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00:00♪
00:04Margarita.
00:05I'm sorry.
00:06I'm sorry, Ignacio,
00:07because the question caught me by surprise.
00:10By surprise.
00:12We've been thinking about this for a long time.
00:15Well, but it was absorbed by Martina's situation.
00:20Yes, I understand, but that obstacle no longer exists.
00:24True.
00:27But it may be that the conflicts you have
00:30or you had with my daughter
00:33have made me her and me.
00:38Wow.
00:41Ah.
00:43I thought her repairs seemed unjustified and groundless to you.
00:47Well, they don't seem that way to me anymore.
00:51Because I shouldn't have allowed you
00:52to take my daughter to that sanatorium.
00:54Nothing justifies something like this, Ignacio.
00:57Especially knowing, as we now know,
00:59that Martina was innocent.
01:02Or forget it all.
01:03Don't torture yourself.
01:05Let's get married.
01:06Let's live our love.
01:10I just can't.
01:11Ignacio, I can't.
01:13After all this, it's ...
01:16I don't know.
01:19I don't think it makes any sense for us to formalize our union.
01:25Margarita, please.
01:28You know how much I love you.
01:32If I have made mistakes, it has been precisely because of that.
01:35And yes, it is true that I have not had a left hand
01:38to deal with the girl.
01:41And that if I were your daughter, I should have been above all.
01:45I wish I could go back
01:48and fix all the times I've messed up.
01:51Well, we've all made mistakes.
01:55But you have to be indulgent with mistakes made out of love.
01:58And if there's one thing I know, Margarita,
02:01it's that I love you.
02:03And I don't want anything more to happen to you in the rest of my life.
02:10That's very nice of you to say, Ignacio.
02:13And above all, it's true.
02:16My heart is yours.
02:25Yes.
02:27What?
02:30That I do want to marry you.
02:32Are you serious?
02:36You make me the happiest man in the world.
02:46I love you.
03:06I don't think she'll be back before lunch.
03:08So stay focused on helping Lope and Candela in the kitchen, okay?
03:13Only if they ask you to, don't get carried away.
03:15In the kitchen, they ask for your presence. Now!
03:18What were you telling her, Mrs. MartÃnez?
03:21I was just giving her some instructions.
03:23And why weren't you giving her those instructions in the kitchen?
03:27Well, because I was about to leave, as I suppose you've noticed,
03:30because of my outfit, right?
03:32I can see perfectly well that you're not wearing your uniform.
03:36You're very observant.
03:38And where are you going, if I may ask?
03:40Uh ... that's none of your business.
03:44I think it is.
03:46I remind you that I am the key master, Mr. MartÃnez.
03:49Yes, yes, yes, I'm very clear about that.
03:51Well then, go to me, with due respect.
03:54Where are you going?
03:56Well, I respectfully inform you that I am going to enjoy
04:00the morning of release that is due to me.
04:03So today you are free.
04:05And what are you going to do with your free time?
04:08That's none of your business.
04:11I don't have to give you explanations about what I do or stop doing in my free time.
04:16I think so.
04:17Because tell me, what would happen if a contingency arose?
04:21Yes, like what?
04:22That the mayonnaise is cut?
04:24I don't want to waste any more time.
04:26Tell me what you plan to do.
04:28It is a matter of vital importance.
04:31Which one?
04:33I've already told you.
04:35Enjoy my free morning.
04:37So let me go.
04:40I know, Simona.
04:42That today is not your day of release.
04:45And no, you don't need me to go to my office to know.
04:48Because I have the quadrant here.
04:50In my head.
04:57Yes, it's true.
04:59Today is not my day of release.
05:01But this matter is ...
05:03It's important and I can't wait.
05:06But you know perfectly well that for that I need a special permission.
05:09I haven't given it to you, have I?
05:11Yes, I know.
05:13And have the Marquises given it to you and I haven't found out?
05:17No.
05:20Well then, I advise you to put on your uniform and go to the kitchen to work, Mrs. MartÃnez.
05:29I'm very sorry, Mrs. Petra, but I'm not going to do it.
05:32What?
05:34This matter is important and urgent and I can't wait.
05:37Simona, don't you dare leave the palace. I warn you.
05:41I'm very sorry, Mrs. Arcos, but I'm going out.
05:44I have to save my daughter and my grandson.
05:46And neither you nor anyone else will stop me.
05:49So I suggest you do nothing to stop me.
06:01Well, congratulations to both of you.
06:03Thank you very much.
06:05I am glad that you have finally decided to take this step.
06:09We were beginning to think that this moment would never come.
06:13Well, the truth is that it has not been easy to get here.
06:16Yes, and in the end we have managed to solve all the misunderstandings that prevented it.
06:20And we also have Martina's blessing. What else can we ask for?
06:25My most sincere congratulations.
06:28I think I speak on behalf of everyone when I tell you that we were a bit worried about whether this was going to be carried out or not.
06:34You're wrong. Some of us thought that this moment would never come.
06:38Well, what is clear is that we can finally start to get excited about your wedding.
06:43Well, yes. Although I have to say that it is a pity that you have to leave before the wedding is celebrated.
06:51But hey, we'll write to you and we'll tell you everything in great detail.
