Pakikialam ba ang pagiging STAGE PARENT sa isang artista? | SiS (Stream Together)
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00:00We walk hand in hand, we dream together. We giggle and laugh like kids forever.
00:12We're two different people, but we're having fun. We talk about anything under the sun.
00:19We are sisters, we are friends. We've got magic that never ends.
00:27I got you sis, you got me. The best of friends we'll always, always be.
00:39We always have fun, being together. You know me the best, we're friends forever.
00:46Through good times and bad, I'm here for you sis. Right by your side, hit or miss.
00:54We are sisters, we are friends. We've got magic that never ends.
01:01I got you sis, you got me. The best of friends, the best of friends.
01:09The best of friends we'll always, always be. We are sisters, we are sisters.
01:19Welcome to Sis! Welcome, welcome. Good morning to all of you.
01:24Here Janice, let's start. Of course, all of us can see this.
01:28When we're walking on the street, we can see Casey's big billboard.
01:34I can see his billboard, but I don't know if it's right.
01:37Even though we're saying the same thing, because usually when I pass by Ed's, I'm asleep.
01:41Here, here, here. We can see his human billboard.
01:45Yes. Right? Casey Concepcion. Right? What can you say to him?
01:49He's handsome. Especially on that billboard.
01:51Pretty. He's so pretty.
01:53So pretty, so pretty. He's like a baguette.
01:56Baguette. He looks like Luigi.
01:58Yes, Luigi will get mad at me.
02:01I hope you won't get mad.
02:02But I know, I saw a picture of Casey, he looks like Sharon.
02:07I hope it's Sharon's mom. Right?
02:09I just hope, right?
02:11I just have to say, when I saw him, he's mega.
02:15Is he mega?
02:17Mega mom, mega daughter.
02:19Maybe it's Sharon.
02:20I'll ask Sharon, maybe it's her.
02:22It's a bit confusing.
02:24Because that's our topic today.
02:26Being a mom.
02:28Being a stage mom.
02:30What is he like? Is he really hands-on?
02:34I suppose so, but of course.
02:36If I'm Casey's mom, Casey is that pretty.
02:39I don't know.
02:40Yes, I don't know.
02:42Why? He's my son.
02:43Right?
02:44He's your son.
02:45He's my son.
02:46Here, this one.
02:48What can you say about this?
02:50I hope my body is that pretty.
02:51Me too, I hope my body is that pretty.
02:55And I'm that tall.
02:56Nothing.
02:57If you were Asunta's mom,
02:59let's say it's Ina, Moira, or Kyla.
03:02Would you allow them to be like that?
03:04Given that their body is that pretty,
03:06and they're that pretty.
03:08I'll tell them,
03:09I'll be the first one.
03:12I hope Talia is our own, right?
03:14No.
03:19Of course not.
03:21Why?
03:23It's not your fault if you don't allow them.
03:25No, of course not.
03:27Just be more open.
03:29No, it's not because I don't want to.
03:31It's not like that.
03:32I don't want to, of course, because...
03:38It's hard for me to explain.
03:40Just tell them the truth.
03:41Okay.
03:42I don't want to see men like that.
03:45You don't want them to fantasize.
03:47Exactly.
03:48But then, the decision is not mine.
03:50It's not their body.
03:52What if it's okay with them?
03:55If it's in pursuit of something that they think...
03:56At the age of 16?
03:59No.
04:00At the age of 18.
04:01Let's discuss this first.
04:03Or let's fight first.
04:04Even if it's 18.
04:05So no.
04:0650 is okay.
04:07Okay.
04:09How about you?
04:10Will you allow it?
04:11You can have my kids.
04:13Why?
04:14Why?
04:17How about you?
04:18How's Matet?
04:19If you're Ate Guy.
04:24Matet?
04:25Why?
04:26Matet is the daughter.
04:27So what's happening?
04:28What's going on?
04:29What's so...
04:30No.
04:31Sometimes, there's a clash.
04:33It's different between parents and children.
04:35I feel like there's a generation gap.
04:38Generation gap.
04:39Among other things.
04:41Communication gap.
04:42Communication gap.
04:44And growing up in this kind of business is different.
04:48In these times.
04:49In these times.
04:51Why do you have him?
04:53Right?
04:54That's it.
04:55I think, mostly,
04:56there are people who are like this.
04:58They have their own minds.
05:00No matter what,
05:01when they...
05:02You can just let them be while they're still young.
05:05But when they have their own consciousness already,
05:08there's nothing you can do.
05:10Because they have their own decisions,
05:11their own likes.
05:12So, what will happen is,
05:13you have a tug of war.
05:15It's like,
05:16you're pulled by two people.
05:17They said,
05:18she's Showbiz's most misunderstood child.
05:22Do you agree?
05:23Showbiz children are the most misunderstood children.
05:25Matet?
05:26Matet?
05:27It's okay.
05:28It's okay.
05:29Because we don't know him that well.
05:30We don't know him.
05:31So, how do we know what...
05:32What is he really like?
05:33What's going on in his mind?
05:34What is his personality like?
05:35That's right.
05:36Let's find out.
05:37Sometimes, let's guess.
05:38We always have to have a...
05:39We always have to keep an open mind.
05:41Which...
05:42And not be judgmental.
05:43Which brings us to our topic for the day.
05:45Which is?
05:46Of course,
05:47what we're going to discuss this morning
05:49are the parents who have a say
05:51in their children's careers.
05:53They're celebrities.
05:54Especially when it comes to choosing roles,
05:56do's and don'ts,
05:58love life,
05:59and many more things that happen in their children's lives.
06:03So, we're all going to enjoy for sure.
06:05So, join us for an hour
06:07where there's no gossip.
06:10Right here,
06:11in SIS.
06:13Always, always be
06:15We are SISters
06:17We are SISters
06:19Always, always be
06:22We are SISters
06:24We are SISters
06:27We look up to them in their own ways,
06:30but not many of us know
06:32that behind the success of our idols
06:35is the dedication of their parents.
06:38Others may look down on them,
06:40but who else knows
06:42what's best for their children?
06:46Okay, Janice.
06:47We have a lot of guests with us today.
06:49Let's get started.
06:50Yes, we have with us,
06:51Mila Ocampo.
06:54Mommy of Snooki Serna.
06:55Yes.
06:56Mommy of Regine Tolentino.
06:57Regina Maristela.
07:01Daddy of Jolina Magtanghal.
07:03Jun Magdanghal.
07:05And of course,
07:06Mommy of Julian Santos.
07:08Mommy Carol Santos.
07:11Welcome to SIS.
07:13First question.
