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00:00♪
00:02Are you in a hurry?
00:04I have things to do.
00:06At this hour,
00:08they will be unconfessable things.
00:10Come on, don't be so
00:12open-minded and have a drink with your uncle.
00:14At another time, really.
00:16Are you going to make me look bad?
00:18It's not about that.
00:20Come on, so we can chat.
00:22♪
00:24♪
00:26♪
00:28♪
00:30Tell me.
00:32What do you want to talk about?
00:34♪
00:36♪
00:38It doesn't matter to me.
00:40How are things going with Pelayo?
00:42Good.
00:44Just good?
00:46Seeing you, I get the feeling that your dad is doing well.
00:48Am I wrong?
00:50♪
00:52It's hard to say.
00:54Expressions like those
00:56of wind in a bowl are so imprecise.
00:58Well, it's an expression like any other.
01:00It's a way of speaking.
01:02Yes?
01:04Let's use that way of speaking then.
01:06How's the jam business going
01:08since you've been in charge of it?
01:10Well ...
01:12Is it drifting?
01:14No.
01:16Is it a profitable business?
01:18I don't know.
01:20I can show you the account books if you want.
01:22How can it be that in a few months
01:24the business has gone down?
01:26I find it hard to believe.
01:28You find it hard to believe because it's a lie.
01:30That business is still making a profit.
01:34Yes.
01:36Reducing expenses
01:38and degrading its image.
01:40Changing is not degrading.
01:42You were making jams for Cursis
01:44and for Sibaritas.
01:46I'm going to Pueblo Llano.
01:48You're going to El Precipicio.
01:50Yes.
01:52We used ingredients
01:54of the best quality.
01:56We cooked them with a master formula.
01:58And we paid a fair wage
02:00to the women for their good work.
02:02You were throwing away the money, you mean.
02:06And what are you going to say?
02:08That you buy the worst fruit you can find?
02:10You use recipes of bad luck
02:12and you pay hunger wages.
02:14But for how long?
02:16Your product is so bad
02:18that it will end up not wanting anyone.
02:20As usual, you're wrong.
02:22All I've done
02:24is adapt to the circumstances
02:26of the market,
02:28get a genre that allows me
02:30to increase production
02:32and restrict some crazy salaries.
02:34And all this, of course,
02:36guaranteeing quality buyers.
02:38Please.
02:40The business is still going
02:42with the army.
02:44That's why your clients are soldiers.
02:46They have no right to comment.
02:48And yet,
02:50I've heard that you've received complaints.
02:52Dealing with complaints
02:54is a capital part
02:56of running a business,
02:58as I suppose you know.
03:00Yes, a business that doesn't offer
03:02quality in its product.
03:04And what's more,
03:06I know that the women of Pueblo
03:08feel so exploited that they're thinking
03:10to stop working with you.
03:12Your information is wrong.
03:14Everything you say is in your head.
03:18This business is doing well
03:20and will continue to do well
03:22as long as I'm in charge.
03:24I hope it's for a short time.
03:26I, of course,
03:28will do everything in my power to recover it.
03:32Good luck.
03:40What would you say
03:42are your virtues, Mr. RodrÃguez?
03:44My virtues?
03:46Yes. Related to your position on the street,
03:48if you know what I mean.
03:50I look at things.
03:52You look at things?
03:54Yes. I pay attention to the little details.
03:56I look at them.
03:58And I learn quickly.
04:00It's known that, for the same reason,
04:02since I look at things a lot ...
04:04I see, I see.
04:06But you lack service experience.
04:08If you mean
04:10to serve in a house,
04:12I don't have experience, sir.
04:14But you learn very quickly.
04:16I already told you, Mr. Baeza.
04:18And you also keep all things in the first place.
04:20Yes, that's very good.
04:22But in our occupations,
04:24you need something more than looking at things a lot
04:26or being very attentive.
04:28Of course.
04:30You will have to perform
04:32entirely new functions for you.
04:34I hope to learn them soon, Mr. Baeza.
04:36For the good of all, yes.
04:38We hope so.
04:40Well, let's hope that
04:42if you are as excited
04:44as it seems,
04:46so be it.
04:48And learn soon.
04:50Welcome to the promise, Mr. RodrÃguez.
04:52Am I hired?
04:54It seems so.
04:56Thank you very much, Mr. Baeza, Mrs. Arcos.
04:58One moment.
05:00You have something to say to me, Mrs. Arcos.
05:02That's right.
05:04I understand that I will be allowed, right?
05:06Of course, go ahead.
05:10I don't want,
05:12not even for a second,
05:14that you think that the promise is an infamous place
05:16where
05:18you can kiss in the corners.
05:20I don't think anyone thinks that, Mrs. Arcos.
05:22Of course not,
05:24we guarantee it.
05:26Just in case.
05:28It is better to make things clear from the beginning.
05:30As we must also make it clear
05:32that the lackeys and the maids
05:34do not have permission to sleep
05:36in a ...
