right arm down.
04:51You have to be...
04:52I don't know.
04:53You look like a healthy owl.
04:56Let's do it again.
05:02Okay, stop.
05:03We'll practice that.
05:04What do you tell her?
05:07I'll apologize later.
05:08Are you crazy?
05:10Apologize later?
05:11You'll apologize at the first meeting.
05:14You're a pain in the ass.
05:17Damir, my son,
05:19since Izet taught you
05:21how to behave towards women,
05:23he protected me
05:24from being called a homosexual.
05:27Who cares?
05:28I taught him well,
05:30but he didn't listen to me.
05:33I told you
05:34that you learn less
05:35and chase women more.
05:37But the idiot
05:38clogged the nose
05:39in that bookshelf.
05:40Master,
05:41when you mention bookshelves,
05:42get up.
05:43There are things to transfer.
05:44There are bookshelves,
05:45there are computers,
05:46there's everything.
05:47Come on.
05:48Where did he put it?
05:49He left it in the closet.
05:50It doesn't bother us.
05:51Come on, people.
05:52They fooled me,
05:53my dear brother.
05:55Have you heard, Refko,
05:56that there will be
05:57the end of the world in 2012?
05:59No, I haven't.
06:00I read it.
06:01It's decided.
06:02The end of the world?
06:03It's decided,
06:04because of the recession.
06:05Even if it's the end of the world,
06:06fuck me,
06:07I have papers for Croatia.
06:09Do you know what I would give
06:10if I had papers for Croatia?
06:12My old man,
06:13I've lived in Croatia for 15 years.
06:15How did you come to Zagreb?
06:17I came to Zagreb,
06:18I was in the war
06:19against the Croatian Army,
06:20you know.
06:21And then,
06:22when they announced
06:23the Croatian Army,
06:24I came to Zagreb.
06:25Why did they announce it?
06:27They announced it
06:28when they announced
06:29the Croatian Army
06:30and one day
06:31they sent us to attack.
06:32I'm telling you,
06:33didn't I announce
06:34the Croatian Army
06:35and the attack
06:36and the Croatian Army
06:37and the defense
06:38and they went to Zagreb?
06:39Logical.
06:40And now you've been in Zagreb
06:41for 15 years.
06:4215 years,
06:43I'm a real Zagrebian.
06:44A real Zagrebian.
06:45Yes, yes,
06:46when you came here
06:47you immediately
06:48looked like a foreigner.
06:49You looked confused.
06:50Oh,
06:51you should have
06:52gathered me
06:53in Sarajevo.
06:54And how did they make you
06:55take out that gun
06:56when they sent you
06:57to mine the minefield?
06:58Well,
06:59it's not exactly like that.
07:00I mean,
07:01it's the most
07:02modern equipment.
07:03You should have
07:04learned
07:05from my Damir
07:06how to shoot.
07:07Oh, Djura,
07:08look at him,
07:09look at him,
07:10that's it,
07:11Bulan,
07:12you look
07:13like an American
07:14commandos.
07:15Like an American
07:16astronaut.
07:17People,
07:18you know,
07:19as far as I know,
07:20it's a small thing,
07:21but I'm a little scared.
07:22I mean,
07:23those mines,
07:24those patches,
07:25can they be strong?
07:26Bulan,
07:27how strong?
07:28You love those patches
07:29so much
07:30that you'd call
07:31a meat slice
07:32or a ham
07:33in a can.
07:34Yes.
07:35And this,
07:36with these needles,
07:37you just have to
07:38tap it carefully,
07:39and when you find
07:40something hard,
07:41you can easily
07:42take it out.
07:43It's nothing easy.
07:44I'd tap it.
07:45I don't know.
07:46What don't you know?
07:47You know, Bulan,
07:48if I hadn't played
07:49with your life,
07:50my dear Refko,
07:51you'd be
07:52like...
07:53I can't say
07:54you're my cousin,
07:55but you're
07:56close to me.
07:57You're
07:58close to me.
07:59What do you mean,
08:00close?
08:01We've seen each other
08:02twice.
08:03Yes,
08:04that's what I mean.