07:14Of course, we were talking about this earlier,
07:16Janice and I,
07:17stage mothers and stage fathers.
07:20So, what's the right word?
07:21Everybody says,
07:22you're asking about your career.
07:24Is it healthy for your child's career?
07:26Is it still healthy in your relationship
07:28as mother and daughter
07:29or father and daughter?
07:31So, what is the right word?
07:33You're asking or
07:37concerned?
07:38Overly concerned?
07:39Or?
07:40Can you explain?
07:41Can you tell us something about this?
07:43I don't know.
07:44Excuse me.
07:46Tita Mila,
07:49she's the veteran.
07:50She's the veteran.
07:51She's the veteran stage mother.
07:55But I don't know.
07:56I don't know if you can call that
07:57being concerned
07:58because
08:00for me,
08:01when you say being concerned,
08:02you meddle into everything
08:04as far as they're concerned.
08:06Because for me,
08:07as a mother
08:08and as the manager
08:09of Snooki before,
08:10it's like
08:11it's something like
08:12it's like being a spy.
08:14A spy.
08:16A spy.
08:17Guiding.
08:18It's like being a spy.
08:19Okay.
08:20Now, let's fix that.
08:21Because Tita Mila is
08:23Snooki's manager.
08:24There's a difference.
08:25So, she should know
08:26Snooki's career.
08:27You're still a mother
08:28who accompanies your child's steps
08:31as a mother and manager.
08:33Correct.
08:34That's different.
08:35Because when you're a manager,
08:36of course,
08:37you should know Snooki's career.
08:39And you should really know it
08:40because you're holding onto it.
08:41Exactly.
08:42Being concerned is like
08:43when you're talking to the producer,
08:45what role will my child play?
08:46Of course.
08:47Yes.
08:48What is the role?
08:49Terms.
08:50Whatever.
08:51If that is being concerned,
08:52because for me,
08:53it's not being concerned.
08:54It's a business.
08:55It's your job.
08:56Yeah.
08:57It's your job.
08:58So, it's not being concerned.
08:59Being concerned means
09:00you're interfering.
09:01But when you're a manager,
09:02it's not being concerned,
09:03I think.
09:04But as far as that is concerned,
09:05if that is the term for me,
09:07I think, yeah.
09:08That's true.
09:09Actually, being a mother
09:10and being a manager
09:11works hand in hand.
09:12Because you always want
09:14the best for the person concerned.
09:16Naturally.
09:17Of course.
09:18Of course.
09:19Yeah.
09:20Well, in my case,
09:22I was managing Regine
09:24although she has gone back
09:26to Johnny again.
09:30But during that time
09:31that I was managing her,
09:32yes, you can call it
09:33that I was being concerned.
09:34Because I had to.
09:35Of course.
09:36I was the one talking
09:37to the producers like she did.
09:38And I had to choose the projects.
09:40So, yes, I was being concerned.
09:43Well, maybe that term
09:45is not being concerned.
09:47It's bad for the work.
09:49It's bad for the work.
09:50It's bad for the work.
09:51It's actually managing.
09:52But depending on our context,
09:54we'll get being concerned.
09:56Like Mila,
10:00for me,
10:02I'm also the manager.
10:03I'm also the father.
10:04So, it's really hard.
10:05In fact, it's a conflict of interest.
10:07Exactly.
10:08For one person.
10:09We have to make it clear.
10:10Daddy is not a stage mother.
10:12He's not.
10:13He's a stage father.
10:14Just to make it clear.
10:15Just to make it clear.
10:16To make it clear.
10:17Yes.
10:18Maybe the irritating term
10:20is being concerned.
10:21Because if there's a manager.
10:23Yes.
10:24Because if your child already has a manager
10:26and you encroached the authority
10:28of the manager,
10:29that's being concerned.
10:30Yes.
10:31Daddy, where do you draw the line?
10:33Okay.
10:34For me,
10:35being a manager and father.
10:37If you're a business manager,
10:38anything that has to do with
10:39legal matters,
10:40fine prints,
10:41you'll read all of that.
10:42Of course.
10:43Are there implications
10:44in the image of your child?
10:45Of course.
10:46The business sense,
10:47being a parent
10:50comes in when her welfare
10:52is already concerned.
10:53Her health,
10:54her finances,
10:56her well-being as a person,
10:59her future,
11:00her image as a daughter.
11:02So it's really hard,
11:03but maybe I managed to balance it.
11:06It's hard to balance
11:07if you're doing both jobs, right?
11:09Right.
11:10How about you?
11:11For me,
11:12I do not manage.
11:14But as you can see,
11:16I'm the warrior mother.
11:18If I hear something
11:20and I read it,
11:21I know the below-the-belt attacks
11:23to the child.
11:24Because the student
11:25basically doesn't run away.
11:27Even if someone reads it,
11:28it's already dead.
11:29But as a mom,
11:30of course,
11:31your concern is there.
11:32Your concern is there
11:33because you know the truth.
11:34So what I do is,
11:35I research
11:37who got the information,
11:39who spoke.
11:41And I really confront them.
11:43I confront them.
11:45So, Mommy Carol,
11:46what can you say to Piolo?
11:47Yeah!
11:48We want you to add that.
11:50That's a good segue.
11:51That's what we're saying to Piolo.
11:54It's okay.
11:55Papa.
11:57Papa Boy.
11:58Papa Boy.
11:59Papa Boy.
12:00Papa Boy.
12:02What else do they want to ask?
12:05And we really asked.
12:07I think,
12:08there are specific examples
12:10because it's hard to get
12:13the real meaning
12:14of being a stage parent.
12:16But maybe,
12:17in my idea,
12:18You're stage parent
12:19or stage father or mother
12:20if, for example,
12:21you allow your child to play football.
12:23But at first,
12:24Oops, oops,
12:25If it's not allowed, you cover it. If it's not allowed, you give it to the director.
12:30It's up to him.
12:32Or if you allow him to sing, then of course, there's a musical director.
12:38You talk to the musical director, he's not that direct.
12:41That's what you talk to him about.
12:43Yes, that's it.
12:44That's what you talk to him about.
12:45That's it.
12:46I would like to cite an example.
12:48For example, Snooki Sarigel.
12:50She was offered a film.
12:52So, when I read the film, my mother said,
12:55I think this is bold.
12:57She said, okay, delete the bold.
13:00Because Snooki is not a bold star.
13:02So, delete the bold.
13:04Okay, not just the scenes that are bold.
13:06The lines, I said,
13:08I think it doesn't suit my daughter to say these lines.
13:11Let's remove it.
13:13So, okay, first day.
