Angel In A Taxi | Full Movie | Antonio Leonviola | Vera Tschechowa, Marietto, Vittorio De Sica

2 months ago

ANGEL IN A TAXI
| Comedy, Fantasy | 1958 |

Plot:
Marietto is a very lively and creative orphaned child, housed in a boarding school of nuns. One day, while browsing a newspaper, he sees a photo of a beautiful opera house dancer, Camilla, and is convinced that she is her mother.

Crew:

• Directed by: Antonio Leonviola
• Written by: Antonio Leonviola, Mario Monicelli
• Starring: Vera Tschechowa, Marietto, Vittorio De Sica, Gabriele Ferzetti, Roberto Risso
• Music by: Piero Piccioni
• Cinematography: Enzo Serafin
• Edited by: Renato Cinquini

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Transcript

00:00:00You

00:00:30Oh

00:01:00Oh

00:01:30Oh

00:02:00And

00:02:06Would you like a cow now, yes, thank you

00:02:11Jesus oh my mother's calling me. I have to go

00:02:15Is that what she named you Jesus? Yes

00:02:19How about you mama pretty? She's beautiful

00:02:24She wanted you more than anyone for her boy

00:02:27My mama I chose for myself

00:02:29I've got to go. Goodbye

00:02:33Marietta Marietta, wake up. Wake up

00:02:42Hey, what were you dreaming about my sister Celeste

00:02:46Did Jesus choose his own mother? Do you know if he chooses? Of course he did but Jesus was once a baby

00:02:53How can a baby to this he was God? Yes, he chose Mary. Jesus told me so. Oh, come along

00:02:59You always talk such nonsense money. It's okay. Now go and brush your teeth

00:03:03Boys boys, it's getting late

00:03:08And wash your face I will

00:03:23Come and look

00:03:30How many of them

00:03:32520

00:03:33We try to give the children the idea that they must be healthy and happy before they're selected by their parents

00:03:38We tell them if the parents are pleased they will be themselves. That's delightful

00:03:42I've always wanted a blonde boy with blue eyes and broad shoulders

00:03:47You have a boy with brown hair who looks as though he could take over the business one day

00:03:56Give it to me. Let's pull its wings

00:03:59No, you won't. He's my cousin, not yours. You keep your hands off my cousin. How would you like it if I pulled your arms and legs off?

00:04:18Boys boys stop fighting

00:04:22Marietta, why don't you find someone your own size?

00:04:26There you are, that's my boy, I'm sure that's the boy for me. Which one by the little one. It's not a yet

00:04:33That little boy is most intelligent. How old is he about the perfect?

00:04:48I'm afraid I saw you punched Tony. He punched me first. Why were you fighting Maria because he's bad

00:04:54He wanted to pull the wings of my pet cricket

00:04:58What will you do with train it, of course?

00:05:02You know what I think Maria you should give half the cricket to Tony

00:05:07He died mother. That's cooler than pulling off his wings. Tony doesn't want it. I'd rather set it free all together

00:05:13Bravo, Maria

00:05:15Have you had your vaccination yet dear? Why of course my wife sees a resemblance to our own boy

00:05:21Who was lost during the war? It was our great misfortune

00:05:24My boy look just like Marie

00:05:27How would you like it? Not a huge this beautiful lady with your mother? No, why not?

00:05:34Because she's as fat as an elephant

00:05:54I

00:06:24I

00:06:54I

00:07:17Hate oh what's wrong with you? Nothing. I'm tired of something I guess I'm just sleepy. That's all

00:07:25You

00:07:28Come on Marietta, we have to go to the office again

00:07:35Sister select

00:07:37When was the war many years ago?

00:07:40But I want to know how many well, I'd say 10 years or so. But why do you want to know?

00:07:44Oh, I have my reason

00:07:47You

00:07:52Come on thank you sister. It's all right

00:08:00Well now Maria, you must excuse yourself to the senior you must understand that your mom and that is you

00:08:06Just imagine she hasn't seen you since she lost you in the war, but I don't understand. It's 10 years since that all of you

00:08:12I'm only six years old

00:08:14Please it's not right to lie to me

00:08:16Yeah, so that's a dreadful way to talk to you. Oh, please forgive him Reverend mother

00:08:20This little boy of mine has been punished enough. He didn't mean it

00:08:24When we talked to the war we meant the period of the war

00:08:28I wish you'd explain to the baby how much you like living with us

00:08:30He will of course while you were in this lovely place your mama and I attained certain position, you know

00:08:37Making rolls and cakes is quite important and is our only child for you. Well, you've got a bakery

00:08:45Listen son, we've got the best most efficient oven in Rome. I'm not a bit interested in this stupid ugly

00:08:50It's not important to you now because you're a little boy

00:08:53But I might suggest you see this stuff and before you decide for her again, you'll see how happy you'll be with your own mom

00:09:00But this thing Nora is not my mama

00:09:04Because my mama wouldn't like it. What are you talking about? Maria? Yes. It's true. I have a mama already

00:09:12She is my real mother and her name is Camilla

00:09:15How do you do? Have you gone mad? No, I haven't. Why don't you tell us in your senior that I am the son of Camilla?

00:09:23He has a funny sense of humor, but but who is this so-called Camilla my mom

00:09:29You see I stay here because my mama works in that big theater

00:09:34Yes, because my mom is a ballerina a

00:09:38Ballerina sister, will you please take the boy away?