08:05Look,
08:06your cousin,
08:07Dino,
08:08was with my memory,
08:09and I was
08:10with his memory,
08:11and that's a strong
08:12connection
08:13between him and me.
08:14If it's a strong
08:15connection
08:16between me
08:17and your cousin,
08:18then it's a strong
08:19connection
08:20between you
08:21and me.
08:22That's logical.
08:23Logical?
08:24Yes.
08:25But how is it
08:26connected
08:27between you and me?
08:28You don't understand.
08:29Well, Djuro,
08:30you explain it to me.
08:31He's a gynecologist.
08:32You understand
08:33those
08:34reproductive-sexual
08:35connections.
08:36Yes,
08:37that's a well-known
08:38thing in medicine.
08:39If there are
08:40two people
08:41who come out
08:42of one woman
08:43as brothers,
08:44then it's logical,
08:45right?
08:46And two people
08:47who come into
08:48one woman
08:49in the smallest
08:50hand
08:51as siblings.
08:52Right?
08:53Logical.
08:54Logical,
08:55Bulan Katikarin!
08:56That's logical.
08:57I would go
08:58to my
08:59relatives
09:00and send them
09:01somewhere to die.
09:02But how?
09:03How?
09:04Yes,
09:05look how we
09:06equipped you.
09:07Look at the equipment.
09:08That's why
09:09the forces
09:10are not
09:11better equipped.
09:12Well,
09:13I also feel
09:14a little unprotected
09:15in this area.
09:16In the market?
09:17Let's solve
09:18that.
09:19Look at this.
09:20Here,
09:21look at this.
09:22Let's
09:23push this
09:24here
09:25and
09:26here
09:27you look
09:28like
09:29that
09:30RoboCup.
09:31Yes,
09:32RoboCup.
09:33What about you?
09:34Nothing.
09:35You see,
09:36nothing,
09:37Bulan,
09:38you are
09:39like a
09:40car,
09:41do you understand?
09:42Look,
09:43you don't
09:44risk anything
09:45and you
09:46earn
09:4720 marks.
09:48Let's not
09:49waste time
09:50to show
09:51the man
09:52where the water is.
09:53The water is
09:54the water.
09:58Oh,
09:59Refko,
10:00look,
10:01you have
10:02two more
10:03meters left.
10:04When you
10:05get to this
10:06sign,
10:07look,
10:08Refko,
10:09when you
10:10get to
10:11this
10:12letter
10:13X,
10:14you don't
10:15have to
10:16dig any further.
10:17I think
10:18there is
10:19nothing here.
10:20Go 20
10:21meters
10:22and you
10:23will
10:24see
10:25a big
10:26mine.
10:27Here,
10:28wait.
10:29Here,
10:30there is
10:31something
10:32hard.
10:33It looks
10:34like a
10:35pate.
10:36Careful,
10:37Refko,
10:38slowly.
10:39Take it
10:40out slowly.
10:41Why
10:42should I
10:43take it
10:44out slowly?
10:45Slowly,
10:46horse,
10:47if it
10:48breaks,
10:49you will
10:50damage
10:51everything.
10:52You
10:53will
10:54damage
10:55everything.
10:56I
10:57will
10:58take
10:59it out
11:00slowly.
11:01Here,
11:02here,
11:03here,
11:04here.
11:05Here,
11:06here.
11:07Here,
11:08here.
11:09Here,
11:10here.
11:11Here,
11:12here,
11:13here.
11:14Here,
11:15here,
11:16here.
11:17Here,
11:18here.
11:19Here,
11:20I activated it against the enemy tanks.
11:23Revko, when I get up, go a little to the left, to the right.
11:27Here he is, to the left. Here he is, to the right.
11:30Here he is, to the left, to the right.
11:32I'm telling you, none of your guys are here.
11:36Good. We saved Kacik.
11:39I wasn't this fat that day.
11:41I didn't have any wounds.
11:43Salo saved you.
11:45He saved me so fat and strong
11:47that he couldn't be pierced by such a vital organ.
11:50Revko, you don't say vital, you say vital.
11:53I'm not sure if an organ is vital,
11:55then it should be called vital.