05:38in a joint bedroom.
05:40No matter how married they are.
05:42It's true, we hadn't mentioned that.
05:44That's why you don't worry.
05:46No, really.
05:48We are here exclusively to work.
05:50Do you mind sleeping separately?
05:54Of course not, at all.
05:56Not at all.
05:58What I mean is that
06:00if you can't,
06:02you can't.
06:04What are we going to do?
06:06So you don't mind
06:08not sleeping together.
06:10That's what we just said.
06:12Really? Is that okay?
06:14No, not at all.
06:16If that's the case,
06:18things are much easier for us.
06:20Thanks to both of you.
06:22Well,
06:24there's nothing else to talk about.
06:26Excuse me.
06:48Corro.
06:50Hanna.
06:52Why aren't you having breakfast with the others?
06:54I'm not hungry.
06:56That's weird of you.
06:58I don't want to be part of family talks,
07:00really.
07:02I'm sorry, sir.
07:04You know perfectly well that I'm not saying this for you.
07:06It's for ...
07:08I know.
07:10Why aren't you hungry? There has to be a reason.
07:12Well, yes.
07:14But what else does it matter?
07:16I don't care.
07:20Okay.
07:22Last night,
07:24I talked to Julia,
07:26the girl who brought the earring to Martina.
07:28A conversation, that's all?
07:30No. We were talking about the war.
07:32What a strange conversation
07:34to have with a stranger.
07:36Well, yes.
07:40Besides,
07:42you don't like to talk about that, do you?
07:44No. But she started asking me questions.
07:46About the war?
07:48Yes. Well, I think it was out of curiosity,
07:50but I didn't realize how much those things bothered me.
07:52Maybe she was being very subtle.
07:54Well, maybe at first, yes, Hanna.
07:56But not later.
07:58And she didn't stop until I told her it hurt me to remember all that.
08:00How uncomfortable it must have been.
08:02Yes, it was.
08:04But because it really hurt me.
08:06Besides, I answered her vaguely.
08:08Yeah, it's very strange
08:10that she didn't realize anything.
08:12Yeah.
08:14Besides, even if she didn't do it badly,
08:16it made me nervous.
08:18She even asked me
08:20if she had ever been injured.
08:22Or if she could get out of an experience like that.
08:24Well,
08:26maybe she was saying it because
08:28it's true that there are people who die in the war,
08:30but I guess there are also people who return home without a scratch.
08:32No.
08:34It's just that even those people are injured, Hanna.
08:36Even if it's not in the body.
08:38They have seen too many atrocities to be able to forget them.
08:40Even if they want to.
08:42You're right.
08:46She also asked me if
08:48I had found anything good
08:50And it's hard to find something good, right?
08:52Yes.
08:54The only positive part
08:56were the companions.
08:58But almost all of them
09:00ended up dead, so...
09:06War is desolation.
09:08It's death.
09:10It's violence, senselessness, pain.
09:12And yet I had to explain everything
09:14to this girl in an almost impassive way.
09:16But it's normal, Curro.
09:18There's no way to protect you.
09:20No.
09:22Every day I try
09:24to avoid bad memories.
09:26I try to convince myself
09:28that none of what happened
09:30was my fault.
09:32That I just wanted to help.
09:34And every night
09:36the dead come to ask me for explanations.
09:38Curro.
09:40They come
09:42one by one.
09:44And it takes its time.
09:46Because, of course,
09:48what rush will you have if you're dead, right?
09:50And what do they want to know?
09:52Why.
09:54Everyone
09:56asks me why in their own way.
10:00And the worst part is
10:02that I don't know what to tell them.
10:12You're doing this to me again?
10:14It's not welcome.
10:16Every month I send to my daughter
10:18in New York the same amount of money.
10:20And she, on the other hand,
10:22receives less and less.
10:24Yes, I know that the war is affecting
10:26the currency market.
10:28But I also know that in Rio Revuelto
10:30there's a lot of fish.
10:32Yes.
10:34That's exactly what I'm insinuating.
10:38What do you mean, who do you think I am?
10:40I don't need to believe anyone, sir.
10:42I'm the Marquis of Lujan.
10:46Tell Mr. Pontejo that this is intolerable
10:48and that I await his call.
10:50Good morning.
10:52Problems with the bank?
10:54No.
10:56I got the impression
10:58that you had a problem
11:00with the bank.
11:02Don't think that with your background
11:04I'm going to trust you with my worries.
11:06And you?
11:08You're always so discreet.
11:10Call it whatever you want.
11:12However, I have no problem
11:14trusting you with mine.
11:16Yours?
11:18My worries.
11:20In particular, I'm worried about your daughter Catalina.
11:22I'm not going to talk to you about my daughter Catalina.
11:24Why?
11:26Because it's none of my business.
11:28If you're worried about my daughter,
11:30talk to her and express your concerns.
11:32I've already done that.
11:34Very well.
11:36And when?
