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Short filmTranscript
00:30And not hide your head like the rest of you do.
00:32Some land.
00:34Could it be that's why they asked for a mortgage to the bank?
00:36To buy them?
00:38Could be.
00:39Don't let yourself be dragged down by apathy and sadness.
00:41Begoña, fight, please. Fight.
00:43Look, over my dead body you come back with that freshness.
00:46Don't lower yourself, Gaspar, you don't deserve it.
00:48It's easy for you to talk.
00:50But don't you know how hard it is to be alone?
00:52Because I feel a very special affection for that boy.
00:55And that he has to leave causes me a lot of pain.
00:57So be careful.
00:59I'll be watching him.
01:01Do you think he can end up like her?
01:03End up how?
01:04In a sanatorium.
01:05No, honey.
01:06What are you going to do with all that?
01:08Well, I don't know yet.
01:10Maybe I'll make them public.
01:12Come here, Cletina.
01:14Jesus has been drugging you.
01:16To have me prostrated.
01:18Or something worse.
01:29Dream of freedom.
01:31Live another way.
01:33Wings to fly.
01:35Wherever the soul wants.
01:37Dream of freedom.
01:39The heart does not wait.
01:41It's asking for another chance.
01:45Dream of freedom.
01:48Although the past hurts.
01:50Start again.
01:52Love whoever I want.
01:54Screaming is my truth.
01:56Live without fear and without looking back.
02:16Dream of freedom.
02:27Luz, I need to get out of here.
02:30And I need your help.
02:32Will you help me?
02:34Of course, Begoña.
02:36I'm going to help you.
02:38I'll do whatever it takes.
02:40Where are you going?
02:42I still have the idea of going to England.
02:45There I know people who can help me from scratch.
02:47And Jesus would never find me.
02:49And if he did, it would be very difficult for him to bring me back.
02:52What's the plan?
02:54Jesus must trust me.
02:56He must think that I am still under the effects of the drug.
02:58And that I have ceased to be a danger.
03:00How do you say?
03:02I'll take a train to Lisbon.
03:04And from there I will travel to England.
03:05This time I have everything planned, Luz.
03:07I will not let myself be carried away by my impulses.
03:08Everything will be fine.
03:10Okay.
03:12I will help you in everything you ask of me.
03:14But ...
03:16I think you need an ally.
03:18Someone who can help you from the inside.
03:22If you're thinking about Andrés ...
03:24I can't tell him.
03:26But why?
03:27Andrés has always been willing to help you.
03:29He will do anything to get you out of this house.
03:31Luz, I can pretend in front of Jesus for a while.
03:34But do you really think Andrés could?
03:36After knowing that Jesus has poisoned me?
03:38I think it's worth trying.
03:40I can't risk it.
03:42As soon as Jesus sensed the slightest movement,
03:44everything would be lost.
03:46And my life is at stake.
03:47Andrés will understand the gravity of what you are trying to do.
03:50And he will do anything to help you.
03:52Andrés has to focus on his wife.
03:54They just lost a baby.
03:56And he needs him by his side.
03:58I can't be so selfish.
04:00Okay.
04:03Do you feel ready to start this farce?
04:07I have to be.
04:08I have no other way out.
04:10I will do anything to help you.
04:13The most important thing right now is that ...
04:15nobody suspects anything.
04:16Especially Julia.
04:19It makes me sad to think
04:21about what that little girl is going to miss.
04:27Julia will come with me.
04:29What are you saying, Begoña?
04:31Did you really think I was going to leave that monster in her hands?
04:34No.
04:35Begoña, you have to reconsider.
04:38If you take his daughter, Jesus could report you for kidnapping
04:41and you could go to jail.
04:42Luz, Julia is not my blood, but she is my daughter.
04:45Don't do it, please.
04:47Do you want me to save myself?
04:50Begoña, Jesus may look for you and can't find you.
04:53And after a while, everything will be lost.
04:55But if you take his daughter,
04:57he won't stop until he's with you and punishes you.
05:01But how am I going to leave her?
05:04Luz, how would Julia feel if she woke up that morning
05:07and I had disappeared?
05:09If you really want to disappear, you have to do it alone.
05:12I don't know.
05:14The idea of leaving without her...
05:17It's very hard, I know.
05:19But for her to be okay, you have to be okay.
05:22And for that, you have to leave as soon as possible.
05:25You'll be safe.
05:26You'll come back for her.
05:31Maybe she's right.
05:36You should leave.
05:38In case Jesus comes back before time.
05:40Take care, friend.
05:42Yes.
06:13I know it's very early and I'm sorry for coming without telling you,
06:17but today...
06:19Today is my birthday.
06:21Congratulations.
06:24Come in, come in.
06:28You told me it was this week, but I didn't remember...
06:31Don't worry, you already gave me a present.
06:34And since it was today, I bought a cake to thank you.
06:38Wow.
06:41Come in, come in, please.
06:44If you'll excuse me, we'll leave the bag here.
06:48You can sit as if you were at home.
