The Playgirls And The Vampire | Full Moviex | Piero Regnoli | Lyla Rocco, Walter Brandi, Maria Giovannini, Alfredo Rizzo

2 months ago

THE PLAYGIRLS AND THE VAMPIRE
| Horror | 1960 |

Plot:
Five beautiful showgirls are trapped by a storm and find refuge in a creepy old castle. The owner of the castle, a strange nobleman, has a secret laboratory in the basement and has his own plans for the girls.

Crew:

• Directed by: Piero Regnoli
• Written by: Piero Regnoli, Piero Regnoli
• Starring: Lyla Rocco, Walter Brandi, Maria Giovannini, Alfredo Rizzo
• Produced by: Tiziano Longo
• Music by: Aldo Piga
• Cinematography: Aldo Greci
• Edited by: Mariano Arditi

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Transcript

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00:03:54Are you sure Frank knows where he's going?

00:03:56This is the first time we've ever been around here.

00:03:58We ought to be near the river by now.

00:04:00The maid at the hotel gave us directions.

00:04:02Well then, we must be in trouble.

00:04:03We left the hotel without paying our bill.

00:04:05They'd be glad if we were lost.

00:04:06Just how many hotels have been robbed by us, Lucas?

00:04:09Stop talking such nonsense.

00:04:11I especially gave the girl a tip when we left the hotel.

00:04:13A tip, Lucas?

00:04:14After you told us you didn't have a single cent,

00:04:16you went and tipped the maid.

00:04:18And speaking of money, Lucas,

00:04:20where is our salary?

00:04:23I've got it.

00:04:24What, the money?

00:04:25Don't be impatient.

00:04:26I should never have asked.

00:04:28What an idea.

00:04:30Now listen to this.

00:04:32You know what I'm talking about.

00:04:34I know.

00:04:35I'm not surprised.

00:04:36You should know by this time that when someone says he has an idea,

00:04:39you see what I mean?

00:04:40He has an idea in mind.

00:04:42That means he's found a certain something.

00:04:44Something like an inspiration, you know?

00:04:46You're so bright.

00:04:47You just take my breath away.

00:04:48This is going to be the most sensational act in our review.

00:04:50Believe me.

00:04:51Now pay attention, please.

00:04:53The curtain goes up and reveals a scene deep in the heart of the jungle.

00:04:56You, Vera, are wandering through the forest in desperation,

00:04:58worn out with fatigue.

00:04:59You're weak and about ready to give up.

00:05:01When the bushes at the rear of the stage part,

00:05:03we see something horrible.

00:05:05You?

00:05:06A gorilla.

00:05:07A monster.

00:05:08An enormous, murderous gorilla.

00:05:09He grabs Vera.

00:05:10He picks her up and he's about to make off with her.

00:05:13But suddenly, Erica, Ilona, Maggie, you appear on the scene

00:05:15dressed as wild savages.

00:05:17Hold on a second.

00:05:18Just a moment.

00:05:19Where do I fit in?

00:05:21What's that?

00:05:22Where do I fit in?

00:05:23You?

00:05:24Uh-huh.

00:05:25You're the gorilla.

00:05:26But, Lucas, the audience won't be able to look at my legs.

00:05:30You know they're my best feature.

00:05:32Everybody looks at them.

00:05:34Even Frank looks at them.

00:05:36Right, Frank.

00:05:40Oh, excuse me.

00:05:41Oh, I'm sorry.

00:05:42Is it my fault, Frank?

00:05:44What's wrong now?

00:05:45The road's blockaded.

00:05:48Hey, what's happened?

00:05:50The road's blocked by a landslide.

00:05:52You'd better turn around and go to the hotel back there.

00:05:54Oh, great.

00:05:55They'd be delighted to see us.

00:05:57And where does that road lead?

00:05:59I wouldn't advise you to take it.

00:06:01You can ask anybody.

00:06:02No one around here would dare to go up that road.

00:06:04Why not?

00:06:05It seems to be in good condition.

00:06:06It's not the road that's dangerous.

00:06:08You'd better turn around and go on back there.

00:06:10Oh, what a night.

00:06:11This road must lead somewhere, after all,

00:06:13to a farm or a house or a shed.

