Les confidences erotiques d'un lit trop accueillant (1973) Italiano

italian Max

"Les confidences érotiques d'un lit trop accueillant" est un film français érotique réalisé par Michel Lemoine, sorti en 1973. Voici les principales informations sur ce film :  Genre : Il s'agit d'une comédie érotique, un genre populaire dans le cinéma français des années 70  . Synopsis : L'histoire tourne autour d'un personnage nommé Dominique, une femme séduisante qui retrouve sur un marché aux puces un lit rond qu'elle avait connu dans sa jeunesse. Ce lit semble avoir été le témoin de nombreuses aventures amoureuses . Réalisation : Le film a été réalisé par Michel Lemoine, un acteur et réalisateur français connu pour ses œuvres dans le genre érotique . Distribution : Bien que les détails complets de la distribution ne soient pas fournis dans les résultats de recherche, on peut supposer que le film met en scène des acteurs typiques du cinéma érotique français de l'époque. Contexte : Ce film s'inscrit dans la vague des comédies érotiques françaises des années 70, un genre qui mêlait humour et scènes suggestives sans pour autant tomber dans la pornographie explicite

Transcript

00:00:00You

00:00:30You

00:01:00You

00:01:30You

00:02:00You

00:02:24Dominique

00:02:26Dominique

00:02:30Dominique

00:02:55Dominique

00:02:57Dominique

00:03:27Dominique

00:03:41Dominique

00:03:51Dominique

00:03:57I love you, I love you, I love you so much

00:04:10I love you, I love you, I love you so much

00:04:14I love you, I love you, I love you so much

00:04:18I love you, I love you, I love you so much

00:04:22I love you, I love you, I love you so much

00:04:27I love you, I love you, I love you so much

00:04:31I love you, I love you, I love you so much

00:04:35I love you, I love you, I love you so much

00:04:39I love you, I love you, I love you so much

00:04:43I love you, I love you, I love you so much

00:04:47I love you, I love you, I love you so much

00:04:57I love you, I love you, I love you so much

00:05:01I love you, I love you, I love you so much

00:05:05I love you, I love you, I love you so much

00:05:09I love you, I love you, I love you so much

00:05:22I love you, I love you, I love you so much

00:05:26I love you, I love you, I love you so much

00:05:30I love you, I love you, I love you so much

00:05:34I love you, I love you, I love you so much

00:05:56I love you, I love you, I love you so much

00:06:27This is a long story

00:06:29He appeared in my life on a weekend when I was in the countryside with Irene's friends

00:06:34My inseparable girlfriend

00:06:37And now

00:06:54It's cold

00:07:01Come

00:07:02It looks delightful

00:07:04As you will see, they are charming people.

00:07:06Very simple, not in the mood, but adorable.

00:07:08They must be ashamed to have invited me without knowing me.

00:07:11What a joy to wake up tomorrow morning in the middle of the countryside.

00:07:14Oh yes, it will change us from Paris.

00:07:21It is quite by chance that I discovered this house.

00:07:24But you live here all year?

00:07:26Yes, yes.

00:07:27It's been two years since we left Paris.

00:07:30And you do not miss it?

00:07:31No, because it is Paris that comes to us.

00:07:35A little champagne.

00:07:36Yes, thank you.

00:07:38And very nicely represented.

00:07:41No, thank you, I'm going to be drunk.

00:07:43For me, it's already done.

00:07:45My husband will take you to your room.

00:07:47With joy.

00:07:48I will take advantage of my last strength to avoid this effort.

00:07:53You know, it's our only evening off, so excuse us.

00:07:55I beg you.

00:07:56You're right.

00:07:57Let's go to sleep.

00:07:58I'll show you your room.

00:08:10I think you're going to sleep very well.

00:08:12Oh yes, me, the countryside gives me sleep.

00:08:14Well, me, champagne, it wakes me up.

00:08:17Here you are, darling.

00:08:18Oh, thank you.

00:08:19Good night.

00:08:20We'll go to your room later.

00:08:31What is it for?

00:08:33I do not know, but in any case, to sleep.

00:08:36I take the bathroom.

00:08:46How are our beautiful guests?

00:08:48I think they are preparing to spend a quiet and peaceful night.

00:08:52So, to the pleasure of this quiet and peaceful night.

00:09:00Sympathetic, no?

00:09:02They are adorable.

00:09:04But do not have fun every day, your friend Nadège.

00:09:07Oh, you know, they are very in love with each other.

00:09:09They do not need anyone.

00:09:11Yes, it is well known.

00:09:12Lovers are alone in the world.

00:09:14And that's why they need company.

00:09:21But what are you doing?