11:38I'm not used to speaking ill of people
11:40behind their backs.
11:42Alonso, you should set some limits for your daughter.
11:44I always forget
11:46that among your many virtues
11:48is the desire of the father that we all would have wanted to have.
11:50As you wish.
11:52But I still think
11:54that you should give her the ground
11:56now that she has returned to the palace
11:58and above all, she has returned accompanied.
12:00And why would I have to do that?
12:02She is very arrogant, Alonso.
12:04Yesterday she spoke to me without the slightest respect
12:06and she started questioning
12:08my way of running the jam business.
12:10So what?
12:12What do you mean, so what?
12:14I have to remind you that I took care of that business
12:16and also, overnight,
12:18it was because your dear daughter
12:20failed you and hid in that hangar you have.
12:22You omit her motives at your convenience.
12:24You're right.
12:26I omit the part where the business was a cover
12:28for arms smuggling.
12:30Something you took advantage of?
12:32Say what you want,
12:34and for the necessary adjustments in the business,
12:36the jams would be nothing more
12:38than a nice memory.
12:40You will say that.
12:42I do not rule out that your interests were others.
12:44As you say.
12:46I tend to share my daughter's opinion, Lorenzo.
12:48What you say is very offensive.
12:50It is very funny coming from you.
12:52I think I have not offended you at any time.
12:54No.
12:56You only settle for deceiving me,
12:58which is worse and also offends a little.
13:00We are already with that.
13:02I'm going to make you the fourth part of my hacienda.
13:04You deceived me when you hid for your benefit
13:06that Pelayo and Cavendish were doing business.
13:08I would love to go to Rostraposo.
13:10It is true.
13:12In your discharge, it must be said that when you deceive the same person twice,
13:14it is more the fault of that person than yours.
13:16I better leave you today. This is impossible.
13:18No, Lorenzo. I'm not going to stop until I throw you out of the promise.
13:20I already did it once,
13:22and you came back thanks to Cruz's protection.
13:24But nothing lasts forever.
13:32No.
13:46Mr. Baeza, is everything going well with Doña Pia?
13:48Yes, yes.
13:50But it is not because of her
13:52that I have brought you here.
13:54I wanted to call you,
13:56but not to talk about Mrs. Darre,
13:58but to talk about you.
14:02No, no, don't look at me like that.
14:04I think you already know where I'm going.
14:06Mr. Rómulo, you know perfectly well
14:08that you have already spoken to me.
14:10And you have also done it with Hanna.
14:12Yes, yes. I have given you my opinion separately
14:14regarding your relationship.
14:16And I assure you that we have both taken good note of it.
14:18Yes, but given the circumstances,
14:20I think it is not too much to go a little deeper.
14:22Frankly,
14:24I think they have everything against it.
14:26They are going to embark on a path
14:28that I do not wish for anyone.
14:30I suffered a lot, of course.
14:32Even if they are good people and they do not deserve it.
14:34Mr. Baeza ...
14:36Don't interrupt me.
14:38Lilo cuts me off.
14:40Where was he going?
14:42That we were good people and that we did not deserve to suffer.
14:44That's it. Yes, yes, yes.
14:46If they are going to fight together for that love,
14:48I predict a very difficult future for them.
14:52That, to put it mildly.
14:54That said,
14:56they are two adult people.
14:58They are going to make their own decisions,
15:00to make their own mistakes.
15:02The truth is that I have given you so many advice
15:04since I was a child
15:06that you must be fed up with me.
15:10Well, maybe a little.
15:12But I am very grateful
15:14for your concern, Mr. Baeza.
15:16I am not your father.
15:18But hey, I would like to think that I have done everything possible
15:20for everything to be fine
15:22within my responsibilities as a mayor.
15:24You are no longer a boy.
15:26You are a man.
15:28And you, Miss Expósito,
15:30a woman made and right.
15:32You are the owners of your lives,
15:34of course you are.
15:36And you have the right to govern them
15:38and to pursue your illusions
15:40without anyone deciding for you.
15:42And that is why
15:44I have called you both
15:46to talk to you.
15:48What I mean is that I am not going to intervene
15:50in your relationship.
15:52Soon I am going to reveal it to the Marquises.
15:54With this I mean
15:56that I have not seen anything.
15:58But I would not like to see again
16:00what I have not seen.
16:02I don't know if I explain myself.
16:04No, not much.
16:06Whatever you want to say.
16:08Yes, yes, please don't put me in more commitments.
16:12Don't worry, Mr. Baeza.
16:14We will be discreet from now on.
16:16Yes, yes.
16:18Well, good luck
16:20and I wish you all the happiness
16:22in the world.
16:24Thank you very much, Mr. Baeza.
16:28Can we go now?
16:30Yes, yes, of course.
16:32Bye.
16:42Sir, Madam,
16:44I wanted to thank you for the great privilege
16:46of serving this house for so long.
16:48Very well.