00:06:15It leads to the castle of Canassie.

00:06:17Oh, a castle.

00:06:18Say, girls, did you hear that?

00:06:19It leads to a castle.

00:06:21A real castle.

00:06:22We're not going to let a chance like that slip by.

00:06:24It's decided.

00:06:25Full speed ahead to the castle of Canassie.

00:06:27Come on.

00:06:40Look, there's a bridge.

00:06:42I see it.

00:06:43You suppose it's strong enough to hold us?

00:06:45It's hard to say.

00:06:47But we'll know after we've tried it.

00:07:06Lucas, look over there.

00:07:08There's a gate.

00:07:10Yes, that must be it.

00:07:12Come on, everybody.

00:07:13We're on foot from here on in.

00:07:28Just our luck.

00:07:29It's locked.

00:07:30Why don't you shout?

00:07:31Somebody will come.

00:07:32With this wind, I'm afraid I wouldn't be heard.

00:07:34They're probably all asleep at this hour anyway.

00:07:36Well, what do we do now?

00:07:38How should I know?

00:07:40How should I know?

00:07:42We can't stay here all night, can we?

00:07:49Hey, Vera.

00:07:52How did you know about that?

00:07:54I don't know.

00:07:57Somehow, it just seemed natural.

00:07:59Natural?

00:08:02Come on, girls.

00:08:03Let's not waste any time.

00:08:04Follow me.

00:08:11Look there.

00:08:14Do you think they'll have a butler and everything?

00:08:16Don't talk nonsense.

00:08:17I just hope they'll have someone.

00:08:19It seems so deserted and spooky around here.

00:08:21How exciting.

00:08:28Did you hear that?

00:08:30Let's go back, Lucas.

00:08:31What's the matter with you?

00:08:32It's just the dogs.

00:08:33Look.

00:08:34Look at Vera.

00:08:35She's going ahead.

00:08:36She's not frightened.

00:08:37There's nothing to be so scared about.

00:08:39Now, come on, girls.

00:08:54Lucas.

00:08:55Lucas!

00:08:58What's the matter?

00:09:00Oh, who are you?

00:09:01The caretaker?

00:09:02None of your business.

00:09:03You'd better get away from here.

00:09:05How do you like that?

00:09:06Nobody seems to be very friendly tonight.

00:09:08Is anyone in the castle?

00:09:10No, no one.

00:09:11There's no one here at all.

00:09:13Look, Lucas.

00:09:16Hello.

00:09:17No one there, huh?

00:09:24Hey, girls, come on.

00:09:31Please excuse us.

00:09:32We don't mean to disturb you,

00:09:33but we were caught in the storm,

00:09:35and the road is blocked.

00:09:36We were wondering if you could put us up for the night.

00:09:38I can't imagine who would have told you

00:09:40to take the road here.

00:09:42We are not in the habit of receiving guests at the castle.

00:09:45I already told them to get out of here.

00:09:47You heard me now.

00:09:48Go on, get out of here quick.

00:09:49It's not for me to decide.

00:09:50Come in anyway.

00:09:51Come on, girls.

00:09:52Did you hear that?

00:09:54Come along.

00:09:55Come along.

00:10:00What a beautiful place.

00:10:02It's like a movie set.

00:10:04Hey, Lucas.

00:10:06Lucas, look at that table, will you?

00:10:08I wonder if they'd let me do my high kick specialty on it.

00:10:12I doubt it very much.

00:10:13Why not?

00:10:14It's artistic.

00:10:15Wait here, please.

00:10:18First time I've ever been inside a real castle.

00:10:21This place gives me the chills.

00:10:22Oh, everything gives you chills.

00:10:24I even had them when that old army colonel

00:10:26sent you flowers to the theater.

00:10:28As a matter of fact, he was a general.

00:10:30And nobody ever sent you flowers.

00:10:32What do I care about flowers?

00:10:34Anyway, they give me hay fever.

00:10:36Vera.

00:10:39What are you doing now?

00:10:41I, uh...

00:10:42Huh?

00:10:43I was just getting a cigarette.

00:10:45And you knew they'd be in there.

00:10:51Good evening.