11:57Why would it be called vital?
11:59I'm telling you, there's a logic, there's a logic.
12:01Where is it? Put it there, by the window, where it was before.
12:05Fuck, this monitor is pulling me out.
12:08Can I tell you that I overworked myself?
12:11You overworked yourself?
12:13Well, that mouse is the hardest thing you've carried today.
12:16And that fat bitch?
12:18Don't say that, old man, don't.
12:20A little while ago, he was carrying a remote from the TV.
12:22Well, who's carrying those two heavy asses, Jastuk?
12:26Fuck you, I'm letting you live under my roof,
12:29and you're messing with me.
12:31Hey, thanks, could we have some coffee?
12:33Hey, don't, we have one more tour to skip, then we'll go.
12:36You skip that tour, and I'll bring the coffee.
12:39Bring it.
12:40Old man, if we need to take some pills,
12:43we'll call you for help.
12:45You call a psychiatrist for help?
12:48That's what you need?
12:50There are no such two morons on Earth.
12:55Damir, son, did you plug that cable where it goes?
12:59Yes, I did, but let's go get the books, that's all we have left.
13:02I don't know, really, what are you going to do with those books?
13:04Well, it's just collecting dust around the house.
13:06You mother is more and more like a son-in-law to me.
13:08I'm the same son-in-law, you stupid bitch,
13:11as if I've never met him on the road.
13:13That's just the way you are.
13:14As the years go by, you look more and more like him.
13:16It's not true, it's not true, it's you.
13:18You're more and more the same son-in-law.
13:21You see, Balan, you see how you've become a son-in-law.
13:24You two have joined forces against me.
13:26You've clashed against me.
13:28Me? Never.
13:30And you hope so?
13:31What do you hope for?
13:32What else? You're going crazy.
13:33You two have pushed me away so womanly.
13:36I've never had a better relationship in my life than that of a son-in-law.
13:40Son-in-law!
13:43Yo, yo.
13:44All right, all right.
13:45What's up?
13:47I'm coming.
13:49Bye.
13:52I have to go to the studio urgently.
13:54What's the matter, Faruk?
13:56Is there a problem?
13:58No, dad, no problem.
14:00But Fazla is coming to us.
14:02It looks like he wants to film here.
14:04Fazla?
14:05That's great.
14:06He's like a ship.
14:08Come on, son.
14:09I have to go.
14:10It's not the right time.
14:12Come on, son.
14:13You have work to do.
14:15Son, I'm sorry.
14:17I'm begging you.
14:18I'm sorry I didn't have a proper lunch.
14:20It's all right.
14:21Here's your egg.
14:22It's all right.
14:23Don't worry, son.
14:24We'll have a nice lunch together.
14:28Like a real family.
14:30I hope I get to know you better.
14:32Don't worry.
14:33I'll be great.
14:34I'll be waiting for you here.
14:36I'll be right back.
14:38I have to finish this deal with Fazla.
14:40Come on, come on.
14:41I'll take you back.
14:44My dear daughter-in-law.
14:46Have a seat.
14:47Let's have a chat.
14:51You too, son Damir.
14:55My dear,
14:56that's how it is.
14:57Vazda and our Faruk
14:59work day and night.
15:03It's good that he works.
15:05He doesn't have a job these days.
15:07He's very good to you.
15:08And Raya is just doing his job.
15:10He's good.
15:11He's good like...
15:13Like this Kruh.
15:14Here.
15:15Have some Kruh.
15:17You know, when he was with Raya
15:19in prison,
15:21they used to tell him
15:22there's no friend like him
15:24in Donjali.
15:27Faruk is in prison.
15:30In prison?
15:31It doesn't matter.
15:32I mean,
15:33once because of a robbery
15:34and the second time
15:35because he beat my mom up.
15:37Faruk beat your mom up?
15:40He's crazy about it sometimes.
15:42He's crazy about it, son.
15:44You know what kind of artists they are.
15:48Where's Faruk's ex...
15:51Where's your mom now?
15:53No one knows.
15:55He came back one morning.
15:57I remember he had a shovel in one hand
15:59and he was all muddy.
