Charlie and the Hooker (1977) Full Movie

  • last month
Transcript
00:00:00I hate you.
00:00:02I hate you.
00:00:04I hate you.
00:00:06I hate you.
00:00:18I want to talk with you,
00:00:20about something serious,
00:00:22because I have been told
00:00:24by my father
00:00:26that I have seen a ghost.
00:00:28Yes. What clothes?
00:00:30Well, the clothes that are on the shelves.
00:00:34And those are your sins? Well, go to hell, macho, let's see if you look more.
00:00:38And what do you want me to say if I don't have sins?
00:00:40Well, sin more, macho, that you are at the age.
00:00:42How many times have you given him the hand?
00:00:44What is that?
00:00:45Don't you know what it is to give him the hand? You are the dumbest that Pepe leches.
00:00:48And what are you, an idiot?
00:00:49Well, don't piss me off, huh? Okay, let's see how this turned out.
00:00:53Let's go there.
00:00:55Yes.
00:01:06I accuse myself ... I accuse myself of ...
00:01:09Come on, macho, say something. Listen, we are in confidence, right?
00:01:12I ...
00:01:13Oh, macho, with this invention we are going to cover ourselves.
00:01:16How?
00:01:17Well, by blackmailing. We tell anyone.
00:01:20And we tell him that if he doesn't portray himself, God will find out. Do you understand?
00:01:24Now what we have to look for is a plug further away, for example, there, in the sacristy.
00:01:28Yeah, macho, but if we do that, we'll have to really confess.
00:01:33And if they realize, they can put us in jail.
00:01:36You are still in limbo, kid.
00:01:38The world is round, and the one who doesn't know how to live goes to the bottom.
00:01:40So come on, let's put this.
00:01:51One, two.
00:01:53Stealing, stealing.
00:01:55In the name of the Father, the Son, and the Holy Spirit.
00:02:00Amen.
00:02:02My dear brothers in Christ.
00:02:07Jesus returned to speak to them at that time, with the usual words, and said on one occasion.
00:02:20If a shepherd has a hundred sheep to his care, and one is lost, he will not hesitate to leave at ninety-nine to look for the missing one.
00:02:34And if he manages to find her, he will surely be happy and rejoice more.
00:02:42There is our first victim.
00:02:44At ninety-nine, this is the will of our Father.
00:02:49Macho, we're going to get her.
00:02:51Idiot, go and plug it.
00:02:53I'm going.
00:02:54That's why it is so important, dear brothers in Christ, to look for sheep for our flock.
00:03:02More sheep for the Church of Christ.
00:03:06Let no sheep be lost.
00:03:09Let it never be lost.
00:03:12Oh, I'm going to miss the bus.
00:03:14And nothing else, brothers.
00:03:16In the name of the Father, the Son, and the Holy Spirit.
00:03:23Holy Virgin Mary.
00:03:25Without sin conceived.
00:03:27I have not confessed for two days.
00:03:30We have nothing to scratch here, macho.
00:03:32Tell me, daughter, tell me.
00:03:34I accuse myself that I did not pray the Rosary yesterday afternoon.
00:03:37What an old woman.
00:03:38That I laughed at a green joke that a man told me on the bus.
00:03:41And that I gave two voices to the maid.
00:03:44Go, pray in penance three Hail Marys and now say the Lord my Jesus Christ.
00:03:48Lord my Jesus Christ.
00:03:50And how are we going to blackmail her?
00:03:52Don't be a beast, the bus is coming.
00:03:56I haven't confessed for six months.
00:03:58This one, this one seems to me to be the good aunt.
00:04:00I accuse myself that I have sinned with another man.
00:04:02Well, it's not that bad either.
00:04:06I shit in the milk, it's over.
00:04:08But how did you put the tape backwards?
00:04:10I tell you nothing, macho, if the confession is over.
00:04:12Look how the priest is heard now with the sheep.
00:04:14A shit for you and the sheep, for both.
00:04:23Here it happens, look at me, it happens.
00:04:26Coyac, Cochilinas, Chito, come here.
00:04:30I have let myself be carried away by passion.
00:04:36And that is your invention?
00:04:38Well, there is a shit, macho.
00:04:40Well, this is all there is, if you want.
00:04:42Well, I prefer the magazines.
00:04:43Yes, come on, take out the magazines.
00:04:44Okay, each one put your money.
00:04:45How much is it?
00:04:46Two pelas.
00:04:47Two pelas?
00:04:48How expensive, macho.
00:04:49I don't know, I don't come.
00:04:50I sign up first for the playboy.
00:04:51Well, I ask for the fat aunt.
00:04:52I the black.
00:04:53The black is for me.
00:04:54Don't even talk.
00:04:55How are we going to die, macho?
00:04:57Take the black, Chito.
00:04:58Take you.
00:04:59Oh, what a barbarian, boy.
00:05:02Take.
00:05:06Do you play or not?
00:05:07This is not a game, it's a mess.
00:05:09This is like the veteran, boy.
00:05:10It's a matter of men.
00:05:11I don't play.
00:05:12Bah, that guy is a fag.
00:05:13The fag will not be your father.
00:05:15Either you kick it or you go.
00:05:16Ah, go to hell.
00:05:18Well, let him give it.
00:05:19That's what I say.
00:05:20He wants it.
00:05:21Well, come on, let's make a bet.
00:05:22The first one to finish is the one who wins, huh?
00:05:24I'm the smallest, you should give me some advantage.
00:05:26What advantage do you want?
00:05:27When you count to five, I start.
00:05:29And when it reaches ten, you start.
00:05:30Okay.
00:05:31Okay.
00:05:36Let me concentrate.
00:05:41Ready?
00:05:42Ready?
00:05:44Count to five.
00:05:45One, two, three, four, five.
00:06:06What's up?
00:06:07Hi, Curro.
00:06:08Give your uncle a kiss, he's going on a trip.
00:06:10Are you leaving again?
00:06:11What do you want me to do?
00:06:12It's my job.
00:06:14Come on.
00:06:22See you on Friday.
00:06:23Goodbye, Camilo.
00:06:24See you on Friday.
00:06:25Olga G. J. is writing to us from the province of Madrid,
00:06:28which is expressed in the following terms.
00:06:31Dear Mrs. Francis,
00:06:32I'm going to give you some advice on the problem that I'm going to tell you about.
00:06:36I'm 19 years old.
00:06:37My parents got married when I was 20 years old,
00:06:40and when I was born, my father was turning 20.
00:06:43When I was only three years old...
00:06:46Hey, Curro.
00:06:47What's up?
00:06:48Today is the end of the month, isn't it?
00:06:50Yes.
00:06:51Doesn't that remind you of anything?
00:06:53Of what?
00:06:54The payment, the payment of the church.
00:06:57How can I forget you, man?
00:07:00Leave me a little for the movies.
00:07:02What do you want?
00:07:03Do you want me to give you money for you to eat and sleep here?
00:07:06Come on, what you have to do is stop playing and get to work,
00:07:09which is what matters.
00:07:10Come on!
00:07:11Oh, what a dreamy guy.
00:07:21Antonio?
00:07:24He's already gone.
00:07:26He's already gone.
00:07:30What time are you coming?
00:07:34It's too late for the boy to be here.
00:07:38Okay.
00:07:39I'll tell him not to come back until 12.
00:07:43Okay, okay.
00:07:45Until then.
00:07:47Don't be late, please.
00:07:52I'll give it to whoever throws it at me.
00:07:55I'll give it to whoever throws it at me.
00:08:05Hi, Lupas.
00:08:06Oh, man, it's time.
00:08:07What happened to you?
00:08:08Nothing.
00:08:09Are you still angry or what?
00:08:10No.
00:08:11Oh, well.
00:08:12Because if you're not, you have double work.
00:08:13Get angry and get angry.
00:08:14Come on, take it.
00:08:15Go out and put this in the confessional.
00:08:17But hurry up, we have to open the church and Don Jacinto is about to come.
00:08:20And if I don't want him to come, what happens?
00:08:22What do you mean?
00:08:23What are you playing at?
00:08:24No, but I have a blackmail like a house.
00:08:26I'll tell Don Jacinto that you've prepared everything and I'll steal your life.
00:08:29Understood.
00:08:30Disgusting pig.
00:08:36Today the thing is four grains.
00:08:38Dangerous for all audiences.
00:08:39You know, it's going to be like the other day.
00:08:44Come on, don't do the long and drop the pasta.
00:08:46How much do I have to pay?
00:08:47A hard.
00:08:48A hard.
00:08:49Yes.
00:08:50What do you think?
00:08:51Here it is.
00:08:52Hey, handsome, don't you pay?
00:08:53Shut up.
00:08:54That's what has a lot of faces.
00:08:55Shut up.
00:08:56Ready.
00:08:57Well, if it's a roll, you give me the money back.
