Igra sudbine, Epizoda 1166,Igra sudbine 1166 ,Igra sudbine 1167,Igra sudbine Epizoda 1166, Igra sudbine Epizoda 1167,Epizoda 1166 Igra sudbine ,Epizoda 1167 Igra sudbine
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00:00Only in Serbia
00:02Only in Serbia
00:04Only in Serbia
00:06Only in Serbia
00:08Enjoy!
00:10Enjoy!
00:12Enjoy!
00:14Enjoy!
00:16Thank you!
00:18Thank you!
00:20Enjoy!
00:22I'll be happy to have that coffee!
00:24I'll be happy to have that coffee!
00:26I'm so tired!
00:28Only a week left
00:30until the fashion show in Milan.
00:32Ok, it doesn't have to be bad.
00:34Ok, it doesn't have to be bad.
00:36Who said it was going to be bad?
00:38What are you talking about?
00:40I'm just saying that I'm excited.
00:42They gave all the money,
00:44they invested,
00:46they broke for that show.
00:48I don't know how it's going to go.
00:50I'm worried.
00:52I have a feeling,
00:54I have a feeling,
00:56you didn't tell me not to worry.
00:58I'll come and you'll have a look.
01:00Ok, you're bothering me,
01:02I'm just saying.
01:04Don't say anything.
01:06I hate people who talk a lot
01:08and don't say anything.
01:10What did you do with your aunt?
01:12Nothing.
01:14That's what I'm talking about.
01:16Oh my dear,
01:18why did you punish me like this?
01:20Why do I always have to deal
01:22with those smart people
01:24who always have some
01:26elementary things to do.
01:28Don't call me smart.
01:30They're crazy,
01:32they'll miss all the money,
01:34the wealth,
01:36because you're incompetent.
01:38Why don't you take a look
01:40at Ljubinka and Trivanovic?
01:42Those jerks.
01:44What do you think of me?
01:46Nothing at all.
01:48But still,
01:50you should take a look at them
01:52and see how it all works.
01:54What do you mean?
01:56Do you want me to draw you?
01:58Do you want me to show you?
02:00Ask around how those two people
02:02get along.
02:04That's not a bad idea.
02:06None of my ideas are bad.
02:08None of them.
02:10Have you seen Dekajmak?
02:12What's up, people?
02:14What's up?
02:16What's up, dear?
02:18Aren't you married yet?
02:22No.
02:28I know you don't agree with this decision,
02:30but luckily you don't ask anything.
02:32So you turned your back on me, too.
02:34I knew you'd understand
02:36everything so tragically.
02:38How could I?
02:40Those two sent you to kick me out of the project.
02:42Laura, you knew
02:44sooner or later your actions
02:46would lead to that.
02:48Right?
02:50It was my fault.
02:52Please calm down.
02:54Let's try to have a peaceful conversation.
02:56We can't have a peaceful conversation
02:58because I came up with the whole project.
03:00I made all the agreements.
03:02I sent them to Milan Fashion Week
03:04based on their sketches.
03:06Fine. I know that.
03:10You do?
03:12Is that why you're kicking me out?
03:14Laura, no one's kicking you out.
03:16We're just trying to keep you away from Luka.
03:18It's a bigger humiliation.
03:20You two can't
03:22control yourselves.
03:24Now that it's over,
03:26when we have the most work,
03:28Sala isn't even paid.
03:30What were you waiting for?
03:32I don't know what I was waiting for.
03:34I was waiting to see how this would end with Sala.
03:36What do you mean?
03:38Explain it to me.
03:40What do you think?
03:42That Sala wasn't paid by chance?
03:48Yes.
03:54I still don't know what to think.
03:56Yes.
03:58It seemed strange.
04:00Pretty confusing.
04:02It's confusing,
04:04but I can't figure out what it is.
04:06You know what?
04:08There's something strange and unusual
04:10about this whole situation,
04:12but I can't figure out what it is.
04:14What do you mean by unusual?
04:16The dress.
04:18What dress?
04:20The dress!
04:22I saw it for the first time.
04:24What's so unusual about it?
04:26Andrija has hundreds of dresses.
04:28Yes, but he wears five or six a month,
04:30and then he changes them.
04:32Maybe he changed them now.
04:34Don't make me a fool.
04:36I know what I'm talking about.
04:38I saw this dress for the first time.
04:40What does it tell you?
04:42One, you don't know Luka.
04:44And two,
04:46you don't know that part.
