The Life and Music of Giuseppe Verdi | Full Movie | Raffaello Matarazzo | Pierre Cressoy, Anna Maria - video Dailymotion

TRENDEST MOVIES - ENGLISH

THE LIFE AND MUSIC OF GIUSEPPE VERDI | Biography, Drama, Music, Romance | 1953 |   Original title: Giuseppe Verdi (Verdi: The King of Melody)  Plot: Starring Metropolitan Opera and La Scala stars Tito Gobbi and Mario Del Monaco, this colorfully filmed drama of the life and loves of the great composer, Giuseppe Verdi, is played against a background of the great operas of the 19th Century. A tender love story of Verdi's successful and turbulent life, we hear more than 20 excerpts from his acclaimed operas: Rigoletto, La Traviata, Otello, Aida, Il Trovatore, Nabucco and many others. The Patriarch of Italian opera began his career with the bel canto composers (Bellini, Donizetti, and Rossini) and ended it as a contemporary of Debussy and Richard Strauss. Verdi's operas voiced his liberal views by making biting social and political comment, often bringing him into conflict with the censors. This nostalgic look at Verdi: The King of Melody, paints a romantic picture of the composer's struggle for success, his loves, and his musical triumph over the forces of political domination. Poignant and tender, filled with pathos, it is heart-rending in both its sad moments as well as in its times of joy. A theatrical and critical success when the feature film was released in the US in 1974, Verdi: The King of Melody, will touch your heart.  Crew:  • Directed by: Raffaello Matarazzo  • Written by: Maleno Malenotti (Story) • Starring: Pierre Cressoy, Anna Maria Ferrero, Gaby André, Sandro Ruffini, Camillo Pilotto • Produced by: Maleno Malenotti • Music by: Giuseppe Verdi • Cinematography: Tino Santoni • Edited by: Mario Serandrei  About TRENDEST MOVIES - ENGLISH:  Welcome to TRENDEST MOVIES - ENGLISH, your ultimate destination for an expansive collection of movies across all genres. From timeless classics to modern-day blockbusters, we bring you the best of cinema. Dive into our vast library, where you’ll find everything from thrilling action movies to heartwarming dramas, iconic comedies, and unforgettable sci-fi adventures. Stay tuned as we continue to expand our collection, offering something for every movie lover.  #TrendestMovies #EnglishCinema #ClassicHits   Follow Trendest Media:  • YouTube:  1) TRENDEST INFOTAINMENT: www.youtube.com/@TRENDEST_INFOTAINMENT 2) TRENDEST KIDS: www.youtube.com/@TRENDEST_KIDS  • Instagram:  TRENDEST INFOTAINMENT: https://www.instagram.com/trendestinfotainment/  • Facebook: TRENDEST INFOTAINMENT: https://www.facebook.com/TrendestInfotainment/   COPYRIGHT  We hold the proper licenses for all movies published on YouTube. For any questions, please contact: mail@trendest.in  AYA Media Private Limited & TRENDEST Media Private Limited are companies registered under the laws of India and located in the state of Kerala, India.

Transcript

00:00:00The American Pronunciation Guide Presents

00:00:05The American Pronunciation Guide Presents

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00:00:27The American Pronunciation Guide Presents

00:00:32The American Pronunciation Guide Presents

00:00:37The American Pronunciation Guide Presents

00:00:42The American Pronunciation Guide Presents

00:00:47The American Pronunciation Guide Presents

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00:01:37Oh

00:02:07Oh

00:02:37Oh

00:03:07Oh

00:03:32We

00:03:37Oh

00:04:07Oh

00:04:37Oh

00:05:07Only come on you can single fellow like that

00:05:17Have someone tell the press that from tomorrow the Scala theater is suspending all performances because maestro very a serious deal seems. There's no hope

00:05:24Oh

00:05:33What is all this throw on the ground is to keep the street quiet my severity's dying

00:05:54Oh

00:06:24Oh

00:06:54Oh

00:07:22Margarita

00:07:24Oh

00:07:54Oh

00:08:11See if conducts check the bigots

00:08:25Oh

00:08:26See Arturo here

00:08:29Why are you going to Milan what have you to say swine what I sell pigs

00:08:44Don Lorenzo finis key. Mm-hmm. Antonio de Bellis. Yeah, right

00:08:49You

00:08:51Separate the Margarita Barretti Verde a Gino Verde

00:08:59Why are you going to Milan

00:09:02Doesn't really interest you so much. My husband is a musician. They're giving his opera at the philodramatic theater. That's why we're going there

00:09:12Musician

00:09:15Our afternoon the Austrians know something about good music also

00:09:25Yeah, you may go

00:09:28Are

00:09:40You still frightened no more when I look at their faces I just cannot control myself

00:09:46It's too much for me. It seems like entering Vienna instead of Milan for the moment

00:09:51They're stronger and we Italians can't say what we think

00:09:54You wouldn't understand father politics don't concern you

00:09:59Oh

00:10:15Verdi you here. Hello, sir. Punch away. Oh very punctual all the misfortunes of my life arrived with unerring and quite inescapable

00:10:24Punctuality perhaps I should have come a few days earlier. No, no, unfortunately, you've arrived right on time. You see

00:10:30My dear Verdi, I am bankrupt

00:10:33Come

00:10:36Listen listen

00:10:40Did you hear all my beautiful things the backdrops the scenery my theater all for auction

00:10:46I'm afraid I lost my head. I forgot to let you know that the show was off because it all happened so suddenly

00:10:52But sir, I

00:10:55Left a steady position I

00:10:58Brought my family here

00:11:01What will I do listen that do you know that I'm a good friend of yours, I'll think of something for you

00:11:06I won't leave you like this. Just give me enough time to get over all this

00:11:09He cut out the other bitters right from the first moment with the scholar Delvere me and Peter Dormatici

00:11:15He rules the Italian Opera stage

00:11:17It's just as well there was nothing worth having. Oh, there wasn't much to choose from the most interesting thing your orders. Mr. Farrelly

00:11:26My respects

00:11:28I'm so sorry. Marini. I'm sorry than you are

00:11:32Yes, I've come to love this old place

00:11:35Well, at least you have the consolation of seeing some good opera shown here for the first time

00:11:41No hard feelings Marini and no money either and that's much worse

00:11:45Ah, but it won't be much longer than I'm without money

00:11:48I can assure you because the impresario Marini will rise again bigger than ever

00:11:52You think that you bought me out completely?

