A provocative erotic drama rendered by Andre Techine who won the Best Director award at the Cannes Film Festival for this compelling investigation into the intersection of sexual and artistic passion.
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#DramaticLoveStory
#FrenchRomanticDrama
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#CinematicFrenchRomance
#RendezvousMovie
#JulietteBinoche
#LambertWilson
#WadeckStanczak
#AndreTechine
#1985Film
#RomanceDrama
#FrenchCinema
#EroticDrama
#ProvocativeFilm
#FrenchFilm
#FilmLovers
#CinematicArt
#FrenchMovies
#ClassicCinema
#FilmReview
#DramaticRomance
#FrenchActors
#RomanticDrama
#CinematicExperience
#FilmEnthusiasts
#RomanticStory
#FrenchCulture
#FilmCritique
#HeartfeltDrama
#DramaticExploration
#CinematicMasterpiece
#RomanticFilm
#DramaticJourney
#FrenchRomance
#CinematicDrama
#EroticRomance
#FilmArt
#FrenchDrama
#CinematicExperience1985
#RomanticIntensity
#FilmLoversCommunity
#ClassicFrenchCinema
#HeartfeltFilm
#IntenseDrama
#LoveStory
#FrenchEroticFilm
#RomanticCinema
#ClassicDrama
#ProvocativeCinema
#FilmAnalysis
#HeartfeltStory
#DramaticLoveStory
#FrenchRomanticDrama
#FrenchFilmLovers
#CinematicFrenchRomance
Category
🎥
Short filmTranscript
00:00:00I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the airport and I'm going to go to the
00:00:30airport and I'm going to go to the airport and I'm going to go to the airport and I'm going
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00:27:45CCoSp4 3.50 (*1.00*)
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00:34:55Tell me.
00:35:00No, never.
00:35:05I will never tell you.
00:35:25Skating Skills
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00:35:35Skating Skills
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00:35:45Tell me.
00:35:50No, never.
00:35:55I will never tell you.
00:36:00Skating Skills
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00:36:30Skating Skills
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00:36:40What is it?
00:36:42You want to skate, right?
00:36:44I don't want to skate.
00:36:46Come on.
00:36:48Come on.
00:36:57Sit down.
00:37:10Sit down.
00:37:30What's going on?
00:37:32Dad, we...
00:37:34I had Paulo come in.
00:37:36It would prevent him from lying.
00:37:38It would be clearer.
00:37:40What do you think?
00:37:43Have you ever wanted Paulo?
00:37:45You hurt me.
00:37:47Let me go.
00:37:50And you, Paulo, don't you want her?
00:37:52You're annoying.
00:37:54There's no point in getting angry.
00:37:55Why bother?
00:37:56It would be easier if everyone slept with everyone, right?
00:37:59Why don't you want Paulo?
00:38:00Don't you like him?
00:38:01He would make you happy.
00:38:03He's the man of only one woman, Paulo.
00:38:05Right, Paulo?
00:38:07You're both good.
00:38:09You're both good.
00:38:11You wouldn't want me to do the same thing to you about Joe.
00:38:14No, I don't think Nina would like that.
00:38:16Stop it.
00:38:18Am I disturbing you?
00:38:21I'm leaving.
00:38:28What's wrong with this guy?
00:38:30You're so stupid.
00:38:31What could be worse?
00:38:37I don't know.
00:38:46The thought of you getting beaten up by Quentin hurts my heart.
00:38:49When did that happen?
00:38:51I don't care.
00:38:53You have to stop this right now.
00:38:55If you don't want to yell at me, leave.
00:38:57I don't want to yell at you.
00:38:59I just want to warn you.
00:39:01He'll hurt you as much as he can.
00:39:03I assure you, that's all he cares about.
00:39:05I assure you, you'll fall.
00:39:35You'll fall.
00:39:49I'd like to speak to Paul Trabichet.
00:39:52Yes.
00:39:54Follow me.
00:39:57Paul?
00:39:59Get up.
00:40:03My name is Scrooge Slayer.
00:40:05I'm Quentin's friend.
00:40:07I just arrived in Paris.
00:40:09I went to his house.