00:08:59Shut up at once.
00:09:00Shut up.
00:09:05Holy Mary.
00:09:06Without sin conceived.
00:09:09I haven't confessed for a long time.
00:09:11Hey, this isn't as cut out as the movies.
00:09:13Let's see if there's going to be censorship here too.
00:09:15No, this is better than the last tango.
00:09:17I accuse myself of having sinned gravely against purity.
00:09:20But you have reached the end, daughter.
00:09:23Yes, father.
00:09:24You have gone with my lover.
00:09:26What, aunt?
00:09:27We have done it many times.
00:09:29The first time...
00:09:30This is turning red.
00:09:31Didn't I tell you?
00:09:32No, father.
00:09:33But what's going on?
00:09:34But hey, you're going to tell him now, right?
00:09:36You have to put one more peseta each.
00:09:37If not, the coal is over.
00:09:38But that's a robbery.
00:09:39I'm sorry.
00:09:40These are lentils.
00:09:41If you want them, take them.
00:09:42And if not, you know.
00:09:43Well.
00:09:44Take it.
00:09:45Come on, put it on now.
00:09:46Well, there it goes.
00:09:48Then we went in his car.
00:09:50He stopped in the corner.
00:09:52He put the seats back.
00:09:54My God, how many times did you do it?
00:09:57Many.
00:09:58Don't you realize that for a moment of pleasure you can...
00:10:00Damn, aunt.
00:10:01Of course, the guy is taking advantage of the little car.
00:10:04As if today the one who does not have a car does not eat a thread.
00:10:06Shut up, damn it, we miss the best.
00:10:08The other day he sat on me and he was undressing me while he kissed me everywhere.
00:10:12Macho, I can't stand it anymore.
00:10:14Do it again from the beginning.
00:10:15I'm doing it too.
00:10:16Take it, and me.
00:10:17And me.
00:10:18Come on.
00:10:19Take it, macho, half the booty.
00:10:21No, I don't want that money.
00:10:22Well, worse for you.
00:10:23Look, you're ghillie.
00:10:24Come on, man, put it on now.
00:10:25Hurry up.
00:10:26Yes, I'm going.
00:10:27Ugh, how I'm...
00:10:50Lupus.
00:10:51What a fright.
00:10:52I thought it was Don Jacinto.
00:10:53There's the girl at the minibar.
00:10:54What?
00:10:55The one we recorded the other day, and I think she's going to confess.
00:10:56Well, let's see her.
00:10:57Let's go.
00:10:58Look at her, that's her.
00:10:59Damn, macho, how is she?
00:11:00Come on, you hide her.
00:11:01That's her.
00:11:02I'm going to see her.
00:11:03You're going to see her, right?
00:11:04I'm going to see her.
00:11:05Well, I'm going to see her.
00:11:06I'm going to see her.
00:11:07What's wrong?
00:11:08I don't want to see her.
00:11:09What's wrong?
00:11:10Oh, I don't know.
00:11:11I don't know.
00:11:12I don't know.
00:11:13I don't know.
00:11:14I don't know.
00:11:15Come on, you hide it.
00:11:30It's divine. Let's see if he confesses.
00:11:34I think so. I'm going to plug it.
00:11:45It's ready. I think he's coming.
00:11:57He left without confessing. Let's follow him.
00:12:15Look at his beautiful hair.
00:12:31Well, his ass isn't bad either.
00:12:34Thank God I brought my glasses.
00:12:46I hope the bus arrives.
00:12:49Let's go.
00:13:15He's coming.
00:13:42Yes, come on.
00:13:57Be careful, don't go too far.
00:14:11It's delicious.
00:14:34I like it a lot too.
00:14:36They're waiting for Maromo.
00:14:38Maybe he gave it to Plantón.
00:14:41He won't fall for that.
00:14:44She won't leave without showing me her clothes.
00:14:47Don't be a beast, Lupa. There are a lot of people here and they can see us.
00:14:49Not at all, comrade.
00:14:51Shut up.
00:14:57You'll see.
00:15:07You'll see.
00:15:37I'm going to tell you something.
00:15:47He's leaving.
00:15:55There's the bastard from the minibus.
00:15:57The son of his mother.
00:15:59Shall we follow him?
00:16:01Yes, let's go.
00:16:28The United States has many facets.
00:16:32I have some of them here.
00:16:34Have you noticed, Curro?
00:16:36What's he doing?
00:16:38He's a pig.
00:16:40He doesn't rest.
00:16:42320 kilometers from the north of San Francisco,
00:16:45a quiet Californian city,
00:16:47the United States.
00:16:49The United States has many facets.
00:16:51I have some of them here.
00:16:53Have you noticed, Curro?
00:16:55What's he doing?
00:16:57He's a pig.
00:16:59We'll see, son.
00:17:01Let's go.
00:17:02Let's go.
00:17:11Let me.
00:17:26Take my glasses.
00:17:27Today comes the day when the cowboys plow cattle,
00:17:31traveling hundreds of kilometers,
00:17:33to sell it in the markets of the border.
00:17:36I don't know how to play the lute.
00:17:38But hey, you're going to start again.
00:17:40If you're going to kill yourself.
00:17:41Shut up, don't entertain me now.
00:17:44The most outstanding riders,
00:17:46artists of the Lazo,
00:17:48and landowners,
00:17:49come to compete for prizes in effect.
00:17:57The Lazo
00:18:21Come on, this place is bad.
00:18:24Either you leave, or you go.
00:18:27The Lazo
00:18:45Forgive me, Virgin.
00:18:47I gave him the hand.
00:18:49It was unintentional, I swear.
00:18:51I couldn't help it.
00:18:53All children do it, and I'm already a man.
00:18:55Don't be angry with me, please.
00:18:57I'll do my best not to do it again,
00:18:59but I can't promise you anything.
00:19:01Forgive me.
00:19:02Goodbye.
00:19:25What are you doing here, macho?
00:19:26Lupas told us to come.
00:19:28The aunt of the kid is coming to confess.
00:19:30That guy is an idiot.
00:19:31And you're selfish.
00:19:32Everything he wants is for you.
00:19:33Come on.
00:19:34The other day you gave us the fillet,
00:19:35and you knew.
00:19:36Come on.
00:19:39Jesus.
00:19:42Good morning, Father.
00:19:44Get dressed quickly, it's very late.
00:19:46And you, Lupas,
00:19:47take the money in the brush,
00:19:49and put it in my box.
00:19:50Right away, Father.
00:19:55Come on.
00:20:26Lupas, what do you want?
00:20:28What's the matter?
00:20:29What's going on with the panda?
00:20:31I don't know.
00:20:32We're all going to follow the doll.
00:20:34Will that be if she comes?
00:20:35She'll have to come, right?
00:20:36Come on, guys.
00:20:37Enough talk.
00:20:38What are you doing giving her the fillet?
00:20:40Cata!
00:20:54In the name of the Father, and of the Son, and of the Holy Spirit.
00:20:59The grace of our Lord Jesus Christ,
00:21:01the love of the Father, and the communion of the Holy Spirit
00:21:05is with all of you.
00:21:11Hey, isn't that Adrimeni?
00:21:17Brothers, before we celebrate the sacred mysteries,
00:21:21let us acknowledge our sins.
00:21:23You may sit down.
00:21:25Hey, man, what do we do?
00:21:26Well, let's go ask her.
00:21:35Hey, Lupas, Lupas!
00:21:37What is it?
00:21:38Why did you bring us here?
00:21:39I don't know.
00:21:40Whoever wants to fish, you know.
00:21:41We've been here for over an hour.
00:21:43And we haven't eaten anything yet.
00:21:44I told you...
00:21:45That's it.
00:21:46I'm going.
00:21:47For my great worship,
00:21:49for that I pray to Saint Mary,
00:21:52always Virgin,
00:21:53to the angels,
00:21:54to the saints,
00:21:55and to you, brothers and sisters,
00:21:57that you may intercede with me before God,
00:21:59our Lord.
00:22:03I'm sure he'll confess today.
00:22:05He's been here a while.
00:22:07Come on, I'm going to eat.
00:22:25He's married, daughter.
00:22:27Yes, but he loves me.
00:22:29And he says he's going to separate.
00:22:31Double sin, daughter.
00:22:33You're going to destroy a home.
00:22:35I also have the right to have mine, Father.
00:22:38Marry a boy who loves you.
00:22:41I love him.
00:22:43Well, daughter, shut up.
00:22:45How many times have you done it?
00:22:47I don't know.
00:22:49But I know I'll never confess again.
00:22:52I'm swindling God.
00:22:54I have no purpose in my life.
00:22:56You'll end up in the mud.
00:22:58Pray in penance,
00:23:00two creeds and...
00:23:02Father, I'll never do it again.
00:23:05Goodbye, Father.
00:23:13Down, boys.
