2001 Touched By A Killer UNCUT HOT MOVIE Isabella Hofmann James Wilder Louise Fletcher
2001 Touched By A Killer UNCUT HOT MOVIE Isabella Hofmann James Wilder Louise Fletcher
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Short filmTranscript
00:00:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:00:53I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:00:55Thou preparest a table before me in the presence of mine enemies.
00:00:56Thou anointest my head with oil, my cup runneth over.
00:00:57Surely goodness and mercy shall follow me all the days of my life, and I will dwell
00:00:58in the house of the Lord forever.
00:00:59The Lord is my shepherd, I shall not want.
00:01:00I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:01I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:02I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:03I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:04I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:05I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:07I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:08I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:09I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:10I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:11I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:12I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:13I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:14I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:15I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:16I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:18I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:19I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:20I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:21I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:22I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:23I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:24I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:25I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:26I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:27I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:29I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:31I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:32I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:33I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:34I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:35I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:36I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:37I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:38I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:40I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:41I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:42I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:43I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:44I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:45I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:46I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:47I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:48I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:49I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:51I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:52I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:53I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:54I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:55I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:56I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:57I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:58I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:01:59I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:00I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:02I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:03I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:04I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:05I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:06I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:07I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:08I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:09I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:10I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:11I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:13I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:14I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:15I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:16I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:17I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:18I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:19I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:20I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:21I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:22I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:24I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:25I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:26I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:27I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:28I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:29I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:30I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:31I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:32I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:33I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:35I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:36I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:37I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:38I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:39I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:40I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:41I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:42I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:43I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:44I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:02:45I will fear no evil for thou art with me, thy rod and thy staff they comfort me.
00:03:09Oh no!
00:03:13But you'd better get down there.
00:03:15Yeah.
00:03:16Coming.
00:03:25And sentencing will take place on Tuesday the 16th.
00:03:29The state expects the maximum sentence.
00:03:31Mr. Clark, Mr. Clark.
00:03:33Yes, ma'am.
00:03:34That could mean the death penalty.
00:03:35Do you not find that kind of punishment
00:03:36reasonable in the state?
00:03:38No, ma'am.
00:03:39No, ma'am.
00:03:40No, ma'am.
00:03:41No, ma'am.
00:03:42It would mean the death penalty.
00:03:43Do you not find that kind of punishment harsh?
00:03:44Well, of course it's harsh.
00:03:46But this is going to send a clear message to those
00:03:49who believe that they can disregard
00:03:50the laws of our community.
00:03:52Excuse me, sir.
00:03:53And why don't you proceed with the trials
00:03:54of the other two defendants?
00:03:57Within the next two weeks.
00:03:59Now, you'll have to excuse me.
00:04:00Assistant District Attorney Warren Penn here
00:04:02will be glad to answer any further questions.
00:04:04How do you feel about being called a mongoose?
00:04:09Mine by me.
00:04:10As long as I get the snakes.
00:04:12Hey, sorry I'm late.
00:04:14I overslept.
00:04:14We'll talk about it later.
00:04:15Let's catch him before he gets awake.
00:04:16Left off.
00:04:17We expect the same results with two other injections.
00:04:19Bitch!
00:04:22Ernie, old dog, what are you doing here?
00:04:24Well, you got a big case coming up.
00:04:26One down, two to go.
00:04:27And just in time for the election.
00:04:28It's got nothing to do with that.
00:04:30Well, that's not what your campaign manager told me.
00:04:34Just kidding me.
00:04:35This is my niece, Nikki Barrington.
00:04:37Nikki Barrington, this is Mitchell Clark,
00:04:39our district attorney and local mongoose.
00:04:41How do you do?
00:04:42Nice to meet you.
00:04:44Nikki grew up around here.
00:04:45She'd just come home from New York City.
00:04:47Welcome back to Marshall Falls.
00:04:49We could use some new blood around here to liven
00:04:51up Bernie's stodgy old paper.
00:04:55What do you think?
00:04:56Well, Bernie's stodgy old paper doesn't endorse politicians.
00:04:59You know, Bernie, that's what I like about you.
00:05:02You are one of the few truly righteous people
00:05:04left in the world.
00:05:05Mr. Penn, Mr. Penn, Warren, Warren.
00:05:09He doesn't know how right he is.
00:05:11Mr. Penn, the people don't agree with this.
00:05:35Thank you.
00:05:56Can I come in?
00:05:57Yeah, sure, come on.
00:06:02What is it?
00:06:04R.J. sent me a package last night
00:06:06and wants me to cover a story for him.
00:06:08How's he doing?
00:06:10Not good.
00:06:11Well, that's too bad.
00:06:12Yeah.
00:06:13What's the story?
00:06:15There's this guy over at Mid-Valley who's scheduled
00:06:18to be executed next month.
00:06:19Tyler Nash.
00:06:21R.J. doesn't want you to cover the execution, does he?
00:06:23He's convinced that the guy is innocent.
00:06:26OK.
00:06:27You go ahead and just make sure it doesn't interfere
00:06:29with your work on this paper.
00:06:30Thank you.
00:06:35VICKI PENN ROAD
00:06:41Vicki!
00:06:43Vicki!
00:06:45Hey, open the damn door.
00:06:47It's cold out here.
00:06:51Coming.
00:06:56What the hell are you doing out here?
00:06:58Well, I've been knocking at the front door forever.
00:07:01Sorry.
00:07:02Yeah.
00:07:03Oh, this is totally unacceptable.
00:07:07I think I look stunning.
00:07:09Really?
00:07:11Oh, so what happened here last night, huh?
00:07:14Wild research party. Very exciting.
00:07:16Yeah?
00:07:17Well, you forgot to sign off on the net, and I've been trying to call you all morning.
00:07:21Oh, sorry.
00:07:22Did you forget our seminar this morning?
00:07:24I did, but I've got to go to Mid-Valley Penitentiary today.
00:07:27Oh, Nicky, they finally busted you.
00:07:29You're very funny in the mornings.
00:07:33Ooh, now this is worth working late for.
00:07:38That is my Mid-Valley lunch date.
00:07:40What?
00:07:41R.J. asked me to interview him, do a story.
00:07:44Huh.
00:07:51Having trouble sleeping lately.
00:07:53So try a glass of warm milk, anything but those.
00:07:56My doctor prescribed them.
00:07:58The dreams again.
00:07:59Yeah, since I moved back.
00:08:01So move, sell the place.
00:08:02I like the place.
00:08:03Yeah, but too many bad memories.
00:08:05Oh, come on, Liza, I'll get over it.
00:08:07Yeah, before or after you get addicted to those.
00:08:09Honey, how long have you known me?
00:08:11Oh, ever since second grade when Jimmy Lane stole your notebook and I had to beat him up to get it back.
00:08:16So, still worried?
00:08:18As a matter of fact.
00:08:19God, you are so annoying.
00:08:21Please make me some coffee, I'm taking a shower.
00:08:23I love you, too.
00:08:33So, Wayne wants to ask you out.
00:08:36Oh, please.
00:08:38He's a nice guy.