06:55But are you really leaving?
06:57I'm afraid so.
06:59And why so hastily?
07:01Well, it's actually a decision made a few days ago.
07:06Yes, and it has simply taken a little time to pack all his luggage.
07:12But I'm finally leaving. I'm afraid I've abused the hospitality of Mémiga Cruz.
07:17Don't say that, MarÃa Antonia.
07:19You know that your stay has become very short for us.
07:23But everything comes to an end.
07:26Yeah.
07:29Well, I wouldn't like this announcement to spoil the happiness of a moment like this.
07:34No, that's impossible. Don't worry.
07:37I trust that you will be very happy and that we will see each other again when you are husband and wife.
07:42Of course. We will be delighted and I hope it will be very soon.
07:45Maybe it won't be so soon, Margarita.
07:47I understand that your cousin Esmeralda has been wanting to see her for a few days, right?
07:52Yes, that's right.
07:54And where is that cousin of yours?
07:56In Mallorca, right?
07:58Well, I've been told that island is wonderful.
08:01So you're going to be enjoying a heavenly place.
08:04Look, maybe it would be a good destiny for you to spend your honeymoon.
08:09Don't you think?
08:10Well, we will appreciate it.
08:13Yes. Well, there are still many things that we have to take into account. We don't want to rush.
08:18Well, I hope you enjoy your stay at your cousin's house.
08:24We will miss you.
08:26Yes, especially on the wedding day.
08:28And you are attentive on the day of the wedding, no matter what happens.
08:34What are you talking about?
08:36You already know the saying.
08:38From one wedding, another wedding comes out.
08:41That's right.
08:43But none of them are in a relationship.
08:46Well, that's why.
08:48Maybe at the ceremony they meet someone special.
08:51I'm not in the mood, man.
08:53Yes, neither am I.
09:08And now what do we do?
09:10I suppose we would have to play one last round to draw.
09:13Because if I'm not mistaken, both of us have won two games.
09:16Yes, I think so too.
09:24You are a tough competitor, you know that, right?
09:26Well, I haven't played in a long time.
09:28But I don't like to lose.
09:29Absolutely nothing.
09:31Absolutely nothing.
09:34Even to a game as simple as the petanque?
09:38Well, it has its technique and its strategy.
09:40You have to calculate the force at which the ball is thrown.
09:43Predict how much it will roll, depending on the terrain.
09:46Remind me that I never accept a part of the game again.
09:50Your pride couldn't stand being humiliated by a young lady.
09:53My pride is more than used to lose against you.
09:56But one thing is that and another is to recreate.
09:58I understand.
10:05Well, I'm not sure which of the two balls is closer.
10:08Yours or mine?
10:10Well, I don't know.
10:12I don't know.
10:14Well, I'm not sure which of the two balls is closer.
10:17Yours or mine?
10:19This is surprising.
10:21It's a tie, isn't it?
10:22It seems so.
10:24They are at the same distance.
10:27Maybe they don't want to be separated from each other.
10:32And now what do we do?
10:34Untie. There is no other way.
10:45Miss Fernández, are you sure you gave her notice?
10:48To Carta Cava.
10:50I don't think it's easy to come here,
10:52dodging the eyes of the tasteless Mrs. Petra.
10:56Miss Fernández, be careful with that language.
10:59You are right. I was referring to the tasteless Mrs. Petra.
11:03Come in.
11:05It must be her.
11:07Good morning.
11:10Mr. Baeza, Maria Fernández told me that you wanted to see us here.
11:14Yes, yes. I thought this would be a good place,
11:16far from the Marquises and also from Mrs. Arcos.
11:19I understand that you wanted to talk about Mrs. Darre, right?
11:23That's right. I wanted to comment on the conversation I had last night with Mr. Marquis.
11:27Did he pay attention to our situation?
11:28That's right.
11:29What did he say?
11:30Well, as it could not be otherwise,
11:32Mr. Marquis was sincerely concerned about the fate of Mrs. Darre.
11:39And what does that mean?
11:41Well, it means that he has given his authorization
11:44for us to move Mrs. Darre to Ramona's cabin.
11:47Thank goodness. I already saw Mrs. Pia lose her mind.
11:50He also showed me his willingness to help us in everything possible.
11:54Of course, that's good news.
11:56As it is logical, despite his generosity, he will not be able to intervene directly.
12:00Of course. With the help of Mr. Manuel, we already have more than enough.
12:05Thank you, Maria.
12:06Thank you, sir.
12:08We are all very grateful, including your father.
12:11He was surprised and proud to know that you were aware.
12:16Thank you, Ramona.
12:18But there is no reason.
12:20Did my father say anything else?
12:22No. He said that we would keep you punctually informed of all our movements.
12:27The truth is that it is a relief.
12:28You know that the Marquis is with us to help us in case something goes wrong.
12:32Don't be boring, Maria Fernandez.
12:34Nobody wants me to be boring.
12:36I am completely convinced that this company will succeed if we all adjust to what is established with precision.
12:42Like a Swedish watch.
12:44Swiss. Maria Fernandez, the famous watches are the Swiss.
12:48Are they very similar or not?
12:50Well, whatever.
12:52It is very important that we all maintain discretion.
