"Prenez la queue comme tout le monde" est une comédie érotique franco-italienne réalisée par Jean-François Davy et sortie en 1973. Voici les principales informations sur ce film :
Genre : Il s'agit d'une comédie érotique, un genre populaire dans les années 70 en France et en Italie
.
Réalisateur : Le film a été réalisé par Jean-François Davy, un cinéaste français connu pour ses films érotiques de cette époque
.
Synopsis : L'histoire tourne autour de Gilles, un vendeur de voitures et dragueur invétéré, dont la vie est compliquée par ses nombreuses maîtresses. Deux d'entre elles occupent même son appartement, et sa secrétaire est également impliquée dans ses aventures
.
Production : C'est une co-production franco-italienne, reflétant la collaboration fréquente entre ces deux pays dans le cinéma de l'époque
.
Contexte : Ce film s'inscrit dans la vague des comédies érotiques des années 70, qui mêlaient humour et scènes légères pour attirer le public.
Genre : Il s'agit d'une comédie érotique, un genre populaire dans les années 70 en France et en Italie
.
Réalisateur : Le film a été réalisé par Jean-François Davy, un cinéaste français connu pour ses films érotiques de cette époque
.
Synopsis : L'histoire tourne autour de Gilles, un vendeur de voitures et dragueur invétéré, dont la vie est compliquée par ses nombreuses maîtresses. Deux d'entre elles occupent même son appartement, et sa secrétaire est également impliquée dans ses aventures
.
Production : C'est une co-production franco-italienne, reflétant la collaboration fréquente entre ces deux pays dans le cinéma de l'époque
.
Contexte : Ce film s'inscrit dans la vague des comédies érotiques des années 70, qui mêlaient humour et scènes légères pour attirer le public.
Category
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FunTranscript
00:00:00♪
00:00:23RINGTONE
00:00:30Oh, yes, yes, yes.
00:00:34RINGTONE
00:00:47Gilles Pilar?
00:00:48It's me.
00:00:49You have won the first prize of the Baratiner contest,
00:00:51organized by Radio Plus.
00:00:53Oh, that's great.
00:00:54What's the first prize?
00:00:55It's me.
00:00:59I thought the first prize was a safari in Kenya.
00:01:03Oh, it was Tibarata.
00:01:05And what was the second prize?
00:01:07A seminarist.
00:01:08You caught him, Belle.
00:01:10Notice me too, because the winner of the second prize is a retired colonel.
00:01:14Where's the bathroom?
00:01:15In the bedroom.
00:01:17Oh, okay.
00:01:18Bye, Belle.
00:01:21RINGTONE
00:01:46Ed!
00:01:48Who?
00:01:51RINGTONE
00:01:54Well, since we have to go, let's go.
00:01:56Ah!
00:01:57RINGTONE
00:02:21RINGTONE
00:02:51RINGTONE
00:03:21RINGTONE
00:03:36RINGTONE
00:03:39Oh, shit, shit, you're still late.
00:03:41You should have been on time.
00:03:51RINGTONE
00:04:18Hello, Suzette.
00:04:19This gentleman has been waiting for you for a long time.
00:04:21I think he's arrived.
00:04:22Oh, yes, you're the one who called me for your Chrysler.
00:04:24It's hard to find Chryslers these days.
00:04:26Oh, yes, it's normal. People prefer small cars.
00:04:28For the traffic jams, it consumes too much.
00:04:30Yes.
00:04:31It's beautiful, isn't it?
00:04:32The paint is a bit dull.
00:04:34Let's see the engine.
00:04:40No, no, no, no.
00:04:41It's tired.
00:04:42There's a carburetor that's knocking.
00:04:43Probably a piston has changed.
00:04:45It's okay, it's barely 20,000 kilometers.
00:04:47But the mechanics of today are no longer what they used to be.
00:04:49I don't know if I'm going to be able to take it.
00:04:52The tires are worn out.
00:04:54Yes, I absolutely have to sell it.
00:04:56I lost a big sum in the game,
00:04:58and I have to pay this afternoon.
00:05:005,000.
00:05:01That's all I can offer you.
00:05:02It's because you're nice.
00:05:035,000?
00:05:04It's worth more than a million.
00:05:06Here's my card.
00:05:07Goodbye, sir.
00:05:09Thank you again.
00:05:10You're welcome.
00:05:13Hello, Jules.
00:05:14Hello.
00:05:15Did you get my parts?
00:05:16Yes, I did.
00:05:17The exhaust pipe for the 304,
00:05:18the hood for the DS,
00:05:19the gallery,
00:05:20the tires for the R16,
00:05:21and the door for the Mustang.
00:05:22That's all, my friend.
00:05:23Anything else?
00:05:24Yes.
00:05:25Two fog lights for a Tonus,
00:05:26and a DS right wing.
00:05:27For the color,
00:05:28you go to the car,
00:05:29and in the back of the garage,
00:05:30you go to the workshop.
00:05:31Let's go out together tonight.
00:05:32There's interest.
00:05:33I want to do the Java.
00:05:34Eight o'clock,
00:05:35eight o'clock sharp.
00:05:36Okay, there will be Xavier.
00:05:37It's not true.
00:05:38I haven't seen this guy.
00:05:39Don't worry.
00:05:40We'll find girls.
00:05:42Hello, sir.
00:05:43I'm looking for a car.
00:05:45A new car.
00:05:46A recent opportunity.
00:05:47You're lucky.
00:05:48We just finished
00:05:49a Chrysler.
00:05:50One year old,
00:05:51but it's like new.
00:05:52It's a little big.
00:05:53What do you mean?
00:05:54Are you married?