04:54That's exactly what
04:56I'm talking about.
04:58Completely unsuccessful.
05:00I'm considering the possibility
05:02of not getting married
05:04and taking the money.
05:06What's this, people?
05:08You can't even take the money
05:10when they're under your nose.
05:12That's exactly what I'm talking about.
05:14That's exactly what I'm saying.
05:16Because I'm a good man
05:18with a warm heart,
05:20and I can't do that.
05:22And I, Valašaša,
05:24instead of listening to Seljanović,
05:26it's nice that I joined him
05:28so I can get a score.
05:30That Seljanović is dangerous.
05:32See, that's how things work.
05:34You're interested in everything.
05:36And I'm waiting for something
05:38to fall in love with.
05:40There's no such thing.
05:42No, it's a dead species.
05:44There's no such thing.
05:46What's a dead species?
05:48There's a species that's still alive.
05:50What's still alive?
05:52What are you?
05:54You're like a cockroach.
05:56He's gone mad.
05:58Who's left?
06:00Let's hear it.
06:02There's no such thing.
06:04Come on.
06:06Everyone's getting divorced.
06:08Everyone's going their own way.
06:10Whatever it looks like.
06:12I just hope Mido
06:14gives some signs of life.
06:16But no, he won't last long.
06:18She kicked him.
06:20I'm pretty.
06:22When he goes to Mido's,
06:24does he come back?
06:26Has anyone seen him?
06:38Miki!
06:40Oh, Mido!
06:42How are you?
06:44I'm good, Miki.
06:46Sit down.
06:48How are you?
07:08Hello.
07:18Good afternoon.
07:20Hi, Milena.
07:22I've been thinking
07:24and I think it's a good time
07:26to switch to you,
07:28if you don't mind.
07:30Could you please
07:32tell me what...
07:34I mean...
07:36Yes.
07:38Okay, okay.
07:40I understand.
07:42Okay.
07:44Let's go.
07:54Hey.
07:56What's up?
07:58We have a problem.
08:00Laura doesn't want to buy a car.
08:02What?
08:06I don't know.
08:14I'm good.
08:16Never better, I mean excellent.
08:18And all thanks to you.
08:20Really?
08:22Yes.
08:24Listen to me.
08:26I found a phenomenal business space.
08:28We just have to react quickly.
08:30Really?
08:32Yes.
08:34It's under the CNEA.
08:36Okay.
08:38If it's so great,
08:40I think we should take a look.
08:42I don't really want
08:44to rush myself now.
08:46Why not?
08:48I don't want to become
08:50a provincial peasant
08:52and to fall on the first ball.
08:54Come on, Mido, please.
08:56Provincialism
08:58is not that bad.
09:00You don't have to be ashamed of it.
09:02You don't have to be afraid of it.
09:04I'm telling everyone
09:06that without the energy
09:08of the people from the province,
09:10this city wouldn't expand so quickly.
09:12Okay.
09:14It would be good
09:16to have Mido Pjanovic in Belgrade.
09:18You think so?
09:20I envy you a bit.
09:22Me?
09:24Yes, whenever I see you.
09:26I see myself when I'm in Belgrade.
09:28Okay.
09:30What is this place?
09:32Whose is it?
09:34Let's not talk about it.
09:36Let's go and see.
09:38Let's go.
09:54Wait.
09:56Laura doesn't want to buy
09:58No, unfortunately.
10:00Where did you get that information?
10:02Pavla saw her.
10:04What did she say?
10:06Nothing.
10:08She said she was going to make a deal.
10:10In fact, she underestimated us.
10:12She wants to destroy us.
10:14She wants to destroy us directly.
10:16Don't worry about them.
10:18Listen to me.
10:20So,
10:22we don't have salt.
10:24The deadline for payment has expired.
10:26In a week or two,
10:28she will come.
10:30Pavla will have to solve it.
10:32How will she solve it?
10:34She can't.
10:36She has to do something.
10:42I'm going to see her.
10:44Is she smart?
10:46No.
10:48We'll figure it out.
10:50Yes.
10:52We'll figure it out.
10:56I have to go.
10:58I have to finish something.
11:00I'll be back soon.
11:18A meeting?
11:20Of course.
11:22I don't know what to do.
11:24I don't know what I'm doing.
11:26Maybe it's some
11:28unconscious mistake.
11:30It's not a mistake.
11:32Ok.
11:34What's the topic?
