Hell Is A City (1960)

Super Cult Cinema

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Transcript

00:00:00You

00:00:30I

00:01:00Oh

00:01:30I

00:01:32I

00:01:54They caught him yet, sir, hello Debbie

00:01:57No, they haven't caught him. I think it'll break your heart when someone else call us Don Starling

00:02:01What makes you think I'm so interested in Don Starling?

00:02:03Well, they can't bring out additions fast enough for you

00:02:05The last three days must have cost you a fortune when you put a man inside you're interested when he gets himself out

00:02:09Of course, sir. I didn't mean to be all right. All right, you are not off duty. I'm just going off. Come on

00:02:15I'll buy a drink. Well, it's very nice of you, but I'm afraid teacher to wait

00:02:18That's one thing a policeman's girl must always learn. Oh, it's nobody special sir. I haven't found a girl yet

00:02:24Well when you do make sure she stays that way sometimes when they get married they start making timetables, you know

00:02:28The Lacey arms. All right. Yeah, they sound fine

00:02:31He's been seen all over. Of course nearest to us is Bradford that one

00:02:35I believe the county police have put out a general warning for all women to stay off the moors unless escorted

00:02:40You won't find Don Starling on the moors. You think you'll come back to Manchester?

00:02:43There's still five thousand pounds worth of jewelry in this town. He might come back for that or to take a potshot at you

00:02:48That's crime book stuff. A man doesn't break out of jail to kill a cop. He breaks out to get away

00:02:52That's not what he swore at his trial. Yeah, we all swear violence at times. How often have you said to yourself?

00:02:57I'd like to kill that man and don't tell me who it is. Evening. Mr. Martin. Oh, hello, Doug

00:03:02What do you have a beer please a beer and a scotch and a scotch for you

00:03:08Let this be my pleasure

00:03:10Let it be your pleasure that we're off duty. It wasn't a bribe, you know

00:03:15Well, look who's here my gorgeous detective hello lucky I can drink I'd like you darling

00:03:20But you always bring a bodyguard cut it out lucky. I know you're kidding, but other people don't kidding

00:03:25I'm not kidding darling be mad about you for years, you know detective Devery. Yes, but not intimately. Oh

00:03:32Well, what nice juicy crimes we got tonight. Oh very dull except for Don Starling

00:03:38Starling you mean is a Manchester. It could be I don't know you might know more than I do me

00:03:43Why me you were very thick with him at one time, aren't you? Oh, that was years ago before I was married

00:03:48Quite like Don he used to save reform for me

00:03:52That night he went and did a break-in dropped him like a hot cinder. He right to you from jail

00:03:56Listen darling when I finished with someone they're finished

00:03:59Slugged a warder getting out, you know hands on the danger list. He died. That's murder

00:04:05Anyone helping Starling then would be an accessory

00:04:08Just thought I'd point it out lucky just in case he contacted you

00:04:13Man on the run needs friends. I was better there to contact me

00:04:18But you you could contact me anytime

00:04:21Yeah, well, let's have another drink on that Jimmy. I'll look sir. Yeah. Yeah. All right

00:04:25On your way. Good night. Thanks for the drink. Yeah, give him my love. Oh, well

00:04:30Policeman, I'm a date. Well, it's nice to know some of you are human

00:04:33Some of us are even married

00:04:35Take care of yourself lucky. I could even take care of you if you let me there's a lot of love it there

00:04:41Everything. All right, inspector. Don't go to your conscience, doesn't it?

00:04:44Larry tomorrow better pick me up at 830. We'll get there before all the traffic

00:04:48You'll be there before the horses

00:04:51Okay. Okay 830

00:04:56Doug Savage wants to leave at dawn. You better fill up the Texas tonight. Yeah, right

00:05:00You made me box that stroke. Oh, why don't you learn to be a good loser?

00:05:04Oh, yeah, man's constantly quiet. What's this?

00:05:08My first is terrible once in a while bird you want for to Bob leopard skin wasn't no soap. Yeah, it's a free sample

00:05:18No, that's not a daybirds vacuum cleaner would be cleaning out my taxi

00:05:25Bye-bye one bird you couldn't let me for the tables to Bob and I

00:05:30I'll be back in a minute. I'll be back in a minute

00:05:32I'll be back in a minute. I'll be back in a minute

00:05:34One bird you couldn't let me for the tables to Bob and I

00:05:38That way I got a free table and a clean one

00:05:42How about it?

00:05:44Always keep washing

00:05:46Don't tell them to go on you'll catch them up

00:05:50Okay, don't you don't have to go me. I hope not. Tell him

00:05:55Okay

00:05:56Hey

00:05:57You two go on I'll meet you at the Lacey arms. I've still got things to do

00:06:02It's all that beer you pour down your gullet

00:06:05Don't look at me

00:06:08Tell Bert to go down a lockup

00:06:11But go down and bolt the door bolt miss if you've gone bolt it

00:06:25Get that line down good to see you gone. Yeah, I need money Laurie

00:06:31I need two or three hundred

00:06:52Hello Bert

00:06:54John I never saw you coming. Neither did anyone else and what's more? I haven't been here. Do you understand Bert?

00:07:01It's of course done. I'm going to have a nice quiet sit-down in your office

00:07:07You can listen to music

00:07:09Take this out so you won't be disturbed

00:07:13Have a heart Don. What am I gonna get 200 Gus Hawkins Gus Hawkins you kidding?

00:07:18I'm not kidding. You ever heard of a bookmaker lending money said land. We're going to take it

00:07:22Still send a clerk to the bank for his race money every morning. I suppose so make sure they used to cut through a gets passage

00:07:27Check that as well only three cars including one of your cabs. Why three?

00:07:30I want a car parked downstairs and Higgins passage for me to wait in second car follows the park skis off the passage

00:07:35I'll make the grab drive on for the Moors ditch the car on the quarry and your cab picks us up from there

00:07:45When tomorrow morning tomorrow, how can I organize that fast precise tomorrow's doctors are racist

00:07:51That's why tomorrow so we can get good and lost in race traffic. I'll leave me cigarettes in the light

00:07:54I'm supposed to drive Doug Savage canceling. Don't give me arguments Laurie

00:08:01I need a new passports enough dough to get me out of the country

00:08:13What should I tell them about the jewelry they're still in Manchester and

00:08:17Nobody, but me knows where oh, I'm not worrying Don

00:08:20It's just it well, you know if the boys here you're wanting a passport and some dough. You'll all get your share out

00:08:25But it was me. They got the 14 years. Remember sure. I never gave you a lot away. Did I know you did all right?

00:08:30Everybody does what I say. We spent even all the way down. Call me back on this line tonight. Don't get the track

00:08:35Where you hiding Don here and there keep moving. That's my motto. You don't get much away, do you anything you want in particular?

00:08:42Yeah woman. I'll fix my own

00:08:44God say don't say that again. Shut up and get moving

00:08:47I

00:08:59Lock the place up nice and safe and I'll stay here as quiet as a mouse

00:09:02I'll come let you stay if you can and you will just leave me a key

00:09:05I'll let myself out. No one has to know I was here

00:09:07Of course, I'd be careful a time the law finds out I was here

00:09:11I'll be in five other places, but the lights out just like you you

00:09:14Hi, good night Bert

00:09:16Hey, good night. Oh

00:09:18No, I don't. Oh

00:09:21And Bert don't get any fancy ideas in connection with cops. Will ya?

00:09:25No, don't sure. I don't like you being here, but that doesn't mean there's something to run to the cop

00:09:30What do you think? I don't think anything. I just want you to remember if the law finds me here tonight

00:09:34You've gone finished. You'll be seen to get it. Of course don't

00:09:43I

00:09:57Well

00:10:01What time do you call this

00:10:031125 what time did you book off 10 o'clock since then you've been in some pub

00:10:11Correct anything for supper

00:10:13Was if you want to warm it up

00:10:23No other men can ring up their wives and tell them when they'll be home

00:10:26Of course, I couldn't expect you to do that

00:10:28You couldn't even phone and tell me you'll be working late and I'm supposed to make a meal whether you come back or not

00:10:33Yeah, I'm sorry. Do you know I meant to phone you but I got switched to a stolen car job

00:10:36Of course a stolen car is more important than I don't know about that Julie. It is my job

00:10:41Well, at least one could think you could come home at 10 when you went off duty

00:10:43You've been out of this house since half-past seven this morning. Sorry. I was weary. I needed a drink

00:10:47There's plenty of beer here. Yeah, but it's not the same somehow is it? No, I'm aware of that

00:10:51It's gonna be in some pub than at home with low women sitting around the bar. No, wait a minute

00:10:56That's all I ever do wait

00:10:59Wait for you to go out or come in or go to bed. It's a pretty empty life for me

00:11:03You know, we never go out together and you're never at home

00:11:05I try to keep this place nice and you treat it like a

00:11:08rooming house

00:11:10I'm gonna have to do this your trouble not suggesting. I should take a job. Are you no, I'm not

00:11:14I'd look nice the great inspector Martino's wife hunting for a job very worried about the way things look aren't you?

00:11:19Yes, I am. Is that wrong? Well, it would look all right if you justified your existence by having a baby or two

00:11:30What's happened to us I suppose is what hasn't happened to us

00:11:40I

00:11:44Know how long it is since you made love to me a long time. Don't you want me anymore? I

00:11:54Want children

00:11:57Julie we're both still plenty young enough. We get out some fine kids your life wouldn't be so empty

00:12:02You never used to mind the times change Julia

00:12:05We're married. We ought to behave as if we're married

00:12:08Can't afford kids Harry

00:12:10Perhaps if you thought of me and your responsibility

00:12:13Responsibility singular if it were plural there'd be a different atmosphere in the house necessary to inform the neighbors about a hell with the neighbors

00:12:19That's all you worry about the neighbors what people think your social standing. I

00:12:23Don't know how long you expect me to stand all this

00:12:27Me neither. I don't know how long I can stand it myself

00:12:37I

00:13:08I

00:13:12You don't you're late

00:13:15Have you been done? We're sure they come down this passage. Sure about 10 o'clock

00:13:19Laurie's waiting opposite Gus Hawkins. Now, he follows the money and signals us just before they turn into the passage

00:13:24What about the switch car Norris taxi clogger drives it and meets us at the sand pits 1025

00:13:37I

00:13:42For Pete's sake hurry up. Do you want to hit all the traffic?