00:40:11I was sent here.
00:40:13We used to live together, but...
00:40:15Could you give me his new address?
00:40:17I don't understand.
00:40:18We wrote to each other.
00:40:19He knew I was coming.
00:40:21We had a very important meeting.
00:40:25But, sir...
00:40:27Quentin had an accident.
00:40:29He woke up one morning and...
00:40:31He's dead.
00:40:34You must be a relative.
00:40:37A relative? No.
00:40:39Well...
00:40:41Yes.
00:40:42Yes and no.
00:40:52Sir!
00:40:54Sir, I'm a nurse.
00:40:55We didn't know you were coming.
00:40:57I have no one to warn.
00:40:59I'll take care of everything.
00:41:05Who is he, sir?
00:41:07I don't know, but his name reminds me of something.
00:41:09He used to call the house Quentin ran away like the devil.
00:41:23Paul!
00:41:25I went to the agency.
00:41:27I waited for you until 8 o'clock.
00:41:29I have the contracts.
00:41:31I'll take care of the rent.
00:41:33Are you happy?
00:41:35Look.
00:41:37Look!
00:41:40Tell me everything you know about Quentin.
00:41:45Quentin's over.
00:41:47He's no longer here.
00:41:49I'm sure you know things.
00:41:52If Quentin hadn't told you anything, you'd have been right.
00:41:54You don't care about him anymore.
00:41:57Nina, you don't have to say that.
00:41:59What do you want to know?
00:42:01I think he was living with a girl.
00:42:03He caused an accident and she died.
00:42:05What do you mean, an accident?
00:42:06I don't know.
00:42:07I don't even want to know.
00:42:08You'll see.
00:42:24Come on.
00:42:55I'm going to ask who you are.
00:42:57Leave me alone.
00:43:04Are you a friend of Quentin's?
00:43:06A friend? I don't know. He didn't want any friends.
00:43:09So he gave you his company too.
00:43:25What do you mean?
00:43:28He had an accident.
00:43:30He threw himself under a car.
00:43:32It's the word suicide that scares you.
00:43:35It's an accident. I saw it.
00:43:54I'm sorry.
00:44:05You've changed.
00:44:11To our meeting.
00:44:14Cheers.
00:44:24Every time I come to Paris, I go down to this hotel.
00:44:27This is where I saw Quentin for the last time.
00:44:29It's been a year.
00:44:32And no news since?
00:44:34Oh yes, letters, more and more.
00:44:38I was sure it would end like this.
00:44:42We had a project together and we didn't stop it.
00:44:48We never save anyone.
00:44:51I'm leaving.
00:44:56You're not going to leave me like this.
00:45:03You've known him for a long time.
00:45:06I met him in London four years ago.
00:45:09I went to Romeo and Juliet.
00:45:11I was looking for an actor for Romeo.
00:45:13As soon as I saw him, it was love at first sight.
00:45:16He was extraordinary in this role.
00:45:19I was in a dream. I was dead.
00:45:23His kisses on my lips breathed so much life that I...
00:45:26Excuse me, but we had an appointment together.
00:45:29Yes, that's right.
00:45:37Flowers for lovers.
00:45:40Flowers for lovers.
00:45:45Flowers for lovers.
00:45:50Flowers for lovers.
00:45:54I had given a vague agreement.
00:45:57The contracts are not signed.
00:45:58The show is announced.
00:45:59The dates are set.
00:46:00The rehearsals will begin.
00:46:01Rehearsals? With whom?
00:46:03Who's going to play Romeo?
00:46:04You asked for an actor.
00:46:05And we accepted him without even knowing him.
00:46:07This actor has disappeared.
00:46:08Now there's no reason for me to show this play.
00:46:10Without him, it doesn't make sense.
00:46:12Flowers for lovers.
00:46:19Flowers for lovers.
00:46:49Flowers for lovers.
00:47:19Flowers for lovers.
00:47:22Flowers for lovers.
00:47:25Flowers for lovers.
00:47:28Flowers for lovers.
00:47:31Flowers for lovers.
00:47:34Flowers for lovers.
00:47:37Flowers for lovers.
00:47:48Thank God I found you, Polo.