00:05:55No, I mean divorced.
00:05:56Exactly.
00:05:57Why?
00:05:58Have you ever tried
00:05:59to flirt with a two-horse?
00:06:00Believe me,
00:06:01a Chrysler,
00:06:02no woman can resist it.
00:06:03Do you want to see it?
00:06:04Look for yourself.
00:06:05The paint is impeccable.
00:06:06The tires are new.
00:06:07It has just been driven.
00:06:08And we have completely revised it.
00:06:09Listen to the engine.
00:06:10I've never seen anything like it.
00:06:11And how much is it?
00:06:1213,000.
00:06:13Give it to me.
00:06:14And believe me,
00:06:15you won't regret it.
00:06:16Thank you very much.
00:06:17By the way, are you insured?
00:06:18No.
00:06:19Then I can give you
00:06:20an exceptional discount.
00:06:21You'll see,
00:06:22Xavier Monfort is a friend of mine.
00:06:23He's right next door.
00:06:24Here's his card.
00:06:25Here's mine.
00:06:26And don't forget,
00:06:27each customer is a friend.
00:06:28Thank you very much,
00:06:29Mr. Leroy.
00:06:30Goodbye.
00:06:31Goodbye.
00:06:32Goodbye.
00:06:33Goodbye.
00:06:34Goodbye.
00:06:35Goodbye.
00:06:36Goodbye.
00:06:37Goodbye.
00:06:38Goodbye.
00:06:40Goodbye.
00:06:41Alright, we work together anyway.
00:06:45It's disgusting.
00:06:46Sorry?
00:06:47I said, it's disgusting.
00:06:48What's disgusting?
00:06:49The way you bribe all those people.
00:06:52I don't understand, Suzette.
00:06:53You would bribe your own mother
00:06:56for money, money, money.
00:06:57Don't overreact.
00:06:58I do business,
00:06:59and business is business.
00:07:00Well, then, I find that disgusting.
00:07:03It's been a long time
00:07:04since I've been so displeased.
00:07:05Well, I said it.
00:07:06That's funny, Suzette.
00:07:07But I'll show you that when you work with me, you're the accomplice of my business.
00:07:10Precisely. I don't want to work for you anymore.
00:07:12And besides, I've had enough.
00:07:13I'm leaving right now. You're a rude and vulgar character.
00:07:17That's it! And don't forget to send me my cheque.
00:07:19I came to see Mr. Monfort on behalf of Mr. Pilar.
00:07:22I came to insure my car.
00:07:23And a nice Chrysler.
00:07:24Sit down.
00:07:27Mr. Monfort is busy.
00:07:29He will receive you in a moment.
00:07:30It's perfect. Thank you.
00:07:31No, it's nice.
00:07:33I know you're angry.
00:07:37But you don't want to see me angry, do you?
00:07:39No.
00:07:40No.
00:07:41Oh, my God.
00:07:43You don't want to see me angry, do you?
00:07:45No.
00:07:46Yes, you still want to see me angry.
00:07:47Tell me.
00:07:48Yes.
00:07:49I'm afraid of your back.
00:07:51Yes.
00:07:54Oh, you don't want to give me more blood?
00:07:56No.
00:08:02Oh!
00:08:04Mmm!
00:08:05Oh!
00:08:06Not again!
00:08:16I...
00:08:17I can come back another day.
00:08:19But Mr. Monfort only has a few minutes.
00:08:21What do you want?
00:08:23Oh!
00:08:24Oh!
00:08:29Oh!
00:08:30Oh, yes.
00:08:32Oh, yes, I want it.
00:08:33I want it.
00:08:37Nice weather today.
00:08:38Yes, the atmosphere is warm.
00:08:40Oh, yes.
00:08:41That we can say.
00:08:43I know you want it.
00:08:45Oh, my little insurer.
00:08:47Oh, my back.
00:08:49Oh, my back.
00:08:51Oh, these modern buildings.
00:08:53Oh, the bastard!
00:08:54Sorry?
00:08:55I say, ah, these modern buildings.
00:08:57Ah.
00:08:58Yes.
00:08:59Well, you're going to explain your flight problem to me, Mrs. Collard,
00:09:01because I don't have much time left.
00:09:02Well, it's very simple.
00:09:03When I get out of my house,
00:09:04I leave the taps of my bathtub open, don't I?
00:09:07And so the neighbors below find themselves in a whirlpool.
00:09:11Don't worry, I'll fix that.
00:09:13And above all, don't cause too much trouble,
00:09:15just for the pleasure of seeing me.
00:09:16Of course, I'll come back like this.
00:09:18For pleasure.
00:09:19Oh, it's you.
00:09:20Oh!
00:09:21Jean, my husband.
00:09:22Well, if you want to follow me to my office,
00:09:24I'll take care of you right away.
00:09:25Not too much, though,
00:09:26because I came only for my car.
00:09:28Come on.
00:09:29Come on.
00:09:30Come on.
00:09:31Come on.
00:09:32Come on.
00:09:33Come on.
00:09:34Come on.
00:09:35Hello?
00:09:36Ah, yes, it's me, Xavier.
00:09:37Ah, tell me, I thank you for your client.
00:09:39A real pigeon.
00:09:40I insured him for life,
00:09:41against the great epidemics,
00:09:42for his car,
00:09:43and against his boss.
00:09:44You didn't forget the risks of war and the Asian flu?
00:09:46Ha, ha, ha, ha, ha.
00:09:47You should have insured him against stupidity and scams.
00:09:51Goodbye.
00:09:52Goodbye.
00:09:53Goodbye.
00:09:54It was Suzette.