00:13:46Bet you wouldn't wish a girl like that. Would you call in it?

00:13:48I think the guv just wants to miss the crowds mrs. Hawkins. No, if you're not ready in two minutes

00:13:52I'm going at you. Oh, no, he must shout at her. She's only fixing a face

00:13:55You're fixing two hours already get in the car Colin get that money off

00:13:58I don't like so much hanging around get it in as soon as the bank opens. Yes go

00:14:02Oh, don't worry, mr

00:14:03Hawkins at being like it always is and no more credit to anyone on that list if they want to put it back cash

00:14:07Right now good luck go

00:14:10Have you got everything in? Yes, it's all in go. All right. Let's step on it

00:14:29Here we go

00:14:33Oh

00:14:44All right, stand by

00:14:57Run for it

00:15:03Oh

00:15:05Oh

00:15:07Oh

00:15:32Okay work on it

00:15:34It's going to ruin my race, right

00:15:41Right, there's a fortune here sure this job is better the other one keep her rolling. We do want to lose this little lot

00:15:5630 battles of hotter than those fivers 200 fivers

00:15:59Spills this 4,000 smack a thousand apiece and one for clogger quiet

00:16:04But you know names the fillies listening keep looking front. We don't want I'm memorizing your ugly mug

00:16:09When are we going to dump her? Let's put a quiet road won't take it too far after all

00:16:13She's got to walk back. He's done all the walking. She'll ever do

00:16:19Right, she hasn't croaked we didn't have to do that

00:16:21I mean

00:16:24Yourself together you thought of getting away with robbery quite out. This is well

00:16:32Keep your hands all over we'll get rid of

00:16:40Drop her behind that hammock me not likely do what I tell you why not you you get her in

00:16:44All right, I did her in one or two. What's the difference? Never mind get this thing out of my sight

00:16:52Oh

00:17:09There's a car coming get moving

00:17:15What do we do with this fella cover your faces

00:17:22You

00:17:25Think you saw me carrying the girl he did he's up in the first phone makes no difference keep moving past

00:17:29That's all another mile or two to go. We'll be through with this car. Give me the money

00:17:51I

00:18:21Think there's been a murder

00:18:24Your name, please

00:18:26right

00:18:28Which phone box?

00:18:30Three miles beyond right. Will you stay where you are, please?

00:18:37M2 CK calling all patrols

00:18:40M2 CK calling all patrols

00:18:42M2 CK calling all patrols

00:18:44M2 CK calling all patrols

00:18:46M2 CK calling all patrols

00:18:48M2 CK calling all patrols

00:18:50M2 CK calling all patrols

00:18:52Body of a girl reported three miles beyond crossways phone box on Doncaster Road

00:18:54Informant John Hartley waiting at phone

00:18:56Informant John Hartley waiting at phone

00:18:58Is it K51 calling M2 CK?

00:19:00We are in the immediate vicinity

00:19:02Proceed to the telephone box and advise an arrival over

00:19:04Quite a morning isn't it?

00:19:06Robbery, violence and abduction in Higgins Passage

00:19:08Think there's any connection?

00:19:10Could be they said a girl

00:19:12Mr. John Hartley

00:19:14Right

00:19:16Cue police

00:19:18Right, hop in. You show us where and tell us what happened

00:19:30It's over here

00:19:32Hold it

00:19:34Don't go jumping your footprints about there

00:19:42It's the girl from Gus Hawkins office

00:19:44See if you can reach headquarters from here

00:19:46If not get back to the phone box

00:19:48Look I'm not going to get too involved in all this

00:19:50I'm a commercial traveller, I was, I'm away from Sheffield

00:19:52Well don't worry about that Mr. Hartley

00:19:54We already know what's behind this

00:19:56We'll have to take a statement from your headquarters, after that you'll be free to go

00:19:58Thank you

00:20:00You say it was a Buick?

00:20:02Yes it was an old pre-war one, sort of dirty green colour

00:20:04Looked a bit shabby and neglected

00:20:06Did you get the registration number?

00:20:08I'm afraid not, I was more concerned with seeing the driver didn't run me into the ditch

00:20:10Would you know him again?

00:20:12Doubt it, when I got close he put his hands over his face

00:20:14All three of them dead

00:20:16What about the man who carried the body?

00:20:18No he got back in the car by the time I got close enough

00:20:20He seemed a well set man

00:20:22Stall?

00:20:24Well not as stall as you

00:20:26About what age?

00:20:2830, 40, hard to say, had on a dark suit or a sweater

00:20:30Remember anything about the others?

00:20:32No just eyes, staring eyes over their hands

00:20:34They'll all know me again

00:20:36I wouldn't worry about that either, they'll be too busy to bother about you again

00:20:38What did you find out?

00:20:40It's the agent's passage job, they snatched her because she was chained to the handbag

00:20:42See this on her fingers?

00:20:44Those marks?

00:20:46It's malachite green

00:20:48What's that?

00:20:50It's the powder they dust notes with, stains the hands of anyone who touches it

00:20:52Get on to the super, ask him to put out a special to all districts

00:20:54Has any officer in any force recently dusted bank notes with malachite green?

00:20:56Right, this is a break

00:20:58K51 calling in

00:21:00If it is malachite green

00:21:02I'll have it

00:21:04I'll have it

00:21:06I'll have it

00:21:08I'll have it

00:21:10If it is malachite green

00:21:12All the men in that car will have it

00:21:40So where the hell's Clogger?

00:21:42He'll be here

00:21:44He'll be here waiting for us

00:21:46There's a lot of traffic Don, there's a lot of police too

00:21:48Now wipe every smudge off that car

00:21:50Share this out now and you can drop me off in Barnsley

00:21:52Go on to the races like nothing happened

00:21:54But Don

00:21:56Go on to the races, if you're questioned you got a track full of alibis right?

00:21:58Right

00:22:00And if you find this on you, you want it right?

00:22:10He's there

00:22:12Come on

00:22:16Where the hell have you been?

00:22:18I'm sorry Don, the traffic was muddled

00:22:20A lot of things are muddled, take it out and turn it around

00:22:22I don't have my share

00:22:24You want it here or in jail?

00:22:28Get in, get in

00:22:30Back on that main road and get lost in the traffic

00:22:32Come on, let's move it now

00:22:40The vultures are here already

00:22:42Yeah, let's hope they haven't picked everything clean

00:22:44They intercepted Chris Hawkins an hour ago, sir

00:22:46He's on his way back

00:22:48Good, get across to his office, as soon as he arrives get him over to headquarters

00:22:50By bluff, order or warrant

00:22:52By charm

00:22:54All right, come on, break it up please, there's nothing to see

00:22:56Move along, break it up please

00:22:58Any developments?

00:23:00We found this, it's been stolen

00:23:02Think it was used on the job?

00:23:04We're guessing

00:23:06Where was it found?

00:23:08Right there, as far as we can tell

00:23:10There's a new patch of oil

00:23:12And a woman in one of those back rooms heard a scrape

00:23:14Did she see anything?

00:23:16A car full of men driving towards the main road

00:23:18Anything else?

00:23:20Nothing, she didn't even tell us that till we asked her

00:23:22Silly woman

00:23:24What about Doug Savage?

00:23:26He's at the races, but his mother and the cleaning woman heard and saw nothing

00:23:28Naturally, and Lucky Lusk?

00:23:30She wasn't there, the snatch occurred around 10.30

00:23:32They weren't open

00:23:34How's the lad who was cussed?

00:23:36Well, he hasn't spoken yet

00:23:38We've got custody with him at the hospital

00:23:40Message from the superintendent, sir

00:23:42Halifax are holding a man with dyed fingers

00:23:44Will you go back?

00:23:46Right, you have a go at Doug Savage as soon as he gets back

00:23:48Right

00:23:50Oh, good morning Harry

00:23:52Why sir, I hear we've got a green man

00:23:54Well, Halifax have

00:23:56He's a janitor in one of the city hall departments

00:23:58He'd been doing some petty pilfering, but he'd avoided all traps

00:24:00So they dusted 201 pound notes and he swiped the lot

00:24:02When did they pick him up?

00:24:04This morning, he showed up to work with malachite all over his hands

00:24:06How much did they get back?

00:24:08Nothing, he says he took it to Doncaster and blew it on the races

00:24:10Well, that would tie up

00:24:12Pass the dye on?

00:24:14I tried to have him sent here, but Halifax said if we want to see him we can jolly well go there

00:24:16I'll take an excursion

00:24:18It's all there

00:24:20Right sir

00:24:26Well, the kid had a fractured thyroid cartilage

00:24:28Looks like someone chopped her

00:24:30She's only 19

00:24:32A handful of fivers and young girls with money chained to their wrists

00:24:34You can see it any day near any bank in any town

00:24:36They're asking for murder

00:24:40Oh, any news of that Dewick?

00:24:4257 different varieties, but not the one we want

00:24:48What the hell are you doing here?

00:24:50I've got Gus Hawkins in the waiting room

00:24:52Already?

00:24:54I'll call the patrol to bring him right here

00:24:56There'll be a superintendent yet

00:24:58His wife's called to bits and they dropped her home first

00:25:00How much money goes back?

00:25:02Gus says £4,000

00:25:04£4,000?

00:25:06You want to know something else?

00:25:08Is your green on his fingers?

00:25:10It wasn't much of a long shot, was it?

00:25:12Now get out a call to every chemist shop in Manchester

00:25:14Anybody trying to buy a solvent for stained hands should be held until we get there

00:25:16Right

00:25:18And don't tell them any more than they need know

00:25:20Say there's been a simple larceny or something

00:25:22Come in

00:25:24Information room

00:25:26Hello Inspector, it's a nice mess

00:25:28It's a lesson learned too late, Gus

00:25:30We're working on it

00:25:32How's the money made up?

00:25:34£3,000 in ones and £200 in fivers and I hope it chokes

00:25:36Maybe it will

00:25:38Who counted it?

00:25:40Oh, it was £4,000 all right

00:25:42I counted it first, then Cecily counted it and put it in a bank bag

00:25:44Then I went off to Doncaster

00:25:46Can I phone the wife?