00:11:54Oh, no, the one thing that's worth the most you haven't bought yet and that you'll never be able to buy

00:11:59What do you mean? Not in me? I mean just this sir. Here is a young composer one of my discoveries

00:12:05He has something to sell first-class musical talent

00:12:08And I'll see that he's successful. I don't know how or in what theater because I have none most important. However, we're in Milan

00:12:14Genius will conquer difficulty a musician of great work. Yes

00:12:20He certainly doesn't look like it. Ah, but after all an artist is not to be judged by his appearance

00:12:24It's easier to tell an impresario by his conceit. I'll do the talking

00:12:29He has character this young friend of yours. I wonder if his music has as definite a character as he has

00:12:35I may decide to grant him an audition one of these days. I'll be seeing you. Not even certainly

00:12:42While this bus Marini you treat me like a freak attraction, let me take care of it

00:12:47I know how to handle people like that. You worry only about your family and it's for that old goat leave him to me

00:13:05I

00:13:14Finished the battle play me the lullaby

00:13:19How many wounded they're not wounded daddy they're sleeping at your orders general

00:13:36You

00:13:47What is it you're sleepy already

00:13:51Margarita why should he be so sleepy at this time of day? Well, you know, he's been running around all morning. I'm afraid he doesn't feel well

00:14:05Oh

00:14:07No, he's all right

00:14:18Stop it. Stop it. I'm sick of hearing that voice. She's not a woman. She's an old hand

00:14:22But darling, it isn't everyone who can have a melodious and pleasing voice

00:14:36You

00:14:42Go on with your game darling

00:14:48Don't let yourself get so depressed you say

00:14:52You must have patience patience patience. I've had too much of it. No word from anyone

00:14:59They haven't time to think of me I suppose my father would be very unhappy if he heard you speaking like this

00:15:05Poor Papa Barazzi a

00:15:08Fine thing he did to spend his money on my musical studies. He has faith in you

00:15:14It's a pity that he's the only one who does

00:15:20No, he's not the only one you darling

00:15:23You darling to every woman the man she loves seems to be a genius

00:15:33It's probably a bill collector

00:15:36They're the only ones who look for me. I'll answer you wait

00:15:41Who is it open the door? It's money. Oh

00:15:46I have good news wonderful news at last we have succeeded

00:15:54But Ellie wants to see when at once hmm Margarita, did you hear that?

00:16:06Oh

00:16:07Excuse me. Oh, no, don't you worry about me, but hurry up ready get my hat and the score. I'll get them. Oh one minute

00:16:16Here you are, sweetheart

00:16:19You

00:16:22Don't want to go out like that with that awful tie, but I but oh

00:16:28Forget the Tyson you're a margarita. We'll be late. It's useless to insist. It's obvious. You're a bachelor. Oh, no, I'm not a bachelor

00:16:35I'm a widower may the Lord rest her soul. I'm a lost man without her

00:16:39I

00:16:47Do it I'm afraid you'll never learn how to tie it. Will you?

00:16:53Do that I beg of you try and stay calm won't you don't get angry over any trifle

00:16:59It's a lovely opera and he's bound to like it. I

00:17:02Hope he likes it as much as I like you. All right. All right, but hurry

00:17:06Let's go. Goodbye senora

00:17:09Come on

00:17:11Come on hurry

00:17:39Oh

00:17:55Do you know darling baby, what is it you feel bad? Yes, it hurts me when

00:18:02Oh

00:18:06My poor darling little baby

00:18:08That's why you were so sleepy before

00:18:11Now you'll go straight to your cot and you see you'll feel all better

00:18:15If father was right you

00:18:32What is it you're wanted outside sir, oh, excuse me a moment

00:18:49Let's go Marini, but why do you have to ask I

00:18:53Could tell by his face that he didn't like the music, but he said nothing

00:18:57He hasn't even spoken yet because he didn't know what to say. No, no, no, no, you're wrong

00:19:00I don't run away like this keep your temper. Have you forgotten everything that your wife said calm down when he comes back?

00:19:06I'll talk to him. You're leaving so soon, but you would promise that you would stay and have dinner with me. I changed my mind

00:19:15Lately I've begun to notice that you've been changing your mind quite often about me

00:19:19Do you still love me? A singer is always in love with an impresario

00:19:24And if I were not an impresario, I wouldn't be a singer

00:19:28Who's in there a very promising young composer his fate depends on my decision I

00:19:36Heard him play

00:19:37Doesn't sound at all like the music of a beginner. I respect your judgment very much. I liked it

00:19:43I'm very glad because I liked it very much myself. Goodbye. We shall meet soon

00:19:48They gave me a contract and money in advance and you spent it all well

00:19:54Nearly Oh good heavens do that. Maybe the next time you sign a contract. They're only giving my operetta scholar during Carnival. Oh

00:20:04That's marvelous

00:20:05Yeah, you will sit with the composer and they won't know which is lovelier his music and his music

00:20:13You will sit with the composer and they won't know which is lovelier his music or his wife your music darling

00:20:21your music

00:20:27Yes, love mommy's coming

00:20:31I thought I'd put him to bed. I think he must have a bit of fever. I thought so how much Oh

00:20:38Hardly any don't you worry?

00:20:40Tomorrow he'll be much better

00:20:44Do you realize that there's only a month to Carnival and

00:20:47The dress for the first night. I have it in mind a skirt with white pleats and a blouse with big puffs

00:21:10My applause is for you every single time you proved, right? It's no great merit to recognize the talents of others

00:21:17But why isn't he on stage?

