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Short filmTranscript
00:00You couldn't just tell me that you regret it, but that you're not able to accept my proposal?
00:07It's just that I didn't think I'd say such a thing.
00:09No, of course, why go with subtleties? Why talk? When a suitcase and a kick say it all.
00:14I hadn't thought about subtleties when it came to the suitcase. I think you'd better look at it.
00:17Yes, and on top of that, make fun of me.
00:19Look at you well, I'm telling you.
00:31It's not mine.
00:34No, it's not yours.
00:38Does that mean you're coming with me?
00:40That's what I was going to tell you when I took out the suitcase, just before you unleashed the apocalypse.
00:45I'm sorry, I'm sorry.
00:50And after the apocalypse, do you still want to come back with me? Have you thought about it?
00:55I've thought about it a lot. At least, during all these days.
00:59And I think we'd all be fine. I'd be the first to face it.
01:03That's always fine.
01:05I want to clear my image, Catalina. I miss you so much.
01:08It was a horrible campaign.
01:10No, not everything was the campaign's fault. I also made a lot of mistakes. That can't be denied.
01:14But I also think life is very long, and that everyone deserves a second chance.
01:18Of course.
01:21When I told you I wanted to rebuild what's ours, I meant it.
01:25But I also don't want any more lies, Pelayo. Not a single one.
01:28That's for sure.
01:33Don't you have anything else to say?
01:36No.
01:39For the first time in my life, I don't think I have anything else to say.
01:43And is that good or bad?
01:45It's good. I guarantee it.
01:47Wow.
01:49And I'm willing to stand up for anyone who wants to hurt us.
01:52Anyone? Like, in general?
01:55No, but I don't want to name anyone.
01:57I'll leave it to your imagination.
01:59Yeah.
02:05Now it turns out I'm the one who has the luggage without doing anything.
02:08Well, that's an easy solution.
02:10And if you don't mind, we'll go out to La Promesa tomorrow.
02:13Whatever you want.
02:15I'm telling you this in case you want to call your father.
02:17No.
02:19I'd rather give him a surprise.
02:22I don't know. A surprise will do.
02:39Have you had any problems with Mr. Curro?
02:42None.
02:44Are you sure?
02:45I'm sure.
02:46In fact, we've been chatting for a long time.
02:48It's his thing. He started talking and ...
02:51What was I going to do?
02:52But that's very good.
02:54That's a sign of trust.
02:56And I already told you that for a lackey,
02:58the trust of the Lord makes the difference.
03:01The more you know about his private life,
03:04the better.
03:06And why is that? I didn't understand it very well the other time.
03:09Because, Santos, there is a power below all.
03:13The power to know and keep quiet.
03:15The power of information.
03:18Go on.
03:20Knowing is a way of governing the world.
03:24So you listen well to the Lord,
03:27take good note of his confidences
03:30and become the guardian of his secrets.
03:34Because sometimes, if they come in handy,
03:36you can use it to negotiate.
03:39Or just throw it away.
03:42I understand.
03:45But never the other way around.
03:49What do you mean?
03:51Well, you must try to treasure
03:54everything you can about the life of the Lord.
03:58But on the contrary,
04:00revealing yours as little as possible.
04:05Because you never know if he could find you again.
04:09And you don't want to know what he told me?
04:13I'm not the one asking you to betray that confidence I just told you about.
04:17Of course, it would be a contradiction.
04:20Another very different thing would be for you
04:23to want to tell me something.
04:26Well, this is going to interest him a lot.
04:29Well, you tell me and we'll see.
04:32Because the little man was talking to me about Feliciano.
04:37I see.
04:38Yes, yes.
04:40And what he told me really seemed...
04:43How can I put it?
04:45Revealing.
04:47Why?
04:49Because the more he talked,
04:51the more I realized what you were doing, Mrs. Arcos.
04:55And what am I supposed to be doing, if you don't mind me asking?
04:58You are seeing in me the son you no longer have.
05:00And I didn't come here for you to pull out your mother's thorns with me.
05:06I never meant to do that.
05:08No?
05:09Well, you should know that I'm not Feliciano, and I don't want to be.
05:15You could never, ever be him, even if you wanted to.
05:21But you have his same age
05:23and the same desire to eat the world.
05:27I helped you in everything I could.
05:30And I would have had a very bright future if life hadn't been
05:34so unfair to him.
05:39I just want to do the same with you.
05:46I agree.
05:48I don't know what's wrong with that.
05:50But if it bothers you, if you don't want me to keep doing it,
05:53you just have to tell me.
05:54And I swear that at this very moment, we'll stop doing it.
05:57That way, neither you nor I will waste time.
06:01I'm sorry, Mrs. Arcos.
06:03You're sorry?
06:04Yes.
06:05Yes, I'm sorry.