00:09:42Where would you like to go? I'd like some candy excuses

00:09:50No, let's make this clear now, of course

00:09:52We want the boy only we can't run the risk that one day some ballerina will show up and tell us I'm his mother and

00:09:58Then we'll have to give up money. What ballerina Marietta has a great imagination. He made up the whole story

00:10:04You're quite sure. Yes

00:10:07Absolutely, I assure you it isn't the first story. He's invented either but if he's that kind of child, maybe he's not for us

00:10:13That's enough

00:10:14You're talking nonsense

00:10:18Imagination is primary if a man is going to succeed in business that boy Mario is the boy for us

00:10:37Oh

00:10:42Yeah, we are give your hands your Papa no, he's supposed to give it to his mama

00:10:51No, he's not to be kissed it's very unsanitary. Oh, he's beautiful advice you made he's handsome. All right

00:10:58I

00:10:59Will not I don't want to

00:11:02Marry it. Oh, this is your grandmother. She loves you. She wants you to love her

00:11:06What do you expect to feel the poor child doesn't know me?

00:11:09Poor child in rags. Do you think he's sick?

00:11:12The boy's too small. He's very healthy. He's only six years old. I'll give your grandma. Hey, no kissing

00:11:19It's unsanitary. I knew her from sanitary before you were born. Don't you see the boys frightened the poor baby, please?

00:11:23Let the child alone

00:11:25This woman is my mother she makes it

00:11:31What do you know about being a mother

00:11:55I

00:12:25Think

00:12:55You

00:13:25You

00:13:55You

00:14:25You might get a terrible stomach ache that's much too much I think it's too much too well, it's very good

00:14:35You can come back tomorrow, thank you, I guess I will I like that a whole lot

00:14:42You have a small bill senior

00:14:48385

00:14:50What's this for it shows how much money you owe us no money

00:14:57What's in this box

00:14:59They're pellets for my slingshot, of course, and what's in here?

00:15:02It's a cricket and are you planning to pay me with a trick? I will not my cricket is mine

00:15:07I don't give it to anyone call the police

00:15:10Let's see what you've got in your pockets

00:15:12Doesn't look like much. I

00:15:14Told you to call the police

00:15:16Right, all right

00:15:21Go on tell him to come in

00:15:33Good afternoon. Good afternoon

00:15:36What is it? You're having some trouble. You see this boy. He's eaten 385 liras worth of pastry

00:15:42Huh?

00:15:44And he doesn't have a single lira in his pocket, but I saw a big boy you gave cake to when I came in

00:15:50He paid for it. Oh

00:15:51So you can't eat for nothing. I

00:15:54Don't know don't pretend you're stupid. What do you think money is for? Oh

00:16:00I don't know. He'll learn. Oh, he'll learn

00:16:05This is money you want to know what it looks like

00:16:10Have you ever seen it before well, I'm sure I saw it before but I'm not sure what it's used for

00:16:14It's used to pay for all the cakes you ate and the sugar and flour and eggs. I put in them

00:16:18Why don't you do something? Please don't raise your voice. I'll do it. I think it's right

00:16:22Why a child's delinquent when he's forced to be a delinquent by his elders, but you didn't want to be a delinquent. Did you? Oh

00:16:28I only wanted to eat the cake

00:16:31That's the point. Well, my boy you wanted to have your pastry

00:16:34Well, you didn't have the money to pay for any of it you want anything for yourself. Oh

00:16:40Well, you have to work. Yes, you have to work hard for everything

00:16:44Milk bread and sometimes a little pastry

00:16:49Yes, if there's anything left over pastry but bread first and the bed one must sleep

00:16:55It's most important if you want to be a good worker and you have to sweat

00:17:01Well, I was running before I

00:17:04Guess I must have sweated a little bit senior

00:17:07He's pretty young for philosophy

00:17:09How many cakes did the boy manage to eat a green pop to a Claire's three Napoleons and if I'm not mistaken for rum cakes

00:17:17He ate rum cakes

00:17:20This yes, yes

00:17:25They're all made according to government specifications, I suppose naturally they're made right here in our own kitchen

00:17:31Well, I'll take a sample. Let's go on the Bureau of Food and Drugs requires a sample from food merchants on them. Take it

00:17:38Be my guest you can take all you want

00:17:40Oh me an officer of the law doesn't usually indulge himself. We all try to do our duty

00:17:46Do you know how much we give to charity take this as an example three hundred and eighty five lira my boy

00:17:51This should be a lesson to you in honesty. Don't take advantage. Never take advantage

00:17:56Everyone won't be as good-natured as I am now go home and think it over. Thank you. You make

00:18:01Again, be a good boy

00:18:04Bravo

00:18:07Bravo what our youth needs is a firm hand. They're the citizens of tomorrow

00:18:11For the good of the world and for the mother country. Oh the mother country

00:18:17This was a question of history

00:18:19All right

00:18:21Now my dear public CEOs and seniority be prepared for the most exciting experience of your life an amazing spectacle

00:18:28So remarkable people have been known to faint in the middle of it

00:18:51There you go

00:19:21Oh

00:19:51I

00:20:21Oh

00:20:51Oh

00:21:21Oh

00:21:41Is that you yes when I work with a little boy a few years ago

00:21:46Is that a little boy with the wings? He looks like an angel. No, he was an angel and where is he now?

00:21:51It's a general

00:21:53Did the boy die? Well, he's not here anymore. Where is he? He's in paradise. That's a good thing

00:21:59No, you ought to be pretty happy that you met us

00:22:05If you're afraid to go home you'll never lack for food with us the life of an acrobat is very exciting, you know

00:22:12always meeting new people

00:22:14Travel all over see the world

00:22:17Tomorrow for instance, we'll be working at the zoo. Oh, I know

00:22:22I went there with the sisters. That's why I have the wine

00:22:28Drink some wine you deserve it Bravo. No, we're a happy family. You know how to pull a rope

00:22:35What do you mean?

00:22:38Can you play the trumpet pretty good?

00:22:41You

00:22:43See you would have a chord in one hand

00:22:46But nobody could see it and you have two wings on your shoulders and you tug the cord and the wings move

00:22:52And meanwhile, you're playing on the trumpet

00:22:54I fly it seems like flying you're sitting on Giuseppe's shoulders

00:22:59She walks the tightrope and you think you're flying in the clouds easy on the wine, Giuseppe

00:23:05But it's not like work it's fun too you'd be happy if you were an acrobat and I'd be a good mama to you

00:23:11Oh, my mom is okay. You have a mother. She must be worried about you. I thought you live with the sisters. Where is your mom?