12:56Of course.
12:58We are a tomb for this one, which is a cross.
13:01I hope so.
13:02Well then, let's proceed, right?
13:05I'm going to order them to prepare the car.
13:08It's a good idea.
13:09If we leave everything ready tonight, we can start tomorrow at the first hour.
13:13I also think it's a good idea to go to the Alba.
13:15So at least we can make the transfer faster and more effective.
13:20Well, I'm glad to see that we are all so ...
13:24coordinated.
13:26Of course.
13:29Well, now I'm going to give the orders.
13:33Yes, I'm leaving now. Don't make Mrs. Petra miss me.
13:39Are you coming, Hanna?
13:41Of course, gentlemen.
13:56So, are you already specifying the details of the wedding?
13:59Well, I think it's a bit early for that.
14:01Well, I have some ideas. Nothing definitive.
14:05But I would like the wedding to be a reflection of the rich traditions of Spain.
14:10Do you mean the gastronomic part?
14:12No, I mean the whole thing.
14:14From the wedding to the invitation, I would like it to be imbued with the richness of the traditions of Spain.
14:20Well, I think it's an excellent idea.
14:23I didn't have us for such exalted patriots.
14:27What do you think if instead of the nuptial march, what is heard is the march of grenadiers?
14:31El Horezo, do you think it is wrong to honor the patriotic values, precisely you?
14:35Me? Absolutely.
14:37What I think is wrong is that the patriotic spirit is used to hide the vicissitudes that surround your link.
14:47What vicissitudes do you mean?
14:49I don't know, maybe your supposed poisoning,
14:54Martina's subsequent burial, your constant changes of opinion about ...
14:57Please!
14:59Enough!
15:01All this is part of the past now.
15:03What we are talking about is finding the best way to celebrate a wedding.
15:06I just say that celebrating that wedding in style and with flags of Spain
15:10will not do but make your weaknesses more evident.
15:13Lorenzo, that's it.
15:15As Maria Antonia says, it is good what ends well.
15:18It seems that you have agreed to take me the opposite.
15:21All I want is to prevent you from bothering Margarita and the count.
15:25Well, it seems that I interrupt an interesting conversation.
15:28Very interesting, sister-in-law. A lot.
15:32What do you have there?
15:33Nothing. It's ...
15:35It's a little detail for our guest, Maria Antonia.
15:39For me?
15:40Yes. I didn't want you to leave without having a gift.
15:44So that when you are far away, you remember your stay here.
15:47Cruz ...
15:48Well, it's not that, man.
15:50I know, but I wanted to give it to you.
15:54It is in gratitude for everything you have done for me.
15:59For me and for Alonso.
16:01And for everyone present here, of course.
16:03And what is it?
16:05You will see now.
16:15My God!
16:16Isn't it a beautiful necklace?
16:18The truth is that it is.
16:27I can't do that.
16:29And why not?
16:31Well, because I know ...
16:34I know it's a gift Alonso gave you.
16:41I don't know if you are very conservative or detached too.
16:47Stop being sarcastic, Lorenzo.
16:50Don't hesitate, dear.
16:52Think that with that necklace you have a gift from me and Alonso.
16:58Well ...
16:59Is it another way of seeing it?
17:03No.
17:04I don't think it's appropriate, Cruz.
17:06I don't think it's appropriate for me to have it.
17:08But I want you to have it.
17:12It is my way of wishing you luck in your game.
17:15And to make you see how much we will miss you.
17:21I will also miss you a lot.
17:24Hold on.
17:26Hold on.
17:41Another damn wedding?
17:43I'm afraid so.
17:44The mother who brought them.
17:45But have they proposed to ruin ours or what?
17:47I highly doubt that Count de Ayala and Doña Margarita
17:50had thought of us before planning their wedding.
17:53Well, they could have done it.
17:55I suppose it would be a decision they had made a long time ago.
17:58And they have decided to celebrate it right now.
18:01But if they make less than a few mojitas, they wanted to take Miss MartÃn.
18:05What does that have to do with it?
18:07Well, they could have waited a little, Salvador.
18:09Yeah, but the one who gets married is not Miss MartÃn.
18:12No, neither do we.
18:14What a black luck.
18:16You calm down.
18:17I have already spoken to Don Rómulo and he, in turn, spoke to the Marquises.
18:20To ask for permission for our wedding.
18:23Yeah. And what did he answer?
18:25That we cannot get married by that left-wing norm
18:27that servants cannot get married if there is a wedding of middlemen.
18:30No, no, no, no.
18:31That norm only applies to the direct relatives of the Luján family.
18:35And Count de Ayala and Doña Margarita are only guests.
18:38Well, not so much.
18:40Doña Margarita owns part of the promise.
18:43Well, the point is that Mr. Marqués said there would be no problem.
18:46That we, after all, work for him and that those who get married are not his children.
18:51So we have the permission of the Marqués to get married, right?
18:54Uh-huh. That's it.
18:56Look, Salvador, don't fool me, huh?
18:58I don't want to get honey on my lips again.
19:00I'm not fooling you. We can really start preparing for the wedding.
19:03Without fear that they throw everything behind us again.
19:05Look, if something happens ...