06:53I'm sure it's delicious.
06:55Do you want some coffee?
06:56Yes, please.
07:06Wait, we have to do this right.
07:08I think the kitchen has...
07:17Look.
07:22You have to make a wish, but you don't have to say it out loud.
07:25Otherwise it won't come true.
07:27Okay.
07:28Congratulations.
07:35Is something wrong?
07:36It's his birthday.
07:40It's a strange time for a celebration.
07:43I'm sorry for coming so early,
07:45but I wanted to share this moment with my only friend.
07:49I'm sorry.
07:50I'm sorry.
07:51I'm sorry.
07:52I'm sorry.
07:53I'm sorry.
07:54I'm sorry.
07:55I'm sorry.
07:56I wanted to share this moment with my only friend.
08:00Come on, sit down.
08:01He brought a cake that looks delicious.
08:04No, I'm not going to finish dressing up.
08:06Joaquín.
08:10Isabel, congratulations.
08:21Let's do this.
08:27Oh, yes.
08:29Thank you, Teresa.
08:31You're welcome.
09:24I don't think he liked it.
09:27He's not in a good mood.
09:29Don't take it to heart.
09:32I should go.
09:33You and I have to go to Toledo.
09:36And since today is your birthday,
09:38there's no reason for it to be today.
09:40Are you sure I'm not disrupting your plans?
09:42I won't let you spend your birthday alone.
09:46You're very nice to me, Gemma.
09:48Come on, don't be silly.
09:49What do you think if we meet at four in the canteen?
09:52I have a meal with the family
09:54and I don't think I can leave before that.
09:56Well, I'll be there.
09:59Good.
10:05See you later.
10:14Gemma.
10:16I don't like that woman.
10:17What's wrong with you, Joaquín?
10:19Why do you get on with her?
10:20Because she works hand in hand with Jesús de la Reina
10:23and I don't want to see her in our house.
10:25But what fault does she have to have a boss like that?
10:28Gemma, we have very important things on our hands, really.
10:31I want her away from here.
10:33Can you relax a little?
10:35Isabel is not interested in your business.
10:38She's interested in making a friend in La Colonia.
10:40Come on, don't be so naive.
10:43In two days she's become your friend.
10:46You know perfectly well, like me,
10:48that Jesús de la Reina manipulates the people around him
10:51to achieve his goals.
10:52And you think I'm going to tell him the details of your business
10:55the first thing that happens?
10:56Well, if you spend so much time with her,
10:58sooner or later you'll end up telling him.
11:00I'm not a mouthpiece.
11:01Gemma, I know you have good intentions with that girl,
11:04but really, now is not the time to make friends.
11:06Now we have to be discreet and prudent.
11:10Okay.
11:12But I think you're wrong, really.
11:14Well, I hope you're right.
11:16But please, stop seeing her.
11:18Okay?
11:22Okay.
11:30Father,
11:31Dignami said he wanted to see me.
11:37Close the door.
11:39Of course.
11:45What's wrong?
11:46Sit down.
11:53Father.
11:57What is the nature of your relationship with Fina?
12:03What?
12:04I think the question is clear.
12:09Do you know what it is?
12:11She's a store employee.
12:13She's Adela's daughter, Isidro.
12:16Isidro's daughter?
12:18Yes.
12:19She's Adela's daughter, Isidro.
12:22So your relationship with her is strictly professional?
12:27Of course.
12:29What's this about?
12:45What do you say now?
12:50He hired someone to follow me.
12:51Don't change the subject.
12:56Why did he do this to me?
12:58I just received them this morning, anonymously.
13:01Do you have anything to say?
13:04Then who would want to do this to me?
13:07Why?
13:08That's what I'm asking, Marta. Why?
13:11Why did you do it?
13:12Why are you doing this to all of us?
13:14Father, I haven't done anything to anyone.
13:17I don't even know who you are right now.
13:19It's me.
13:20Marta.
13:21Your daughter.
13:23The same person I was before you received that letter.
13:25No, you're a liar.
13:27A liar. You're a...
13:28You can't be talking, Isidro.
13:36What have we done wrong?
13:38What have we done wrong?
13:41Neither you nor mother have done anything wrong.
13:43And neither have I.
13:45Because this is not fair.
13:48This is a disgrace, Marta.
13:54I've always trusted you.
13:56And you can keep doing it.
13:59You've betrayed me.
14:00You've betrayed my trust.
14:03I haven't hurt anyone.
14:06I just fell in love.
14:08Shut up! Shut up!
14:09Don't go on, because my stomach is rumbling.
14:11I can't believe my daughter is a...
14:13Now I'm the one who's going to ask you to stop talking.
14:19I'm not going to let you insult me.
14:22Have you stopped to think
14:24what would happen if this came to light?
14:28Don't you think I think about it every day?
14:31Then...
14:34why do you do it?
14:37Because...
14:38Why do you do it?
14:41Do you think I haven't tried to deny what I feel?
14:44To settle for my marriage?
14:47Do you think I haven't hated myself?