00:09:55Tell me, I should think about my commissions.
00:09:56It's going to be a nice package now.
00:09:57Are we still dining with Max tonight?
00:09:58Ah, yes, yes.
00:09:59I'll see you later.
00:10:00We have an appointment at 8 o'clock at the Flore.
00:10:02Very good.
00:10:03So, see you later.
00:10:04Bye.
00:10:05No, Jean-Pierre.
00:10:06Would you like to do a few extra hours tonight?
00:10:08And well paid.
00:10:09Oh, I'm not saying no.
00:10:10My bike is killing me.
00:10:11So, you're talking.
00:10:12The money, I'm not looking for it.
00:10:13Even if it's not a regular train,
00:10:14I don't care.
00:10:15All right, then.
00:10:16Three lead,
00:10:17at the roundabout, as usual.
00:10:18No, all right.
00:10:19I'll be there.
00:10:20Oh, tell me, can I leave?
00:10:21Yes, but you finish that for me tomorrow.
00:10:22All right.
00:10:23Bye.
00:10:24You're so nice.
00:10:25I'm not saying no.
00:10:26All right, then.
00:10:27Come on.
00:10:28Bye.
00:10:29Bye.
00:10:31I'll see you later.
00:10:32All right, then.
00:10:33All right, then.
00:10:34See you later.
00:10:35Bye.
00:10:36Bye.
00:10:37Bye.
00:10:38Bye.
00:10:39Bye.
00:10:40Bye.
00:10:41Bye.
00:10:42Bye.
00:10:43Bye.
00:10:44Bye.
00:10:45Bye.
00:10:46Bye.
00:10:47Bye.
00:10:48Bye.
00:10:49Bye.
00:10:50Bye.
00:10:51Bye.
00:10:52Bye.
00:10:53You know, Jossy, when's the wedding?
00:10:57We're not in a hurry.
00:10:59When I think this guy is trying to steal my virginity,
00:11:02he's not even in a hurry to marry the most beautiful girl in Nevers.
00:11:05I'll show you that I promised her a wedding when she left you
00:11:08because you didn't want to marry her.
00:11:10You see, that was the best way to flirt with her, right?
00:11:12Exactly.
00:11:23You know, Jossy, when's the wedding?
00:11:26We're not in a hurry.
00:11:28When I think this guy is trying to steal my virginity,
00:11:31he's not even in a hurry to marry the most beautiful girl in Nevers.
00:11:34I'll show you that I promised her a wedding when she left you
00:11:37because you didn't want to marry her.
00:11:39I'll show you that I promised her a wedding when she left you
00:11:42because you didn't want to marry her.
00:11:44I'll show you that I promised her a wedding when she left you
00:11:47because you didn't want to marry her.
00:11:49I'll show you that I promised her a wedding when she left you
00:11:52because you didn't want to marry her.
00:12:18I forgot this one.
00:12:20What are we going to do?
00:12:22The bed is big, there's enough room for three.
00:12:26Are we going to sleep?
00:12:28Yes.
00:12:30The surprise of my wedding.
00:12:50The surprise of my wedding.
00:13:06What's going on?
00:13:08What's going on?
00:13:10What's going on?
00:13:12She's a friend, I met her.
00:13:14Monique Juliette.
00:13:16Leave me alone.
00:13:46Leave me alone.
00:14:16Leave me alone.
00:14:46Leave me alone.
00:15:16Leave me alone.
00:15:30Who are you?
00:15:32I'm her mother.
00:15:34I'm at home.
00:15:36I don't care.
00:15:38I should stop drinking.
00:15:40You won a big prize.
00:15:42A big prize?
00:15:44Yes, a big prize.
00:15:46What is it?
00:15:48You're both charming.
00:15:50I love you both.
00:15:52We'll be good friends.
00:15:54You're going home.
00:15:56We'll call each other soon.
00:15:58Here's my card.
00:16:02I need some rest.
00:16:04I'm waiting for the family from the province.
00:16:08What's going on?
00:16:10Hello.
00:16:12It's me, Christa.
00:16:14Do you recognize me?
00:16:16To be honest...
00:16:18Last night at the Whiskey at Gogo,
00:16:20you even kissed me.
00:16:22I helped you.
00:16:24You offered me work in your garage.
00:16:26Are you a mechanic?
00:16:28No, as a secretary to receive customers.
00:16:30I don't know...
00:16:32I told you.
00:16:34I don't think it's...
00:16:36You even gave me your card.
00:16:38No doubt.
00:16:56Hello, sir.
00:16:58Ladies and gentlemen,
00:17:00what can I do for you?
00:17:02We'd like to buy a car.
00:17:04A Simca 1000, not too expensive.
00:17:06No.
00:17:08You promised me a truck.
00:17:10A truck?
00:17:12I don't drive in a small car.
00:17:14There's no small car,
00:17:16so a truck.
00:17:18A small truck,
00:17:20in red.
00:17:22A small blue truck.
00:17:24We have exactly what you need,
00:17:26don't we, Gilles?
00:17:28You're in a state of irresistible vertigo.
00:17:30When you sink into it,
00:17:32you feel an irresistible pleasure.
00:17:34It's the force of the state.
00:17:36You can't resist it.
00:17:38The more you know it,
00:17:40the more you've practiced it,
00:17:42the more satisfied you'll be.
00:17:44It will answer your every desire.
00:17:46It will be totally submissive to you.
00:17:48I'll buy it.
00:17:50You're better at selling
00:17:52than at dactylography.
00:17:54I'll have to hire a real secretary.
00:17:56So you're already hiring me?
00:17:58No, I'm keeping you as a collaborator.
00:18:003,000 francs a month.
