La Promesa Ep 411 Completo - La Promesa Cap 411 Completo - La Promesa RTVE Serie
La Promesa Ep 411 Completo - La Promesa Cap 411 Completo - La Promesa RTVE Serie
La Promesa Ep 411 Completo:
La Promesa Cap 411 Completo
La Promesa Cap 411
La Promesa Ep 411
La Promesa Ep Completo
La Promesa 411 Completo
La Promesa Completo
La Promesa RTVE
La Promesa Ep 411 Completo:
La Promesa Cap 411 Completo
La Promesa Cap 411
La Promesa Ep 411
La Promesa Ep Completo
La Promesa 411 Completo
La Promesa Completo
La Promesa RTVE
Transcript
00:00So at first your idea was to stay longer in America?
00:07That's right, but when we received the news of the sudden death of the Duchess's mother, we had to return.
00:14What a shame.
00:17It is a law of life that children bury their parents.
00:21And not the other way around.
00:24It is a reason for greater strength to return, of course.
00:27Yes, of course. Although, unfortunately, the Duchess did not make it in time for the funeral of her late mother.
00:32Normal. America is at the other end of the world.
00:36And yet she had to take care of all the management of the inheritance that I bear for her.
00:45By the way, Mrs. Arcos.
00:48Congratulations on your promotion.
00:51You have finally managed to be the key master of the promise, as I so longed for.
00:56Yes.
01:01It's the lady's doorbell.
01:04I'm going.
01:12Be careful, Mrs. Arcos.
01:14I'm sorry, Santa. I was distracted.
01:17You look distraught. Is something wrong?
01:20No, nothing.
01:24Who is it?
01:27Do you remember Teresa? The one who was going to be my future daughter-in-law?
01:35And the man?
01:37Marcelo.
01:39Her current husband.
01:51What do you mean they offered you a job as a lackey in another palace?
01:55Maria, you already know that I am happy with the promise.
01:58And that my intention has never been to leave.
02:00You're scaring me.
02:02I promise I haven't moved a finger.
02:04But the Mayor of the County of Matesán has sent me a letter offering me the position of first lackey.
02:09First lackey?
02:11Yes, it would be a unique opportunity because, well, I would charge twice what I am charging here.
02:17So are you seriously thinking of leaving?
02:20No, no, I'm not thinking of anything.
02:23In fact, I wanted to talk to you first to see what you think.
02:28And well, and when did they tell you? Since when do you know?
02:34Well, a while ago, but my answer was taking too long.
02:38Ah.
02:40Why didn't you tell me before?
02:43No.
02:45Why didn't you tell me before?
02:48Because I didn't dare.
02:50And if you dared to launch the wedding plans, knowing that you were going to leave?
02:56Is this a way of telling me that you don't want to marry me, Salvador?
02:59No. No, Maria. Of course not.
03:02Of course I want to. In fact, I love you.
03:05I love you and I will love you even if you are a servant, a lackey or a marquis.
03:09So what were you waiting for, huh? To tell me about the job offer?
03:12Well, I don't know. I guess I was waiting for us to get married.
03:18Because once we're married, it would be easier to make a decision.
03:21Or we wouldn't even have to make any decision.
03:23What do you mean?
03:25Well, after the wedding, you would like to keep the promise.
03:27And I would have no choice but to stay with you.
03:31So you're afraid to make the decision and you make me responsible, right?
03:35It's not that, Maria. But I insist that once we're married, there would be nothing ...
03:39Even if it's the last time, Salvador. That you use me as an excuse.
03:45You're right. Sorry.
03:51Anyway, that's it. The dilemma is over.
03:55I have decided. I want to stay with you, wherever you are.
03:58No, Salvador. I'm not telling you that.
04:01You asked me for my opinion and I think that ...
04:04That job offer is unique.
04:07But I don't think it's a good idea to charge twice as much.
04:13So what do I do?
04:15Well, I can't answer that, Salvador.
04:18You have to think about that calmly and with a cool head.
04:22And take a few days to answer the count of Matesán.
04:25This is not decided in two days.
04:31Good afternoon.
04:33Good afternoon.
04:36Well, I'm leaving. I have a lot of homework to do.
04:48Don't tell me you've argued.
04:56Well, Vera. I'll be back at another time, when there is no such rush.
05:00Yes, because you have left almost all the service without saying goodbye.
05:03I'm sure I'll stay as long as I want, but we're in a bit of a hurry.
05:07And I also wanted to convey my condolences to all of you
05:11for the death of Mrs. Pía.
05:14María Fernández told me about it in one of her letters.
05:17It was a very hard blow.
05:19I know that kind of blows perfectly well.
05:22They leave you breathless and desperate to live.
05:25But there is no choice but to raise your head and move forward.
05:29And that's what we try to do little by little.