14:51But none of that has helped, father.
14:54Because I am like this.
15:03I have no choice but to make some decisions.
15:09What are you going to do?
15:12For now, I can't allow you to represent the family
15:16or the company in the award ceremony tomorrow.
15:20I don't give credit.
15:22That award ceremony
15:24is in recognition of everyone's work,
15:26and that means a lot to me too.
15:29I can't let you pick it up just because...
15:32Because it's a shame for the family.
15:35Of course I can.
15:37Of course I can.
15:40I didn't think your prejudices
15:43could dominate the situation.
15:46It's not about prejudices.
15:49It's about principles.
15:52I also thought that your principles were to defend the family.
15:56But I see that your retrograde ideas
15:58are above me.
16:00I don't allow you to talk to me like that!
16:02Well, right now I can't talk to you any other way.
16:04Your actions are over. That's all.
16:07Now, go.
16:10Father.
16:12Father, look at me.
16:29Come in.
16:32Good morning, Luz.
16:34Andres.
16:36What brings you here?
16:38I'm sorry to bother you, but I need to talk to someone.
16:42Begoña hasn't even had breakfast this morning.
16:45I can't stand seeing her like this.
16:47She's more and more absent.
16:49Shifting little by little.
16:52Do you really think I could inherit her mother's illness?
16:55It would make sense.
16:57But I know it's not what you want.
16:58No, no. It kills me to think that it isn't.
17:00You'll be the same as always.
17:02Let's see.
17:03Begoña's illness doesn't have to evolve
17:05in the same way as her mother's.
17:07She can suffer from these episodes from time to time
17:09and then recover.
17:11Mental illnesses are a mystery.
17:14And how can I help?
17:16I'm afraid
17:17that the only thing that can help Begoña now
17:20is rest and affection.
17:22But I can't just sit around
17:24and watch her deteriorate, Luz.
17:26Begoña needs tranquility.
17:28That's why everyone around her
17:30needs to stay calm.
17:31Trust me. Keep her.
17:33Luz, it's complicated.
17:35Maria, my wife, is starting to notice
17:36that I'm too affected.
17:38I can't stand her speaking ill of her.
17:41We have to do something.
17:43Like what?
17:44I don't know.
17:45Maybe I should see a specialist doctor.
17:47I'm going to look for someone.
17:49No, Andres, no.
17:50But why not?
17:51I want you to hire a doctor for her, not Jesus.
17:54He's the reason for all your problems, Luz.
17:56Let's not confuse things.
17:58Begoña's diagnosis has nothing to do with torment.
18:01I remember what he did to her.
18:03There's no need.
18:04I see him every day.
18:06Are you sure?
18:08I'd be more at ease
18:09if Begoña were away from Jesus.
18:12Begoña could lose her mind
18:13if we put her in the hands of a stranger.
18:15Yes, but she'd be in the hands of a professional.
18:17A professional who would give her
18:18a very strong medication
18:20and who would constantly test her.
18:24I don't know.
18:25Well, I do.
18:27Begoña needs family stimuli.
18:29A world she knows
18:30that makes her feel anchored to reality.
18:33Maybe you're right, Luz.
18:35I'm sorry, but I feel so powerless.
18:38Begoña's better now.
18:39She's calmer.
18:40Let's hope she stabilises in the next few days.
18:43It's not good to make desperate decisions.
18:45Okay?
18:47Yes, okay.
18:50Good morning.
18:52Good morning.
18:55I'm off.
18:58Goodbye, Andres.
18:59Goodbye.
19:06Is something wrong?
19:07No, why?
19:08I don't know.
19:09I thought I was interrupting something important.
19:12Andres has come for some aspirins
19:15and we've finished talking about Begoña's condition.
19:19Is there any news?
19:21I'm afraid not.
19:29Carmen, good morning.
19:31Good morning.
19:32I wanted to tell you something.
19:34I'm late for work.
19:36You were actually telling me
19:38everything you were telling Gaspar yesterday.
19:40You're so smart.
19:42So you think I don't deserve a second chance?
19:45Look, Tassio.
19:47You showed me you could change
19:49and you became the best life partner.
19:53But in a short time, you've played me again.
19:56And you tell me you won't do it again.
19:57So you think I'm going to give up?
20:00That I'm the Tassio I've always been,
20:02the one you can't trust?
20:04I give up.
20:08Carmen.
20:09There has to be something I can do
20:11to make you trust me again.
20:13If there is,
20:15I can't think of anything.
20:17We've come to suffer in this life, Tassio.
20:21And with you, it's going to be one after the other.
20:23Well, I've received your message.
20:25I won't bother you anymore.
20:30Carmen.
20:34I'm really worried, Gaspar.
20:39About Begoña again.
20:41I've got it all under control.
20:43Don't worry.
20:44The more you tell me not to worry,
20:46the more I'm afraid something will happen.
20:48Nothing will happen to her.
20:50The effects she has from the medicine
20:51are completely irreversible.
20:52I already told you.
20:54That's not the only thing I'm worried about.