00:23:20At the theater, what is she the cleaning woman? No, she's a ballerina

00:23:25She turned

00:23:27You know on one foot. Oh, she's an acrobat like me

00:23:31But my mommy is pretty

00:23:34Would you like to see what she looks like you have her picture?

00:23:37Of course, I always have it

00:23:49Is that your mama

00:23:52Nice, huh? Hmm. What does it say about it? Read it to his dear

00:23:57Come here love the ballerina

00:24:00Her debut tonight the scream of ballerina in the princess and the chimney sweep may mean an auspicious start

00:24:05For the third season of the Teatro del Opera, which has proven its ability to discover exciting new talent

00:24:12This girl looks even more promising than ever. She must be pretty good. My mom is good. All right

00:24:18How does she manage when she's working to take care of the baby? Your mother must be looking everywhere for you looking for me

00:24:25No, I always look for her

00:24:27She's a ballerina, you know, what do you mean? She must care about you

00:24:32Does she visit you at school? Oh, of course. She comes all the time and with lots of bags

00:24:38Prosciutto salami mortadella. I think she must love you. Oh, I'm sure because she vaccinated me. What did you say?

00:24:55She vaccinated him. Yes, I told you I had a vaccination. And if I don't clean my ears, don't worry. She's crazy

00:25:11Sleeping

00:25:25Oh

00:25:55What's the matter with you no one teach you how to drive a car

00:25:59Especially this old wreck. What are you talking about?

00:26:03You know what I'm talking about. You disobey traffic rules what traffic rules, you know, very well article 36 of the traffic code you got

00:26:12Listen to me

00:26:13To drive a vehicle or auto vehicle at any speed which might in any way imperil another person's life or health or impede traffic

00:26:20He's prohibited, but I was only doing 20

00:26:25That's much too slow. You see you were holding up traffic just at the book set. This is serious, but we didn't do anything

00:26:32Perhaps you think you have the right

00:26:34To slow traffic and immediately before they are at the opera house

00:26:44Please I'll have your driver's license

00:26:55You

00:27:03Your papers are in order and you have no previous offenses

00:27:09Well, I guess I'll let you go this time

00:27:25I

00:27:55I

00:28:25You

00:28:55You

00:28:57Listen do you know who she is the one in the center? She's my mama

00:29:04What did you say

00:29:07I'm sorry to stop you. It's not your fault, but there's so much commotion in the house. I can't concentrate

00:29:11All right, we'll pick it up on the seventh beat

00:29:15What did you say again? You mean the one wearing the crown? Who's that lady? I said

00:29:22She's my mama

00:29:23She's your mama. Yes, I told you

00:29:27But this is inexcusable have you no manners at all I allow people to come in for dress rehearsal

00:29:32They just keep talking and talking

00:29:34What people are these?

00:29:35Who invited you?

00:29:37Who are these people? I don't know who they are. I can't see over the footlights. All right, that's all for now

00:29:42Please leave if you please

00:29:46Come on

00:29:54You

00:30:19Notice boy Camilla

00:30:21Oh

00:30:30Excuse me, I'm sorry. All right

00:30:33Why do you keep inviting guests to rehearsals? It's impossible to work like this. I told you before Camilla

00:30:38You're just so disagreeable Andrea. It's certainly not my fault that you're so nervous

00:30:42If you want it that way, I'll never invite anybody again fine with me

00:30:48And what's this Oh

00:30:52I

00:30:55Know when you explain yourself, please

00:30:57If you want to keep it a secret, I won't tell anybody. I promise keep what a secret

00:31:02I don't know what you're talking about my darling

00:31:06Well

00:31:08That that you're my mama

00:31:11I'm not your mama dear such a silly idea. You silly little boy

00:31:16Sit down you must be in trouble. Are you in trouble? I'll help you at least tell me what your name is

00:31:24Marietta and who sent you here darling

00:31:31No one I just got off the truck and came here to you sort of alone

00:31:37What truck well those acrobats they wanted me to stay and join the act, but then the policeman said

00:31:42But that's the opera house. So I came in here. I

00:31:47Wanted to see you dance, but why did you want to see me?

00:31:51Because to stay with you, but you don't even know me. Yes, I do

00:32:13I

00:32:16Put your picture in my little box. I didn't want any of the other kids to see you

00:32:21I didn't want anyone else to choose you for mama

00:32:27But how's a boy to decide who is mothers to be married to a boy usually has his own mother at the school

00:32:33We had the sisters, but they weren't really mothers not mamas

00:32:37There was a fat lady who tried to make me think I was a son, but I wouldn't take up for a mama

00:32:43Because I I wanted you or no one

00:32:47But why me in particular?

00:32:49Because you're the most beautiful of everyone. I

00:32:56Think you might have made a mistake. I'm not beautiful at all Mary

00:33:06Do you happen to like chocolate I certainly do

00:33:12I

00:33:19Hear

00:33:28Wait just a moment and don't go away now

00:33:42I

00:34:12I

00:34:29Thought I'd come here. Will you

00:34:36Well, did you have lots of chocolate you want me to go away

00:34:42I

00:34:49Met my lady service, please. I'd like you to take this package and deliver it to my apartment as soon as you can

00:35:01Don't be frightened everything's all right

00:35:03The doorman has the key. Will you hurry? I'll hurry see me

00:35:07How they do this how they do that everyone's in a hurry the world's coming to an end I'll tell you a secret it isn't

00:35:37I

00:36:07I

00:36:12Camila no Philippe. I'm so tired. I'm afraid it's a little too late to talk now. Good night, Philippe

00:36:19Listen Camila. I've been doing a lot of thinking about us today

00:36:23I want to marry you no matter what you've done whether you have a son or not