00:25:48Yeah, of course

00:25:50Get Mrs Hawkins on the phone, will you?

00:25:52Russian 6203

00:25:54You sure you got all that money at the races?

00:25:56Without me

00:25:58It came out of the satchel all crumpled up anyhow

00:26:00Just the way I'd stuffed it in

00:26:02I never used my own money at all

00:26:04See here it is, it's still in bundles

00:26:06Why?

00:26:08Because I've got a hunch that some of that money you won belonged to the Halifax Town Hall

00:26:10I don't want to be involved

00:26:12You are involved Gus, but not with the borough treasurer

00:26:14Now sit down, have a cigarette

00:26:16Thanks, I keep thinking of that poor kid Cecily

00:26:18Have her parents been told?

00:26:20I suppose I...

00:26:22I ought to go round and see them

00:26:24Can't face them so

00:26:26Gus

00:26:28How long have your hands been like that?

00:26:30My hands?

00:26:32Oh, I see it

00:26:34It's funny, you should mention it

00:26:36I noticed it when I got out of the bath this morning

00:26:38I thought maybe I'd handled that many pound notes in Doncaster yesterday

00:26:40Hey

00:26:42Has some bastard been passing me snide money?

00:26:46Hello Martin, oh yes

00:26:48Yeah

00:26:50They're still trying to get your number, there's no reply

00:26:52Oh, he only just dropped her round there

00:26:54You want them to keep on trying?

00:26:56No, forget it

00:26:58All right, forget that number

00:27:00I needn't keep you any longer Gus, sorry I botched up your racing

00:27:02Think a wife would stay in to be with a husband who'd just been robbed of four thousand

00:27:04and had a valued and trusted girl clerk murdered

00:27:06You can never tell about wives

00:27:08A damn good man not to go home at all tonight

00:27:10How do I get out of here?

00:27:12Right at the bottom

00:27:14I thought you might like to know sir, he's now wanted for murder

00:27:16Who?

00:27:18Starling, the warder died, he's in a stop prison

00:27:22What's the latest report on Starling?

00:27:24Latest report, Barnsley

00:27:26Barnsley who reported?

00:27:28Bus conductor

00:27:30Just before they stopped at the checkpoint, a man jumped off and disappeared into a fairground

00:27:32So he is coming home

00:27:34He's also been seen in London, Brighton, Southampton and Ostend

00:27:36I'm more inclined to believe Barnsley

00:27:38The soup is buzzing for you sir

00:27:40All right

00:27:44You on a diet today sir?

00:27:46Oh

00:27:48Don't do me a favour, call my wife, she'll have been home for lunch

00:27:50Teach her to wait, that's something a policeman's girl has to learn

00:27:52Just phone her

00:27:54Yes sir

00:27:56Yes

00:27:58You wanted me sir?

00:28:00What did you get from Gus Hawkins?

00:28:02Only there was four thousand pounds in that bag and the janitor's money was with it

00:28:04So far I only link with the Wainwright killers, it's green fingers

00:28:06We've circulated all chemists

00:28:08We've got to do more than that

00:28:10Somewhere there are four men walking around flush with money

00:28:12And when those types are flush they gamble

00:28:14Find the gamblers and you'll probably find more green fingers

00:28:16Well there's no racing till Saturday

00:28:18I'm not talking about that

00:28:20I'm thinking about those gambling schools up in the moors

00:28:22Have any experience of them?

00:28:24Not much, it's out of our area

00:28:26Well they toss coins for pretty large stakes

00:28:28Especially after a big race like today

00:28:30It would take 50 men to raid one of those, they use lookouts with field glasses

00:28:32Nevertheless we've got to raid

00:28:34Do we know where it is tonight?

00:28:36We did, but they must have got wind of it because they cancelled it

00:28:38The county police say it's been switched to tomorrow

00:28:40They've got their informers trying to pinpoint the locality

00:28:42Who decides that sir?

00:28:44The organiser, he gets a commission for keeping the ring and paying the lookouts

00:28:46Do we know who he is?

00:28:48The county police think it's a man called Savage

00:28:50In Manchester?

00:28:52They think

00:28:54I might be able to find out quicker than county

00:28:56I don't care who finds out

00:28:58But I want cooperation between you and county

00:29:00There's been a murder Harry

00:29:02And if I find any area feuding I'll throw the book at you

00:29:04Of course sir

00:29:06Inspector Vanvers working on this from county end, you can contact him

00:29:08Yes sir

00:29:10Oh I suppose you read that Starling is first degree murder now

00:29:12You'd better stop thinking of Starling as your own personal property Harry

00:29:14I think he's about to become Manchester's problem

00:29:16So is Cicely Wainwright and that's the job you're on

00:29:18Now I realise that sir, but whatever he is, Starling would have read about the water

00:29:20Now we know his past record, violence, assault, rape and now murder

00:29:22He's got nothing to lose now, he'll be more dangerous than ever

00:29:24We don't even know if he's within 100 miles of Manchester

00:29:26I know

00:29:28Don't ask me how

00:29:30106 cents anything, but I know, I know how his mind works

00:29:32Now look Harry

00:29:34I grew up with a man sir, we went to the same school, fought the same war together

00:29:36I know how his mind works

00:29:38Are you trying to sell me this extra sensory perception?

00:29:40I'm not trying to sell you anything sir

00:29:42He needs money, to do that he needs money, now where does he go for that money?

00:29:44The town where his contacts are, the city where he hid the jewellery, Manchester

00:29:46I'm not taking him off the Wainwright job

00:29:48I'm not asking that sir

00:29:50I want your permission to let Devery cover every main contact that Starling had before he was jailed

00:29:54He's a desperate man now, he could show up at any minute at any of them

00:30:00You ought to run for mayor sometime

00:30:02Thank you sir

00:30:06I want Devery, and bring in the Don Starling file

00:30:12Thank you

00:30:22Devery's coming right up sir, the Starling file

00:30:24Right thanks

00:30:26No don't go

00:30:28Sort through that

00:30:30Find the addresses of those people

00:30:32And check with records in case anyone's moved

00:30:34Give me my home

00:30:36They found the Buick, they found it in the old mill top quarry

00:30:38What?

00:30:40They found it in the old mill top quarry

00:30:42So that's why they switched

00:30:44I want that fingerprint report the moment it comes through

00:30:46Of course

00:30:48I've got a job for you

00:30:50Now that's a list of Don Starling's main contacts just before he was sentenced

00:30:52Starling eh? He's first degree murder now

00:30:54Your job is to make sure that every one of those people know that sheltering or assisting him makes them accessories after the fact

00:30:58It'll take you most of the day but make sure you cover them all

00:31:00Lovett and Roach

00:31:02Yeah they've got a garage and a private taxi service, they're part of the same sleazy mob

00:31:04Chloe Hawkins, that's Gus Hawkins' wife

00:31:06Before that she was anybody's wife, including Don Starling's

00:31:08You never know, it might be a contact

00:31:10I should try furnishing steel first

00:31:12You're crude eh?

00:31:14Yeah it's an old man who's got a furniture warehouse

00:31:16It was through his information we got Don Starling

00:31:18Well he's not likely to harbour an assist

00:31:20He might, under duress

00:31:22Starling's got nothing to lose now you know

00:31:24This is all completed now sir, shall I type it here?

00:31:26No check it with records first, now you go with it

00:31:28Right, what's your next move sir?

00:31:30Oh that's up to fingerprints, I want to know the story of that Buick

00:31:32Now get a car and get moving

00:31:34Hello

00:31:36Oh hello Julia

00:31:38Look um

00:31:40I may be a little late tonight

00:31:42Well

00:31:44Well I didn't want you to wait up for me

00:31:48Yeah

00:31:50Oh yes I'm sorry about lunch Julia, I was busy, I was very busy

00:31:52Oh so busy

00:31:54Such an important man

00:31:56Couldn't spare one moment in all the live long morning to phone his wife

00:31:58Well of course Devery

00:32:00phoned, he's not so important as you

00:32:02He has time

00:32:04Well I've been murdered and four thousand pounds have been stolen

00:32:06I'm not enjoying it you know

00:32:08How do you think I like it? Sitting at home spending Saturday evening

00:32:10waiting to wash up after somebody

00:32:20Yes

00:32:24Fingerprints were both on the Buick

00:32:26What have we got?

00:32:28Nothing of any use I'm afraid

00:32:30Plenty of smears but nothing definite, it was well wiped

00:32:32Give me a cigarette

00:32:52Next stop Laurie Lovett's taxi service

00:32:54You might as well turn round

00:32:58Did you ring my bell?

00:33:00Mr. Steele? Yes

00:33:02I'm detective constable Devery Mr. Steele, could we talk for a few minutes?

00:33:04Yes

00:33:08Well? It's about Don Starling

00:33:10Oh yes, I've read in the papers

00:33:12He's caught the swing now isn't he?

00:33:14He is

00:33:16He won't be saying thank you my lord this time

00:33:18Huh? Oh yes love

00:33:20Look we're in the middle of supper, do you mind talking in the kitchen?

00:33:24Have a seat

00:33:26Oh thank you

00:33:28Oh good evening

00:33:30Would you like something to eat?

00:33:32I'm sure Sylver could lay something on

00:33:34No thank you, I'd like to but I've got some more calls to make

00:33:36Don Starling caught yet?

00:33:38Not yet

00:33:40Then he should be, I don't like him being loose

00:33:42He's a dangerous man, I thought you police were reckoned to be very clever

00:33:44We'll get him

00:33:46Every policeman in England is looking out for him

00:33:48Oh thank you

00:33:50One please

00:33:52Is inspector Martin who worried about Starling?

00:33:54Martin can handle him

00:33:56Can he handle a bullet in the back?

00:33:58Look sir, what I have to talk to you about is

00:34:00Well I think it might be better if we went in the other room

00:34:02I won't keep you a moment

00:34:04No need to worry about Sylver, she's deaf and dumb

00:34:08Deaf and dumb?

00:34:10Since birth

00:34:12She can't even lip read unless you're facing her

00:34:16I'm sorry

00:34:18Well you shouldn't be, she isn't

00:34:20She's a bloody saint happier than any of us

00:34:26Yes thank you

00:34:30What about Starling?