06:07It's just that sometimes I have these outbursts of...
06:09Of arrogance.
06:11It's called arrogance.
06:12It's just the opposite of humility.
06:14Well, it was that.
06:15That's a shame.
06:16The thing is, I take a leash and...
06:19I end up getting my foot in it.
06:20Yeah.
06:21Tell me, what do we do now?
06:25I want you to keep helping me.
06:28And you're telling me now?
06:31After you've trampled me like you've trampled me.
06:36I really appreciate what you've done, what you're doing for me.
06:41And I'd like you to keep doing it.
06:44But I understand that after what I've said, well...
06:46You'd rather deny it.
06:50I don't have such fine skin.
06:53And I'm willing to keep helping you.
06:57But on one condition.
07:00You tell me.
07:02Never...
07:04Never mention my son again.
07:06Much less compare yourself to him.
07:09Do you understand?
07:11Yes.
07:12Now go.
07:13Go.
07:31Who are you writing to? You never stop smiling.
07:34To your brothers.
07:36To tell them about the wedding.
07:38Well, since they already knew I was in a relationship with Ayala and they gave me their blessing,
07:42I think I should tell them that it's official.
07:45Well, when I'm done, let me also write them some letters.
07:48I want to tell them that I miss them a lot and send them a kiss.
07:52Well, they're going to be surprised because you never write to them.
07:54But don't be mean either.
07:56You know perfectly well that I miss them.
07:58Although I don't write to them much.
08:01I also really want to see them.
08:03Let's see if they make a power and come to the wedding.
08:07They're too far away.
08:09Well, but it's also been too long since we've all been together.
08:12And time seems to go by faster and faster.
08:15When you turn a year old, much more.
08:18Although there are years that can change everything.
08:23I love seeing her so happy.
08:26The truth is that I didn't expect everyone to react so well after the wedding announcement.
08:30Almost everyone.
08:31Oh well.
08:33You mean the desperado, the captain of the MATA.
08:36Who else?
08:37Well, they don't surprise me at all.
08:39What can you expect from someone who is only happy about other people's misfortunes?
08:42Well, I'm glad he took it that way, really.
08:44Because the only thing that man is looking for is ...
08:47Annoying.
08:48Exactly.
08:49And I'm not going to let my life get bitter.
08:51And less now.
08:53Now that it seems that everything fits and goes forward.
08:57And if, taking advantage of that joy he has now, he comes with me?
09:03Where?
09:04Where are you going to go? To that snack that the Duchess of Cerezulos is going to give in her palace?
09:07No, Martina.
09:08I'm not invited and it's also a snack for young people.
09:10Let's see what I paint there.
09:14But even if you don't go, I'm glad you're here.
09:18I have my doubts.
09:21My daughter, what's wrong? Please, let's not start. I beg you, please.
09:23Well, I don't understand what I paint with a group of young people from a good family who have grown up among the cotton.
09:29Well, you better put it on me.
09:31Because you all have to be cut by the same boss.
09:37Martina, what's wrong?
09:43Well, I'm afraid.
09:44Of what?
09:48That they found out about the sanatorium and that they will ask me and I will have to give explanations.
09:54Don't worry, because you won't have to give any.
09:59It's an issue that we have dealt with with the utmost discretion and I'm sure they won't know anything.
10:05I don't know.
10:07Martina, stop thinking about it. Everything will be fine.
10:10Everything will be fine.
10:12And to make sure of that, we're going to do one thing.
10:15Have you changed your mind and are you coming with me?
10:17No.
10:18But I'm going to lend you my talisman.
10:23Grandma's earrings.
10:25Your father's mother, yes.
10:27Because with those earrings nothing can go wrong.
10:30And they will also lift your gaze.
10:32Yes, but you never wear them.
10:35For fear that something happens to them, I'm not going to wear them. They are too valuable.
10:39Martina, there is nothing more to talk about.
10:40Take those earrings and you will be the sensation.
10:42Is he doing all this just to have a snack?
10:45Of course.
10:46Yes.
10:59Taking advantage of the fact that he hadn't peed himself, the girl stayed there for a while.
11:04She liked to look at him.
11:09But despite how much his lover loved him,
11:13something happened to the girl.
11:15Every time she talked about the wedding, she felt like a paralysis.
11:19And she didn't know why.
11:27Let her leave with the morning mail.
11:29No need.
11:36Is it possible that I seem to have read the name of the Duchess of Cerezuelos in the envelope?
11:42You are more and more gossipy every day, you know?
11:44Is it a characteristic trait of the good military?
11:47What I was missing to hear.
11:49I'm serious.
11:51A sharp ear and the ability to ask are essential to the career of the souls.
11:56Please.
11:58Hey, more than one battle has been won before getting rid of it.