00:36:27I

00:36:34Good night

00:36:57I

00:37:13This is funny

00:37:24What are you doing here

00:37:27I'm very hungry. Oh

00:37:36Will you tell me how you managed to find my house sure

00:37:57I

00:38:27I

00:38:40Like your house a lot. Thank you a little empty. I just moved I like it anyway

00:38:47I

00:38:53Well, then we're hungry, huh? Yes. Come on into the kitchen. Come on

00:38:57I

00:39:15Make some lovely macaroni lovely. I don't know but macaroni

00:39:22Sit down

00:39:25You were going to tell me how you managed to find my house

00:39:28Oh, I said to myself when I fell you sent your house, you know the man you sent to your house

00:39:34I thought to myself that man has to know where you must live. Oh, I followed him

00:39:41Clever

00:39:46Don't worry, it's just my cricket. He's getting lonely

00:39:50Wanna see my cricket. I bet you never saw a cricket. Oh

00:39:54He's a beauty. Would you like him? You can have him

00:39:58You keep the cricket. I

00:40:01Prefer a little dog. Tell me does he always chirp?

00:40:05When it begins to get dark, he begins to churn or when he gets hungry. Have you any lettuce? Oh

00:40:14No, I don't but I might have some carrots or

00:40:17How about some sugar that's nourishing

00:40:22Sugar what I dropped it. Okay. Let's try the sugar. Well, what if we got to lose up?

00:40:31It's funny I'm so crazy about cricket, isn't it? But those sisters hated quick they always go

00:40:38I don't know why but they do

00:40:40Even when I don't have any old crickets at all. Ah

00:40:44They're all right, I guess. Ah, but aren't you happy at school Marietta? They take good care of you. You should be grateful for that

00:40:50Well, I am too

00:40:55You don't really love your school Marietta, no

00:41:00So you made up this tale that I was your real mother I didn't make it up

00:41:04It's true when that fat lady wanted to take me away. I told her you were my own mother and I ran away and found the

00:41:10aquagirl

00:41:13Aquabats, yes, aquabats. Don't say you don't really know any aquabats. No

00:41:19I'll try to tell you about them

00:41:23Do you know how to pull a rope? Yes

00:41:26Do you know how to play on a trumpet?

00:41:28Mm-hmm. Probably you could do it. It's all very simple. You sit on her shoulders

00:41:33I mean just separate and she walks on that wire only she doesn't fall. Oh, no, who is this to step up?

00:41:40Just step for her

00:41:42Giuseppe is the woman who puts you on her shoulders

00:41:44You pull the rope and you play the trumpet and then you start to fly because you've got wings

00:41:50It's lots of fun. I'm sure they wanted me to stay me to be the angel with the wings and all

00:41:56But when I saw we were in front of the opera house, I wanted to see you

00:41:59I'm not so interested in being an angel with the wings. I must be crazy or something

00:42:05Yes, you're crazy or something

00:42:06But if only you'd stayed with them you would have had a really good supper Marietta

00:42:10And you would have been in bed by now, and I don't even know where to put you. Oh

00:42:14So what as long as we're together?

00:42:16Hello

00:42:35No, Andre, I'm sorry, it's impossible tonight. I tell you it's impossible

00:42:42Even if I wanted to I can I'm entertained

00:42:47You pretty little hostess male or female. May I ask you're terrible terrible. I'm just naturally curious Camilla

00:42:55female

00:42:59Who are you talking to like that

00:43:03Please you mustn't insist Andrea. I'll see you tomorrow for hers. Good night

00:43:10You know, I think you're a little devil let's see your hand you want me to wash them

00:43:17You know for you I'd wash my ears I really would I won't insist on ears

00:43:24Just wash your hands

00:43:28I'll fix the macaron. I think I might even have some prosciutto

00:43:46I

00:43:48I

00:43:50I

00:44:13Said Marietta, I'm a son. What's the matter with you? Oh, yes. She comes now

00:44:21Who's speaking

00:44:23Camilla what's going on in that house of yours? Who is this boy that claims to be your son?

00:44:28Since when do you have a son? I

00:44:30You know very well. He's not yours. So don't worry about it my friend

00:44:36I'm sure the gondria condia does get misty Claire. He started here does Morgan

00:44:43But

00:44:46Why were you talking so funny I'll talk any way I like did you wash your hands? Yes, mama

00:44:55Ready I

00:44:59Hope it tastes good. Oh

00:45:05Did you hurt yourself? Oh, thank you

00:45:13Why do you have such crazy chair someday I'll get good ones

00:45:21Well, it doesn't look so bad does it

00:45:29And now let's have a good appetite don't worry about my appetite

00:45:42I

00:45:46What's the matter

00:45:51Does it taste peculiar to you Mary ain't no mine does it's wonderful. It's so sweet

00:45:57My goodness, I must have put sugar in instead of salt

00:46:03Alvin my cricket must have had to solve

00:46:06He's all right, I guess crickets like salt

00:46:17Are you still pumping that bed you better stop or it'll burst

00:46:35I love this bed. It's so bouncy

00:46:53What about you where are you going to sleep room enough for two dear there's such a tiny fellow tuck yourself in

00:47:00Mama yes, can the cricket sleep next to his two, please?