00:18:02That's great!
00:18:083,500 francs.
00:18:10Don't worry, I'm at your place.
00:18:12Max, an old friend of mine,
00:18:14Christa, my new collaborator.
00:18:16Nice to meet you.
00:18:18I brought you the parts you asked for.
00:18:20I need a hood and a 4L door.
00:18:22Can you find it for me?
00:18:24I'll bring it to you in ten minutes.
00:18:26No, for tomorrow morning.
00:18:28Goodbye, old man.
00:18:30I had a very nice friend.
00:18:32He always took me to the movies.
00:18:34I didn't like the movies.
00:18:36I always wanted to see
00:18:38cowboy movies with gangsters,
00:18:40blood, fighting.
00:18:42But there were giant Eskimos.
00:18:44And on the way back,
00:18:46they made a lot of noise.
00:18:48Like wild boars.
00:18:50And he bought his own motorbike.
00:18:52That damn motorbike.
00:18:54There was nothing left for it.
00:18:56My Jules is ugly and old.
00:18:58When he makes love to me,
00:19:00sometimes I wait at least 20 minutes
00:19:02before he comes.
00:19:04So I look at the ceiling and I count.
00:19:06Sometimes I laugh.
00:19:08I think he's as red as a locomotive.
00:19:10I don't like it at all.
00:19:12He tells me, stop kidding,
00:19:14you make me lose my means.
00:19:16You talk about means.
00:19:18But he's loaded with money.
00:19:20He has a big garage.
00:19:22With him, I have everything I want.
00:19:24When I hesitate to let him go.
00:19:26We'll meet here in 3 hours.
00:19:28He won't say anything.
00:19:30And he makes love.
00:19:32Look, he's funny.
00:19:42Hello, Max.
00:19:44Hi, Juliette.
00:19:46Is Pierre here?
00:19:48He's working on his motorbike.
00:19:50We'll see about that.
00:19:52Don't bother me.
00:19:54It's a pleasure to talk to you.
00:19:56You're nice, you know.
00:19:58I'm going.
00:20:06So it's you?
00:20:08What? It's you?
00:20:14Can't you stop for a minute?
00:20:16I want to talk to you.
00:20:18I'm busy.
00:20:20Jean-Pierre, I need you.
00:20:22Me too.
00:20:24I need a new carburettor.
00:20:26And I need some money.
00:20:28You can give me some money.
00:20:30I don't have any.
00:20:32With my motorbike.
00:20:34What's wrong with you?
00:20:36I'm trying to speak the same language as your motorbike.
00:20:38I forbid you to make fun of her.
00:20:40Jean-Pierre, I love you.
00:20:42I love my motorbike.
00:20:44Bastard.
00:20:46You're stupid.
00:20:48I don't care.
00:20:50I don't love him.
00:20:52I'm going to see him.
00:21:04What's wrong with me?
00:21:10He's completely crazy.
00:21:12He doesn't like me anymore.
00:21:14His motorbike, his motorbike.
00:21:16Nervous.
00:21:18Poor guy.
00:21:22He's crazy.
00:21:24There are millions of guys like him.
00:21:28Oh, Max.
00:21:36Mom.
00:21:40Mom.
00:21:42Mom.
00:22:02It's me.
00:22:06Bastard.
00:22:08Max.
00:22:12It's me.
00:22:14It's me.
00:22:16It's me.
00:22:20Bastard.
00:22:26Goodbye, Max.
00:22:28Have a nice stay.
00:22:30You can always count on me.
00:22:42I love you.
00:23:00Where have you been, little bitch?
00:23:02For a week.
00:23:04You've been spending my money with thugs.
00:23:06And now I'm like an idiot.
00:23:08I have to go see the whores.
00:23:10I'm sick of you.
00:23:12You're going to be mine.
00:23:14You're going to be mine.
00:23:24Mr. Director.
00:23:26The representative of the oil company is waiting for you.
00:23:28Can I let him in?
00:23:30What are we going to do now?
00:23:32He's probably going to fire us.
00:23:34We don't have any money left.
00:23:36We're not going to give up.
00:23:38We're going to work hard.
00:23:40And we're going to work hard.
00:23:44You're still here?
00:23:46Yes, my dear.
00:23:48You're not going to leave us like that.
00:23:50Without you, we're lost.
00:23:52Okay, you stay here tonight.
00:23:54But tomorrow we'll have to find a solution.
00:23:56I came to get my card.
00:23:58I don't even have time to eat.
00:24:00Really?
00:24:02I'll get something ready right away.
00:24:04Sit down.
00:24:06La, la, la, la.
00:24:08Sit down.
00:24:10Here you go, sir.
00:24:12Shit!
00:24:14It's cooked.
00:24:20One more time.
00:24:22Beautiful drinker.
00:24:26Do you need anything, sir?
00:24:28Some mustard?
00:24:30Is it good?
00:24:32It's beautiful.
00:24:34Here you go.
00:24:36Why don't you have a car?
00:24:38I'm not crazy.
00:24:40I drive all day.
00:24:42Does it make a lot of money?
00:24:44It's okay.
00:24:46You're lucky.
00:24:48We don't have a penny left.
00:24:52I understand.
00:24:56It's okay.
00:24:58You're so nice.
00:25:00Here, drink.
00:25:02You're a real man.
00:25:32You're a real man.
00:26:02You're a real man.
00:26:32You're a real man.
00:27:02You're a real man.
00:27:04You're a real man.
00:27:06You're a real man.
00:27:08You're a real man.
00:27:10You're a real man.
00:27:12You're a real man.
00:27:14You're a real man.
00:27:16You're a real man.
