Igra sudbine 1151 epizoda (19/8/2024)
Igra sudbine, Epizoda 1169,Igra sudbine 1170 ,Igra sudbine 1169,Igra sudbine Epizoda 1170, Igra sudbine Epizoda 1169,Epizoda 1170 Igra sudbine ,Epizoda 1169 Igra sudbine
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00:00Where are you? Where are you, a bunch of men and policemen?
00:19Hi, Gala.
00:20Hi, hi.
00:22I'm a little tired.
00:24And I really wanted to call you.
00:29To tell you that everything was a mess.
00:32What do you mean?
00:34Well, this thing in Fame.
00:36Oh, that?
00:37The foxes.
00:41No, no, I would call it, God forbid, a fateful coincidence.
00:45I just don't understand why you disappeared after that.
00:49Oh, no, no.
00:51No, it's not.
00:52Oh, yes, God forbid.
00:54Maybe from your perspective, but I'm not for myself.
00:56I'm here.
00:57You're here, I'm here.
00:58I mean, I'm...
00:59What do you want?
01:00Well, I wanted maybe to do something similar again.
01:03Maybe you'll fuck me again.
01:05You know?
01:07Right?
01:08No, Gala, please stop.
01:09Please.
01:10What?
01:11Please.
01:12Don't, don't, don't.
01:13Please.
01:14I'm the duty inspector.
01:15You can't do that.
01:16Duty inspector.
01:17Duty inspector.
01:18You don't understand what you're saying.
01:20Well, wait, it's related to duty.
01:22But wait, tell me, what is your duty?
01:24A duty officer?
01:25A midwife?
01:26A daughter?
01:28You're really not...
01:29I mean, you can't.
01:30You just can't.
01:31I mean, you fell for her when I don't know what.
01:34You don't see other women around you.
01:36You don't see real women with legs.
01:40Yes, that's...
01:41Yes, maybe...
01:42No, I'm...
01:43What are real women?
01:44Exactly.
01:45Galica.
01:46Me?
01:47You're a woman?
01:48Uh-huh.
01:49And a half.
01:54Okay, okay.
01:55Okay, okay.
01:57No, Gala, Gala, Gala.
01:58What is this?
01:59Gala, please.
02:00It's just a bunch of crap.
02:02No, no, no.
02:03Gala, please.
02:04Gala.
02:05Please.
02:06Don't, don't, don't.
02:07So, don't.
02:08I told you nicely.
02:09So, me and Ljubinka are together.
02:11I'm another man.
02:12I've changed.
02:13And I'm with her.
02:14And I'm with her.
02:15So, I'm with her.
02:16Nice.
02:17And we're in a serious relationship.
02:18Nice.
02:19In a serious relationship.
02:21Nice?
02:22Yes.
02:23You're a happy man.
02:24You're a happy man because now you have two.
02:27I do?
02:28Uh-huh.
02:29What two?
02:30Well, two relationships, my fool.
02:33There you go.
02:34Come on.
02:35We're not going to have a nice drink.
02:37Something concrete.
02:38Come on.
02:39In that, huh?
02:40What are we going to have?
02:41What are we going to have?
02:42Loza?
02:43Loza, loza.
02:44Opa.
02:45Opa, super.
02:51You're going to pay for that.
02:55It's already better.
02:56I see.
03:00I knew you were kidding.
03:02I like that.
03:03I like that.
03:06Do I really have to play?
03:14Oh, the photos are here.
03:16Hi.
03:17Oh, hello.
03:18Hello.
03:19I hope you're satisfied.
03:20We're good.
03:21Well, more than satisfied.
03:22We're not satisfied.
03:23Too satisfied.
03:24Well, this was the best night of my life, honestly.
03:27You deserve it.
03:28I can't believe it's finally over.
03:32What are we going to do now?
03:33Nothing.
03:34Now we're making contracts related to the collection.
03:36Let's make some contracts with the fashion houses.
03:38And let's hope that the judges will like it.
03:40Let's make some contracts with the fashion houses.