00:47:06Yes, why not as long as he doesn't chirp during the night

00:47:10Don't worry mama. He's a very good cricket, especially at night

00:47:16Crickets to now get into bed

00:47:31You

00:47:37What do you think you're doing there

00:47:41Huh, you're just so awfully pretty mama

00:47:47All mama's a pretty maniac

00:47:51All right now go to sleep

00:48:01I'm awfully glad that you're my mama. I always thought I'd like to be the son of a mama like you

00:48:10Because if I weren't your son, we'd be two other people

00:48:16That's enough sleep

00:48:19Good night, mama

00:48:27What is it now Marietta I'll pray

00:48:31What prayer the regular prayer to thank the father the son and the Holy Spirit? Oh

00:48:37Yes, I forgot

00:48:40Holy Spirit, amen

00:48:43Go on men of the Father and of the Son and of the Holy Spirit

00:48:49Our father

00:48:52Our father

00:48:54I will be thy name thy kingdom come

00:48:57Thy will be done on earth as it is in heaven

00:49:00Give us this day our daily bread and forgive us our trespasses

00:49:04as we forgive those who trespass against us

00:49:09I

00:49:39I

00:49:41I

00:49:43I

00:50:07Good morning Camilla. What are you doing here? So early good Lord. See what a mess you got yourself into

00:50:14You have a proper place for a hat

00:50:17What's wrong Andrew? What's wrong?

00:50:27The opening hasn't been put off has it

00:50:30No, Camilla, the opening has not been put off but I'm thinking seriously of doing it

00:50:34You're obviously too occupied to be a ballerina your maternal instincts have taken over haven't they?

00:50:39Why don't you leave that to women who have nothing better to do?

00:50:43I don't know what you're talking about. I'll tell you what I'm talking about

00:50:47enterprising little boys sought by the police the headline says a

00:50:51Small boy of six who had lived at the orphanage of Santa Rita ran away yesterday from a family which had been prepared to adopt

00:50:57It the police up until now have found no trace of his whereabouts and request any information regarding him

00:51:03There are a little fugitive who answers to the name of Marietta. Hmm

00:51:08Was last seen wearing a black or gray cap of worn suit a gray shirt and patched up shoes

00:51:13But tell me if I'm not mistaken

00:51:16Wasn't that the boy I saw in your dressing room and was he your guest? What's so awful about that?

00:51:21Anybody would be kind to a boy who'd run away from an orphanage if I knew you had a child

00:51:25I wouldn't think it was awful. But if I knew you had abandoned him, I'd think that was awful Camilla

00:51:31Until yesterday afternoon. I didn't know the child was born

00:51:34I wouldn't even have known he'd run away from an orphanage if you hadn't brought me the paper, honestly

00:51:39Come on Camilla

00:51:41You live in this house without a stick of furniture

00:51:43If you want to sit down you have to sit on the floor because you don't have the money to buy a chair

00:51:47You won't accept money much less for me because you don't want to be compromised under these conditions dear

00:51:53Wouldn't it be more sensible to buy a bed instead of having to feed a stray little child? Don't talk so loud

00:51:58He's in there sleeping

00:52:10You

00:52:17How can anyone that a little fellow stay out on the street when he looks at you and says I'm hungry

00:52:23Yes, but why does he have to say he's your son

00:52:27He told me a crazy story. Manny. I just such a sweet little thing

00:52:31Full of ideas if he were really my son

00:52:35I don't know and what you intend to do with it. You tell me Andre

00:52:39All right, I will I'll buy him some candy and ice cream and give him to the first policeman. I find he'll take him back

00:52:45to the orphanage

00:52:47No, if you say so, I'll do it. He'd be too frightened to go with you

00:52:50But Camilla my dear you really must decide remember you're having your debut tonight

00:52:55You have to go to the hairdresser check your wardrobe

00:52:58You can't be a mother and a ballerina at the same time

00:53:02And remember you invited me our gala night

00:53:07Ah, I almost forgot little mothers like you need some money to pay for gala suppers

00:53:21Thirty thousand lira for one supper

00:53:24Do you want salami and olives on the night of your debut? No, no, you'll buy

00:53:28Pate de pagra, caviar, stuffed artichokes and champagne two bottles

00:53:33Two and see that the champagne is a good year. Champagne? Yes. Suppose we're a failure supposing they walk out on us

00:53:42Salami and olives

00:53:58Oh

00:54:11Listen hands off my mama

00:54:13So you have a slingshot you shot at me you little devil

00:54:17Child, I'll teach you come over here

00:54:22Don't you touch him? Don't you dare?

00:54:25Get out when you leave I'll think about it. So this what?

00:54:43I'm sorry, Andrea

00:54:51I hope you get to the theater

00:54:54It might be a good idea. I

00:54:56Will don't worry

00:55:04Now was that a nice thing to do you could have put one of his eyes out

00:55:08Impossible. I shot him in the back like an Indian

00:55:16Good morning, mama. I hope you don't catch cold with nothing on

00:55:19You must be fixing something good for breakfast at least something smells wonderful

00:55:49You

00:56:03You like that coat

00:56:06What it

00:56:13Do I look nice mama I should say so I don't think I've ever been so happy that makes me happy, too

00:56:36You

00:56:43Here better have some money in your pocket. Oh, no, if I have you what do I need money for?

00:56:49Whatever you like with it, you know what you can buy for a thousand lira

00:56:53No, but I think I might get an automobile. What do you need an automobile for?

00:56:59Not a great big one a small one made specially for boys

00:57:06You

00:57:08Where are we going mama?

00:57:13Where are we going wherever you like then? Why don't we go and find out where they're playing the music?

00:57:27Come on children, we're going around again do right for the cost of one grab the brass ring hurry now

00:57:33Hurry, can I go on the merry-go-round mama?

00:57:37Sure, why not? I've never been on a merry-go-round. Are you very brave? Yes

00:57:42We're going to start the merry-go-round ride the wild horses or sit in a chariot

00:57:47Hurry now hurry before we start spinning round and round the world climb aboard children and mothers are invited

00:57:56I'm awfully glad that they let ladies get on to mama

00:58:03Oh

00:58:18That's all right you can feel it

00:58:20Thank you

00:58:31Are you afraid mommy say not I'm never afraid

00:58:50Oh

00:59:21Again mama again, you stay on I'm getting dizzy. It doesn't make me dizzy

00:59:28You may have all the rides he feels like having is that enough money

00:59:32He has a lifetime subscription senor. What the lucky boy you are. Look what she gave me you lucky boy

00:59:40So you don't want to go again? No, you just have a good time. I'll wait for you. You have fun. All right, okay

00:59:50I

01:00:20Oh

01:00:50Oh

01:01:04Hello orphanage of Santa Rita

01:01:13Anyone there, please

01:01:20You

01:01:29Are you free? Yes, sir. You're in hurry. Where to see if anything I'll tell you

01:01:50Oh

01:01:52Oh

01:02:18This is all I need

01:02:22Oh

01:02:52Excuse me, I'm in a hurry. What do I do if I need a witness?