05:33But their loss is irreplaceable.
05:36Well, luckily this gets better being in the family.
05:41That, of course. And you know that here we support each other.
05:45All this becomes easier being close to the people who love you.
05:49Well, tell the family that I threaten to return.
05:53I'm sure they want you to meet that threat soon.
05:57Thank you, Vera.
06:03See you later.
06:12Let's see, the cashier looks pale.
06:15Well, as if she were melanized.
06:18The fact is that it cannot be denied that this job offer is a candy for Salvador.
06:22I see. And that he deserves to be promoted to the position of first cashier.
06:27And the fourths, Ana, the fourths, who are going to pay him double.
06:31And that's not a bad thing to start a new life.
06:34Well, in that case, no.
06:37What happens is that not everything is going to be good.
06:40That if you accept that job offer, well, we're going to have to separate.
06:45Well, but they also offered you one like that and you rejected it.
06:49Well, it wasn't like that. It wasn't like that.
06:52Maria, you had the opportunity to be the personal maid of the Duchess of Abrontes.
06:57And you decided to give the position to Teresa.
07:00But because Teresa was having a bad time and she needed to breathe fresh air.
07:05And I know, and I understand, but for you ...
07:07Well, Hanna, that's in the past. And it's in the past.
07:11That's it.
07:12Maria, you can't tell me that's in the past.
07:14Because it was a very good opportunity for you.
07:16And you rejected it for staying here with Salvador.
07:18Well, now it will be the same.
07:21We will take advantage of the time we have free to see each other.
07:24Let's see, the same is not the same, Maria.
07:26But you, in the end, you would stay here with the position and ...
07:29And Salvador would go to improve his job position.
07:34Hanna, it's that I like being in La Promesa.
07:38And I like being with everything.
07:40And with you.
07:44Well, then I won't be the one who complains about you staying.
07:48And Salvador wants to stay.
07:52He doesn't want to leave.
07:54You don't know either.
07:56I don't know.
07:58Well, that's the first thing you have to know, Maria.
08:03Anyway, I'm going to go up to Miss Martina.
08:06She told me she wants to have a drink before going to the snack.
08:10From the Duchess of Cerezuelos.
08:13So ...
08:24Come on.
08:30He is a very dangerous man, sir.
08:33I don't think it's a good idea to meet with him, right?
08:36You know what the saying goes,
08:38whoever looks for danger will perish in it.
08:40Yeah.
08:42Besides, just as that man is worn out,
08:44I don't think he will respect his authority.
08:46That man is obsessed with Mrs. Adarre.
08:49Neither nothing nor anyone is going to make him look good.
08:54Okay, we rule out the idea of meeting with him.
08:57He doesn't know the weight I take off.
08:59But sir, there seems to be something we have to do with Mrs. Pia.
09:02We can't leave Ramona's cabin forever.
09:04Of course not, but it's better not to rush.
09:07There is no need to make false moves.
09:09I know.
09:11The hurry is not a good advisor.
09:13And neither are fear and panic good advisors.
09:17You have to weigh everything very well before taking the next step.
09:21In addition, Mrs. Adarre has not been in that cabin for so long.
09:25The situation is not as desperate as when she was in the cave.
09:29Yes, you are right about that, it is not so hostile.
09:32And it is spacious and more comfortable, but ...
09:34she can't even go outside.
09:36There is an imprudence.
09:38Of course.
09:39For the moment, and to avoid further confusion,
09:41we will do what we have discussed.
09:44We will try to keep Mrs. Adarre
09:46accompanied as long as possible.
09:49Solitude can be very cruel.
09:51Yes, as important as food,
09:53it is to keep a high spirit.
09:55I think it's fine, I think we both agree on that.
09:58First of all, we must prevent Mrs. Adarre from fainting
10:01and making the foolishness of leaving the cabin.
10:05Honestly, I highly doubt you will.
10:07If there is anyone feared by that man, it is Mrs. Pia.
10:10And she is fully aware that both her safety and that of her son
10:13depend on the fact that that man does not find her.
10:15Well, we will keep the plan that we had in mind.
10:17I have thought that Ms. Expósito and Ms. Fernández
10:20visit her as often as possible.
10:23And in the event of any news, please ...
10:25Don't worry, we will keep you informed immediately.
10:33Well.
10:35Thank you very much, Curro, because without your mediation,
10:38I don't know if Martín would have agreed to go to the lunch
10:41of the Duchess of Cerezunos.
10:43I am the first surprised that Martín has listened to me.
10:46Don't be silly, because you have a lot of influence over my daughter.
10:49She always listens to you.
10:51Yes, but I assure you that much less than I would like.
10:54Well, my daughter has the character she has.
10:56She is independent and stubborn, so we can't ask her to go to Salón Mó.
11:00And that is part of her charm, right?