16:01He said,
16:02I'll be back.
16:03He had a cramp,
16:04an accident,
16:05and since then
16:06he's had all kinds of injuries.
16:10What about the police?
16:11Did you tell the police
16:12about his disappearance?
16:14What can you do?
16:15We had to.
16:16The police came
16:17and arrested him.
16:18They suspected he was his wife.
16:21But they let him go later
16:22because there was no evidence.
16:23There you go.
16:24The truth won in the end.
16:26Well, where's my gold,
16:27my silver,
16:28and some of that grain?
16:29I've got a lot to tell you.
16:31Let's have a drink.
16:34It's great.
16:36It's true!
16:38If it weren't for you two,
16:40I'd still be with Senča.
16:42I have nothing to do with it.
16:43That's the problem with Izet.
16:45No, you don't.
16:46Sometimes I think
16:47you're worse than Izet.
16:50Listen, Damir,
16:51son,
16:52I'll never forgive you for Nada.
16:57Here's my coffee.
17:00Put it down here.
17:01We'll talk later.
17:03Man,
17:04how can you drink that shit
17:06every single day?
17:08I don't drink every day.
17:09Not even on weekends.
17:11I only drink on working days.
17:13Why only on working days?
17:15Because working days
17:17are more of a mathematical proof.
17:20People,
17:21I have something to tell you.
17:22What is it, man?
17:23Is there a problem?
17:24Yes, there is.
17:26My radio station
17:28doesn't work at all.
17:30I'm constantly in the red.
17:32As if you've never been in the red.
17:34What did you count?
17:35Nothing.
17:36I counted to shut it down.
17:39Then why do you work?
17:41Or should I say
17:42why don't you work?
17:44Well,
17:45I counted to take a break.
17:47You can't be sick like that.
17:48You have to do something.
17:50I know, son.
17:51You have to take a break.
17:53You're a busy man.
17:55Okay,
17:56my radio station doesn't work at all.
17:58Last month,
17:59they shut me down
18:00because of an unpaid bill.
18:01Did you tell Chombe and Revka?
18:03I didn't,
18:04but I counted to tell them.
18:06I think
18:07when they hear
18:08that they're committing suicide,
18:09they'll think twice.
18:10Son,
18:11they didn't get paid for a year.
18:14I think
18:15they'll be happy
18:16when they hear
18:17that the radio station is shutting down.
18:19Don't cry.
18:20Don't cry, man.
18:22Don't cry.
18:24Please,
18:25the best years of my life
18:26are invested in this radio station.
18:28The best years!
18:30I don't even want to talk about them.
18:32Okay,
18:33I thought
18:34you'd be happy,
18:36but you didn't get paid for a year.
18:39I don't care about a year.
18:43You see
18:44how time flies
18:45when you do the job you love.
18:47That's right.
18:48We've become university students,
18:49and now you're going to fire us.
18:51Don't touch our audience.
18:54Please,
18:55because of our fans,
18:56there's going to be a hole in the wind.
18:58The hole is in your head,
19:01you fools.
19:02No one is alive
19:03and doesn't listen to our radio station.
19:05No one lives normally,
19:07at least not at the same time.
19:09It's not true.
19:10Your hand is not mine.
19:12Tonight,
19:13you'll do the last show,
19:15you'll come out of the wind,
19:16and you'll say
19:17that from tomorrow on,
19:18the radio accord doesn't exist anymore.
19:20Is that clear?
19:25I've lived my life with such fools.
19:37Look at this library.
19:39Bolan,
19:40who needs so many libraries?
19:43There's everything here,
19:44books, photo albums.
19:46Come on.
19:48This is my photo album.
19:50Where did you get it?
19:51I took it to show Barbaris.
19:53It's a shame to look at it
19:54when you were young,
19:55old and a baby in the cradle.
19:57I don't care.
19:59Now you'll see.
20:01I was pretty,
20:03like a movie star.
20:05I'm sorry, sir,
20:06I didn't recognize you.
20:08What are you saying, Bolan?
20:10Look at me,
20:11like Gary Cooper.
20:12How do I know
20:13what Gary Cooper looked like?