00:21:20the audience wants it

00:21:23I

00:21:25Don't know. I don't know. I don't know. I don't know

00:21:29I don't know. I don't know. I don't know. I don't know

00:21:33I don't know

00:21:35I don't know

00:21:37The audience wants it

00:21:40And I too would like to know go and look for him

00:21:44Who knows in what corner of the theater? He's hiding himself. So it's not to show his excitement

00:21:57Don't worry my dear we'll surely find it after all he can't have gone very far. Oh

00:22:02There he is stopped him just in time he burned his way out pleased with your success

00:22:09My dear I would like to present to you our maestro birthday

00:22:19It is an honor to meet such a celebrated artist a

00:22:23Singer can contribute only her voice

00:22:25But the heart and the soul are always given by you composers and the impresario he doesn't do anything he pays

00:22:34for everything I

00:22:36Hope you will join us tonight. Thank you, but I must go home at once

00:22:40But it's the last night of carnival. Nobody goes to sleep yet. I promised my wife

00:22:45Our little boy is ill

00:22:48Child, I'm sorry all best wishes. Thank you. What a good night better be

00:22:55I like him. He's so serious so modest and so very young and married

00:23:04Jealousy just foresight

00:23:25I

00:23:55My baby

00:24:25Oh

00:24:28Come along

00:24:32Have courage be brave

00:24:44Please oh, please don't make so much noise stop it now

00:24:49Stop it. I beg you

00:24:51Stop it now

00:24:53There's this little boy

00:25:23Oh

00:25:53Oh

00:26:23Something a little while ago

00:26:53Oh

00:27:01How do you feel dick fine fine you must feel cold

00:27:11Yeah, did you take the medicine the doctor ordered yes now I took it

00:27:23This

00:27:30Miserable rainy weather looks like it's never going to end. I'll go dear don't get up

00:27:41It's about the rent you told me to come again today you're right I was supposed to have collected some money

00:27:47Please be patient. I've been patient long enough. Yes. Yes. I've already told you you're right. You'll have to forgive me

00:27:53Tomorrow tomorrow, I'll bring it to you

00:28:08Who was it a salesman I sent him away I'm going out. Where are you going?

00:28:15I

00:28:16Have an appointment with Raleigh. He wants to talk to me still about the comic opera

00:28:23I don't know

00:28:25maybe

00:28:26But I won't accept don't you worry. I'll be right back. Bye

00:28:53You

00:29:03Asked for the impossible my dear birthday, I'm very sorry. I don't give advances, but I need money

00:29:09My son has died and now my wife needs a great deal of care. I've offered you a contract

00:29:13I offered you again there

00:29:15But I don't feel like writing a comic opera at this moment. I'm not in the mood

00:29:20Then we won't mention it anymore hmm, then give me another assignment I

00:29:26Brought a libretto look here

00:29:29He Lombardi

00:29:31No politics, no, I want no trouble with the Austrian census

00:29:36well, then

00:29:39You have already designed this and I'll give you at once the advance you wanted

00:29:43When you deliver the score

00:29:46You will get the rest

00:29:49Come

00:29:54You do a favor for me and I will do one for you there now a

00:30:01Pair of earrings a silver pin a gold necklace and

00:30:07the bracelet

00:30:1025 all right

00:30:13Why so little they're gold the bracelet is heavy

00:30:18I beg of you. I need the money business is business

00:30:25Wait, please

00:30:30Take this gold chain

00:30:35Depended on me I'd willingly give you more

00:30:4025 35 for the lot

00:30:43We can't possibly pay more than a quarter of the actual value

00:31:13Oh

00:31:35The poor thing she's fainted help me to lift her up come along dear

00:31:40What happened, you know if she

00:31:44But what need was her to go and pawn your jewels I

00:31:47Have money lots of money. There's more than enough to keep us going

00:31:52Did you sign that contract?

00:31:55What does it matter? No, you shouldn't have done it

00:32:00Give him back what he gave you

00:32:02You must break the contract. Why should I oh, it's a subject that you don't feel

00:32:07You wouldn't be at ease

00:32:10It's your second opera and it must be a success

00:32:14Don't worry. Oh, Joseph. I'm so afraid

00:32:18I'm so terribly afraid. No, no, you'll see

00:32:21Maybe I exaggerated

00:32:24They want a comic opera. They shall have a comic opera

00:32:27Even you don't think I can really do it. Do you?

00:32:30You're wrong, dear

00:32:33I've already thought of several themes. They're very good

00:32:36They're very good. I

00:32:38Don't believe it, but it's the truth. Do you want to hear them?

00:32:43I'll play them for you now

00:33:05I

00:33:07I

00:33:09I

00:33:34Look father the singer's name is printed here much larger than

00:33:39the

00:33:44Water please

00:33:55You must stay calm my child you see the least little thing upsets you and makes you worse

00:34:03Do you want me to tell you Zippy not to go?

00:34:06No, I want him to go

00:34:10He's already so upset about me

00:34:13Here I am. I'm already I

00:34:18Managed all by myself even found my cufflinks

00:34:22Come here, darling. No, don't move that necktie

00:34:26Leave us now Papa

00:34:28I

00:34:36Wanted so much to be with you the first night, but you will be I'll think only of you I'll be waiting

00:34:45I

00:34:57Am afraid to leave her no, you'd only upset her more

00:35:03Go I'll stay here come back soon and bring us good news

00:35:15You

00:35:19It was very worried wasn't every composer is on his opening night

00:35:26It would be terrible if it didn't go well

00:35:31He's worked so hard

00:35:44You

00:36:14Oh

00:36:24Papa but why is he so late?

00:36:36I

00:36:38Won't be alone where I go

00:36:41But he will he'll be all alone

00:36:48You love him, don't you Papa? Yes

00:36:53And you'll love him

00:36:56After us

00:37:00And if another woman

00:37:05Takes my place. No, don't say that. Don't say it

00:37:10She must be worthy of him

00:37:16She must love him

00:37:19The way I loved him

00:37:24With all her heart with all her soul

00:37:27You will give her this ring because I don't want my memory to diminish their happiness

00:37:57Oh

00:38:19How did it go don't tell her

00:38:27I

00:38:31Tell me

00:38:35The success

00:38:37the great success I

00:38:39Thought they would never stop applauding. I'm so glad it was

00:38:45wonderful

00:38:48The audience was enthusiastic

00:38:52Everyone asked

00:38:55About my lovely wife

00:39:01And I wasn't there

00:39:16Margarita

00:39:24I

00:39:54Wonderful

00:40:09May I

00:40:11I

00:40:23What do you have some soup and a little bread

00:40:36I'm very sorry. They can't give you any more credit

00:40:41I

00:41:11I

00:41:28Would you give me a few chestnuts for this

00:41:41You

00:41:45That's all right, thank you

00:41:55Thank you

00:42:03Even hungrier than we are

00:42:12I

00:42:23That's better isn't it? Yes, that's better

00:42:27You told me tonight you were having trouble with the score of Nabucco

00:42:31Why not give it to him? Oh for goodness sake that is finished. No one even knows his address anymore

00:42:37He lives like a savage stop a minute. Will you?