11:36That will be
11:38the topic of our meeting.
11:40Really?
11:42Yes.
11:44What is it about?
11:46Something between us.
11:48I found something
11:50about Andrej Brever.
11:52What does it have to do
11:54with me?
11:56You are my psychotherapist.
11:58Am I right?
12:00Yes, of course.
12:02I think Andrej
12:04is up to something.
12:06Do you think he's cheating on you?
12:08I don't know.
12:10Probably.
12:12Ok.
12:14Calm down.
12:16It's easy.
12:18He could have
12:20cheated on you.
12:22Maybe yours.
12:24It's not mine.
12:26I checked it.
12:28Ok.
12:30Let's not talk about it
12:32over the phone.
12:34Let's talk about it
12:36during the meeting.
12:38Ok.
12:40Let's meet in the evening.
12:42Great.
12:50Ok.
13:08Why are you doing this to me?
13:10Why are you doing this?
13:12Why are you doing this?
13:14Do you want to destroy Revi?
13:16You know why I'm doing this.
13:18When you call him,
13:20tell him I'm here.
13:22You can't do it without me.
13:24Please, don't provoke me.
13:26It's all because I'm needed.
13:28It's all because you're not professional.
13:30You're better than me.
13:32I have a job.
13:34I'm paid for it.
13:36I didn't bring you here.
13:38You two are needed.
13:40You can't do business
13:42privately.
13:44I can.
13:46You're not like me.
13:48Of course I'm not.
14:04There you go.
14:06You were right.
14:08It's a great place.
14:10I told you you'd like it.
14:12Let's have a drink.
14:14Of course.
14:16If the papers are ok,
14:18maybe I'll buy it.
14:20Everything will be ok.
14:22I hired a lawyer.
14:24I think it's the best way.
14:28Cheers.
14:30Where do you live
14:32when you're in Belgrade?
14:34I rent a flat.
14:36You know why?
14:38I know some people
14:40who build houses.
14:42If you want to buy a flat,
14:44I can help you.
14:46Viki, Viki.
14:48You won't give up
14:50until you get rid of me.
14:52You can't talk to Ljeposov.
14:56It's not like that.
14:58I'm just worried
15:00that your wife and daughter
15:02won't harass you.
15:04I'll protect my daughter.
15:06I have a plan for Ljeposov.
15:08He should stay in Kosmaj.
15:10You talked to his wife.
15:12Will she agree?
15:14Ex-wife, Viki.
15:16Ex-wife.
15:18Ok, ex-wife.
15:20Once a wife, always a wife.
15:22I have to go.
15:26See you.
15:28Cheers.
15:40Cheers.
15:52What do you want from me?
15:54What do you want?
15:56What do I want?
15:58I don't understand.
16:00Are you crazy to leave me
16:02because of that bitch?
16:04Why are we talking about that?
16:06She's a good girl.
16:08But she's heartless.
16:10And she's not a challenge for you.
16:12First of all,
16:14you don't know that girl.
16:16It's very ugly to talk about her like that.
16:20Do you know what kind of life
16:22you could have with me?
16:24Ljeposov.
16:26Ok.
16:28Forget it.
16:30I'd bring you to the top of this business, Luka.
16:32Great.
16:34Maybe next time.
16:36You obviously don't understand
16:38how much I'm important to you.
16:40You obviously don't understand
16:42that this mess will pass with or without you.
16:44It will, but what will you do
16:46when it comes to sales, marketing,
16:48everything related to money?
16:50I'll need you like the air you breathe.
16:52And you humiliate me.
16:54Ok, enough.
16:56You brought another woman here.
16:58I'm sorry.
17:02I came to talk about business.
17:04I didn't come to talk about love.
17:06It's the same for me.
17:10If it's the same for you,
17:12sit down with me.
17:14I want to.
17:16But you have to apologize
17:18for everything up to now.
17:20No.
17:26I'm sorry.
17:30You pulled out.
17:32For now.
17:34But that's not all.
17:38I want us to spend the night together.
17:40Last time, I promise.
17:42And then I'll arrange
17:44a place for you to perform.
17:46Can you go now?
18:16Come on.
18:18Where are you?
18:20Don't be afraid, good day.
18:22Can I sit with you?
18:24Just sit in the front.
18:28Something else?
18:30No, I can't.
18:32Tell me.
18:34Like this.
18:36I came to see you.
18:38And to tell you the truth.
18:40To ask you for a favor.
18:42Say the word.