00:23:16Come on, drop the money.
00:23:18I don't have any more money.
00:23:20Here, boss.
00:23:23Come this way.
00:23:29This is where the girl works.
00:23:32Good evening.
00:23:34Let's go in, macho.
00:23:36Are you crazy?
00:23:38You're going to be a cagao all your life.
00:23:40I'm a cagao?
00:23:42I want to go in too, macho.
00:23:44You stay here and learn what you need to do.
00:23:46And you, don't you have children?
00:23:48Go away.
00:23:50Why don't we make a bet?
00:23:52What bet?
00:23:54We're going to go in one by one.
00:23:56They're not going to let us all in at once.
00:23:58The one who comes out last is the winner.
00:24:00I'm going to start.
00:24:08Where are you going?
00:24:10Come on, get out.
00:24:12A little more education, right?
00:24:14What do you think this is, kid?
00:24:16The catechesis or the youth front?
00:24:18Who do you think I am?
00:24:20You're going to have to drink the bottle.
00:24:22I'm going to drink the bottle.
00:24:24What a cut.
00:24:26What are you laughing at?
00:24:28Who's turn is it now?
00:24:30Me.
00:24:32You'll see what they're going to do now.
00:24:36Hey!
00:24:38It looks like he slipped.
00:24:40Where were you going?
00:24:42Get out of here.
00:24:44You beast.
00:24:46That goalkeeper is better than Ibarra.
00:24:48I don't want to make a scene.
00:24:50It's your turn.
00:24:52Let's see how you behave, macho.
00:24:54You've all screwed me over, haven't you?
00:24:56Didn't you want to go in first?
00:24:58Go in now, don't be afraid.
00:25:00No.
00:25:02Now you'll see.
00:25:14Hey, that's Miri's.
00:25:20Come on, man, come on.
00:25:26Come on.
00:25:30Good evening, ladies.
00:25:32Yes?
00:25:34Can I talk to you for a moment?
00:25:36Sure.
00:25:38Look, there are some friends over there.
00:25:40Don't look, please.
00:25:42What do you want?
00:25:44Look, some guys from the neighborhood.
00:25:46Who?
00:25:48Don't look.
00:25:50What's going on?
00:25:52We've made a bet.
00:25:54It's too late to get out of there.
00:25:56He's the most macho one.
00:25:58I know I'm less macho than them,
00:26:00but I want to stay on top
00:26:02so they don't laugh at me.
00:26:04Do you understand?
00:26:06If you'd do me the favor of going in,
00:26:08even if it's just for a moment.
00:26:10Well, come with us.
00:26:12Pedro, we'll get you out right now.
00:26:14He hung up.
00:26:16He looked like a fool.
00:26:18There's no God who understands him.
00:26:20What's your name?
00:26:22My name is Carla.
00:26:24Nice to meet you.
00:26:26How old are you?
00:26:28Fourteen.
00:26:30I'm a bit old.
00:26:32No, you're not.
00:26:34You have a funny face.
00:26:36Do you want to see this?
00:26:38Hi.
00:26:40Look, I'm going to show you everything
00:26:42so you don't embarrass your friends.
00:26:44Then you can go, okay?
00:26:46Wait here a moment.
00:26:48I'll be right back.
00:26:52I want your love.
00:27:10I needn't wait for you, my love.
00:27:14I am forgiving all you once did to me.
00:27:18Hey, don't I know you?
00:27:20I don't think so.
00:27:22Do you work here?
00:27:24Well, I work as a nurse at the hospital.
00:27:26But sometimes I come here to dance
00:27:28and I get a bit fat.
00:27:30Come on, let's dance.
00:27:36And they only pay you for dancing?
00:27:38Of course.
00:27:40You don't even believe that.
00:27:46Good job.
00:27:48As you can see, this is not what you thought.
00:27:52I hadn't thought anything bad.
00:27:54I'd like to stay a little longer.
00:27:56I have 80 pesetas.
00:27:58Can I invite you?
00:28:00Leave it, I'll invite you.
00:28:02Javier, two coca-colas.
00:28:04Mine with gin, if possible.
00:28:06Of course you can.
00:28:08Don't put too much gin in it.
00:28:10And you? Do you study or work?
00:28:12I'm working.
00:28:14Where?
00:28:16I work at the...
00:28:18Well...
00:28:20I work as a car washer at a gas station.
00:28:24Let's toast.
00:28:38I'll leave you alone.
00:29:08Get out of here, dog!
00:29:14Come on, drink.
00:29:16Men look at what they drink
00:29:18and you're a man.
00:29:20Don't drink too much, you'll get dizzy.
00:29:22Here, smoke.
00:29:24I've drunk everything you can drink.
00:29:26And tarpancho.
00:29:34Cristina, it's your turn.
00:29:36I'm coming.
00:29:38I have to cheer people up.
00:29:40Wait here, don't drink any more.
00:29:56Shall we get closer?
00:29:58Let's go.
00:30:06It's divine.
00:30:08It's better than the magazines.
00:30:14What's the matter with you?
00:30:16Come on, man, don't be shy.
00:30:18Come here.
00:30:20You've got it, kid.
00:30:22Poor girl.
00:30:24She's got a smile on her face.
00:30:26He's got a little girl.
00:30:53Javier, you're such a pain in the ass.
00:30:55What about the boy?
00:30:57He's got a broken leg.
00:30:59He went to the hospital a while ago and hasn't come out yet.
00:31:01Has something happened to him?
00:31:03To me, as if he had surgery.
00:31:05I'm going to see what's wrong. Will you come with me?
00:31:07Okay.
00:31:10Curro, are you there?
00:31:12Open up.
00:31:14What's wrong with him?
00:31:16I don't know.
00:31:18Open up.
00:31:20It doesn't make any sense.
00:31:24Come on, kid, wake up.
00:31:26Give me your hand, Carla.
00:31:31Hold him tight.
00:31:33He's in a hurry.
00:31:37Antonio, help us.
00:31:39Okay, I'm coming.
00:31:43Come on, take him to the car.
00:31:45He's broken his leg, kid.
00:31:51What's going on?
00:31:53Open the door, Pedro. He's so stiff.
00:31:55You'll have to take him to your apartment.
00:31:57You're not going to leave him on the street.
00:31:59Poor thing.
00:32:01You're always so maternal.
00:32:03What we need is to not be stopped for corruption of minors.
00:32:07Wait, I'm going to turn on the light.
00:32:09Help me.
00:32:11Damn, this kid is so heavy.
00:32:13When he's 20, I wouldn't like to have him as a client.
00:32:16Let's put him on the couch.
00:32:18Do you want me to throw up on him?
00:32:20Put him in your bed, if you want.
00:32:22Okay, but it's your fault.
00:32:24It's your fault for letting him in.
00:32:26If you hadn't stopped drinking so much...
00:32:38Maybe he choked.
00:32:40I don't think so.
00:32:42He's breathing wonderfully.
00:32:44Then pour some water on his face.
00:32:46Let him wake up and go home.
00:32:48Let's see if he'll give us the night, kid.
00:32:50I think we should let him sleep here tonight.
00:32:56Okay, as you wish.
00:33:13He's nice, isn't he?
00:33:16I don't like redheads.
00:33:18They look rusty.
00:33:36Where's the makeup remover?
00:33:38In the drawer.
00:33:43What?
00:33:45Are you going to sleep with him?
00:33:47You're such an idiot.
00:33:49Why?
00:33:51Don't you think it's funny?
00:33:53Besides, the boy is ready to do him a favor.
00:33:55I don't know why you always have to make everything dirty.
00:33:58Can we have something clean?
00:34:00Besides, you can go to church later and confess.
00:34:03You've fixed everything.
00:34:05Oh, daughter, your scapula won't go away, not even with powder.
00:34:08See you tomorrow.
00:34:10Good night.
00:34:40Good night.
00:35:10Good night.
00:35:40Good night.
00:36:10Good night.
00:36:40Good night.
00:37:10Curro.
00:37:12Curro, wake up.
00:37:14Where am I?
00:37:16At my house. Don't you remember me?
00:37:18Yes, of course.
00:37:20Come on, you were so drunk last night.
00:37:25Those free cubes aren't like the ones we make at Lupas and I.
00:37:28The thing is, you drank a lot.
00:37:30Come on, get dressed and go home.
00:37:33Your parents will be worried.
00:37:41Come on.
00:37:53What's wrong, Curro? Why are you so sad?
00:37:55I don't have a home.
00:37:57You don't have a home?
00:37:59Well, as if I didn't have one.
00:38:01And your parents?
00:38:03I don't have parents. They died in an accident.
00:38:05I didn't get to meet them.
00:38:07And where do you live now?
00:38:09But I'm a traveler and I'm always out.
00:38:11Aunt Juana doesn't love me at all.