00:09:22I'm changing the bed head.

00:09:24You know what it reminds me of?

00:09:26No, what?

00:09:27The podium on which we dance in the woods.

00:09:29You're crazy!

00:09:30Look out!

00:10:00Do not you mind?

00:10:02No, not at all.

00:10:03No.

00:10:06They look like little pensioners.

00:10:08Ah yes, house pensioners.

00:10:10A very modern convent.

00:10:12In any case, very charming.

00:10:14And here to make beautiful dreams.

00:10:25Look at this one.

00:10:26Oh, how funny he is.

00:10:27Oh, how funny he is.

00:10:28Look, look, look.

00:10:34The unfortunate one is well occupied.

00:10:37It looks like two elephants crossing a river.

00:10:47What are you doing here?

00:10:50You're not going to tell me he's not going to sleep in his office tomorrow.

00:10:57No, no.

00:11:08They look like they're in love.

00:11:15Look at this one.

00:11:16Oh, my God.

00:11:17I'm so sorry.

00:11:19I'm afraid of him.

00:11:23We'll be fine.

00:11:25He's a good man.

00:11:28He's a good man.

00:11:32He's a good man.

00:11:36Oh, I'm so happy.

00:11:39I'm so happy.

00:11:42I haven't laughed so much in a long time.

00:11:45Yes, it's funny.

00:11:47Ha ha ha!

00:12:09What's up?

00:12:10What a disgusting laugh, your friends.

00:12:14I guess they offered you the bed in advance.

00:12:16But no.

00:12:18When I wanted to furnish the apartment,

00:12:20I went to see my friend Gérard.

00:12:23Do you remember my friend Gérard?

00:12:25Yes, I bought my glasses from him.

00:12:28He had offered me a brass bed, but I...

00:12:46For you, I'll do it for 1,500 francs.

00:13:091,500 francs? Is that what you call a friend's offer?

00:13:12Listen, Dominique, a brass bed, 1,920 francs,

00:13:16there's nothing more expensive nowadays.

00:13:18I don't care whether it's 1,920 or not.

00:13:21I liked this one because it was funny.

00:13:23What can I get you?

00:13:24Gérard, there's a truck here.

00:13:27One second, I'll get some furniture.

00:13:37Do you tattoo all these bricks?

00:13:39I don't even know what's going on.

00:13:41I guess I have a whole villa.

00:13:44Look at the bed.

00:13:50I bet you've never seen one like that.

00:13:52Don't bet on me.

00:13:54Here, I'll give you a price.

00:13:56Oh, my God.

00:13:59And that's how it is to enter my life.

00:14:03Are you disappointed?

00:14:05A little, yes.

00:14:07Give me your glass. I'll get you a scotch.

00:14:28Ah, this one fascinates me.

00:14:32Men are disgusting.

00:14:36You were the love of my life.

00:14:38You left me without explanation to conquer America.

00:14:41I found you by chance,

00:14:43and you're more interested in my bed than I am.

00:14:47I believe in the sign of fate.

00:14:50And this bed is one of them.

00:14:52Its presence near you is my curiosity.

00:14:57But who told you that I didn't dream of these different adventures

00:15:00and that it didn't change my life?

00:15:05Come on, tell me, dear Azad.

00:15:10He was a strange dance teacher.

00:15:13He knew how to make me do things

00:15:15that would inspire a particular desire in men,

00:15:18even in desperate cases.

00:15:20Two. On your legs. Three.

00:15:23Four.

00:15:24One.

00:15:26Two.

00:15:27Three.

00:15:28Come out.

00:15:29Four.

00:15:30On the other side.

00:15:31One.

00:15:32Two.

00:15:33Sit up straight.

00:15:36One.

00:15:37Two.

00:15:39Three.

00:15:40Four.

00:15:41And one.

00:15:43Two.

00:15:44Three.

00:15:46Four.

00:15:47One.

00:15:49Two.

00:15:50Three.

00:15:51Four.

00:15:53One.

00:15:54Two.

00:15:56Three.

00:15:57Four.

00:15:58Come on.

00:15:59One.

00:16:00Two.

00:16:01Three.

00:16:02Four.

00:16:04On your legs.

00:16:06One.

00:16:08Two.

00:16:09Three.

00:16:10Four.

00:16:11One.

00:16:12Two.

00:16:13Three.

00:16:14Four.

00:16:17Come on, two legs out.

00:16:19Two.

00:16:20Three.

00:16:21Four.

00:16:22One.

00:16:23Two.

00:16:24Three.

00:16:25Four.

00:16:26And one.

00:16:28Two.

00:16:29Three.