00:10:55I suppose that you are Count Canasta.

00:10:57I mean, the master of this establishment.

00:10:59I mean, we're terribly sorry to have disturbed you,

00:11:01but we were surprised by the storm

00:11:03and thought we might possibly...

00:11:05Well, perhaps you'd like refreshment

00:11:06before resuming your voyage.

00:11:08I'm sure my housekeeper will be happy to help you.

00:11:13As a matter of fact,

00:11:14we thought that you might be able to put us up in your castle.

00:11:17Uh, the furthest hotel is pretty near.

00:11:19I mean, the nearest hotel from here is pretty far.

00:11:21That's to say...

00:11:22Well, in brief, it's difficult to return there.

00:11:25We owe them some money and...

00:11:26I am very sorry.

00:11:28It is not my custom to extend hospitality to strangers.

00:11:32You will have to find some other solution.

00:11:33No, you've no right to turn us away.

00:11:36It's not right.

00:11:37We've been on the road for hours in an uncomfortable bus.

00:11:48Very well.

00:11:49Mrs. Ballas, will you prepare rooms for our guests

00:11:52and serve them something hot?

00:11:53Yes, sir.

00:11:54I must, however, request that you respect

00:11:56all the regulations of this castle.

00:11:59Once you have entered your rooms,

00:12:00you should not leave them for any reason.

00:12:02No matter what sounds you may hear.

00:12:04And above all,

00:12:05do not wander about the castle before daybreak.

00:12:08This is a condition which I must insist on

00:12:10if you want to stay here.

00:12:11And now, good night.

00:12:12Sleep well.

00:12:18Frank, you'd better see about the bus.

00:12:20All right.

00:12:22This way, please.

00:12:23This way, please.

00:12:31Everett, wake up.

00:12:45You know, I don't like that housekeeper,

00:12:48but I must say, she knows how to make good tea.

00:12:50Yes, and it's good not to be worrying

00:12:51about having to pay the bill.

00:12:55A real castle.

00:12:56Just imagine, Lona, so refined and elegant.

00:13:00Wait till I tell everyone back home.

00:13:03What's so exciting about an old castle like this?

00:13:06It's nothing but a museum.

00:13:07There you go complaining.

00:13:08We might have spent the whole night outside

00:13:09if we hadn't found this.

00:13:11Get a look at this.

00:13:13Look what they've got here for an ashtray.

00:13:15It looks like solid silver.

00:13:17There's something about this place I don't care for.

00:13:19I don't understand why we have to remain

00:13:21in our rooms all night.

00:13:22What kind of strange, mysterious character

00:13:24is this count anyway?

00:13:25Why don't we just make an effort

00:13:27and try to behave nicely for a change?

00:13:29We're enjoying his hospitality,

00:13:30and I think we might appreciate it.

00:13:32You're right, Vera.

00:13:34Try not to be more foolish than usual.

00:13:36As for me, I hope that this bad weather

00:13:39lasts as long as possible,

00:13:41so we can all have free food and lodging.

00:13:43But what if the man on the road who warned us

00:13:45was right about the castle?

00:13:47There must be something to his story.

00:13:50You shouldn't listen to gossip like that.

00:13:52For example, if you had experience in society,

00:13:54you'd be able to recognize a real gentleman.

00:13:56After all, aristocrats are all a little bit eccentric.

00:13:59If you want my opinion, the man is closely attached

00:14:01to the old family traditions.

00:14:04Oh, Frank.

00:14:06When you slammed on the brakes,

00:14:07it's because you were looking at my legs, weren't you?

00:14:12But you wouldn't admit it, would you?

00:14:18Say, you don't think he's married, do you?

00:14:21Who?

00:14:22Who do you suppose? The Count, naturally.

00:14:24You want to make advances.

00:14:25That really takes the prize.

00:14:27The Countess Katia of the French Can-Can.

00:14:30Opening night at the opera, you'd be a sensation.

00:14:32Leave her in peace.

00:14:33You go out of your way to torment Katia.

00:14:35Yes, he picks on her because the poor kid's defenseless.

00:14:37You're a bunch of silly fools.

00:14:41Oh, I'm beginning to feel tired.

00:14:43Good night.