20:15You see me,
20:16then you know what Gary was like.
20:19Come on,
20:20I'm begging you,
20:21look at these pictures.
20:23I'm exactly the same.
20:25I haven't changed at all.
20:27You haven't changed,
20:28you just got old.
20:30Come to my birthday,
20:32then I'll see you.
20:34To come to your birthday,
20:36I need another 40 years.
20:39How long do you think you'll live?
20:42At least until I retire.
20:44At least.
20:47Let's see.
20:49This is your late grandmother,
20:52Ranka.
20:53We took this picture in the morning,
20:55after the first wedding night.
20:58Look at her face,
21:00so pale.
21:02Typical for you.
21:04She's standing,
21:05you're sitting.
21:06Of course.
21:07She's standing because
21:08she couldn't sit
21:09from the middle of the night,
21:11and I'm sitting because
21:13I couldn't stand on my feet
21:15from the same middle.
21:18Look,
21:19her butt when she was born.
21:21Look,
21:22I took this picture
21:23in the hospital when she was born.
21:25That was the worst
21:27birth ever.
21:29What are you talking about?
21:30Barbara was born like this.
21:32What Barbara?
21:34Your uncle and I
21:35had a lot of fun
21:36until we were born.
21:40If I knew it would be this hard,
21:43I would have to take this out.
21:45My dear sons,
21:47and then the women
21:49complain that it's hard for them.
21:52This uncertainty is killing us.
21:56Here you go,
21:57these have already dried up.
21:59Thank you, daughters,
22:01for hearing and not hearing.
22:03I'm so worried.
22:08These are the birth pains.
22:13What are these two?
22:14These are the birth pains.
22:15I'm so worried.
22:17What's new, son?
22:19Everything's great.
22:20Barbara opened up 10 centimeters.
22:22What a sight.
22:2410 centimeters.
22:27What a sight.
22:29Here we go again.
22:32Come on, dear.
22:33Watch out for them.
22:34I have to go back.
22:36Breathe, breathe.
22:37Two long breaths.
22:38One short.
22:39Bravo, bravo.
22:40Dear colleagues,
22:41this is how we stand.
22:42The baby just didn't come out.
22:45I'm so glad.
22:46Look how well-positioned the baby is.
22:49Let's go to the wife.
22:51I'm so glad you're here.
22:52Wife, come on, come on.
22:56Don't film me, it's a mess.
22:59Hold on a little longer.
23:00Hold on a little longer.
23:02Here she is.
23:03Come out, come out.
23:06Bravo, bravo.
23:08You got a beautiful baby.
23:12Ah, ah, ah, ah, ah, ah, ah.
23:15What's wrong?
23:16What's wrong, Bolan?
23:17Get up, wake me up.
23:18Get up.
23:19Are you all right?
23:20Maga, how can I be all right?
23:23I just dreamed
23:24that my wife died.
23:27What do you mean, died?
23:30She was in the maternity ward.
23:32Dad, Grandpa.
23:34Damir, what are you doing?
23:36Tell us.
23:37Grandpa, say, dear.
23:38Dear son.
23:39Not you, Bolan.
23:40Dad, you're a grandpa now.
23:42You're a great-grandpa now.
23:43I have a son.
23:45Grandpa.
23:50What?
23:51You dreamed that Barbara gave birth to a boy.
23:53Oh, yes, Bolan.
23:55I dreamed of some wild pastures.
23:58I was a boy and I passed.
24:00Now that I remember,
24:02I have to drink some rakija right away.
24:04And if you didn't remember the reason,
24:06you wouldn't drink it?
24:07I would,
24:08but it would be a different reason.
24:11Hey, people.
24:12Is everything ready?
24:13Yes, everything is ready.
24:14Only a few things left,
24:15but I'll do that.
24:17Jamica.
24:18I totally forgot
24:19that he played it,
24:20and I went after him.
24:22You see, Bolan,
24:23he doesn't know who's in charge.
24:26It's no wonder he's a grandpa.
24:29It's no wonder he's a grandpa.
24:32And what would you say
24:34to those two
24:35to close the station?