20:56It's that...
20:58she,
21:00or someone else,
21:01may find out that you're drugging her.
21:03Do I have to remind you of her attempt to escape with Julia?
21:06Or when she reported you to the Civil Guard?
21:09No one will find out anything.
21:11I'll take care of that.
21:15Weren't we supposed to meet here at ten?
21:17Where is my brother?
21:19Speaking of the King of Rome,
21:21the Aragonian is coming.
21:23I don't like you talking to Andrés like that.
21:25Father, don't worry.
21:27It's not worth trying
21:29to make this little rooster come to his senses.
21:31Look, Andrés, you're late.
21:33Let's have the party in peace.
21:36First, I'd like to thank you for coming back from the factory.
21:39I asked you to come because I have something important to tell you.
21:42What happened?
21:44Is it something serious?
21:46There's just been a change of plans.
21:48Marta is resigning to represent her family
21:51at the award ceremony of the circle of businessmen.
21:54And what are you going to do about it?
21:57Wait a minute.
21:59Aren't you going to ask her why she's suddenly resigning?
22:02Of course she's going to do it.
22:04Don't you give me time?
22:06And has Marta given you any explanation about it?
22:08She doesn't want to neglect her work in the store
22:11and prefers someone else to pick her up.
22:13Father, that doesn't make any sense.
22:15Where is she and why did she come to this meeting?
22:18I don't know. And neither do we.
22:20Andrés, we know you were very excited about Marta,
22:22but she'll have her reasons, right?
22:24We have to respect that.
22:26Sit down, Andrés.
22:28The decision has been made.
22:30But...
22:32Stop it.
22:34Marta isn't going to go to the award ceremony.
22:36She'll have her reasons.
22:38Well, whatever it is, Marta isn't going to pick up that award,
22:40but someone will have to go, right?
22:42Yes, someone will have to go.
22:45And it'll be me.
22:46What?
22:50Well, if there's nothing else,
22:52I have to go to the factory.
22:54Yes, go ahead.
23:05From what I hear,
23:07Asuncion came to the store
23:09to get my information about Gaspar.
23:11Of course, I didn't say anything.
23:13She just wanted to know if Gaspar was single
23:14because she wanted to get in touch.
23:16I'm telling you.
23:18And we both know how it would end.
23:20With Gaspar humiliated.
23:22Yes.
23:24Look, we have to do something, Carmen.
23:26What do you mean? You and me?
23:28Well...
23:30I mean, on the spot.
23:32I mean, we'll get together to help a good friend, that's all.
23:35Are you kidding me?
23:37No, Carmen.
23:39I just want to prevent a good friend like Gaspar
23:41from making the same mistake as you.
23:42Of going back with someone
23:44you know is going to hurt you.
23:46I don't know, what do you think?
23:48Do you want to help me?
23:50Well,
23:52but I want you to know that I'm still thinking
23:54about every word I've said.
23:56I've already forgotten.
23:58Besides, now we have a good mission ahead of us.
24:01I'm going to show you
24:03that we're still a good team.
24:05Asun, I'm regretting it.
24:13I'm the head of the family.
24:15And it's only logical that I'm the one
24:17who goes to the party and picks up the bathroom.
24:20And that's how it should have been from the beginning.
24:23But I thought you weren't excited about these things.
24:26And I'm still not excited, Jesus.
24:28Very well.
24:35From now on, I'm going to be the head of the family.
24:38And you're going to be the head of the family.
24:40From now on, I'm going to be the last option, always.
24:43I say that because I know what to do.
24:46Look, son.
24:48Going to pick up an award like that
24:50is somehow a recognition
24:53within the family and the company.
24:55Wow.
24:57And I don't deserve that recognition.
24:59You don't deserve to be given any award.
25:01I think I made it pretty clear to you yesterday.
25:06Father, I had him for many things,
25:08but not for a sadist.
25:10Do you dare to call me a sadist?
25:13I'm working harder than anyone else.
25:15I'm giving my skin for this company.
25:17We're not going to give any award to bad arts.
25:20It would create a bad precedent.
25:22What do you mean?
25:24Are you going to tell me that you have nothing to do
25:27with the photographs that have arrived to me
25:30anonymously this morning?
25:32What photographs?
25:34Don't fool me, Jesus.
25:36I know what you're capable of to achieve your goals.
25:40This decision is completely...
25:42I have ambition, son.
25:44But I'm also very afraid.
25:46You've tried to end your wife's life.
25:49Now you're trying it with your sister.
25:52What's your limit?
25:59Get out, come on.
26:10Get out.
26:35Are you leaving?
26:37Yes.
26:39Listen to me, Mateo.
26:41I want you to know
26:43that I've never judged you for feeling what you feel.
26:45When someone has been talking nonsense about it,
26:47I've kept my mouth shut.
26:49I know, Gaspar.
26:51Affections and passions are human,
26:53no matter how much of a man you are.
26:55I know that your feelings have always been sincere,
26:58that you've always acted from the heart.