12:02Thanks to a mailman, huh?
12:04But let's see, can you tell Santo that you are disdaining the noble art of espionage?
12:09The noble art of espionage?
12:11Whatever you say, Lorenzo.
12:15Are you going to tell me why you wrote to the Duchess?
12:18No.
12:20Don't tell me you accepted that invitation for that beneficial juvenile snack.
12:26Don't take it the wrong way, you're very young, but maybe not as much as the occasion requires.
12:30Don't be ridiculous.
12:32I sent that note to justify Catalina's absence.
12:35Ah, she's not going?
12:37It's very funny, she's not going.
12:40The good thing is that she's not in the palace.
12:43That's it.
12:44That way she won't go, she won't say anything inconvenient,
12:48and she won't put us all in evidence again.
12:51You know Cruz, your thing with your stepdaughter is starting to be a fixation.
12:56I'm hoping that since she's so independent, she'll really become independent once and for all.
13:02Let's see if she marries and leaves me alone.
13:04As long as she doesn't stay.
13:08Although, of course, I don't know who she's going to marry.
13:10You see, that's a good question.
13:13A good question without a good answer.
13:17Well, she's gone to see Count de Añil.
13:21If she's gone to see him without a carabiner or any other company,
13:24and she has a minimum of decency, the least she can do is get married again.
13:29That's what he wants, of course.
13:31Well, Pelayo has already declared himself once, and in public.
13:36And he came out on top, and in public.
13:39So he'll be resentful.
13:41But in the end it looked like they were going to get married.
13:44But they canceled the wedding.
13:46It's a complex issue, yes.
13:49But something tells me that it won't take long to find out how it's resolved.
13:53I don't care what Catalina does.
13:56All I want is for her to get out of my sight.
13:58You see what things, huh?
14:00Some are eager to get married and others want it.
14:06Those.
14:07Yes, those.
14:10Have you seen how Ayala and Margarita have announced their commitment to Bomboy Platillo?
14:14I would have liked not to see it.
14:16Didn't you like the congratulations and congratulations?
14:19With their bread they eat them.
14:22With their bread they eat them?
14:24That said, yes.
14:27Sister-in-law.
14:29You have no idea what you're getting yourself into, right?
14:32What do you mean?
14:34That when that wedding is celebrated,
14:3625% of the promise that belongs to Margarita will go to your dear friend Ayala.
14:41I know.
14:42Yes.
14:43And you see no danger in all that.
14:47It is a consequence of the wedding that I will take care of when the time comes.
14:52I'm going to ask you another way.
14:54Have you ever believed that sudden love from Ayala to Margarita?
14:58Because I don't.
14:59Neither do I.
15:00I know Ignacio well.
15:02So you know the player and you know ...
15:05We know the move.
15:09But what is the game?
15:13Well, I don't know.
15:15But if you are insinuating that Ignacio has an economic interest,
15:19you are completely wrong.
15:20And why is that?
15:21Because he doesn't need it.
15:23What sense would it make?
15:24Does he have a fortune, a palace of his own?
15:26He wouldn't need us or Margarita to live well.
15:30Okay.
15:31But you just said that you don't believe that Ayala loves Margarita.
15:36I just don't believe it.
15:37Then Ayala has a plan.
15:42It seems so.
15:44But neither you nor I still know what it is about.
15:54I don't know.
16:01Interesting.
16:14María.
16:16Leave this.
16:18I have to tell you something that will seem more interesting to you.
16:22Do you know that Manuel has told me that Mr. Baeza knows about us?
16:27About us?
16:29María, about Manuel and me.
16:31Oh.
16:33Well, it's not that serious, is it?
16:34María, for God's sake!
16:35I say it because in the end you are going to get married.
16:37Sooner or later, everyone will find out.
16:42What's wrong?
16:43Nothing's wrong with me. It's the same thing he said.
16:46Of course, the people of Alcúrnia are both short with the same boss.
16:49And the same sailor.
16:50Of course it will be that.
16:53Well, the thing is that Manuel has taken a career and now he has thought that it is better to tell his whole family and everyone else.
16:59And what do you think?
17:00Well, what am I going to think, María?
17:02That no.
17:03That it is better to get married and then let them know.
17:05Very well said. And has he agreed?
17:08Yes, he has agreed.
17:10Anyway, we are lucky that Manuel thinks that Mr. Baeza is not going to tell the Marquises anything.
17:15Because he expects him to do it first.
17:18Well.
17:23Are you okay, María?
17:26I am.
17:30Well, no.
17:33I'm more excited about your wedding than mine.
17:36What?
17:40That's what I say.
17:44Because it's not normal.
17:46No, no, it's not normal.
17:50And I swear, Hanna, that I love Salvador more than my life.
17:53Yes, I know, María. But then what's wrong?