16:50It has been a very demanding job,
16:52but I feel very honored
16:54and very proud to have served
16:56the Lujan family.
16:58And we are honored by your good disposition, Salvador.
17:00Thank you, sir.
17:02Time has flown by.
17:04I still remember the first day I came to the palace
17:06that it was difficult for me to learn what was mine.
17:08For a reason.
17:10Yes, Madam.
17:12Because the demand has always been
17:14up to the good name of this palace.
17:16You can say it louder.
17:18I think it happens to all of us
17:20who serve here in La Promesa.
17:22We do not want to disappoint the heads of service
17:24because that would mean
17:26that we are disappointing you.
17:28Interesting reflection.
17:30Thank you, Madam.
17:32You're welcome.
17:34And finally,
17:36I know you are aware that
17:38I have been offered a higher rank position in another palace.
17:40But please, I don't want you to think
17:42that I'm leaving because I'm not happy
17:44in La Promesa.
17:46On the contrary.
17:48In fact, the gratification that Mr. Baeza has given me
17:50is quite generous.
17:52The gratification?
17:56Well, sir,
17:58Madam,
18:00I want you to know that I will never forget you.
18:04And that my loyalty and my gratitude
18:06will always be linked to this family.
18:08That gratification is a small sample
18:10of recognition of your dedication, Salvador.
18:12But small is a saying, right?
18:16We wish you the best
18:18in your new position.
18:20I know you will perform as well as here.
18:22Thank you very much, Mr. Marquis.
18:24La Promesa will always be your home.
18:26Its doors will remain open for you.
18:30Well, you have already heard the Marquis.
18:32We are so grateful to you
18:34that we have even given you a gratification
18:36that is even excessive for you.
18:38He said generous, Cruz.
18:40Generous, excessive.
18:42Anyway,
18:44my husband says that the doors of this palace
18:46will always be open for you.
18:48And I tell you,
18:50take note of the date on which you leave us.
18:52Let's see how long it takes you to return.
18:54Thank you very much once again, Salvador.
18:56Thank you, sir.
18:58Madam.
19:06We have only taught him everything he knows.
19:08And he leaves us to serve others.
19:10And you also give him a gratification.
19:12In this house he will earn more
19:14and have more opportunities to ascend.
19:16It is human to want to progress, Cruz.
19:18Well, I do not agree, Alonso.
19:20This is a betrayal.
19:22A betrayal?
19:24Yes, a betrayal.
19:26And betrayals must be punished,
19:28not rewarded.
19:30And of course, never forget them.
19:32Has Salvador already gone up?
19:34Yes, he has come here to say goodbye
19:36and he has gone up to shoot.
19:38I understand very well why he wanted to say goodbye
19:40to the Marquises.
19:42Well, because he was born to be grateful, Lope.
19:44Well, you write them a note and that's it.
19:46It's not the same, Lope.
19:48It will not be the same, Mrs. Simona,
19:50but you save yourself the bad drink
19:52of being there in front of the Marquises.
19:54And I don't say it for the Marquis,
19:56I say it for the Marquise.
19:58Yes, that's true.
20:00Well, in any case,
20:02Salvador's thing is nothing more than
20:04Well, there would be a lot to talk about.
20:08Now it will turn out that gratitude is a bad thing.
20:10Nobody says that.
20:12The thing is to see
20:14who has to be grateful to whom.
20:16Don't start, Candela.
20:18After all,
20:20the boy works for them
20:22and they pay him a salary.
20:24If we take into account
20:26what the job is and how much the salary is,
20:28I think the Marquises
20:30would have to thank Salvador.
20:32Or not like that.
20:42Well,
20:44it seems that someone has remembered you,
20:46Mrs. MartÃnez.
20:52It's a blessing.
20:54Let's see what he tells us.
20:56Oh my God, I'm shaking.
20:58Excuse me, Mr. Pellicer,
21:00this is the letter I have been receiving
21:02since I left for the village.
21:04Well,
21:06what did he say?
21:10He says they have already arrived in the village.
21:12And what else does he say?
21:16That they have settled down very well.
21:18Good news.
21:20What else?
21:22That the trip was a bit long
21:24and Adolfito was quite protestant.
21:26But he is very young.
21:30What?
21:32What does he say?
21:34Nothing.
21:36It's not a secret.
21:40He says that as soon as they arrived,
21:42he realized that
21:44he could be very happy there.
21:46But how good, Mrs. Simona.
21:48And that with the money we gave him,
21:50they were able to buy
21:52all the materials
21:54to make the arrangements
21:56that the house needed.
22:02And he tells me that
22:04I thank you all again
22:06for your generosity.
22:10For having renounced the gratification
22:12of Mrs. MarÃa Antonia.
22:16Well, she is very happy, isn't she?
22:20She is very happy, Lope.
22:22She says that for her it is
22:24wonderful to be able to spend time with the child,
22:26play with him,
22:28take care of him,
22:30cuddle him at night before going to bed,
22:32give him a kiss, tell him a story ...