00:14:47Good night.

00:14:49Good night and sleep well, ladies.

00:14:51We are most highly honored to welcome you here

00:14:54beneath the roof of our glorious ancestors.

00:14:58I'm sorry, I was only...

00:15:01Good night.

00:15:17Good night.

00:15:47Good night.

00:16:17Good night.

00:16:48Oh, it's you.

00:16:50I beg your pardon. I didn't mean to frighten you.

00:16:53What do you mean? Just what are you doing here?

00:16:56I wanted to see you.

00:16:58To see me?

00:16:59Doesn't it seem rather odd to be outside

00:17:01peeking through the window of a bedroom at this hour?

00:17:04You're probably right.

00:17:07Yes, my actions may seem odd,

00:17:09yet in spite of that, the fact is

00:17:11that the presence of guests in the castle of my family

00:17:14is such an unusual event that I may behave

00:17:16as though I were by myself and in solitude.

00:17:19Oh, I am sorry.

00:17:21I didn't mean to offend you,

00:17:23and I understand how you must feel.

00:17:26We are imposing on you, after all.

00:17:28No, don't say that. I...

00:17:31It's difficult for me to explain,

00:17:33but if I've decided to let you all stay,

00:17:35it's only because of you that I did so.

00:17:37It was only for your sake.

00:17:39That's surprising. You only saw me a few minutes.

00:17:42Why are you staring at me like that?

00:17:44Please excuse me. You seem different from all the others.

00:17:47Don't you think that that's an excessively conventional approach

00:17:50for a man like you?

00:17:53Who are you?

00:17:55I'm just an ordinary girl.

00:17:58In any case, you may call me Vera.

00:18:00What brought you here? Why did you come to this castle?

00:18:02Where'd you come from, Vera?

00:18:04Well, we were in a place on the other side of the hill.

00:18:07I don't know the name, but the road was blocked, and so we...

00:18:10I know, but I meant to ask about your family.

00:18:17Oh, my family tree begins and ends with me.

00:18:20My parents died when I was small, and there's just myself.

00:18:24This story is commonplace and uninteresting.

00:18:28You should leave here as soon as possible, Vera,

00:18:31before anything happens to you.

00:18:33The very first thing, tomorrow morning,

00:18:36you should plan to leave immediately after dawn.

00:18:39Why? What's the matter with you?

00:18:41Nothing. Don't ask any more questions.

00:18:43I beg of you to make your departure the first thing tomorrow morning, please.

00:18:47And now you must really excuse me. I'll see you in the morning.

00:18:58I hope the next time you want to see me, you'll come through the door.

00:19:01It would be so much simpler.

00:19:08Do you mind if I stay with you a little?

00:19:30I can't seem to fall asleep.

00:19:32It must be the storm that's making me so nervous.

00:19:36What were you talking about just now?

00:19:39Oh, I don't mean to be curious.

00:19:41I was awake and I saw you from my window.

00:19:43Nothing in particular.

00:19:45You seemed upset about something.

00:19:47I don't know what.

00:19:49I think he feels a bit lonely here.

00:19:52I think he's fascinating, you know?

00:19:55All my life I wanted to meet a guy like that.

00:19:58Oh, Lucas is right, I guess.

00:20:01When I talk, it always comes out wrong.

00:20:06You know, Vera, there's a shower.

00:20:08I think I'll go and take one.

00:20:10I never would have thought that a castle would have modern plumbing.

00:20:14It might be wiser if you would follow instructions.

00:20:17Don't go too far.

00:20:18Oh, that's nonsense.

00:20:20A shower will be good for my nerves.

00:20:23It's a bit chilly.

00:20:24May I borrow your coat for a minute?

00:20:26Of course, take it, but do hurry.

00:20:33What do you think of it?

00:20:34Might be an idea for our next review, huh?

00:20:37Well, I think there is a next one.

00:20:40I'll be right back.

00:20:41So long.

00:21:34I'll be right back.

00:22:04Kitty.

00:22:22Here, kitty.

00:22:23Come here, kitty.

00:22:25Where are you?

00:23:04Help!

00:23:06Help!

00:23:08Open the door!

00:24:00Let's go!