17:55That's what I say.
17:57What's wrong with me, Hanna?
17:59Well, I don't know.
18:02Well, this has scared me.
18:05Let's see, honestly, I knew something was going on between Salvador and you.
18:09Something strange, I mean.
18:11I think I've been denying reality for a long time.
18:16And when I wrote it in a story, well, I saw it clearly.
18:21And I think it's not just my thing, Hanna, it's also Salvador's.
18:27All I can think of, María, is that you talk to him.
18:31That you try to clear things up.
18:35Yes.
18:37And come here.
18:46Come here.
19:00One moment.
19:10I'm coming.
19:17So that's what it was.
19:19What?
19:21That's why it took you so long to open the door.
19:24What are you talking about?
19:26That ointment that smells like... like stagnant water.
19:31Besides, you won't be able to cure it, it's curable.
19:34In fact, since you've been here, you've been losing hair.
19:37In plain sight.
19:38Peter, it's too late. What do you want at this hour?
19:40No, nothing really.
19:42You don't want anything?
19:44Actually, nothing.
19:45You don't want anything, but you show up here.
19:47Well, I just wanted to see you.
19:50Very well. You could have seen me. Good evening.
19:54What are you doing?
19:56You really don't even ask me why I wanted to see you?
20:00I guess to annoy you.
20:03You're wrong.
20:04Although, well, no.
20:07Or yes.
20:09Petra.
20:10Actually, I wanted to see you to make sure you don't forget.
20:15I'm starting to get old, but fortunately I have an intact memory.
20:19I'm glad.
20:21I'm very glad, because that way you'll always have everything I know about you.
20:26Everything I can talk about you.
20:28And how I can ruin your life whenever I want, Ignacio.
20:41Don't get confused with me.
20:43No.
20:44Don't get confused with me, Ignacio.
20:47At the moment I have already dynamited the plan you had to get rid of Martina.
20:50And I assure you that's the least I can do to you.
20:53Are you so angry?
20:55Do you really think I've changed my mind about you?
20:58It reassures me to know that you have been able, at least,
21:00to recover from the fright to the point that now you dare to deny the obvious.
21:05The obvious thing is that a long time ago,
21:07you were not part of my life.
21:09And that you don't influence my decisions, dear.
21:11Yes, that may be.
21:14But we both know that at the moment I want,
21:17I can regain that influence and make you lose everything, Ignacio.
21:22Your arrogance has no limits.
21:25No.
21:27What has no limits is the resentment I feel for you.
21:31The resentment and anger at the same time.
21:34The resentment and anger at seeing how you make fun of everyone.
21:37Because you don't care about the slightest thing.
21:39You only care about the other half of what he can give you
21:43or what he can take away from you.
21:47Well, you can't give me or take anything away from me.
21:50I mean, imagine the influence you have in my life, dear.
21:53I can take everything from you.
21:55You know it.
21:56You know it very well.
21:59You can threaten me with anything you want.
22:01You can threaten me with anything you want.
22:03But I only tell you to bark.
22:05Don't you dare bite.
22:07Because I prefer to see how you sink little by little.
22:12And smell the fear you feel every time you see me.
22:15And the nightmares you have
22:17thinking about the moment when I give myself to speak
22:21and reveal to the world the kind of rotten person you are.
22:25Aren't you talking about yourself?
22:27Because that information you have about me
22:30can turn against you
22:32if I decide to speak and say what I know.
22:35No, Ignacio, no.
22:38I have not faked my own poisoning.
22:41Nor have I accused the daughter of my future wife of wanting to kill me, Ignacio.
22:47You are so blind.
22:50That resentment and that rage you have against me
22:52doesn't let you see that I am the only one
22:54who is trying to do something to avenge the death of our son.
23:01You are a shameless man.
23:03Shameless or not,
23:05I am the only one who can make Cruz pay for what he did.
23:08No, you never intended to take revenge on the Marquis.
23:12It would make no sense because you are both of the same breed.
23:16No, Feliciano, you don't care.
23:18You never cared.
23:21So don't use his memory to try to justify yourself.
23:24You have done everything for yourself.
23:27You have risked your own life.
23:29You have tried to ruin the life of an innocent girl
23:33who only tried to save her mother from a scoundrel like you.
23:37And all for what?
23:39To get your purposes?
23:41Very well, Ignacio, you already have it.
23:44Take advantage of it.
23:47Enjoy it while you can.
23:49Or rather,
23:51as long as I want.
23:59Let's go.
24:15Alonso, your husband,
24:17had an affair with Maria Antonia.
24:19He kissed her.
24:20That's why he wants to throw her out.
24:30What do you think, ma'am?
24:32No, this hat is too expensive.
24:34After all, it is a conference,
24:37not a cocktail in the open air.