00:38:13She feeds me with mercy and...
00:38:15And what?
00:38:17Well, she...
00:38:19She cheats on me with another man.
00:38:21She does love you.
00:38:23The thing is...
00:38:25No, she doesn't love me. She never kisses me or anything.
00:38:27She doesn't care if I arrive late or early.
00:38:29But, well, it doesn't matter.
00:38:31I'm leaving.
00:38:33Well, Curro, I'm glad to have met you.
00:38:35You'll pay us a visit, won't you?
00:38:37Will you wait a moment?
00:38:39Yes.
00:38:47Thank you.
00:38:49For what?
00:38:51For letting me sleep with you.
00:38:53I didn't know where to take you.
00:38:55I know, but you're a very good person, despite everything.
00:38:57Don't call me that. But despite what?
00:38:59Nothing. I'm sorry. I'm a pig.
00:39:01Why do you say that?
00:39:03I lied to you.
00:39:05I'm the monk of the parish of Santa Aurora.
00:39:07Come on, of course.
00:39:09That's why your face sounded familiar to me.
00:39:11I know everything.
00:39:13And Lupas, and everyone else.
00:39:15And what do you know?
00:39:23We put a tape recorder in the confessional.
00:39:25And we know everything about that man from the Mini.
00:39:27What are you saying?
00:39:29Yes, that he's involved with you.
00:39:31And that he's going to divorce you.
00:39:33But how could you do such a thing?
00:39:35It was Lupas, really. I didn't want to.
00:39:37And where are the tapes?
00:39:39Lupas has them, but I'll bring them to you if you want.
00:39:41It's the least you can do, isn't it?
00:39:43Yes. I'll bring them to you tomorrow, if you want.
00:39:45Okay.
00:39:47But please, don't tell anyone.
00:39:49I swear.
00:39:51I'm sorry.
00:39:53Okay.
00:39:57Well, I'm leaving now.
00:40:03See you tomorrow. I'm sorry and thank you.
00:40:05You're forgiven, Curro.
00:40:07You're so beautiful.
00:40:09And I'm such a bastard.
00:40:11See you tomorrow, Currillo.
00:40:17Goodbye.
00:40:21Hurry up, Curro.
00:40:23We have to tell everyone.
00:40:25Please, don't tell anyone.
00:40:27It's a secret between you and me.
00:40:29Don't worry.
00:40:31I'm a tomboy, right?
00:40:33And the other one, what's her name?
00:40:35I think her name is Carla.
00:40:37Cristina is a go-go dancer.
00:40:39A what?
00:40:41A go-go dancer. She dances and earns money for it.
00:40:43Why don't you tell me one of these now?
00:40:45Let's see if I believe you.
00:40:47If you don't believe me, it's worse for you.
00:40:49Maybe she's a go-go dancer,
00:40:51but I love her.
00:40:53You, me, anyone.
00:40:55Did you sleep together to finish the novel?
00:40:57Of course we slept together,
00:40:59normally, decently.
00:41:01So you didn't do anything?
00:41:03Nothing.
00:41:05You're a fool, boy.
00:41:07What about Mini?
00:41:09He didn't sleep with her, he's married.
00:41:11You've heard the tape.
00:41:13And that's a go-go?
00:41:15That's a fraud like a cathedral.
00:41:17And what? Nothing at all?
00:41:19Nothing.
00:41:21What I was missing to hear.
00:41:23I think you're crazy.
00:41:25Tonight I stayed with her to give her the tapes.
00:41:27Did you hear?
00:41:29If you want them, you can give me 500 bucks.
00:41:31But you're blackmailing me.
00:41:33I'm sorry, boy, but life is hard.
00:41:35Now the others are coming and I'm going to give them to you again.
00:41:37It's your turn. Do you want them or not?
00:41:39No.
00:41:41Well, it's worse for you.
00:41:43You're a pig.
00:41:45Forget it.
00:41:47Cochirina!
00:41:49Coyac!
00:41:51Come here!
00:41:57Coyac!
00:42:27Coyac!
00:42:29Coyac!
00:42:55What's up?
00:42:59What are you doing there?
00:43:01Stealing what you were missing.
00:43:03You're a shameless and a thief.
00:43:05I'm sorry, aunt.
00:43:07It's only 500 pesetas.
00:43:09I thought I'd give them back to you when I got them.
00:43:11But do you realize?
00:43:13That's the gratitude you have for picking you up and having you here.
00:43:15It won't happen again, I swear.
00:43:17Of course.
00:43:19And it won't happen again because right now you're leaving home
00:43:21and you won't step foot here again.
00:43:23You understand?
00:43:25Come on, go to bed.
00:43:27Good morning.
00:43:29I'll pay for it.
00:43:47What a scoundrel.
00:43:49And on top of that, he wants to go to Gracielo's.
00:43:53I'll pay for it.
00:43:57I'll pay for it.
00:43:59I'll pay for it.
00:44:03I'll pay for it.
00:44:19I'm sorry, macho.
00:44:21I'll give it back to you.
00:44:23What are you doing there, macho?
00:44:25Nothing.
00:44:27I was looking at this.
00:44:29This is the...
00:44:31Yes, the mini one.
00:44:33But sit down and eat something.
00:44:35Thank you, I'm not hungry.
00:44:37You have to eat, macho.
00:44:39Don't be a child.
00:44:45What's wrong, macho?
00:44:47Nothing.
00:44:49My aunt...
00:44:51Why?
00:44:53For nothing.
00:44:55But you must have done something, right?
00:44:59I needed 500 calas.
00:45:03And you stole them, didn't you?
00:45:05Well, not exactly.
00:45:07Because they caught me with my hands in the dough.
00:45:09And do you think it's right to steal?
00:45:13It's just that Mr. Lupas blackmailed me.
00:45:15What?
00:45:17He told me that if I didn't give him 500 calas,
00:45:19I'd show them to your God.
00:45:23The tapes. I'll put them on.
00:45:35Well, but keep going.
00:45:37You don't have to put it so low.
00:45:39I know it by heart.
00:45:41Put the seats back.
00:45:43And go, for God's sake.
00:45:45Forgive me again.
00:45:49Don't worry, macho.
00:45:51It's my fault.
00:45:53I'm a silly girl for going to confess.
00:45:55Forget it.
00:45:57What I can do is go talk to your aunt,
00:45:59so she'll forgive you.
00:46:01No, it would be worse.
00:46:03Besides, I don't want to go back.
00:46:07But where are you going to stay?
00:46:11I don't know.
00:46:13In the subway.
00:46:15Or in a car cemetery near the neighborhood.
00:46:17I'll get used to it.
00:46:19I'll work somewhere else to make more money
00:46:21and find a place to stay.
00:46:25The only thing I can do
00:46:27is to keep you here until you find a job.
00:46:29What do you think?
00:46:31I think it's a dream.
00:46:33Then let's not talk anymore.
00:46:35You'll sleep on the couch.
00:46:37I usually come home late,
00:46:39so I won't wake you up, okay?
00:46:41Okay.
00:46:47I would have preferred to sleep in bed with her,
00:46:49because she's like a train.
00:46:51But she's not a stone.
00:46:57Kid, don't touch those.
00:46:59I didn't repeat them.
00:47:01Excuse me.
00:47:17Thank you.
00:47:35Father, could you give me some money?
00:47:37What are you saying?
00:47:39I need money,
00:47:41and if you could give me some of the pay,
00:47:43even if it's only a thousand pesetas.
00:47:45Son,
00:47:47we've had two fines this month
00:47:49for homilies,
00:47:51and people are more stubborn than the mojama.
00:47:53You know that very well.
00:47:55That's why you're the one who passes the tray, isn't it?
00:47:57Yes, father.
00:47:59Thank you.
00:48:05Damn.
00:48:07Moises' pesao again.
00:48:16What's the matter with you, Curro?
00:48:18Nothing.
00:48:20Why did you want the money? It's for her, isn't it?
00:48:22No, it's just that I've left home.
00:48:24I've gone to my aunt's funeral.
00:48:26And where do you live now?
00:48:28With Cristina.
00:48:30I was right. She's going to give you the money.
00:48:32No, man, no. It's for food and to find a place to stay.
00:48:34Well, read it. Now that you have a problem,
00:48:36are you going to let it go?
00:48:38It's not a problem. Besides, I'm not a thief.
00:48:40I'm telling you, that aunt has money. She earns a lot.
00:48:42Do me a favor, Lupas, don't piss me off.
00:48:44I have a cat, but you know what it is, don't you?
00:48:46But I don't want you to tell me.
00:48:48But you know it.
00:48:50Yes! Don't be angry, man. I'm your friend.
00:48:52Besides, I'm here to help you.
00:48:54Look, I have 300 pelas.
00:48:56Do you want them?
00:48:58Thank you, Lupas.