27:00And more, I'm going to tell you something else.
27:02I think that the priests should go down to earth
27:05from time to time, man, to fall in love,
27:06to put a little face in the air.
27:08Because only from experience
27:10can you give good advice to the filigrees.
27:12Gaspar, please.
27:14I'm hallucinating, aren't I?
27:16Poor thing.
27:18Well, yes.
27:20Let's pretend I didn't say what I said.
27:22Come on, let's do it like this, yes, better.
27:24Yes.
27:29A glass of wine around here.
27:31Better a coffee.
27:33No, Father.
27:34Since when does the waiter judge?
27:36Gaspar is right.
27:38Wait, wait, wait.
27:40Has the good priest come to tell me
27:42how I have to behave?
27:44Of course.
27:46Father Mateo is an example to follow.
27:48Even Don Damián says so.
27:50Any last advice before you go?
27:52Come on, I'm listening to you.
27:54In fact, everyone should do it.
27:56Silence, everyone.
27:58Father Mateo is going to speak.
28:00Go ahead, Father.
28:02I'd better go.
28:04I'm going to spend time at the station.
28:06Really?
28:08Are you going to leave all these poor people
28:10with a man as machiavellian as me?
28:12Father, go home too.
28:14What are you telling me, Mateo?
28:16Are you sure you want to leave here?
28:18Because apparently there are people who think
28:20I'm not up to the job.
28:22Father, don't go on.
28:25I'm the one who should go.
28:27Let's see, be honest with me.
28:28Would you miss me?
28:30There are a lot of happy people
28:32who would miss you, yes.
28:34Do you want to leave your good intentions
28:36at once?
28:38Don't you get tired of it?
28:40Where is the wine?
28:42I'm not going to put the wine, Father.
28:44And tomorrow he will thank me.
28:46Well, there you are.
28:48Go on, don't go to Toledo.
28:50And I'm sure the waiters
28:52won't sermonize me like a priest.
28:54Let me go.
28:56Man, you can't go like this.
28:58Don Agustin, no.
29:00Look at me.
29:02See how I can?
29:07Caspar, can you take care of the suitcase for a moment?
29:09What are you going to do?
29:11What am I going to do?
29:13Go get him, help him.
29:23Can you come here for a moment?
29:25Yes, of course.
29:29What's wrong with you?
29:32I'm stuck in the never-ending story.
29:35I argued with Andrés again.
29:37And you don't need to be pitonite
29:39to know the reason.
29:41You know what Begoña's situation is.
29:43And that lately,
29:45living together is becoming unbearable.
29:47And I don't just know it,
29:49but I've suffered it more than anyone else.
29:51The little medal, really,
29:53is the worst thing I've had to live in this house.
29:55So you're going to understand my situation.
29:57Jesús became a beast
29:59when I suggested he be admitted to a clinic.
30:01You told him that?
30:03What? He would be safe.
30:05And attended by professionals.
30:07Do you think he's that crazy?
30:09But how could you give him your opinion
30:11about something so delicate?
30:13It's Jesús.
30:15It seems you didn't know him.
30:17Of course, I've sinned naively.
30:19And in the afternoon I did it again
30:21because I told Andrés.
30:23My God.
30:24So you did it to keep him away from Begoña.
30:26Is that so?
30:28I can't stand being the bad guy in the movie.
30:30And what did your husband tell you?
30:32I don't want to talk about getting Begoña out of the house.
30:35And I don't know if he's saying it for her or him.
30:39I think, María,
30:41you're not seeing the advantages of this situation.
30:44Right now,
30:46what you have to do is reinforce your role in this family.
30:48And how?
30:50Now everyone sees me as a jealous woman.
30:52Then do the opposite.
30:54Get the best out of yourself.
30:56Show your compassion for Begoña,
30:58your concern for her.
31:00Become the opposite
31:02of what Andrés is thinking of you right now.
31:04You think so?
31:06Become his shadow, take care of her.
31:08Make everyone see
31:10that you're capable of sacrificing yourself for her.
31:12You'll see.
31:14You'll only win this game.
31:23Come in.
31:28What happened?
31:30He fell in the courtyard.
31:32I tried to help him, but he fell on his arm.
31:34It's your fault, it's your fault, it's your big fault.
31:36But if he had gone on his knees...
31:38It would have been worse.
31:40It hurts a lot.
31:42Father, I need to explore the arm
31:44and I'm going to need you to remove the sotana, if you don't mind.
31:46I can do it here, behind my shoulder.
31:53Take care of the promotion,
31:55at least this year.
31:57The cards are speaking very clearly.
32:01And the tip?
32:09Look at her.
32:11Me here, breaking my back from sun to sun,
32:13behind the bar,
32:15when I could be perfectly earning my living
32:17sitting here and drinking coffee.
32:19No, I've made a mistake in my profession, of course.
32:22If Tonisa is born, she is not born,
32:24or if she is born, she is not born, Gaspar.
32:26Whatever you say, Pepa.
32:29You think I'm a chatterbox, don't you?