24:39Well, I think it looks perfect on you.
24:41Oh, and you hurt me?
24:43Is it true that in this holy house there can't be a maid
24:45who has a little delicacy?
24:47I beg your pardon, ma'am.
24:49Get out.
24:54Your mission is to find me a personal maid.
24:56Your mission is to find me a personal maid.
24:58And you're not doing it, Petra.
25:00I'm really sorry for the difficulties, ma'am.
25:03The truth is that I miss Piadorra more and more every day.
25:07May she rest in peace.
25:09Of course.
25:11You go too.
25:13Tell my son that it's time to go.
25:15If he doesn't want us to be late for the conference.
25:17But Mr. Manuel is not in the promise, ma'am.
25:21It can't be.
25:23We agreed that we would go together.
25:25I don't know the reasons.
25:27But I assure you that Mr. Manuel is not in the palace.
25:30I saw him leave a few minutes ago.
25:35It's me.
25:37Maybe Mr. Marquez can accompany you to that conference.
25:40Take it off.
25:42Are you sure?
25:44Yes, ma'am.
25:54And my wife?
25:56Mrs. Marquez is upset, sir.
25:58And she doesn't want to see anyone right now.
26:01No one?
26:03Yes, sir.
26:15I should have taught you how to make donuts before you left.
26:19The kid was going to go crazy.
26:22You'll make them.
26:25Grandma's donuts.
26:27And when?
26:29Before she went to the conference.
26:32I don't know.
26:34I don't know.
26:36I don't know.
26:38I don't know.
26:40I don't know.
26:42Before you figure it out.
26:47I went to talk to your in-laws.
26:49Convinced it was for the best.
26:51And now I think I'm keeping you away from me again.
26:56What you've done is right, mother.
26:59Yes, I know, daughter, I know.
27:01But ...
27:03Is that town so far away?
27:05So far, so far away, it's not.
27:08We'll only be able to see each other from Paspas to Ramos.
27:11And how exaggerated it must be.
27:13He must have had a heart attack.
27:16I'm not going to see my grandson grow up.
27:19Just like I didn't see my children grow up.
27:29He will always carry us in his heart.
27:32Come on, there's no room in there.
27:35And us to you, mother.
27:38This is the least bad thing.
27:40Yes, you're right.
27:43And we're not going to let the distance be with us.
27:46Of course not.
27:48The distance that matters is not that.
27:55But this one.
27:59And it's very small, mother.
28:03And it will never be so big again.
28:07Never, daughter, never again.
28:11And we will write to each other little by little.
28:15And we will see each other at least twice a year.
28:18At least.
28:24Daughter, you can't imagine how proud I am of you.
28:31You've had a very hard life.
28:34Full of misery and tragedies.
28:37But you've gotten over all that.
28:40And now you're a strong, happy woman
28:43and with a smile on your face that illuminates everyone else.
28:50I need you to assure me that this will continue to be so.
28:55For your son, for me and for you.
28:59Especially for you, daughter.
29:03I assure you, mother.
29:08I will never fall into darkness again.
29:12Nor will I take the shortcut of despair.
29:18You...
29:20You have taught me what the path is.
29:24The path is to be a good mother.
29:30And every time I doubt how to continue or what step to take,
29:35I will think of what you would do and I will do it.
29:40That will not guarantee that you will not fail.
29:44Surely not.
29:48But I will fail with love.
29:50And that is not failing, but living.
29:58I love you very much, father.
30:02And I love you, my life.
30:24I know it's all a bit dirty, excuse me,
30:26but it's been a long time since anyone has lived here.
30:29Well, can you believe that I see Maria's hand in how all this is organized?
30:34Well, since she had no other occupation, when she was fired from La Promesa for stealing the watch,
30:39she started cleaning and organizing. And cleaning doesn't last, but the order ...
30:43Well, I win. Now I have to do a deep cleaning.
30:53The turns of life.
30:56Mrs. Pia, we have left her water and food for a week.
31:03Don't make that face, she won't be alone for a week.
31:05Maria and I will come as soon as we can and we will also see that everything is fine.
31:11And I know it's not the same, but if any of them couldn't come, I would.
31:16Thank you very much, sir.
31:19You know where the firewood is and as you can see, it's full.
31:22Yes, the fireplace is also clean so you can use it whenever you want.
31:26There are some candles in the drawer of the appliance, in case you need them.
31:31And there's nothing else left, right?
31:34Well, the most important thing is left.
31:39Mrs. Darre, it is of vital importance that no one sees her.
31:44That is essential.
31:47That is essential.
31:50Actually, we believe that if it is not strictly necessary, she should stay here.
31:56She can't leave here, Mrs. Darre.
31:59I will be careful.
32:02Anyway, behind the house there is a garden that is well covered with bushes.