00:27:18You're a real man.
00:27:20You're a real man.
00:27:22You're a real man.
00:27:24You're a real man.
00:27:26You're a real man.
00:27:28You're a real man.
00:27:30You're a real man.
00:27:32You're a real man.
00:27:34You're a real man.
00:27:36You're a real man.
00:27:38You're a real man.
00:27:40You're a real man.
00:27:42You're a real man.
00:27:44You're a real man.
00:27:46You're a real man.
00:27:48You're a real man.
00:27:50You're a real man.
00:27:52You're a real man.
00:27:54You're a real man.
00:27:56You're a real man.
00:27:58I beg you, don't do that.
00:28:00I love you too much.
00:28:02And it's dangerous.
00:28:04You could have a child.
00:28:06Stop it.
00:28:12Disgusting.
00:28:18Françoise.
00:28:20Françoise. Françoise.
00:28:22She's not here.
00:28:24Six o'clock.
00:28:26The parents are coming.
00:28:28Get up.
00:28:30Get up.
00:28:48Hello.
00:28:50Excuse me.
00:28:52How are you, Biston?
00:28:53I'm fine. I wasn't expecting you so early, but it's already 8 o'clock.
00:28:56Yes, we took the train at 3.10 pm. I had a few things to take care of in Paris.
00:29:00Always so messy. You'll never change.
00:29:04Do you really need a wife? I don't know, it doesn't suit you.
00:29:07Speaking of your fiancée Françoise, she called us before we left.
00:29:11She decided to spend a few days in Paris,
00:29:13so she asked you to pick her up tonight at 10 o'clock at the station.
00:29:18What is this?
00:29:20It's not mine.
00:29:22I doubt it.
00:29:23Are you serious?
00:29:24Yes, what is it?
00:29:25What is this?
00:29:26What is this?
00:29:27Do you want to drink something?
00:29:28Yes, I'd like a cup of coffee.
00:29:30I'd rather...
00:29:31No, no, no!
00:29:32Don't move!
00:29:48Ouch!
00:30:01Oh my God!
00:30:02Oh my God!
00:30:03Oh my God!
00:30:04Oh my God!
00:30:05Oh my God!
00:30:11A moron!
00:30:12That's what you are!
00:30:13And yet, because of your education, you gave up everything!
00:30:15In the apartment of my own mother!
00:30:17It's a shame!
00:30:18Yes, it's a shame.
00:30:19But you're going to leave this apartment quickly.
00:30:21We'll take it back.
00:30:22Come on, Simone.
00:30:23Let's go home.
00:30:24We've seen enough.
00:30:25Let's go to the hotel.
00:30:26It's worth it what you're doing to us.
00:30:28I'd rather die than suffer like this.
00:30:31Come on, Simone.
00:30:32Let's hurry.
00:30:33We have to go.
00:30:34And I want you to leave by the end of the month.
00:30:36Do you understand?
00:30:37Goodbye.
00:30:39Oh my God!
00:30:40Be quiet, Simone, please.
00:30:46Oh my God!
00:30:48Oh my God!
00:31:00I'm sorry I didn't promise.
00:31:01Yes.
00:31:02Well, it's nice here.
00:31:03It's charming.
00:31:04Perfect.
00:31:05How do you feel, Simone?
00:31:07How do you want me to feel?
00:31:09After what happened?
00:31:10Oh my God!
00:31:11These young people!
00:31:12No, but really!
00:31:13They don't have any sense of morality anymore.
00:31:15When I think that we've taught them a good job,
00:31:17that we've paid them their fare.
00:31:19And here's the result.
00:31:20Yes, my poor friend.
00:31:21But times have changed.
00:31:22Oh my God!
00:31:23What are you doing?
00:31:24What are you doing, Albert?
00:31:25You see what you're doing?
00:31:27But since when?
00:31:28Since when?
00:31:29And just today?
00:31:30Oh, thank you, Simone.
00:31:31Well, let's go.
00:31:32Let's go to dinner.
00:31:33Here, Claude.
00:31:34Good evening.
00:31:35Who told you I was here?
00:31:36Xavier, the insurer.
00:31:37He's a friend.
00:31:38The world is small, isn't it?
00:31:39Indeed.
00:31:40Can we come in?
00:31:41Let's sit together.
00:31:42If you want, but I think I'm in love.
00:31:43With me?
00:31:44No, not you.
00:31:45Gilles, my new boss.
00:31:46Oh, that's very good.
00:31:47That's even perfect.
00:31:48So, I was in love with Gilles.
00:31:49And you?
00:31:50And you?
00:31:51And you?
00:31:52And you?
00:31:53And you?
00:31:54And you?
00:31:55And you?
00:31:56And you?
00:31:57And you?
00:31:58And you?
00:31:59And you?
00:32:00And you?
00:32:01And you?
00:32:02And you?
00:32:03And you?
00:32:04And you?
00:32:05If I'm in love with you, I ain't dead.
00:32:06And if I'm not in love with you, I ain't dead.
00:32:07Exactly.
00:32:08I've been in love with you for four years.
00:32:09And you fell in love with a guy you haven't even met for 24 hours.
00:32:10Yeah, that's like it.
00:32:11We can at least spend the night together, can't we?
00:32:12Certainly.
00:32:13It doesn't stop me from being your friend.
00:32:15Anointed!
00:32:16Gilles!
00:32:17We have to go to the hotel.
00:32:20My parents have taken the apartment back.
00:32:24The painters arrived this morning.
00:32:28Is it a little dinny?
00:32:31You know, what matters to me is to be with you.
00:32:33Where do you live?
00:32:34At a friend's house, in the meantime.