00:08:40Oh, he's so nice, why don't you go out with him?
00:08:43Well, because I'm not the step-mom type, and besides, he likes you.
00:08:47Liza, you know something, you're obsessed.
00:08:50I mean, why are you so compelled to set me up all the time?
00:08:53I just want my best friend happy.
00:08:56I don't need a man to be happy.
00:08:58I like my independence and I like having control of my life.
00:09:02Oh, I'd like to be out of control just one last time before I start getting hot flashes.
00:09:08Thanks for the coffee, by the way.
00:09:11You are a goddess.
00:09:19Debbie, you know who I am if you remember this poem.
00:09:23Passions drift amongst the silken flesh,
00:09:26beads of sweat drip slowly down sunken and surrendered crevices,
00:09:32giving breath to conscious rapture.
00:09:35Nicky.
00:09:37It's the mid-valley guy again.
00:09:39So what's he in for, bad poetry?
00:09:42No, murder.
00:09:44Oh.
00:09:46Well, for someone who likes to be in control,
00:09:48I think you picked an interesting person to interview.
00:09:51Don't pick him. R.J. did, okay?
00:10:21Okay.
00:10:39Thank you.
00:10:41Sit over there, please.
00:10:51Thank you.
00:11:21Thank you.
00:11:37Where's Mr. Malone?
00:11:39He asked me to come in his place.
00:11:43Who are you?
00:11:45I'm Nicky Barrington.
00:11:47I'm also a journalist.
00:11:50He said he'd help me.
00:11:52He said he would write a story.
00:11:54What does that mean?
00:11:56It means I'm going to get to know you over the next few weeks.
00:11:59What do you get out of it?
00:12:03The chance to write a piece that might convince the state
00:12:07to change its views on capital punishment.
00:12:11So it doesn't matter whether I'm innocent or not?
00:12:14I'm not here to pass judgment.
00:12:16So what do I get out of it?
00:12:18I guess I'm executed.
00:12:20Am I right?
00:12:22Okay.
00:12:26So who exactly is this Debbie?
00:12:29She's my missing witness.
00:12:32No, I don't know her last name,
00:12:34and if she comes forward, I would get an appeal.
00:12:38Well, this was front-page news.
00:12:41If she exists, why didn't she just come forward?
00:12:44Well, she exists.
00:12:46Maybe she's scared.
00:12:48Maybe she moved.
00:12:50Maybe she doesn't care.
00:12:52The D.A. convinced the jury you lied about her.
00:13:01You're beautiful.
00:13:04Let's just stick to business, all right?
00:13:06Hey, I just meant it as a compliment.
00:13:10Tell me about your lawyer.
00:13:12Nothing to say.
00:13:14I don't have time to go a hundred miles
00:13:16to get answers like that, all right?
00:13:18What are you getting mad at all?
00:13:20I'm not getting mad. I just...
00:13:22I don't have time to play games.
00:13:24I'm not playing games.
00:13:26My attorney was court appointed.
00:13:28He told me I should throw myself at the mercy of the court.
00:13:31I did.
00:13:33Here I am.
00:13:36A full moon kindled the white beach
00:13:38in front of the local bar in Marshall Falls
00:13:40the night Cecilia Flowers decided
00:13:42to take a peaceful midnight stroll.
00:13:45But she was not alone.
00:13:48Someone had followed her out of the blue moon,
00:13:51stopped her, and waited for the perfect moment to attack.
00:13:54The moment she was most vulnerable.
00:13:58The moment she was totally alone.
00:14:01Her killer sprang upon his prey like a black cat.
00:14:05He took her young life with the slash of his blade
00:14:08against the soft flesh of her neck.
00:14:11Cruel, cold-blooded, no sympathy,
00:14:14the animal drank her fears of wine.
00:14:17What happened to Cecilia Flowers that night was inhuman.
00:14:21No one should have to submit to that kind of terror.
00:14:24Marshall Falls, beware.
00:14:27There's a boogeyman out there.
00:14:58So you raced cars?
00:15:00Stock cars.
00:15:02Win much?
00:15:04I won my share.
00:15:06Okay, I'm sure this is the last thing you want to do again,
00:15:09but you want to tell me what happened?
00:15:12I was passing through Marshall Falls.
00:15:15I had a couple of days before a race near Portland.
00:15:18It got canceled, so I decided to stay on.
00:15:21Several people at the blue moon saw you there with Cecilia Flowers.
00:15:25She was sitting at the bar, so was I.
00:15:28We had a couple of drinks. That's all.
00:15:31We left at the same time, but we both went our separate ways.
00:15:35And then you went to this other bar where you picked up this Debbie?
00:15:40Yes. Deeks.
00:15:42Deeks.
00:15:44Okay, so how come no one at Deeks remembered seeing you there?
00:15:48I don't know.
00:15:50I guess we got out of there pretty quick, then we drove to the beach.
00:15:54Did you sleep with her?
00:15:56No.
00:15:58We talked for about two or three hours.
00:16:01Then what happened?
00:16:03Then I took her back to Deeks, where she picked up her car,
00:16:07and that's the last I ever saw of her.
00:16:13Tyler, why did you run when you knew the police were after you?
00:16:20I honestly don't know.
00:16:25Today, Mitchell Clark, County Prosecutor,
00:16:28makes his closing arguments in the Tyler Nash trial.
00:16:31He will most likely focus on the fact that Nash had no alibi
00:16:36and remind the jury that an eyewitness placed Nash at the seat of...
00:16:43Flowers, a young Marshall Falls resident.
00:16:46Jury deliberations are expected to be short.
00:16:49We'll continue coverage of this story once the jury has reached its verdict.
00:16:54And now, back to our newsroom.
00:16:57Ted.
00:16:59Dr. Henry, please report to ICU.
00:17:02Dr. Henry, please report to ICU.
00:17:08Dr. Bowers. Yes.
00:17:10Hi. Hi. I'm Nikki Barrington from the Democrat and Sentinel.
00:17:13Ah, yes, that is important. ICU.
00:17:15Yes, yes, it is.
00:17:17Thank you so much for taking the time.
00:17:20Doctor, five years ago, you performed an autopsy on Cecilia Flowers, a murder victim.
00:17:25Flowers. Flowers, yes.
00:17:28You might recall that Tyler Nash was convicted of that crime.
00:17:31In your testimony, you concluded that Miss Flowers' throat was slashed from right to left.
00:17:35You ask me to recall a murder case that took place over five years ago?
00:17:38I read the court transcripts, Doctor.
00:17:40You stated that the killer slashed Miss Flowers from behind
00:17:44using a right-to-left motion,
00:17:46and because of that, he had to be left-handed.
00:17:48Yes, so?
00:17:49All right, well, isn't it possible that the killer could have slashed her from the front?
00:17:52I don't know. Possible.
00:17:54Well, if the murderer killed her from the front, using your logic,
00:17:57he'd be right-handed. Isn't that so?
00:17:59Now, why wasn't that mentioned in your testimony?
00:18:01What is your point, Miss Barrington?
00:18:04Tyler Nash is scheduled to be executed next month. He might be innocent.