00:49:00Sorry, it's just that sometimes I get a little nervous.
00:49:02Don't worry, Curro.
00:49:04Friends are for occasions.
00:49:06I need to find a job and earn some money.
00:49:08I don't know.
00:49:10If you want, we can do the gift trick, okay?
00:49:12Okay, man.
00:49:14Come on, let's go.
00:49:38Good morning.
00:49:40Does Mr. Alonso live here?
00:49:42Yes.
00:49:44This is a gift for him from Mantequería de Leonesas.
00:49:46Do you want to sign?
00:49:48Yes, of course.
00:49:50Hold this for me, please.
00:49:54Here.
00:49:56Okay, thank you.
00:49:58Goodbye.
00:50:00Listen, one more detail.
00:50:02The tip.
00:50:04Ah, the tip.
00:50:06Here.
00:50:08Look, it's not bad.
00:50:10Should we call again?
00:50:12No, wait for him to leave.
00:50:16Let's go.
00:50:30What's going on?
00:50:32Vera, I think there's been a mistake.
00:50:34Is Mr. Alonso Rodríguez from here?
00:50:36No, the gift was for Mr. Alonso Rodríguez.
00:50:38Oh, I thought it was strange that they gave something to my husband.
00:50:40With the bears he is.
00:50:44Here, guys.
00:50:46Sorry, thank you.
00:50:48Goodbye.
00:50:50Now we go to the upper floor and then to the other and the other, okay?
00:50:52Okay, macho.
00:50:5415 carats per floor with three houses, we have enough.
00:51:02What if I give him 100 carats?
00:51:04It can't be.
00:51:06Look, the other time they almost threw me out because of you.
00:51:08And I'm not willing to play the role.
00:51:12But you can come in and tell Cristina.
00:51:14Man, please, if it's just a moment.
00:51:16Well, wait.
00:51:28There you have it.
00:51:30What are you doing here?
00:51:32I wanted to see you, but they won't let me in.
00:51:34You know it's forbidden.
00:51:36Do you understand?
00:51:38Are we going for a walk or do you have work?
00:51:40I don't have, but...
00:51:42I was waiting for Carla to take me home.
00:51:44If you want, we can take a taxi.
00:51:46Look, I have money.
00:51:48Have you stolen again?
00:51:50No, I've sold a few things.
00:51:52This is for you.
00:51:54I don't like to be a burden.
00:51:56No, keep it, you'll need it.
00:51:58Besides, you have to find a house soon,
00:52:00and I don't like you being there.
00:52:02It's annoying.
00:52:04I understand.
00:52:06I don't like to be a burden,
00:52:08especially not to you.
00:52:10I'm leaving right now.
00:52:12No, don't bother me.
00:52:14Come on, let's go home.
00:52:16Taxi!
00:52:18You haven't eaten anything all day?
00:52:20A squid sandwich, but I'm not very hungry.
00:52:22Wait, I'll bring you a glass of milk.
00:52:24It's very nutritious.
00:52:27I don't know why.
00:52:29I didn't even eat a squid.
00:52:35Here.
00:52:38Why did you lie to me, Cristina?
00:52:40What?
00:52:42You told me you were a nurse.
00:52:44Yes.
00:52:46You're not.
00:52:48How do you know?
00:52:52You're not.
00:52:54Then what am I?
00:52:56I don't know.
00:52:58Do you want me to tell you?
00:53:00No, please, Cristina.
00:53:02They're calling you.
00:53:04It must be for Carla.
00:53:10Yes?
00:53:12Oh, hello.
00:53:16I didn't feel like waiting for Carla.
00:53:18I didn't know you were leaving.
00:53:20No, I don't feel like it.
00:53:22No, I told you I don't feel like it.
00:53:24I'm already in bed.
00:53:28Oh, really?
00:53:30Has your little wife left already?
00:53:32Yes.
00:53:36No, it's nothing.
00:53:40I'm a little tired of everything.
00:53:44We'll talk tomorrow.
00:53:46Okay, whatever you want.
00:53:48At your service, my Commander.
00:53:50Goodbye.
00:53:52See you later.
00:53:58I'm sorry, Curro, but you can't stay tonight.
00:54:00Is he coming?
00:54:02Yes.
00:54:04He went to the club and got very angry because I wasn't there.
00:54:08Is he going to stay all night with you?
00:54:10I think so.
00:54:12Will you forgive me?
00:54:14I have nothing to forgive you for.
00:54:16This isn't my house.
00:54:18You'll need it to sleep somewhere.
00:54:20No, everything will be closed. I'll sleep in the church.
00:54:22Then take it, just in case.
00:54:30I don't want you to be sad.
00:54:32I'm not sad.
00:54:38Come tomorrow, if you want.
00:54:40What for? So that your boyfriend is at Rodríguez again?
00:54:42Well, call me on the phone.
00:54:44Okay.
00:54:46Goodbye, Curro.
00:54:48You're a man.
00:54:50Goodbye.
00:54:54Yes, yes, a man.
00:54:56I'm a jerk.
00:55:16Goodbye.
00:55:46Goodbye.
00:56:16I'm sorry.
00:56:26I accuse myself of having sinned against purity.
00:56:28But you've come to the end, daughter.
00:56:30Yes, Father.
00:56:34I've been with my lover many times.
00:56:36The first time I took him to the movies and there ...
00:56:38And there?
00:56:40No, Father.
00:56:42In the movies, he started caressing my breasts.
00:56:44He touched me everywhere.
00:56:46Well, but he's still there.
00:56:48Then we left in his car.
00:57:14I don't know.
00:57:15I don't know.
00:57:16I don't know.
00:57:17I don't know.
00:57:18I don't know.
00:57:19I don't know.
00:57:20I don't know.
00:57:21I don't know.
00:57:22I don't know.
00:57:23I don't know.
00:57:24I don't know.
00:57:25I don't know.
00:57:26I don't know.
00:57:27I don't know.
00:57:28I don't know.
00:57:29I don't know.
00:57:30I don't know.
00:57:31I don't know.
00:57:32I don't know.
00:57:33I don't know.
00:57:34I don't know.
00:57:35I don't know.
00:57:36I don't know.
00:57:37I don't know.
00:57:38I don't know.
00:57:39I don't know.
00:57:40I don't know.
00:57:41I don't know.
00:57:42I don't know.
00:57:43I don't know.
00:57:44I don't know.
00:57:45I don't know.
00:57:46I don't know.
00:57:47I don't know.
00:57:48I don't know.
00:57:49I don't know.
00:57:50I don't know.
00:57:51I don't know.
00:57:52I don't know.
00:57:53I don't know.
00:57:54I don't know.
00:57:55I don't know.
00:57:56I don't know.
00:57:57I don't know.
00:57:58I don't know.
00:57:59I don't know.
00:58:00I don't know.
00:58:01I don't know.
00:58:02I don't know.
00:58:03I don't know.
00:58:04I don't know.
00:58:05I don't know.
00:58:06I don't know.
00:58:07I don't know.
00:58:08I don't know.
00:58:09I don't know.
00:58:10I don't know.
00:58:11I don't know.
00:58:12I don't know.
00:58:13I don't know.
00:58:14I don't know.
00:58:15I don't know.
00:58:16I don't know.
00:58:17I don't know.
00:58:18I don't know.
00:58:19I don't know.
00:58:20I don't know.
00:58:21I don't know.
00:58:22I don't know.
00:58:23I don't know.
00:58:24I don't know.
00:58:25I don't know.
00:58:26I don't know.
00:58:27I don't know.
00:58:28I don't know.
00:58:29I don't know.
00:58:30I don't know.
00:58:31I don't know.
00:58:32I don't know.
00:58:33I don't know.
00:58:34I don't know.
00:58:35I don't know.
00:58:36I don't know.
00:58:37I don't know.
00:58:38I don't know.
00:58:39I don't know.
00:58:40I don't know.
00:58:41I don't know.
00:58:42I don't know.
00:58:43I don't know.
00:58:44I don't know.
00:58:45I don't know.
00:58:46I don't know.
00:58:47I don't know.
00:58:48I don't know.
00:58:49I don't know.
00:58:50I don't know.
00:58:51I don't know.
00:58:52I don't know.
00:58:53I don't know.
00:58:54I don't know.
00:58:55I don't know.
00:58:56I don't know.
00:58:57I don't know.
00:58:58I don't know.
00:58:59I don't know.
00:59:00I don't know.
00:59:01I don't know.
00:59:02I don't know.
00:59:03I don't know.
00:59:04I don't know.
00:59:05I don't know.
00:59:06I don't know.
00:59:07I don't know.
00:59:08I don't know.
00:59:09I don't know.
00:59:10I don't know.
00:59:11I don't know.
00:59:12I don't know.
00:59:13I don't know.
00:59:14I don't know.
00:59:15I don't know.
00:59:16I don't know.