00:16:304, and 1, 2, 3, that's it, ladies, thank you.

00:16:37Good-bye, Master.

00:16:38Good-bye.

00:16:39Good-bye, Master.

00:16:40No, not you, you stay.

00:16:42We're going to repeat for your audition tonight.

00:16:48The waist, well bent.

00:16:50Very good, attention.

00:16:52And 1, 2, 3, 1, 2, 3, 1, 2, 3, 1, 2, 3.

00:16:57The thighs, well bent.

00:16:59That's it.

00:17:01Good.

00:17:02The arms, flexible.

00:17:04Yes, pretty.

00:17:06Very good.

00:17:09The body, very flexible.

00:17:12The legs.

00:17:15The face, trembling.

00:17:17The face, there.

00:17:181, 2, 3, 1, 2, 3, that's good.

00:17:21Attention, round the legs.

00:17:23Come on, flex the legs.

00:17:24Yes, that's pretty.

00:17:25Come on, up, well bent.

00:17:27Attention.

00:17:29Attention to the pose.

00:17:32Come on.

00:17:55Attention to the hands.

00:18:00Very good.

00:18:05Quite good.

00:18:08The claws.

00:18:11Your body.

00:18:14Good job.

00:18:16The government.

00:18:193, 2, 1, chair.

00:18:22Here.

00:18:23so that she can progress and give in to all my whims.

00:18:40Let's go.

00:18:42Shivering legs...

00:18:53Tense calves...

00:18:57Pumped chest...

00:19:06The most protruding crotch...

00:19:16The proud recognition...

00:19:20Voila!

00:19:23It's almost perfect.

00:19:28It's more than perfect.

00:19:50Now, back.

00:19:53Voila!

00:19:55A nice, well-sinked hole.

00:19:59Tense thighs...

00:20:03Voila!

00:20:05Trot, trot, trot...

00:20:09Faster, faster...

00:20:20And now, the gift.

00:20:29It's wonderful.

00:20:34A pretty little plush.

00:20:38How it makes me happy.

00:20:49And now, the gift.

00:20:54And these innocent pleasures that I offered to my insides to the polishing old men,

00:20:58I made them pay a hundredfold to men in the strength of age.

00:21:04Robert!

00:21:05Ah, here you are!

00:21:08What a day!

00:21:09I must have been late.

00:21:11No, no.

00:21:12You always have time to have a drink.

00:21:13We're going to have one at 7.10.

00:21:16So...

00:21:18How was your day?

00:21:19Did you do all your shopping?

00:21:20Yes, all of them.

00:21:21Including the bracelet of Madeleine.

00:21:23I had to wait.

00:21:24The tailor still doesn't have it.

00:21:28You didn't lose it?

00:21:29I don't have it anymore.

00:21:31What will Madeleine say?

00:21:33Well, calm down.

00:21:35Try to remember where you could have dropped it.

00:21:37I don't know.

00:21:38Maybe in a taxi, in an office, in a cafe...

00:21:42Do you remember?

00:21:43Charles...

00:21:44Charles...

00:21:45It's terrible what's happening to me.

00:21:47I've never seen such a generous guy.

00:21:49Champagne and everything.

00:21:50Did he bring you home?

00:21:51Oh, I forgot everything.

00:21:53What about him?

00:21:54Wouldn't he have forgotten to pay you?

00:21:55Oh, yes.

00:21:57Maline, come on!

00:22:04This one is for you.

00:22:07Do you know him?

00:22:10No.

00:22:11He's not a regular.

00:22:12You're not going?

00:22:14Darling, without a minimum of psychology, you'll never succeed in this profession.

00:22:18Maude is right.

00:22:19It's the difference between the amateur and the artist.

00:22:21What do you mean by that?

00:22:22A real woman must know everything about a man as soon as she sees him.

00:22:26For example, this one is not used to this kind of adventure.

00:22:29Why don't you smile to help him?

00:22:31It would make him run away.

00:22:33He knows who I am, but he needs to imagine that there's something else between us.

00:22:37Like fishing, you have to catch the fish.

00:22:39And next time, I'll follow him.

00:22:41If there's a next time.

00:23:00See you later, darling.

00:23:15It would be nice to spend some time together.

00:23:18Yes, maybe.

00:23:20Why not?

00:23:29Come in.

00:23:46Do you come to Paris often?

00:23:47Every month.

00:23:49Are you married?

00:23:50Of course.

00:23:52You're not very entrepreneurial.

00:23:53We barely know each other.

00:23:55Well, we'll catch up with the lost time.

00:23:59I'll see you later.

00:24:20I have only one solution.

00:24:21Call this girl.

00:24:23Where?