32:07And there is a half-dry bush that has a hole.
32:11She can go out there in case of emergency.
32:13As in case of emergency?
32:17Well, in case you feel in danger.
32:21Hanna, be clear, please.
32:24In case she comes for me, Gregorio, it's not that.
32:28Look ...
32:32I can assure you that this house is very far from the roads and that this does not go anywhere.
32:39But the English have a saying.
32:42You have to wait for the best, but prepare for the worst.
32:46Better prevent than cure, as we say.
32:50Well, thank you both very much. I'll be fine.
32:54After so long in that cave, I think this is going to look like, I don't know, a palace.
33:01Well, you'll see how soon you can have your normal life again.
33:05And you can live without hiding.
33:08I will be able to see my child again.
33:11That will be the first thing.
33:36Ah ...
33:41Mom!
33:42My love!
33:47I missed you so much, my love.
33:51I missed you so much.
33:59But how delicious it is!
34:02Well, Maria, I'm not doing it right, I'm not doing it right.
34:06Look, Adolfito, I introduce you to my companions.
34:10Hello!
34:13To my family.
34:15Look, Adolfito, I have prepared this especially for you.
34:19What do you say, Adolfito?
34:21You're welcome.
34:25My mother, how did you eat it all at once?
34:28Well, the other day he ate a stewed quail alone, with its garnish and half a gauze of candied fruit.
34:34And you, ma'am, how do you prepare the stewed quail?
34:36It's not the time, López.
34:37Why?
34:39Look, Adolfito.
34:41Oh!
34:45Oh!
34:47You won't get away without me kissing you, huh?
34:49Candela, when you get close, you scare me.
34:51Oh, how funny you are, huh?
34:53I'm sorry.
35:01It is a gratification from Doña María Antonia to pay the service.
35:06Father, we have borrowed a lot of money.
35:08Your companions, all of them, have wanted this to be integral to your son and to you.
35:16Wow, companions.
35:18Yes.
35:19I don't know what to say.
35:21You don't have to say anything.
35:23It's a good amount of money for you to start again.
35:29No, I deserve it.
35:30But that's why I'm more grateful.
35:38Thank you all.
35:40From the bottom of my heart.
35:42You're welcome.
35:43The truth is that you don't deserve it, but it's just that your mother imposes a lot of respect and people get scared.
35:49You're a clown.
35:51And that money?
35:56It is the gratification that Doña María Antonia gave to the service and we have decided to give it to Virtudes to help her start a new life.
36:10May you be very lucky.
36:13And may your son Adolfito and you be blessed by our Lord.
36:20Thank you, Mr. Arcos.
36:32Well, we're leaving now.
36:39Okay, daughter.
36:44Be very careful on the way.
36:50Okay.
36:58Take off.
37:32Thank you all.
37:36I came to this palace, sad, sunk and hopeless.
37:45But I leave here with a heart full of love and joy.
38:05Let's go, Adolfito.
38:14Why don't you stop looking at me?
38:16Because I don't see you crying and knowing you, I miss you.
38:20And you don't love me, nor will you see me.
38:22I don't want my grandson to see me sad.
38:25A grandson weighs more than a thousand sorrows.
38:45Happy is the morning and beautiful the day.
38:49Today the rosary will be a good thing.
38:53Happy is the morning.
38:56Let's go there.
38:58The one who doesn't have fun will be silly.
39:14Let's go.
39:44So you're back.
39:46And you don't even go to see your mother to, I don't know, give her an explanation or at least an apology.
39:52An apology?
39:54Mother, why would you have to apologize to her?
39:59The conference.
40:03I'm sorry, mother. I went too far.
40:06I hope you have a good time.
40:08I'm sorry.
40:10I'm sorry, mother. I went too far.
40:13I hope you have a good time.
40:15That you have some setback that justifies the unjustifiable.
40:19It's not the case.
40:21I can only blame my bad head.
40:23Forgive me.
40:25Forgive you?
40:27Forgive you and that you have forgotten about me?
40:29Why? Because I'm not important enough for you, right?
40:32Look, Manuel, I've never asked you for anything. Never.
40:34Never.
40:36For once I ask you for something, a minimal thing, you'll tell me,
40:39that you accompany me so that everyone sees me with my son,
40:42and you forget about me.
40:44Mother, I've already apologized to her. What does she want me to do?
40:49How was the conference? Was it good?
40:51I didn't go to the conference.
40:53Manuel, I'm your mother.
40:55I brought you into the world with pain.
40:58I have taken care of you all these years, taking care of you,
41:00living for you so that you were well.
41:03And you treat me like that?
41:05For God's sake, mother, don't exaggerate.
41:07Don't exaggerate?
41:09I just hope that when you have children, if you get to have them,
41:12they will pay you with the same currency.
41:14Okay, I just wanted to say ...