00:59:17I don't know.
00:59:18I don't know.
00:59:19I don't know.
00:59:20I don't know.
00:59:21I don't know.
00:59:22I don't know.
00:59:23I don't know.
00:59:24I don't know.
00:59:25I don't know.
00:59:26I don't know.
00:59:27I don't know.
00:59:28I don't know.
00:59:29I don't know.
00:59:30I don't know.
00:59:31I don't know.
00:59:32I don't know.
00:59:33I don't know.
00:59:34I don't know.
00:59:35I don't know.
00:59:36I don't know.
00:59:37I don't know.
00:59:38I don't know.
00:59:39I don't know.
00:59:40I don't know.
00:59:41But the woman is outside. She has to be afraid of the woman.
00:59:44Why don't we blackmail her?
00:59:46How?
00:59:47Well, we send the tape to the woman and there to them.
00:59:50Yeah, man, but we don't have the tapes anymore.
00:59:52She gave them to her and broke them.
00:59:54You see how stupid you are.
00:59:56Besides, I wouldn't do something like that.
00:59:58Well, we'll have to think of something.
01:00:00We're not going to be here with our arms crossed.
01:00:02Come on, what do you think?
01:00:06Come on, take the balls.
01:00:09What did he say? What did he say?
01:00:11He's very sad. He told me to go.
01:00:13Right now?
01:00:14That's what he said.
01:00:15That's because he fought with Maromo.
01:00:17What are you waiting for? Go over there.
01:00:19But what are you going to do?
01:00:20Take it. Stay with me.
01:00:21You don't want me to go there, do you?
01:00:23I'll see you later, okay, Lucas?
01:00:24Okay.
01:00:25See you later.
01:00:38Hello.
01:00:39Hello, Curro. Come in. I'll be right out.
01:00:52I'm going to take a shower. I'll be right out.
01:00:54Okay.
01:01:08I'm going to take a shower.
01:01:38I'm going to take a shower.
01:02:09Where are you going?
01:02:10Leave me alone!
01:02:11At least you should have known the delicacy of not calling her when you're with me.
01:02:15Clara, please. It's not the time.
01:02:17And why not?
01:02:18Do you choose the time to deceive me?
01:02:22Mom!
01:02:23Stay there. Don't move.
01:02:25Clara! Clara!
01:02:26Clara!
01:02:27Clara!
01:02:28Clara!
01:02:29Clara!
01:02:30Clara!
01:02:31Clara!
01:02:32Clara!
01:02:33Clara!
01:02:34Clara!
01:02:35Clara!
01:02:36Clara!
01:02:37Clara!
01:02:38Clara!
01:02:41Mom! Mom!
01:02:42Let me explain.
01:02:43You don't have to explain anything.
01:02:45Come with that woman.
01:02:46Run with her.
01:02:47You didn't call her.
01:02:48What's going on?
01:02:49What's going on?
01:02:50Honey, calm down.
01:02:51Let me explain.
01:02:52Calm down.
01:02:53Let me explain.
01:02:54Let me explain.
01:02:59Are you going to listen to me?
01:03:00I was calling you.
01:03:01I reserved rooms for us to spend the day outside.
01:03:08It's special.
01:03:10Don't you believe me?
01:03:22Nothing has changed, Isabel. I assure you.
01:03:26But...
01:03:27It's all family problems.
01:03:30What's wrong, Cristina?
01:03:33Nothing, Curro. Don't worry.
01:03:38I'm also a woman, Juan.
01:03:41And I have the right to be happy.
01:03:46I could give you a home.
01:03:49Children.
01:03:51I didn't make the rules.
01:03:53Don't talk to me about rules now.
01:03:55I love you, Juan.
01:03:58Don't you understand?
01:03:59Persona!
01:04:01I love you.
01:04:02Yes, Isabel.
01:04:08Yes, I agree.
01:04:10Very well.
01:04:11Yes, I agree.
01:04:13Very well.
01:04:36Why don't you send him to hell?
01:04:38I don't know.
01:04:39It's what he deserves, but I can't do it.
01:04:42Why?
01:04:43I don't know.
01:04:44Maybe because I love him.
01:04:47Does he have children?
01:04:48Yes, he has four.
01:04:49And is he going to leave them?
01:04:52He said that, but he never does.
01:04:54We've been like this for a year.
01:04:56And what are you going to do?
01:04:57I don't know.
01:05:05I think I'm going to kill myself.
01:05:07Don't say that, Cristina.
01:05:09Please.
01:05:10If I can help you with anything.
01:05:13Don't worry, Curro.
01:05:14I have to solve this myself.
01:05:16Come on, let's go home.
01:05:20Can I sleep with you?
01:05:22Well.
01:05:25The woman is here, right?
01:05:28Yes.
01:05:29I'm glad.
01:05:31I beg you.
01:05:33Let's not talk about this anymore.
01:05:34Okay.
01:05:37Let's go.
01:05:52Who is it?
01:05:53It's me, Cristina.
01:05:56Come in, Curro.
01:06:00Arturo came to pick you up this afternoon.
01:06:02He's at the club.
01:06:03He's very angry.
01:06:04And you have a letter from him.
01:06:07I'm coming, honey.
01:06:38Curro, come here for a moment.
01:06:40What do you want?
01:06:41Come closer.
01:06:47Can you do me a favor?
01:06:48Of course.
01:06:49I'll give you a phone number.
01:06:51If a man comes out, you give it to me.
01:06:53And if a woman comes out, give her a man's voice.
01:06:55And tell her to call her husband.
01:06:57It's very urgent.
01:06:58Okay.
01:06:59It's not very funny, you know.
01:07:00But if you ask me.
01:07:02I'll give it to you.
01:07:05What's his name?
01:07:06Arturo Venegas.
01:07:13Listen to me, please.
01:07:14Can you put Mr. Arturo Venegas?
01:07:17It's very urgent.
01:07:18Thank you.
01:07:19He's coming.
01:07:20Here.
01:07:21Thank you.
01:07:24I'm going to the club.
01:07:25I'll be there in a moment.
01:07:26Okay.
01:07:27I'm going to the club.
01:07:28I'm going to the club.
01:07:29I'm going to the club.
01:07:30I'm going to the club.
01:07:31I'm going to the club.
01:07:32I'm going to the club.
01:07:34Arturo, it's me.
01:07:38I couldn't call before.
01:07:42We're with Eduardo again?
01:07:44What's up?
01:07:45He's close and you're hiding, aren't you?
01:07:48Okay.
01:07:52Have you already changed the pin?
01:07:56Yes, that's why I'm calling you.
01:07:57I don't understand anything.
01:07:58I'm telling you I don't have a lover.
01:08:00I'm telling you I don't have a lover.
01:08:06And I don't know who it will be.
01:08:07Maybe it's a joke.
01:08:14But what's up?
01:08:15Do you want to break up right away or what?
01:08:20I was surprised as much as you were.
01:08:23See you tomorrow?
01:08:27You have to have dinner at home, right?
01:08:31Well, okay.
01:08:32I'm used to it.
01:08:33Don't worry.
01:08:36Okay.
01:08:37We'll go to the movies, right?
01:08:38Like high schoolers.
01:08:42Yeah.
01:08:43Goodbye.
01:08:44Goodbye.
01:08:59What's wrong with you now, Cristina?
01:09:03Nothing.
01:09:04I'm fed up with Roca.
01:09:06It's his fault, isn't it?
01:09:08He's ruined you.
01:09:09They've sent him an anonymous.
01:09:10And they've punctured the four wheels of the car.
01:09:13He thinks I have a lover.
01:09:14He doesn't trust me.
01:09:16He's a pig.
01:09:17I can't stand him.
01:09:19I don't know why you have to love him so much.
01:09:22Neither do I.
01:09:25Is he coming tomorrow?
01:09:27No.
01:09:28He has to have dinner at home with his little wife.
01:09:31Can I sleep here then?
01:09:33Sure.
01:09:34But you'll have to find a place soon.
01:09:37If you want, I'll go now.
01:09:39No.
01:09:40Lie down on the sofa.
01:09:41It's late.
01:09:55Good night.
01:09:56Thank you.
01:10:00See you tomorrow.
01:10:03Good night, Curro.
01:10:04Good night.
01:10:10Good night.
01:10:40Curro, leave me alone.
01:11:11Why are you crying, Cristina?
01:11:14I don't know.
01:11:15I'm a little nervous.
01:11:18I know I'm a child and you don't like me at all.
01:11:22But I'd like to help you.
01:11:26Thank you, Curro.
01:11:27You're very good.
01:11:28You're helping me a lot.
01:11:31Can I come with you for a while?
01:11:33Sure.
01:11:34Well...
01:11:39Can I go inside?
01:11:41As you wish.
01:11:59I have to tell you something very important, Cristina.
01:12:02Don't tell me anything, please.