18:44Don't be afraid.
18:46You know that I'm a student of Yuri.
18:48He's a business man.
18:50I found a great place.
18:52However, my lawyer says
18:54that the one who sold it
18:56didn't sell it to himself.
18:58Do you understand?
19:00I understand.
19:02Well, I...
19:04If you can see
19:06who that man is
19:08and what he does.
19:10Whose place is that?
19:12It's a great place.
19:14Don't be afraid.
19:16I wouldn't want to lose it.
19:18And I wouldn't want
19:20to end up like a sheep
19:22who sells it.
19:24I see.
19:26It looks like a scam.
19:28Really?
19:30It doesn't have to mean anything.
19:32Many people
19:34won't take it personally.
19:36Someone inherits it
19:38or doesn't report it.
19:40But don't worry.
19:42I'll do it through my people.
19:44You'll see.
19:48And Doplanović.
19:50I won't forget about you.
19:52It means a lot to me.
19:54Don't worry.
19:56How's your family?
19:58Leposava, Ljubinka?
20:00Don't be afraid.
20:02Don't ask me anything.
20:04I'm going to the revolution.
20:06Not my revolution.
20:08It's a miracle.
20:10Ever since they came to Belgrade,
20:12everything has changed.
20:14Everything.
20:16They don't remember anything.
20:18When they were in the village,
20:20they didn't remember anything.
20:22They didn't remember anything.
20:26Ideas?
20:28Like what?
20:30My beautiful ex-wife
20:32wants me to buy her an apartment.
20:34My Ljubinka
20:36wants me to buy her an apartment.
20:38To live with that moron from Trivanović.
20:40Where am I?
20:42I don't have any money left.
20:44You know,
20:46I feel like a character
20:48from a song.
20:50Montenegro, my dear mother,
20:52would you be my wife?
20:54I'm like a fountain of wishes for you.
20:56Don't be afraid.
21:00When we're done,
21:02tell me.
21:04You know my situation.
21:06Okay.
21:08Would you be my
21:10advisor?
21:12Excuse me?
21:14Would you be my advisor?
21:16How?
21:18Don't.
21:20I beg you.
21:22I would, but I can't.
21:24I'm sorry.
21:26This is over.
21:28Don't worry.
21:30It's easier now.
21:32I need the data.
21:34I have it all on my phone.
21:56Grandma,
21:58have you seen Una?
22:00She's not at work today.
22:02Do you know why?
22:06Grandma?
22:08Yes?
22:10Do you know why?
22:12Why?
22:14She's not at work.
22:16I don't know.
22:30Mido,
22:34I have to tell you
22:36and I'm telling you for the last time.
22:38Me and Miki
22:40would never be together again.
22:42Just don't worry.
22:44I beg you.
22:46Mido, a man is a pervert,
22:48a mafia member,
22:50a criminal.
22:52Stop it, man.
22:54What do you think of me?
22:56Am I a naive fool?
22:58Thank you for your concern,
23:00but it's only my decision.
23:02Mido, I have to tell you.
23:04Enough.
23:06Enough, Trivanović.
23:08We're done here.
23:10I need Tambur
23:12because of the information
23:14about the places you went to.
23:16That's how I meet people.
23:18That's what I need
23:20right now.
23:22I understand,
23:24but I have to tell you again.
23:26Trivanović,
23:28why are you still here?
23:30You're scaring me.
23:32Because of Miki Tambur.
23:34It's not because of Miki Tambur,
23:36but because Mido wants to work with him.
23:38How can you work with him
23:40when he's a criminal?
23:42What do you care?
23:44Take it easy, guys.
23:46I know what I'm doing.
23:48Don't worry.
23:50Everyone says that
23:52before they start crying.
23:54Listen to me, Vazdović.
23:56I'm a good friend
23:58of Nebojša, his son.
24:00He's my guarantor
24:02that everything will be fine.
24:04Period.
24:06Okay.
24:08I can't.
24:10I have to go.
24:12Go.
24:14That's your job.
24:16Don't push me.
24:18Do you want to pay?
24:20Mido will pay.
24:22NEBOJÅ A
24:24NEBOJÅ A
24:26Nebojša, what's up?
24:28I have bad news
24:30about the paperwork.
24:32I'm listening.
24:34NEBOJÅ A
24:36NEBOJÅ A
24:38NEBOJÅ A
24:40NEBOJÅ A
24:42NEBOJÅ A
24:44NEBOJÅ A
24:46NEBOJÅ A
24:48NEBOJÅ A
24:50Hello, Milena.