00:34:32Well Martin thinks he might try and contact you here

00:34:34Here? He's got more sense

00:34:36I'm sure I don't have to tell you about accessories after the fact

00:34:38Listen

00:34:40Five years ago Don Starling came here

00:34:42As nice as pie

00:34:44Said he wanted a sideboard

00:34:46Well he looked around my furniture

00:34:48I even showed him my antiques upstairs

00:34:52Then he said he'd think about it

00:34:54That night he came and broke in

00:34:56The cops nabbed him right here in this building

00:34:58And then you warned me about being an accessory

00:35:02Well I assure you it's only routine Mr. Steele

00:35:08Oh no thank you, I must go

00:35:12Okay

00:35:14Hello, what?

00:35:16Is this Furniture Steele speaking?

00:35:18Who's that?

00:35:20You may remember me, this is Don Starling

00:35:22You got me into a lot of trouble five years ago

00:35:24I got you into nothing

00:35:26You made your own trouble

00:35:28I've got you in my book anyway

00:35:30But I'm giving you a chance to put yourself right

00:35:32I'm all right as I am, to hell with you

00:35:38Well thanks for the tea

00:35:40You're welcome

00:35:42I'll see myself down, don't bother

00:35:44And it was only a routine warning

00:35:46Goodnight Silver

00:35:48Goodnight

00:35:50Goodnight

00:36:10Now listen to me Furniture

00:36:12Don't you ever hang upon me again, do you hear?

00:36:14Answer me!

00:36:16I'm warning you Starling, so listen carefully

00:36:18There's a young man just gone down the stairs

00:36:20He's a detective

00:36:22If you don't ring off this minute to help me I'll call him back

00:36:24I don't think you will

00:36:26Because I haven't finished yet

00:36:28The fact that I could have you bashed up probably doesn't bother you

00:36:30But what about that shapely kid of yours?

00:36:34Something not so nice could happen to her

00:36:36And she wouldn't be able to scream

00:36:38You twisted murdering

00:36:40Better do what I want Furniture, it's only a small thing

00:36:42I want a place for tonight

00:36:44Now listen here, don't Starling

00:36:46Anyone around here will tell you I'm a man of my word

00:36:48I've got a gun and I'm not too old to use it

00:36:50So you keep away from here

00:36:52And another thing

00:36:54I'm staying right close to Silver till you're caught

00:36:56And that won't be long

00:36:58Yes, I'm threatening you

00:37:00If you or any of your pals come anywhere near my grandchild

00:37:02I, I, God I'll shoot you

00:37:06So you won't frighten old man

00:37:08I like good guts

00:37:10Since you're a man of your word I'll make a bargain with you

00:37:12You forget this call I'll leave you and your kid alone

00:37:14A deal? It's a deal

00:37:16I'll keep my word and the gun will be handy

00:37:18In case you don't keep yours

00:37:26I know lass

00:37:28I talk too much

00:37:30Phone rings

00:37:38Lacey Arms, good evening

00:37:40Who's there?

00:37:42I'm sorry to trouble you on Saturday night

00:37:44I wonder if I might speak with one of your bar mates

00:37:46Mrs. Lusk

00:37:48Yes, it is rather important

00:37:50This is Mr. Lusk, her ex-husband

00:37:52On urgent family business

00:37:54Oh, all right, I'll get her

00:37:56Phone, Lucky, and make it quick

00:37:58For me? Who is it?

00:38:00You really want what you say in front of the customers?

00:38:02So who am I ashamed of?

00:38:04It's your ex-husband

00:38:06What? That article? I haven't heard from him in three years

00:38:08Says it's urgent business

00:38:10Oh, you know what that means, he's hard up

00:38:12Don't go away handsome

00:38:14You know what?

00:38:16If you pledge your card

00:38:18I don't play cards, Doug

00:38:20I don't even toss coins

00:38:22In fact, I'm a bit of a square

00:38:24Hello, Chris

00:38:26Mention no names, honey, this is Don, your dream man

00:38:28What?

00:38:30What do you want?

00:38:32You must be mad calling me here

00:38:34You let me worry about that

00:38:36I want a place for tonight, Lucky, leave the back door open

00:38:38Now listen to me

00:38:40I need help

00:38:42And old friends who won't help will get carved

00:38:44I mean carved, Lucky, you know

00:38:46Why sort me out?

00:38:48I can't help you

00:38:50I can't

00:38:52Because

00:38:54Because I'm being watched

00:38:56Yes, I'm the house

00:38:58There's one here now

00:39:00Well, it better be

00:39:02And you'd better forget this if you still want that swan-like neck

00:39:04Just keep away from me, that's all I ask

00:39:06I'm not your woman

00:39:08And I never was

00:39:16Two pints of bitter, Lucky

00:39:18Right

00:39:20Two pints of bitter, darling

00:39:22Bad news?

00:39:26Ex-husbands are always bad news

00:39:28Two pints of bitter

00:39:34Ever meet the lazy blighter?

00:39:36Her ex? No

00:39:38Always drunk at gambling

00:39:40She never knew where to find him

00:39:42That's the trouble with gamblers

00:39:44You think you know where they are, then suddenly they switch

00:39:46You found the Buick

00:39:48Any fingerprints?

00:39:50Some of the best specimens we've ever had

00:39:52So long as they don't match any of these, then

00:39:54No, they're too well kept, Doug

00:39:56Give me another drink

00:40:10Can't we have any time tomorrow?

00:40:12No

00:40:14Larry's getting greedy

00:40:16Darling

00:40:18She's got to go now

00:40:20Oh, no

00:40:22I've just fixed them

00:40:24Off you go, quick

00:40:46I'll be back

00:41:16Hello, Chloe

00:41:18Darling

00:41:20Very touching little scene out there

00:41:22What are you doing here?

00:41:24I came to see you, of course

00:41:26We're old friends, don't you remember?

00:41:28No, Don, you can't stay here, the police are after you

00:41:30You haven't caught me yet, have you?

00:41:32Gus will come home

00:41:34Gus is dining at the Midland, I checked

00:41:36No, really, Don, you can't stay here, it's not fair

00:41:38Do you want money? I haven't got very much

00:41:40The moment I want you, I've been in a monastery for five years

00:41:42No, Don, for God's sake

00:41:44All right, then

00:41:46Afterwards, afterwards will you go?

00:41:48What is this? Am I a leper or something?

00:41:50Everywhere I go, people want me to keep going

00:41:54Gus!

00:41:56Don't open it, don't open it

00:41:58Upstairs

00:42:00Gus

00:42:06Come on, come on

00:42:14Come on

00:42:26It's the police

00:42:28No, it's not a police car

00:42:30It looks like I botched one of your dates, my love

00:42:32Don, it is not one of my dates

00:42:34Who is it?

00:42:38What are you doing?

00:42:40Does this gadget still work?

00:42:42Don't, please, you can't stay

00:42:44I'll sleep somewhere tonight, I'll be as quiet as a mouse

00:42:46And you know I don't snore

00:42:48Don't, please

00:42:50Remember the time Gus came home too soon?

00:42:52I stuck her 12 hours up there for your sweet sake

00:42:54Please, you said you'd go away

00:42:56So I will in the morning, as soon as Gus has gone out

00:42:58Relax, Chloe, relax

00:43:00I bet you're not as tensed up with your other boyfriends

00:43:06What's all this on your hands?

00:43:08I don't know, paint or something, who cares?

00:43:10I can't, all of my sheets

00:43:12Who's going to touch the sheets?

00:43:16They must have gone on to a club or something

00:43:18What do we do, wait?

00:43:20Well, we've covered all the others

00:43:30Hello, what are you doing here?

00:43:32I'm sorry to bother you at this hour

00:43:34Wait

00:43:36Keep that cute mouth button up

00:43:38Because if I'm caught here, baby, I've got a lot to sing about, haven't I?

00:43:40I can't do it, please, I can't do it

00:43:46Right, push them up

00:43:48Chloe, come on

00:43:56Chloe

00:44:00I don't have enough troubles

00:44:02All this and styling too

00:44:04Apart from a few bets, I hardly knew the man

00:44:06Why should he show up here?

00:44:08Oh, well, the man's desperate, sir

00:44:10If he thought you kept money here, well

00:44:12Well, Mr. Martineau thought he might try and break you when your wife was here

00:44:14Oh, good evening, Mrs. Hawkins

00:44:16Good evening

00:44:18Well, the devil's the matter with you?

00:44:20Oh, nothing, I must have fallen asleep on the bed

00:44:22We woke you, I do apologise

00:44:24Well, we won't keep you good people up any longer

00:44:26Many thanks, Mr. Hawkins

00:44:28You're welcome

00:44:30Tell Martineau he's off his rocker

00:44:36Well

00:44:38Where the hell have you been?

00:44:40Been?

00:44:42Yeah, where did you go after we dropped you here this morning?

00:44:44Nowhere

00:44:46I've been trying to get you, there was no reply

00:44:48Oh, was that you?

00:44:50Who the hell do you think it was?

00:44:52I was having a bath

00:44:54We're having a bath this afternoon and this evening too

00:44:56No, I went to the pictures, as a matter of fact

00:44:58You said you went there the other day

00:45:00I'd only seen half the other pictures, so I went again

00:45:02You're always out when I want you

00:45:20What's this, a dinner party?

00:45:22No, I wasn't very hungry, I just had a snack

00:45:24I thought coffee kept you awake

00:45:26Did she stay out late and make the big boss man jealous?

00:45:36I'm sorry

00:45:38I've had a terrible day

00:45:40Yes, I know

00:45:42Poor Cecily, her parents are in a bad state

00:45:44Yes, of course

00:45:46She's a tired darling

00:45:48Be caught cold

00:45:50She wasn't in

00:45:52She's a bad girl

00:45:54Oh, is that mad I went out to supper?

00:45:56Yes, well, nobody blames him for staying out after a day like this

00:46:02Now, you must go and sit down

00:46:04And Chloe will bring him a nice cup of coffee

00:46:06That's what he wants, isn't it?

00:46:10The boy's got a bad concussion

00:46:14The doctor says he'll be all right, I hope so

00:46:18Never can tell with a crack on the head

00:46:20No

00:46:22Who's that man, Gus?