03:42And let's hope that the judges will like it.
03:44Let's do it.
03:45Or even better, with the confectionery houses.
03:49With the confectionery houses.
03:50That will be easy for us.
03:51We have excellent critics.
03:53You're on the right track.
03:55But still, for all this, Laura and her connections deserve it.
04:00Come on, cheer up, people.
04:02Come on.
04:03You can do it.
04:08Don't be afraid of him.
04:09He's not afraid of him.
04:10He's a bit scared.
04:11He's a bit scared.
04:12Don't be afraid.
04:13He's not afraid.
04:14He's not afraid of the bag, but he's afraid of everything else.
04:17For Laura.
04:18For everyone.
04:19Cheers.
04:20Cheers.
04:30Where did you get the information that she was looking for me?
04:34Because she was at my place this morning.
04:36And she said that you didn't come home all night.
04:40So you two were talking about my disappearance, right?
04:44We became friends.
04:45It just happened.
04:47When?
04:48Oh my God.
04:49What united you?
04:50Love for the director, right?
04:52Well, I don't know what united us, but it was natural.
04:56And I'm glad she believes me.
04:59That's nice.
05:01It's really nice to get along with people in this company.
05:05Yes.
05:06So what is the conclusion of the affair?
05:10There is no conclusion, because we both resisted each other's comments.
05:16That's how it should be.
05:18As far as I'm concerned, that's understood.
05:20And that's why I came to talk to you directly.
05:23I'm not going around the offices.
05:26Thank you, comrade Bobo.
05:29That's as far as I'm concerned, Andrija.
05:31And as far as Una is concerned, you'll have to see.
05:33I just came to tell you what's going on.
05:36Okay, thank you.
05:37Well, then it's time for both of us to go home.
05:41Let's go.
05:43Let's go.
06:04Don't get me wrong, but I have to ask you something,
06:07something that interests me a lot.
06:10I'm listening, I'm listening.
06:12Did you really decide to enslave yourself
06:16next to those pianists and those whores?
06:23Why not? Why?
06:25Why not, dad?
06:26You, a guy from Belgrade's asphalt,
06:29I really don't understand that connection at all.
06:32Do you really need a woman to say that it's her?
06:36Wait, Gala.
06:37You don't know that I really liked her a lot.
06:44A lot.
06:45Okay, can you explain that to me?
06:48Well, maybe I don't know how to explain it to you with words.
06:54But I can tell you that it's her.
06:58Aha.
06:59She's the one who stood up to me the most
07:02of all the women I've ever had in my life.
07:05Oh, Cuckoo, how naive you are.
07:07How naive you are.
07:08Is that possible?
07:09Well, you can use her to throw out your frustrations,
07:13and that's it.
07:15What do you mean?
07:16Well, believe me, here.
07:18You'll remember this.
07:20As soon as a more serious guy shows up,
07:22she, your sweetheart, has the power to silence you,
07:25to throw you into the trash like you've never existed.
07:28You'll see.
07:29I'm sorry, Gala, but I think you're making a lot of mistakes.
07:32Am I?
07:33Yes, because she's my sweetheart,
07:35and I'm her first boyfriend.
07:37You know?
07:38So...
07:39Are you serious?
07:41Yes, yes.
07:42Oh, come on.
07:43She's definitely going to silence you.
07:47What do you mean?
07:48What do you mean?
07:49Well, it's known that women silence you
07:52when you're their first boyfriend.
07:53You know that?
07:54You know that, right?
07:55Well, if anyone knows, it's me.
07:57Oh, yes.
07:58You have no idea.
07:59But that's how you are.
08:01Always?
08:02Always has been and always will be.
08:04Are you normal?
08:05Did you know that?
08:06You didn't know?
08:07Well, if I were you, I'd be the first.
08:15So, guys, what is this silence?
08:18Is it a party or not a party?
08:20It's a party.
08:21A party.
08:22It's a party.
08:23It's a party.
08:24Let the musician say something.
08:26He has to.
08:27Do I have more of these?
08:28No.
08:29Oh, come on.