13:14I didn't join the shooting.
13:16Half day, here's Snooki.
13:18Mommy, come to the set.
13:20She said, come here.
13:21I said, why?
13:22She said, just come here.
13:23I said, I'm leaving.
13:24So, I went to the set.
13:25My daughter was so angry.
13:26She said, mommy, this line is the most important to me.
13:28Didn't you say that you will delete it?
13:30So, I talked to the director.
13:31I thought that if we talk about it,
13:32we will remove all of that.
13:34But, Mila, that's not allowed.
13:36Sorry.
13:37Pack up.
13:38We'll go to mother.
13:39Mother, take Snooki out of the picture.
13:41I said, if she needs to say that,
13:43just remove my daughter from the film.
13:45Just put someone else.
13:46I think that is a good warning.
13:50Mila, did it make it easier for you?
13:53Because, you're also an actress.
13:54Which one?
13:55Being her manager and being, you know,
13:58dealing with people.
13:59Sometimes, there's a disadvantage of being a manager.
14:01Because, if you're the manager,
14:03your daughter will say, mommy, I don't want it anymore.
14:04Sometimes, you have an answer.
14:06She changed her mind at the last minute.
14:08I don't want it anymore, mommy.
14:09There, I went crazy.
14:11But, of course.
14:12You went crazy.
14:13There, I went crazy.
14:15We'll go even crazier with what our parents will share
14:18when Sis returns.
14:36We are back,
14:37together with the famous stage mothers
14:40and stage fathers.
14:43Peter Regina,
14:44how is this?
14:45Because, of course,
14:47aside from being your mother,
14:49like you said, you're best friends with Regine.
14:51When she goes through something like,
14:53like what she's going through right now,
14:55like their separation,
14:57how do you help her handle it?
14:59First of all, I am not confirming anything.
15:02And, it's up to my daughter or Lander
15:04to confirm something like that.
15:07As far as I'm concerned,
15:09what my daughter is telling me,
15:12as a friend to me,
15:14I just hope Lander,
15:16or whoever is involved in this matter,
15:18would understand that I am a mother first
15:21before a best friend.
15:23Because, it hurts me more.
15:25And, I don't know if they will ever experience that.
15:28Because, they were never raised by their mother.
15:31So, I don't know if they would ever understand
15:34what I'm talking about.
15:36But, for us,
15:38we're a very close family.
15:40And, my daughter is very close to me.
15:43And, as I even told Lander himself,
15:45I said, you know,
15:47he's not trying to kick me out of her life.
15:49But, I know he's not happy,
15:50the fact that we are that close.
15:52But, I just told him it's unfortunate
15:54because I was the mother first
15:57before you became the husband.
15:59So, keep that in mind.
16:01That's all.
16:02Oh!
16:04I want to know what you're saying.
16:05Like, Judy, what are you saying?
16:06Oh, clean your room.
16:07It's so dirty.
16:09At home, there's a reality check.
16:11Right?
16:12It's like going back to reality.
16:14Yes, look.
16:15You're already here.
16:16You're already ordinary.
16:17But, you don't have to tell them.
16:18I have two kids, right?
16:19They're celebrities.
16:21Yes, exactly.
16:22So, for them,
16:23when it comes to food,
16:26after eating,
16:27they're obligated to eat.
16:30They have to put that in the sink.
16:32They can't ask for help.
16:34If they need water, they have to get it.
16:36The water is just there.
16:37Right?
16:38It's like,
16:39they can feel normal life.
16:42In the first place,
16:43they weren't born celebrities.
16:45Correct.
16:46That's what I was supposed to ask.
16:48Because me,
16:49I became an artist early on.
16:50My mom used to go with me a lot.
16:52How do you keep your children's lives
16:55as normal as possible?
16:57Well, maybe, rule number one,
16:59she has to mix with friends
17:01who are in the real world.
17:03Of course.
17:04Lanciobis.
17:05Yes, lanciobis.
17:06I'm not saying that lanciobis friends are bad.
17:08There are a lot of good-looking people in lanciobis.
17:10The point is,
17:11the point of view is different.
17:12The point of view is different.
17:13It's a reality check.
17:14I guess, reality check.
17:15Because if your friend is also a lanciobis,
17:17the tendency is,
17:18you both go up to the ground,
17:19you don't notice it anymore.
17:20Yes, yes.
17:21What does he do in your life?
17:23Jolina's best friends
17:25are her elementary and high school best friends
17:28until now.
17:29So,
17:30they're the reality
17:31that always reminds Jolina,
17:32Hey, you're still a real person.
17:33You're still on the ground.
17:35That's one.
17:36It's unavoidable
17:37that there will be roles
17:39that you will offer
17:41in TV or movies
17:42that are daring
17:43or love scenes.
17:44What do you think about this?
17:45Auntie,
17:46with Snooki,
17:47you had a story earlier.
17:48Yes, earlier.
17:49While we're off the air.
17:50It doesn't mean that
17:52Snooki,
17:53she doesn't have sexy,
17:55like Lady Stranger in Paradise.
17:57She's also wearing a bikini and all that.
17:59As long as,
18:00I think,
18:01you know how to carry yourself.
18:02That you will still maintain
18:04the respect of others towards you.
18:06Nothing can go wrong.
18:07I mean,
18:08modestly aside,
18:09to all of us,
18:10all of our four children,
18:11there are also those who have sex scenes.
18:13There's also Kissing Scene.
18:14There's also Juday,
18:15right?
18:16But,
18:17we are proud to say
18:18that until now,
18:19the image of our children,
18:20no one has said,
18:21Hey, this is how it is.
18:22It's fine.
18:23It's still elegant.
18:24Even though,
18:25Cook and Regine are married.
18:26It's still like that
18:27because the two of them
18:28are still single.
18:29So,
18:30how can you buy
18:31your children
18:32in spite of all those
18:33kissing scenes,
18:34in spite of those things
18:35that you do?
18:36For example,
18:37you have a baiting suit
18:38in a movie.
18:39How can you tell them
18:40that,
18:41Hey,
18:42take care of yourself.
18:43Yes.
18:44Well,
18:45maybe,
18:46it's inherent in children.
18:49Maybe,
18:50if you discipline them like that.
18:51Not all,
18:52Daddy Jun,
18:53not all.
18:54I know.
18:55That's one thing
18:56that is wrong.
18:57If all of your friends
18:59are also showbiz,
19:00then,
19:01that's where you will
19:02hide your child.
19:03That's where you will
19:04tolerate your child.
19:05If it's in,
19:06that's not the discipline
19:07outside of showbiz.