00:42:40Have you the libretto with you give it to me. Why do you want it?

00:42:44I'm not getting out of this gold my dear. Let me talk to him. You wait here the libretto quickly

00:42:49But you subpoena you can't do that. I don't care for the idea. This is one of your whims. We'll see

00:43:06Don't you recognize me

00:43:10Yes, good evening

00:43:11They told me that you won't see anyone that you live just like a bear, but why they have told you the truth

00:43:18Excuse me. Good night. No, wait

00:43:21You know, but I only want you to write the music for a new opera

00:43:29He gives me charity no, this isn't charity this is your work

00:43:34Your music and your future are still very important to Burrell Lee

00:43:39No

00:43:40to me I

00:43:42To know what it means to despair

00:43:45There were times when I wished I could die

00:43:48Then I understood that I was wrong

00:43:51The only wealth we have in our possession is life

00:43:54Even though it has its sorrows its tribulations

00:43:58Don't you understand that? I have nothing more inside

00:44:02nothing I

00:44:04Am

00:44:06Disillusioned and bitterly empty. No, it's you who insist on thinking so and you've got to react against it resume your work

00:44:14Feel alive once more and with your genius put all your sorrow into your music. You must do it

00:44:20Please take it. It's interesting. It's the story of the suffering of an oppressed people who long for liberty

00:44:27Just like our people like all of us. All I ask is that you read it

00:44:32Will you please

00:45:02I

00:45:32You

00:46:02You

00:46:32Oh

00:47:02Oh

00:47:32Oh

00:48:02Oh

00:48:32Oh

00:49:02Oh

00:49:32Oh

00:50:02Oh

00:50:28Bravo maestro

00:50:32Bravo maestro

00:50:38A big success

00:50:48Bravo maestro. Don't you hear them go up on the stage the calling for you?

00:50:52What are you waiting for? Listen, they want you on stage go on maestro. Good luck. Good luck to you, maestro

00:51:02Long live Italy! Long live Italy!

00:51:06Come on! Long live Italy!

00:51:09Long live Italy!

00:51:12Are you pleased, Maestro?

00:51:14Bravo!

00:51:17Long live Italy!

00:51:29Long live Italy!

00:51:47But this is provocative action.

00:51:50Interrupt the performance and arrest the composer.

00:51:53Your Excellency.

00:51:55Hooray! Long live Italy!

00:51:58Order of His Excellency the Governor.

00:52:01The performance must be interrupted.

00:52:03The public's behavior is absolutely scandalous.

00:52:05What?

00:52:06We consider this opera a cause of unrest.

00:52:09These are His Excellency's orders.

00:52:11Gentlemen, I beg you.

00:52:12Good evening, Captain. What is it?

00:52:14You're to stop the performance.

00:52:15The orders from the Governor.

00:52:16I can't. It's impossible.

00:52:17Get in line.

00:52:18These are the orders of the Governor.

00:52:19His Excellency has already paid.

00:52:24Maestro, once more, once more.

00:52:26All together, come on.

00:52:29Oh, I love you.

00:52:42Listen to them. Listen to them.

00:52:44Yes, I hear it.

00:52:45Everyone's gone crazy out there.

00:52:47With your fancy, you want to see me ruined.

00:52:50What are you doing standing there like a mummy?

00:52:52What am I to do, Supervisor?

00:52:53Go into the theater and try to calm those women.

00:52:55They'll smash up the place.

00:52:56What do you think?

00:53:13Excellency, I do not guarantee that there won't be a riot if the performance is interrupted.

00:53:17Jawohl.

00:53:18But tomorrow I will expect in my office the Impresario.

00:53:21He will have to answer to me for this scandal.

00:53:23Verfluchte zappel.

00:53:24Verfluchte zappel.

00:53:26Verfluchte zappel.

00:53:51Maestro.

00:53:53Come in.

00:53:54Do.

00:54:01I wanted to see you alone for just a minute.

00:54:04Before the others arrived.

00:54:07To say to you, thank you.

00:54:11Thank you.

00:54:13Did you hear all that applause, Maestro?

00:54:15It was all for you.

00:54:17Do you know that?

00:54:18And also for your voice.

00:54:20It's your music that makes it what it is.

00:54:25And you made me what I am.

00:54:28Do you remember that evening?

00:54:30It is to you that I owe it all.

00:54:32Everything.

00:54:34I will never forget it.

00:54:37All my life.

00:54:45If my speaking to you that evening really did you some good,

00:54:49then that's the best use I've ever made of my voice.

00:54:54I too shall never forget.

00:55:15Giuseppe.

00:55:16You can come in now.

00:55:18You were magnificent.

00:55:21It was wonderful, superb.

00:55:34And so you see, you've become famous.

00:55:37Ah, too famous.

00:55:39Dear Verdi, you have given me a beautiful opera,

00:55:42but you've also put me in a beautiful mess.

00:55:45Oh, you'll get out of it very easily.

00:55:47Everyone knows that you and the Austrian governor are in each other's pockets.

00:55:50All the same, I must go to Vienna at once.

00:55:53I've got to speak to the Minister of the Imperial Police in person.

00:55:56If we want your revolutionary nebucco to have the performance as it deserves,

00:56:00I will have to leave tomorrow.

00:56:05You seem happy that I'm going.

00:56:08Giuseppina, you must be very tired.

00:56:10Well, excuse us, ladies and gentlemen.

00:56:12My sister has to change.

00:56:14Would you mind leaving us now?

00:56:17Good night.

00:56:19Please, Maestro.

00:56:26Good night.

00:56:28Good night.

00:56:29I'm afraid you will have to leave too, Maestro.

00:56:32Please.

00:56:35Good night.

00:56:43Well.

00:56:45What is it?

00:56:46What's the matter?

00:56:47I'm so happy.

00:56:49Too happy.

00:56:50Yes.

00:56:51It was a big success.

00:56:53No.

00:56:54It's not because of that.

00:56:55Then what?

00:56:56I'm so much in love.

00:56:57Oh.

00:56:58It isn't the first time you've been in love.

00:57:01But this time isn't like the others.