00:18:08All I did was give my professional opinion and answer the questions asked of me.
00:18:11Now, you'll have to excuse me. I'm late and I've got a lot of work to do.
00:18:15Yes, of course. Thank you for your time.
00:18:18Now, why didn't your attorney challenge the Flowers' autopsy report?
00:18:24Tyler, you're left-handed.
00:18:26What if the murderer slashed the Flowers girl from the front?
00:18:30My new attorney used that argument as part of an appeal for my retrial.
00:18:36All right.
00:18:38Okay, another witness for the prosecution.
00:18:41Roger Walker said that he saw you with the victim in your truck at the Blue Moon
00:18:46just before she was killed.
00:18:48He lied.
00:18:50Okay, why do you say that?
00:18:52Because it didn't happen, that's why.
00:18:54How could he see something that didn't happen?
00:18:57Sometimes witnesses have completely different accounts of the same event.
00:19:02Do you always do that?
00:19:04Do what?
00:19:06That little thing with your hair.
00:19:12How can you be so cavalier?
00:19:19I'm not.
00:19:22I just miss the simple things.
00:19:25Like that little thing with your hair.
00:19:42THE BLUE MOON
00:19:50Good afternoon, Teckley Corporation.
00:19:52Yes, Roger Walker, please.
00:19:54Mr. Walker is in Houston on business.
00:19:56When is he expected back?
00:19:58The end of next week. Is there someone else that can help you?
00:20:00Is there a number where I can reach him?
00:20:02I'm sorry, we're not permitted to give out that information,
00:20:04but if you leave your name and number, I'll relay the message.
00:20:07No thanks, I'll just call back.
00:20:11Nikki, you got a minute?
00:20:13Sure.
00:20:18What's up?
00:20:20I want you to go to Olympia and cover the state congressional runoff.
00:20:23What?
00:20:26Well, can't Wayne or Liza do it?
00:20:29Why?
00:20:31I'm not up on my state politics.
00:20:33What's going on, Nikki?
00:20:37It's that thing I'm doing for R.J.
00:20:40That thing wasn't supposed to interfere with your work on the paper.
00:20:42I know.
00:20:46You better sit down, Nikki.
00:20:50This came in on the wire this morning,
00:20:52and I wasn't going to give it to you until after work, but...
00:20:59Newsman R.J. Malone died early this morning.
00:21:03Oh, my God.
00:21:05You okay?
00:21:08Yeah.
00:21:10Oh, heck, Wayne is probably tired of working on that fast food toy scandal anyway.
00:21:14I heard his kids are giving him hell about it.
00:21:18Thanks.
00:21:24You seem tense.
00:21:26Oh, well, um...
00:21:28I've just had a bad couple of days.
00:21:30I haven't slept well.
00:21:32What's going on?
00:21:34Hey, come on.
00:21:37I've been honest with you from the beginning.
00:21:39You've got to be honest with me.
00:21:44R.J. Malone died.
00:21:47Oh, man.
00:21:53How?
00:21:54Cancer.
00:21:56You two were close, huh?
00:22:02Hey, did this Debbie ever tell you where she lived?
00:22:08No.
00:22:10Did you ever ask her?
00:22:12No.
00:22:14Nikki?
00:22:16What's going on?
00:22:18Come on, you're in agony here.
00:22:20What's happening?
00:22:27I'd worked with R.J. for ten years, you know?
00:22:32I mean, I knew it was coming, but...
00:22:36He was like a...
00:22:38He was like a father to me.
00:22:42I'm sorry.
00:22:47What was your father like?
00:22:50My...
00:22:52My dad, uh...
00:22:55He spent most of his life beating the hell out of me and my mom.
00:23:01Is your mother living?
00:23:03No.
00:23:04Yours?
00:23:05No.
00:23:07You know, when my mom died, I truly knew that, uh...
00:23:13I was alone in the world.
00:23:16Things wouldn't come easy.
00:23:19Yeah, I guess I know what that feels like.
00:23:24I got something for you.
00:23:35Thank you.
00:23:48Drop a pebble in the lake and watch the waters part until the rings reach every shore
00:23:54and touch some other's heart.
00:23:57I stand near the water's edge praying for a sign that somewhere
00:24:00across the mist of time there awaits a heart like mine.
00:24:07You wrote this for me?
00:24:09Uh-huh.
00:24:12I like it.
00:24:30In case I'm not here and you want somebody to talk to.
00:25:00Ah!
00:25:02Ah!
00:25:04Ah!
00:25:31There were no traces of blood, hair, or fiber from the victim found in his truck,
00:25:35on his clothes, or in his motel room.
00:25:38And there was only one eyewitness, Roger Walker, and his testimony was circumstantial.
00:25:42Why? Because Tyler Nash said so? Oh, please.
00:25:45How about this?
00:25:47You cannot condemn a man to death no matter what he did.
00:25:49It's barbaric.
00:25:51You cannot condemn a man to death no matter what he did.
00:25:53It's barbaric.
00:25:55You cannot condemn a man to death no matter what he did.
00:25:58You cannot condemn a man to death no matter what he did.
00:26:00It's barbaric.
00:26:02Are you falling for this guy?
00:26:04No.
00:26:05Good, because I wouldn't want to have to identify your body
00:26:07just because this guy turns you on.
00:26:09Liza!
00:26:10Well, why can't you admit that you have hormones just like the rest of us?
00:26:13Okay, you've hurt me enough. I'm going to go solo.
00:26:16And besides, I don't believe his story about the missing witness.
00:26:19I mean, anyone can be found.
00:26:21Only if they want to be.
00:26:23Yeah, but what if he killed this Debbie, too?
00:26:25What if this Debbie was in on it?
00:26:27What if the whole thing was a set-up?
00:26:29It's starting to sound like a soap opera to me.
00:26:31Liza, be serious for one minute.
00:26:33What if he's innocent?
00:26:35Everyone on death row is innocent.
00:26:37Hasn't anyone ever told you?
00:26:39I am so sorry.
00:26:41I, I, oh, please.
00:26:44Forgive me, Nikki.
00:26:46Liza.
00:26:47I'm sorry, honey.
00:26:49Sometimes I say the stupidest things.
00:26:56PHONE RINGS
00:27:03Hello?
00:27:06Hello?
00:27:07Hey, it's Tyler.
00:27:11Hi.
00:27:12Look, I, uh, I hope you don't mind me calling.
00:27:15No, no, I, I, I told you to.
00:27:19Look, we got five minutes before they pull the plug here.
00:27:22Well, that doesn't seem fair.
00:27:26I hear music.
00:27:28Yes.
00:27:29Huh.
00:27:31That sounds nice.
00:27:34Tell me about your home.
00:27:36You have five minutes, and you want to make small talk?
00:27:38You know what?
00:27:40Actually, that's exactly what I'd like.
00:27:43Okay, um...
00:27:49I live just outside of Marshall Falls,
00:27:51about a hundred miles north of you.
00:27:56I'm surrounded by trees in the middle of nowhere.
00:28:00That's nice.
00:28:02Tell me, um, what's inside your home?