00:24:24At the bar.

00:24:25If I tell her I lost a jewel, she won't see it anymore.

00:24:28Yes, we'll take the 22h30.

00:24:30Why? I'll go back to her place.

00:24:33The same as this afternoon.

00:24:34No, I can't.

00:24:35It doesn't mean anything to me.

00:24:36And she'll think of something else.

00:24:39Listen, Charles.

00:24:40How long have you been my friend?

00:24:43The Collège Saint-Joseph.

00:24:45It's been 25 years.

00:24:47Well, in the name of this old friendship, for the first time, I...

00:24:50I'll ask you a favor.

00:24:51Oh, no, no.

00:24:52I can't tolerate your nonsense.

00:24:54I'm too afraid of your wife.

00:24:55It's not about that.

00:24:57What is it?

00:24:59You're the one who's going to go.

00:25:00Me?

00:25:04I've never cheated on Germaine.

00:25:16This one is for me.

00:25:18Come on, be careful.

00:25:20Don't worry, you'll see.

00:25:28I think you did it.

00:25:30Me too.

00:25:3325 years.

00:25:34My children, there are times when they don't steal their money.

00:25:36What happened to you, darling?

00:25:39Excuse me, can I take you?

00:25:41I'm in a hurry.

00:25:43Okay.

00:25:44Well, I'll see you later.

00:25:49Well, I didn't understand anything.

00:25:51I didn't understand anything.

00:26:22I didn't understand anything.

00:26:24I didn't understand anything.

00:26:26I didn't understand anything.

00:26:51Woah, woah, woah, woah.

00:27:00Woah, woah, woah.

00:27:03Woah, work on it.

00:27:21Where the hell is this damn bracelet?

00:29:21Excuse-moi, il faut que je porte.

00:29:48Tu m'as tué, chéri, je comprends pourquoi tu étais si pressé.

00:29:59Alors?

00:30:00Oh, tu peux pas ça...

00:30:05Oh, merde, le bracelet.

00:30:09Je l'ai oublié.

00:30:12Il te payait avant ou après?

00:30:16Parfois avant, parfois après.

00:30:27J'habitais avec mes parents au quartier latin près du Luxembourg.

00:30:38J'avais 16 ans.

00:30:40J'étais vierge et pleine d'illusions.

00:30:43Je m'appelais Philippe.

00:30:53Je t'assure, j'ai jamais rencontré une fille aussi vicieuse.

00:30:55Comme une chatte.

00:30:57Si tu veux l'essayer, je te la passe un soir.

00:30:58Non, je te remercie, Noël me suffit.

00:31:00Tu m'avais dit qu'elle couchait pas.

00:31:01Imbécile, il n'y a pas que cela.

00:31:03Peut-être.

00:31:04Mais moi, je suis un sensuel.

00:31:06Moi aussi.

00:31:07Alors, qu'est-ce que t'attends?

00:31:09Je ne sais pas où elle est, c'est pas plus bête que cela.

00:31:11T'avais qu'à me le demander.

00:31:13Je connais un petit hôtel dans le 17ème qui est très chouette.

00:31:16Tu ne crois pas tout de même que Noël irait dans un hôtel?

00:31:18Elle ne le saurait pas.

00:31:20Tu lui passes payer la chambre avant et tu lui fais croire que c'est la chambre d'un copain.

00:31:23Elle ne serait pas dupe.

00:31:24Mais si.

00:31:25Il y a des chambres normales qui ont l'air d'être des studios, par exemple.

00:31:28Tiens, par exemple, le numéro 1.

00:31:30Tu crois?

00:31:31Décidez.

00:32:02Bonjour, jeune homme.

00:32:04Bonjour, madame.

00:32:05Je désirais une chambre.

00:32:07Bien.

00:32:08Entrez.

00:32:11Mais vous êtes seul?

00:32:12Non, c'est pour 17h.

00:32:14Aujourd'hui?

00:32:15Bon, d'accord.

00:32:16Je vous en réserve une.

00:32:1917h, d'accord.

00:32:21Oui, mais je désirais le numéro 1.

00:32:23Le numéro 1?

00:32:24Mais c'est la plus petite.

00:32:26Mais bien, je la voudrais.

00:32:28Bien.

00:32:29Pour 17h aujourd'hui.

00:32:32Je voudrais payer maintenant.

00:32:34Comme vous le désirez.

00:32:35Je marquerai que c'est payé.

00:32:37Et je peux l'avoir?

00:32:39C'est facile.

00:32:40Elle vient d'être faite.

00:32:41Venez.

00:32:42C'est la seconde heure de chaussée.

00:32:49Voilà.