08:34Congratulations.
08:35Come on, let's hear it.
08:36Nothing.
08:39The man is ready.
08:41Always ready.
08:46Let's call Panchetta.
08:47Just a second.
08:48Just a second.
08:50Hey, Panchi.
08:51Sorry, it's a bit crowded here.
08:54How did it go?
08:55It went great.
08:56It was magical, really.
08:57I'm sorry you weren't there, but I can't even talk to you right now.
09:02Vaka, hi.
09:03Just wait for us to come back.
09:05Okay.
09:06It's not over yet.
09:07We have a lot of work to do.
09:08Come on, finish it.
09:09You deserve a good break.
09:12Yes, but tell me, how are you both doing?
09:15I don't know what to tell you.
09:17Wait, where are you anyway?
09:19I just landed on an island.
09:22To see the airport.
09:25I don't know what to say.
09:28What is it?
09:29Why did you stop?
09:31Panchi, let's have a coffee break.
09:38I don't know if I'm welcome, but I came to congratulate you.
09:43Well done, Laura.
09:56Listen to me carefully.
09:57The golden rule.
09:58A woman will always, always leave her first man.
10:02Yes.
10:05What?
10:06Okay, what do you suggest, Gana?
10:08How can I be a second?
10:10Third?
10:11I mean, how can I get back into the game?
10:13I suggest...
10:14Okay.
10:15...that you don't fall asleep like a fool.
10:17Like a fool.
10:18Like a horse.
10:19It would be nice if you speed it up.
10:21So that you can have fun with me.
10:23Hey, hey, hey, hey, hey.
10:25Hey.
10:27Is this the one you caught?
10:41Luka.
10:45Enjoy your victory.
10:57Do you hear what I'm asking you?
11:00I hear, my love.
11:01And I'm here with you.
11:04This is, by the way, Mrs. Gala.
11:09I arrested her.
11:10And this is, this is Ljubinka.
11:13Yes, yes, yes.
11:14I feel very good.
11:15I just don't know why you arrested her a second time.
11:18Why are you talking in a third person when I'm here?
11:21I mean, you see...
11:22Let me tell you something, Ljubinka.
11:24You are in Belgrade at the moment.
11:26Belgrade, Veligrad, you know?
11:28Isn't this Kosmaj that you can only play with pigs?
11:32Veligrad.
11:33This is Veligrad.
11:34The city can go wherever it wants.
11:36You know?
11:37Yes.
11:38That's the difference.
11:39This is Veligrad.
11:40But this is the place where you sell pigs from Kosmaj.
11:44And you'd better be careful that we don't kick you out of here.
11:47Hello, hello, hello.
11:49Girls, listen.
11:50This is one of my premises.
11:52And no one is going to kick anyone out of here.
11:54Is that clear?
11:55But we're not going to lie to each other.
11:57I hear you don't have any premises.
11:58This is just an ordinary warehouse.
11:59I think it's enough not to see a new clientele, right?
12:03Then you'd better get out of here.
12:05Because you're not that kind of clientele.
12:08My God.
12:09And have a nice trip.
12:12Okay, I'm going.
12:13But because I want to go.
12:20Well, guys, it's time for us to say goodbye.
12:22Mile, bye.
12:23Trivanović, bye.
12:25See you later.
12:28Goodbye, ma'am.
12:29Bye, Galica.
12:30Ma'am.
12:31Okay.
12:32Bye-bye.
12:35So what?
12:37So you don't have me here with this...
12:39...this disgusting Gal.
12:41What were you talking about?
12:43Ljubinka, you're exaggerating now.
12:45I have to tell you right away.
12:47So, a girl came, a woman,
12:49and sat across the road from me.
12:51Across the road from him.
12:53So we didn't talk about anything.
12:55This is a big city.
12:56She has the right to come wherever she wants.
12:58And you can't think she's following me.
13:01You're following me, actually.
13:03You followed me.
13:04Is that right?
13:05She can come to anyone.
13:06I didn't call her.
13:07What should I do?
13:08Should I tell her to go home?