01:03:22You must be so furious mama. I'm sorry. I waited for you and you weren't there so I walked home

01:03:30Why did you take off your shoes Mary Ann?

01:03:33I

01:03:34Didn't want to hurt you

01:03:36I

01:03:38Didn't want to hurt you

01:03:40I

01:03:42Didn't want to hurt you

01:03:44I

01:03:46Didn't want to hurt you

01:03:48I

01:03:50Take off your shoes Mary

01:03:52My feet hurt. I walk so much. It was hard trying to find the house

01:03:56And you eaten anything? Well, I guess I forgot

01:04:02All right

01:04:18Come on

01:04:21You

01:04:37You know when I got lost I thought I'd try to find you at the theater

01:04:40But I just couldn't find that old Peter. Where is that theater anyway?

01:04:44You won't be mad at me mama, will you I met some boys on the merry-go-round

01:04:49It wasn't your fault. It was my fault. I'm awfully sorry

01:04:53Put the things down over there

01:05:04It looks as though you got a lot of good things for me mama at school, I usually give a soup and spaghetti

01:05:11Now that I think of it. I am pretty hungry

01:05:13Do you want me to set up those crazy packing cases again? I'm very strong

01:05:18No, Mary do I have to go to the theater now, but aren't you going to eat too mama?

01:05:23I'm making my debut tonight. Marietta. Oh, I never eat before I dance dancing is my profession. What is that a profession?

01:05:31When you're grown up you have to support yourself Marietta

01:05:34What it means is there are lawyers and doctors dressmakers and sisters, right?

01:05:39Yes, surely sisters too, but I'm a ballerina you have to work hard to be a ballerina are you always a ballerina

01:05:47Yes, that's my job. That's why I have to go to the theater. You know what the theater is you were there

01:05:52Yes, where they have all those pretty chairs, but nobody sits in them. I can't figure it out

01:05:59Well at night there are people sitting in all those chairs at least we hope so and they watch me dance

01:06:04And if I'm good they applaud and if I'm bad they boo I wouldn't like it if they boo

01:06:10If you take me to the theater, I'll applaud I can't

01:06:14You're a little too young to go to the theater. You eat your supper and go to bed

01:06:18I'll be home as soon as the ballet is over. It's my debut tonight. Your profession makes me sick

01:06:25Please eat your supper and go to bed. I'm late already

01:06:30When are you going to eat after the theater

01:06:34I

01:06:38Help yourself to whatever you want. Bon Appetit. I wish we could sit on those packing cases

01:06:44Well get one for yourself. Oh, I wouldn't bother not if you're not here

01:07:04Oh

01:07:26It's you come on in

01:07:29You know, my mother has a debut tonight, so she's taking a shower

01:07:39What a funny suit you have on I was having supper would you like some

01:07:47Sit down

01:07:50Sit down

01:07:55Are you going to the theater too? Why don't you eat something before you go? You're not a ballerina a

01:08:04Slice of salami or an olive I'll eat it

01:08:19I

01:08:26Opened the door for him mama. That's fine

01:08:31What time is it half past six eat Marietta be ready in a minute

01:08:50Naturally you must be thinking that what I told you was a bunch of lies that I am his mother

01:08:54No, no, I didn't say anything

01:08:56Then why don't you Andrea?

01:08:59Tired of this whole thing and how I got into it. You always watch my every move

01:09:04The boy's still here. I know

01:09:06What am I to believe?

01:09:08Do you believe I planned this specially on the night of my debut?

01:09:12All right, I didn't have the heart to take him back to the orphanage

01:09:19Today of all days

01:09:22All right

01:09:29Then I thought I'd just lose it and I left him on the merry-go-round and came home

01:09:34But he found

01:09:36He's smart

01:09:37I'm not going to throw him out tonight

01:09:39Tomorrow I'll take him back to Santa Rita

01:09:43He's even eating our gala supper

01:09:46So hungry

01:09:48How am I going to dance tonight? I'll probably fall on my face

01:09:51You

01:10:08Did you enjoy your supper Mary

01:10:12Yes, I

01:10:14Fixed the bed for you, my darling

01:10:16You get into bed when you're finished eating

01:10:18I'll be home as soon as I can and you'll be a good boy and wish mama luck. All right. Yes

01:10:24Good night, dear. Good night. Come on

01:10:34Good night, my Bambino

01:10:48I

01:10:50I

01:11:16Love what do you want?

01:11:19Do I have a wrong number? What number is this? I'm not a number you're speaking to you're only speaking to Marietta

01:11:29Marietta Marietta, are you the small boy who was watching rehearsal with me yesterday?

01:11:35Of course I remember you Marietta, I telephoned your mama to wish her luck

01:11:41Hmm

01:11:43Are you crying

01:11:45My mother thought she'd lost me for good because she doesn't want a son like me. She's a ballerina

01:11:51My mommy would rather have a profession than to be a mommy

01:11:54Did she have to go and leave me on the merry-go-round by myself?

01:12:03Marietta Marietta

01:12:10I

01:12:41Do you have a few words to say to the radio audience this evening?

01:12:43No, no, not now. She's doing something. A little later.

01:12:45She's beautiful. Beautiful.

01:12:47But the girl is a sensation.

01:12:49I'm from up there, ma'am. May I have a word with her?

01:12:51Just a few words.