11:02Yes. I think it will be very good for her to go to that lunch
11:05and socialize with girls her age and her social class.
11:08Yes, I think so too.
11:09Once the initial laziness is overcome,
11:11I am sure she will have a lot of fun at that event.
11:14She deserved a little fun.
11:16I know she has had a very bad time with all this.
11:20The car is ready to take Miss Martina.
11:23Let her wait. She is not ready yet.
11:25It's not true that my daughter is taking a long time.
11:27I think I'm going to go get her.
11:28No, there is no need. I'm already here.
11:30Please, dear.
11:32You are beautiful.
11:35Those earrings enhance the beauty of your eyes much more.
11:39Yes, the truth is that you have left me speechless.
11:42I hope that's a good sign.
11:45Yes, it's just that I don't know what else to add to what your mother said.
11:49But beautiful is short.
11:53I subscribe to all comments.
11:55You are breathtaking.
11:59Well, I'll go with you.
12:02And I hope you have a great time at that event.
12:05With the best predisposition.
12:09You don't sound credible.
12:12Have you noticed the tongue?
12:14Those words have been imposed.
12:16The truth is, if you don't feel well,
12:18you will play to be a very loving father.
12:43Has Teresa really returned?
12:45And she didn't come to see us?
12:47She was in a hurry.
12:49The other day we were talking about her.
12:51We hadn't heard from her for a long time.
12:53But I did it in the Americas.
12:55Apparently, the mother of the Duchess of Abrantes died
12:57and they had to rush back to Spain.
12:59The park?
13:00As unfortunate as always.
13:02And how was Vera?
13:04How did you see Teresa?
13:05Just as beautiful and resolute.
13:07Or even more.
13:08But don't worry because you will be able to see her yourselves.
13:11But I have to go back soon.
13:13I hope so, because I'm dying to see her.
13:15Yes, I also want to give her a good kiss.
13:18Well, you will see her.
13:19You will see her.
13:20Well, she and her companion.
13:26Her companion?
13:28She didn't come alone?
13:31Well, she came with her husband.
13:34Marcelo, I think he said his name was.
13:37Is Teresa married now?
13:40How do I hear you, Mrs. Candela?
13:42In fact, that's why she stopped working at the house of the Duchess of Abrantes.
13:46Because she was married and she couldn't continue working in that palace anymore.
13:49Well, what an absurd rule.
13:51Candela, every palace has its rules.
13:53That's true.
13:54Because here we also have every rule.
13:58Vera, and ...
14:00How is that Marcelo?
14:03How is that Marcelo?
14:06Has he put on? Is he well dressed?
14:09Well, I didn't have time to look at him much, but ...
14:12I don't know. The man barely opened his mouth.
14:14But I can assure you something, and that is that he is shy.
14:17That's for sure.
14:18He told me to be discreet, huh? And not a mouth like that.
14:21Look who's talking.
14:22The one who doesn't even shut up under the water.
14:25If I do it for you, why don't you get bored?
14:28That later, if I shut up, there will be less mischief, huh?
14:31That's also true.
14:33So this Marcelo met Teresa at the Duchess's house.
14:37But was he another member of the service?
14:39No.
14:40He was a waiter in a nearby inn.
14:42And they met shortly after Teresa arrived at that house.
14:46I think he was in charge of taking the drinkers to that palace.
14:49And little by little, he started to show affection.
14:52That's it.
14:53In fact, they were already in a relationship before Teresa left for the United States.
14:57And on the way back, they got married.
14:59It is known that he misses her on that trip.
15:02That is known, yes.
15:04So it's love of the good.
15:08The truth is that Teresa deserves to be happy.
15:10Well, yes, huh? The girl has suffered enough.
15:13Feliciano's death put her life on the line.
15:18This only means that Teresa has managed to make her life again.
15:22Yes, but ... I don't know, so fast.
15:26I suppose that Marimandrajo is not going to be happy
15:30that Teresa has barely saved her mourning for her son.
15:34You'll see when he finds out.
15:35The sea of Troy.
15:36No, no, yes.
15:37Mrs. Arcos has already found out.
15:39And?
15:41She didn't scream in heaven?
15:43She didn't scream anywhere because she stayed rigid like a statue.
15:47She hasn't reacted yet.
15:48Yes, it will be that.
15:50She called Mrs. Marquesa and left to attend to her.
15:53I'm going to talk to Marimandrajo.
15:55He still has a lot to say about this issue.
15:59Maybe he feels it as a betrayal to his son Feliciano.
16:02And is it that Teresa does not have the right
16:04to make her life again and try to be happy?
16:10You're right, Candela.
16:12Life is very short, Simona.
16:24Well, I hope Martina has a great time at that dinner.
16:29Are you sure?
16:31In part, I feel responsible.
16:33I was the one who convinced her.