19:06I don't know, she doesn't whine either, woman.
19:08Well, not even your Candido, Salvador.
19:09Your Candido, no, but ...
19:10Well, you can know because you are arguing.
19:14It was her fault.
19:16But well ...
19:18Are you not going to leave anything for the wedding?
19:20Well, there is a wedding, Candela.
19:22And until I see it, I don't think so.
19:24What do you mean there is no wedding, girl?
19:26If the management has already started.
19:31What management are you talking about?
19:33Explain that.
19:35If you mean the Marqués, everything is already spoken.
19:38I'm not talking about Marqués.
19:40I'm talking about the priest.
19:42Because to get married, first you have to talk to the priest, right?
19:45And I, taking advantage of not escaping from the town,
19:47I went to the church.
19:49And I talked to the priest.
19:51You?
19:52Yes, me.
19:53As if you had forgotten to do it.
19:58And what did he say?
20:00Well, I asked him to start
20:02what is necessary so that you can contract the Holy Sacrament
20:06as soon as possible.
20:09And he wants to answer?
20:11All good things.
20:12He told me that he would be delighted
20:14to celebrate your union.
20:16What's more, it's going to be his first wedding in Luján.
20:20Already?
20:21And what should I do now?
20:24You have to start by making the ammonizations.
20:26And as soon as you go to see the priest,
20:28he will give you the date.
20:30And soon.
20:33I see that you are in a hurry to the priest.
20:36A lot.
20:42Romulo.
20:44Justo.
20:46Justo was going to look for you to ask you
20:48if you had uploaded the mail to the noble plant.
20:50Oh, yes.
20:51And have you given each gentleman his letter?
20:53Well, not each one.
20:54I have delivered the one from Miss MartÃnez
20:56directly to Mr. Curro, who is with whom I have met.
20:59Well, I guess he will give it to him.
21:01I have also met with your son.
21:03He took the opportunity to consult me
21:05if part of his obligations was to collect the mail from the gentleman.
21:08You would clarify that it is not necessary.
21:10Yes, but he has shown great interest in his tasks as a camera assistant.
21:13Yes, I hope that good disposition lasts a long time.
21:16Is Mr. Curro satisfied?
21:18Yes, we have not received any complaints from him.
21:20At the moment.
21:22Anyone would say that you are not happy
21:24that your son is not seeing things.
21:26No, no, no.
21:27I'm glad.
21:28I'm happy.
21:29In fact, look.
21:30Every morning we review
21:32what are the functions of a personal lackey.
21:35All of them?
21:36Yes, all of them.
21:37Don't you think it's excessive?
21:39What do you mean?
21:40Well, that you could trust more in his abilities.
21:46Come on, let's go, Ricardo.
21:49I imagine you are right.
21:51That I can afford the luxury of trusting him.
21:53So why don't you do it?
21:55Well, because ...
21:59I don't trust Mrs. Arcos.
22:01And the fact that this promotion has been promoted by her ...
22:04What does she have with the fly behind her ear?
22:06Don't be surprised.
22:07Nobody in this palace trusts her.
22:08Well, those of us who have been here for a long time
22:11have known other facets of her,
22:13but it is true that she generates suspicion.
22:15And many times with good reason.
22:17Many times.
22:18Well, almost always.
22:25May I know what that is, Mrs. Arcos?
22:28Well, Mrs. MarÃa Antonia gave it to me.
22:31It is a gratification for the service,
22:33as a thank you for how well served she has felt here.
22:37Very generous on your part.
22:39And why do you give it to us?
22:41Because you are the ones who pay the salary.
22:44And I thought that the most appropriate thing would be
22:46for you to decide how to distribute it.
22:49Very good.
22:50Well, we will try to do it in the most equitable way possible.
22:53I'm sure of it.
22:55One moment, Mrs. Arcos.
22:57Speaking of Mrs. MarÃa Antonia,
22:59is your departure ready?
23:00That's right.
23:01And when will the match of the promise be?
23:03This afternoon.
23:04It is midday.
23:05In fact, the maids have already prepared all their luggage.
23:08Thank you very much, Mrs. Arcos.
23:10If you don't need anything else from me.
23:12No, that's all.
23:29May I? Or are you busy?
23:31I just sat down to read a little, but yes.
23:34I met Mr. Baeza
23:36and he gave me this letter that is for you.
23:39Come on, thank you.
23:47Is it important?
23:49It's from the Duchess of Cerezuelos.
23:52But wasn't she a friend of your mother?
23:54She's a gossip.
23:57All she wants is
23:59to return the honor to my mother
24:01by inviting her to her moment of promise,
24:04inviting me
24:06to a snack at her palace.
24:08And apparently it's like a very special event.
24:11And that?
24:12Because she's inviting all the young people
24:14from a good family in the area.
24:16Well, it sounds fun, doesn't it?
24:19It sounds like a trap.
24:21Because what she wants is for us to join
24:23charities.
24:26Even so,
24:28it seems to me that it could be fun.
24:31I get the feeling that in these activities
24:33they only have people of advanced age
24:37and that she wants to catch young faces
24:39to increase the donations.
24:42Fresh blood to empty the pockets, yes.
24:44And what kind of charity is it?