00:57:03Verdi's not the sort...

00:57:04Madeline!

00:57:05Oh.

00:57:06The little country maestro doesn't lose time with the girls in the chorus.

00:57:10He aims high.

00:57:11He picks the prima donna.

00:57:13The famous soprano.

00:57:14The friend of the greatest impresario in Italy.

00:57:16Don't talk like that.

00:57:18He knows nothing of me.

00:57:20He sees me like I used to be.

00:57:23And like I'd want to be again for him.

00:57:27And now I'm afraid.

00:57:29Oh, come on now.

00:57:30Let's not complicate things.

00:57:31If you really like that country bumpkin, you know how to satisfy your whim.

00:57:35It isn't a whim.

00:57:38For the first time in my life, I know what it is to love.

00:57:40And to be loved.

00:57:42Oh, it's senseless.

00:57:45I've always told you, you're nothing but a fool.

00:57:47A stupid fool.

00:57:48That's all.

00:57:55Do you remember me?

00:58:03No.

00:58:05But I remember you.

00:58:13He must be touched.

00:58:35Look how beautiful it is here.

00:58:38Look how beautiful it is here.

00:58:42I want to go back to the country.

00:58:44I'm a farmer.

00:58:46A peasant.

00:58:48Who writes operas?

00:58:50If all goes well with Hernani, but then Varelli is still in Vienna.

00:58:54Why wait for Varelli?

00:58:56There isn't only La Scala.

00:58:58You could also give Hernani in Venice.

00:59:00I'd come there to sing in it.

00:59:03Yes.

00:59:05Yes.

00:59:07Maybe you're right.

00:59:23What is it?

00:59:25Aren't you happy?

00:59:29Oh yes, too happy.

00:59:31It frightens me almost.

00:59:34What are you afraid of?

00:59:36Of losing you.

00:59:38Neither do I want to lose you.

00:59:41That's why I want you to give up your city life.

00:59:45Your friends.

00:59:49And also your career.

00:59:53Would you do it?

00:59:59You don't answer.

01:00:01Just let me sing your Hernani.

01:00:03Will you?

01:00:06Then I will do whatever you want.

01:00:09Dear.

01:00:11Dear Esther.

01:00:12Love you more than you know.

01:00:31You don't seem too happy to see me.

01:00:36I'm very glad you're here.

01:00:38There's something important I must say to you.

01:00:41You must understand.

01:00:52Giuseppina, I'm not so very young anymore.

01:00:55I'm not so young anymore.

01:00:57Giuseppina, I'm not so very young anymore.

01:01:00And you instead are in the flower of your youth.

01:01:04So as not to break off, I've never interfered with your actions.

01:01:08But this time you've gone too far.

01:01:12I love Verdi.

01:01:15I'm going away with him.

01:01:17I'm through with singing.

01:01:19Are you insane?

01:01:21And I, according to you, must understand you,

01:01:24accept your decision and give you my blessing.

01:01:26I don't want to lose you.

01:01:28You wouldn't have been anything without me, don't forget.

01:01:30I know it.

01:01:31But I repaid you.

01:01:33I have no more obligations.

01:01:35I'm free now.

01:01:36Yes, free to ruin yourself with that Verdi.

01:01:38Whom I can send back to starvation anytime I want to.

01:01:41There are lots of theaters.

01:01:43You forget that I have under my control almost every theater in Italy.

01:01:46And as for the public and the critics,

01:01:48I know how to handle them.

01:01:51Yesterday's idol can fall at tonight's rehearsal.

01:01:54You won't do that to me.

01:01:57You're right, I won't do it tonight.

01:01:59I should give you some time to think it over.

01:02:02And there's one thing more that I must tell you.

01:02:04Ever since we gave Nabucco, your Verdi has been a political suspect.

01:02:08You know what that means, don't you?

01:02:12You don't frighten me.

01:02:14You only disgust me.

01:02:16You only disgust me.

01:02:18Get out. Get out.

01:02:20I would rather die than have anything more to do with you.

01:02:23I will give you until tomorrow.

01:02:31Signor Pirelli.

01:02:37Signor Pirelli.

01:02:39Wait.

01:02:43Listen.

01:02:46Signor Pirelli.

01:02:47Excuse me, Maestro Verdi.

01:02:48He's not here.

01:02:49Signor Pirelli.

01:02:50They told me that he's always with the prima donna.

01:02:52But who are you?

01:02:54I'm Verdi's father-in-law, Borezzi.

01:02:56His father-in-law?

01:02:58You couldn't have come at a better moment.

01:03:00Heaven must have sent you, Mr. Borezzi.

01:03:02Come in, please, just for a moment.

01:03:04This way, please. I want to speak to you.

01:03:06It won't take a minute. Please.

01:03:08Thank you.

01:03:09In there.

01:03:16Wait for me.

01:03:22Here we are.

01:03:23She's been fitting a costume.

01:03:24You go in. I'll see that no one else comes.

01:03:26Just knock.

01:03:30Come in.

01:03:36What is it?

01:03:37I'm Antonio Borezzi.

01:03:41Oh.

01:03:42Signor Borezzi.

01:03:47It's all right now. You can go.

01:03:49Yes, madam.

01:03:51Verdi will be delighted you're here.

01:03:53Have you seen him yet?

01:03:55No, and I would prefer that he should not be told that I'm here in Venice.

01:03:59I don't understand.

01:04:00Sit down.

01:04:03I am Margherita's father, and I speak to you in her name.

01:04:07Do you see this ring?

01:04:09It belonged to my daughter.

01:04:11She told me to take it.

01:04:13And said that I was to give it only to the woman worthy of being Verdi's second wife.

01:04:19Oh, I see.

01:04:21You don't believe me worthy, do you?

01:04:23That's a question you should never have asked me.

01:04:26What right have you to judge me?

01:04:28I know all about you.

01:04:29Also what Verdi doesn't know.

01:04:31That you have a child.

01:04:32He's dead.

01:04:33And that you can't have any more.

01:04:35And you blame me also for my misfortune?

01:04:38No, but I don't want your misfortune to become Verdi's also.

01:04:42A faithful wife and children.

01:04:44That is what he hopes to have again.

01:04:46And you could never be neither wife nor mother.

01:04:49Don't you know he loves me?

01:04:50Verdi is of our stock.