19:08I'm not saying,
19:09I don't want people
19:10to get me wrong
19:11that I'm accusing
19:12showbiz of,
19:13because that's how
19:14we live.
19:15No.
19:16No,
19:17people are really different.
19:18There are a lot of people
19:19there.
19:20Because,
19:21you can't handle that.
19:22These are Jolina's friends.
19:23They're still small.
19:24You already know them.
19:25So,
19:26you trust how you brought
19:27up your children
19:28and then,
19:29if they're already in
19:30that situation,
19:31hopefully,
19:32they will know what to do.
19:33Correct.
19:34It's also the way
19:35how you brought them up.
19:37If you brought them up like that,
19:38they already know
19:39the sets of rules
19:40and regulations.
19:41I think,
19:42there's a follow-up.
19:43There's a follow-up.
19:44Of course,
19:45there's always a follow-up.
19:46There's always a follow-up.
19:47It's there.
19:48It can't be lost.
19:49If it's lost,
19:50the follow-up is dead.
19:51Yes,
19:52but sometimes,
19:53there are things
19:54that don't carry away.
19:55Yes.
19:56For me,
19:57like the kissing scenes,
19:58with Papa Jay,
19:59right?
20:00Papa PJ.
20:01Who's PJ?
20:02I was there.
20:03Piyolo.
20:04So, I was there.
20:05Jay?
20:06Piyolo Nguan,
20:07I think,
20:08or something.
20:09Okay, okay, okay.
20:10I explained it to you.
20:11I explained it to PJ.
20:12I explained it to you.
20:13I explained it to you,
20:14auntie.
20:15I'm good at that.
20:16So,
20:17during those scenes,
20:18I was there
20:19in the surroundings.
20:20But,
20:21I didn't show it.
20:22I didn't show it
20:23because
20:24my eyes are small.
20:25I'm conscious.
20:26Of course,
20:27I need to be in the surroundings.
20:28I also look at the monitor.
20:29I'm an angel in front of the monitor.
20:31Also,
20:32I think it's high time
20:33for her to accept
20:34those roles.
20:35Auntie,
20:36she can't be forever
20:37on Twitter.
20:38She also needs growth.
20:39Of course,
20:40there should be
20:41mature ones too.
20:42I don't believe
20:43that kids
20:44can't do it.
20:45Of course,
20:46they can't
20:47dress up.
20:48But,
20:49my daughter doesn't have an exposure.
20:50Ouch!
20:51My daughter,
20:52she was 16
20:53when she started.
20:54But,
20:55she never was
20:56this role
20:57as a teeny bopper.
20:58The kids
20:59who are older than her
21:00are the ones
21:01who appear.
21:02And,
21:03I used to complain.
21:04I said,
21:05my daughter's age
21:06is like Jolina.
21:07Why is Jolina
21:08always young?
21:09Why is my daughter's role
21:10always mature?
21:11That's what I always
21:12complained about.
21:13That's what
21:14I always complained about.
21:15Because,
21:16I was just
21:17thinking that
21:18she can also
21:19be a kid.
21:20And,
21:21she is younger
21:22than a lot of kids.
21:23Yes, she is.
21:24Because,
21:25she's 23?
21:26Yes.
21:27Because,
21:28she's the age of Juday.
21:29Jolina is 23.
21:30The kids.
21:31And,
21:32she was always,
21:33her role,
21:34if you notice,
21:35is always
21:36in the mature side.
21:37More mature.
21:38Yes.
21:39Regine is sophisticated.
21:40Maybe.
21:41She's very sophisticated.
21:42It depends on how she looks.
21:43Sometimes,
21:44she looks like a kid.
21:45And,
21:46well-developed.
21:47Well-developed.
21:48And,
21:49Regine.
21:50We can admit that.
21:51Of course.
21:52Or,
21:53Shasha.
21:54Okay.
21:55There are more.
21:56Of course.
21:57We'll come back to that.
21:58Ma'am, see you.
22:13Now,
22:14we're going to talk about
22:15the controversial
22:17issues
22:18that happened
22:19to their kids.
22:20What is the
22:21worst
22:22issue
22:23or the worst
22:24intrigue
22:25that
22:26happened
22:27to you
22:28and your kids?
22:29Ma'am,
22:30I'll start with you.
22:31The most
22:32you couldn't
22:33handle
22:34when you cried.
22:35You got angry
22:36when you weren't there.
22:37I didn't cry
22:38because I'm a fighter.
22:39You weren't there
22:40for yourself.
22:41You were ready
22:42to fight.
22:43I fought a lot.
22:44True.
22:45But,
22:46I think the worst
22:47was when,
22:48I will not mention names.
22:49There was an artist
22:50that,
22:51because of our kids,
22:53I spoke to him.
22:55He said,
22:57because I said,
22:58now he's using your daughter
23:00after he has used my daughter.
23:02What happened was,
23:03the next time,
23:04I just read it,
23:05he has used my daughter,
23:07meaning,
23:08my daughter was being laid.
23:10Meaning,
23:11my daughter was brought to bed
23:12by this guy.
23:13That infuriated me.
23:16I said,
23:17okay,
23:18interview me.
23:19But,
23:20when I interview,
23:21I have a tape.
23:22Because I don't want to edit
23:23what I say.
23:24You really want to
23:25When I say the word F,
23:26don't say F dot dot dot dot.
23:28Use the word that I said.
23:30Don't edit what I say.
23:32That's why I want to have a tape.
23:34I was really angry.
23:36My mouth was open.
23:37I mean,
23:38no hold,
23:39nothing.
23:40I was straight.
23:41And so,
23:42when I interviewed,
23:43I said,
23:44I thought I was talking
23:45to somebody intelligent.
23:47I know that I was talking
23:48to somebody stupid.
23:49I would not have
23:50prolonged the conversation.
23:51So,
23:52and then,
23:53it got out of hand.
23:54Because she was,
23:55she's poor,
23:56and I am rich.
23:57And so,
23:58I said,
23:59well,
24:00I don't deny the fact
24:01that she's rich,
24:02and I'm poor.
24:03But,
24:04where did she get her riches?
24:05Me,
24:06I can be laid for free.
24:07I can be laid,
24:08I can be laid for free
24:09for the guy I love,
24:10but never for a fee.
24:12I am that bitchy.
24:13Honestly,
24:14I am that bitchy.
24:15It's like,
24:16I already know.
24:17Anyway,
24:18I interviewed Inday on TV.
24:19I said,
24:20Inday,
24:21don't edit what I said.
24:22I said,
24:23if you look it up
24:24in the dictionary,
24:25when you use the word
24:26used,
24:27it doesn't mean
24:28being laid,
24:29or being S.