00:28:08A lot of knick-knacks, you know.
00:28:10It's woodsy, cozy.
00:28:13Big fireplace.
00:28:15Wow.
00:28:17So tell me about you.
00:28:21Not much to say.
00:28:23Oh, sure there is.
00:28:25What do you want to know?
00:28:26I want to know everything.
00:28:28Want to know everything in five minutes.
00:28:30Yeah, that's, uh, it's a start.
00:28:35I used to live in New York.
00:28:38So, uh, why did you move back?
00:28:41At least, uh, in Marshall Falls,
00:28:45everybody knows who you are.
00:28:47Oh, boy.
00:28:49That is not always a good thing.
00:28:52Anyway, R.J. used to say that...
00:28:58writing doesn't come from big cities.
00:29:00Writing comes from the heart.
00:29:04Like love.
00:29:08Tyler...
00:29:15I can see you.
00:29:19What do you see?
00:29:23I see your loneliness.
00:29:29I want to see you.
00:29:32Tyler?
00:29:34Tyler?
00:29:36Tyler?
00:30:03Wow.
00:30:06You look beautiful.
00:30:15What's that?
00:30:17It's nice, Sarah.
00:30:19I drew this for you.
00:30:31You really did this?
00:30:33Yeah.
00:30:36Does it look like your place?
00:30:39Yeah.
00:30:43Yeah, it's amazing.
00:30:47Is there anything you can't do?
00:30:49Yeah.
00:30:51Touch you.
00:30:55Hold you close.
00:31:07I'm gonna die.
00:31:12I'm gonna die in two weeks.
00:31:37I love you.
00:32:01Nikki!
00:32:03Tyler!
00:32:06Tyler!
00:32:36Tyler!
00:33:07You just happened to be in town on the night of the murder?
00:33:11I saw you on that trip, too, remember?
00:33:15Nick, you don't know anything about this guy.
00:33:18He is not a killer.
00:33:20Believe me, I know this trial inside and out.
00:33:23Clark... Clark went after Tyler like a...
00:33:25Like a mongoose after a snake?
00:33:27No, he's a killer.
00:33:29He's a killer.
00:33:31He's a killer.
00:33:33Clark went after Tyler like a...
00:33:35Like a mongoose after a snake?
00:33:37Nick, you're putting me as well as yourself
00:33:39in a very compromising legal position.
00:33:42I know you're about to commit perjury.
00:33:44That makes me an accessory.
00:33:46We could both face serious jail time.
00:33:49Liza, no one will ever know that you know you have my word.
00:33:55Oh, that's great. Just great.
00:33:57I thought you were my friend.
00:33:59Don't do this. I am your friend.
00:34:01Your best friend, which is why I'm trying to talk some sense into you.
00:34:04This makes perfect sense to me.
00:34:06I have never been so sure of anything in my life.
00:34:11I don't know.
00:34:14Okay, Liza.
00:34:16This conversation never took place.
00:34:19Now it's either that or you turn me in.
00:34:27Judge Robertson just ordered a stay of execution
00:34:30for Tyler Nash.
00:34:31For what reason?
00:34:33Seems his missing witness finally showed up.
00:34:35Motion for a new trial has been granted.
00:34:37It's scheduled for the 11th.
00:34:39Nicky Barrington.
00:34:41Works at the Democrat and Sentinel.
00:34:43Bernie's niece.
00:34:45Give me everything you can find on her.
00:34:47School, friends, sex life, addictions.
00:34:51Gotcha.
00:34:53Tyler, I can do this. I can!
00:34:56I know every aspect of your trial.
00:34:59I was in town visiting my mother when the murder took place
00:35:02and there is nothing about this to me that couldn't apply to me.
00:35:05It's perfect.
00:35:06I don't buy it, okay?
00:35:07You don't know what you're getting yourself into.
00:35:08I can't let you do this.
00:35:09No, no, no, look.
00:35:10All right, there is no law against my visiting you.
00:35:13All of our conversations have been private.
00:35:15And besides that, Tanaki already deposed me
00:35:18and filed another motion to retry.
00:35:20So I'm sorry, but there is no turning back.
00:35:24Ms. Barrington.
00:35:26How did you come to meet Tyler Nash?
00:35:29I was living in New York.
00:35:31Every year during August,
00:35:34I came back home to Marshall Falls to see my mother.
00:35:37I heard about this place called Deeks.
00:35:40I was there that night.
00:35:42What happened at Deeks?
00:35:43Shortly after the band started,
00:35:45Tyler Nash offered to buy me a drink.
00:35:48Now, have you ever met the man before?
00:35:50No.
00:35:51He told you his name at this time?
00:35:53Yes.
00:35:55What did you tell him your name was?
00:35:57Debbie.
00:35:58Debbie?
00:36:00Why did you do that?
00:36:03I didn't want to give out my real name to a total stranger.
00:36:06I understand.
00:36:07Please, go on.
00:36:09It was pretty crowded there.
00:36:11Mr. Nash couldn't get a waitress.
00:36:14So then he suggested we leave and go back to his hotel room.
00:36:17And did you go?
00:36:18Of course not.
00:36:19Not with a man I just met.
00:36:21What did you do then?
00:36:22We went to the beach and talked.
00:36:24For how long?
00:36:26A couple of hours.
00:36:27Now, during the time that you were parked,
00:36:29did you see anyone?
00:36:31Just a few people coming and going from the bar across the way.
00:36:34The Blue Moon?
00:36:35Yeah.
00:36:36What happened when you finished talking?
00:36:38He drove me back to Deeks.
00:36:40I got in my car and I drove home.
00:36:42Miss Barrington, these events took place over five years ago.
00:36:46Why have you not come forward until now?
00:36:50Well, like I said, I didn't live here at the time.
00:36:54I returned to New York never having heard about the murder case
00:36:58or Mr. Nash's indictment.
00:37:00And what made you come forward at this time?
00:37:02My mother recently passed away.
00:37:04I was packing some of her things for storage with old newspaper
00:37:09and I came across one of Mr. Nash's personal ads.
00:37:12And it was then that I realized he was looking for me.
00:37:16Now, the murder took place between 9 p.m. and 11 p.m.
00:37:20on the night of the 20th.
00:37:22Can you confirm to this court
00:37:24that you were in fact with Tyler Nash during that time?
00:37:27Yes. Yes, I can.
00:37:30I have no further questions, Your Honor.
00:37:33Mr. Clark.
00:37:35Thank you, Your Honor.
00:37:37You're a journalist, is that correct?
00:37:39Yes.
00:37:41Therefore, one can assume that you are street smart,
00:37:44and you understand the ways of the world?
00:37:46I suppose.
00:37:48So can you explain why it is that you refused to give your real name
00:37:53but you agreed to park on an isolated beach
00:37:57with, in your own words, a total stranger?
00:38:03I don't know.
00:38:05I suppose it's not the smartest thing I've ever done.
00:38:08When exactly were you parked, Miss Barrington?
00:38:119.30 to 11.30, 10.30 to 12.30, when was it?
00:38:15I believe it was 10 to midnight.