13:09What should I do?
13:10What should I do about you, Pamet Njaković?
13:12Ljubičica, listen.
13:14This, as you heard, is Belgrade.
13:17And here, every woman or girl
13:19can come to a man,
13:21to sit next to him.
13:23Now, will she be accepted or rejected?
13:26That's up to the man.
13:27So don't worry about that normal thing.
13:29Did you hear that?
13:31Ljubinka,
13:32I'm sorry that we're solving this case somehow.
13:36Your problem, that...
13:38I don't know what it is,
13:39but, I mean, that love affair,
13:41it's a little, you know, burdensome.
13:44I'm your first boyfriend.
13:45I understand that you're not
13:47in the best of your mind and everything.
13:49I'll help you.
13:50I'll be there for you,
13:51without any problems.
13:53Well, you should be impressed
13:54that you're my first boyfriend.
13:56Not that it bothers you.
13:58But...
13:59Who am I talking to?
14:03I didn't say it bothers me, Ljubinka.
14:08He's following me.
14:10Now go run.
14:12Run, run.
14:14Why is he following me?
14:15Run.
14:17Ljubinka, I didn't mean it that way.
14:19Love, love, I'm coming.
14:22I'm coming.
14:23Run.
14:24Go run.
14:25I would, but...
14:26You tell me.
14:30Idiot.
14:43Well, that's that.
14:47I filled that part with gas and ignited it.
14:52Where did you ignite it?
14:53In the middle of the yard.
14:55I lit it until it went out.
14:59Why did you do that?
15:01You'll find out when I get my answer.
15:05Uh-huh.
15:07Okay, go ahead.
15:09Where were you that night when you disappeared?
15:12Come on, please.
15:13I told you.
15:14I was on this sidewalk.
15:15You're making a fool of me.
15:17I know it's not true.
15:18Where were you?
15:21It's true.
15:23What if my answer doesn't satisfy you?
15:26Well, I think the truth is completely different.
15:31We've already been through all this.
15:33Yes, we have from the beginning.
15:34For me, for love.
15:37Are you sure?
15:38Absolutely.
15:39At the cost of my life, yes.
15:43Luka!
15:53Are you okay?
15:55What did you do to Luka?
15:57It's okay, it's okay.
16:00Don't worry.
16:02Don't worry, he's fine.
16:06I'm a precision shooter.
16:08I just stabbed him.
16:09You ruined your own life, Laura.
16:11I'll call the police.
16:12No one will call the police.
16:13What?
16:14No one will call the police.
16:15What are you talking about, man?
16:16What am I talking about?
16:18He stabbed me the least he could.
16:21It's okay.
16:22That's what I thought.
16:24That's what you owe me the least.
16:27So you can see how it feels when it hurts.
16:35Come on, Laura.
16:36It's okay, it's okay.
16:37People stabbed me.
16:39Don't worry.
16:40Come on, Piper.
16:44Can I have a little toothbrush?
16:48No way, no way.
17:00Jessie made a China.
17:02Did you here her?
17:03Did my sister come by?
17:05Yes, she did.
17:07She came by, made a mess and then left.
17:09and she left.
17:10What are you talking about?
17:11What kind of chaos is this?
17:13She was mad at Trivanović
17:15who was sitting with Gala.
17:16They made a mess and she left.
17:19Why are you making fun of me, Milovo?
17:22Have you gone mad?
17:23You're standing on your left foot,
17:25Ljubinka.
17:28I barely managed to answer
17:30that expensive question,
17:32and now you're preparing this for me, too?
17:35What is it?
17:36Come on, spit it out.
17:38Ljubinka is a dangerous player.
17:41She is, isn't she?
17:43That's a good conclusion.
17:45She's not dangerous, she's a miracle.
17:47Who would've thought, Milo?
17:49She's peaceful,
17:51she plays the piano,
17:54and under the piano,
17:55there are hundreds of pianos.
17:57And all of a sudden,
17:59she's just blowing fire.