24:30It means something else.
24:32I don't know
24:33because I'm still stupid.
24:34Okay,
24:35the next day,
24:36there's a write-up again,
24:37two pages.
24:38Really,
24:39that really got me.
24:40That was the worst.
24:41She had a two-page write-up.
24:43I said,
24:44okay,
24:45interview me
24:46and I'll know.
24:47Next page,
24:48I said,
24:49put two pages.
24:50Empty.
24:51From Mila Ocampo
24:52to So-and-So.
24:53An empty space
24:54for an empty mind.
24:56That's it.
24:58That's a win.
25:00Auntie,
25:01what's the worst?
25:03Oh,
25:04are you still fresh?
25:06She's still fresh.
25:08What's that, auntie?
25:09Tell us.
25:10There's a lot.
25:11What's the worst?
25:12Controversial.
25:13Controversial.
25:14Like,
25:15you're hurt
25:16because of an intrigue.
25:18It's not an intrigue.
25:20The point is
25:22hearsay
25:23because I did not see it myself.
25:25I was not able
25:27to view
25:28what others saw
25:30during the
25:31like a talk show
25:32or I don't know what you call that kind of show
25:34but it's like a talk show
25:36in the other channel
25:38that I resented
25:40that I don't want to make a comment to
25:42until I finally
25:43see it myself
25:44because, of course,
25:45a lot of people are watching.
25:46So, I don't know.
25:47But,
25:48for me,
25:49from what I know,
25:51is that I really love my grandchildren
25:53because they are my real grandchildren.
25:56That's all I have to say.
25:59Okay.
26:00Uncle Jun.
26:01You're taking a deep breath.
26:04I'm having a hard time.
26:06Uncle Jun, it's your turn.
26:07I think the worst
26:08is that we used it in the publicity slant.
26:10What?
26:11After the movie ended,
26:12we still used it.
26:13We still used it.
26:14What is it?
26:15That Jolina's mom is poor.
26:18That she has a poor
26:21co-star in the movie.
26:23It's like we used it.
26:25In fact, we already had an agreement.
26:26Don't use us
26:27because we are a non-showbiz
26:30family.
26:31We have our own businesses.
26:32We have this.
26:34Even our relatives
26:35and associates in the U.S.
26:37reacted to it.
26:39Is that true?
26:40Because on television,
26:41that's how it came out.
26:42So, we feel like
26:44we were used as a family.
26:46In fact,
26:47we're not supposed to be involved.
26:49That's the worst.
26:50That her mom is poor.
26:52That we're poor.
26:53Things like that.
26:54In fact, who cared about that person?
26:59We'll ask who that person is.
27:01I'm having a hard time.
27:03The worst is
27:04that someone spread the news
27:05that Jolina got pregnant.
27:06Oh, I remember that.
27:07Yes.
27:09You know,
27:11we're glad that
27:12nobody believed.
27:13Then,
27:14there was a talk show
27:15that was done
27:16in pity of Jolina.
27:17They helped her.
27:18They interviewed
27:19the two writers.
27:21So, on air,
27:22on national television,
27:23and it was broadcasted
27:24on the Philippine channel
27:26abroad,
27:27they saw the two teachers.
27:28Good for them.
27:29Two writers.
27:30One is Tibo
27:31and the other is Bading.
27:32So, now, they're teaching
27:33each other.
27:34So, you'll see now,
27:36their credibility has changed.
27:38There.
27:39Their credibility
27:40has changed.
27:41Oh, I did not
27:42point any finger at all.
27:43I didn't push them.
27:44I didn't raise any issue.
27:45What they did was,
27:46they went out.
27:48What was Jolina's reaction
27:49when they went out?
27:50Of course,
27:51the child is crying.
27:52Normally,
27:53we shield her.
27:54Then,
27:55we'll just tell her
27:56that we've processed
27:57the information
27:58and we have the next step.
27:59But,
28:00as a family,
28:01we were at a loss.
28:02We didn't expect that.
28:03Huh?
28:04That's it.
28:05Where did you get that?
28:06We didn't expect that.
28:07We just laughed
28:08because of Jolina's face.
28:09Jolina's face,
28:10right?
28:11She has bangs.
28:12Jolina,
28:13on her part,
28:14also did her part,
28:16right?
28:17She made an open letter.
28:18She sent it to the publications.
28:21Luckily,
28:22the editors published it.
28:24She said,
28:25why am I doing this?
28:26I did not push anyone.
28:28I'm just here to
28:29give joy to others.
28:30Of course.
28:31Why, right?
28:32Anyway,
28:33I think that
28:34goes for the worst.
28:35It's okay now.
28:36That's how it is.
28:37It happens.
28:38Mommy Carol.
28:39Oh,
28:40that's a lot.
28:41Why 10 days?
28:42Top of your head.
28:43Okay,
28:44the latest one.
28:45This is the one
28:46we've been demanding.
28:47Oh,
28:48this one?
28:49I think I asked
28:50Juday about it.
28:51What is this?
28:54It has something
28:55to do with Mommy Carol.
28:56Yeah,
28:57it has something
28:58to do with my family.
28:59What was it?
29:00My mom,
29:01she lives in Squatter.
29:02Squatter,
29:03right?
29:04Oh, yeah.
29:05Then,
29:06my mom was abandoned
29:07by Juday.
29:08So,
29:09in the first place,
29:10Juday has nothing
29:11to do with my mom.
29:12Because,
29:13my siblings,
29:14there are six of us.
29:15All of us give to my mom.
29:16And all of my siblings
29:17are abroad.
29:18And all of them
29:19are well taken care of
29:20by my mom.
29:21So,
29:22why pick on Juday
29:23as the,
29:24supposedly,
29:25the one who should
29:26support her,
29:27my mother?
29:28This is related
29:29to Troika,
29:30right?
29:31Yeah,
29:32they're gone.
29:33They're gone.
29:34Troika is gone.
29:35It's gone.
29:36It's gone.
29:37It's gone.
29:38It's gone.
29:39It's gone.
29:40It's been expunged.
29:41Right?
29:42So,
29:43this is where
29:44the intrigue begins.
29:45So,
29:46that's it.
29:47That's the most,
29:48the most,
29:49because,
29:50wait a minute.
29:51It's like,
29:52it's so,
29:53it's so,
29:54why,
29:55I should be the one
29:56to say,
29:57my mom should be abandoned.
29:58Why Judy Ann?
29:59My mom should be abandoned.
30:00Yes.
30:01My mom should be abandoned.