00:24:30Oh

00:24:37Gotcha Erica, where are you? What's wrong with you? Why are you crying Erica?

00:24:55Magda Ilona Vera

00:25:00Oh

00:25:22My god

00:25:25She's dead

00:25:28How did it happen

00:25:31She must have fallen from one of the windows of the tower. Perhaps

00:25:35Perhaps in the dark. She missed her footing. She was always too curious for her own good. Well, this is all we needed

00:25:41As if we didn't have enough headaches

00:25:44Why did she have to disobey orders and wander through the castle like that?

00:25:47She wasn't the most intelligent girl I ever met but she was an awfully sweet girl

00:25:50We must get away from here as quickly as we can. Let's leave here right now. This place has a curse on it

00:25:56I just can't stand it. What are we going to do?

00:26:09We've got to do something

00:26:18Poor Katia

00:26:26What happened

00:26:34She fell out of a window she's dead it's a most unfortunate accident

00:26:38It should never have occurred especially since I warned you all yesterday

00:26:42Certain parts of the castle are very dangerous

00:26:47Take her inside

00:26:56You

00:27:10What do you want we ought to bury her

00:27:12You keep quiet. The count will decide that the dead should have peace. That's enough and see that no one ever enters the castle

00:27:26I would like to tell you of my heartfelt sorrow and ask you to believe and accept the expression of my profound sympathy

00:27:32For what has just occurred?

00:27:35First of all, if you recall I made a point of asking you to obey our regulations and to stay in your rooms

00:27:40No matter what happened after dark

00:27:43That unfortunate girl has paid a high price for her disobedience. I

00:27:48Just don't understand it. What don't you understand?

00:27:52Nothing

00:27:54Nothing at all. Well, I think we ought to notify the authorities about the accident. Don't you know quite right?

00:28:01But I regret to inform you at this moment it is quite impossible and why is that I

00:28:07Just learned a short while ago that the river is rising and has carried away the bridge which leads to the highway

00:28:13And as a consequence you are practically forced to remain here under my roof

00:28:21Are you saying it's impossible for us to leave here even if we want I'm afraid so there's really nothing I can do about it

00:28:28No, I don't think I can spend another night in this place. No, let's not exaggerate. The death of Katia has given us a shock

00:28:35That's all it's Frank that we should be thinking about

00:28:39Huh? Don't worry about me

00:28:41We must make arrangements for her burial

00:28:45That's the first thing then we ought to investigate her death a little further

00:28:52Then if you like I'll go ahead and make arrangements for digging the grave

00:28:58Excuse me

00:29:00I'll see you all later on

00:29:21You

00:29:51You

00:30:01Well, I think that one of us should say a few words of farewell

00:30:08For the first time in my life the words have no importance really

00:30:13What counts is sentiment after all words are inadequate

00:30:17She was good really good to me. She was always loyal. I remember I had a boyfriend who wanted to go out with her

00:30:23And she never mind

00:30:25She was a faithful friend a heart of gold. She'd be glad to know how we appreciated her and

00:30:31Every single one of us we loved her. Yes, that's the way all of us feel. I'm in

00:30:37Alright girl, let's get back to the castle. Looks like it might rain any minute

00:30:43Vera aren't you coming with us?

00:30:45Vera aren't you coming with us? Yes, I'm coming

00:30:57All right, let's go

00:31:02Come on Magda put a little light into it and you don't clump around like I'm you'll get a little grace

00:31:08You're dead on your feet

00:31:15Oh

00:31:21Erica go on. This is a good moment for it

00:31:26Play me a blues. Will you Frank?

00:31:30Hey, what are you doing?

00:31:45I

00:32:15I

00:32:45I

00:33:16I

00:33:38Suppose you'd rather hear Chopin's funeral march

00:33:46Is

00:33:49Something wrong mrs. Ballas. Well, I must say your spectacle is quite a shocking exhibition and you should be ashamed

00:33:55Oh, maybe so, but the girls have been very upset as you know

00:33:58And this is the only way to make them stop worrying about it. You can believe me. I'll inform the count. Don't bother

00:34:03We've already gotten his permission

00:34:16Okay, let's go we gotta get this number in shape, come on, come on girls

00:34:40I'd like to rest a little okay

00:34:45Oh

00:35:15I

00:35:17I

00:35:43You surprised

00:35:48Who is she

00:35:51Margarita can I see one of my ancestors she lived here and died in 1785

00:35:57Yes, you're right. The resemblance is extraordinary. I noticed it when you first arrived in my castle

00:36:03Was that why you wanted to know so much about me when you came last night?