18:02Well, not all of a sudden,
18:06but she came to Belgrade,
18:08she fell in love,
18:09and now I'm telling you,
18:11from my point of view,
18:12it's maturity.
18:13Maturity?
18:14Don't philosophize,
18:16give me a drink.
18:18Maturity?
18:20Milo, that's youth,
18:22that's madness.
18:24Do you understand?
18:26For years,
18:27all you've been doing is tying yourself up.
18:30When you get to my age,
18:33all you're doing is tying yourself up, Milo.
18:36At my age, you know,
18:38relationships like that
18:40can cost you your life,
18:42your money.
18:44Yes,
18:45can I tell you something?
18:48Go ahead.
18:49Ljubinka,
18:50she's a little bit
18:52attracted to Leposavlje.
18:54A little bit?
18:55Yes.
18:56Milo, it's not a little bit,
18:58it's a lot.
19:00A lot.
19:01She found my unfortunate Trivanović,
19:04so she's jealous.
19:05Jealous?
19:06Jealous.
19:07To tell you the truth,
19:09sometimes I feel sorry for him.
19:11Sometimes I feel like crying for him.
19:14I don't want you to cry.
19:16Do you know what he's going to do?
19:18He's going to kick her out,
19:20with his head,
19:21no matter what,
19:22with his feet,
19:23in the dust,
19:24until she's jealous.
19:26You'll see.
19:28Why am I doing this?
19:37Okay.
19:38Let's do it like this.
19:40You tell me
19:42what happened that night.
19:44Like this.
19:45I think you weren't walking,
19:47and I think you weren't sleeping.
19:51What am I?
19:53You left,
19:54you disappeared,
19:55I don't know where,
19:56and you spent the whole night there.
19:58Okay.
19:59On what basis did you conclude that?
20:01On the basis of your feelings.
20:03If you were here, you would know.
20:05All of that?
20:06Just on the basis of feelings?
20:08Not just on the basis of that.
20:10It's not just that.
20:11You didn't spend the whole night here,
20:13you overslept somewhere,
20:14you got up in the morning,
20:15because you were in the gym,
20:16you didn't know what to do,
20:17you went to buy a new outfit
20:18from that Radule,
20:19or whatever his name is.
20:20Radule.
20:21Radule.
20:22You were with him.
20:23And then,
20:24because you didn't have cash,
20:25you couldn't pay with cash,
20:26you took the money
20:27and asked them to give you an invoice.
20:29Okay, and?
20:30And then you had to pay
20:32with a very high interest.
20:37What are you laughing at?
20:39Unbelievable.
20:40You filmed the whole movie.
20:43Great idea.
20:44Do you want to deny it all?
20:45No, no, no.
20:46I won't deny it.
20:48Who's to blame
20:49for marrying such a smart woman?
20:50I see,
20:51that helps me a lot,
20:52and it's worth it.
20:53It's worth it,
20:55you know why?
20:58Because,
20:59on the basis of all this,
21:00I owe you a confession.
21:03Yes.
21:05That's right.
21:07I didn't spend the night
21:08on this bed.
21:15But,
21:18where?
21:22But, Mila,
21:24can I ask you something?
21:25Go ahead.
21:26How are things
21:27with you and Kaya?
21:28What happened?
21:32What?
21:34What does that mean to you?
21:36It's not bad with Kaya,
21:37but I have a problem
21:39with my aunt
21:40from Australia.
21:41Why?
21:42What happened?
21:43Because she has some conditions all the time.
21:46She asks me
21:47to tell her three reasons
21:48why I love Kaya,
21:50but I don't know any.
21:52You know what?
21:53I totally understand her.
21:55How?
21:56You know why?
21:57Why?
21:59If you,
22:00as a man,
22:01Yes?
22:02find and admit
22:03at least one reason
22:05why you love a woman,
22:06then you're done.
22:08Like a baked chicken,
22:09my dear,
22:10for the rest of your life.
22:12Only if I could somehow
22:13get her here,
22:15at least for two days.
22:16Who?
22:17Who?
22:18Aunt!
22:19Aunt?