01:12:04I'd like that guy to die.
01:12:07Do you know why?
01:12:09Don't be silly, Curro.
01:12:16Because I love you very much.
01:12:19Curro, if you're going to start talking nonsense, leave.
01:12:22It's not nonsense.
01:12:23At first, all I wanted was to help you.
01:12:27Because being very good is the truth.
01:12:30But not anymore.
01:12:31It's much bigger.
01:12:32You don't understand.
01:12:33Curro, go to your room.
01:12:34No.
01:12:35I have to unload everything I feel in here.
01:12:39You'll tell me tomorrow.
01:12:40It doesn't have to be today.
01:12:42Maybe tomorrow.
01:12:43I don't dare.
01:12:46All right.
01:12:48Finish it at once.
01:12:50At first,
01:12:53when I heard about the confession,
01:12:56I was curious.
01:13:00And since I knew you were swallowing, I wanted...
01:13:02You've already told me.
01:13:04To get involved.
01:13:05You thought I was a whore.
01:13:07I didn't think you were a nurse.
01:13:09And now you think I'm a whore?
01:13:12No, I don't think anything.
01:13:13I don't want to think because I have a hard time.
01:13:16Well, I'm going to tell you.
01:13:18I was a whore, as you hear.
01:13:20And that bastard, as you call him, got me out of the vice.
01:13:23And he put me in that club where I work as a whore.
01:13:25Just a whore.
01:13:26Do you understand?
01:13:27I don't care.
01:13:28I don't care what you were.
01:13:29I don't want you to tell me.
01:13:31But I do want to tell you.
01:13:32I want to unload everything, just like you.
01:13:34Do you want to know how it all started?
01:13:36No, please, Cristina.
01:13:39I started as a model for photos.
01:13:41Then a journalist slept with me, everything he wanted.
01:13:44And then he left me.
01:13:46I met Carla in a gym,
01:13:47where all kinds of massages were done.
01:13:49Do you understand?
01:13:50She was a real whore.
01:13:52Until I met him.
01:13:54He got me out of there.
01:13:56And I haven't been what I was thanks to him.
01:14:01Yes, thanks to him.
01:14:03But it's very clear that he's asking for a favor.
01:14:06Shut up, please.
01:14:08You're just talking nonsense.
01:14:14I'm sorry, Cristina.
01:14:17Can I stay here?
01:14:19No.
01:14:21I swear I won't touch you.
01:14:23I just want to sleep and be close to you.
01:14:27Do whatever you want.
01:14:28Good night.
01:14:44Why did you tell me?
01:14:46Why?
01:14:48I love you.
01:14:49I love you.
01:14:51I love you.
01:14:58I love you.
01:15:11He's mad at you.
01:15:13I'm going to break his face.
01:15:14You're not going to break anyone's face.
01:15:16Now we're going to puncture his wheels,
01:15:17and then we're going to call him from the phone in front of the bar.
01:15:20Okay.
01:15:21Come on.
01:15:25Wait.
01:15:26Take this.
01:15:27Put this on the edge of the glass.
01:15:29What are you looking at now?
01:15:30This is too big.
01:15:31What else?
01:15:32The point is that the woman sees it and she gets mad.
01:15:34Come on, man.
01:15:35Put it in now.
01:15:53But hey, you can know what you're doing.
01:15:55I can't put it in.
01:15:57Don't be an animal and put it under it.
01:15:59I'm going to try.
01:16:08What are you doing?
01:16:13See?
01:16:14If you don't look at it.
01:16:18Bring me the scissors.
01:16:22That's it.
01:16:26Hide it.
01:16:28Come on, hurry up.
01:16:29Shut up.
01:16:36Restaurant Sammy.
01:16:37Please let Mr. Arturo Venegas know.
01:16:40Thank you.
01:16:42He's coming.
01:16:43Do you want me to put it on?
01:16:44No, leave it to me.
01:16:45I really want to.
01:16:49Are you the son of a bitch of Arturo Venegas?
01:16:51Well, I'm going to tell you a verse, man.
01:16:53Mr. Arturo Venegas is not going to win for wheels.
01:16:55Because he already has the car on the ground.
01:16:57And next time, we're going to punch him in the ass.
01:16:59Leave Cristina alone, you piece of shit.
01:17:01What happened to the donkey?
01:17:02Nothing, macho.
01:17:03I left him stiff.
01:17:04He didn't even answer me.
01:17:05Let's celebrate it, huh?
01:17:06Okay.
01:17:07I invite you.
01:17:09My mother.
01:17:10The one that is going to be armed.
01:17:12Two calles, please.
01:17:15Look, it's coming out.
01:17:18There goes Cristina too.
01:17:19Damn, what a bastard.
01:17:21He has given her the nerve.
01:17:23What a macho pimp.
01:17:24What are they doing to her?
01:17:26There he goes.
01:17:27On top of that, the little bastard takes her with him.
01:17:30That's a beast.
01:17:31Hey, maybe he'll shake her.
01:17:34What a wretch.
01:17:37He's a pig.
01:17:38You see?
01:17:41Look, he's leaving.
01:17:43I'm going with her.
01:17:44Where are you going?
01:17:45Don't you see that now?
01:17:46I'm going with her.
01:17:47I'm going with her.
01:17:48Where are you going?
01:17:49Don't you see that now?
01:17:50She's angry.
01:17:51It would be worse.
01:17:52You listen to me.
01:17:53I'm going to put you in orbit.
01:17:54You'll see.
01:17:55Let's see, boss, those beers.
01:18:17I'm going to put you in orbit.
01:18:48Cristina?
01:18:50Is anyone there?
01:19:47I'm sorry.
01:20:02He's dead.
01:20:04He's dead.
01:20:06He's dead.
01:20:08Please, Lupas...
01:20:10Help me.
01:20:12I'm here, in the cabin that's on the road near Cristina's house.
01:20:20See you later.
01:20:43Curro!
01:20:45Curro!
01:20:48What happened?
01:20:49I don't know. Maybe he's dead.
01:20:52And what do we do? Aren't we going from hospital to hospital asking?
01:20:55I don't know what to do.
01:20:57Well, if you want, I'll let the panda know, and we'll beat up the guy we left beaten up.
01:21:02It won't do us any good. Besides, I don't want the others to find out.
01:21:05Well, if he's dead, we'll have to go to the corpse deposit to ask.
01:21:08And where is that?
01:21:10I don't know. The truth is, I've only seen it in the movies.
01:21:14And how do you know he killed himself?
01:21:16Because there were pills on the table, and his picture was broken.
01:21:20Don't worry about those pills. They were antibodies.
01:21:23Now what we have to do is go to his house.
01:21:26If he killed himself, he must have left something written.
01:21:29Everyone does that. Now, come on, let's go.
01:21:32And don't cry anymore, you look like an idiot.
01:21:35And don't cry anymore, you look like an idiot.
01:21:41There he goes. That's Carla's car.
01:21:44But, well, didn't you say you were with her?
01:21:47That's what the porter told me.
01:21:49Then nothing happened, and you gave me the night.
01:21:52I'm sorry, Lucas.
01:21:54Don't worry. Are you going up?
01:21:57I don't know what to do.
01:22:00Isn't the guy from the minivan here?
01:22:03He had to have dinner with his wife tonight.
01:22:06Besides, after what happened this morning, they must have finished.
01:22:09Then what are you waiting for, Contreras? You have the field free.
01:22:12Go up at once. You'll take the medal of love, won't you?
01:22:15Well, I'm going. You go up.
01:22:17Thank you, Lucas.
01:22:19Goodbye.
01:22:28There he goes.
01:22:30There he goes.
01:22:32Oh, my God.
01:22:37Hi, Cristina.
01:22:39Hey, Curro.
01:22:41What a surprise. Come in. Come in.
01:22:43The night is young.
01:22:45What do you want? Champagne, whiskey or gin?
01:22:47I don't want anything, thank you.
01:22:49So you don't want anything?
01:22:58Oh, Curro.
01:23:00Yes, I don't know.
01:23:02I'll show you. Look.
01:23:03I really don't know.
01:23:08Watch out.
01:23:11Curro.
01:23:12What the hell is this?
01:23:14Oh, sorry. This is Curro.
01:23:16He's not my boyfriend, nor my husband, nor my lover.
01:23:19He's the one who has loved me the most. That's enough for me.
01:23:21As the saying goes.
01:23:22And what did you say your name was?
01:23:24Pepe Feli.
01:23:27What a funny name.
01:23:29Pepe Feli.
01:23:31Pepe Feli.
01:23:34Pepe Feli.
01:23:36Come here.
01:23:38Pepe Feli.
01:23:44But Curro, what are you doing there?
01:23:46Come here, man. Come here.
01:23:47Let's make a place for you.
01:23:49You're a whore, whore.