01:12:55Ah!

01:12:57Filippo!

01:12:59I only wanted to congratulate you, Camilla.

01:13:01Thank you, Filippo.

01:13:05I'm afraid there's something wrong at your house, Camilla.

01:13:07Why, Filippo?

01:13:10I called you around 7.30 to wish you luck, but you'd already left.

01:13:12The little boy answered the phone.

01:13:14He was crying. He was very upset.

01:13:16He was talking about a merry-go-round or something.

01:13:18He got lost.

01:13:20Yes?

01:13:22Yes, he said you didn't want him for a son because you were a ballerina.

01:13:24He heard you say you purposely left him alone on the merry-go-round.

01:13:26He said you didn't want to act like a mother

01:13:28because dancing was more important to you.

01:13:30I was on my way here,

01:13:32but I knew something was wrong.

01:13:34I ran over to your house.

01:13:36There was no answer.

01:13:38Where was he? Why didn't he answer the door?

01:13:40I wouldn't...

01:13:42I wouldn't upset her tonight of all nights.

01:13:44Camilla,

01:13:46I think something must have happened to the boy.

01:13:48Let's go.

01:13:54Marietta?

01:13:58Marietta!

01:14:05Marietta!

01:14:08Marietta!

01:14:25What are we going to do?

01:14:27Do something. Don't just stand there.

01:14:29Call somebody or something.

01:14:31Yes, I'll call.

01:14:33Well, hurry, will you?

01:14:36Whom are you going to call, Filippo?

01:14:38Well, you said call somebody,

01:14:40so I'm calling.

01:14:42The police. That's the thing to do.

01:14:44The police? That's the last place he'd think of going.

01:14:47I know that, but the police might have found him.

01:14:57Look, he left a note for you.

01:15:00I'm sorry that I must have chosen the wrong mother.

01:15:04You don't want me, so I'm going away.

01:15:07I am leaving you my cricket because I still love you.

01:15:10Marietta.

01:15:28It must be Marietta. He's changed his mind.

01:15:30Hello?

01:15:32I was in your audience tonight.

01:15:34I think you were the most beautiful thing I ever saw.

01:15:36Will you have supper with me tonight?

01:15:38I have found much to do.

01:15:40Are you there?

01:15:42I've made reservations about waiting for you at my garden.

01:15:46All right, let's go.

01:16:01Do you have any ideas?

01:16:03I want to find a child, that's all.

01:16:05What do you propose?

01:16:07How do I know? We just must find that child.

01:16:09What did you do to the boy?

01:16:11He's still only a baby.

01:16:13Disappointing him.

01:16:15You don't make sense.

01:16:16That's not important.

01:16:30Marietta.

01:16:44Praise be Jesus.

01:16:46Praise be Jesus.

01:16:49Excuse me, please, mother.

01:16:51We came about the little boy who ran away.

01:16:54We read the story in the paper and we thought you might have some news about him.

01:16:57Marietta, yes.

01:16:59You're interested in him too.

01:17:01Since the newspaper printed the story, everyone seems interested in Marietta.

01:17:03Haven't they found him yet?

01:17:05Not yet, no, but don't worry about Marietta.

01:17:08He'll be all right.

01:17:10Well, do you have some special interest?

01:17:13Well, yes, we both.

01:17:16My husband and I might like to adopt him.

01:17:19How long have you been married?

01:17:24A little while.

01:17:25And do you have children?

01:17:28No.

01:17:29No.

01:17:31Well, children, if you both want the child, you may have him with my blessing.

01:17:35But you know what the laws are, don't you?

01:17:37Article 10 is part of the civil code.

01:17:40According to the law, you can have the child for three years.

01:17:43Should you then want legally to adopt him, you must abide by the laws.

01:17:46You know them.

01:17:48No, mother.

01:17:49Information.

01:17:50Information regarding your mode of life, your financial status, and math.

01:17:56I presume you do attend math.

01:17:59Yes, mother.

01:18:00Let me tell you about Marietta.

01:18:03His mother died giving birth to him.

01:18:04We have no knowledge of the father.

01:18:06He is truly a child of fortune.

01:18:08I must also tell you that he's an unusual and rather difficult child.

01:18:12Therefore, you will have to be unusual parents.

01:18:15You're sure of your choice?

01:18:16We have other less demanding children.

01:18:19Would you like to see a few of them before you decide on Marietta?

01:18:22No, reverend mother.

01:18:23We couldn't be more positive.

01:18:25We want one boy, Marietta.

01:18:27I see.

01:18:28I want you to know, though, that my Marietta doesn't hesitate to express his opinion.

01:18:33There was another couple who wanted to adopt him and he ran away from them, you know.

01:18:37He might be antagonistic before he gets used to you.

01:18:40I wouldn't frighten you for the world, but...

01:18:42but the boy may be absolutely, completely mad.

01:18:45Mad?

01:18:46If you think I'm telling stories, he says he has a mama already.

01:18:49The child has even invented a name for this imaginary mama of his.

01:18:53Camilla.

01:18:56And what do you suppose she is?

01:18:57Why, she's a ballerina.

01:19:01A ballerina.

01:19:17One, two, three, four.

01:19:43Who are these?

01:19:46Why don't people learn to drive?

01:19:49What is it with these young people nowadays?

01:19:54Camila, are you all right?

01:19:55Filippo!

01:19:56Camila, darling.

01:19:57Oh my God.

01:19:58What happened?

01:19:59I was so afraid that you might be hurt.

01:20:00Are you positive you're all right?

01:20:00Well, you could have been killed.

01:20:01Who was driving that other car?

01:20:02Wait till I get my hands on him.

01:20:05Here I am, senor.

01:20:07Is he always like this?

01:20:09What do you mean, am I always like this?

01:20:10Do you expect me not to be upset?

01:20:13Excuse me, I was only asking

01:20:15why you're so excited about a perfectly ordinary car.