00:46:24He's one of Martineau's boys

00:46:28What does he want?

00:46:32He's got some mad idea that Don Starling might show up here

00:46:36He has?

00:46:38Why should he come here?

00:46:40That's what I said

00:46:42You know what they're like when somebody kills a policeman

00:46:44They turn the whole town upside down

00:46:46Have you seen this picture of me in the paper?

00:46:48You killed a policeman?

00:46:50Of course you haven't read the papers

00:46:52Gus Hawkins robbed of £4,000

00:46:54That's not a bad picture, that

00:46:56It was two cadets from last year, do you remember?

00:46:58She's a terrible girl

00:47:00Oh, you don't want to upset yourself

00:47:02I admit, £4,000 is quite a smack, but still I can afford it

00:47:04No, it's Cecily and...

00:47:06And the boy I'm worried about

00:47:10Hey

00:47:12Have you been putting one of your sleeping pills in my coffee?

00:47:14No

00:47:16You have? I can taste it

00:47:18I'm not that worried about Cecily, I have to be put to sleep

00:47:24Oh

00:47:26I'm sorry, baby

00:47:28I know you did it for my sake

00:47:30Go on, it's time you went to bed

00:47:32I'm sorry

00:47:34Now stop crying

00:47:36You'll be all right in the morning

00:47:48You'll be all right

00:48:18You'll be all right

00:48:48Gus

00:49:06Gus

00:49:10Gus

00:49:12I'm here, I'm here

00:49:14What are you doing?

00:49:16Go get some parakeet, there's something in the attic

00:49:18In the attic?

00:49:20Most likely a bird

00:49:22I told you not to leave the window open, they always fly

00:49:24I better let the poor little thing out, the last one was dead when we got him, do you remember?

00:49:26Oh, you don't have to bother about it

00:49:28Oh, come back

00:49:30Oh, God

00:49:32Oh, God

00:49:34No

00:49:36You little lousy cat, you told him

00:49:38I did

00:49:40Morning, sir

00:49:42Morning

00:49:44Asked Terry to come down, has he?

00:49:46He went out, sir

00:49:48Out?

00:49:50About an hour ago

00:49:52Nothing new come in?

00:49:54There's been a report from County about the Wainwright job

00:49:56They found a shepherd who saw a black car driving over some rough ground onto the main road near Moortop

00:49:58About 11am Saturday morning

00:50:00Well, the time's right, I'll be sure of it

00:50:02Did he get a number?

00:50:04No, sir, but he thinks it was a taxi

00:50:06He thinks, that's a great help

00:50:08He's got a taxi in Doncaster Road and joined the race traffic

00:50:10The one with 500 other black taxis

00:50:12All we've got to do is find the one with Broken Springs

00:50:14Morning, sir

00:50:16Where have you been?

00:50:18Over at Gus Hawkins' house, they've just taken him to hospital

00:50:20Hawkins, what happened?

00:50:22Seems he fell down the attic steps, the doctor reported it to us

00:50:24Why us?

00:50:26Well, apparently he lives opposite them

00:50:28Mrs. Hawkins phoned him and while he was actually taking the call, he saw a man leaving the house

00:50:30Anything stolen?

00:50:32Not that we know of

00:50:34Somebody been in the attic, I haven't been there lately

00:50:36Well, there hadn't been a man in the house

00:50:38Her husband had got up to let a bird out of the attic and slipped

00:50:40He was in quite a state

00:50:42Did she actually see him fall?

00:50:44She seemed pretty confused about the whole thing

00:50:46Before that, she told the doctor she was asleep and the fall woke her up

00:50:48You get anything else?

00:50:50Nothing but a lot of prints

00:50:52Who's over there now?

00:50:54Harmon and Cassidy

00:50:56Has Gus seriously hurt?

00:50:58I don't know, he was still unconscious when they took him away

00:51:00You know, I think I'd like to be there when he wakes up

00:51:02Come on, you can come with me

00:51:06Thank you

00:51:10Take it to Inspector Martin, I want to see Gus Hawkins

00:51:12Oh, yes, a private call to me on the second floor

00:51:14Oh, sister, Mr. Martin over for Mr. Hawkins

00:51:16Is he stable?

00:51:18Well, just five minutes, but don't get him worried or excited

00:51:20It's just a social visit

00:51:24Hello, Gus

00:51:26What the hell do you want?

00:51:28Well, we heard you had a sore head, we thought we'd come and see you

00:51:30I noticed you haven't brought me no grapes

00:51:32I've never known a copper pot with anything yet

00:51:34You can't kid me, what do you want?

00:51:36Gus, did you see what hit you?

00:51:38No, I never saw a thing

00:51:40It felt like the whole house was coming in

00:51:42Well, why were you going to the attic?

00:51:44I thought maybe we had another starling trapped up there

00:51:48A what?

00:51:50A bird, we had a bird fly in

00:51:52It couldn't find its own way out and it died

00:51:54No, you tell me what hit me

00:51:56The missus tells me that the police haven't said anything to her

00:51:58Well, it was some sort of an accident

00:52:00Oh, was it a beam or something?

00:52:02I'm not really on the case, I'll send the officer concerned to see you

00:52:04You'll do that

00:52:06Hey, you're not holding anything back, are you?

00:52:08Now, Gus, would I be asking you what hit you if I knew?

00:52:10You really must go now, sir

00:52:12Yeah, all right, I'll get better soon, Gus

00:52:14You send that man along

00:52:18It was quite a moment, wasn't it?

00:52:20Starling in the attic

00:52:22Look, I know this is not my case, but I've got to see Chloe Hawkins

00:52:24I'll get back in the office

00:52:26I'm out somewhere, you don't know where, give me an hour

00:52:28Right

00:52:32Excusez-moi

00:52:34Only Mrs. Hawkins, sir

00:52:56I'm Detective Inspector Martin, oh, may I come in?

00:52:58Well, I was just about to...

00:53:00I'd like to ask you a few questions about your husband's accident

00:53:02Yes, yes, of course

00:53:06The police have been once, actually

00:53:08I've told them everything I know

00:53:10Yes, now tell me

00:53:12Who was the man in the attic?

00:53:14Man? In the attic?

00:53:16We think we know, but we'd like you to tell us

00:53:18I didn't see any man

00:53:20Now, here's your telephone

00:53:22Oh, yes, yes, of course, it's down here on the table

00:53:30Hello?

00:53:44Hello, Martin here, give me the CID

00:53:46Uh, I want to talk to Cassidy, if he's in

00:53:48Hello, Cassidy, Martin here

00:53:50Those fingerprints you found in Gus Hawkins' attic

00:53:52Now get out Don Starling's prints and compare them

00:53:54Yes, Starling's

00:53:56Yeah, and call me back here, uh, Rush Room 6203

00:53:59Harbouring an escaped murderer is a very serious offence, Mrs. Hawkins

00:54:04I should sit down

00:54:07Of course, if you were intimidated or blackmailed and you told us the whole story

00:54:10Well, that would put a different complexion on the matter

00:54:12You know, without your help, we're going to have to make persistent inquiries

00:54:15It's often very embarrassing for the people concerned

00:54:18We get to know all sorts of things

00:54:20I didn't harbour him

00:54:22He was here when I came back, I didn't harbour him

00:54:24You are referring to Don Starling, of course

00:54:27Look, he said if I didn't hide him he'd tell Gus all sorts of lies about me, you see

00:54:31Well, I was alone, I was afraid of him

00:54:33So you hid him in the attic

00:54:35This morning Gus found him

00:54:36Did you see him hit Gus?

00:54:37No

00:54:38What was he wearing?

00:54:39Um, he was wearing a dark shirt and a light tie and he had a check coat on

00:54:43Was he very hungry?

00:54:44No, no, he'd had some bread and cheese

00:54:45Did he ask you for money?

00:54:46No, I thought he'd come for some money but he said he didn't want any

00:54:48Well, a man on the run and he doesn't need money

00:54:50Hello, Martin here, get me Devery as soon as you can, will you?

00:54:52Now, did you notice anything unusual about his appearance?

00:54:55No, no, I don't think so

00:54:56Was he unshaven?

00:54:57Well, no, he needed to shave but it wasn't...

00:54:59Yes, Devery, yes, it was Starling

00:55:01Now, get out of circle at all crime areas, yes, get him moving at once

00:55:04Now, tell me about his hands

00:55:06His hands?

00:55:07Yeah, were they dirty, were the nails broken?

00:55:09I didn't notice his hands

00:55:11So they looked clean and well cared for, as clean as mine for instance

00:55:14Well, no, they weren't as clean as yours, they had paint on them or something

00:55:18What colour paint?

00:55:19Green

00:55:20You sure about the colour?

00:55:21Yes, I'm quite sure

00:55:22Green? Like the green on your husband's hands?

00:55:24Yes, that's right, I don't want any more

00:55:26Thank you, Mrs Hawkins

00:55:29Well, Gus, I have to know about this

00:55:31Well, that depends on you, doesn't it?

00:55:32I mean, if you told us everything, we needn't ask Gus, need we?

00:55:36Oh, if Ed called us, ring back, tell him I've gone, would you?

00:55:46You a married man?

00:55:47Yes, sir

00:55:48Watch her, she's a man-eater

00:55:52Come on

00:56:13Yeah, I'm watching you, Bill Bragg

00:56:15You gonna do any penny there?

00:56:17Don't mind about what you mean

00:56:19Your eyes open for the cops

00:56:23Come on, come on

00:56:43All right, all right, all right, all right

00:56:45Right

00:56:48Better for four

00:56:53One head, one tail, re-throw

00:57:03Two heads, he's made it

00:57:06I'll have them for eight

00:57:07Eight? The bet's eight

00:57:08I'll take three

00:57:09Right, three, five for Bragg

00:57:11All right, over there

00:57:12One, two, all right, three to go, three to go

00:57:15Have you done it twice?

00:57:16Yeah

00:57:17Right, three to go

00:57:18I'll have one

00:57:19You want one? All right, Bragg

00:57:21One for Bragg, two more to go

00:57:22I'll have two

00:57:23Well, wait a minute, whose money am I gonna take?