30:02Because,
30:03it's not funny,
30:04right?
30:05So, what do you do
30:06when these people
30:07who write painful things
30:08about your child
30:09are actually
30:10face-to-face with you?
30:11Yes,
30:12that's it.
30:13You see?
30:14Bye.
30:15Of course.
30:16She's coming.
30:17She's the one.
30:18She's the one.
30:19She's running.
30:20She's avoiding me.
30:21She's running away.
30:22Yes, me too.
30:23She's avoiding me.
30:24She's running away from you.
30:25Really?
30:26Yes.
30:27You can't see them anymore?
30:28She's avoiding me.
30:29Because,
30:30Snooki has a TV show before,
30:32the Snooki special,
30:33the variety show.
30:34Yes, yes, yes.
30:35And then,
30:36there are so many press.
30:37Of course.
30:38After the show,
30:39of course,
30:40there's Datung,
30:41there's Envelope,
30:42not all of them,
30:43okay?
30:44After the show,
30:45they all watched it.
30:46I said,
30:47I'm glad that you're all here.
30:48Because I said,
30:49if I'm giving you Datung,
30:50it doesn't mean I'm stupid.
30:51I know that.
30:52I said that.
30:53For me,
30:54I'll just share what Snooki has.
30:55For you too,
30:56who somehow
30:57helped my daughter.
30:58But I'm not stupid,
30:59that all of you,
31:00I know behind my back,
31:01Oh, auntie Mila,
31:02tut-tut-tut-tut-tut-tut,
31:03it's like that, right?
31:04There's Datung again,
31:05even though I'm ruining Snooki's image,
31:07but they get an envelope.
31:09Oh, who's that, auntie?
31:10It's you.
31:11I'm really annoyed.
31:12It's you.
31:13You.
31:14You.
31:15You.
31:16I really annoyed them.
31:17I made them part.
31:18From then on,
31:19they disappeared.
31:20What's their reaction?
31:21Don't take me for a stupid idiot.
31:22You're the stupid ones,
31:23not me.
31:24You.
31:25Me, auntie,
31:26I don't know each one of them.
31:28I'm not afraid.
31:30They can write anything about me for all I care.
31:33And that buntis issue, may I add,
31:36Snooki Ren was the first one to get buntis.
31:39I think we're the only ones here who experienced buntis.
31:43But my reaction was,
31:44Snooki said,
31:45Mommy, look at him, he's about to cry.
31:47Don't cry, son.
31:48So I asked the press,
31:49Who's the father?
31:51They said that.
31:52At first, it was Albert, the first boyfriend.
31:54Albert said,
31:55My grandson will be so handsome.
31:57How old is Snooks?
31:58That's what I asked.
31:59They didn't stop it.
32:01And then, the conversation.
32:03What was that?
32:04Yes, because usually, when you ask someone,
32:06that's where they talk.
32:07I want to fight.
32:08Do you have stories like that?
32:09Something like that.
32:11I called the reporter.
32:14He came to the condo.
32:16Who's that?
32:17I won't mention it.
32:19Because I'm good friends with everybody.
32:21What about Sir?
32:22I want to know.
32:24We actually met at the lobby.
32:27And right there and then,
32:29I really told him,
32:31I won't stop you.
32:33It's good that he went.
32:35Because they put Regine centerfold.
32:40And she was a student.
32:4216 years old.
32:43High school.
32:44She just started school.
32:46At Brent that time.
32:47And of course,
32:48Brent was like,
32:49What is this?
32:51I have something.
32:52So, I had to call him
32:54and find out where he got the picture.
32:57Whose body is that?
32:59Because it looks like my son.
33:00It's not Regine's body?
33:01No.
33:02What was she wearing?
33:03Two-piece.
33:04Very skimpy.
33:06First of all,
33:07my daughter is not flat-chested.
33:08So, it's not her.
33:09Oh, it's not?
33:10Yes.
33:11So, it's not her body.
33:13And although,
33:14it's too much.
33:16That's why Lander married Regine.
33:19Because she's pretty.
33:20Hello,
33:21Regine did not get pregnant
33:22till after a year.
33:24Because she was still in contract
33:25with Star Cinema.
33:26And I did not want her
33:28to cross her contract.
33:29Even though,
33:30she's not given a project.
33:31The fact that,
33:32you have a contract,
33:34you cannot be pregnant.
33:35So, you cannot be pregnant.
33:37So, I resented their words
33:39that Lander was forced to marry her.
33:41As if,
33:42Lander has a huge debt
33:43to be forced to marry her.
33:45I mean, really.
33:48I mean,
33:49my point is,
33:51does a woman need a huge debt
33:52to be forced to marry her?
33:54No, right?
33:55You get married
33:56because you love each other.
33:57Not because,
33:58the reporters will gossip
34:00that she's pregnant.
34:01Madam Regine needs to charge.
34:04She needs to recharge.
34:05Because she's powerful.
34:06She didn't give up.
34:09No, no, no.
34:10Really, right?
34:11It's unfair to the girl.
34:12It's really unfair.
34:13There are a lot of women
34:14who say that,
34:17the reason why this guy
34:18is marrying this girl,
34:20is because they got them pregnant.
34:22That's an unfair statement.
34:25Daddy Jun,
34:27do you think there would come a time
34:31when there's something
34:33that really hurts your family,
34:35that involves a lot of people,
34:37a kind of intrigue?
34:39Do you think there would come a time
34:41when you would tell Jolina,
34:43why don't you just quit the showbiz?
34:45Actually,
34:46we've been attempting that.
34:47We've been telling her that
34:49because we're the same as her mom.
34:53We've been in the same company for a long time.
34:56We have a corporate upbringing.
34:58When we say,
34:59what time is it?
35:00What time is it?
35:01When we say,
35:02this is our plan,
35:03this is our plan.
35:04When Jolina joined showbiz,
35:05we had a culture shock.
35:07So that's when,
35:08it's already enough
35:09for me to pull out Jolina.
35:11I'm really pulling her out.
35:12Jolina,
35:13we're not going to survive
35:14in this kind of world.
35:16I told her,
35:17we're not like this.
35:18Although,
35:19in my mother's side of the family,
35:21there were already actors
35:22in Sampaguita Pictures.
35:25But that was a different era.
35:26That was a different era.
35:27Even the writers back then,
35:28the writers were really respected.
35:30And the PROs back then,
35:32were really PROs.
35:33And then,
35:34the studio was really important
35:37and the artists were really sheltered.
35:40That's why there were no such things.
35:42Now,
35:43in this generation,
35:44I told her,
35:45Jolina,
35:46we're not going to survive
35:47in this kind of world.