22:20Aunt?
22:21Yes.
22:22Wait, is she alone?
22:23Does she have anyone?
22:24I think she's alone,
22:26that she doesn't have anyone.
22:29What do you mean?
22:32How rich is she?
22:33How heavy is she?
22:35She used to weigh 130 kilos,
22:36but then...
22:37Stop it, Vetin.
22:38I'm not asking you
22:39how many kilos she has,
22:40I'm asking you how many dollars
22:41she has.
22:42She has...
22:43She has...
22:45She has...
22:46She has...
22:47She has...
22:48She has...
22:49Stop it, stop it.
22:50What?
22:51Stop what?
22:53You know what would be good?
22:55That we,
22:56or actually you,
22:57bring her here.
22:58That we meet her here,
22:59that we meet her here,
23:00that we meet her here.
23:01That we meet her here.
23:02That we meet her here.
23:07That's great.
23:08That's great,
23:10that we meet you.
23:13Are you crazy?
23:14Where am I?
23:15You're here for me,
23:16I have a beard.
23:17You hear me?
23:19You're here for me,
23:20I have a beard.
23:22You see,
23:23the more she wants to marry you,
23:24the more she wants to marry you,
23:25the more she wants to marry you,
23:26that's what she says,
23:28that means she's really jealous,
23:29that means she's really jealous,
23:30and lonely to the point
23:31and lonely to the point
23:32of tears.
23:33We'll be pretty,
23:34we'll be pretty,
23:35come here.
23:40Come on,
23:41let's have another drink.
23:42Let's have another drink.
23:45For auntie.
23:46For auntie.
23:49Ah, maybe she's frozen now.
23:54Okay, when did you decide to confess?
23:58Where were you?
24:00You see, I don't think it's important where I was.
24:03It is. How is it not important?
24:06But it's not important to me.
24:08What's most important to me is that I'm happy with you.
24:10Come on, help me, please, so I can be happy with you.
24:12In the end, things work out.
24:15In the end, I love you the way I should.
24:17Things work out in bed, too.
24:19I suggest we go to Venice.
24:21Now is the right time.
24:23No, not now.
24:25Why? We're enjoying each other.
24:27Because I'm not going anywhere
24:29until I find out why you lied to me.
24:31Lied to you?
24:32Yes.
24:34Come on,
24:36be careful with those words.
24:37They can infuriate a man.
24:40Okay, tell me, what would you call it?
24:43I would call it our common life.
24:46The first time I saw you,
24:48I was sure that was it.
24:51Why did I pretend to be so confident?
24:53Did you think I was lying?
24:55Okay, maybe I lied to you, but...
24:58All that money, the whole situation...
25:01Knowing about it wouldn't change anything for us.
25:06Okay.
25:07If that's the case,
25:09just tell me what happened.
25:11I have the right to know.
25:12Una.
25:16I love you.
25:18And I think that's the most important thing.
25:21Do you believe me when I tell you that?
25:26No.
25:35What's wrong?
25:36Una.
25:37What?
25:39I talked to the doctors.
25:40What did they say?
25:41Nothing.
25:42They said the wound was superficial,
25:44and it was a scab.
25:45A scab?
25:46A scab.
25:47Shut up, Una.
25:48What could have happened?
25:49What could have happened?
25:52I told you not to panic.
25:53I told you nicely not to tell me anything.
25:55What do you mean, not to panic?
25:57You're drunk, man.
25:58I don't know...
25:59I had a little chat with the girl.
26:01Are you sure you're not going to report Laura?
26:03No, not at all.
26:04No, really.
26:05Don't report her.
26:06Please.
26:07There's no need.
26:08Okay.
26:09I have to go.
26:10What time is it?
26:11I have to go to Lenka.
26:13She's a little worried, too.
26:14So...
26:15Say hi to Lenka.
26:16Tell her I'm in safe hands.
26:18Yes.
26:19See you.
26:29What are you doing?
26:31What am I doing?
26:34What do you think?
26:35I don't know what I'm doing.
26:36I think you should report her to the police.