00:57:25Mine, I was first

00:57:26You damn well weren't

00:57:28I was first

00:57:29I'll spin a coin for it

00:57:30No, you'll put a buck on it

00:57:31Well, look, do something, you're bitching my luck

00:57:34All right

00:57:36I'll split it

00:57:37Well, if you're so keen, you'll let Tech the last one, we'll see what happens, eh?

00:57:42All right, the book's closed, book's closed

00:57:44Right, head them for eight

00:57:45Come on, Joe

00:57:48Two tails

00:57:52All right, don't give up, you'll all get it

00:57:54I'll head them for ten

00:57:56Come on, you'll all get paid

00:57:58You'll what?

00:57:59I'll head them for ten

00:58:00Give us your money

00:58:01I'll take ten

00:58:03Right, right, get them up

00:58:06Make it a good one

00:58:09He's headed them, he's headed them

00:58:13Right, twenty you win, leave it in the ring

00:58:15All right, twenty to cover

00:58:18I've got a chance

00:58:19And he's covered

00:58:20He'll have the money and get them up again, that's it

00:58:24Good spin

00:58:26Beautiful

00:58:27He's done it again

00:58:31Forty for you, boys

00:58:32No, let it ride

00:58:34And the bet's forty

00:58:36How about it, Tony?

00:58:37If Tony had forty, he'd retire

00:58:43Wonderful

00:58:44His grandmother left him a fortune

00:58:48All right, get them up

00:58:50Bloody fool, he's going to shop us

00:58:52That's six, seven, eight, eight, five, this is forty

00:58:56Your bet's covered, Doug

00:59:03Yes!

00:59:13Put it away, you fool

00:59:14I'm not letting it go

00:59:15Put it away, you fool

00:59:16I'm not letting that swaggering blighter get away with my doll

00:59:19Listen, you can't afford it

00:59:20Who can't afford it?

00:59:21Who can't afford to flush all that money?

00:59:23Somebody's going to ask

00:59:30I've headed it, I've headed it

00:59:34One hundred and sixty pounds, it's all yours

00:59:36Come on, I'll skin the lot of you

00:59:42I can't do it again

00:59:43Yes, you can, I've seen them head it eight or nine in a row

00:59:45I've got to bet

00:59:46I'm going to stop you for half the night, you saw, help me

00:59:52All right

01:00:13Come on, come on

01:00:44Come on, come on

01:01:05All right, all right

01:01:13All right

01:01:18Things are popping, aren't they?

01:01:19I hope so

01:01:20They've just brought in Doug Savage

01:01:21Doug Savage?

01:01:22He's got the greenest fingers you ever saw

01:01:28Boy, I'm glad you're back

01:01:29What's this about Doug Savage with stained hands?

01:01:30Oh, that's right

01:01:31County radioed a tossing school this morning

01:01:32They nabbed Savage, green fingers and all

01:01:34Since then they've practically taken the lacy arms to pieces

01:01:36Has anyone questioned him?

01:01:37Well, County had to go

01:01:38So did the super, got precisely nowhere

01:01:39What does Savage have to say about his stained fingers?

01:01:41Well, he hasn't been asked and I don't think he's even noticed

01:01:43All right, any calls, I'm with the super

01:01:44He's out, he had to go over to the chief

01:01:46You know, Starling called, started a minor riot here

01:01:48Where's Doug Savage now?

01:01:49He's still down in the interview room

01:01:50Super said to hold him there for you to have a go

01:01:54Did he now?

01:01:59Well, the great man himself

01:02:00How much longer am I going to be kept down here?

01:02:02That's up to you, Doug

01:02:04So I'm booked for gambling

01:02:05Give me a summons and I'll go

01:02:06I'm not interested in your gambling or your illegal bookmaking

01:02:08What's this Gestapo stuff then?

01:02:09I'm interested in the brutal murder of a young girl

01:02:11Who never did a bit of harm to anybody

01:02:12So what's that got to do with me?

01:02:14It's got this to do with you

01:02:15We now have evidence that involves you in the murder

01:02:17I should say so, come off it

01:02:19What kind of a story is this?

01:02:20It's a true one, Doug

01:02:21For your own good, you better believe it

01:02:22When the hell did a copper worry about what was good for anyone but himself?

01:02:25Not often, I'm not worried now

01:02:26It's you who needs to worry

01:02:27An innocent man doesn't have to worry

01:02:29Not if you're prepared to maintain his innocence

01:02:30And give a full account of his actions

01:02:31You've got an account

01:02:32I was at Doncaster, you've already checked it

01:02:34Yes, we've checked it

01:02:35He left Tickets Passage in a Silver Line taxi at 9.30am

01:02:38Your bloodhounds have also interviewed the driver

01:02:40Do you always have a Silver Line to go to the races?

01:02:42No, we usually have lorry lovers

01:02:43But he let us down

01:02:44I've been over all this

01:02:45Good, now let's go over your last 12 hours

01:02:46What the hell for?

01:02:47Because within the last 12 hours

01:02:48You have met and spoken with at least one of the murderers of Cicely Wainwright

01:02:51Yeah, me sugar

01:02:53Within the last 12 hours

01:02:54Someone has deliberately involved you in the murder

01:02:56So show me the evidence

01:02:57Not yet

01:02:59First you'll answer some questions

01:03:01If there is any evidence, you've planted it

01:03:03Where did you go when you closed up last night?

01:03:06To bed

01:03:07Before you went to bed, who did you meet?

01:03:09What is this, a vice check?

01:03:10I'm trying to help you, you idiot

01:03:11Oh yes, you're trying to help me

01:03:13Now look, Doug

01:03:15How long have you known me?

01:03:16Too long

01:03:17Have I ever tried to fix you for something you didn't do?

01:03:18You've certainly walloped me a time or two

01:03:19I've walloped you when you've been a rough boy

01:03:21I've never laid a hand on you to make you admit anything

01:03:23No

01:03:24Have I at any time ever exaggerated the evidence against you?

01:03:26No

01:03:27Well, I'm not exaggerating now

01:03:29When I talked to you in the bar last night

01:03:30The evidence that involves you wasn't there

01:03:31Now get that clear, Doug

01:03:33It was between last night and this morning

01:03:34That you were drawn into this case

01:03:36You're innocent, you can get yourself out

01:03:37Do you mean there's something at my pub?

01:03:38Before you went to bed last night, who did you meet?

01:03:40Nobody

01:03:41What the hell is this evidence?

01:03:42You'll know when I get my men

01:03:44You'll also know who shopped you if you were shopped

01:03:47Well, let's move on to this morning

01:03:48You know damn well where I was this morning

01:03:50You handled a lot of money, didn't you?

01:03:51How the devil do you know that?

01:03:52Just a guess

01:03:53Now, who were you tossing with?

01:03:54I wouldn't know

01:03:55Did you notice anybody abnormally flush with money?

01:03:56I didn't notice anybody

01:03:57Good God, man

01:03:58It was at the tossing that someone involved you in his murder

01:04:01Now, do you owe that person protection?

01:04:02Who says I'm involved?

01:04:03You do

01:04:04You talk a lot of guff about evidence and things

01:04:06And what do you show to back it up?

01:04:07Not one bloody thing

01:04:12All right, Doug, you can go

01:04:14I'll get this another way

01:04:15Yes, persecute some other poor bastard

01:04:16We'll see you in the pub tonight

01:04:17You can help us question some of the customers

01:04:19Now, wait a minute

01:04:20You're not coming officially

01:04:22I've got no alternative, have I?

01:04:23You'll scare off my trade

01:04:24To hell with your trade

01:04:25This is a murder hunt

01:04:29If I give you the tossing school, will you let my pub alone?

01:04:32I won't come near the place

01:04:33But when you interview...

01:04:34Not in your pub, and they won't know who gave the names

01:04:35Swear?

01:04:37You've got my word, Doug

01:04:41All right

01:04:46It was Tony Jakes

01:04:49Clogger Roach

01:04:50Laurie Lovett

01:05:04Laurie Lovett

01:05:06What's up now?

01:05:07One or two things

01:05:08I'm looking for Don Starling

01:05:10I'm also looking for his mates

01:05:11In yesterday morning's little job

01:05:13Why come to me?

01:05:15You're a taxi man

01:05:17You get around

01:05:18Plenty of other taxi drivers

01:05:19They get around, too

01:05:20Yeah, that's so

01:05:22But your name gets mentioned

01:05:23Who by?

01:05:24By your friends

01:05:25One in particular

01:05:26You usually do business with him

01:05:28You should know who I mean

01:05:29How the hell do I know?

01:05:30Hey!

01:05:31You got a warrant to search this place?

01:05:32Not yet

01:05:33Then get out

01:05:34This is private property

01:05:43Mark, any others come in?

01:05:44No, get off back to the rank

01:05:46Yeah, right

01:05:47Just a minute

01:05:49I want a word with you

01:05:50Who are you?

01:05:51Look who I am

01:05:52Come here

01:06:00What's your name?

01:06:02Roach

01:06:03Bogger Roach, eh?

01:06:05You work here?

01:06:06Yes, he works here

01:06:07You ought to be on the rank

01:06:08I'm afraid the rank will have to wait

01:06:10I want you both to come to headquarters with me

01:06:12About what?

01:06:13About what you were doing yesterday for a start

01:06:14I went to the races

01:06:15Together?

01:06:16No

01:06:17Well, who did you take?

01:06:18My kid brother

01:06:19I see

01:06:21You can't arrest me

01:06:22I've done nothing

01:06:23You can't arrest me when I've done nothing

01:06:25You're not being arrested

01:06:26You're being asked to come to the station

01:06:28You can wash your hands first

01:06:31How did you make out at the tossing school?

01:06:34What tossing school?

01:06:37You coppers don't seem to realise the man you've been living to make

01:06:40Who's going to have to repay all this business we drop?

01:06:43I brought you a member of parliament about it

01:06:45I've changed my mind

01:06:46I'm not coming with you

01:06:47I'm too busy

01:06:48I'll have to take on more copper jobs

01:06:51I've changed my mind

01:06:53I'm sending you in first

01:06:54Go on, put him in the car

01:06:55You mean you're not taking him?

01:06:56I'm splitting you up

01:06:58As long as he hasn't washed his hands yet

01:07:00Tell the driver to come back as soon as he's taken in

01:07:02Come on, you two

01:07:03Freshen up for tea

01:07:05You've no right snooping around here without a warrant

01:07:08If I did everything as you ordered, I'd arrest you here on the spot

01:07:11For what?