00:32:36That's funny.
00:32:37I called his parents this morning and he didn't tell me anything.
00:32:39If my father only knew that we live in the same room before the wedding,
00:32:43he'd kill me.
00:32:44Tell me, you know that your father is not at all dangerous.
00:32:45He'd be a hothead.
00:32:47At work, he hasn't stopped flirting with me,
00:32:48inviting me to the clubs, to dinners, everywhere.
00:32:50Dad?
00:32:51Yes, dad.
00:32:53At the...
00:32:54Tell me, by the way,
00:32:55when is our wedding?
00:32:57Oh, you know, I don't know, we could do it in May or in spring.
00:33:00It's beautiful in the summer.
00:33:02Not before.
00:33:03I'm lucky to live in the province.
00:33:05I really want to come to Paris.
00:33:06You don't eat anymore?
00:33:07No.
00:33:08And you, how's work?
00:33:09Oh, you're here with the office, it's always the same thing.
00:33:12Yes, the subway, work, sleep.
00:33:14In any case, there's no subway in the world, you're lucky.
00:34:00It's beautiful, isn't it?
00:34:01Yes, it's beautiful.
00:34:02It's beautiful.
00:34:03It's beautiful.
00:34:04It's beautiful.
00:34:05It's beautiful.
00:34:06It's beautiful.
00:34:07It's beautiful.
00:34:08It's beautiful.
00:34:09It's beautiful.
00:34:10It's beautiful.
00:34:11It's beautiful.
00:34:12It's beautiful.
00:34:13It's beautiful.
00:34:14It's beautiful.
00:34:15It's beautiful.
00:34:16It's beautiful.
00:34:17It's beautiful.
00:34:18It's beautiful.
00:34:19It's beautiful.
00:34:20It's beautiful.
00:34:21It's beautiful.
00:34:22It's beautiful.
00:34:23It's beautiful.
00:34:24It's beautiful.
00:34:25It's beautiful.
00:34:26It's beautiful.
00:34:27It's beautiful.
00:34:28It's beautiful.
00:34:29It's beautiful.
00:34:55Ow.
00:34:56What was that?
00:34:57No, no, no.
00:34:59No, no, let me in, please.
00:35:03The old woman knocked on my door.
00:35:07I live upstairs.
00:35:10My name is Lulu La Maricole.
00:35:13Funny.
00:35:14I don't have a round.
00:35:16I was knocked on the door of all the bistros in the neighborhood.
00:35:19Hello, Miss.
00:35:20That's my little sister.
00:35:21Where did you find her?
00:35:26Why does she walk like that?
00:35:30She didn't have the right to take my pinard from me.
00:35:33That's all I have left in the world.
00:35:37I'm sure I'm going to die of it.
00:35:40So what?
00:35:41I don't care.
00:35:43Life pisses me off.
00:35:49Long live the pinard!
00:35:56We're going to play a game.
00:35:57Are you hungry?
00:35:58Everything I tell you.
00:35:59Okay, okay.
00:36:08Take off my jacket.
00:36:14Come closer.
00:36:18Kiss me.
00:36:20Kiss me.
00:36:26Take off your jacket.
00:36:39On your knees.
00:36:42Take off my bar.
00:36:51Kiss my knee.
00:36:57Raise your lips along my thigh.
00:37:05Take off my jacket.
00:37:21Take off my thighs.
00:37:32Come closer to my belly.
00:37:50Stop it.
00:38:20Take off my jacket.
00:38:22Kiss me.
00:38:24Kiss me.
00:38:50Kiss me.
00:39:17Françoise.
00:39:20I have to save myself to go to work.
00:39:23I'll see you here at noon for lunch.
00:39:26Okay.
00:39:27Okay, darling.
00:39:34Excuse me, sir.
00:39:35Could you show me the sidewalk over there, please?
00:39:37It's over there.
00:39:39You're a liar.
00:39:40I'm coming back.
00:39:41I was told it was here.
00:39:49I'll be back.
00:40:07Stand up.
00:40:08Stand up.
00:40:09No.
00:40:10No.
00:40:11No.
00:40:12No.
00:40:13No.
00:40:14No.
00:40:15No.
00:40:16No.
00:40:18No.
00:40:19No.
00:40:20No.
00:40:21No.
00:40:22No.
00:40:23No.
00:40:24No.
00:40:25No.
00:40:26No.
00:40:40The operation is over.
00:40:42My parents have the apartment.
00:40:43There's no way I'm staying here.
00:40:45Alright, then we're leaving.
00:40:46You're going to regret it, and tonight you'll be all alone again.
00:40:49How sad.
00:40:50What am I going to do about it?
00:40:52We can take it to the found objects.
00:40:54We could kidnap it to ask for a marriage to a good woman.
00:41:07Excuse me, I must have misplaced the floor.
00:41:10Could you get me out of here, please?
00:41:13What's that?
00:41:15Nine o'clock. I'm going to be late again.
00:41:17What a hysterical woman.
00:41:25What the hell?
00:41:34Tell him, Gilles, I brought you the hood and the door of the R4.
00:41:37You'll see, it's as good as new.
00:41:38Bravo. If people were as honest as you, the world would be better.
00:41:42Hello.
00:41:45Hello. I was waiting for you last night.
00:41:48Yes, I was stuck in a meeting. I couldn't go back to the garage.
00:41:51I was worried. You should have called me.
00:41:54You could have called me. It's easier for work.
00:41:57And for private life, too.
00:41:59Now, back to work.
00:42:01Mr. Clement called to order your lunch for this afternoon.
00:42:04Oh, yes, I had completely forgotten about that one.