16:36And Martina hadn't left this palace in a long time.
16:40By her own will, I mean.
16:42Why don't you worry a little?
16:44I'm sure she hasn't forgotten to have fun.
16:48Yes.
16:49She never forgets that.
16:52She never forgets that, right?
16:54Well, no.
17:02Why are you laughing so much?
17:04Because you smiled first.
17:05Yeah, but not in such an enigmatic way.
17:09What is this about?
17:11Well, nothing.
17:12I'm amazed to see how you care about the young lady.
17:17Well, the normal thing, right?
17:19The normal thing.
17:20Do you think it's normal the way you were looking at her?
17:23That your eyes give you away so easily?
17:25Let's see, Hanna, what do you mean by all this?
17:28Well, I want to tell you that I think you're still in love with her.
17:32Or not?
17:36Well, yes. Yes, I'm still in love.
17:39Good.
17:40And I thought that love was buried and more than buried.
17:43And I thought so too, but now I see that it isn't.
17:45No, no, no.
17:46It's amazing to see how love resists death.
17:49If when you try to cut a plant, there's an outbreak that makes it reborn.
17:53No, no. Don't get poetic here, no.
17:56Well, Curro, then what?
17:58What are you going to do with all this?
18:00Well, assume my feelings.
18:03What else can I do?
18:05Are you going to share them with her?
18:07Well, I already told her something when we escaped from the asylum.
18:12Curro, this isn't about indirect or half-baked.
18:14It's about speaking clearly.
18:15I know.
18:17But you haven't done it, have you?
18:19Well, we haven't had time to go deeper, but everything will work out.
18:24To make a path, first you have to take the first step.
18:27I know, Hanna.
18:28But we have to go slowly.
18:30Martín has suffered a lot and first he has to heal his wounds.
18:35I don't want to pressure her or talk to her about love.
18:40I see.
18:42If it's enough for you.
18:45Yes.
18:47I think so, for now.
18:50I'd rather settle for that than lose everything.
18:53I love you.
19:14I have spoken to my sisters and they are excited about our next wedding.
19:18Not so much that the eldest, Angel Ines, will be the one to accompany you to the altar.
19:21And for me it will be an honor and a pride.
19:24And you, Margarita, do you already have a godfather?
19:27Well, I would love to have one of my children, but living so far away, I don't know if it will be possible.
19:31Yes, the truth is that Canada is not exactly around the corner.
19:34Well, there is still a lot of time for them to get organized.
19:37I trust they will be able to come.
19:39I hope so.
19:41I'm sure they will be delighted to travel half the world just to see your happy face.
19:46And have you already thought what dress you are going to wear, sister-in-law?
19:50Well, I haven't decided anything, really.
19:52I hope you choose one in cream tones, not white.
19:57And why is that?
19:59Well, white traditionally symbolizes purity.
20:06Well, what is clear is that it will be a simple dress.
20:08A simple dress for a simple wedding.
20:11That's what Catalina said.
20:13That's what Catalina said.
20:15By the way, she still hasn't given any news.
20:21In any case, the truth is that you make a lovely couple.
20:27There is nothing more to see than the samples of love that you dedicate to each other.
20:31For me, you are a reference of love.
20:34Well, don't exaggerate, Cruz.
20:37I mean it.
20:38Are you serious?
20:40The respect and confidence you profess are admirable.
20:43I hope they last for the rest of your lives.
20:46Although I do not deny that it is a very complicated company.
20:49I would say almost impossible.
20:55Fill me the glass, please.
20:58Yes, me too.
21:00But you have to insist.
21:02You have to fight for an eternal love.
21:04An eternal love.
21:05Despite the fact that all of us here know that eternity is actually a chimera.
21:14Anyway, I insist that ...
21:16I'm worried.
21:17Without knowing Catalina's whereabouts.
21:19Surely at this point she has already become the food of the whole region.
21:24And why is she going to be the mother?
21:27She is with Count de Añil.
21:29Yes, we all know that.
21:31And don't you think it's a juicy gossip enough for them to gossip about it?
21:35No.
21:37But that's because I think not everyone is as reliable as you think.
21:41Manuel, please don't be naïve.
21:43Those harpies enjoy taking out our dirty rags and making us fall from a donkey.
21:50But hey, it seems that I am the only one who cares about Catalina.
21:54Mother had many issues to deal with Pelayo.
21:57And they will surely be in it.
21:58I hope so.
22:00I hope something hasn't happened to her and she's not with Count de Añil.
22:08Where do you want to go?
22:10Nowhere.
22:11I just look at all the possibilities and I worry.
22:16What if she is badly injured?
22:17Thrown into a ditch on a road.
22:19Would you mind not making such macabre considerations?
22:22Very well.
22:23If none of you care about Catalina, I do less.
22:25I do less.
22:27More wine.