00:38:17Two hours. That's a long time.
00:38:19Did you have sex with him?
00:38:21No.
00:38:22Objection, Your Honor. Irrelevant.
00:38:24Sustained. The jury will disregard the question and the answer.
00:38:28What did you do all that time?
00:38:30We talked.
00:38:32About what?
00:38:34Poetry, art, music, life.
00:38:42Do you recognize this girl?
00:38:46The mutilated body of Cecilia Flowers.
00:38:50Pretty gruesome, I agree.
00:38:54Have you seen her before?
00:38:56No.
00:38:58She was 21 years old.
00:39:00Objection. There is no connection between the victim and Miss Barrington.
00:39:04Your Honor, there most certainly is a connection.
00:39:06Miss Barrington is trying to undo the conviction
00:39:08Objection, Your Honor.
00:39:10Objection sustained.
00:39:12Mr. Clark, stick to straightforward and relevant questions.
00:39:17Miss Barrington, I'm a little puzzled by something.
00:39:20We asked for a sample of your hair.
00:39:22We checked it against the trace hairs we found in Mr. Nash's truck
00:39:26and on his clothes, and it was conclusive.
00:39:29Your hair did not match.
00:39:31Objection. Victim's hair did not match either.
00:39:33Objection sustained.
00:39:35Victim's hair did not match either.
00:39:37Objection sustained.
00:39:39The jury will disregard the prosecution's last statement.
00:39:43And there's the matter of your father.
00:39:46Isn't it true that he, like Mr. Nash, was on death row?
00:39:50That he, in fact, was executed at Mid-Valley State Penitentiary
00:39:54in 1967 for the murder of one J. Hollis Meyer?
00:39:58Objection, Your Honor. This is completely irrelevant.
00:40:00Your Honor, it is directly relevant.
00:40:02It speaks to Miss Barrington's motive,
00:40:04a very powerful motive for wanting to get back at the justice system
00:40:07for taking her father's life.
00:40:09She did it on purpose.
00:40:21Coming.
00:40:24Hang on.
00:40:27Uncle Bernie, hi.
00:40:28Can I come in?
00:40:29Yeah.
00:40:31Hey, I was just about to make myself an egg salad sandwich.
00:40:35You want one?
00:40:36Not unless you want to watch me sky write all over your ceiling.
00:40:38What?
00:40:39Gas.
00:40:42Oh.
00:40:44You haven't really changed this place very much, have you?
00:40:47No. It's still Mom's place.
00:40:49You ever get the feeling that she's still with us?
00:40:52Always.
00:40:54Then she must be feeling like I am right now.
00:40:57Confused.
00:41:00Why are you doing this, Nikki?
00:41:04You weren't in Marshall Falls when the Flowers murder happened.
00:41:08That's when you drove your mom to Portland to start her breast cancer treatments.
00:41:12You called me every day, remember?
00:41:16So, why are you putting yourself in this position?
00:41:21What position?
00:41:22Perjury.
00:41:23I'm not.
00:41:25Nikki.
00:41:27Nikki.
00:41:31Don't insult my intelligence.
00:41:34This is not your concern.
00:41:35Yes, it is.
00:41:36One, I am your uncle.
00:41:37Two, it implicates the paper.
00:41:39There is nothing that ties you or the paper or the staff to this.
00:41:45I know what you're doing.
00:41:47How can I claim to have any integrity and not expose that?
00:41:50Can't you see what they're doing to him?
00:41:52It's just like what happened to my father.
00:41:54Your father was found guilty.
00:41:56And he was innocent.
00:41:57Dammit, Nikki, no he wasn't.
00:42:06How can you say that?
00:42:08Have you ever bothered to investigate the facts surrounding your father's case?
00:42:14Or are you afraid to find out something?
00:42:19You gotta grow up, Nikki.
00:42:22He was guilty.
00:42:24I knew it.
00:42:25Your mother knew it.
00:42:27She just didn't have the heart to tell you about it.
00:42:31Your father had a temper.
00:42:33And one day he just snapped and he killed his boss in cold blood.
00:42:37No, he didn't.
00:42:44Please.
00:42:46Don't throw your life away for this guy.
00:42:51We talked to Mitch.
00:42:54Tell him Miss Nash coerced you into lying for him.
00:43:01I can't.
00:43:09You mean you won't.
00:43:14I believe him.
00:43:25Nikki.
00:43:27I've got a responsibility to the people in this community.
00:43:31To the people who work for me.
00:43:34If you proceed with this charade tomorrow,
00:43:39you can't come back to the paper.
00:43:54I promised your mother that I would take care of you.
00:44:25Archer Walker, do you solemnly swear to tell the whole truth
00:44:28and nothing but the truth before this court?
00:44:30I do.
00:44:35Mr. Walker, in the previous trial of Tyler Nash,
00:44:39you testified that you were at the Blue Moon on the night of August the 20th.
00:44:42That is correct.
00:44:43And that at approximately 10.30 p.m. you left the bar
00:44:47and you saw a man and a woman seated in a parked pickup truck.
00:44:50Is that correct?
00:44:51Yes.
00:44:52You went on to identify the man in that truck as the defendant, Tyler Nash.
00:44:56That is correct.
00:44:58Now I'm going to show you a photograph, Mr. Walker.
00:45:02I want you to examine it very carefully.
00:45:09Was that the woman that you saw seated next to Tyler Nash
00:45:12in that pickup truck on the night of August 20th?
00:45:15No, sir. It is not.
00:45:16Are you sure?
00:45:18Positive.
00:45:19I've just shown Mr. Walker a photo of Nicky Barrington.
00:45:28Mr. Walker, is this the woman that you saw seated in the pickup next to Mr. Nash?
00:45:33Objection, Your Honor. Leading the witness.
00:45:35Sustained. Rephrase the question, Counselor.
00:45:39Do you recognize this woman?
00:45:40Yes, sir. This is the woman that was seated in the truck.
00:45:44Let the witness testify.
00:45:45Do you recognize this woman?
00:45:46Yes, sir. This is the woman that was seated in the truck.
00:45:49Let the record show that Mr. Walker has clearly identified Cecilia Flowers
00:45:53as the woman who was sitting in Tyler Nash's truck on the night of the murder.
00:45:59I have no further questions, Your Honor.
00:46:02Your witness.
00:46:06Mr. Walker, what do you do for a living, sir?
00:46:09I'm a computer programmer. I create networks, websites, things of that nature.
00:46:14Would you consider your powers of observation to be above average?
00:46:19Yes, I would say above average.
00:46:21Now, we're supposed to accept your testimony.
00:46:24Testimony that has to be based not only on your powers of observation,
00:46:28but on your memory as well.
00:46:30I'm sure you'll agree it is very important to be certain.
00:46:33Yes, I understand.
00:46:34Good.
00:46:36Now, where was the pickup truck parked?
00:46:40It was in the parking lot next to the bar.
00:46:42But was it parked, let's say, under a street lamp against a building under a tree?
00:46:47Uh...
00:46:50It was just parked in the lot. There were quite a few cars there.