24:48Well, she doesn't specify it.
24:49But come on, knowing her,
24:50what she wants is to surround herself with girls
24:52to make her look like the queen of her castle.
24:55Not a bad idea.
24:57I remember that once my mother told me that
24:59once a year this woman organizes trips to Lourdes
25:02for all the girls who want to venture
25:04into volunteering.
25:07Well, it's a good opportunity to travel
25:09and get to know the south of France.
25:11Yes, but it's not a pleasure trip.
25:13It's to help the sick who go
25:15from pilgrimage to the sanctuary.
25:17I see.
25:18But we're sure they all come back, right?
25:21What am I saying?
25:23No.
25:25Unless one of them wants to stay there
25:26to see if they contemplate some miracle
25:29or some apparition.
25:34But come on, I can think of better plans.
25:37And this year, taking into account the war,
25:39I highly doubt that she will venture
25:40to organize a trip like this, right?
25:42Yes.
25:43That would be a miracle,
25:45for that war to stop.
25:47Of course.
25:49Well,
25:50apart from the trip to Lourdes,
25:52I don't know why there is something that tells me
25:54that this dinner could be fun.
25:58Very fun.
25:59Martina, listen to me.
26:01Could you bring the opportunity to meet
26:03girls your age and make new friends?
26:05I don't know why, but I have the feeling
26:07that we won't have the same interests.
26:09No, no, you don't know that.
26:11And that's why you have to go there.
26:13But I do know that.
26:15They want to meet to talk about the gossip of the moment.
26:18Well, go there and talk.
26:20What?
26:21Martina, I'm serious.
26:23Look, your last weeks here
26:25have been complicated.
26:28You deserve to go out
26:29and get some fresh air.
26:31Besides,
26:33is there anything better than a good gossip?
26:35No, no.
26:38I'll think about it.
26:40Think about it well.
26:53Thank you for the herbal tea, Candela.
26:55The truth is that I needed it.
26:57I'm a nervous wreck.
26:59I've put valerian and paciflora.
27:01Let's see if it relaxes us a little bit.
27:03Are you nervous too?
27:05No, I'm here to keep you company.
27:07You wouldn't tell my mother
27:09what your plans were, would you?
27:11Not a word, not a single word.
27:13I don't know what to do.
27:15I don't know what to do.
27:17I don't know what to do.
27:19I don't know what to do.
27:21You don't know what your plans are, do you?
27:23Not a word. Not me, not anyone.
27:25All we know is that
27:27you've signed Marimandrajo.
27:29And you think she's in trouble
27:31because of me?
27:33Why because of you, girl?
27:35We don't know what she's been up to.
27:37Or do you know something that I'm missing?
27:39Me?
27:41What was I supposed to know?
27:43Then she's gone shopping.
27:45And she's been busy all day.
27:47She must have had fun with something
27:49I don't think so.
27:51Well, we've got another one waiting for us.
27:53We're not going to let the guards go
27:55because your mother isn't here.
27:57No one's going to call the authorities
27:59because I'm already here.
28:01Mother!
28:03You'd better go without telling anyone.
28:05Don't tell God or the devil.
28:07I'm sorry.
28:09I didn't know exactly
28:11what I was going to do
28:13and if I was going to get anything.
28:15But where have you been?
28:17I've been trying to find a way
28:19for you to be with your Adolfito.
28:21And...
28:23I don't have any bad news.
28:25Don't tell me you've got it.
28:27Well, almost.
28:29You have the last word.
28:31Oh, Simona, you like to keep secrets.
28:33Yes, Mother.
28:35Tell me.
28:37What have you done?
28:39Well, I went to the village
28:41and after asking around,
28:43I found the house
28:45of Rafa and her husband.
28:47And my son was there?
28:51More beautiful than a cousin.
28:53And what did you do to talk to him?
28:55Did you tell him everything he had to say?
28:57I explained to him
28:59your situation, daughter.
29:01And I did it the way
29:03good people do,
29:05with their hearts in their hands.
29:07And after a long time
29:09talking, thinking,
29:11the three of us
29:13found a solution.
29:15Tell me.
29:17The solution is that
29:19Virtudes
29:21is going to live with them and the child
29:23at the house of the parents
29:25of Doña Josefa.
29:27But...
29:29How are my in-laws going to take me?
29:31What will I live on?
29:33From their garden, daughter.
29:35Until you find a job,
29:37you'll help your father-in-law
29:39in the garden and you'll grow vegetables,
29:41you'll sell them
29:43in the market to get four quarters.
29:45You look prepared to do something like this.
29:49Will I have to learn a lot from my father-in-law?
29:51You'll get ahead, daughter.
29:53They will put
29:55everything they can and you will put the rest.
29:57But are they really
29:59agreeing?
30:01Yes, daughter, yes.
30:03They have shown
30:05very good will and they do not hold a grudge against you.
30:07If they separated you from the child,
30:09for everything you did.
30:11I know, mother.
30:13I know I behaved
30:15indignantly and
30:17you have prevented me from doing it again.
30:21You don't deserve them.
30:23Now the decision is yours.
30:27They will welcome you with open arms.
30:33But...
30:35I will lose you.
30:37You will be with your son.