22:36But how does Don Manuel want to talk to Gregorio's criminal?
22:39Yes, I thought that with the authority you give him as the future marquis of Lujan,
22:43that man would want to listen to you.
22:45Well, he's not going to do it because that man is obsessed with Doña Pía
22:48and all he wants is to hurt her.
22:50But calm down, calm down.
22:52I've already told you.
22:54Well, bad is bad.
22:57Don't worry, Miss Expósito.
22:59Don Manuel is not going to expose himself to danger.
23:04Well, then what's going to happen to Doña Pía?
23:06Is she going to stay in that cabin forever?
23:08At the moment, yes, indefinitely.
23:10I know it's not a good idea, but until we find a solution that suits us better.
23:15Well, when you find yourself in a dead end,
23:17what you have to do is ramble with everything in front of you.
23:19I know you don't have to back out, but hey.
23:21Things have to be done with common sense and without haste.
23:25Yes, but we can't stay hunting flies for much longer.
23:29Doña Pía is having a hard time.
23:31We moved the cave to the cabin, but it was an improvement.
23:35And that was an improvement, but that doesn't mean that little by little,
23:38Doña Pía can lose her mind.
23:40And honestly, I wouldn't be surprised either.
23:42That being locked up and unable to go out, and on top of that, thinking about her son all day ...
23:47And then, with the lack of life that man has,
23:49if he is careless, he can take her ahead.
23:51Well, you don't have to repeat it to me.
23:53I know that Mrs. Adarri's spirit breaks every day.
23:57That is why, in order to maintain her morale,
24:00her visits have been increased.
24:02Of course, it's just that the pain accompanies her, it's better.
24:04Well, at least we can entertain her and cheer her up.
24:07That's why I'm unique.
24:09I prepare myself for a succession of jokes and incidents,
24:12and until I can't smile, I don't stop.
24:14Well, Pía can go preparing a few jokes,
24:17because tomorrow, at 1 o'clock, you will go to the cabin.
24:20But ...
24:21No, don't worry, I'll take care of justifying your absence to Mrs. Alcorza.
24:26Well, don't speak ill of me.
24:28Yes, but make sure no one follows you.
24:31Absolutely no one.
24:33Be careful, Mr. Baeza.
24:34Every precaution is little.
24:36We know how that man mocked the surveillance,
24:39and he entered the palace and even took Mrs. Adarri with him.
24:42That man is a ghost.
24:44Be careful.
24:45And just in case, I'll take a big stone,
24:47and if a suspect approaches, I'll bury him in the basement.
24:49Well, you don't have to rush.
24:51Well, that's why I'm going to take the stone.
24:53And I'll only use it in self-defense.
25:00Father, bread is a first-rate good.
25:02You can't allow them to raise the price in such an exorbitant way.
25:05War has shot the cost of flour.
25:08Even so, I think the government should do something.
25:12And you know what?
25:13I think it's good that the Minister of Government
25:15has acted on behalf of President Dato.
25:18It seems that, in the end,
25:19they have reached an agreement with the merchants to regulate the price.
25:22Well, very good.
25:24But of course, some thieves have tried to take advantage
25:26and deceive their customers by reducing the weight of the bread.
25:30Honestly, I don't know what they call pickpocketing,
25:31which is literally stealing.
25:33Yeah.
25:36Luckily, in La Promesa we don't have to worry about those matters.
25:39Like we make our own bread.
25:41Yes.
25:45Father, are you okay?
25:48You seem absent-minded.
25:50Yes, yes, I'm fine.
25:52Just a little tired, nothing more.
25:54Sure.
25:59I wouldn't like to get involved in your marital affairs,
26:04but can I ask you if things are going well with my mother?
26:08If I'm honest with you, I don't know.
26:12You're right, she's a bit of a troublemaker.
26:16I've noticed some of her flaws.
26:19Your mother is not very subtle.
26:21No.
26:23And we've all suffered her sarcasm at some point.
26:29And could I ask you what was the reason for the argument this time?
26:33Well, actually, we haven't argued about anything.
26:36And then?
26:37She's been mad at me.
26:39And she hasn't even told me the reason.
26:41And have you asked her?
26:42Sure, many times.
26:44But nothing.
26:46And I don't know what to do, son.
26:51You know,
26:53I think I'm the cause of her anger.
26:58I don't understand.
27:01We were going to a jewellery conference together and I hit her.
27:05And she felt bad?
27:06Yes.
27:07She was furious, but she was right.
27:09I promised to go with her and I couldn't keep my promise.
27:12But you've apologized.
27:13Yes, I have.
27:15But I doubt that I've managed to appease her.
27:18And something tells me she's paying for her frustration with you.
27:23I don't know.
27:25I'm not sure.
27:28Well, I'll try to mediate.
27:30It won't work.
27:33Let me at least try.