32:31Well, I can show you that you're wrong.
32:33Sit down.
32:35I accept the challenge.
32:37The fate of every man
32:39is written on the lines of his hand.
32:41Oh, yeah?
32:43Well, the most you're going to read
32:45is the cut I made when I threw the trash away.
32:47Come on, what do you think of my future?
32:49This is not going to happen.
32:50This is not going to happen.
32:52You have to ask me a specific question.
32:54Well, I don't know.
32:59I understand.
33:01Love.
33:03Look, I haven't said anything.
33:05Have you forgotten that I'm a chatterbox?
33:07Well, that's easy.
33:09Everyone is interested in love.
33:14I see.
33:16I hear.
33:18I see.
33:20A woman?
33:22Yes, yes, look.
33:25It is very clear
33:27that a woman is going to come into your life, Gaspar.
33:29Look here.
33:31And when is that going to be, more or less?
33:33Well, very soon, very soon.
33:37Well, this is it.
33:39It hasn't been for long, Father.
33:41This, when I was on the boat, I did it one day and another too.
33:43Well, who would say how it hurts?
33:45But if the doctor has been very fast,
33:47surely it hurts less.
33:48I'm going to send you some analgesics for the pain.
33:50Well, go giving me one.
33:52Father, one important thing about the treatment.
33:55You should not mix alcohol with the pills.
33:57It would be very strong for the liver.
33:59Of course, because it takes me.
34:01And I need you to be for a few days
34:03with the headband on,
34:05so that it is at rest during the recovery.
34:07Is it necessary?
34:09Do I have to give mass, visit sick people?
34:11I am a busy man.
34:13I can't consecrate the hosts
34:15or give communion with a single arm.
34:16I'm afraid you're going to need help to do all that.
34:19Help from whom?
34:21I don't know, you don't have a family member
34:23who can come and lend a hand.
34:25I don't have anyone.
34:27How am I going to dress or prepare the food?
34:29Look, I'm sure there will be a lot of people in town
34:31who are delighted to help you.
34:33Well, if he doesn't mind, I can help him.
34:35You don't help yourself?
34:37Well, I can delay the trip.
34:39No way.
34:41As you wish.
34:43It's just that now I feel bad
34:44and I don't know how to hold it.
34:46Let's see, here you go.
34:48This pain kills me.
35:00Remember that we have to go one-on-one, okay?
35:03And don't show up, okay?
35:05Even if he looks at us with pride.
35:07I already told you that the Sonsoles is a nanny.
35:09Now that she's single, it's good for her.
35:11As soon as she finds someone else, you'll see.
35:12Sonsoles!
35:14How are you?
35:16I'm fine, I came to talk to Gaspar.
35:18Oh, no, it was a very bad day today.
35:20Why?
35:22Well, you can see for yourself.
35:25Who is that woman?
35:29Pepa, his girlfriend.
35:31Of course.
35:33What do you mean his girlfriend?
35:35Oh, you didn't know, maybe.
35:37You know perfectly well that I didn't know.
35:39Are you laughing at me?
35:40No, no, not at all, Sonsoles.
35:42But Gaspar is our friend and we have to tell you.
35:44He's in love with someone else.
35:46We'll see about that.
35:48No, no, no, how can you bother him?
35:50He's been with the poor for a while.
35:52Look, they're in love.
35:54A lot.
35:56It's better to leave things as they are.
35:58A temporary retirement is the most elegant thing.
36:00But I thought Gaspar was still interested in coming back to me.
36:02No, no, no.
36:04He has misinterpreted the signals.
36:07Look, he's crazy about Pepa.
36:08Everyone knows that, imagine.
36:18Clarissa.
36:20It's Clarissa.
36:22How are you?
36:24Guys, Pepa just read my hands.
36:26And you know what?
36:28What?
36:30That the woman of my life is about to enter through that door.
36:32Come on, don't tell me.
36:34And when? Right now?
36:36Soon, soon, soon.
36:38Yes, yes, yes, yes.
36:49Come in.
36:52Do you need something?
36:56I've prepared a consommé that will make you feel wonderful.
36:59I'm going to tell Teresa to bring you a cup.
37:02Your hands are cold.
37:04Bring it.
37:06How good you are always with me.
37:09You are good.
37:11And not just with me.
37:13With everyone.
37:15That's why I'm so sorry to see you like this.
37:17Without your usual natural joy.
37:20You don't know what you miss in the house.
37:24Especially Julia, who is out there all day.
37:26From one side to the other, asking for attention and affection.
37:30I'm sorry.
37:32I don't want to burden you with more weight than you already have.
37:36Julia.
37:38She's a wonderful girl, isn't she?
37:41And she adores you.
37:43She's impatient for you to get well.
37:47I miss hearing her laugh so much.
37:50She doesn't laugh much these days.
37:53She's very worried about you.
37:55But she's a very happy girl, like you.
37:57And since you're going to get well soon,
38:00the girl will smile again.
38:02And you too.
38:03You'll see.