01:04:52He has our morals, our ideas.

01:04:54Perhaps we're narrow-minded, but we're very strict.

01:04:57Even if he did forgive you, he would always remember.

01:05:00He'd always be ashamed of his own weakness.

01:05:02He would be ashamed of you.

01:05:05He would never be able to look at a child without thinking that his wife will never have any.

01:05:11He would end by hating you.

01:05:14I too have the right to rebuild my life.

01:05:17Yes, but not at the price of someone else's.

01:05:20For Eli is very influential.

01:05:22And jealousy is very often an evil counselor.

01:05:25Verdi could easily be ruined by you.

01:05:29Oh, you're all against me.

01:05:31Nobody has pity.

01:05:32Nobody.

01:05:34The only thing you can do if you really do love him is to leave him.

01:05:38In a way that he'll never regret it.

01:05:45Giuseppina.

01:05:47Giuseppina.

01:05:51Giuseppina.

01:06:00Giuseppina.

01:06:02Why didn't you answer me at once?

01:06:03I was trying on my costume.

01:06:05But listen, I...

01:06:06Please, now, I have so many things to do.

01:06:07There's not much time before the performance and I'm still like this.

01:06:10Later, a little later, please.

01:06:12Forgive me.

01:06:37Hey.

01:07:33Hey.

01:07:53Hey.

01:08:13Hey.

01:08:33Hey.

01:08:53Hey.

01:09:19Now, please.

01:09:20Stay outside the door.

01:09:21Yes.

01:09:22Don't let anyone in.

01:09:23I'll go back to the hotel at once.

01:09:26And if it's Verdi, you won't see him?

01:09:29Not even Verdi.

01:09:36No, you can't come in.

01:09:37Wait.

01:09:38Leave us alone.

01:09:39Very well.

01:09:46What is it, Giuseppina?

01:09:48Nothing.

01:09:49I'm a little tired, that's all.

01:09:51You know, you sang marvelously tonight.

01:09:54You actually moved me with my own music.

01:10:03Giuseppina.

01:10:04I must tell you something very important.

01:10:06But I...

01:10:07But I don't know where to begin.

01:10:16Tell me, will you be my wife?

01:10:21It may seem strange that I ask you now.

01:10:24But never as tonight have I so wished to have you for myself.

01:10:28I'm beginning to be jealous.

01:10:31Even of your triumphs.

01:10:37Why don't you answer?

01:10:39With love alone, all one needs to be happy.

01:10:42Why, of course.

01:10:44Love also includes respect and trust.

01:10:48But what's troubling you?

01:10:49I asked you if you would like to be my wife.

01:10:53I want you to answer yes or no.

01:10:58I don't believe that I could ever be the wife that you need.

01:11:01I'm not the woman for you.

01:11:03Oh, no.

01:11:04No, that can't be the reason.

01:11:06It doesn't make sense.

01:11:08It is I who must choose the woman I want for wife.

01:11:11I've chosen you because it's you I want.

01:11:16All you must do is tell me if you love me.

01:11:19That's all I ask.

01:11:23Only that.

01:11:25No, not now.

01:11:26I feel so tired tonight.

01:11:29Tomorrow.

01:11:30Tomorrow I'll be able to think more clearly and to explain better.

01:11:33Explain what?

01:11:35That you don't love me, that I'm nothing to you?

01:11:37You must tell me.

01:11:38Don't ask me anymore.

01:11:39I insist you answer.

01:11:43Very well, then.

01:11:44I thought I loved you.

01:11:46I was amused by the role of the woman in love.

01:11:49You are forgetting that I am an actress.

01:11:54But I don't understand.

01:11:57Your kisses.

01:11:59But why?

01:12:02Why did you do it?

01:12:04I'm sorry.

01:12:05If I led you to think that I was being sincere.

01:12:08I've also been thinking.

01:12:11And here you see the result.

01:12:13I've packed my trunks.

01:12:15I'm leaving for Paris.

01:12:17I've got a marvelous contract.

01:12:19Another theater, another audience.

01:12:21That's what I live for.

01:12:22That's my true life.

01:12:24So this is your decision?

01:12:28Yes.

01:12:30Very well.

01:12:32Then it's been nothing but a farce.

01:12:34That's all.

01:12:37Very good.

01:12:38Allow me to congratulate you.

01:12:40I admit you played your part to perfection.

01:12:43So that I'm not ashamed to tell you.

01:12:45I believed you were sincere.

01:12:49Oh, well.

01:12:50I'm nothing but a peasant.

01:12:52Very naive.

01:12:53Easily taken in.

01:12:56And you instead are the great artist.

01:12:57Who laughs at his expense.

01:12:59No, no.

01:13:00It's not like that.

01:13:01Enough of this comedy.

01:13:02You don't have to lie anymore.

01:13:03Now I can see what you really are.

01:13:05A poor, miserable actress.

01:13:07Go on.

01:13:08Go do your acting in the theater.

01:13:10I agree with you.

01:13:12That's your life.

01:13:14There you don't waste your time.

01:13:15There you get paid for acting.

01:13:17There's an audience who applaud you.

01:13:20Goodbye.

01:13:25Giuseppe!

01:13:35Giuseppe!

01:13:45Well?

01:13:46Did you get rid of him?

01:13:47You did very well.

01:13:48Now, come on.

01:13:49Let's go.

01:14:001848, 1849.

01:14:02Anxious years.

01:14:04For those who strove for the independence of Italy.

01:14:10Lonely Giuseppe Verdi joined in the battle against the Austrian oppressor

01:14:14with his songs of hope and promise.

01:14:17These songs became the battle hymns of the patriots

01:14:20and were sung wherever they fought.

01:14:25Long live Italy!

01:14:27Long live Italy!

01:14:29Wait!

01:14:34Long live Italy!

01:14:36Wait!

01:14:38Long live Italy!

01:14:40Wait!

01:15:04Long live Italy!

01:15:06Wait!

01:15:08Long live Italy!

01:15:10Wait!

01:15:12Long live Italy!

01:15:14Wait!

01:15:16Long live Italy!

01:15:18Wait!

01:15:20Long live Italy!

01:15:22Wait!

01:15:24Long live Italy!

01:15:26Wait!

01:15:28Long live Italy!

01:15:30Wait!

01:15:32Good morning to you.

01:15:35Good morning, Roberto!