30:39You can't have everything in life.
30:43And we are clear that it is important.
30:47Besides, no matter how far you go,
30:49you will never lose me.
31:25Thank you very much, Mr. Pellicer, for your help.
31:29I didn't know you had so much luggage.
31:31You have been among us for a long time.
31:33It is normal that you have so much luggage.
31:35Maria Antonia.
31:39You have come.
31:41How could I not come?
31:43You are my friend.
31:45It is a shame that the day has come
31:47to say goodbye.
31:49Deep down, neither of us
31:51wanted you to arrive.
31:53It has flown by.
31:55It seems like a lie.
31:57After sharing
31:59a table and
32:01so many talks and
32:03confidences and laughs.
32:05Good and bad moments.
32:07Well,
32:09for me they have been especially good.
32:13But as it always happens in life,
32:15everything comes to an end.
32:17Well, yes.
32:19I guess there is no other
32:21than to assume it.
32:25Cruz.
32:29I came
32:31with the sole purpose
32:33of accompanying you in a delicate moment.
32:37And I leave
32:39with the good taste in my mouth of having achieved it.
32:43I hope that taste in your mouth
32:45lasts a long time.
32:47As long as the happiness
32:49you have left me will last.
32:53Madam,
32:55the luggage is loaded
32:57and the car is ready to leave.
33:01Well, if so,
33:03I'm afraid the time has come.
33:31Music
33:33Music
33:35Music
33:37Music
33:39Music
33:41Music
33:43Music
33:45Music
33:47Music
33:49Music
33:51Music
33:53Music
33:55Music
33:57Music
33:59Music
34:01Music
34:03Music
34:05Music
34:07Music
34:09Music
34:11Music
34:13Music
34:15Music
34:17Music
34:19Music
34:21Music
34:23Music
34:25Music
34:27Music
34:29Music
34:31Music
34:33You don't know what you've gotten rid of.
34:35Maria was not willing to delay the wedding again
34:37because of a stupid rule.
34:39It's an absurd rule.
34:41What does it have to do with her staying at home on the noble floor
34:43with what we do down here?
34:45Besides having to attend to them with more care.
34:47And that we have to dress them up and not stop in the kitchen.
34:49The everyday thing.
34:51That's right.
34:53But well,
34:55that rule does not apply
34:57to Mrs. Margarita and Count Ayala.
34:59Have you consulted that with Mr. Baeza?
35:01Yes, and he has consulted it with the gentlemen.
35:03It would only apply
35:05in case there were direct relatives.
35:07That is, it is only valid for
35:09the Marquises and their children.
35:11That's right.
35:13Well,
35:15let's hope they stick to the rule.
35:17Let's hope.
35:19And if not,
35:21we'll have to put up with it.
35:23Put up with it?
35:25You're not in a hurry to get married anymore?
35:27No, I didn't say that.
35:29But I mean that ...
35:31Well, if you can't, you can't.
35:33Maybe we have to delay the wedding.
35:35What else can we do?
35:37And the disgust that Maria Fernández would take?
35:39Already.
35:43Salvador, what's wrong with you and the wedding?
35:45What's wrong with me and the wedding?
35:47Nothing. Why do you say that?
35:49Don't treat me like a fool.
35:51I've known you since we were kids.
35:53Please, don't try to hide anything from me
35:55because it's absurd.
35:57But I don't know what you're referring to.
35:59Well, I've been observing you for a while
36:01and I see that you don't have any kind of enthusiasm.
36:03I don't think these are your imaginations, López.
36:05Oh yeah?
36:07Well, when Maria and you talk about the wedding,
36:09you do it without any kind of illusion.
36:11But where do you get that from?
36:13Salvador, it is obvious that you are disappointed.
36:15Since you know that the wedding of Count Ayala
36:17and Doña Margarita will not delay yours.
36:19If you say a word like that to Maria ...
36:21Salvador, I'm not going to say anything to Maria.
36:23Because I love you.
36:25Because I know you love each other from the bottom of my heart.
36:27Of course we love each other.
36:29Well, then what's going on?
36:31You've been lost in your thoughts for a few days.
36:33You're hiding something from me, Salvador.
36:35And I need you to trust me because I can help you.
36:41What's wrong?
36:45It's okay.
36:47Yes, it's true that something is wrong with me.
36:49But I can't tell you anything yet.
36:53Why?
36:55Why not?
36:57Because Maria has to be the first person I tell her.
36:59Otherwise ...
37:01I would never look her in the face again.
37:07Then talk to her.
37:09As soon as possible.
37:11Because she deserves to know the truth.
37:17I'll tell you that it was something casual.
37:19I was at the door waiting to enter the office
37:21when suddenly I heard Mr. Baeza and Hanna
37:23talking about Doña Pia as if she were alive.
37:25And you were frozen.
37:27I couldn't even move.
37:31Thank goodness it was you who found out.
37:33Another person with that information
37:35would have put our whole plan at risk.
37:37We didn't want to make everyone go through
37:39the curse of Pia's death.
37:41But it was the only way
37:43we could find to protect her.
37:47I deduce that Pia's safety was required.
37:49There was no other option, son.
37:51And honestly ...
37:55Now I'm glad you're aware.