41:16Less flowers after death, Manuel.
41:18And more attention in life.
41:20That later you will miss me when I'm gone.
41:24And then you will regret your ingratitude.
41:27And I'll tell you more.
41:28There's more?
41:30Yes, there's more. There's always more.
41:32But don't worry, you don't need to listen to me.
41:35You can dedicate yourself to doing what is much more important to you.
41:38Like sleeping or looking out the window.
41:42Mother, no ...
41:55Thank you, Bautista.
41:56You can go get the car.
42:12Are you okay?
42:14Yes, yes.
42:16I'm nervous.
42:18About us?
42:20Yes.
42:22Yeah, I feel the same way.
42:25Hey, what if we forget about the surprises
42:28and you call to say that you're back and that you're not going alone?
42:30No, don't even think about it.
42:32Why?
42:34Because that would make our situation worse.
42:36I know my dear stepmother well.
42:38The less reaction time we give her, the better for us.
42:42But what about your father?
42:44I have a lot of respect for him.
42:46And I don't want him to take my return as an affront.
42:49I'm not going to lie to you.
42:51My father is not going to take any of this well.
42:55Especially when he finds out that I came without his consent and without a carabiner.
43:00You make it worse for me.
43:02But don't worry.
43:04People understand each other.
43:06And my father is a comprehensive person.
43:08I know that this step is neither easy nor comfortable.
43:13We have to be fully convinced that it is worth trying.
43:20And you are convinced?
43:22Yes.
43:24Convinced and willing.
43:27To do everything possible and see where this takes us.
43:32And you?
43:34Do you think that if we give ourselves a chance, it will work?
43:38Because if it is not so,
43:41the best thing is that right now we say goodbye forever.
43:54Come in.
43:57Mr. Baeza?
43:59Have you already spoken to your mother?
44:01She was very worried, looking for you all over the palace.
44:04Yes, Mr. Baeza, don't worry.
44:07It's all clear.
44:09No, that's the impression I had, and I don't think you either.
44:14Mr. Baeza, at this point, what am I going to tell my mother not to know?
44:18Let's go.
44:23Can I ask you another question?
44:26Of course.
44:28How has the transfer of Mrs. Darre gone?
44:31I have crossed paths with Miss Expósito,
44:33but I have not found the time to talk to her alone.
44:35Good.
44:37I think it's good, no one has seen us.
44:39And Mrs. Pia is already in the cabin.
44:41Good news.
44:43Of course.
44:45It is not an idyllic place to stay either, but it is much better than the previous one, thank God.
44:48As you say, I'm sure it will improve there.
44:51I'm sure of it.
44:53I have to thank you for everything you have done for her, sir.
44:58You don't have to thank me.
45:00It's the least I can do, it's a matter of humanity.
45:04But I'm worried about her.
45:06Why?
45:08Because Pia may be better off in that cabin, but that bastard is still at the mercy of her.
45:13I understand.
45:15Look, Mr. Baeza.
45:17I think what is now imposed is to locate and neutralize that man.
45:21And something tells me that you know where he may be.
45:23Forget about that, sir.
45:25That man is very dangerous.
45:27We must not take lightly his threats.
45:29I know.
45:31And the first time Hanna proposed this to me, my first reaction was to put her aside, but ...
45:35After seeing Mrs. Darre ...
45:38That woman will never be safe.
45:41As long as that man continues to pose a threat to her.
45:44And how do you intend to do that?
45:46I'm going to talk to him.
45:48I think I can convince him to leave and leave Pia alone once and for all.
45:52I'm afraid you're very naive, sir.
45:54You're not going to face that.
45:56Listen to me, I know that miserable man was arrogant and dominant with the people of the service.
46:00But that's because he considered himself superior to them.
46:03Gregorio is intelligent.
46:05And he must assume the power I may have.
46:07It is not the same to face your colleagues in the service as the future Marquis of Lucan.
46:10No, no, don't get upset, sir.
46:12But I don't think that's going to matter to you too much.
46:15I think that if someone can convince him to leave, it's me.
46:17Maybe it's possible, but what are you playing for?
46:20I can't allow you to risk your life.
46:31I don't know.
46:33It's a strange thing.
46:35Something sad but happy.
46:37I don't know how to explain it.
46:38It's very exciting too.
46:40True.
46:42But when I saw Maria Mandrago appear, I thought I was going to send him to hell.
46:46Although Mr. Pellicer was there, let's go, to get him off his shoulders.
46:50Well, and because Mrs. Petra didn't want to bleed either.
46:53If not ...
46:55The important thing is that we were able to say goodbye to Virtue and her child.
46:58How nice, right?
47:00Yes, I found it very tender.
47:02I saw you.
47:04I couldn't take my eyes off you when you were playing with him and he was doing this and that.