22:34Poor thing.
22:36Come on, he doesn't deserve it.
22:38And she also says that
22:40every day she gets along better with her in-laws.
22:44And that is thanks to the fact that she already has a job.
22:46Already?
22:48Poor thing.
22:50In the house of a seamstress,
22:52knitting and fishing.
22:56And that she combines it
22:58also helping her in-laws in the garden.
23:02And that's it.
23:04That she loves me and that.
23:10Well.
23:12Well, it seems that Virtudes
23:14couldn't have done better.
23:16You can see that
23:18she had to leave,
23:20after all.
23:22Are you realizing,
23:24Mrs. Simona?
23:26A letter?
23:28News about your daughter?
23:30Yes.
23:32It is now you who
23:34reads the letter to us.
23:38That's the least of it.
23:40The important thing is that this letter
23:42is real.
23:46Yes.
24:10I'm going to miss you for a while.
24:12I'll miss you too.
24:14We will continue to have each other.
24:16Yes, but it won't be the same.
24:18Of course it will.
24:20Even if we see each other from time to time.
24:24Do you think so?
24:26Yes.
24:28Look, all the free days I have
24:30will be for you and for me.
24:32All of them.
24:34I like that.
24:36Besides, now that
24:38we are going to see each other less,
24:40we will be together.
24:42I hope so.
24:44Of course.
24:48There are people who say that
24:50with distance,
24:52one also forgets to love.
24:54That's nonsense.
24:56I have saved us.
25:00Look, whoever said that phrase
25:02didn't love us as much as we love each other.
25:06Maybe.
25:08Of course.
25:10I'm actually happy
25:12that this opportunity came to us,
25:14and suddenly ...
25:16Of course.
25:18I'm sure that soon we will get together
25:20and we will get married
25:22and we will form a family.
25:26Do you have everything ready?
25:28Yes.
25:30I have already said goodbye
25:32to everyone.
25:34To ...
25:36My colleagues,
25:38the gentlemen,
25:40and Lope too.
25:44So you're leaving her?
25:46Yes.
25:48Yes, why are we going to delay it any longer?
26:06No, Maria, don't come.
26:08Please.
26:10Don't be silly, Salvador, please.
26:12If you don't, you'll never see me again.
26:16Like we said, right?
26:18A farewell without pain.
26:20Only with love
26:22and desire to prosper.
26:24That's it.
26:28And so everything will be fine.
26:36Salvador,
26:38I love you.
26:42I love you too, Maria.
27:06I love you.
27:08I love you.
27:36There is nothing to worry about.
27:38Everything is fine.
27:40Father, be honest with us.
27:42I am being honest.
27:44No, you are not.
27:46Are you going to deny your father?
27:48You yourself
27:50assured that things were not going well
27:52between mother and you.
27:54That's why we wanted to talk to you
27:56to see if we can help you.
27:58I don't need help.
28:00Great.
28:02Don't be stubborn.
28:04It's my thing, period.
28:06Father, if we could help him,
28:08maybe the three of us
28:10would find a solution.
28:12Yes, there is nothing wrong with letting yourself be helped.
28:14But that happens for being honest.
28:16Tell us what's going on
28:18and why Cruz and you are like this.
28:20Like what?
28:24Tense.
28:26Tense.
28:28Father Catalina is right.
28:30They are tense.
28:32We are tense because we are tense.
28:36But who is not tense in the promise?
28:38There are only confrontations between each other.
28:40Each one goes his own way and against the others.
28:42Not all.
28:44You are the exception.
28:46Well, yes.
28:48Neither Pelayo nor I have tried to attack anyone.
28:52In fact, since we arrived, we have tried to bother as little as possible.
28:56And I'm not going to be hypocritical.
28:58I knew that his return could find a hostile response.
29:00But of course he has not stood up to her.
29:02If the poor man is in his lair
29:04to try to bother as little as possible ...
29:06Hey, Catalina, we're not going to go around that anymore.
29:08It's very spoken.
29:10But you know it seems inappropriate to me
29:12that you brought Pelayo back after what happened.
29:16I trust you.
29:18But this time you have not been right.
29:20And I don't think you are in a position to give conjugal advice.
29:22Neither to your father, nor to anyone.
29:26And you, Manuel.
29:28You know I don't like to stir up the past.
29:30But I have to remind you
29:32how you got when your mother and I
29:34tried to mediate in your marriage.
29:36Everything was justifications and bad faces.
29:40So I don't think you're in a position to give me advice either.
29:58The Zagala was happy.
30:00It was the opportunity
30:02that her real husband was waiting for.
30:04That forced him to leave.
30:06Yes.
30:08But they were going to double his salary.
30:10And that was a great blow.
30:12That life is very expensive.
30:14And having a family
30:16means making sacrifices.
30:20But then ...
30:24Why did it hurt so much
30:26that he had left?
30:28It wasn't just the distance.