37:59Because having someone close
38:01to whom I can talk about all this
38:03relieves my guilt.
38:05Guilt?
38:07Yes, the guilt of keeping that lie
38:09and acting behind everyone else's back.
38:11Father, you have saved Doña Pia's life.
38:13There is nothing to reproach.
38:17In fact, I am proud of you.
38:19Proud?
38:21Yes.
38:23You did the best you could.
38:25And that was to leave Pia
38:27to her fate with that man.
38:29Yes.
38:31I guess so.
38:35However, I don't see you
38:37very satisfied.
38:39It's just that ...
38:41There is another thing that also worries me.
38:43Do you want to share it?
38:45It's about your mother.
38:49What did she do this time?
38:51Something without too much importance, I think.
38:55Well, to be something valid,
38:57it affects her a lot.
38:59It turns out that to pay tribute
39:01to Maria Antonia,
39:03she gave her a gift.
39:05Well, that's a generous detail.
39:07Yes. If it weren't for the necklace
39:09that she gave her,
39:11it was a gift I gave her a long time ago.
39:13And now she has gotten rid of it.
39:15I understand.
39:17So to please your friend,
39:19she ended up hurting you.
39:21That's right.
39:25Did my mother know that would hurt her?
39:29I asked her not to do it.
39:31To give her something else, you see.
39:35Did you decide to give her your necklace?
39:37Yes.
39:39I wanted it to be a personal object
39:41that would be difficult for her to get rid of.
39:43That doesn't make any sense.
39:45Not much.
39:47And do you know why she did something like that?
39:49Sometimes I think the only thing she wanted
39:51was to hurt me.
39:55Come on, Father.
39:57It doesn't make much sense, I know, but ...
39:59It's what it seems.
40:07As you had requested, sir,
40:09I have lowered the hairpins
40:11to prepare that new cemental that had arrived.
40:13Are you referring to a mouse?
40:15I understood that it was the one she wanted.
40:17And so it is.
40:19It looks like a young
40:21and vigorous animal.
40:23Don't you think so?
40:25Of course.
40:27I have to admit that you have a lot of nerve
40:29to dare to ride such a beast.
40:31Let's hope he's not as brave as he seems.
40:33Let's hope so.
40:36I have also personally supervised
40:38the preparation of the horse.
40:40I have made sure that they saddle it
40:42according to their preferences.
40:44And have you made sure that the harnesses
40:46are well adjusted?
40:48Of course.
40:50I hope the saddle is comfortable for your ride.
40:53I'm sure it is.
40:55It's a perfect afternoon.
40:57The sun shines and there is a soft breeze.
41:02Of course.
41:06If you need anything else,
41:08please don't hesitate to ask me.
41:10I will.
41:15Santos, wait a moment.
41:19Yes, sir.
41:24Thank you
41:26for having everything necessary for my ride.
41:30You don't have to thank me.
41:32It's my job.
41:34But I must admit that at first
41:36I was reluctant
41:38to ask you to be my camera assistant.
41:41I'm not the one to doubt your preferences, sir.
41:44I know.
41:46But I wanted to make it clear that it's nothing personal.
41:49It's just that, as you know,
41:51I just returned from the front.
41:54I know.
41:56Well, there you take care of yourself.
41:58There are no luxuries of any kind.
42:00At the front, you realize
42:02that you have so many privileges.
42:04Do you understand me?
42:06I think so.
42:08So, if my presence
42:10bothers you ...
42:12No, no. Let's see.
42:14I have something else to ask you.
42:16Excuse me, sir. I didn't mean to interrupt.
42:18There is another reason.
42:22And the truly important one.
42:26I still feel the pain of the death
42:28of my former personal lawyer,
42:30Feliciano.
42:33Yes, I understand that
42:35he died shortly before
42:37I came to work here.
42:39That's right.
42:42Feliciano was a good boy.
42:44And he had the misfortune
42:46of dying in the best part of his life.
42:50Precisely when everything was starting to go well for him.
42:55You mean he died
42:57shortly after he was promoted, just like me?
42:59But I'm not referring to that.
43:02I'm referring to the fact that he found love.
43:04A love that was happily matched.
43:06I see.
43:08He was going to marry one of the girls.
43:10Who?
43:13You won't meet her.
43:15She doesn't work here anymore.
43:17Her name was Teresa and she loved her madly.
43:19Teresa, yes.
43:21She left shortly after I came in.
43:23Yes.
43:26Feliciano's death
43:28made me realize
43:30the ephemeral
43:32that existence is.
43:34We both received a shot
43:36on the same day.
43:39And now I'm here.
43:42And he, on the other hand, is dead.
43:45I'm very sorry, sir.
43:48And I understand your doubts about me.
43:51But I guarantee you that I will do my best
43:53to be up to the task.
43:59Thank you very much, Santos.
44:01You're welcome.
44:20So you agree that Spain should not participate
44:22in the European conflict?
44:24Without a doubt.
44:26Being as we are, in the middle of an economic crisis,
44:28it could be disastrous.
44:30Besides, it's pretty bad for us in Africa.
44:32The captain of the Mata thinks exactly like you.
44:35Well, that's not exactly a compliment.
44:37No.
44:39And you?