01:07:12Committing a felony

01:07:13What felony for instance?

01:07:14The fact that you're a cop

01:07:16I'm not a cop

01:07:17I'm a man

01:07:18I'm a man

01:07:19I'm a man

01:07:20I'm a man

01:07:21I'm a man

01:07:22I'm a man

01:07:23I'm a man

01:07:24I'm a man

01:07:25I'm a man

01:07:26I'm a man

01:07:27I'm a man

01:07:28I'm a man

01:07:29I'm a man

01:07:30I'm a man

01:07:31I'm a man

01:07:32I'm a man

01:07:33What felony for instance?

01:07:34Murder for instance

01:07:37Take him outside

01:07:39Take your hands off me

01:07:41I've read about you coppers

01:07:42Only read about us, plugger

01:08:03Get in

01:08:31Your hiding place wasn't good enough, was it?

01:08:32I don't know what you're talking about.

01:08:34I think you do.

01:08:35And I think this is a quarter share of the money that was taken from a 19-year-old murdered girl.

01:08:38I'm taking you into custody, Roach.

01:08:39This isn't my garage. I only work here.

01:08:41That was you, Don Starling, and Laurie Lovett. Now, who's the fault?

01:08:43I don't know what you're talking about.

01:08:45All right, you'll have plenty of time to think it over.

01:08:47Use the telephone.

01:08:48Get them to send some men over here and take this place apart.

01:08:50All right, come on.

01:08:59All right, show him in.

01:09:01Lovett!

01:09:06Where's Clogger Roach?

01:09:07Don't worry about Clogger Roach.

01:09:08He's sitting down, thinking what he ought to say next.

01:09:15Sit down.

01:09:20Cigarette.

01:09:21So, I'm going to get the soft treatment?

01:09:23To begin with, yes.

01:09:25You know, statements by accused persons are often a nuisance at a trial.

01:09:29I don't think I need yours.

01:09:31I think I got you right without any words from you.

01:09:34You were the driver of that Buick, the murder car.

01:09:42You know, you all made a good job of wiping that Buick, but you forgot one thing.

01:09:45You forgot the driving mirror.

01:09:46Now, when you stole that car, you adjusted that mirror to your own height.

01:09:50You left a lovely thumbprint, Laurie.

01:09:53At least I'm betting it was yours.

01:09:55Yours or your kid brother's.

01:09:57What's my kid brother going to do with this?

01:09:58I don't know yet. We've only just brought him in.

01:10:01You've got nothing against that kid, nothing.

01:10:03You see how nicely it fits?

01:10:04We've got four men.

01:10:05Starling, Clogger Roach, you, and your kid brother.

01:10:08I'm admitting nothing, but I'll tell you this.

01:10:10That kid's innocent, absolutely innocent.

01:10:12Then who was the fourth man, Laurie?

01:10:13How do I know?

01:10:14You mean you can't tell me without admitting you were there?

01:10:16We know you were there, man.

01:10:17You'll get nothing out of me.

01:10:19Now, look, Robert, there were four men on this job, and I want four men.

01:10:21If I don't get the fourth man, I'll get your kid brother.

01:10:24And don't think I can't get him.

01:10:27Now, offering no inducements,

01:10:29but your kid might not even have to go through the grilling we've got waiting for him

01:10:32if I got the fourth man.

01:10:35Who's the fourth man?

01:10:37I don't know.

01:10:38I don't know.

01:10:39I don't know.

01:10:40I don't know.

01:10:41I don't know.

01:10:42I don't know.

01:10:43I don't know.

01:10:44I don't know.

01:10:45I don't know.

01:10:46I don't know.

01:10:48Who's the fourth man, Laurie?

01:10:51Tony Jakes.

01:10:53That the lot?

01:10:54Yeah.

01:10:55Right.

01:10:57You better go and sit down quietly and think up the name of a good lawyer.

01:11:00You're certainly going to need one.

01:11:11What's this for?

01:11:13You can't take me without telling me what for!

01:11:15Now, shut up, Tony.

01:11:16You're embarrassing us.

01:11:19Number three, sir.

01:11:20You've no right to keep someone waiting around like this without a charge.

01:11:23What's the charge if there is a charge?

01:11:26Well, the charge could be murder.

01:11:28And you've been kept waiting because we've been busy with your friends.

01:11:30What friends?

01:11:31I've got no friends.

01:11:32You could be right.

01:11:33Now, listen, Jakes.

01:11:34I've got two statements already, so you watch your step.

01:11:36I'll watch, Miss...

01:11:38Oh, yes.

01:11:40I've been shot, haven't I?

01:11:41Who was it?

01:11:42I'll give you a guess.

01:11:43Laurie Lovett.

01:11:44I could have got away and he shot me.

01:11:45What did he say about me?

01:11:46I can't tell you what anybody said.

01:11:47If he said I did it, he's a liar.

01:11:49I never laid a finger on that girl.

01:11:50I never touched her.

01:11:51Starling had her in the back.

01:11:52He was the one who croaked her.

01:11:53And you were in the front seat with Laurie Lovett?

01:11:55Yes.

01:11:58I never said I was there, did I?

01:12:00You were there, all right.

01:12:01You've got the lot of you now.

01:12:02Except Don Starling.

01:12:03Now, where is he?

01:12:04I don't know.

01:12:05None of us knows.

01:12:06He must have told you something.

01:12:07I'm telling you, I don't know where he is.

01:12:08He faded and I wish I had done the same.

01:12:09Well, he can't stay in England.

01:12:10Did he talk of going abroad?

01:12:11Not a word.

01:12:13For God's sake, Inspector.

01:12:14Give me a cigarette.

01:12:17Where's he been hiding since his escape?

01:12:18I don't know.

01:12:20He only said one thing, keep moving.

01:12:22That was his motto, keep moving.

01:12:24Give me a light, Inspector.

01:12:27All right, take him downstairs.

01:12:28I'll see him again later.

01:12:30If I said I did it, he's a liar.

01:12:32I never touched her.

01:12:33I swear to you, I never touched her.

01:12:35The three musketeers.

01:12:37Yeah.

01:12:39So where's the fourth?

01:12:40Well, he can't hide forever, sir.

01:12:42No, he's staying around to pick up that loot, I know it.

01:12:44It's somewhere in this city.

01:12:46If he can get it, it'll clear off.

01:12:48Trouble is, he might have got it and cleared already.

01:12:51Reports have been pouring in.

01:12:53Seen today's instalment?

01:12:54No.

01:12:55Take your pick.

01:12:56It's been seen all over Manchester,

01:12:57sometimes in two places at once.

01:12:59Furniture steals.

01:13:01Oh, yes.

01:13:02A girl reported seeing someone like Starling

01:13:03on the fire escape next door.

01:13:05Nothing to it, though.

01:13:06How do you know there's nothing to it?

01:13:07Well, I went round to steals and checked.

01:13:08Did you check any of the others?

01:13:10No, sir.

01:13:11Just furniture steal?

01:13:12Did I do wrong?

01:13:13You told me.

01:13:14She's a very pretty kid.

01:13:15Don't think I went round...

01:13:17Mind you, I need to warn you that anything you say...

01:13:18All right, I'll confess.

01:13:20And furthermore, I'd like to add,

01:13:21I've been invited round for breakfast.

01:13:22And so have you.

01:13:23Me?

01:13:24Old man Steel wants to talk to you.

01:13:26Yes?

01:13:28Another Starling report in from D Division, sir.

01:13:30All right, let's have it.

01:13:32A postman who knows Starling

01:13:33alleges he saw him in Manfield Road

01:13:35two o'clock this afternoon.

01:13:36All right, go on.

01:13:38He tried the door of the house

01:13:39and then hurried away.

01:13:41He didn't knock, he just tried the door.

01:13:43What number?

01:13:44Number 230.

01:13:46The house belongs to a Mrs. Lucretia Lusk.

01:13:48You want a confirmation slip?

01:13:50No, I've got it.

01:13:52Two o'clock, she'd have been at the Lacey Arms.

01:13:54Yeah, and right now she's at home.

01:14:07Oh, hello.

01:14:08Wait a minute, I'll come down.

01:14:37You come too late.

01:14:39Ten minutes sooner and you'd have caught me in the bath.

01:14:41Oh, what a thrill.

01:14:42Come in.

01:14:44Oh, you're making me sorry I am late.

01:14:46No, I don't believe it.

01:14:48You are human.

01:14:50I want to ask you some questions, Lucky.

01:14:52Oh.

01:14:54Well, I came in a police car, you know.

01:14:56We can't use those for private amusement.

01:14:58Why not?

01:15:00That makes it official.

01:15:02You come sneaking round here with your hat over your eyes,

01:15:04the neighbours are going to know you're up to no good.

01:15:06If I made it past you, you'd be frightened to death.

01:15:08Frightened, see.

01:15:11Yes, well, business before pleasure.

01:15:14Well, let's get the business over quick.

01:15:16Well, you can sit down, can't you?

01:15:18That's not against the law.

01:15:20Lucky, how well did you know Don Starling?

01:15:22Don Starling?

01:15:24What about him?

01:15:26Well, you used to know him quite well, didn't you?

01:15:28Oh, yes, but that was years ago, long before I met my ex.

01:15:30When I found out what he was really like,

01:15:32I dropped him like hot cinder.

01:15:34Have you seen him within the last couple of days?

01:15:36What could he want to see me for?

01:15:38Money?

01:15:40Oh, I should think so.

01:15:42He'd never come to me for money, or anything else.

01:15:44He could come to you for shelter.

01:15:46I haven't set eyes on him.

01:15:48Why?

01:15:50Well, he's been seen hanging around here.

01:15:52He tried your door.

01:15:55Tried my door?

01:15:57When? When was that?

01:15:59Early this afternoon.

01:16:01Oh, my God.

01:16:03Don't worry, it's only a report, it might not even be true.

01:16:05My baby.

01:16:07He could be listening to us.

01:16:09He could have come in when I was upstairs.

01:16:11I feel safe while you're here.

01:16:13Don't go, please don't go.

01:16:15Has Starling been threatening you?