38:07If you don't need anything else, I'm going to finish my homework.
38:11Digna, wait.
38:13Wait, I do need something else.
38:15Tell me.
38:17I need you to swear to me that you will always take care of Julia.
38:20Of course.
38:22I will always take care of her. I adore that girl.
38:24Digna, if one day I'm not here,
38:26swear to me that you won't let go of her hand when she's afraid.
38:29And that you will sleep with her if she feels lonely, please.
38:30Begoña, you're not going anywhere.
38:32This is your home.
38:34I need you to swear to me.
38:36Of course.
38:38Of course I swear to you.
38:40I'm going to take care of her as if she were my granddaughter.
38:42I'm going to take care of her and you.
38:45And now,
38:47I'll let you rest.
39:00I love you.
39:22This is a disgrace, Marta.
39:27I've always trusted you.
39:28And you can keep doing it.
39:31You've betrayed me.
39:33You've betrayed my trust.
39:35I haven't hurt anyone.
39:38I'm just in love.
39:40Shut up! Shut up and don't follow me,
39:42or I'll have a heart attack.
39:45I can't believe my daughter is...
39:47Now I'm the one who's going to ask you
39:49to stop talking.
39:53I'm not going to let you insult me.
39:54I'm not going to let you insult me.
39:57Have you stopped to think
39:59what would happen if this came to light?
40:07Marta.
40:09Andrés.
40:11You've told your father that you're giving up the award.
40:14Did he say that?
40:16Yes, and it's not true.
40:18So what?
40:20I'm not going to take it.
40:22And that's it?
40:24Is there no other explanation?
40:26No, I've given up and that's it.
40:30And why?
40:32Because now I have other priorities.
40:35Andrés, don't give her any more trouble.
40:37Come on, Marta.
40:39I'm your favorite brother.
40:41Do you remember?
40:43Believe me, right now I remember more than ever.
40:47The stew was delicious.
40:51Wait, I'll help you pick it up.
40:52You're our guest.
40:54You've helped me, Gema.
40:56I couldn't have done it alone.
40:58It's a shame you couldn't join us.
41:00Don't worry.
41:02The food was great.
41:04I'm very grateful, really.
41:06I'm more than grateful.
41:08I was wondering why my son was so determined
41:10to live a lonely life.
41:12Maybe because he hadn't found the right person yet.
41:14Think about it.
41:16How is fate, right?
41:18When you least expect it,
41:19it's a person who will change your life forever.
41:21But you have to take care of love.
41:23Things don't stay the same.
41:25Not so much.
41:27Although I believe, Luis,
41:29that with a woman like her,
41:31you'll have it easy.
41:33Besides, she's beautiful, understanding,
41:35she's very smart.
41:37Digna, please stop.
41:39She has a lot of sense of humor.
41:41Well, Mother, leave something for me.
41:43She's giving it all to her.
41:45Do you want coffee?
41:47Yes, I'd like to calm down a bit
41:50Does it have to do with Jesus?
41:52He asked for it directly.
41:54Jesus will do a great job collecting that prize.
41:56It will be Father who collects it, not him.
41:58Really?
42:00Marta, what's going on?
42:02I need a convincing explanation this time.
42:04The usual is happening.
42:06You can't breathe in this house, Andres.
42:08What does that mean?
42:10That we live in a gold cage
42:12and that we don't lack anything.
42:14Because we have service, driver,
42:16a lot of cars, an incredible house
42:17and none of this is free.
42:19Marta, you're scaring me.
42:21No.
42:23In exchange for a life full of luxury,
42:25we have to realize,
42:27hide what we feel,
42:29put on a good face,
42:31give up our freedoms,
42:33make decisions,
42:35be who we could really be.
42:37You know?
42:39If I could, I'd get out of here forever.
42:41I'd break everything
42:43and start from scratch somewhere else.
42:45I'd get away from this damn place
42:47and start living among the Reina family.
42:49Marta, can you trust me
42:51and tell me what this is all about, please?
42:53This family is a big farce.
42:55I don't know who is who anymore.
42:57And I can't take it anymore.
43:05What a beautiful couple.
43:07My three children were already there.
43:09Do you like hydrangeas?
43:11It's my favorite flower.
43:13My husband gave me a bouquet
43:14on every special occasion.
43:18And this is Luis?
43:20Yes.
43:22He was already wearing your bouquet when he was little.
43:24He was always picking flowers.
43:26Look how chubby he is.
43:28Okay, Mom, please.
43:30How is this?
43:32It was great.
43:34Bring your album the next day.
43:36Well, I...
43:38That's going to be a bit difficult, Ligna.
43:40Why?
43:42My parents died in an accident.
43:44And I grew up in an orphanage
43:46until the Reina family adopted me.
43:48I'm very sorry, dear.
43:50Don't worry.
43:52I hardly have any photos of my childhood.
43:54My adoptive family also died a long time ago.
43:56Wow.
43:58And why were you interested in medicine?
44:00My adoptive father was a doctor
44:02and I became interested in the profession little by little.