24:52Hi.
24:54I'm glad you're so happy.
24:56I don't understand.
24:58You didn't run away
25:00from the call.
25:02I'm busy.
25:04I have a lot of work.
25:06And it's not about you.
25:08I can't call you anymore
25:10to ask what you're doing.
25:12Why don't you answer?
25:14Of course you can.
25:16I told you everything is fine.
25:18Maybe you're insecure
25:20because of your bad conscience.
25:22What does my conscience have to do
25:24with our relationship?
25:26I was kidding.
25:28You forgot what a joke is.
25:30What really happened?
25:32I was worried about Una.
25:34She booked a meeting.
25:36Aha.
25:38And that's unusual because...
25:40Because she sounded like
25:42she was ready for a military campaign.
25:44Well, I don't know.
25:46She's acting normal to me.
25:48She mentioned a drag.
25:50A drag?
25:52Whose drag?
25:54You don't know?
25:56I have no idea.
25:58Did Una find out?
26:00No, but...
26:02I thought you were
26:04into that stuff.
26:06Why would I?
26:08I'm not Andrija Bošnjak.
26:10I have to go.
26:12I have to do something.
26:14Okay, Milena.
26:16See you.
26:28I have to go.
26:46Here.
26:52Yes?
26:54What?
26:56Can I help you somehow?
26:58Excuse me.
27:00Do you remember
27:02the last time you wore this piece
27:04at the chemist's?
27:06No, why?
27:10It doesn't matter.
27:12Actually, I don't even remember this piece.
27:14It looks like it's new.
27:16It looks like it's new to me, too.
27:18You see,
27:20even the pockets are sewn.
27:22Well, yes.
27:24It's a new piece.
27:28What is this?
27:32It doesn't look like it.
27:34It has pockets.
27:42Yes.
27:44It looks like
27:46Mr. Bošnjak started buying
27:48this piece
27:50in secret.
27:54Yes.
27:56Yes.
27:58Or is it just
28:00that it should stay here?
28:18You won't
28:20give it to me now, will you?
28:22I was really
28:24surprised when Senka
28:26offered a leave
28:28and that she wanted to go to America.
28:30I wasn't at all.
28:32What do you mean you weren't?
28:34Everyone was surprised.
28:36Everyone was surprised, just you weren't.
28:38Do you always have to fight against it?
28:40Surprise, come on, surprise.
28:42Look at the chaos.
28:44There has never been such chaos in this company.
28:46Never.
28:52I've checked the papers.
28:54The owner is a descendant of KockaÅ™.
28:56What does that mean?
28:58Father won't give him
29:00the space in Boston.
29:02This one will sell it
29:04to him without his father's knowledge.
29:06Yeah, are you kidding me?
29:08No.
29:10He has been selling it for years
29:12as a family property
29:14and he doesn't even own it.
29:22I totally understand your right to slap me.
29:37Slap you for what?
29:38What are you talking about?
29:39Like a wolf, slapping a sheep.
29:41Shut up!
29:42That's what I meant.
29:44Where is this peasant?
29:46He's just getting used to it.
29:48He's been eating this for a while now.
29:50With the piglets and the roasts.
29:53He won't pull his hand out of his pocket to open up a bit.
30:12What about me?
30:15Oh, that's how I feel.
30:20All of a sudden?
30:23Sometimes I change my hairstyle so impulsively.
30:27You know how they say, a small change from the outside
30:31brings some changes from the inside.
30:45I hope I'm not interrupting you.
30:49Aren't you going to invite me in?
30:52I think it's better for you not to come in.
30:56Why?
31:01Because Luka should come.
31:14I just dropped by.
31:16You just dropped by.
31:18The most beautiful girl in town came to Fame.
31:21Let's not exaggerate.
31:23You know what?
31:24I need to hire a film crew to film you walking in.
31:29Why would we do that?
31:31Why?
31:32So everyone can see how beautiful you are.
31:35Okay.
31:45What does that label tell you?
31:50That Andrija bought that part...
31:53this morning.
32:08I'm a woman.
32:10I'm a woman.
32:13I'm the only one who can reserve a space.
32:17It goes through my friends.
32:19But...
32:22Why didn't you do it then?
32:37It's not like someone's father is your son.
32:43Good evening, Viki.
32:46Look who I brought you.
32:50Sit down.