35:48I told her,
35:49just lead a normal life.
35:50There's nothing you can do.
35:51She really loves him.
35:52It's her first love
35:54and I think
35:55it will be her last love.
35:56It's like,
35:57we're envisioning her
35:58until she gets old.
35:59She's still acting.
36:00She's still acting.
36:01Like that.
36:02She's still acting.
36:03That's why,
36:04when someone asks,
36:05Daddy,
36:06when will I have a kissing scene?
36:08Not until you're 30.
36:10So,
36:11it's just a joke.
36:12But for us,
36:13it's like,
36:14as I was saying,
36:16we just need
36:18enough guidance
36:20and things like that.
36:23So, Mommy Carol,
36:24did you think of telling Judah?
36:26The son?
36:27No.
36:28Or even if you can see
36:29that he's really tired.
36:30Even if he's really tired,
36:32he's sick and everything.
36:34You can't tell him that.
36:36He's the one who's really tired.
36:39Like yesterday,
36:40she's sick.
36:42She just had a massage.
36:43She took a bath.
36:44She had an upset stomach during the shooting.
36:46I was like,
36:47you can't do that.
36:48You need to see a doctor.
36:49This and that.
36:50I can't do that.
36:51You can't do that to her.
36:52But,
36:53there was already a point in our life
36:55that we wanted to migrate
36:56because
36:57I'm a citizen of Canada.
37:00So, when we had a clash with Alfie,
37:02he himself
37:03wanted to quit the showbiz
37:05because of the intrigues
37:06between Alfie and me.
37:08So, he said,
37:09if this doesn't stop,
37:11I think I have to quit showbiz.
37:14That's what he said to me.
37:15I said, it's up to you.
37:17I said,
37:18this is my only point.
37:20So, I said,
37:21we have to,
37:22you have to give me
37:23what I want.
37:24That's my point of view.
37:26So, it's okay.
37:27We already had agreements.
37:29So, it's okay now.
37:30So, I don't think
37:31he's thinking of quitting.
37:35He's in love.
37:37It's the same with Jolina.
37:38It's already there.
37:39It's in her system.
37:40It's in her system.
37:41She can't remove it.
37:42She has a point.
37:43Sometimes,
37:44when she's shooting,
37:45when she's taping,
37:46the dancer hit her head
37:47with her nose.
37:48Yes, right?
37:49Her nose is wrong.
37:50It really bleeds.
37:52We ran to the hospital.
37:53Then, when she was in the hospital,
37:54the doctor said,
37:55maybe she needs an operation.
37:57She cried.
37:58He said, why are you crying?
37:59Is it painful?
38:00No.
38:01What about my taping?
38:02What about it?
38:04She's still taping.
38:07Maybe she really wants it.
38:08She really wants it.
38:09What about the taping?
38:10We'll just support her.
38:11Oh, my.
38:12That's why we support her.
38:14When we come back,
38:15we'll see.
38:31We're still here
38:32with our mommies and daddies.
38:33I want to ask Uncle Carl
38:34and Uncle Jun.
38:36When can you tell your child,
38:37okay,
38:38it's up to you
38:39to make a decision for yourself.
38:40You're an adult.
38:41You can do it.
38:42I trust your judgment already
38:43at this point in time.
38:45When?
38:47Well, for me,
38:48now,
38:51as long as I'm strong,
38:52as long as I can handle the intrigue,
38:54as long as I can handle
38:55what's happening.
38:56What's happening.
38:57Yes.
38:59I'm slowly teaching her.
39:00Jelena,
39:02when will you stop?
39:03When will you go?
39:05You don't need to consult me anymore.
39:07You already know
39:08where to go.
39:09Yes, where to go.
39:10What's right and what's not.
39:11Maybe by the time
39:14she knows she can do it,
39:15that's the time,
39:16maybe,
39:17who wouldn't want to retire, right?
39:18Now,
39:19she's starting to decide
39:20for herself.
39:22The investments
39:23that she's making,
39:25she's just asking,
39:26Mommy,
39:27is this okay?
39:28But the final,
39:29it's still up to her.
39:30It's still up to her.
39:31So now,
39:32she's already at the stage
39:33where she decides
39:34for everything.
39:35Okay,
39:36if there's one thing
39:37that you want to change
39:38in your daughter,
39:39for their betterment,
39:40or maybe,
39:41so that other people
39:42won't take advantage of her,
39:43what would it be?
39:44I'm too kind.
39:46She's too trusting.
39:48Because she thinks
39:49all people are the same
39:50that she can trust.
39:52Do you know that?
39:53She's too trusting.
39:54And there are lots of people
39:55that I've seen
39:56that she's used before.
39:57To take advantage.
39:58Yeah,
39:59to take advantage.
40:00So that's it.
40:01To reduce
40:02being too kind,
40:03she should be more
40:05trusting.
40:06Don't be too trusting.
40:07Yeah,
40:08too much.
40:09Because if you're
40:10a real person,
40:11you feel that all people are like that.
40:12All people are like that.
40:13She doesn't have
40:14a bad intention
40:15towards others.
40:17Maybe that's why
40:18she feels that all people
40:19are like that towards her.
40:20That's how she is.
40:21I think,
40:22Carol and I are the same.
40:23I think that's Nuki's self back then.
40:24She's too kind.
40:25It's like,
40:26she's too shy
40:27to say no
40:28because she might hurt
40:29another person.
40:30She's too shy.
40:31But then sometimes,
40:32you're saying yes
40:33because you want to please them
40:34is worse than saying no.
40:35Right?
40:36Sometimes, it's like that.
40:37Because sometimes,
40:38you can't do it
40:39because you have a lot of people.
40:40True, right?
40:41For wanting to please.
40:42I think,
40:43Nuki is also like that.
40:44She's so good
40:45to the point that
40:46sometimes,
40:47you meant well
40:48but then it becomes
40:49the other way around.
40:50I think that's one thing
40:51that she should change.
40:52Though, of course,
40:53Nuki's time
40:54is the essence of time
40:55which is known.
40:56Nuki is there,
40:57right?
40:58She has the gut.
40:59The 3 hours,
41:00it's just 30 minutes.
41:02Okay.
41:04How about you?
41:05For Kerry Jean,
41:09I have a lot on my mind.
41:10I'm sorry.
41:14The problem with Kerry Jean,
41:16the two of us
41:17are the ones who fight
41:18lately.
41:20It's because
41:21I get very frustrated
41:24because
41:25she does not seem
41:26to understand
41:32that you're only looking out
41:33for her own happiness.
41:35Yes.