00:46:56Mr. Walker, you don't sound terribly convincing.
00:47:00Does that mean you're not sure?
00:47:02I remember it was quite cloudy that night.
00:47:06Let the record show that the night of August 20th was clear and with a full moon.
00:47:12Mr. Walker, did you stop and look into the pickup truck as you passed by?
00:47:20I looked in and I...
00:47:21Did you stop, sir?
00:47:22I don't remember if I stopped, but I did get a good look.
00:47:28Your Honor, I asked you a question.
00:47:32Your Honor, I asked permission to bring Nicky Barrington before this witness.
00:47:37Objection, Your Honor.
00:47:38On what grounds, Counselor?
00:47:39Mr. Walker has already clearly established that Nicky Barrington was not in Tyler Nash's truck that night.
00:47:45Your Honor, is the prosecution now going to try my case as well?
00:47:49Your objection is overruled, Mr. Clark.
00:47:52You may continue, Mr. Tanaki, but this better be leading somewhere.
00:47:56Thank you, Your Honor. It will.
00:47:58Thank you, Your Honor. It will.
00:48:00The court calls Nicky Barrington.
00:48:08Miss Barrington, would you kindly step forward and stand before the jury and witness?
00:48:17Auburn hair, shoulder length.
00:48:20Brown eyes.
00:48:22Five feet seven inches tall, approximately 125 pounds.
00:48:26Mr. Walker, was I just describing Cecelia Flowers or Nicky Barrington?
00:48:36Well...
00:48:43I don't know.
00:48:45Why?
00:48:48What happened to your above average powers of observation?
00:48:54Could it be, sir, that you don't know?
00:48:56Because I am describing both Cecelia Flowers and Nicky Barrington.
00:49:03Mr. Walker, your testimony convinced a jury beyond a reasonable doubt to convict my client, Tyler Nash, to be sentenced to death at the hands of the state.
00:49:24Has the jury reached a verdict?
00:49:26We have, Your Honor.
00:49:27How do you find?
00:49:29In the matter of the people versus Tyler Nash, we find the defendant not guilty.
00:49:36The court is gratified that justice has ultimately been done and that the defendant is acquitted.
00:49:42Mr. Barrington, would you kindly step forward and stand before the jury and witness?
00:49:47Yes, Your Honor.
00:49:49The court is gratified that justice has ultimately been done in this case.
00:49:54Mr. Nash, you are released from custody.
00:49:57Ladies and gentlemen of the jury, thank you very much.
00:50:01This court is adjourned.
00:50:15Free man.
00:50:16There's just some papers you have to sign before you leave if you'd go with the bailiff.
00:50:20Yeah.
00:50:21Okay.
00:50:25Thanks, Counselor.
00:50:27Thank you.
00:50:30Oh, come on, Steve. You were great. You freed an innocent man today.
00:50:36I hope you're right.
00:50:40Excuse me.
00:50:46Thank you.
00:51:17Thank you.
00:51:24This is it.
00:51:25This is great.
00:51:35This is really nice.
00:51:40Wow.
00:51:47Wow.
00:52:04Look at that. Isn't that pretty?
00:52:07Yeah, it is.
00:52:16Wow.
00:52:46Wow.
00:53:17Hey.
00:53:22You okay?
00:53:24I forgot what it was like.
00:53:27What?
00:53:29To be free.
00:53:33You know something? You're safe now.
00:53:47Left behind
00:53:49Was your heart really all in my mind
00:53:55Turn around
00:53:57Please don't leave
00:54:00I have found, found someone to believe
00:54:05Isn't love hard to know
00:54:10Even fools can tell when to let go
00:54:15I have drowned, have freed
00:54:21But I've found, found someone to believe
00:54:26With every setting sun I had begun to wonder
00:54:31If there's anyone who feels the way you do
00:54:36I lied, I alibied that I was only passing by
00:54:41Deep inside I always searched for you
00:54:46You don't know who to trust
00:54:51What will last, what is only star dust
00:54:56Turn around
00:54:59Please don't leave
00:55:02I have found, found someone to believe
00:55:07You and I have found someone to believe
00:55:17Guess what?
00:55:20There's a job opening for a mechanic down on 7th.
00:55:23Oh yeah?
00:55:24It ain't driving, but it's a start.
00:55:28You're thinking about going back to racing, aren't you?
00:55:31It's the only thing I know how to do.
00:55:37It's pretty remote out here, you know.
00:55:43It's a good idea.
00:55:46What do you want?
00:55:47Five minutes of your time.
00:55:48Sorry.
00:55:49Well, how about five minutes?
00:55:52No, I'm sorry.
00:55:53Five minutes'll do.
00:55:56Get out of my way.
00:55:59You're next.
00:56:04So, thanks for the ride.
00:56:06You too.
00:56:07Thanks.
00:56:08See you around.
00:56:09What do you want?
00:56:13Five minutes of your time.
00:56:14Sorry.
00:56:16You're racing down a dark stretch of highway with no lights on.
00:56:19Nice metaphor.
00:56:21You're in my way.
00:56:25That's one hell of an act you and Tanaki put on.
00:56:28Isn't this called harassment?
00:56:30No, I'm just having a conversation.
00:56:33It's a free country last I checked.
00:56:35In fact, anyone can say anything you should know.
00:56:38I'm afraid I don't know what you're talking about.
00:56:40Oh, I think you do.
00:56:42May I go now?
00:56:43Nobody's stopping you.
00:56:45Shh.
00:57:05Now, don't tucker yourself out, darling.
00:57:07Save some energy for me.
00:57:14Watch it!
00:57:17God, you scared me.
00:57:19Come here.
00:57:39Stand by me now as I walk down the fiery forest.
00:57:44Stand by me now.
00:57:47I'm writing a tune.
00:57:52How do you like that guitar?
00:57:54Man, this is an absolute beauty.
00:57:59Where did you get it?
00:58:00It belonged to my father.
00:58:02Oh, my God, I'm so sorry.
00:58:03No, no, no.
00:58:05It's okay.
00:58:06Are you sure?
00:58:07Yeah, play.
00:58:08Oh, thanks.
00:58:09Okay.
00:58:13Talk to me now is a fine...
00:58:16Now.
00:58:20You're playing right-handed.
00:58:22Yeah, that's, uh...
00:58:24That's how I learned.
00:58:26Walk with me now is a fine...
00:58:30Walk with me now is a walk down the fiery furnace.
00:58:35You got Nash's racing itinerary for Florida?
00:58:39Right there.
00:58:40He was there approximately three months before he was arrested.
00:58:43Why are we looking into this?
00:58:45There's an unresolved murder down there similar to the Flowers case.
00:58:48Mitch, that case is over.
00:58:51No, it's not.
00:58:52At the time of the Florida murder,
00:58:54Nash just happened to be racing at Daytona Beach.
00:58:58Mitch, that's got to be a couple hundred miles
00:59:00from where the murder took place.
00:59:02I need to know if the race was before or after the murder.
00:59:15I agree.
00:59:16I just think we should crop it about here.
00:59:19Unless you run it vertically.