00:47:49What's wrong?
00:47:50I'm scared.
00:47:51What's wrong?
00:47:52I'm scared.
00:47:53Come in.
00:48:00I didn't notice it the first time, but it's really nice here.
00:48:03You think so?
00:48:04Yes.
00:48:05I'm the one who's scared.
00:48:06Except for the hairy woman, it's Quentin.
00:48:08He was completely obsessed with her.
00:48:10I'm a little sad to leave here.
00:48:12But the rent will be too expensive for me now.
00:48:14Tell me, don't you want to eat something?
00:48:16No, I'm not hungry.
00:48:17It would do you good.
00:48:22Are you going to burn Quentin's things?
00:48:25No, why?
00:48:27I'm going to keep a few things.
00:48:28This sweater I have, how do you like it?
00:48:40Would you mind if I took a look in his room?
00:48:44No, no.
00:48:45Come on, it's here.
00:48:51Come on.
00:49:21Come on.
00:49:37Are you coming?
00:49:38Stop, Polo.
00:49:39It's not going to start again.
00:49:42I'm not going to sleep with you.
00:49:45What I'd like is for us to live together, just the two of us.
00:49:48So you don't get fucked by other guys?
00:49:50Huh?
00:49:51No, thank you, but who do you think I am, Nina?
00:49:54I won't fuck anyone.
00:49:57I give you my word.
00:50:08I love you, Polo.
00:50:11I love you, Polo.
00:50:14You're the only person I love.
00:50:17I'd like to live with you, not here.
00:50:19It's too expensive.
00:50:21At my place.
00:50:24We'll share the rent, we'll share everything.
00:50:31If you were near me,
00:50:34I'd feel good.
00:50:37You have to believe me, Polo.
00:50:39You have to believe me.
00:50:41You have to trust me.
00:50:59Where are you going?
00:51:01I'll sleep next door.
00:51:06I'll sleep next door.
00:51:25If I can believe my sleepy eyes,
00:51:27this dream foretold some good news.
00:51:30Love, king of my heart, on its light throne.
00:51:33And all day, an unknown ardor,
00:51:35with gay thoughts, raised me from the ground.
00:51:38My soul came to me in a dream, I was dead.
00:51:40Because a dead man can think of his strange dreams.
00:51:43These kisses on my lips,
00:51:45inspired so many lives that I resurrected.
00:51:47I was an emperor.
00:51:49One who must be soft to hold love himself,
00:51:51when the shadow of love is so rich in happiness.
00:51:55Oh, Romeo, Romeo, why are you Romeo?
00:51:58Refuse your name and deny your father.
00:52:01Or if you don't want to swear to be love,
00:52:03and never again I will be Capulet.
00:52:06Your name alone is my enemy.
00:52:08You are you, you are not a Montague.
00:52:10Or some other name.
00:52:12What is Montague?
00:52:14Neither the hand, nor the foot, nor the arm, nor the mouth,
00:52:17nor any part of the man.
00:52:19What is in the name?
00:52:21Bravo, Miss Montel.
00:52:23Thank you and goodbye.
00:52:24She is perfect.
00:52:25You can't show off, you're stuck, dear friend.
00:52:28She would be perfect if she were my age.
00:52:31Juliet is fourteen.
00:52:33Fourteen, it's written.
00:52:35Fourteen, that's all I needed.
00:52:37Well, what do we do?
00:52:39Shall we continue?
00:52:42Anne Lariot?
00:52:43It's me.
00:52:51Hello, can I come in?
00:52:53We're listening.
00:52:55You know that the mask of the night is on my face.
00:52:58Without it, you would make a virginal color color my cheek.
00:53:01When I think of the words you heard me say that night.
00:53:03But goodbye ceremonies, I love you.
00:53:05I know that you will say yes and I will believe you.
00:53:08Don't swear it out of fear of betraying your oath.
00:53:10Well, that's how it goes. Thank you, Miss.
00:53:18I'll show the room if it's her who makes Juliet.
00:53:20Otherwise, I don't care.
00:53:22We've wasted enough time.
00:53:24Listen, it's unfair and she's not fourteen.