00:36:06That's the reason and for the same reason I wanted you to leave here as soon as possible. I

00:36:13Don't understand. There's something strange in your attitude towards me

00:36:18Vera I

00:36:19Beg of you. Don't ask me any questions

00:36:23Soon, you will be far away. You'll forget all this. It's better that way

00:36:32Tell me about Margarita, please

00:36:35Was she what do you know about her life? Her story is a very sad one. Her life was unhappy as

00:36:42Was her death

00:36:45Vera I

00:36:48Vera I wouldn't want you to have a false impression of me solitude may have had an influence on my character

00:36:53I may appear strange to you, but there is one thing. I want you to know

00:36:59What's that? I expected you I

00:37:02Expected you to come to the castle one day

00:37:05It's ridiculous. I know in spite of that whenever I looked at her portrait. I felt that Margarita was still living

00:37:12Alive living perhaps as another person, but I knew her destiny was my destiny

00:37:18I

00:37:19Know you think that I'm mad

00:37:22Forgive me. No, you're wrong

00:37:25No, Gabor. You're sane. I feel it. I

00:37:29Can't explain it beyond me

00:37:32But I just know it

00:37:35All that happens here is so very strange you waited for me so long you say

00:37:42And at the same time you want to get rid of me

00:37:45It doesn't make sense you mustn't try to understand you simply must believe in me

00:37:51Go far away from here for remaining will only bring you tragedy and nothing else. No, I can't believe that

00:37:58There's something in you that gives me confidence and force

00:38:02With something that no other man has inspired in me. I have lived a meaningless life one

00:38:08That's made absolutely no sense at all

00:38:11Touring around with the second-rate company from town to town

00:38:16With you it's different

00:38:18It's as if I had always known you

00:38:22All of your features and all your gestures were familiar to me

00:38:27Now listen I implore you to have confidence in me go away from this castle

00:38:32Don't wait to leave the Karnathe's can bring only destruction ruin and violent death

00:38:37Please look at this coat of arms. It belongs to our family. Look at it Vera a coat of arms like any other you think

00:38:44No, I'm not going to let you take it

00:38:46I'm not going to let you take it

00:38:48I'm not going to let you take it

00:38:50I'm not going to let you take it

00:38:52I'm not going to let you take it

00:38:54A coat of arms like any other you think no, it's different for this shield is marked by tragedy and with blood from generation to

00:39:02Generation a damned race Vera beyond salvation

00:39:09Coming Lucas just a minute. I'll be right there

00:39:14All right, I'm coming

00:39:18I

00:39:20I hope that you will forgive

00:39:50I

00:40:20I

00:40:50I

00:41:20I

00:41:38Got ball get more. What are you doing?

00:41:43What's the meaning of all this where is Katia?

00:41:59Yeah, what are you doing here at this hour what

00:42:05Who dug up catches body get out of here go on you have no business here Zoltan go back to your post

00:42:12But he was there I saw him with my own eyes I told you to go back where you belong obey me I

00:42:22Want you to know that I've had enough of these strange mysteries catches bodies disappeared somebody must have removed her from a grave

00:42:34You have a very serious fault young lady

00:42:37You're much too curious I would advise you to be less curious. Otherwise, you may be sorry

00:42:42Is that so I shall speak to the count about this tomorrow

00:42:45You may do as you wish

00:42:47Good night

00:42:59Good morning, everybody. Good morning. What have we got for breakfast this morning tea and crumpets Lucas. Oh

00:43:07Crumpets what crumpets there aren't any left. Are they Frank? I

00:43:12See

00:43:17You're not on the beach, you know, you might at least dress for breakfast

00:43:21And your comedy with the crumpets very funny very I'm getting in the habit of eating again, he's right