00:42:06I took the opportunity to keep two blankets for an hour at the foot of Mouton.
00:42:09At the foot of Mouton?
00:42:11Yes, to invite you to lunch.
00:42:13Lunch for lunch. That's nice.
00:42:15Very nice, yes.
00:42:17I have a letter to dictate. Are you ready?
00:42:19Go ahead.
00:42:20Addressed to Mr. President, General Director of the Renault Establishments,
00:42:23117th Avenue, Grand Armée, Paris 17th.
00:42:26You little bastard. I'm fed up with your fucking hood.
00:42:30Yes, yes. Write.
00:42:32I have the unpleasant impression that you're making fun of me and that you don't realize it.
00:42:39Hey, if we're still here tonight, we're going to have a bad quarter of an hour.
00:42:42Unless...
00:42:43Unless what?
00:42:45We should make him guilty. Responsible.
00:42:48Yes, but how?
00:42:50I suppose one of us will break his leg.
00:42:52With these fucking steps, it could happen.
00:42:54We're not going to break a leg to stay here.
00:42:56Especially if he has to move in in a few days.
00:42:58Or we can pretend. The place doesn't cost much.
00:43:00And he won't dare to knock on the door.
00:43:02Excellent idea.
00:43:03What are we going to do?
00:43:10Gilles?
00:43:11Hello, my dear. Did you sleep well?
00:43:13Yes.
00:43:15You know, I won't be able to have lunch with you.
00:43:17I have a meeting with a very important client this afternoon.
00:43:19Oh, no. No way.
00:43:22I'll take care of you. You're going to have lunch.
00:43:24Yes, come on. I've had enough of this crazy girl.
00:43:29Tonight I have a meeting with a very important client.
00:43:31Are you taking me?
00:43:32Impossible. He's misogynistic.
00:43:34The mere sight of a woman annoys him so much that he automatically raises the prices.
00:43:37What a shame. And you work with people like that?
00:43:39What do you want? Business is business.
00:43:42I have to make money for us, for our house, for our children.
00:43:46You're adorable, my dear.
00:43:50I'll probably be back very late.
00:43:52Take the opportunity to go to the theater. I'll be bored.
00:43:54I'll wake you up when I get back.
00:43:55Oh, okay.
00:43:57I'm not hungry anymore. I ate too much.
00:43:58I'll make you try the stuffed turtle. It's delicious.
00:44:02You know, I'm not very hungry.
00:44:04Yes, you're going to love this.
00:44:06And after that, two Toulouse cassoulet.
00:44:08They make it themselves.
00:44:10And a bottle of Sylvanaire to start with.
00:44:15If I hadn't invited you, I'm sure you'd be content with a sandwich.
00:44:20I'll be back in a minute.
00:44:27I'm looking for another apartment.
00:44:30I have to leave mine for the end of the month.
00:44:32Why?
00:44:33If you want, I can look at the ads in the newspapers.
00:44:35If you want.
00:44:36And if you can't find anything, I can ask a friend.
00:44:38But I'm a little bored. He's very in love with me.
00:44:41He runs a real estate agency.
00:44:42And you, do you love him?
00:44:43Me? No.
00:44:44I'm single and completely free.
00:44:47By the way, what are you doing tonight?
00:44:49Tonight? Nothing special.
00:44:52So, you're my...
00:44:53Yes.
00:44:54Guest.
00:44:55Yes, okay.
00:44:56Okay.
00:45:00Hello.
00:45:01What can I do for you?
00:45:02I'd like to see Mr. Claude Mouret.
00:45:04Who is he?
00:45:05Christa.
00:45:06Christa what?
00:45:07I'm a friend.
00:45:08No kidding.
00:45:09You have a lot of friends.
00:45:11Wait, I'll see if they can see you.
00:45:16Sir.
00:45:19Concerning apartment 628 Boulevard Raspail,
00:45:23where you asked me to rent it,
00:45:27I have the honor to inform you that I found the buyer
00:45:31in the person of Mr. Charvin.
00:45:34Employee of the Funeral Home...
00:46:23Mr. Charvin.
00:46:54Ah!
00:46:55Ah!
00:46:56Ah!
00:46:57Ah!
00:46:58Ah!
00:46:59Ah!
00:47:00Ah!
00:47:01Ah!
00:47:02Ah!
00:47:03Ah!
00:47:04Ah!
00:47:05Ah!
00:47:06Ah!
00:47:07Ah!
00:47:09Mr. Mouret is waiting for you.
00:47:12Oh, Christa.
00:47:13My secretary could have told me it was you who was there.
00:47:16It would have been better.
00:47:17If he had acted as a client, he would have been edified.
00:47:20You didn't come to make me jealous, did you?
00:47:22No.
00:47:23I came here to ask you if you had an apartment to rent.
00:47:26It's for Gilles, my new boss.
00:47:28For Gilles?
00:47:29I have no use for him.
00:47:32It's a shame, because I have nothing to rent.
00:47:35Except my bathroom.
00:47:51Hello, sir.
00:47:53Hello, sir.
00:47:54I'm here for the notice.
00:47:56Oh, yes?
00:47:57I must warn you that if it's a piece of furniture that you want,
00:48:00you'd better look elsewhere.
00:48:02No, no, I understand right away.
00:48:03No, no, I'm looking for something empty.
00:48:05Oh, really?
00:48:06You couldn't find anything better, because you could have quickly saved.
00:48:09My wife left carrying everything, but absolutely everything.
00:48:12Except... well...
00:48:13Would you like to visit, perhaps?
00:48:15This way.
00:48:16Last week, I went down to post a letter.
00:48:19A letter that my wife absolutely wanted to send to her mother.