01:15:54Good morning, Roberto!

01:17:58It's the gate! Assassins! Assassins! Open the gate! The gate! Assassins! Open it!

01:18:15It's the gate! Assassins! Assassins!

01:18:45It's the gate! Assassins! Assassins!

01:19:15It's the gate! Assassins! Assassins!

01:19:44There's Rossini!

01:19:49Bravo! Bravo!

01:20:00Ah, dear do my tages, since I've so enjoyed an opera, not since my own Barbarossa death.

01:20:07The music is lovely, so lovely it could easily have been written by you.

01:20:10Of course. A few more operas as fine as this, and I risk everyone saying that my Barbarossa ville is worthy of Verdi.

01:20:18Oh, by the way, have you seen the new visiting cards that I've ordered?

01:20:26Can they be used also for a duel?

01:20:28Yes, a duel with forks.

01:20:31Let's see now, here it is, Thursday. Paolo!

01:20:36Paolo!

01:20:38You wouldn't invite Verdi in that most vulgar manner?

01:20:41Most vulgar? Did you hear that, Dumas?

01:20:44My wife calls most vulgar the polite practice of having our guests enjoy beforehand our delicious meals.

01:20:49Paolo, go backstage and take this card to Maestro Verdi and tell him to come as soon as possible after the performance.

01:20:55Of course.

01:21:26Paolo!

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01:28:11Paolo?

01:28:15Excuse me, madam.

01:28:16It's getting very late.

01:28:18Forgive me.

01:28:19Why, of course.

01:28:26What is the matter, my dear?

01:28:28Do you feel ill?

01:28:29No, no, thank you, it's nothing.

01:28:35Will you kindly remind your husband

01:28:38of the promise he made to me for Donizetti?

01:28:40Certainly. Thank you.

01:28:47My poor Giuseppina. I can well imagine what you've suffered.

01:28:53You yourself had so much need of comfort, and instead you thought of comforting poor Donizetti.

01:29:01Since the other night I've been in despair.

01:29:04When I saw him so unexpectedly, I thought that I would die.

01:29:08I wanted to fall at his feet and ask his forgiveness.

01:29:11And shout out that it wasn't true.

01:29:13That I love him as much as I always have.

01:29:16And maybe even more.

01:29:19But in all his words, there was only his bitterness.

01:29:23His contempt. It's all fault.

01:29:25I only wanted to make him forget.

01:29:27Not to make him hate me as he does.

01:29:29Try to tell him the truth, dear.

01:29:31That it was for his good that you lied.

01:29:33Or at least for what they led you to believe was his good.

01:29:35It's too late.

01:29:37I know him well.

01:29:39He's a very obstinate man.

01:29:41He's a stupid jackass. That's what I think of him.

01:29:48But he suffered a lot.

01:29:52Goodbye, maestro.

01:29:56And please forgive me if I've bothered you with my troubles.

01:29:59Goodbye, Giuseppina.

01:30:00Goodbye, Giuseppina.

01:30:02And if you go away, don't forget to come and see this doddering old fool confined to his house.

01:30:07Every farewell could be the last when one is in my condition.

01:30:10What are you saying?

01:30:30No, no, no.

01:30:32No, no, no.

01:30:34No, no, no.

01:30:36No, no, no.

01:30:38No, no, no.

01:30:40No, no, no.

01:30:42No, no, no.

01:30:44No, no, no.

01:30:46No, no, no.

01:30:48No, no, no.

01:30:50No, no, no.

01:30:52No, no, no.

01:30:54No, no, no.

01:30:56No, no, no.

01:30:58No, no, no.

01:31:00No, no, no.

01:31:02No, no, no.

01:31:21Maestro, you wanted me.

01:31:23Wanted?

01:31:25To stay at the door.

01:31:30Donizetti, what a surprise.

01:31:44This is an honor.

01:31:46Come maestro, I'll get you a box seat.

01:31:48If I've come here, it isn't to listen to your music.

01:31:50As a musician, you may even be a genius, but as a man, you're an egotistical fool, selfish

01:31:56and utterly blind.

01:31:58You don't like what I've just said?

01:32:02My life is finished.

01:32:04I'm sick and all I have left is the past.

01:32:06That's all.

01:32:07All the feeling in my heart is spent.

01:32:09Maybe that's why I can speak.

01:32:11I can talk to you as no one else can.

01:32:14Sit down and listen to me.

01:33:14It's all right, it's all right, it's all right, it's all right, it's all right, it's all right,

01:33:21it's all right, it's all right, it's all right, it's all right, it's all right, it's all right,

01:33:28it's all right, it's all right, it's all right, it's all right, it's all right, it's all right,

01:33:34it's all right, it's all right, it's all right, it's all right, it's all right, it's all right,

01:33:39it's all right, it's all right, it's all right, it's all right, it's all right, it's all right,

01:33:44and in the end I thank the storm of my heart.

01:34:06I've told you nothing but the truth.

01:34:08But how can a woman really in love lie so well?

01:34:12deeply in love. She put you on a pedestal, you were her idol, and she thought herself

01:34:17unworthy of you. I was so much in love, I was blind. You have never understood our

01:34:24Giuseppina. The fact that she made that sacrifice proves that it'd be worthy of

01:34:27any man. Believe me, glory and riches mean less than nothing in a life without love.

01:34:33They don't count compared to sincere and pure affection.

01:34:39Maestro Verdi, the audience wants you. Won't you come, please?

01:34:46Go on, get your fill of applause, if that's what you're seeking. But don't forget, it's

01:34:52nothing but noise. It may fill your ears and your pocket, but not your heart.

01:35:09Come in.

01:35:16Come in, come in.

01:35:20I put the student things over there.

01:35:25What... what students?

01:35:27Why, the singing school.

01:35:28But I'm not the...

01:35:31Excuse me, who did you want?

01:35:33Signora Giuseppina.

01:35:36Isn't she the teacher?

01:35:38She left Paris. Didn't you know?

01:35:41She left? And where has she gone?

01:35:45I don't know. She didn't even tell me, and I was her favorite pupil. She only asked

01:35:50me to close the school.

01:35:52Uh, excuse me, but she must have left a forwarding address with someone.

01:35:56I just told you. She left the school all of a sudden. She took very few things with

01:36:00her, and she said she'd send later for her trunks.