00:43:27It won't be long before we're back on bread and stale salami

00:43:30We have more serious matters to think about

00:43:33There's something weird going on around here, yes your behavior you're wrong not to take it seriously

00:43:39Have you already forgotten about Katya if you want any crumpets all you have to do is ask

00:43:44From her she takes my appetite away. She certainly is depressing. I thought she burst into tears when she served us morning everybody

00:43:55Where can I find the count I must speak with him at one well

00:43:59He's resting at the moment and I have orders not to disturb him

00:44:02I'm sorry, I must see him just a minute

00:44:05If Vera wants to speak with the count, she must have a good reason and I assure you you won't prevent it

00:44:12and

00:44:13Now, would you mind bringing me a few more crumpets, please?

00:44:20Gabor

00:44:22Gabor, where are you?

00:44:52I

00:45:22I

00:45:49Said

00:45:52Oh

00:45:57You can't go on like this don't get hysterical

00:46:11Katya's body doing here. Just what's the meaning of these awful things? I beg of you

00:46:22It won't be easy to explain

00:46:34Strange things do happen in our lives things which are beyond our knowledge

00:46:38Even if we try it's impossible for us to understand things which go beyond our limitations and which we hesitate even to speak up to others

00:46:45But Gabor I

00:46:47Would have preferred not to tell you of these horrid things

00:46:50But we cannot always do as we wish and I shall do all I can to make the truth less painful for you

00:46:56But you must promise not to repeat a word of this to a soul not to a single person

00:47:01Will you give me your promise? I promise you get more. I have great confidence in you

00:47:05But I simply have to be told the truth. I

00:47:09Appreciate that when you found the body of poor Katya, it must have been a severe shock for you

00:47:13I should tell you I am the one who disinterred the body

00:47:17It's difficult to say this, but I'm afraid that your friend's death was not just an accident. What do you mean?

00:47:26You'll have to remain calm. I know you're a brave girl Vera. Please don't make this any more difficult than it already is for me

00:47:33I'll try not to get more. Please go on

00:47:36Vera the human race is afflicted with many evils and vices and certain of these have never been understood even by the greatest

00:47:43scientists of these some are so ghastly and horrible that the average human mind refuses to believe that they exist and

00:47:51Rejects them as only superstitions and it is for this reason that for years

00:47:55I have been carrying on research on one of the most terrifying of these evils

00:47:59But what is it an affliction which has hovered over mankind for generations and evil unlike any other it makes monsters out of men a

00:48:07Diabolical force giving men an insatiable thirst for human blood

00:48:11It's a malady that lends force to monsters who are immortal and who take the blood from their prey

00:48:16And what about Katya? She did not fall from the tower. If that is what you thought

00:48:21Somebody murdered her but why it was the first time she came here. She meant no perhaps

00:48:26She was the victim of a misunderstanding. It may be because of the coat. She was wearing

00:48:32She was wearing my coat. I know that you see I was right to ask you not to wander about the castle during the night

00:48:41This is terrible

00:48:44Simply don't understand. Why is it me?

00:48:47Vera don't ask me to explain it all to you

00:48:50it's a long story and I've been engaged for years in a desperate struggle against obscure forces of evil and

00:48:55Meeting you has given me new encouragement

00:48:58Your mere presence here has finally granted me the inspiration. I was seeking and renewed energies Vera with your aid

00:49:06I am sure to succeed if you stand with me and if you will help me to Vera

00:49:10But Gabor, what can I do believe in me?

00:49:14The strength of love is miraculous if you trust it

00:49:16You must believe what I say and above all repeat nothing to anybody and you must tell nobody what I've just said

00:49:22It would only make things more difficult

00:49:34I think that you're completely sincere Gabor. I'm sure I

00:49:39Shall do as you ask me to I just hope that I can help you and be of assistance to you

00:49:54Only

00:49:56Don't run away from me again as you did when you met me last night

00:50:02Outside in the garden last night

00:50:05Certainly Gabor, don't you remember when I discovered the open grave of Katia you mean you saw me last night

00:50:13But Gabor, I don't understand for the love of God listen to me and do as I say

00:50:18During the day you are not in any danger. I swear it to you Vera

00:50:22But when night begins to fall on the towers of the castle

00:50:25Beware of the great danger do not open your door to anybody to nobody not even to me

00:50:30I beg of you not even if you hear my own voice. What are you trying to say?