00:53:26It's true that she's not fourteen, it's true that it's unfair.
00:53:29But you have to have the courage to be.
00:53:31And then you know, you're fourteen-year-old actresses.
00:53:35You're really an impostor.
00:53:39It took you a week to warn me.
00:53:41No, not at all, not at all.
00:53:43I was convinced right away.
00:53:45But I had to convince the theater management.
00:53:47It wasn't an easy job.
00:53:49You hesitated a lot.
00:53:51Not at all.
00:53:54It's the first time I've eaten urchin.
00:53:58How do you eat it?
00:54:00With a spoon or with your fingers?
00:54:02I put lemon.
00:54:03No, no, no, no lemon.
00:54:08What do you think of Juliet's character?
00:54:10She's perfect.
00:54:12Romeo is also perfect.
00:54:14But I don't believe in perfection.
00:54:16It doesn't interest me, it doesn't attract me.
00:54:18I have no idea about this damn play.
00:54:21It's not Shakespeare's best, you know.
00:54:28Come, there's something I'd like to show you.
00:54:40I won't keep anything from my old staging, except this dress.
00:54:43It was Juliet's.
00:54:46Why did you choose me?
00:54:48I didn't choose you.
00:54:50It's fate that brought us together.
00:54:53I came to look for Quentin, and you're the one I found.
00:54:57Why not the other Juliet?
00:54:59The other Juliet?
00:55:04She died in a car accident.
00:55:10Four years ago.
00:55:13Quentin was driving a Nisbett.
00:55:15Yes.
00:55:18When they came back from the 16th century,
00:55:20they discovered everything together.
00:55:22Theater, love, success.
00:55:25Too much success, too much love.
00:55:29You know,
00:55:32you have to keep your head cool
00:55:34when everything is given to you at once.
00:55:37Do you realize that?
00:55:39There's nothing to expect, nothing to desire,
00:55:43nothing to ask for.
00:55:46They realized that with time,
00:55:50they could only go back down.
00:55:53So they decided to die together.
00:55:55Quentin survived.
00:55:57In this story, I'm to blame.
00:55:59I brought them together, I forced them to love each other.
00:56:03I took advantage of their youth.
00:56:05Maybe it's for the best
00:56:08to take back this play.
00:56:10It's a chance for me to kill Juliet.
00:56:15I won't let it pass.
00:56:30I'd like to start working right away.
00:56:38Hello?
00:56:40I have great news to tell you.
00:56:42I don't have time.
00:56:44I have to get back to my life.
00:56:46You spent the night outside.
00:56:48I don't understand why you wanted me to come with you.
00:56:56You're not thinking about work.
00:56:58Work?
00:57:00I thought your auditions would never work.
00:57:02You must know the guy who hired you.
00:57:04You don't think...
00:57:06I don't think anything.
00:57:08You do what you want.
00:57:15I'm sorry.
00:57:18My only love is my only hatred.
00:57:20Unknown too soon and recognized too late.
00:57:24Monstrous is for me the birth of love
00:57:26that I must love my hated enemy.
00:57:29Hated...
00:57:31Monstrous...
00:57:33Monstrous...
00:57:39Monstrous is for me the birth of love...
00:57:44Monsterous is for me the birth of love...
00:57:46Monstrous is for me the birth of love...
00:57:48Monstrous is for me the birth of love...
00:57:50Monstrous is for me the birth of love...
00:57:52Do you want to shout?
00:57:54I'll shoot you down!
00:57:57You are Giuliette.
00:57:59You are the chocolate cake, the bunny.
00:58:01You'll play the princess.
00:58:03The moth is the story of love.
00:58:05A love that you can't feel.
00:58:07Also you are too late to imagine.
00:58:09And too vulgar to understand.
00:58:11It's a love I know because I followed the price.
00:58:16Because I paid for it with my own life.
00:58:20And she too.
00:58:22The real Juliet.
00:58:24The only Juliet.
00:58:28With you, the play will become a real farce of a sub-prefecture.
00:58:31Maybe it's the idea of a sculptor, after all.
00:58:33With him, you never know.
00:58:35He'll make you sweat.