26:38No.
26:39Believe me, I shouldn't.
26:41It's my fault.
26:44It's my fault.
26:45I gave her false hope that...
26:48that someone truly loves her.
26:50And...
26:51Maybe I...
26:52Maybe I deserved it.
26:54Why did you do it if you don't think so?
26:57That's when I thought.
27:00And then you showed up and I realized I was wrong.
27:05And I realized one more thing.
27:08That you didn't show up by accident.
27:11What can I say?
27:12You always show up when I need you.
27:14When I need you the most.
27:16And when would you be gone?
27:17And...
27:20What more can a man ask from a woman
27:22than to be there when she needs him the most?
27:24Always.
27:26You always find a way, don't you?
27:28Yes.
27:33You showed up during that affair.
27:36And when I was in chaos,
27:38that's when I realized...
27:41That's when I realized that you're that and that's that.
27:45I'll leave you alone.
27:49Will you come back to Belgrade?
27:53Can I?
28:00Are you asking me to live together?
28:08Yes.
28:18You can't expect me to be so weak
28:20to let this go without an explanation.
28:23I wouldn't put it that way.
28:25I owe it to myself.
28:27I owe it to us.
28:30Us?
28:32We'll be fine without an explanation.
28:34No, we won't be fine.
28:36Please believe me.
28:39Look, Andrej.
28:40I've been through so much
28:41in this situation
28:42that it would be really stupid
28:43to let you go like this.
28:56You should thank Luka
28:57for not ending up in prison.
28:59I should thank him?
29:01We're in this situation
29:02because of him.
29:03No, Laura.
29:04You need to realize
29:05that from now on
29:06you're on your own.
29:08Okay, don't panic.
29:09Are you aware
29:11of what you've done?
29:14Yes, I'm very aware.
29:15I blamed him
29:16and I did it on purpose.
29:18You know I did it on purpose.
29:20Laura, I've had enough of your shows.
29:35Mila.
29:38I'm going to beg you.
29:40I'm sorry.
29:41I can't talk right now.
29:42I'm sorry.
29:43Please help me.
29:44Don't apologize to me.
29:45You can tell me what you want.
29:48Why are you shaking?
29:51Mila.
29:52If I tell you something
29:53you have to promise me
29:54that this won't happen
29:55between the two of us.
29:56Please.
29:57Let's make a deal.
30:05Where are they?
30:08I don't know.
30:09They're probably still at the meeting.
30:11It's too early for that.
30:13Why are you doing such a job?
30:15We won't be late for the flight.
30:17Forget about the flight.
30:18It's good that we're alive
30:19and healthy and quiet.
30:20How scared were you?
30:21The same.
30:22I mean,
30:23Laura really crossed every line.
30:25She could have killed him.
30:27Only if we survived.
30:34CALL ME
30:35I WANT TO SEE YOU
30:36I WANT TO SEE YOU
30:38I WANT TO SEE YOU
30:39I WANT TO SEE YOU
30:42I WANT TO SEE YOU
30:44I find this unbelievable.
30:47Can you imagine how I feel?
30:49After everything that happened between you two.
30:53That didn't happen to me.
30:55Didn't he tell you where he spent the night?
30:59Didn't he admit he was lying?
31:01Imagine...
31:03Yes.
31:19What do you think when you walk around like a cop?
31:23What do you think about?
31:25What are you looking at?
31:27I'm thinking all the time.
31:29I think something is missing.
31:31But I've made up my mind.
31:33What? I've made up my mind.
31:35I'm going to clicker.
31:49Laurin from Ostanak felt a lot.
31:51Yes.
31:53Yes, maybe because of that
31:55they could think that we pulled out.
31:57Yes, yes.
31:59When we are like that...
32:01Where is Laura?
32:15But you should be sure
32:17before you say something like that.
32:23What if I'm sure?
32:27What if I'm sure?
32:43Hey, Paolo.
32:45We know what's going on.
32:47What happened?
32:49Laura is intentionally blocking the negotiations.
32:57You
32:59You