27:34No.
27:35I'll talk to her.
27:36And even if I have to, I'll try not to kick her out because she's mad at you.
27:40Well, thank you for the goodwill.
27:43But I'm going to retire.
27:47Do it, father.
27:48Rest and try to put this matter aside.
27:50At least for a few hours.
27:51I hope so.
27:54Because, as I told you, I'm exhausted.
27:58Good night.
27:59Good night.
28:04Good night.
28:22I'm busy.
28:24Come back later, whoever you are.
28:29Can't you hear me?
28:31This is not the time.
28:35Come on.
28:46If she's locked up here, it's because something's happening to her.
28:49I'm perfectly fine.
28:53I'm getting to know you.
28:55You don't have to pretend with me.
28:59Since I met you this afternoon, I know something's wrong with you.
29:02It's because of Teresa's arrival, isn't it?
29:06Seeing Feliciano's fiancée,
29:10you've moved her inside.
29:26I know she asked me not to mention her son.
29:28Well, I see what you're doing to me.
29:31Because I can understand how you feel, Mrs. Arcos.
29:35Her son's death blocked her life from beginning.
29:39And yet, to see that
29:41other people's lives continue as if nothing had happened...
29:46When Teresa told me that the man who accompanied her was her husband,
29:50I was shocked.
29:53That woman swore eternal love to my son.
29:56That woman swore eternal love to my son.
29:59And he loved her madly.
30:02They had plans for the future.
30:04They wanted to spend their lives together until the end of their days.
30:09But her son's life
30:11ended too soon.
30:15How?
30:17How could she forget him?
30:19How could she marry another man like that?
30:22In such a short time, as if nothing had happened?
30:26And it turns out that I have nothing against that boy.
30:31But seeing him together...
30:38It makes me live all the pain.
30:40And seeing him take my son's place breaks my soul.
30:45It has torn me from the inside.
30:53It's normal.
30:56It's not your fault. You're his mother.
30:59And he has every right in the world to feel that way.
31:04Thank you, Santos.
31:11You know you can talk to me when you need it.
31:18It's nice to hear you.
31:20It's nice to hear you.
31:24I feel so alone in this palace.
31:28I know, Mrs. Arcos.
31:31I know.
31:51María.
31:53My God, my feet hurt so much.
31:55I have no strength left.
31:57What do you want? A snack or a dance?
31:59Well, I thought we were going to be sitting and drinking tea.
32:02And in the end, the Duchess of Cerezuelos wanted to have us walking around the garden
32:05because she said it was a good time.
32:07Well, that's fine. It's been a breath of fresh air.
32:10Yes.
32:12Sweetie, you're already here?
32:14Yes.
32:16Well, have there been many young people at the snack?
32:18Quite a few.
32:20And have you made friends?
32:22And your grandmother's earrings?
32:24In the bag that bothered me a bit and I've kept them.
32:27Ah, good.
32:29Well, I want to know everything.
32:31Let's see, what did they give you for snack?
32:33Well, everything.
32:35And everything was delicious, really.
32:37The only thing is that they served it to us in the garden, so I chose the shoes wrong.
32:40Well, elegance and comfort don't always go hand in hand.
32:43So, did you have a good time?
32:45A lot.
32:46You don't know how happy I am, daughter.
32:48But the vast majority were new young people.
32:51And all of them seemed very nice to me.
32:55Well, they would belong to large families in Spain, I'm sure.
32:58Do you remember any last name?
33:01Well, no.
33:03But judging by the dresses they wore, I can assure you that they belonged to high-class families.
33:08Well, like you, daughter.
33:12Thank you for encouraging me to go.
33:14I admit that I wasn't very excited, but I felt great.
33:18Well, you were a bit of leisure and fun.
33:21Well, yes.
33:23And more than I thought.
33:25In fact, even the Duchess of Cerezuelos seemed lovely to me.
33:28Well, that does surprise me.
33:30Because that woman is one of the most delicate, let's say.
33:32Yes, but I think she was in her element here.
33:35As a hostess.
33:37I love to hear that you enjoyed yourself, daughter.
33:42And now the only thing is that my feet hurt a lot, really.
33:46Well, then you have to soak them with salt water.
33:48I'm going to do that.
33:50In fact, I'm going to do it now.
33:52And so I'll keep telling you tomorrow.
33:54Yes, because I don't want to miss any detail.
33:56María, can you accompany Martín to his room?
33:58And relieve him of that pain in his feet.
34:01Take care, ma'am. I'll take care of it.
34:05Do you want me to ask Hanna if she knows of any miraculous remedy for her feet?
34:08No, no, no.
34:10Hide that she's looking at my mother, but something horrible has happened.
34:14I'll tell you now.
34:38This knife is broken.
34:40We have to warn the sharpener.
34:42Lately, all knives have been booted.