30:32What if something had broken between them?
30:52What will you do now?
30:54Marcelo, do you want to stop whistling?
30:56And stay still, for God's sake.
30:58How do I look?
31:04You look perfect.
31:06And you're also very handsome.
31:08I know.
31:10Hey, stop fooling around. This is not a game.
31:12It was just a joke, woman.
31:14Marcelo, I need you to focus.
31:16You can't screw it up again.
31:18I'm not going to screw it up.
31:20You'd better.
31:22I hope all this has gone well.
31:24It has gone well.
31:26Because we did it right.
31:28It's a miracle.
31:30But I won't always be able to cover up your mistakes.
31:32It won't be necessary. You'll see.
31:34I'm going to do it on request.
31:36I hope so.
31:38Look, you're being very careful.
31:40Listen to me carefully.
31:42It's important that you do everything they ask you to do,
31:44without exception.
31:46There will be tasks that you don't even know where to start.
31:48I'm already surprised at how clumsy I am.
31:50Don't even think about pretending
31:52that you know how to do something you don't know how to do.
31:54Understood?
31:56Understood.
31:58Everything you don't know, you ask.
32:00And don't improvise.
32:02Understood?
32:04Understood.
32:06And one more thing.
32:08If you don't have someone,
32:10look for me and ask me.
32:12Is that clear?
32:14Yes, it's clear.
32:16Calm down.
32:18This place is very nice,
32:20and I want us to stay.
32:30I think I've never seen such beautiful gardens.
32:34My uncles, the Marquesas, have a large number of gardeners.
32:36And they demand a lot from them.
32:38That's why the gardens are a great source of pride.
32:40Ah, look. Curro.
32:42Julia. Manuel.
32:44She's Julia, Martina's guest.
32:48A pleasure.
32:50The pleasure is mine. I finally meet the other war hero.
32:54No, actually, neither Curro nor I are war heroes.
32:56That's questionable.
33:00The truth is that it isn't.
33:02In fact, we met one in the front.
33:04War heroes?
33:06That's right.
33:08And I assure you that they didn't look like us.
33:10And in what way were they different?
33:12In that the hero has an ideal
33:14and is willing to die for it.
33:16And it wasn't the case for you two.
33:18No, we got to a point where we just wanted to go home.
33:22And we had no intention of dying.
33:26Dinner time is approaching.
33:28The ideal thing would be to get ready.
33:30I understand that you're coming with us today, right?
33:32If you're going to stay a few days in La Promesa,
33:34your job would be to get to know the family.
33:38I'm a little tired, to be honest.
33:40Don't worry about that.
33:42You'll have time to rest.
33:44I suspect you're shy, Julia,
33:46but I won't insist.
33:48Okay.
33:50But if you don't mind,
33:52I'll rest here for a moment and get ready right away.
33:54Perfect.
33:56Well, we're leaving.
34:00Julia.
34:14Julia.
34:26Do you like it like this, ma'am?
34:30It's not bad.
34:36In fact, it's very good, Teresa.
34:38It couldn't be better. Thank you.
34:42What do you want, Petra?
34:44I wanted to talk to you, ma'am.
34:46Alone.
34:48You can go.
34:50Excuse me.
34:58How is it going with Teresa
35:00as a personal maid, ma'am?
35:02She hasn't reported anything to me.
35:04If she hasn't reported anything to you,
35:06it's because I didn't want to report anything to you.
35:08Well, yes.
35:10I don't mind that you have her busy with so many other tasks.
35:12She should be at my complete disposal.
35:14I can't do without
35:16her work in other functions, ma'am.
35:18It's hard enough for me
35:20to frame everything so that the palace
35:22functions as it should.
35:24Well, as you wish, but make sure
35:26that attending to me is your top priority.
35:28She's an excellent personal maid.
35:30Of course she is, ma'am.
35:34Anything else, or have you only come for this?
35:36No.
35:38I wanted to ask you
35:40if you know how long Miss Julia
35:42will stay in the palace.
35:44Miss Julia?
35:46Yes, I would like to be informed
35:48so that I can organize myself with the service.
35:50Not only for the matter of the dormitory,
35:52but also for the food and the laundry.
35:54Who is that Miss Julia you're talking about?
35:58The girl to whom your niece, Miss Martina,
36:00has invited to keep the promise, ma'am.
36:02The one who came to bring her the earring
36:04she had stolen?
36:06Apparently,
36:08as soon as she got here,
36:10she suffered a fainting.
36:12And both Miss Martina
36:14and Mr. Curro
36:16thought it was appropriate
36:18to stay here that night.
36:20What do you know about the king's gunpowder?
36:22The next morning,
36:24she and Miss Martina
36:26made such good friends that her niece
36:28decided to invite her to stay
36:30for a season and the promise
36:32in gratitude for the earring.
36:34But she seems like a wild
36:36and discreet girl.
36:38Yes, so discreet that I haven't met her yet.
36:40Does the lady want her to come?