00:58:37He'll make you drag in the mud. It'll be well-deserved.
00:58:39You're a pitiful little girl, ready to expose your sad and wretched navel.
00:58:43You exploit my corpse, and in addition, you use her.
00:58:46She who sacrificed everything for an ideal that exceeds you.
00:58:48And that you are sowing without shame.
00:58:50I forbid you to take your place, do you hear?
00:58:52I forbid you to dirty a story that doesn't belong to you.
00:58:59Oh, my only love is born of my only hatred.
00:59:02Unknown, seen too early and recognized too late.
00:59:05Monstrous is for me the birth of love that I must love my hated enemy.
00:59:10It's not right.
00:59:13It's not right. I can't do it.
00:59:26I don't understand this play.
00:59:30Why does he love her? Why does she love him?
00:59:33Why? You shouldn't ask yourself that question.
00:59:36Why? It's useless. Why does he love her?
00:59:38Why do people love each other?
00:59:40They love each other because they're enemies.
00:59:43You're too sentimental. You should play love scenes like hate scenes.
00:59:46I'll try to start again after the kiss, when...
00:59:49when she says, and my lips will keep the sin.
00:59:53You're not going to spend your Sunday on that.
00:59:55It's six o'clock.
00:59:57But I need to work.
00:59:59I'm tired of it.
01:00:01You gave me this role, didn't you? I need time.
01:00:07It's your responsibility.
01:00:19It's the birds that broke their necks.
01:00:22It's the birds that broke their necks.
01:00:30It's very bad to spend your life in this play.
01:00:33You should go out, have fun, make love.
01:00:37With whom?
01:00:40I don't know.
01:00:42You told me you lived with someone.
01:00:44With Polo?
01:00:46He's nice, but that's not enough.
01:00:49Have you ever loved someone?
01:00:51Quentin.
01:00:54You love him because you lost him.
01:01:03Have you ever loved someone?
01:01:08My daughter.
01:01:11And I lost her.
01:01:14Because of me.
01:01:18Because of you.
01:01:22Juliette, it was her.
01:01:26Whatever I do, I've lost her.
01:01:32Shall we go?
01:01:34Yes.
01:01:48You must forget all this and have fun.
01:02:04Sit down.
01:02:14Sit down. What are you doing here?
01:02:16I was waiting for you.
01:02:18I know we're going the same way.
01:02:20Is that Quentin's coat?
01:02:22I don't have that coat.
01:02:24I'm so worried about him.
01:02:26You're ridiculous.
01:02:28I don't care about being ridiculous.
01:02:30You want to sleep with me, don't you?
01:02:33You're old and ugly.
01:02:35You don't care about that.
01:02:38She prefers young assholes to your kind.
01:02:41I love her and I'm ready to fight for her.
01:02:44If we fought, you'd have the upper hand.
01:02:47But would it prove that she loves you?
01:02:49I don't want you to touch her.
01:02:51Is that clear, old fool?
01:02:53Don't be afraid.
01:02:55It won't happen.
01:02:57I'm not afraid. It's you.
01:03:00You're an old fool.
01:03:02It's disgusting.
01:03:04Enjoy it.
01:03:06I don't enjoy it. I'm not Nina's lover.
01:03:08I love her like a father would.
01:03:12Like a what?
01:03:14Like a father?
01:03:18Like a father?
01:03:23You're right to laugh.
01:03:30I love you.
01:04:00Look at me.
01:04:03Is this how you see Juliette?
01:04:05It's you I don't see.
01:04:07Why?
01:04:09Why?
01:04:11Since you started, there's no Nina.
01:04:13I don't care about Juliette.
01:04:15It's hard. I'm afraid I won't make it.
01:04:18I'm not worried about you.
01:04:20You don't have anything left in your bag.
01:04:22I need your opinion.
01:04:24My opinion?
01:04:26You can play Juliette or not.
01:04:28It's the same for me.
01:04:31Look at me.
01:04:33What am I doing?
01:04:35What's wrong with you?
01:04:37Don't do this.
01:04:39Stop it.
01:04:41I'm leaving.
01:04:43What did I do?
01:04:45Nothing.
01:04:47I'm leaving with no one.