44:05I deeply admire women
44:07who go to university.
44:09I would have liked it, but...
44:11Where did you study your degree? In Barcelona?
44:12Yes, in Barcelona, of course.
44:14And how many women were in your class?
44:16Very few, right?
44:18Well, that's enough.
44:20I mean, with the interrogation.
44:22We're in a bad situation.
44:24I don't want to give you an interrogation.
44:26No, I'm sorry.
44:28You don't have to.
44:30I should go back to the pantry.
44:32Really?
44:34Yes, the food was great.
44:38I'll go with you.
44:40No, you don't have to.
44:47Well...
44:50What happened?
44:52Nothing, Mother. What's going to happen?
44:55Are you sure?
44:57Yes, Mother, please. What's going to happen?
44:59I have to go to work.
45:01I'm going to go up to my room to get some documents and then I'll leave.
45:08Don Agustín!
45:10Don Agustín!
45:13Wait!
45:15Don't shout! Lower your voice.
45:17What do you want?
45:19Are you going to be my fly or what?
45:21No, I'm not a fly.
45:23I'm just here to see how he's doing.
45:25Well, you can see me.
45:27Dizzy and with a hangover.
45:29But with the remains to fulfill my obligations.
45:31And now it's time to give a five-day mass.
45:33Your suitcase.
45:35Are you going to leave at once?
45:37Well, no.
45:39Don Agustín, I come in peace.
45:40I don't trust you.
45:42You have more to come than a roller coaster.
45:44Have you already regretted your idea of leaving?
45:46Well, no.
45:48But I can't leave him like that.
45:50Like what?
45:52Well, he's not in a condition to give a mass.
45:54Besides, I don't know if he's going to be able to move.
45:56Again with those...
45:58I don't need your help.
46:00You did a lot by taking me to the dispensary.
46:02So you have fulfilled your work of charity today.
46:04Go in peace.
46:06Because he doesn't listen to the doctor.
46:08And he took a few days off.
46:10To give a mass to you.
46:12Well, only if you think it's good.
46:14I see you pretty bad.
46:16I'm in a high, but I can stand it.
46:18Physical pain is not important.
46:20And the sense of sacrifice is our obligation.
46:24I could replace him until he recovers.
46:27But let's see, Mateo.
46:29Are you good or stupid directly?
46:31I just want to help.
46:33About good or stupid, that's what you're saying.
46:36Maybe not stupid.
46:38I see you coming more cleverly.
46:40You have hidden intentions.
46:42Look, that's enough.
46:44I'm not going to keep consenting to his impertinences.
46:46With God.
46:55I shit in the dough.
46:59Wait.
47:11Just today.
47:14Come on.
47:30Come in.
47:37Hi, Begoña.
47:40Hi, honey.
47:43What are you doing?
47:47I was looking at my jewels.
47:50They are very beautiful.
47:53Didn't your mother wear that medal?
47:58Yes.
48:04Now it's too big for you.
48:06But one day it will be perfect for you.
48:08But it's yours, Begoña.
48:10But one day it will be yours.
48:12No, I don't want it.
48:15You give me this so that when you are not, I have a memory of you, right?
48:20Julia, I will always be with you.
48:22Begoña, tell me the truth.
48:25Why do you ask me that?
48:27Why did you ask Dina to take care of me when you are not?
48:31You can't go, do you hear me?
48:34I'm not going to let them take you to a hospital like your mother.
48:37I'm going to take care of you.
48:38I'll do whatever it takes.
48:40Julia, my love.
48:42I'm not going to any hospital.
48:44Then where are you going?
48:48You can't go, you can't leave me here alone.
48:51I would die without you, I would die.
48:53Come here, come here, come here.
48:58Julia.
49:03I'm not going to leave you.
49:06Swear it to me.
49:08I swear it.
49:22For God's sake.
49:24Not now, Marta.
49:26Stop looking at those photos.
49:28They are made to betray and with the sole intention of hurting me.
49:30You yourself realized how dangerous it was to take the girl.
49:33The decision is made.
49:35The girl is coming with me.
49:36I see a lot of suffering here.
49:39You have crossed a very dangerous line, Marta.
49:42Something that does not agree with your religious values.
49:46Your mother is a fool.
49:48She wanted to show her interest in me.
49:50I have already answered her that I can't go.
49:53Well, Gaspar, I'm glad you're dating a girl.
49:57But, but what do you mean a girl?
50:00A girl? Me?
50:02They have to be here.
50:06For God's sake, what a scare.
50:08What are you doing here?
50:10Someone has taken some photos of us walking around engaged.
50:12And he has sent them to you.
50:14Oh my God.
50:16So it's all over.
50:18Come on, don't be a kid and take it.
50:20Take it without joking, you look like Julia, come on.
50:22You like to make up the numbers, huh?
50:24He feels bad for having to lie to his mother.
50:26And I also feel terrible.
50:28It's in the pool.
50:30I haven't gone crazy.
50:32Let go of me.
50:33Stop!
50:34Julia is not in the water.