00:32:53Elle vous plaît?

00:32:56Elle vous plaît?

00:33:06Bonjour, M. Lambert.

00:33:07Vous avez quelque chose pour moi?

00:33:08Pour vous toujours, M. Lambert.

00:33:09Entrez.

00:33:14Il y a longtemps qu'on nous a pas vus, M. Lambert.

00:33:20C'est notre plus belle chambre, M. Lambert.

00:33:23C'est intime, hein?

00:33:26Mais qu'est-ce que c'est que ce lit?

00:33:28Un lit.

00:33:29Mais je ne veux pas de cette chambre.

00:33:31Pourquoi? A cause du lit?

00:33:33Ben, il me donne le tournis.

00:33:35J'en veux pas. Il n'a rien à faire.

00:33:37Fais pas d'histoire.

00:33:39Elle ne m'inspire pas.

00:33:41Donnez-moi une autre chambre.

00:33:42C'est vendredi, tout est complet.

00:33:44Allons, arrangez-vous.

00:33:46Merci, M. Lambert.

00:33:48C'est retenu, mais je vais vous donner l'heure.

00:33:52Merci.

00:34:02Vous désirez avoir une hôtesse aujourd'hui?

00:34:04Non, merci, pas aujourd'hui.

00:34:06Oh, Paul, je t'en prie.

00:34:08Alors, venez.

00:34:17Laisse-nous un petit peu.

00:34:19Surtout, ne soyez pas sage.

00:34:22Si on se mettait à l'aise.

00:34:52La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la

00:35:22La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la

00:35:52La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la

00:36:22La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la

00:36:52La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la

00:37:22La, la, la

00:37:52Mom trusts your parents. I think it'll work out.

00:38:02It's far, Saint-Rémy.

00:38:04I'm fed up with us always seeing each other in the cafés and at the stove.

00:38:07I think it's wonderful.

00:38:09What's important is to see each other every day.

00:38:12Monique and Bernard too.

00:38:14But they're alone and can kiss without people looking.

00:38:16But Bernard has a room of his own. His parents live three years apart.

00:38:20If I had a room, would you come to my place?

00:38:24I don't know.

00:38:28Of course, you idiot.

00:38:50You know, Philippe, you never told me about your cousin.

00:38:52What?

00:38:53What does this cousin have to do with his studio?

00:38:55A cousin?

00:38:56Are you sure he won't come in?

00:38:58He's at his parents'.

00:39:02Oh, do you have the key?

00:39:04What?

00:39:05The key to get in. Do you have it?

00:39:07No, I don't have it.

00:39:09You don't have it?

00:39:11No, I don't have it.

00:39:13You don't have it?

00:39:15No, I don't have it.

00:39:17The key to get in. Do you have it?

00:39:19Don't worry. He introduced me to his owner, who's very nice.

00:39:27It's here?

00:39:28Yes.

00:39:29What did you tell the owner?

00:39:31Nothing. I had to work.

00:39:33My cousin lent me his room while he was away.

00:39:35Do you think she'll believe you?

00:39:36I don't care. Come on.

00:39:38Hello, sir, ma'am. Did you call for me?

00:39:40Yes, I did.

00:39:45Wait, I'll drive you.

00:39:52No, number one is busy. I'll put you in number three.

00:40:09Thank you for bringing me here.

00:40:11Noelle...

00:40:12Please, shut up.

00:40:14I understand. You're like everyone else.

00:40:16We're leaving.

00:40:17Not at all!

00:40:18Don't be a coward. Go to hell.

00:40:20I'm a bastard.

00:40:21If you brought me here, you think I'm a whore.

00:40:23So I'm a whore.

00:40:31Come on.

00:40:33Come on.

00:40:35Come on.

00:40:37Come on.

00:40:43Philippe.

00:40:57Noelle, please.

00:40:59Stop this torture.

00:41:01I hate you, you vicious man.

00:41:04Get out of here.

00:41:06I'll never take you away again. I promise.

00:41:08I don't care.

00:41:10Now I'm dishonored.

00:41:13No, my love.

00:41:30You're the purest girl in the world.

00:41:35No.

00:41:49I love you.

00:41:51I'll never touch you.

00:41:54Philippe.

00:41:56I wanted to marry a virgin.

00:42:00Yes, my love.

00:42:02You'll marry a virgin, I promise.

00:42:11A virgin, Philippe.

00:42:14A virgin, I promise.

00:42:16Yes, my love.

00:42:19I promise.

00:42:22A virgin, Philippe.

00:42:25A virgin.

00:42:27A virgin.

00:42:32A virgin.

00:43:02A virgin.