34:44Since he took over the business, the son of the old sharpener.
34:47The boy doesn't know how to leave the edge like the father.
34:50They cut a hair in the air.
34:52This is not even used to intimidate.
35:00Come on.
35:02I had a letter here.
35:04I don't know where it is.
35:05Here it is.
35:07And here's a letter for you.
35:10For me?
35:24It's a picture of my virtues and Adolfito.
35:29They are handsome.
35:31Yes, they are handsome. They couldn't have come out any other way.
35:33He must have left virtues before he left.
35:36It's a detail.
35:39Now I say that apart from the photograph, he must have left some letters, right?
35:44Yes.
35:46Read the woman who is anxious.
35:48Well, some more than others.
35:50But yes, I am also very curious.
35:53Mother.
35:55I leave you a photograph with Adolfito.
35:58So he doesn't forget us.
36:00How are you going to forget them?
36:01What a big nonsense now.
36:03That it would be good for you to take them out of the basket a little bit, huh?
36:07This is the best thing that has happened to me in life.
36:09Well, come on, go ahead.
36:12I hope these letters are the first of many.
36:17I promise I will write to you at least once a month.
36:21I want you to be aware of everything that happens to us.
36:26How good.
36:28You are my mother.
36:31And even if we are far away, no distance will ever separate us again.
36:44It's beautiful, isn't it?
36:47A lot.
36:49It is very beautiful.
36:51There is also a paper here.
36:58A drawing of the boy.
37:00What did you hear, kid?
37:02How well he has painted you.
37:04Look, look.
37:06It's a very expressive drawing.
37:08This boy is an artist.
37:11I know you miss them, huh?
37:13But don't be sad.
37:15No, it's sad.
37:17But it's sad well.
37:19Because I know that everything has been solved in the best possible way.
37:23Well, if that kind of sadness ...
37:26You cry.
37:28As soon as it comes to you.
37:30Well, I don't feel like crying anymore.
37:39My goodness, what a delicious bun.
37:42And freshly baked.
37:44I took it from the first batch this morning without anyone noticing.
37:47And it smells like promise.
37:50And it tastes like promise.
37:51Of course, if it is like promise, it is not eaten anywhere.
37:55I'm letting you go back, María.
37:57I wish I could go there right now.
38:00Even if I had to scrub the stairs day and night.
38:03But you didn't like it when María sent you to do the homework.
38:07Well, here I also have to sweep and scrub.
38:09Although she didn't send me, of course.
38:12It is also true that then I thought that my life could not get any worse.
38:16And look how wrong I was.
38:18Well, Mrs. Pia, you have done better.
38:20This cabin has nothing to do with the filthy cave where you were.
38:24Yes, but it is of the wolf, of course.
38:26I was here for a while.
38:28When they didn't let me go back to La Promesa because of the theft of the happy captain's watch.
38:33And the truth is that I had a lot of good.
38:35Not a parasite, but I managed.
38:37And in the end, Ramona lived here as a young woman.
38:40Yeah, María. The difference is that both you and she could go out to get some fresh air and I couldn't.
38:45Yeah, you're right.
38:47We weren't locked up like you.
38:51Look, yesterday when we made the transfer here, I could see the sky a little bit and breathe.
38:58And I realized what I longed for.
39:01Pleasures as basic as those.
39:03Basic and fundamental, Mrs. Pia.
39:07You know what?
39:09Well, I can't stop thinking about the words that Hanna told me at the time.
39:13It's time, Hanna.
39:15I'm afraid of losing the trial, María.
39:18Don't think about that.
39:19Yeah, because I can't help it.
39:21Because my head forgets to play with me and calls me to the past.
39:24Don't be strong and hold on.
39:27Besides, this is the best place you can be.
39:30The safest place.
39:32Better overwhelmed than at the mercy of Gregorio's criminal.
39:36Yes.
39:38Let's see, this cabin is far from everything and I hardly hear any noise.
39:40Not from animals or people, to be honest.
39:43In any case, Mrs. Pia, don't trust him.
39:46Gregorio's manatee is a bad bug and it slides like a rat in the most impossible places.
39:51I'm already warned, María.
39:55I hope he doesn't come here.
39:59Well, let's talk about something else other than that man, please.
40:03Yes, yes.
40:05He doesn't deserve us to waste saliva on him.
40:07And tell me, are there any news about the promise?
40:10Well ...
40:12Salvador has been offered a job at Primer Lacayo in the palace of ...
40:17the count of Matesán.
40:19But you were not going to get married, María.
40:22Well, I wouldn't know what to tell Mrs. Pia because he is thinking about accepting the job.
40:27And the truth is that ...
40:29because that position suits us very well.
40:32That money suits us very well for the future.
40:34I see.
40:36But I wouldn't know what to tell him because ...