00:50:35I beg you Vera say you'll promise me

00:50:39Very well Gabor, I trust you. Good night

00:51:01Now

00:51:06Where the devil is that Frank, why doesn't someone go look for him? He'll only went to look for him. That was five minutes ago

00:51:21You know, this is real French cognac

00:51:25Uh-huh. I've got a funny feeling that when we leave here, there won't be a drop of liquor left

00:51:29What are you trying to insinuate? I am NOT insinuating anything. It's a fact. That's all

00:51:40You're not up on the stage don't overdramatize like that. Did you look to see if he's upstairs?

00:51:47He's not anywhere in the castle he must have gone out for a walk that's all don't worry he'll turn up

00:51:55No, there's our ghost, what did I tell you? Oh Frank, it's about time we look for you everywhere

00:52:05Where were you I

00:52:07Went out to take a look at the river

00:52:11It's true. The bridge is destroyed. The water is rising the whole region's flooded. Well, I think we could do worse than be here

00:52:19if you think that

00:52:21You're the only one who does I talked with the folks around here

00:52:25Really? I thought this place was deserted. They told me strange things about this castle. Oh the castle again

00:52:32This is getting repetitious. I know it sounds like nonsense, but facts speak for themselves. What do you mean? What facts?

00:52:41A young girl disappeared not very long ago. Her people come from near here

00:52:46They found her body lying in a field not far from the river

00:52:49People say there are strange things going on in this castle

00:52:51They speak of a monster who goes wandering in search of victims. Oh, really? I've never believed in such stories

00:52:58there for babies

00:53:00You're trying to frighten us with this stupid gossip. I'm not a superstitious person

00:53:05But there's a reason why everyone's afraid they must be something to it all

00:53:10Katya did not die by accident

00:53:12Someone pushed her and I'm convinced that she's not the only one who's afraid of this castle

00:53:17Someone pushed her and I'm convinced of it

00:53:20You probably think that I'm out of my mind, but I assure you there's a murderer in this castle

00:53:30All right, but I'm sure I'm right and I've sworn to get to the bottom of this mystery

00:53:38Perhaps I am wrong, but something tells me we haven't seen the end of all this something is going to happen. I feel certain of it

00:53:47I

00:53:52Darling why don't you listen to me? You know, I love you. I love you more than life itself

00:53:58But you only make fun of me

00:54:00You're no longer interested in me nor in my love and I know the reason why

00:54:06It's because you don't use dandy candy the vitamin toothpaste

00:54:17Good night, sweetheart

00:54:47I

00:55:18I

00:55:35Why are you staring at me like that Lucas you always liked me at least you said so

00:55:41Yeah

00:55:43I've come here to see you tonight

00:55:46Because I want to be near to you. I was always unfriendly to you. Somehow. You never used to be attractive to me

00:55:58Now I'm here Lucas talk to me as before tell me

00:56:10Tell me

00:56:17Who screamed it was Lucas I recognized his voice

00:56:35Lucas Lucas

00:56:38Lucas wake up. What is what?

00:56:41Yeah, he must have had a nightmare all that screaming for nothing. It was not a nightmare. It was true

00:56:47What's wrong now? Come on Lucas. You're acting like a baby

00:56:52Tell us just what happened. Oh

00:56:55Gotcha. I mean I saw her standing right in front of me. Oh, no

00:56:59Don't tell me you're dreaming about ghosts now Lucas. I'm going back to bed. Take a pill Lucas

00:57:05You'll feel much better tomorrow morning, you'll see good night

00:57:15You're right, I guess I had a bad dream, right? Uh-huh bad dream. No

00:57:35The count has asked me to inform you that the road is clear and the river can be crossed now

00:57:40There's another bridge may leave when you wish will I see the count before I go?

00:57:48Yes, I think so

00:58:05I

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01:04:20Calm yourself calm yourself

01:04:27You have nothing to fear

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The Playgirls And The Vampire | Full Moviex | Piero Regnoli | Lyla Rocco, Walter Brandi, Maria Giovannini, Alfredo Rizzo

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