01:36:05Oh, I forgot to pack that book. Now I have to start all over again. She was so fond of

01:36:19it. It's the story of a lost woman. She used to cry when she was reading it.

01:36:35She used to cry when she was reading it.

01:37:05I've gone to everyone who has ever known her. But nothing. Nothing. Nothing.

01:37:27Muzio, I've got to find out where she is.

01:37:30Yes, maestro.

01:37:35Here. Take this. Don't worry about expenses. The important thing is to find her.

01:37:46I'll do everything I can, maestro, but it's going to be rather difficult.

01:37:49Oh, Papavarazzi, it's you. Please come in. I'll be with you right away.

01:37:55Who is that young fellow?

01:38:02Excuse me. I didn't mean to be inquisitive. How is your work going?

01:38:15I've been thinking about the title for that new opera of yours, La Traviata.

01:38:21Why not leave it, Camille?

01:38:24I have just engaged that young man you sought to find, Giuseppe.

01:38:28You still love her, don't you?

01:38:31Yes.

01:38:33I understand. Yes.

01:38:35No, you don't understand. Just as you didn't understand when you did all you could to separate us.

01:38:41But I did it for your good, Giuseppe. Are you reproaching me for taking care of you?

01:38:47You make me feel very badly. Well, it doesn't matter.

01:38:53But I realize that if that woman is going to be with you, or me, there's no place here.

01:39:01Goodbye.

01:39:07No, Papavarazzi. I have nothing against you.

01:39:12If anyone is to blame, it's I.

01:39:18Only when it was too late did I understand how great was the sacrifice that she had made.

01:39:25And how great her love for me has always been.

01:39:32And now I am paying dearly for my mistake with a loneliness that overwhelms me.

01:39:40So if now you should abandon me too, you would only increase my suffering and my loneliness.

01:39:51My dear boy, if you still love this poor old man who, in spite of everything, has always cared for you,

01:39:58loved you, looked after you as if you were his own son, here I am.

01:40:03Here I am.

01:40:09Thank you. Thank you.

01:40:43Thank you.

01:41:13Thank you.

01:41:43Let's enjoy a little bit of love.

01:41:50It's a flower that doesn't die.

01:41:54You can't enjoy it anymore.

01:42:00Let's enjoy it.

01:42:03It invites us. It invites us.

01:42:05A heart of two hundred roses.

01:42:09It invites us. It invites us.

01:42:12Let's enjoy a little bit of love.

01:42:15It's a flower that doesn't die.

01:42:19You can't enjoy it anymore.

01:42:24You can't enjoy it anymore.

01:42:27Life is in turmoil.

01:42:31When you don't love me yet.

01:42:34But don't say it like that, sir.

01:42:38My destiny is to love you.

01:42:46Let's enjoy a little bit of love.

01:42:50It invites us. It invites us.

01:42:53A heart of two hundred roses.

01:42:56It invites us. It invites us.

01:42:59A heart of two hundred roses.

01:43:02It invites us. It invites us.

01:43:05It invites us. It invites us.

01:43:08A heart of two hundred roses.

01:43:11It invites us. It invites us.

01:43:16And to think that on the opening night, they didn't like it.

01:43:19They realized their mistake.

01:43:22Like me.

01:43:26Come in.

01:43:31When did you arrive?

01:43:32A short while ago.

01:43:34And then?

01:43:35Nothing.

01:43:36Also in Milan I found no trace of Signora Giuseppina.

01:43:39We're now waiting word from Paris.

01:43:41We're hoping that someone or other will pick up her baggage.

01:43:45We may be lucky.

01:43:47Thank you.

01:43:48At any rate, I shall continue.

01:43:50You can rely on that.

01:43:53Thank you, Muzio.

01:43:55Please do.

01:44:05Verdi has put his soul into this music.

01:44:07Yes, it's true.

01:44:08Up till now he's been perfect.

01:44:10But without much meaning.

01:44:12He must be in love.

01:44:13They say that he's incapable of love.

01:44:15Oh, he's a bear.

01:44:16He's a genius of the century.

01:44:20Excuse me.

01:44:22Yes?

01:44:23You are Miss Barbarina?

01:44:25Yes.

01:44:26Where is your sister?

01:44:27Oh, I don't know.

01:44:29I have no idea. She never writes.

01:44:31I felt that she was here with you.

01:44:33Oh, no.

01:44:34I've been invited by some friends.

01:44:36We're upstairs in a box.

01:44:37Excuse me.

01:45:04I'm sorry.

01:45:12Excuse me.

01:45:14You could have come back sooner.

01:45:16What an idea to come here with these people.

01:45:19I've told you.

01:45:21I don't want to be recognized by anyone.

01:45:33I don't want to be recognized by anyone.

01:45:36I don't want to be recognized by anyone.

01:45:39I don't want to be recognized by anyone.

01:45:42I don't want to be recognized by anyone.

01:45:45I don't want to be recognized by anyone.

01:45:48I don't want to be recognized by anyone.

01:45:51I don't want to be recognized by anyone.

01:45:54I don't want to be recognized by anyone.

01:45:57I don't want to be recognized by anyone.

01:46:00I don't want to be recognized by anyone.

01:46:03I don't want to be recognized by anyone.

01:46:06I don't want to be recognized by anyone.

01:46:09I don't want to be recognized by anyone.

01:46:12I don't want to be recognized by anyone.

01:46:15I don't want to be recognized by anyone.

01:46:18I don't want to be recognized by anyone.

01:46:21I don't want to be recognized by anyone.

01:46:24I don't want to be recognized by anyone.

01:46:27Thank you.

01:52:12foreign

01:52:30foreign

01:52:42foreign

01:52:56foreign

01:53:12foreign

01:53:34foreign

01:53:42foreign

01:54:04foreign

01:54:12foreign

01:54:26foreign

01:54:42foreign

01:54:56so

01:55:12so

01:55:26so

01:55:42foreign

01:55:56oh

01:56:12foreign

01:56:26foreign

01:56:42foreign

01:56:54foreign

01:57:12foreign

01:57:28so

01:57:42in poverty and humility i arrived on this earth

01:57:59of all my works it is the one i love best

01:58:12foreign

The Life and Music of Giuseppe Verdi | Full Movie | Raffaello Matarazzo | Pierre Cressoy, Anna Maria

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