41:38For her to be happy,
41:39maybe,
41:40it's okay to choose.
41:41Well,
41:42just like them,
41:44that's one of Jolina's faults.
41:46She's too trusting.
41:48Because,
41:49she's swayed
41:50by her friends
41:51who are really
41:53small.
41:54They grew up together.
41:55She knows her parents.
41:56Everything she says
41:57is true.
41:58She thinks
41:59it's the same here.
42:01So,
42:02maybe,
42:03she needs to reduce
42:06Being nice
42:08is inherent
42:09in our children.
42:10But the point is,
42:11being too trusting.
42:12It's another thing.
42:13You have to say no
42:14when you have to say no.
42:15Yes.
42:16You have to draw the line.
42:18In other words,
42:19I think,
42:20if you have
42:21that thing in common,
42:23maybe,
42:24it's their aim
42:25also to please people.
42:26Right.
42:27Because you're in the business.
42:28It's like,
42:29you need to be diplomatic.
42:30Everybody happy.
42:31Everybody happy.
42:32You need to entertain.
42:34Yes.
42:35It's hard.
42:36Because,
42:37there are friends
42:38who are close.
42:39But there's a hidden agenda.
42:40There's a hidden agenda.
42:41So,
42:42that is where
42:43the problem starts.
42:44Okay.
42:45Thank you so much
42:46for sharing with us.
42:48Even though,
42:49it's hard
42:50to watch
42:51stage mom
42:52or stage dad.
42:53But thank you.
42:54At least, you clarified.
42:55No.
42:56They are mom and dad.
42:57First and foremost,
42:58they are parents.
42:59And maybe,
43:00you can see that
43:01in the stage moms
43:02of our children.
43:03If,
43:04at least,
43:05they are in the proper place.
43:06You know,
43:07there's one thing
43:08that I can attribute
43:09to the children
43:10who are called stage mom
43:11or stage dad.
43:12You know,
43:13they grow up well
43:14in spite of being
43:15in the business.
43:16They're well-rounded.
43:17Well-rounded.
43:18Well-mannered.
43:19They are good.
43:20Exactly.
43:21They are well-rounded.
43:23Because they are guided.
43:24They're guided properly.
43:26Okay.
43:27They're like my daughters.
43:28There!
43:30Regine, my 11-year-old.
43:31Okay.
43:32Lisa, happy birthday.
43:33Happy birthday!
43:34Happy birthday!
43:35Regine, also get well soon.
43:36Get well soon.
43:37Okay, Denise.
43:38Okay.
43:39I'll be back.
43:40I'm serious.
43:51We are sisters.
43:52We are sisters.
43:56Okay, Jelly.
43:57What can you say?
43:58What I can say is,
43:59I'll go first, okay?
44:00Of course.
44:01Okay.
44:02What I can say is,
44:03No.
44:04I'll go first.
44:05I'll go first.
44:06I'll go first.
44:07Okay.
44:08I'll go first.
44:09I'll go first.
44:10I'll go first.
44:11I'll go first.
44:12I'll go first.
44:13I'll go first.
44:14I'll go first.
44:15I'll go first.
44:16I'll go first.
44:17I'll go first.
44:18I'll go first.
44:19I'll go first.
44:20But,
44:22all our parents have good intentions for us.
44:24Definitely.
44:25They want the best for us.
44:27So, if it will take for them to make us kulit,
44:31for us to have better lives,
44:33that's fine with me.
44:34Look at Jelena, Judy, Anne, Regine, and
44:38Snooki.
44:39Snooki.
44:40They all turned out well.
44:41They all have good lives.
44:42I mean, of course,
44:43not all of them are perfect.
44:44But, they're okay.
44:45They turned out good people.
44:47So, for me,
44:48instead of not guiding you,
44:49letting you be like that,
44:50I'll be there for my parents
44:53and concern for my well-being.
44:55Okay.
44:56You're right.
44:57Yes.
44:58Now, if you're a manager and at the same time a parent,
45:01what's important is you need to draw the line.
45:04Because,
45:05of course,
45:06anything that you do as a manager,
45:08even as a manager,
45:10it will reflect to the child.
45:12Right?
45:13Maybe in the end,
45:14your child will be worse.
45:16Maybe not to you,
45:18but to the eyes of other people.
45:19So, you just have to learn how to draw the line
45:22and make sure that
45:23being a parent is different from being a manager.
45:27That's all.
45:28Let's not overreact.
45:30Let's not overreact.
45:31Okay.
45:32So, let's not overreact.
45:33But,
45:34let's not overreact.
45:35Let's not overreact.
45:36Because tomorrow,
45:37we'll switch channels.
45:38Correct.
45:39Because tomorrow,
45:40we'll still have a sister.
45:41Correct.
45:42We'll switch.
45:43Here at
45:44SIS.
45:45SIS would like to thank
45:47Bambi Fuentes,
45:48Mossimo,
45:49F&H,
45:50Chloe for our eyewear,
45:53Optical Works,
45:54Adidas,
45:55Janeline Shoes,
45:57Wade Shoes,
45:58Bayo,
45:59Under the Sea Pet Shop,
46:01Salon de Manila,
46:03La Germania,
46:04680 Home Appliances,
46:06Jurastar,
46:08Mano Mano,
46:09Play and Display,
46:11JBL Home Furniture Enterprise,
46:13The Barnyard,
46:15Grant Flora,
46:16Our Home,
46:18Wayless Center and Spa,
46:20The Heritage Art Venue,
46:23Molly McGregor,
46:25and Beanhopper's Coffee,
46:26and Union Square.
46:28Paki-kialam means you interfere,
46:30but when you're managing,
46:32it's paki-kialam, I think.
46:33But as far as that is concerned,
46:35if that's the term for me,
46:36I think, yeah, that's true.
46:38Where do you draw the line?
46:40Being a parent comes in
46:42when her welfare is already concerned.
46:45Her health,
46:46her finances,
46:48her well-being as a person,
46:50her future,
46:52her image as a daughter.
46:53Long months,
46:54I went to,
46:55and we left,
46:56we actually met at the lobby,
46:58and right there and then,
47:00I really told him,
47:02I won't stop you.
47:04It's a good thing that he went.
47:05I told him,
47:06make up for what you wrote.
47:07After eating,
47:08they're obligated,
47:09they're forced to eat.
47:11They have to put that in the sink.
47:13They can't just throw it in the toilet.
47:15If they need water,
47:16they have to get it.
47:17The water is just there.
47:18Right?
47:19Things like that,
47:20so they can feel normal in life.
47:23In the first place,
47:24they weren't born celebrities.