00:59:22Ah, you're right.
00:59:23Shows more of his character.
00:59:25That's a scratch on the negative.
00:59:26He's a slumlord.
00:59:27Remember, he doesn't have any character.
00:59:30It's an unresolved murder near Tallahassee, Florida.
00:59:34Happened before Nash came to Marshall Falls.
00:59:36So?
00:59:37So he just happened to be there around the same time.
00:59:41Shouldn't you be out campaigning?
00:59:43I hear boats are scarce around here.
00:59:46Bernie, your niece is playing with fire.
00:59:49If that were true,
00:59:51what do you suppose that I could do about it?
00:59:53Convince her to come and see me.
00:59:55I've got some new information on Nash.
00:59:58This one's on me.
01:00:03Our tax dollars at work.
01:00:06Our tax dollars at work.
01:00:37Are you okay?
01:00:39Yeah.
01:00:41I just didn't hear you sneak up on me.
01:00:44I didn't sneak up on you.
01:00:46I just came to ask if you wanted to go to town for lunch.
01:00:49Yeah.
01:00:51Sure, just give me a minute, okay?
01:00:53Okay.
01:01:01Ever been to Florida?
01:01:04Every winter.
01:01:06Why?
01:01:07Daytona Beach?
01:01:09Sure.
01:01:10Racing season.
01:01:13Mitchell Clark spoke to Liza and my uncle.
01:01:16He's trying to tie you to a murder there.
01:01:18God, why doesn't that surprise me?
01:01:22Is he getting to you?
01:01:24No.
01:01:26Are you sure?
01:01:30Hi. Do you guys know what you want?
01:01:33Yeah, I'll have the pasta special, please.
01:01:36I'm gonna have a cheeseburger and fries.
01:01:38Nice.
01:01:45They took five years of my life.
01:01:47What more do they want?
01:01:49I mean, I...
01:01:52I...
01:01:54You can't keep blaming the world for what happened to you.
01:01:57You're right.
01:01:59It's just...
01:02:02I wish it was that easy.
01:02:06I haven't held anything back.
01:02:08I've never done that before.
01:02:10Nikki...
01:02:13I would never, ever hurt you.
01:02:20You two got a lot of nerve showing up here.
01:02:23Cecilia Flowers was a friend of mine.
01:02:27You know what?
01:02:30Let's just get out of here.
01:02:44Stop it! Stop it!
01:02:46You're gonna kill him!
01:03:00We've been here for almost three hours.
01:03:03If you want to hold us any longer, I'd like to call my lawyer.
01:03:06Otherwise, let us go now.
01:03:13Your boyfriend put those guys in the hospital?
01:03:16Those guys?
01:03:18Yeah.
01:03:20I mean, I don't know.
01:03:22I don't know.
01:03:24I don't know.
01:03:27Those guys started it,
01:03:30and there's a room full of witnesses who'll testify to that.
01:03:33Testify?
01:03:35You'd know all about that, wouldn't you?
01:03:37My phone call?
01:03:46Follow me.
01:03:56Here you go.
01:04:57Hello?
01:04:59Nikki? Mitchell Clark.
01:05:01I'm hanging up.
01:05:03Does the name Peg O'Neil mean anything to you?
01:05:05No.
01:05:07What if I told you this woman claims to have been Tyler's girlfriend
01:05:10at the same time as you were visiting him in prison?
01:05:13If you want more, meet me at Largo at 3 o'clock this afternoon.
01:05:21Hello?
01:05:24Who's that on the phone?
01:05:26Um, the...
01:05:28The paper.
01:05:30They want me to clean out my desk.
01:05:39So Nash was charming other women
01:05:42at the same time as he was charming you,
01:05:44as you can see by this.
01:05:47The guy's a regular Shakespeare.
01:05:50He worked on Peg O'Neil.
01:05:52Drop a pebble in the lake
01:05:54and watch the waters part
01:05:56until the rings reach every shore
01:05:58and touch some other's heart.
01:06:00I stand near the water's edge
01:06:02praying for a sign that somewhere across the mist of time
01:06:05there awaits a heart like mine.
01:06:10You wrote this for me?
01:06:17So you dig through other people's garbage.
01:06:20Nash used you, Nicky.
01:06:22He's still using you.
01:06:26Do you love anyone?
01:06:28What?
01:06:32Do you love anyone?
01:06:36Is there anything in your life
01:06:38that you care about more than your career?
01:06:43I care about justice.
01:06:45I care about truth.
01:06:48No, you don't.
01:06:50You care about winning.
01:06:52That's your truth.
01:06:54Thanks.
01:07:17They called your work.
01:07:19They said you weren't there today.
01:07:22Yeah, I had some thinking to do.
01:07:26Thinking about what?
01:07:30Peg O'Neil.
01:07:33Peg O'Neil.
01:07:36Peg O'Neil responded to an ad
01:07:38a couple of months prior to you and I ever becoming involved.
01:07:42And we wrote to each other a few times.
01:07:46Nicky,
01:07:49you can't believe that you were the only one that I communicated with.
01:07:52What do you mean I can't believe that I was the only one?
01:07:55What, am I a mind reader, Tyler?
01:07:58You know that Clark had a file full of that stuff
01:08:02that you sent to Peg O'Neil,
01:08:05including that sweet poem that you wrote to me.
01:08:08You led me to believe that that poem was written for me.
01:08:13And you even tried to get her to be your alibi,
01:08:16but she wouldn't do it. She refused.
01:08:18And what did I do? I believed you.
01:08:22I lied for you.
01:08:24I stood up in front of all those people in the courtroom
01:08:27and I risked everything for you.
01:08:46I love you.
01:09:16Come on, come on, Liza.
01:09:19Hey, it's Liza. You know the drill.
01:09:21Leave a message and I'll call you back.
01:09:46I love you.
01:10:16I love you.
01:10:46I love you.
01:11:00Were you here all night?
01:11:03I lied to you.
01:11:05With Peg O'Neil,
01:11:07I know you feel like I used you.
01:11:14I'm sorry for that.
01:11:20I've never had a chance to tell you
01:11:23how much I love you.
01:11:25I love you.
01:11:27I love you.
01:11:32I've never had anyone in my life care for me the way you do.
01:11:37And I'm trying to learn how to deal with that.
01:11:43I love you, Nicky.
01:11:45I love you with all my heart,
01:11:47and I want to show you in a way that you know
01:11:50and that you can understand.
01:11:52It's just...
01:11:54It's just I need a little help
01:11:57to learn how.
01:12:03Want some?
01:12:05No.
01:12:15I'm going to take a bath.
01:12:33Beep!
01:12:35Beep!
01:13:02Beep!
01:13:33Don't leave me.
01:13:53Coming!
01:13:58Just a minute.
01:14:01Good morning.
01:14:05Spread them. Spread them down here.
01:14:07What the hell is going on here? You have no right.
01:14:10This little piece of paper gives us every right.
01:14:12It's a search warrant.
01:14:17Why?
01:14:19A young girl was murdered last night on the beach near Canaan Point.
01:14:23Canaan Point is three hours away.