01:20:18What do you mean?

01:20:18I bought that car with my blood

01:20:20and you almost killed us besides.

01:20:22Look what you've done to my car, you lunatic.

01:20:24Do you have a driver's license?

01:20:26Who's arguing?

01:20:27It wasn't your fault.

01:20:28It was my fault.

01:20:30I take the blame.

01:20:33I can see he's used to this sort of thing.

01:20:35It must happen all the time.

01:20:36Well, I try to make amends.

01:20:39I always do my best.

01:20:41Yes, yes.

01:20:42And who'll pay for the damages?

01:20:45I will.

01:20:47And what are we going to do now?

01:20:49Get into my taxi.

01:20:50I'll be glad to take you where you like.

01:20:52Please.

01:20:53We were going home.

01:20:5333 Via Porto Cattino.

01:20:5533, let's go.

01:20:58Wait a minute.

01:20:59What about my car?

01:21:03We'll tow her, senor.

01:21:07There, that's fine.

01:21:10No, no, no, no, no, no.

01:21:12She'll be more comfortable with me.

01:21:14I'll take her with me.

01:21:17There you are, senorina.

01:21:21You get in and steer.

01:21:23I'll go slowly.

01:21:24Now, keep calm.

01:21:30Ready?

01:21:32Ready.

01:21:42Ready.

01:21:52It seems to me I've seen you before.

01:21:56I've an idea, you're an actress.

01:21:59Yes, it seems to me I've seen you before.

01:22:01Or do you look like someone I know?

01:22:04Everyone knows a taxi driver is the work I do.

01:22:07I know now.

01:22:09I saw your picture the other day.

01:22:11Of course.

01:22:12Everyone says you're a wonderful ballerina.

01:22:15Here, you see?

01:22:16I have it right here.

01:22:17Take a look.

01:22:19Thank you, that's very nice of you.

01:22:21But I've already seen it.

01:22:25That's all right.

01:22:26You're a ballerina.

01:22:30And what does a ballerina do?

01:22:32Dances.

01:22:33I know that much, but what does she do otherwise?

01:22:39That's silly, isn't it?

01:22:40But I'd get so bored if I didn't get into conversation.

01:22:44It's just that I'm interested.

01:22:48We sit in the car all day long,

01:22:49you know, taxi drivers that wonder what's going on.

01:22:53I'll ask you a question.

01:22:55What do you want to do?

01:22:56Be a dancer, or really to live?

01:23:00Oh, dancing is my life.

01:23:02You like to drive a taxi, and I'm a dancer, right?

01:23:06That's living, isn't it?

01:23:08Yes, I'll agree, signorina.

01:23:10But do you like it?

01:23:12What do you mean, dancing?

01:23:13Well, for me, what else is there in the world?

01:23:16I suppose if you want to think so, nothing else matters.

01:23:20But I'm going to tell you how I feel about it.

01:23:23I get tired driving.

01:23:27Can you tell me what that has to do with me?

01:23:29Well, signorina, look at that nice young man we're towing.

01:23:32He made it pretty clear to me that he loved you.

01:23:35He wants to support the family someday.

01:23:37I'd swear to that, signorina.

01:23:40But how do you know?

01:23:41He didn't say anything.

01:23:43Oh, I know.

01:23:44A man in love is pretty hard to miss, my dear,

01:23:46and I'm also certain it's going to make

01:23:48a wonderful father and husband one day.

01:23:50He wants his family.

01:23:51What do you want?

01:23:54I'd be a ballerina, first of all.

01:23:57You're saying everything else is secondary?

01:24:01Don't be silly.

01:24:02I'm not saying anything like that.

01:24:04Only I won't give up my career for anybody.

01:24:07That I know.

01:24:08If you say so, only one day you might change your mind.

01:24:11Outside of Filippo, does anyone really care

01:24:13what happens to you?

01:24:16Yes.

01:24:18I think so, a little boy.

01:24:20Ah, you have a little boy?

01:24:23No, I don't.

01:24:24He's an orphan.

01:24:26Oh, an orphan.

01:24:29And he really cares whether you live or die, signorina.

01:24:33Maybe God willed it.

01:24:35And you'd rather have your career than take care of him.

01:24:39You're afraid to love.

01:24:41We said we'd adopt him if we find him.

01:24:44You'd adopt him?

01:24:46But love, that's what counts, signorina.

01:24:49You have to admit to love and give it gladly.

01:24:51It's the most important thing in the world.

01:24:54I know what love is.

01:24:55You needn't tell me.

01:24:56I'm sure you do.

01:24:57I just want to know where you're going.

01:24:59I've ridden in a lot of taxi cabs,

01:25:01but I've never had a cab driver before like you.

01:25:03I told you the address.

01:25:04I know the address.

01:25:05Well, then why don't you turn right?

01:25:07You make better progress if you take a straight route.

01:25:21Stop, please stop.

01:25:30Why did you stop?

01:25:30What is it now?

01:25:31Look what it says.

01:25:32He's holding a trumpet.

01:25:38Mary Hinton!

01:25:39Shh!

01:25:41She looks as though she's going to fall.

01:26:08Shh!

01:26:09That idiot of a woman.

01:26:11I told her not to pick so much.

01:26:17Don't be afraid, Marietta.

01:26:19Why should I be afraid?

01:26:37Oh, my dear God, please let me find the right one.

01:27:00God says to tell you next time, don't drink so much wine.

01:27:03Thank you, dear God.

01:27:22Mary Hinton, thank God.

01:27:26He's hurt, that's all right.

01:27:29Thank you, thank you, thank you.

01:28:10Where's that taxi driver?

01:28:11He's gone.

01:28:15Wow.

01:28:25Camila, it's a miracle.

01:28:27Look at the car.

Angel In A Taxi | Full Movie | Antonio Leonviola | Vera Tschechowa, Marietto, Vittorio De Sica

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