00:43:32A virgin.

00:44:02A virgin.

00:44:32A virgin.

00:45:02A DEATH OR DIE CINEMATOGRAPHY

00:45:10Confusingly,

00:45:12I realized that it had been the gift of God

00:45:14to be revealed to me

00:45:16in my first adventure.

00:45:18So I was a woman,

00:45:20not to blame for falling and

00:45:22integer to prevent them to go away from me.

00:45:26Relax, relax.

00:45:33I'm in love.

00:45:39Don't worry, it'll pass.

00:45:42For the first time, I met a 40-year-old man.

00:45:47Really? How did it go?

00:45:49It went well.

00:45:55It's comfortable.

00:46:01That's it. It's over.

00:46:20Patrick!

00:46:26Patrick, hurry up, I'm going to be late.

00:46:28You're very nervous today.

00:46:30I still have to go to the baker's and try on my panther coat.

00:46:34Patrick, it's been an hour!

00:46:38Excuse me for a moment.

00:46:44They're dry. I'll be right back.

00:46:49A panther coat?

00:46:51My compliments.

00:46:52Your fiancé's business is flourishing.

00:46:54I'm going to make you a confession.

00:46:56I've changed.

00:46:57Again?

00:46:58Yes, but this time I met the man of my life.

00:47:01The last time too?

00:47:02Yes, but this time it's a man.

00:47:04A real one.

00:47:05Maurice knows what he wants.

00:47:06What does he do?

00:47:07I don't know. Maybe export or import or something like that.

00:47:10But he has a Mercedes, a chauffeur and two secretaries cut like Hercules.

00:47:15You're lucky.

00:47:17That's it, it's over. Do you like it?

00:47:19The main thing is that it suits Maurice.

00:47:23You see, it wasn't too long.

00:47:24No, no.

00:47:31Who is this young girl?

00:47:33She's a bit crazy, nice and she defends herself.

00:47:36I see.

00:47:41Do you know his friend?

00:47:42Maurice, the new one.

00:47:44If you agree to give us Maurice, I agree for ten bricks.

00:47:47But no question of coming back on your word.

00:47:50You know me, Fred. I've never given anyone.

00:47:53But Maurice has duplicated me and I don't forgive.

00:47:56It won't be easy because he's setting a trap in ten places.

00:48:00This can only be done at my place.

00:48:03But I warn you, Maurice is not my type.

00:48:06If you miss him, we both go there.

00:48:08That, that's up to me.

00:48:11You, you just have to tell me his habits.

00:48:16Well, here it is.

00:48:17He waits in the Mercedes while one of his bodyguards searches the apartment.

00:48:22Nothing escapes him except sleep.

00:48:25And he doesn't look under the bed?

00:48:27Of course.

00:48:29The bed has been adapted on a rectangular metal bed,

00:48:32in which a thin guy like you can slip.

00:48:39Are you okay?

00:48:41Perfect.

00:48:45It will be a children's game.

00:48:49Does he have a fire on him?

00:48:50Yes.

00:48:52He always puts it on the nightstand.

00:48:55But be careful.

00:48:57I repeat, it's a fast one.

00:48:59Take care of it.

00:49:00When he comes here, it will be his last trip.

00:49:57I beg you.

00:50:10No, no, leave it.

00:51:14Are you rare?

00:51:15My things.

00:51:16I'm overwhelmed.

00:51:18Even today I have little time.

00:51:20Let's not lose it then. Come.

00:51:24I came just for that.

00:51:33I'm expected.

00:51:35You can fuck your ass with your money.

00:51:37And fuck you with it.

00:51:39Ciao.

00:51:40I'll see you when you're calm.

00:51:42No, but who do you think you are?

00:51:44Do you think you're going to throw me like that?

00:51:46You looked at yourself.

00:51:47But you looked at yourself, Eddie.

00:51:49Did you see the valoche you have under your eyes?

00:51:51And your hair that is undone?

00:51:53And it would be loved for himself.

00:51:55And by a woman again.

00:52:07Go ahead, hit.

00:52:11Go ahead, go fuck her.

00:52:31You do not like me when I'm like that?

00:52:41You know I was in the skin.

00:52:43So why are you so rare?

00:53:15No, Fred, no.

00:53:30Bitch.

00:53:42You're really religious.

00:53:44Do not be crazy, my love.

00:53:46You still have five minutes to live.

00:54:12It is very useless to kill a man.

00:54:22While we can make them suffer with refinement.

00:54:25Rare pleasure and not the least.

00:54:32Hello, ladies.

00:54:33Hello, Nathalie.

00:54:35It's nice today.

00:54:37What a charming child.