01:16:17Please don't go until you make sure he's not here.

01:16:19You tell me about Starling.

01:16:21I daren't.

01:16:23He has been threatening you.

01:16:25He'd have me up if I talked.

01:16:27You don't know what it's like not to have a man of your own

01:16:29to protect you against people like Don Starling.

01:16:31Now, look, don't worry.

01:16:32I'll put a couple of men outside

01:16:34if you make you feel any better.

01:16:37Oh, why do you have to be married?

01:16:39Yeah.

01:16:41Well, I am married, Lucky.

01:16:43And the both of us better remember that.

01:16:45Oh, nobody knows what's going on and what isn't.

01:16:49I wish life was that easy, Lucky.

01:16:51Oh, why can't it be?

01:16:53You've got no children.

01:16:55All's fair when a man has no children.

01:16:58Well, there's no future, have you said?

01:17:00I'll take a chance.

01:17:02The other woman's chance.

01:17:05I'll be back here by 11.

01:17:08I can't make times, Lucky.

01:17:10God knows where I'll be until 11.

01:17:12It might be 3 in the morning before I'm away.

01:17:14You could have a key.

01:17:16I've never given any man a key.

01:17:18Yeah.

01:17:20Well, I'll phone you here if I can make it, then.

01:17:22No, don't do that.

01:17:26Phone me if you can't make it.

01:17:28You're a bad luck, Lucky.

01:17:32You're a bad luck.

01:18:32You're a bad luck.

01:19:02Oh, God.

01:19:33No more work.

01:19:35Very bad.

01:19:37At midnight?

01:19:39Not in your sweet life.

01:19:44The morning's different as long as you don't wake me up.

01:20:02Oh, God.

01:20:32Oh, God.

01:21:02Maybe it's over.

01:21:04I'm not going to hurt you.

01:21:32Steady, Silver.

01:21:34I'll tie you up, that's all.

01:22:02Stop it!

01:22:28Stop it!

01:22:30Stop it or I'll shoot!

01:22:35Come on, come on there.

01:22:36Stand back, please.

01:22:37Move, please.

01:22:38Leave yourselves wide open.

01:22:39What's happened?

01:22:40There's somebody shooting upstairs there, sir.

01:22:41Silver.

01:22:42Shooting from the top.

01:22:43Come on, now.

01:22:44Keep back there, please.

01:22:45You're leaving yourselves wide open as targets.

01:22:46Watch out.

01:22:47Watch yourself.

01:22:49Right, get your men out of this place.

01:22:51Don Starling's up there.

01:22:52Let everyone know he's armed.

01:22:53Right, sir.

01:22:54If we're not careful, a good man might lose his life on this job.

01:22:55Now, come out of it!

01:23:00He's in the back.

01:23:01He looks bad to me.

01:23:02I'll put in an ambulance and come back.

01:23:03Starling's on the roof.

01:23:04Right, sir.

01:23:08Did you see him?

01:23:09Yes, sir.

01:23:10He was just disappearing up there.

01:23:11The old man took a shot at him with this, but missed by a mile.

01:23:12Did Starling return the fire?

01:23:13No, sir.

01:23:14He raised his pistol and for some reason

01:23:15changed his mind and scarpered.

01:23:16He's saving ammunition.

01:23:17That means he hasn't got a spare clip.

01:23:18Now, get informed the superintendent.

01:23:19Tell him what's happened.

01:23:20Tell him it's my urgent request

01:23:21that all the men surrounding this block

01:23:22be issued with firearms.

01:23:23Now.

01:23:24Yes, sir.

01:23:25What's wrong with him?

01:23:26No, get across the road.

01:23:27Get on the highest roof.

01:23:28Keep down and tell me what's happening.

01:23:29Go on, move!

01:23:59Go on.

01:24:00Go on.

01:24:01Go on.

01:24:02Go on.

01:24:03Go on.

01:24:04Go on.

01:24:05Go on.

01:24:06Go on.

01:24:07Go on.

01:24:08Go on.

01:24:09Go on.

01:24:10Go on.

01:24:11Go on.

01:24:12Go on.

01:24:13Go on.

01:24:14Go on.

01:24:15Go on.

01:24:16Go on.

01:24:17Go on.

01:24:18Go on.

01:24:19Go on.

01:24:20Go on.

01:24:21Go on.

01:24:22Go on.

01:24:23Go on.

01:24:24Go on.

01:24:25Go on.

01:24:26Go on.

01:24:27Go on.

01:24:28Go on.

01:24:29Go on.

01:24:30Go on.

01:24:31Go on.

01:24:32Go on.

01:24:33Go on.

01:24:34Go on.

01:24:35Go on.

01:24:36Go on.

01:24:37Go on.

01:24:38Go on.

01:24:39Go on.

01:24:40Go on.

01:24:41Go on.

01:24:42Go on.

01:24:43Go on.

01:24:44Go on.

01:24:45Go on.

01:24:46Go on.

01:24:47Go on.

01:24:48Go on.

01:24:49Go on.

01:24:50Go on.

01:24:51Go on.

01:24:52Go on.

01:24:53Go on.

01:24:54Go on.

01:24:55Go on.

01:24:56He's in the next bay behind the chimney stack.

01:24:59Come on.

01:25:00That's four, Dunn!

01:25:02You should have six shots left!

01:25:04It can't go further, there's a two-story dock to the next roof!

01:25:07Did you hear that, Dunn?

01:25:09Come on, I'm waiting for you.

01:25:10I'm not scared of you, you butcher!

01:25:13Of course you are.

01:25:14You know I can always lick you,

01:25:16chair of the whole police force behind you.

01:25:19You're wrong there, Dunn!

01:25:20If you wanna record me, you'll have to do it now!

01:25:23There are more men coming, but at the moment, it's only you and me on this roof.

01:25:27Come on. Let's see how good you are.

01:25:32Prison must have softened you up, Don.

01:25:34You frightened of one cop?

01:25:36Look out! Look out! He's coming!

01:25:53No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no

01:26:23I got you, my lads.

01:26:45You go before I do.

01:26:46Help!

01:26:47Help!

01:26:48Help!

01:26:49Hold it!

01:26:50We can't take hold of it.

01:26:51Let me go!

01:26:52Help!

01:26:53Let me go!

01:26:54Let me go!

01:26:55Let me go!

01:26:56Let me go!

01:26:57Let me go!

01:26:58Let me go!

01:26:59Let me go!

01:27:00Let me go!

01:27:01Let me go!

01:27:02Let me go!

01:27:03Let me go!

01:27:04Let me go!

01:27:05Let me go!

01:27:06Let me go!

01:27:07Let me go!

01:27:08Let me go!

01:27:09Let me go!

01:27:10Let me go!

01:27:11Let me go!

01:27:12Let me go!

01:27:13Let me go!

01:27:14Let me go!

01:27:15Let me go!

01:27:16Let me go!

01:27:17Let me go!

01:27:18Let me go!

01:27:19Let me go!

01:27:20Let me go!

01:27:21Let me go!

01:27:23Let me go!

01:27:45Harry, you haven't taken your pills.

01:27:47Yeah, I need a drink, Julia.

01:27:49But you know what the hospital says.

01:27:51Oh, are we going to have another day like yesterday?

01:27:53I'm on edge, Julia. Can't you see I'm on edge?

01:27:56But this isn't the first time you've sent a man to the gallows.

01:27:59You detested Starling. He deserved to hang.

01:28:02No, none of us are perfect.

01:28:05Where are you going?

01:28:06I'm going out of headquarters.

01:28:07But you don't start till tomorrow.

01:28:08I'm going to take a look at my new office.

01:28:10You just can't wait to get out of this house, can you?

01:28:12Oh, for God's sake, Julia!

01:28:15Try and understand.

01:28:16I'm sorry, Harry. I'll try.

01:28:20Will you phone me if you're coming home for lunch?

01:28:24I'll call you.

01:28:51Harry Martino!

01:28:53Hello, Lucky.

01:28:54Why haven't you been to see me?

01:28:56Well, I've been the wounded hero, didn't you know?

01:28:58Yes, I read. I thought perhaps you were mad at me.

01:29:01Now why should I be mad at you?

01:29:03Oh, I don't know. Because of what I said about... about us.

01:29:07Well, we both should have known better.

01:29:09You're a great girl, Lucky Lusk.

01:29:11You'll make some man a great wife.

01:29:13But I'd have to be someone who liked kids.

01:29:16You want kids, Lucky?

01:29:18Sure I do.

01:29:20Oh, they'd fight and holler and scream and probably drive me up the wall.

01:29:24But I'd love them.

01:29:25By the right man.

01:29:29Oh, Harry, I...

01:29:31You'll miss your bus.

01:29:33I think I already have.

01:29:38You know where I am.

01:29:40If there's ever anything I can do...

01:29:42There's one thing you can do, Lucky.

01:29:43Call one of them Harry.

01:29:49Where are you off to, love?

01:29:51Want to finish the evening in style?

01:29:53Sorry, dear, you've got the wrong customer.

01:29:55Don't worry, love. I won't bankrupt you.

01:29:58On your way. And think yourself lucky it isn't tomorrow.

01:30:01Come again?

01:30:02I'm giving you advice. Beat it.

01:30:04Well, there's no need to be...

01:30:06Hey, you're Martineau.

01:30:11Hello, sir.

01:30:13Hello, sir.

01:30:16Hello, sir.

01:30:18Hello, Devery.

01:30:19Anything wrong?

01:30:20No, just a social disadvantage of being a prominent policeman.

01:30:23I'm glad to see you about again, sir.

01:30:25So am I.

01:30:26How's Silver?

01:30:27Oh, fine.

01:30:28They say she'll be sitting up before the end of the month.

01:30:30I didn't come and see you in hospital because, well,

01:30:32I looked like lickspittling for a PC to visit a chief inspector.

01:30:35I understand.

01:30:36Can we give you a lift?

01:30:38No, I'm just walking.

01:30:40It's my last day of liberty, you know.

01:30:46Bloody shame a man like that is so alone.

01:30:48Alone? He's married, isn't he?

01:30:50You don't have to be on your own to be alone, copper.

01:30:52M2CK calling K5-1. Are you receiving?

01:30:55Could we go again?

01:31:15K5-1 to K5-1.

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