47:09And I'm not going to tell you what I was thinking because you'll figure it out.
47:15Well, the shame is that Simona had to separate from her daughter and her grandson.
47:21You never know when.
47:24Well, think that what the mother and daughter have won, no one is going to take it away from them.
47:31And how is that, that you don't understand it?
47:34Yes, woman, because they have had many problems,
47:36but they have also been able to solve them.
47:39Which is not like before, like when Mrs. Simona read those made-up letters.
47:43Now they will be written for real and they will be seen and they will stay as long as they can.
47:48Which is something else, go.
47:55And our Salvador is also something else?
48:00Don't be silly.
48:03You know that you and I have to talk, right?
48:07I think it would be very good for us to be honest with each other.
48:12Put all the cards on the table.
48:17Okay.
48:19Okay.
48:22That means you agree with me.
48:27Go ahead, you start.
48:28You start.
48:34Hey, I have a very important question.
48:39Do you still love me?
48:44Maria, I love you more than my life.
48:48You, me?
48:50I can't love you more.
48:53Normally at first.
48:55So what's wrong with us?
48:58What do you mean?
49:01Because I don't know if it was the wedding plans, but they surprised me.
49:08Behind the scenes.
49:11And why?
49:15Because I feel that I am not as excited as I should be.
49:21And I also feel that exactly the same thing happens to you.
49:25And I think we are taking steps because we have to, and not because it is what we want.
49:31Do you understand?
49:32Yes.
49:33Yes, it is true that there is something like that.
49:37So why do we keep going, Salvador?
49:43Maria, I have something to tell you.
49:47Something that I have not had the courage to tell you until now.
49:51Well, tell me.
49:54What?
50:00Don't you realize that the plants have stopped growing and that the leaves are turning yellow?
50:05Don't you see that this is not a good sign?
50:08It is true that they are a bit yellowish, but it is that lately it is getting very hot, Mr. Arcos.
50:13Maybe it's just that, and they happen again when the weather gets warmer.
50:16Yeah, and what do we do?
50:18Do we change the soil? Do we leave them until they die?
50:20I wouldn't know how to tell you for sure, but I would wait for summer to pass and I would change the soil in autumn.
50:26You just don't see how the plants are.
50:28Well, the only thing we can do for now is water them more often and add a little fertilizer.
50:33To see if they last.
50:35It's the only thing.
50:50My little girl.
50:52My little girl.
50:54Teresa, what a joy to see you.
50:57Thank you very much.
50:59I am also very happy to be here.
51:01Not long ago we were just saying that we were not receiving any letters from you and look where you are.
51:05And look at her.
51:07Look at her, how beautiful she is.
51:09And what have you come back to? Are you going to work here again?
51:18Hello, good afternoon.
51:20Who are you?
51:22And what are you doing here?
51:27Come with me, Mrs. Arcos.
51:31This is Marcelo, my husband.
51:51Who is it?
52:05Are you feeling better?
52:07No.
52:11Wow.
52:13I came with the idea of accompanying you to dinner.
52:16And I had also thought that we would spend the night together.
52:20I don't think it's good that you sleep alone today.
52:23Oh no?
52:26And why is that?
52:28I imagine you are sad about your friend's departure.
52:32I wouldn't be surprised if it were the cause of your indisposition.
52:37Do you think we should spend the night here?
52:40No.
52:41Neither tonight nor any other.
52:44It's over, Alonso.
52:46What are you saying?
52:49That I want our marriage to end.
53:00Please, dear.
53:02You are beautiful.
53:04Yes.
53:09Thank you, Alonso.
53:11Yes.
53:12The truth is that you have left me speechless.
53:14I subscribe to all comments.
53:16You are breathtaking.
53:20The truth is that you have not won well playing to be a very loving father.
53:25I suppose that now Mario András is not going to be even a little bit grateful
53:29that Teresa has barely saved his mourning.
53:32You'll see when he finds out.
53:33Barder Troya.
53:34Mrs. Arcos has already found out.
53:36And?
53:37That woman swore eternal love to my son.
53:40And he loved her madly.
53:42How could he marry another like that?
53:44In such a short time.
53:45As if nothing had happened.
53:47Tomorrow at 1 o'clock you will go to the cabin.
53:50Make sure no one follows you.
53:52Absolutely no one.
53:54All precautions are few.
53:56We know how that man mocked the security
53:58and entered Octavillas in the palace
53:59and even took Mrs. Adarre herself.
54:01Be careful.
54:03Do you want me to ask Hanna if she knows of any miraculous remedy?
54:05No, no, no.
54:07Hide that she is looking at my mother but something horrible has happened.
54:11I'll tell you now.
54:12Miss González.
54:14Come, please.
54:23Can you attend to the Duchess of Carril?