00:54:39We can say that there are still young girls well raised.

00:54:51Hello, my father.

00:54:53Hello, my child.

00:54:54It's nice today.

00:55:12Excuse me, sir.

00:55:14I beg you, where can I put it?

00:55:17Could you put it up for me? I can not go out.

00:55:24First floor on the left.

00:55:42Open the door.

00:55:48I'm sorry.

00:55:50My brother is absent until tonight.

00:55:52And he locked me up.

00:55:56Where are your parents?

00:55:57On a trip.

00:55:58He'll be back in two years.

00:55:59Two years?

00:56:00Yes, but they left a long time ago.

00:56:02Come in.

00:56:04Just a moment.

00:56:06I do not want to disturb you.

00:56:07Not at all.

00:56:08I love visits.

00:56:14Sit down.

00:56:16Oh, excuse me.

00:56:17I'm so messy.

00:56:21Sit down.

00:56:26What can I offer you?

00:56:27Nothing, thank you.

00:56:28I'll be right out.

00:56:32What a shame.

00:56:34I'm so lonely.

00:56:36You never see anyone?

00:56:37Outside my window.

00:56:39But my brother is very strict.

00:56:41I never have the right to go out.

00:56:44He's a bit old-fashioned.

00:56:46In our time, young girls have so much freedom.

00:56:49It's true.

00:56:51But he says I'm too vulnerable.

00:56:55My poor child.

00:56:57You lacked tenderness.

00:56:59I can feel it.

00:57:00Tenderness?

00:57:01Exactly.

00:57:02You have become fair.

00:57:04I know young girls very well.

00:57:06I have a little niece of your age.

00:57:09You have to take good care of her.

00:57:11If you don't want her to get sick.

00:57:13Of course.

00:57:15We are so weak.

00:57:17So fragile.

00:57:20So sensitive.

00:57:23So defenseless.

00:57:26Oh, no.

00:57:27Please.

00:57:28Go on.

00:57:30We'll be better on the bed.

00:57:40Come.

00:57:41I need so much tenderness.

00:58:01My cheek hurts.

00:58:12My T-shirt, too.

00:58:14It's so warm.

00:58:24How old are you, young lady?

00:58:28How old are you, young lady?

00:58:30Fifteen.

00:58:31Fifteen?

00:58:32A year and a half.

00:58:34I have to go.

00:58:35Oh, no, please.

00:58:37I would have loved to introduce you to my brother.

00:58:44I would be so happy if they knew you.

00:58:47Here he is.

00:58:50What are you doing here?

00:58:52I was just walking down the street.

00:58:54Of course.

00:58:55What are you doing here?

00:58:57Who undressed you?

00:58:59Him.

00:59:00No, I swear.

00:59:02Him or not?

00:59:03Yes, him.

00:59:04Right, sir?

00:59:06Yes, it's me.

00:59:07But I have to explain.

00:59:08I have a little niece of his age and...

00:59:10Well, bravo.

00:59:11You will explain to the commissioner.

00:59:13Please.

00:59:14Not this.

00:59:18What else do you want me to do?

00:59:22She will remain marked all her life by this rape.

00:59:24I swear he didn't think of anything.

00:59:26And I'm ready to fix it.

00:59:33A nice trip will be forgotten.

00:59:35Maybe, but it will be very expensive, I'm afraid.

00:59:37I won't do anything.

00:59:38To the porter.

00:59:44There you go.

00:59:53You see?

00:59:54We have the money for the winter sports.

01:00:04Come on, brother, I deserve it.

01:00:22Hello, ladies.

01:00:26Hello, my sister.

01:00:30The weather is nice today.

01:00:38Hello, my brother.

01:00:42Hello, my sister.

01:00:46Hello, my brother.

01:00:51Hello, sir.

01:00:54The weather is nice today.

01:01:21It's easy to get tired of the simplest joys.

01:01:25A man knows very little as soon as you go around him.

01:01:28And so the idea came to me to put double lids.

01:01:38Boy.

01:01:42How much do I owe you?

01:01:448.50.

01:01:46Do you have anything else?

01:01:47I don't have any money.

01:01:48Boy, it's for me.

01:01:52I don't know how to thank you.

01:01:54I do.

01:01:55How?

01:01:56I say, I do.

01:01:57I know how you can thank me.

01:01:59But how, please?

01:02:01By coming tonight to the cocktail I give in honor of Muriel,

01:02:04the fiancée of my friend Daniel.

01:02:07You don't lack aplomb.

01:02:09You can come with me.

01:02:11I would be inconsolable, but brave.

01:02:16Tonight we go to the collection.

01:02:18If I don't finish too late, I might come.