01:14:25I told them I was here last night.
01:14:27Oh, but of course you were.
01:14:29That's what I found.
01:14:33I have a permit for that.
01:14:35Check it out.
01:14:38How many more women are going to die because of him?
01:14:41Because of you?
01:14:43What is it, anyway? What's he got over you?
01:14:47Mitch.
01:14:49The minute, Sam.
01:14:51I really need to speak with you.
01:14:54Let him go.
01:14:59You should put this where your boyfriend can't find it.
01:15:02Only town, Nash.
01:15:23Come on.
01:15:54Tyler.
01:15:58What are you doing?
01:16:01Where were you last night?
01:16:03I was out driving. Clark thinks that I killed that girl.
01:16:06Apparently, you do, too.
01:16:08Running away isn't going to solve anything.
01:16:10It's just going to make matters worse.
01:16:12I'm not going back to jail.
01:16:14This is exactly what they want you to do.
01:16:16You're going to jail.
01:16:18You're going to jail.
01:16:20You're going to jail.
01:16:22What do you want me to do?
01:16:24Don't do this.
01:16:26Can't you see that I have no choice?
01:16:28Nikki, come with me.
01:16:30What?
01:16:32If we leave now, we can be in Canada in less than two hours.
01:16:34Come on.
01:16:36This is crazy.
01:16:38God, every time there's a crime within 100 miles of here,
01:16:40Clark is going to be all over me.
01:16:42I have no intention of waiting for him to come back,
01:16:44and he will come back.
01:16:46But he's got nothing on you.
01:16:48That didn't stop him last time.
01:16:50He's guilty.
01:16:52Are you coming or not?
01:16:54No.
01:16:56No, not like this.
01:17:06Ty, I really wish you wouldn't do this.
01:17:08Come on.
01:17:10Pack your stuff.
01:17:12What?
01:17:14Pack!
01:17:16Who the hell do you think you're talking to?
01:17:20I said pack.
01:17:26Yeah.
01:17:28Hey, it's Nikki for Liza.
01:17:30All right, then let me speak to my uncle.
01:17:32Yes, it's urgent.
01:17:34Come on, come on.
01:17:36All right.
01:17:38Okay, would you just tell him that...
01:17:40What are you doing?
01:17:42I'm not going with you.
01:17:44Oh, I get it.
01:17:46The second I'm out of here, you're on the phone to Clark.
01:17:50Come on.
01:18:00Come on, stop it.
01:18:02Hey!
01:18:08Tyler, that's enough.
01:18:10Hey!
01:18:12Leave me alone!
01:18:20Come on.
01:18:28Shit.
01:18:30Uh-huh.
01:18:48I still think you should call the cops.
01:18:50I can't.
01:18:52Yeah.
01:18:54Yeah.
01:18:56I know.
01:18:59Liza, what is wrong with me?
01:19:02Hey, you fell in love.
01:19:04I mean, I'm a reasonably intelligent woman.
01:19:06How could I be so stupid?
01:19:08No, no, naive is more like it.
01:19:12Will you ever forgive me for what I put you through?
01:19:18Are you kidding?
01:19:20You've always been there for me.
01:19:22Always.
01:19:24Just my turn, that's all.
01:19:28Thanks.
01:19:30You know, with our luck,
01:19:32maybe we should just give up on men.
01:19:36Okay, bad suggestion.
01:19:38I really appreciate you
01:19:40letting me stay at your place for a while.
01:19:42Are you kidding?
01:19:44It's gonna be like old times, you know,
01:19:46sleepovers, summer camp, cheap white wine.
01:19:48Oh, no.
01:19:50What?
01:19:52I left my purse at the house,
01:19:54my credit cards, my driver's license,
01:19:56It's all right, we'll get it in the morning.
01:19:58I don't want to go back.
01:20:00Hey, don't worry, all right?
01:20:02No one's gonna mess with me.
01:20:26I don't feel good about this.
01:20:28Let's just make it quick, okay?
01:20:30Oh, don't worry about it.
01:20:42Oh, my God.
01:20:44You know, I don't know if this was such a good idea.
01:20:46Maybe we should just go.
01:20:48Oh, we'll be fine.
01:20:50All right, help me find my bag.
01:20:52Sure.
01:20:56Ah, here it is!
01:20:58Great.
01:21:00Let's just go.
01:21:02Sure.
01:21:18Hey, look, I know you think I'm paranoid, okay?
01:21:20What?
01:21:22Won't start.
01:21:26My cell phone is gone.
01:21:28Oh, you probably left it in the house.
01:21:30No, it was right here, I know it.
01:21:32Where are you going?
01:21:34We'll call from the house.
01:21:36Liza!
01:21:38Liza!
01:21:42I tell you what,
01:21:44you make the call, I gotta pee.
01:21:46Okay.
01:21:48You make the call, I gotta pee.
01:21:50Can't you just hold it?
01:21:52How long have you known me?
01:21:54Enough.
01:22:02Oh, great.
01:22:04There's something wrong with the phone.
01:22:06Hey, Liza, listen,
01:22:08we're gonna have to go to my neighbor's house, okay?
01:22:10But it's only about a quarter of a mile down the road.
01:22:14We can use the phone there.
01:22:18Liza!
01:22:22Liza, come on,
01:22:24I really want to get out of here, okay?
01:22:28Not funny.
01:22:40Liza?
01:22:48Oh!
01:22:52Oh!
01:23:19No, don't come in!
01:23:23I swear to God!
01:23:25Stop it.
01:23:27Don't come any closer, I swear to God, I'll shoot you!
01:23:29Give me the gun!
01:23:31Don't take it!
01:23:33Give me the gun!
01:23:35Nikki, stop it!
01:23:37It's all right, Nikki, just...
01:23:49Oh, why did you do that?
01:23:57Oh, what a tangled web we weave.
01:24:07I knew you weren't there that night.
01:24:10Oh, God.
01:24:14Oh, dear God.
01:24:17Oh, please.
01:24:19Because I took care of the real witness.
01:24:21Get out of here.
01:24:23Get out of the car.
01:24:25Get out of here.
01:24:27Don't do... Don't...
01:24:29Don't do this.
01:24:31Oh, but I want to.
01:24:33Don't worry, I'm not gonna leave you.
01:24:35I said go.
01:24:38Besides, they already know who I am.
01:24:41You see, I kind of slipped up the other night at Canaan Point.
01:24:53Don't.
01:24:56I'm gonna enjoy you.
01:25:08You like this?
01:25:10Tyler!
01:25:14Come on!
01:25:37Okay, okay.
01:26:07Fuck!
01:26:38Fuck!
01:26:40Fuck!
01:27:00Tyler.
01:27:08Don't die.
01:27:13Honey, please don't go.
01:27:17I'm so sorry.
01:27:21Come on, stay with me.
01:27:37Come on.
01:27:51Goodbye, Liza. I love you.
01:28:07I love you, too.
01:28:37I love you, too.
01:29:07I love you, too.
01:29:37I love you, too.
01:30:07I love you, too.
01:30:37I love you, too.
01:31:07I love you.