40:39he doesn't know what he's doing yet.
40:50You know ...
40:52I also love the smell of these flowers.
40:54Well, the truth is that it could be much more intense if someone watered them.
40:57Can't you see they're asking for water? Screams.
41:00I'm really tired of being surrounded by useless and incompetent people.
41:03Calm down, mother.
41:06This matter doesn't deserve to be so lightened up.
41:10It's not just about that, Manuel.
41:14I apologize on behalf of my squad.
41:16Believe me, I was the first interested in going to that conference.
41:19Yes, you were so interested that you forgot.
41:21An unforgivable oblivion.
41:23That I have tried to sublimate, I assure you.
41:25I have searched everywhere and that professor forgot to give that dissertation again.
41:29But it has been impossible.
41:30Sometimes trains go by once.
41:33Either they catch up or they get lost.
41:35Then I reiterate my apologies.
41:37You haven't even bothered to come up with an excuse for your oblivion.
41:42Would you have preferred that I had deceived him?
41:46No, not really.
41:48Then forgive me once and for all.
41:54If I'm honest with you, I don't care about that conference.
41:56I don't care about it at all.
41:58What made me so excited was spending some time with you, alone.
42:02And I thought you felt the same way.
42:12What is this?
42:14There are two tickets to go to the theatre this afternoon.
42:17It's either a hotel or William Shakespeare.
42:19But it's a company from Madrid.
42:21It's touring through Andalusia and...
42:23I've seen this play millions of times.
42:24Not this version.
42:26They have modernized the texts.
42:28This time, Othello is a current man who serves in a European court.
42:35Come on, mother.
42:37The theatre is the least of it.
42:39I also feel like spending time with you.
42:42All right.
42:44I accept the invitation.
42:48Shall we go for a walk?
42:54Let's go.
43:10Are you from Carril?
43:19Can I help you?
43:20Perhaps you've mistaken.
43:22This is the service area.
43:24You'd better go through the main door, ma'am.
43:26Yes, I know.
43:28I don't want to bother the Marquess.
43:30I'm sure she'll be delighted to receive you, ma'am.
43:32Do you want me to tell her?
43:34No, I'd rather she didn't tell me
43:36because it's not welcome to show up in a palace unannounced.
43:39In fact, I'd like you to keep it a secret.
43:42All right.
43:44Tell me, how else can I help you?
43:46Well, I was walking near the promenade
43:48when I thought of those excellent pastries
43:51that you put on Margarita's snack the other day.
43:54And I thought I could come and ask for the recipe
43:58so that you could make them in my kitchen.
44:00Yes, well, I know it sounds eccentric,
44:03but I've been craving pastries.
44:06But you didn't have to come all the way here.
44:08If you had made a request with a note,
44:11I personally would have sent it to you by mail
44:15or with a messenger if you were in a hurry.
44:16Yes, but since I was nearby,
44:19I thought I'd stop by.
44:21That's how I've seen trouble.
44:23You don't bother me.
44:25I'm here to take care of you.
44:27Oh, look!
44:29That's the girl who took care of me during the snack.
44:32I'm sure she can help me.
44:34Miss González.
44:36Come, please.
44:47Can you take care of the Duchess of Carril?
44:52Yes, please.
44:54I'd like to know the recipe for the pastries
44:57that you put on Margarita's snack the other day.
45:00Can you give it to me?
45:02Me?
45:04Do you know the recipe or do the cooks ask you?
45:06Yes, yes, of course.
45:08Of course, I can help you.
45:10Yes? Do you know all the ingredients
45:12and the cooking steps?
45:14Of course.
45:16Can you please write them down on a piece of paper for the Duchess?
45:19If you want, you can use my office.
45:21You'll be more at ease and not in front of everyone.
45:25Thank you very much for helping me with such a capricious request.
45:29You're welcome. Do you need anything else?
45:38Hello, Mercedes.
45:40What are you doing here, mother?
45:47What if she's badly wounded?
45:49She was thrown into a ditch on a road.
45:57Sir, Miss Caterina has just arrived.
46:02Daughter.
46:04Thank God.
46:06Father.
46:09Are you okay?
46:11Of course.
46:13Why would I be sick?
46:14It's just that I hadn't heard from you for so long
46:17that I was imagining the worst.
46:19Was it hard for you to send me a note saying you were okay?
46:22You're right, father. I'm sorry.
46:25I've been inconsiderate.
46:27I admit I had my head elsewhere.
46:29But how could you leave like that?
46:31Why are you going to see Pelayo?
46:33I'm sorry, father.
46:35But I had unfinished business with him.
46:37And I needed to see him.
46:40In fact, I need to keep seeing him.
46:44I confess I didn't come alone.
46:57What are you doing here?
47:00How dare you set foot in my house?
47:02Leave right now!
47:14I'm sorry, father.