01:23:50You're a whore, whore, whore.
01:23:53Kid.
01:23:54Whore.
01:23:56Oh, the medal of love.
01:23:58Today I love you more than yesterday, but less than tomorrow.
01:24:03She's a whore, whore.
01:24:04I hate her, I hate her.
01:24:05It's okay, whore.
01:24:06Curro, forget her.
01:24:07Women like her, the skirt is under the stones.
01:24:12Look.
01:24:13They're all a thousand times more massive than her.
01:24:15You see?
01:24:16Soak up, the world is not over yet.
01:24:18Let me see.
01:24:20What pisses me off is that you escaped alive.
01:24:22I don't care about anything, nothing.
01:24:24Well, here are some that are like to eat them.
01:24:26Don't you think?
01:24:27I would like to die.
01:24:29Go away, salmonella.
01:24:30You're not going to commit suicide now, are you?
01:24:32It would be the best.
01:24:33I can't stop thinking about her.
01:24:35You're crazy, kid.
01:24:36But you know how much a gun costs.
01:24:37Besides, they don't sell it to you like that.
01:24:40You have to be a soldier.
01:24:41And you still lack fabric.
01:24:43Take it.
01:24:46I can shoot myself from here.
01:24:47And if you don't kill yourself and you're left with assholes, what?
01:24:50There have been people who have shot themselves and they have been very screwed.
01:24:53What would you do?
01:24:54And then what?
01:24:55Fatima, right?
01:24:56Now don't be stupid and get that idea out of your head.
01:25:03Come on, man, what were you doing?
01:25:05Stretch out if you have balls.
01:25:07Take your foot off there.
01:25:08I don't feel like it.
01:25:09I said take it off.
01:25:10I don't feel like it.
01:25:11Take it off.
01:25:12No.
01:25:13What are you playing at?
01:25:14I'll give you another one.
01:25:15Let go of me.
01:25:19Curro.
01:25:21But are you an idiot or what?
01:25:22Don't you see I'm doing it for your own good?
01:25:24We're friends.
01:25:25Leave me alone.
01:25:26Come on, don't be stupid.
01:25:27Don't cry and get up.
01:25:28Come on.
01:25:29Let's go.
01:25:30Don Jacinto is waiting for us.
01:25:34And don't cry that you shake again.
01:25:39Reading of the first letter of the apostle Saint Paul to the Corinthians.
01:25:45Brothers, the body is not for fornication, but for the Lord.
01:25:52And the Lord for the body.
01:25:55God, with his power, resurrected the Lord and will resurrect all of us.
01:26:03Don't you know that your bodies are members of Christ?
01:26:08The one who joins the Lord is a spirit with him.
01:26:12Flee from fornication.
01:26:15Any sin that man commits is out of his body.
01:26:20But the one who fornicates sins in his own body.
01:26:25Don't you know that your body is a member of the Holy Spirit?
01:26:32I love you very much.
01:26:34The one who fornicates sins in his own body is a spirit with him.
01:26:39But the one who fornicates sins in his own body is a spirit with him.
01:26:45Therefore, glorify God with your body.
01:26:50My dear brothers, the Lord God is our son.
01:26:54Don't trust the man who fornicates.
01:26:57I'm going to do something to help him.
01:27:01Do you want to know how it all started?
01:27:03I'm going to tell you.
01:27:05Do you want to know how it all started?
01:27:07I'm going to tell you.
01:27:09I started as a model for photos.
01:27:12Many of all kinds were made of me.
01:27:15Completely naked.
01:27:19And in the most scandalous postures.
01:27:22Then a journalist slept with me.
01:27:25Everything he wanted.
01:27:27And then he left me.
01:27:30I was a real slut until I met him.
01:27:34He got me out of the vice and put me in the club of a friend of his.
01:27:41Nothing more than a slut.
01:27:43And I have not been what I was thanks to him.
01:27:47Thanks to him.
01:27:49Thanks to him.
01:27:51Thanks to him.
01:27:53Thanks to him.
01:27:55Thanks to him.
01:27:57Thanks to him.
01:28:01Slut.
01:28:05Slut.
01:28:07Slut.
01:28:11Slut.
01:28:13Slut.
01:28:15Slut.
01:28:17Slut.
01:28:19Slut.
01:28:21Slut.
01:28:24What are you doing, Cristina? Are you still like this?
01:28:27I'm not going to the club today.
01:28:28What do you mean you're not going? If you don't go, they'll kick you out forever.
01:28:30That's what I want, to be kicked out.
01:28:33I swear I don't understand you at all.
01:28:36You're crazy, daughter.
01:28:38But you know what you're saying.
01:28:40Perfectly.
01:28:42It's not about that rusty boy anymore, as you say.
01:28:44It's about me.
01:28:46I don't want to be a...
01:28:47A slut, right?
01:28:48Yes, you said it.
01:28:49Like me, right?
01:28:50You can leave him too, if you want.
01:28:53Good morning, green sleeves.
01:28:57And who's going to pay for the apartment?
01:28:59The car, the electricity, the telephone?
01:29:01Don't worry, Carla, I won't be a burden to you.
01:29:03I'll go tomorrow.
01:29:05Oh, yeah? And can you tell me which convent you're going to enter?
01:29:08Because I'm sure you're going to get a nun, aren't you?
01:29:10I don't know, I'll find a job.
01:29:11Decent.
01:29:12Yes, decent.
01:29:13Okay, tomorrow, when you get over it, we'll talk.
01:29:16I'm not over it.
01:29:18I said we'll talk tomorrow.
01:29:22Good morning.
01:29:23Good morning, dear.
01:29:25Hey, do you know Curro?
01:29:27Yes, I'm Lupa, his friend.
01:29:29You're Cristina, aren't you?
01:29:31Oh, you're the telephone boy.
01:29:33Yes, but I haven't done it again, sorry.
01:29:36Well, it doesn't matter.
01:29:38I'm going to get a job.
01:29:40I'm going to get a job.
01:29:42I'm going to get a job.
01:29:44I'm going to get a job.
01:29:46I'm going to get a job.
01:29:48I'm going to get a job.
01:29:50I'm going to get a job.
01:29:51Well, it doesn't matter now.
01:29:53Where's Curro?
01:29:54I don't know.
01:29:55The priest did it yesterday at work.
01:29:57He's a little crazy.
01:29:58We're about to have a wedding.
01:30:00And where can I find him now?
01:30:02Well, I don't know, because yesterday I was looking for him all afternoon.
01:30:05I'm worried, he's very stupid, you know?
01:30:07He wants to kill himself.
01:30:09He's got a fever.
01:30:10It's just that I need to find him.
01:30:12I'd like to say goodbye to him before I leave Madrid.
01:30:14It's just that I have no idea where he might be.
01:30:16I think he'll come here, but...
01:30:18Anyone knows.
01:30:20Do you have a piece of paper and a pen?
01:30:21Yes, I have one there.
01:30:29Here you go.
01:30:30Thank you.
01:30:35Dear Curro,
01:30:37Forgive me for the harm I have caused you.
01:30:40You don't deserve it.
01:30:42You've only done me good.
01:30:46I'm leaving.
01:30:48Now that I won't see you again, I can tell you one thing.
01:30:54It may seem absurd to you, but I think I love you.
01:30:57Only you can be loved.
01:31:00Goodbye, Curro.
01:31:02Thank you, Cristina.
01:31:12Please, give it to Curro when you see him.
01:31:14That's done.
01:31:15Goodbye.
01:31:18I'm sorry, Curro.
01:31:19I'm sorry, Curro.
01:31:48I love you.
01:32:18Goodbye.
01:32:29Hello, Curro.
01:32:30Hello.
01:32:32Where were you?
01:32:33Over there.
01:32:39You're finally back.
01:32:41I'm back as a client.
01:32:44What did you say, Curro?
01:32:46I'm back as a client.
01:32:48I have the same rights as everyone else, don't I?
01:32:54Do you think you'll have enough with 5,000 pesetas?
01:32:58Answer me, what are you waiting for?
01:33:00What's the matter? You don't like me?
01:33:03You're so exquisite.
01:33:05Or do you like everyone?
01:33:07The old men too?
01:33:09Because you'll have to do it with an old man or an old man, right?
01:33:13I can't do anything with you, Curro.
01:33:17Think about it. It's 5,000 pesetas.
01:33:20You can do a lot with this.
01:33:24Okay, give it to me.
01:33:26Come on, let's go.
01:34:43I can't, Curro. I can't.
01:35:14I love you, Curro. I love you.
01:35:17I don't know why, but I love you.
01:35:23Curro, I love you. I love you.
01:35:28I'm sorry, Cristina. I'm sorry.
01:35:33I love you very much.
01:35:37I'm sorry.
01:35:39I'm sorry.
01:35:43I'm sorry.
01:36:13I'm sorry.