36:42No, thinking about it,
36:44better not.
36:46I have no desire to meet anyone.
36:48And how long are you going to stay?
36:50I don't know, ma'am.
36:52I remind you that I have precisely
36:54come to ask you that.
36:56Again with those?
36:58You come to me again
37:00with unanswered questions?
37:02It's just that I don't think
37:04neither she nor Miss Martina
37:06have concluded anything about it, ma'am.
37:08Well, I'm fed up with everyone
37:10doing whatever they want in this palace
37:12without asking permission from anyone.
37:14That Martina invites a stranger
37:16to stay in the palace
37:18or that Catalina shows up with Pelayo
37:20without warning.
37:22I understand, ma'am,
37:24that the reason for your anger
37:26is that of your stepdaughter
37:28and Count de Añil.
37:30I don't care about that.
37:32I don't know, ma'am.
37:34What matters to me is the family.
37:36If it were up to me,
37:38that girl could go to the end of the world
37:40with her count,
37:42married or unmarried.
37:44I'm so eager
37:46to get rid of her
37:48that I'm willing to suffer
37:50another scandal,
37:52the same or greater than the previous one.
37:54I understand what you're saying,
37:56but I have the impression
37:58that what worries you
38:00is something else.
38:02Your impression is correct.
38:04What is it, ma'am?
38:06Oh, no.
38:08There's something else,
38:10but I'm not going to tell you.
38:12Look,
38:14maybe I'll tell Teresa later.
38:28Good afternoon.
38:30What are you doing?
38:32Brushing your boots?
38:34They're mine.
38:36They were a bit dirty.
38:38I see.
38:40The new boy, Marcelo,
38:42has already joined.
38:44I gave him his uniform
38:46and he must be at work.
38:48How do you see him?
38:50Very green.
38:52So green?
38:54The good part is that he looks
38:56something, something.
38:58Did you want something else?
39:00No.
39:04To tell the truth,
39:06I wanted something else.
39:08Well, you tell me.
39:12What's going on, Romulo?
39:14What do you mean, what's going on?
39:16I don't know what you mean.
39:18Your behavior. Lately, it's the strangest thing.
39:20My behavior is still the same.
39:22I don't know why you say that.
39:24Your meetings with Hanna, with MarÃa Fernández,
39:26with Don Manuel,
39:28your going out at night at many o'clock,
39:30which is probably why you're wearing your dirty boots.
39:32I mean that behavior.
39:34It is clear that something is happening
39:36that you have not told me, Romulo.
39:38And so far I have not told you anything.
39:40I was hoping it would come out of you,
39:42to trust me, but it seems that it is not the case.
39:44And I have had to lie
39:46several times
39:48for some of those meetings
39:50so that Petra would not follow the trail.
39:52But I can't keep doing this forever
39:54if you don't tell me the truth.
39:56What's going on, Romulo?
40:08MarÃa, wait a minute, I'll help you.
40:12I don't know what these pumpkins will have that are bigger than me.
40:14And that's not difficult.
40:16You don't have to smile at me
40:18without wanting to, I know you have to be in a hurry.
40:22Well, so that Listilla knows that I smile
40:24to make me happy.
40:26That can also be done.
40:28Well, then smile as much as you want.
40:32I stayed inside, Hanna, when he left.
40:36Because I didn't want us to say goodbye at the door
40:38because I said it was going to be more painful.
40:42And I think it hurts the same.
40:44But now you have to think
40:46that he is not going to the war, nor is he going to go far.
40:48Maybe in a stone house from here.
40:50Yeah.
40:54And besides, you told me
40:56that you will be able to see each other often
40:58because you will be able to see each other on the day of release.
41:00Yeah, Hanna, but that does coincide.
41:02Our day of release.
41:04Well, I'm sure you're going to make it coincide.
41:06For the last time.
41:08And when you see each other,
41:10you're going to die of desire to be together.
41:12That's what we said to each other
41:14to comfort each other.
41:16And because it's the truth.
41:19That then things get complicated
41:21and nothing goes the way you want.
41:27Well, speaking of complications,
41:29have you been able to talk to Mr. Baeza?
41:31About Mr. Manuel and you.
41:33Well, yes.
41:35And this time it has gone much better than the previous time.
41:38Yes?
41:40Mr. Baeza has told Manuel and me
41:42that he is not going to intervene
41:44and that he wants us to be happy together.
41:46With Mr. Baeza?
41:48It must have been hard for you to take that step.
41:50He is a very rigorous man.
41:52But at least he has given it.
41:54And bless him.
41:56Yes, bless him.
41:58And Mr. Manuel and Mrs. Hanna
42:00will have the path cleared.
42:02And how far along is the path?
42:04Well, much more advanced
42:06than we thought.
42:08Manuel, without telling him who he was,
42:10has managed to get the new priest of the town
42:12to marry us in secret.
42:14In secret?
42:16Yes, in the hermitage, without telling anyone.