01:04:49I need you.
01:04:51I don't understand.
01:04:53Are you crazy?
01:04:55I'm crazy.
01:04:57I love you.
01:04:59Nina.
01:05:01You want everyone to love you.
01:05:03But you can't love.
01:05:05Love is not in your shitty theatre.
01:05:07It's in life.
01:05:09But you can't see it.
01:05:11You see nothing.
01:05:20You're not afraid of me anymore.
01:05:23Remember when I told you
01:05:25that if you have nothing,
01:05:27less than nothing,
01:05:29we can be together.
01:05:31The time has come.
01:05:33You're really alone now.
01:05:35There's only you and me.
01:05:45Tell me you won't play Juliette.
01:05:47I won't play Juliette.
01:05:55I won't play Juliette.
01:06:13I'm capable of being tender.
01:06:17Why are you crying?
01:06:19I'm here.
01:06:25I'm here.
01:06:55I'm here.
01:07:03What are you doing here?
01:07:07I'm going to France on Sunday.
01:07:09I saw an interview.
01:07:11I'm waiting for you.
01:07:13Be careful.
01:07:26I saw a show of Scruzzler four years ago.
01:07:28It was the same play.
01:07:30They don't renew themselves much.
01:07:32But for the actors, they love it.
01:07:34The guy who played Romeo was great.
01:07:37I showed you the poster at home.
01:07:39Do you remember?
01:07:41No.
01:07:43So you're getting married?
01:07:45Yes. Isn't it incredible?
01:07:47I never thought it would happen to me.
01:07:49But with Desi, it's great.
01:07:51I'm going to France.
01:07:55Don't you have an apple?
01:07:57Yes.
01:07:59Here.
01:08:01Desi, this is Nina.
01:08:03I know her.
01:08:07Scruzzler just called.
01:08:09He's not coming.
01:08:11We're cancelling the interview.
01:08:13What?
01:08:15We don't care about your...
01:08:17Scruzzler?
01:08:19Yes.
01:08:21He cancelled it, not me.
01:08:23Don't worry.
01:08:25Desi will take care of it.
01:08:29Do you still live with Machin,
01:08:31the guy from the apartment?
01:08:33We broke up a week ago.
01:08:37He was a good friend.
01:08:53No, I can't at 8.
01:08:55No, not at 10 either.
01:08:57Would you like to meet at noon?
01:08:59Let's meet at noon tomorrow.
01:09:03Very well.
01:09:05Good night.
01:09:07Well done, Polo.
01:09:09You're back on track.
01:09:11You've become yourself
01:09:13since you came to the hotel.
01:09:15You're a good man.
01:09:17You're a good man.
01:09:19You're a good man.
01:09:21You've become yourself.
01:09:23What's the idea of living with this girl?
01:09:25I don't want to hear about her.
01:09:35I can tell you now,
01:09:37but I was really scared for our business.
01:09:41She wasn't the right girl for me.
01:09:43The world is big.
01:09:45I'll find another.
01:09:47You're wrong, Polo.
01:09:49Good night.
01:09:57Good night.
01:09:59Good night, Nina.
01:10:01Don't make me run away,
01:10:03but don't wait for my hairdresser.
01:10:09Polo, don't do like last night.
01:10:11Don't forget the alarm.
01:10:19Good night.
01:10:27How are you?
01:10:31I'm fine, and you?
01:10:43Well, you see...
01:10:45What are you doing tonight?
01:10:47Tonight?
01:10:49Nothing.
01:10:51I'm going back to the hotel.
01:10:53Isn't it a bit cruel?
01:10:55Your apartment.
01:10:57You know,
01:10:59I'm on a good course
01:11:01at the moment.
01:11:03In a studio.
01:11:053,000 francs a month.
01:11:07Here, look.
01:11:09I have the photos.
01:11:11Tell me what you think.
01:11:13It's not bad, is it?
01:11:15Yes.
01:11:17You can't see anything.
01:11:19How can you say it's not bad?
01:11:21Except for you and my apartment.
01:11:23Do you smoke?
01:11:27You look tired.
01:11:37Come here.
01:11:43Come here.