01:02:20Goodbye.

01:02:21Goodbye.

01:02:23And now, let's organize the cocktail.

01:02:45My compliments, my cocktail was very successful.

01:03:13You're a beautiful woman.

01:03:17What an atmosphere.

01:03:19I'm sorry that your fiancée Muriel didn't come.

01:03:21And if she didn't come?

01:03:23Who?

01:03:24The girl.

01:03:25I would be inconsolable, but heroic.

01:03:31I'll see you in the kitchen.

01:03:41I finished so late, I didn't dare to come.

01:03:43You're welcome.

01:03:45The last guests are leaving.

01:03:47But come, I want you to witness what they did to my beautiful apartment.

01:03:52Look.

01:03:54You're very funny.

01:03:56I'd better save myself, because you're going to offer me to help you.

01:03:59A more serious job awaits you.

01:04:01Which one?

01:04:02That of consoling Daniel, because his fiancée didn't come.

01:04:05I thought it was in his honor.

01:04:07You see how women are.

01:04:09And now, the real party will begin.

01:04:11Special cuvee.

01:04:13Champagne?

01:04:15Yes.

01:04:21Music.

01:04:25To your loves.

01:04:27To ours.

01:05:09Daniel.

01:05:11Muriel.

01:05:13My name isn't Muriel, I'm Sophie.

01:05:17Who's Sophie?

01:05:19Oh, it's funny.

01:05:23Daniel.

01:05:25Daniel.

01:05:27Daniel.

01:05:29Daniel.

01:05:31Daniel.

01:05:33Daniel.

01:05:35Daniel.

01:05:37Daniel.

01:06:07Daniel.

01:06:37Daniel.

01:06:39Daniel.

01:06:41Daniel.

01:06:43Daniel.

01:06:45Daniel.

01:06:47Daniel.

01:06:49Daniel.

01:06:51Daniel.

01:06:53Daniel.

01:06:55Daniel.

01:06:57Daniel.

01:06:59Daniel.

01:07:01Daniel.

01:07:03Daniel.

01:07:05Daniel.

01:07:07Daniel.

01:07:09Daniel.

01:07:12Ah, Stephen.

01:07:22Stephen.

01:08:00I

01:08:27Know

01:08:30Yes

01:08:40Say Daniel

01:09:00Oh

01:09:30I

01:10:00Mean

01:10:30Oh

01:11:00I

01:11:30Oh

01:11:49You know about the don't oh

01:11:52Now pure Jennifer could get a nap a seat right near

01:11:55pure Jennifer is a tastelessly

01:11:58By a savoir le monde entier

01:12:01La femme en a peut-être plus de chances

01:12:05Avec sa séduction c'est mensonge c'est piège

01:12:11Aller et ce monde j'ignore tout de ça et puis tu sais avec toi je serai toujours perdante

01:12:19Se qui veut dire

01:12:21Do you remember the time when you kept calling me a...

01:12:25What did you call it? Oh, yes, a whore.

01:12:28So I made it all up, like with Razan.

01:12:31But unlike her, I couldn't remember a single night.

01:12:35Aren't all these stories true?

01:12:38No.

01:12:43Are they?

01:12:48No.

01:12:52And you drag me straight into the trap I set for you.

01:12:56And where I'll be, dear prisoner,

01:12:59holding you back for my own good and for your own evil.

01:13:17Hello, sir. Do you have a room, please?

01:13:21You're lucky. There's only one left, and it's the most beautiful.

01:13:24We'll show it to you right away.

01:13:38There you go.

01:13:44I hope it doesn't bother you, but the bed is square.

01:13:51Yes.

01:14:02You won't come to my place again?

01:14:05Yes, but on one condition.

01:14:07What condition?

01:14:09That you leave that horrible Liron, whom I hate.

01:14:13I'll leave him, and he'll continue to make himself hellish.

01:14:18Won't our love seem a little faint after all these adventures?

01:14:23Don't be silly.

01:14:27You'll only love me?

01:14:29Yes, of course.

01:14:31Forever?

01:14:33Yes.

01:14:35Forever.

01:14:40Come on, tell me.

01:14:44Well, here it is.

01:14:48Last night we went to Irene's friends' in the countryside.

01:14:51I'm sure my imagination has surpassed in perversity

01:14:54the insignificant games they would have liked to involve us in.

01:14:57Oh, yes, the pensioners of the house.

01:14:59A very modern convent.

01:15:01In any case, very charming.

01:15:03And here are your beautiful dreams.

01:15:07So I undressed them from my gaze

01:15:10and folded their bodies to the lubricant fantasies of my whims.

01:15:40THE END

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