44:41What is your opinion about it?
44:43Well, I have mixed feelings.
44:47On the one hand, I consider that the actions of the German Empire
44:49are abusive and we have to stop them.
44:51We agree on that.
44:53But if going to war brings us ruin ...
44:55I don't care about economic reasons.
44:58Moral aspects are more important.
45:00I understand.
45:02War is never the solution.
45:04In fact, resorting to it is a failure.
45:06Because it involves the annihilation
45:08of the opposing army.
45:10What you say sounds horrible and
45:12without a doubt it is true.
45:16We don't feel bad, do we?
45:19About what?
45:21Talking about the divine, the human.
45:24To be the same as before,
45:26as if nothing had happened.
45:28That's what we agreed on, right?
45:30And we get the perfection.
45:32I agree with you on that.
45:36In view of our experiment,
45:38I think we are much better when there is no one
45:40around us.
45:42I agree with you again.
45:44Although I see a small problem in your conclusion.
45:47Which one?
45:49You can't hide here forever.
45:51Sooner or later you will have to return to the promise.
45:55Well, come back to me.
45:58I asked you once and I ask you again now.
46:03Wait here.
46:23I can't believe it.
46:26Are you kicking me out?
46:29Don't you want us to give ourselves another chance?
46:39Come in.
46:46Manuel.
46:51I had to wait a long time for Don Cielo
46:53until your father left.
46:55You did the right thing.
46:56The one who is aware of Doña Pia's situation
46:58has him by the ear.
47:00Although he took it quite well.
47:02Well, I didn't really come to talk about your father.
47:05And you want to review the transfer plan, right?
47:07We can do it.
47:09I have the papers.
47:11That worries me a lot.
47:12Of course I do.
47:13But it's not what worries me the most right now.
47:16So?
47:19It's about Mr. Baeza.
47:21I know something's wrong with him, I know.
47:28And why do you say that?
47:30Well, I don't know how to tell you exactly, but ...
47:33He's behaving in an extremely strange way with me.
47:37And I've been noticing it for a few days.
47:39Would you know exactly since when?
47:43Well, I wouldn't know how to tell you, but ...
47:47I noticed it when we had the meeting about the transfer.
47:54Yes.
47:56You're right, Romulo. Something's wrong with him.
48:00And do you have any idea what it could be?
48:04I have a pretty precise idea of what it is.
48:07Well, tell me.
48:13It's our business.
48:16What?
48:18He saw us kissing right here.
48:21And after that, it didn't take long for me to deduce that my surprising eruption in his office had nothing to do with it.
48:27But ...
48:29Does he know everything?
48:31Yes.
48:34Well, do you realize that if Mr. Baeza knows this ...
48:37It's pretty serious, yes, too.
48:41And what are we going to do?
48:44For now, we're going to keep calm.
48:48And we're going to trust him.
48:52I asked him for time.
48:54And he said he would give it to us, so ...
48:58Manuel, that's a lot of budget.
49:01Yes, it could be, but ...
49:03Actually, I have a plan.
49:07You have a plan?
49:09That's right.
49:10Sooner or later, our plan will be known.
49:13And we can't be hidden forever.
49:17What do you mean by this, Manuel?
49:22That we're going to tell him everything.
49:25And we're going to do it now.
49:28You can't just tell me that you're sorry, but you're not able to accept my proposal?
49:32I wasn't going to say such a thing.
49:34No, of course, why go with subtleties? Why talk?
49:37When a suitcase and a kick say it all.
49:40And what am I supposed to be doing, if you don't know?
49:42You are seeing in me the son that you no longer have.
49:44And I didn't come here for you to pull out your mother's thorns with me.
49:48He's coming with me.
49:50Where?
49:51To the hospital.
49:53No, Martina. I'm not invited, and it's also a lunch for young people.
49:56Let's see what I paint there.
49:58Martina, what's wrong?
50:00Well, I'm afraid.
50:02Of what?
50:03That they find out about the sanatorium and ask me and I'll have to give explanations.
50:10It's me.
50:11Take it off me.
50:12Are you sure?
50:14I'm sure.
50:16I'm sure.
50:18I'm sure.
50:20I'm sure.
50:22I'm sure.
50:30And my wife?
50:32Mrs. Marquesa is unwilling, sir.
50:35And she doesn't want to see anyone right now.
50:37Well, I think I've been denying myself to see reality for a long time.
50:41And I think it's not just my thing, Ana, it's also Salvador's.
50:46All I can think of, Maria, is that you talk to him.
50:49What do you mean?
50:50That when that wedding is celebrated, 25% of the promise that belongs to Margarita
50:54will be passed into the hands of your dear friend Ayala.
50:57It's a consequence of the wedding that I will take care of when the time comes.
51:00I can take everything from you.
51:02You can threaten me with anything you want, but I'm just going to bark at you.
51:06Don't you dare bite.
51:08Because I prefer to see how you sink little by little.
51:11You will regret your ingratitude.
51:13And I'll tell you more.
51:15Oh, there's more?
51:16Yes, there's more.
51:17But, well, don't worry, you don't need to listen to me.
51:19You can dedicate yourself to doing that, which is much more important to you.
51:32Teresa, my daughter.