01:12:13Look.
01:12:21A month.
01:12:23A month.
01:12:25A month.
01:12:27A month.
01:12:29A month!
01:12:31A month!
01:12:43Okay.
01:12:44Okay.
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01:15:52Okay.
01:15:53Okay.
01:15:54Okay.
01:15:55Okay.
01:15:56Okay.
01:15:57Okay.
01:15:58Okay.
01:15:59Okay.
01:16:00Okay.
01:16:01Okay.
01:16:02Okay.
01:16:03Okay.
01:16:04Okay.
01:16:06Okay.
01:16:08Okay.
01:16:09Okay.
01:16:10Okay.
01:16:11Okay.
01:16:12Okay.
01:16:13Okay.
01:16:14Okay.
01:16:15Okay.
01:16:22Come on.
01:16:24Okay.
01:16:30Okay.
01:16:32Do you need help?
01:16:33Hello?
01:16:34I think I'll cross my fingers for you tonight.
01:16:40I'd like you to be here, you know.
01:16:46Here, I brought you the tickets.
01:16:49For tonight.
01:17:46Come on, let's go.
01:17:51Don't stay here, look at me. You won't see anything.
01:17:54I won't see anything. You can see better when you do this.
01:17:56I need to know if it's okay.
01:17:58It's okay, it's fine.
01:18:05I'm going to ask for your help.
01:18:13No, I'm going to fall.
01:18:14No, you won't fall.
01:18:16Calm down.
01:18:21Calm down, calm down.
01:18:24You're going to be fine.
01:18:26You're going to be fine.
01:18:35It's Quentin.
01:18:36It's Quentin, it's because of him.
01:18:38Don't worry, I'm going to get him.
01:18:39Quentin's not here anymore.
01:18:41You're alone.
01:18:43No, I feel him.
01:18:44Quentin's dead.
01:18:45He's here.
01:18:47He's here.
01:18:49He's stopping me.
01:18:52I'm going to die.
01:18:53No, you're not going to die.
01:18:54You're going to go all the way in this role.
01:18:56I'm going to die.
01:18:57You're going to go all the way in this role.
01:19:00Or you're going to fail.
01:19:02Quentin has nothing to do with this.
01:19:05I'm going to die.
01:19:06There were thousands before you and there will be thousands after you.
01:19:15Or if you want to stop everything, you can.
01:19:18It's up to you to choose.
01:19:20You're free.
01:19:23I'm done.
01:19:27Where are you going?
01:19:29I'm going to place the statue of the first painting.
01:19:31I'm going to place the statue of the first painting.
01:19:34I'm going to place the statue of the first painting.
01:19:40What are you doing?
01:19:41My taxi is waiting for me.
01:19:42I've fulfilled my contract.
01:19:47You can't do this to us.
01:19:49Everything will be fine, dear madam.
01:19:52Now it can start.
01:20:05You can take it easy.
01:20:19I'm going on a jet ski.
01:20:21Yes already to the maximum.
01:20:25Do I have to turn on the radio?
01:20:27No, no.
01:20:34StSq3 3.30 (-0.99)"
01:20:39StSq3 3.30 (-0.99)"
01:20:44StSq3 3.30 (-0.99")
01:20:49StSq3 3.30 (-0.99)"
01:20:54StSq3 3.30 (-0.99")
01:20:59StSq3 3.30 (-0.99")
01:21:04LSp4 2.70 (-0.70")
01:21:29StSq3 3.30 (-0.99")
01:21:34StSq3 3.30 (-0.99")
01:21:39StSq3 3.30 (-0.99")
01:21:44StSq3 3.30 (-0.99")
01:21:49StSq3 3.30 (-0.99")
01:21:54StSq3 3.30 (-0.99")
01:21:59StSq3 3.30 ----------------------
01:22:29CCoSp4 3.50 (-1.00)(Bonus 1.00)(Consolation 1.00)(StSq2 2.60)(Fall 1.00)(StSq2 2.60)(Bonus 1.00)(Consolation 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60
01:22:59ᕦ Ọ̯ ᔥ ᕤ ᕤ ᕤ ᕤ ᕤ Σ-ДԾoi