24:37I told them,
24:38Mateo is crying,
24:39it's a tear,
24:40it's a tear,
24:41it's coming.
24:42He said,
24:43Damir,
24:44it's going to be hard for him to pick it up.
24:46I'm telling you,
24:47they're old fools.
24:49They got a little carried away,
24:51and I bet
24:52they've already forgotten
24:53that they've ever worked
24:54in a radio station.
25:04It's a tear.
25:14Dude,
25:15what do you think
25:16this is going to affect
25:17the little one?
25:18What does it have to do with anything,
25:20Bolan,
25:21that's my gene.
25:22I'm telling you,
25:23it's not going to last
25:24a few months,
25:25and the little one
25:26will bring a girl.
25:28Jamica will find
25:29a girl.
25:31Look at me, fool,
25:33I thought you were asking
25:35about Damir.
25:36No,
25:37I'm asking you about Jamica.
25:39How is this going to affect
25:40his maturation?
25:42There's going to be
25:43three of us,
25:44three men,
25:46without a mother,
25:47without a woman.
25:49He's going to be great,
25:52when I say,
25:53don't worry,
25:54just you two,
25:56don't worry.
25:58No,
25:59we need to let you
26:00read him Marx.
26:02We've been
26:03reading Marx for a long time.
26:06Now we're thinking
26:08about another Lenin.
26:10Dude,
26:11I think you don't
26:12understand this seriously.
26:14It was easy for me
26:15to grow up
26:16without a mother.
26:18No way,
26:19it was the same for you.
26:20You didn't lack anything
26:21with me,
26:22not even milk.
26:24Exactly,
26:25it's like you're repeating everything.
26:27What?
26:28I grew up without a mother,
26:30Damir grew up without a mother,
26:33now Jamica is growing up
26:35without a mother,
26:36and my mother told me
26:38that it's written
26:39that we grow up
26:40without a woman.
26:41Here we are,
26:42the two of us.
26:43Oh yeah,
26:44my Jamica.
26:46Can I have
26:47a can of brandy?
26:48I knew you'd want it,
26:50so I brought you a glass.
26:52What are we talking about today?
26:54What else,
26:55about women.
26:56About women?
26:57Yeah,
26:58the three of us
26:59are not going
27:00with women
27:01at all,
27:02like we're cursed.
27:03It's not like
27:04there weren't any.
27:08Many have passed
27:10through this house.
27:13Yes,
27:14many have.
27:28Women are soft.
27:32Women are pale.
27:36Women are shy.
27:40Women are a decoration
27:42of nature.
27:45Women are feminine,
27:46women are beautiful.
27:53Women are reality.
27:56Women are fairy tales.
28:01Women are women.
28:05Women are mothers.
28:09Women are a decoration
28:11of nature.
28:14Women are feminine,
28:15women are beautiful.
28:18Men are real men.
28:22Men are real men.
28:25Men are real men.
28:28Men are men.
28:31Men are men.
28:34Men are men.
28:37Men are men.
28:40Men are men.
28:43Men are men.
28:46Men are men.
28:49Men are men.
28:52Men are men.
28:55Men are men.
28:58Men.
29:00Men are men.
29:03Men are men.
29:06Men are men.
29:09Men are men.
29:12They fall in love.
29:15They love them.
29:18They fall in love.
29:21And now I'm alone
29:22because women love.
29:23I'm gonna die.
29:36Here, dear listeners.
29:39These were the last sounds you heard from the radio.
29:44Stay healthy, and don't get sick.
29:49I love you so much, Refko.
29:51And Chombe.
29:53Goodbye.
29:55Refko!
30:19You know what we could do?
30:20What?
30:21Make a band.
30:22Musical?
30:23No, a picture band, Refko. A musical one, of course.
30:26Who's gonna play in our band?
30:28You!
30:29I don't know how to play.
30:31You didn't know how to mix, so I taught you, right?
30:35What are you talking about?
30:36I'll teach you how to play!
30:38We'll be a real band!
30:39What will Rukvash say?
30:41Rukvash will go crazy when I tell him.
30:43Let's go tell him right now.
30:45Let's go.
31:16A little passion hurts.
31:18Life is a battle.