42:18Well, he and the new priest, right?
42:20The same thing, he cleans your house in the sun,
42:22he makes you a secret wedding ...
42:24Well, although Manuel will have given him a good donation.
42:26I imagine.
42:28Uh-huh.
42:30What's wrong with you?
42:32Well, now you will have to tell the truth to Mr. Manuel, right?
42:34What truth?
42:36Well, what truth is it going to be, Hanna?
42:38You wanted to tell him everything
42:40before the war was over
42:42I wasn't going to do it,
42:44not to complicate things.
42:46I didn't tell him because you told me it wasn't the time.
42:48Well, but now it is.
42:50You have to step on the altar with a clear conscience.
42:54You have to tell Mr. Manuel
42:56how and why you came to the promise.
43:08I shouldn't have come back.
43:10And I never intended to come back.
43:12It doesn't seem so.
43:14If I have returned, it is because Catalina came to look for me.
43:16Catalina.
43:18The parsley of all sauces, right?
43:22What other single woman
43:24shows up alone at a man's house
43:26and stays there for days,
43:28unconcerned about her honor and what they can say about her?
43:30I give you my word
43:32that Catalina's honor is intact.
43:34Do you think your word has any value at this point?
43:36And Catalina's honor
43:38doesn't matter to me at all.
43:40What bothers me is that this shameless woman
43:42still doesn't care about the reputation of the family.
43:44I don't think that's the case.
43:46Catalina came to see me because she needed it.
43:50And this time has served so that the two of us
43:52realize that the love we have
43:54deserves another opportunity.
43:56The love you have?
43:58As if you had ever felt anything for her.
44:02Or have you not told her the truth yet?
44:04The truth
44:06is that I fell in love with her.
44:08And you know that.
44:10If that were true,
44:12you would have told her the other truth.
44:14Didn't she tell you that I was the one
44:16who knocked on your door to bring you to the palace?
44:18Didn't she tell you that our agreement
44:20consisted of you getting married
44:22and taking her away from here?
44:24Because, among other things,
44:26I don't think anyone in their right mind could stand her.
44:30Tell me,
44:32what will the intelligent
44:34Catalina say
44:36when she finds out that the only boyfriend
44:38she has had in her life
44:40was bought by me?
44:46What's wrong with you?
44:48With Hanna, MarÃa Fernández and Don Manuel?
44:50Don't insist, please.
44:52Come on, man, tell me.
44:54I thought there was mutual trust between the two of you.
44:56Yes, and I value it a lot.
44:58That's why I'm asking you to please
45:00leave me alone.
45:02At the last minute,
45:04she decided to go out for dinner in Luján.
45:06I hope she managed to get the Count of Añil out of his cave
45:08and didn't leave alone.
45:10They went together.
45:12I'm sure that your daughter and the Count
45:14have been very responsible
45:16and have gone with a clear conscience.
45:18From now on, in addition to his tasks as lackey
45:20and attending to Mr. Curro,
45:22he will be in charge of instructing Mr. RodrÃguez.
45:24He has just joined
45:26and it is always good that he works
45:28alongside an experienced lackey who serves as an example.
45:30It is a noble trade.
45:32Okay, I'll show you everything you need.
45:34What does he have there?
45:38Let's see ... Yes, he has a very irritated neck.
45:40It's red, like a tomato.
45:42What's wrong with him?
45:44Is it possible that the cake we had for dessert had nuts in it?
45:46Yes, because it was an apple strudel.
45:48Why?
45:52I was writing a letter to Salvador.
45:54But he just left.
45:56Yeah, but I've missed him since the first minute he left
45:58and I wanted to tell him.
46:00Well, it's nice that you do it.
46:02You don't leave anything inside.
46:04And you don't miss ...
46:06I'd better not bring that up, right?
46:08Yes, better.
46:10It still hurts a lot.
46:12I have something to tell you.
46:14Yes.
46:16I also have something to tell you.
46:18Hanna, you can't imagine how happy
46:20my body is.
46:22Sorry.
46:24I interrupted you. You had something to tell me.
46:26The marmalades of La Promesa
46:28were a symbol of modernity,
46:30exquisiteness, good taste.
46:32Now you can't qualify that sugary, insipid paste.
46:34I had a confrontation with him
46:36about this topic.
46:38And I spoke clearly to his face.
46:40You don't usually go around with people.
46:42Well, no. I told him that I would do everything possible to recover the company.
46:44As you understand,
46:46my duty is to inform you of your visit to the lady.
46:48And I insist
46:50that there is no need.
46:52So you can receive her as she deserves.
46:54Ma'am,
46:56I'm sorry, but
46:58I can't allow you to enter the palace
47:00through this entrance
47:02if you come with me to my office.
47:04Let you spend
47:06the whole day
47:08with Marcelo.
47:10It can promote
47:12a kind of trust between both of us
47:16that would be beneficial for you
47:20and also for me.
47:24music
47:26music