00:48:22A beautiful piece of cow, that one.
00:48:24I must tell you that I hate my mother-in-law.
00:48:27There, you have the vaters.
00:48:29This way.
00:48:30When I got out of the post office, I met Dudulle.
00:48:33Dudulle is my friend.
00:48:34So we went for a drink or two at Ernest's,
00:48:36and then we saw another one at Borgne's,
00:48:39and then we continued, you know.
00:48:42Would you like to continue the visit?
00:48:44Oh, yes, yes.
00:48:45This way.
00:48:46I was angry with my wife, because she didn't want to post that letter herself.
00:48:49I didn't really want to go home.
00:48:51My friend Dudulle had a bit of a tiff with the fact that his good wife was hitting him.
00:48:55That day, he realized that there was such a woman,
00:48:58that Dudulle, six eyes,
00:49:00nubes,
00:49:01I had seen her in the window,
00:49:03unbearable sight,
00:49:05on the apartment opposite.
00:49:07When I came home, three days later,
00:49:09I collapsed.
00:49:11Here, the next morning,
00:49:13no more women, no more furniture, nothing at all.
00:49:16So I try to rent this apartment,
00:49:18and then I'll go looking for my wife, my furniture,
00:49:22and then the rest.
00:49:24But you're not going to want this apartment.
00:49:27As it is, it is not worth it.
00:49:30You're not going to want it.
00:49:32And how much do you want?
00:49:35A thousand francs.
00:49:36Do you realize?
00:49:37A thousand francs a month.
00:49:39You're not going to want it.
00:49:41Well, it's a deal.
00:49:43It's a deal?
00:49:44When can I move in?
00:49:46Well, tomorrow. Just sign the papers.
00:49:50Because as far as my move is concerned,
00:49:53it's already done.
00:49:55So, when are you coming?
00:49:57Don't bother me, you poor mortal.
00:49:59I am in contact with the gods.
00:50:02Love is a sacred act.
00:50:04I must ask for their blessing.
00:50:07I must be inhabited by Venus herself for this supreme moment.
00:50:11Can I undress?
00:50:12Not yet. The time has not come.
00:50:15Patience, poor mortal.
00:50:17The pleasure of flesh must not disturb my soul.
00:50:21Listen.
00:50:23That's it.
00:50:24Can I undress?
00:50:25I feel Venus taking hold of my soul,
00:50:28taking hold of my body.
00:50:30I will be yours.
00:50:31Can I undress?
00:50:32Take me.
00:50:34Be all men at once.
00:50:37Hello, Xavier?
00:50:38Who's on the line?
00:50:39Françoise.
00:50:40Françoise? What a surprise.
00:50:43Oh, no.
00:50:45Don't bother me.
00:50:47Tell me, I'm all alone tonight.
00:50:49Can you take me to the theatre?
00:50:51If you want, yes.
00:50:53I have a job to finish.
00:50:55Maybe we can meet at the Bellman at eight o'clock?
00:50:59Of course, at eight o'clock.
00:51:00I'm leaving you. Goodbye.
00:51:03Are you coming now? We don't have much time.
00:51:06A man must have pleasure.
00:52:02Oh, my God.
00:52:32Good evening, Françoise.
00:52:59Good evening. How are you?
00:53:01Fine, and you?
00:53:02Always so cheerful.
00:53:04I'm very happy to see you.
00:53:05Me too.
00:53:06What do you drink?
00:53:07A martini, with a little gin.
00:53:09A martini gin and a martini nature, please.
00:53:13So you're going to Paris?
00:53:14Yes, but only for a few days.
00:53:16You know, Gilles is very busy with his affairs.
00:53:18He doesn't have much time to devote to me.
00:53:20I'm going to free myself and take care of you.
00:53:22That's nice.
00:53:23Oh, dear God, why isn't he close to me,
00:53:26the one who consumed my flesh,
00:53:28who inflamed my heart?
00:53:30Excuse me, mademoiselle.
00:53:31I'm looking for my wife and my furniture.
00:53:33You wouldn't have seen them, would you?
00:53:35I live in solitude, in a deep solitude.
00:53:38Only God sometimes visits me.
00:53:41Your wife would be a goddess.
00:53:43A goddess?
00:53:44What an idea.
00:53:45And more like a demon, yes.
00:53:48Demon?
00:53:49Oh, my God.
00:53:50We must save this lost soul.
00:53:52Save?
00:53:53That's already done.
00:53:54No, my problem would be to find her.
00:53:56I suggest you walk.
00:53:58I implore the gods for you to find your wife.
00:54:00And you, you ask them for the love of Xavier,
00:54:04the chosen one of my heart.
00:54:05My chosen one would be rather radical socialism.
00:54:07Well, let's not waste time.
00:54:08Let's get to work right away.
00:54:13Abraham.
00:54:15Really?
00:54:17Abraham.
00:54:19There you go.
00:54:28It's a shambler.
00:54:59And there's someone at your place?
00:55:01There's someone at my place.
00:55:03It would surprise me.
00:55:08And what does that mean?
00:55:10I told you I didn't want to find you here under any pretext.
00:55:12I want explanations.
00:55:15And me too.
00:55:16Oh, my leg.
00:55:17My God, it hurts so much.
00:55:19We should call a doctor.
00:55:20It's not your fault.
00:55:21I'm not a doctor.
00:55:22I'm a physician.
00:55:23I'm a physician.
00:55:24And you're a doctor.
00:55:25You're a doctor.
00:55:26We should call a doctor.
00:55:27It's your fault.
00:55:28Before leaving, Monique absolutely wanted to do the housework.
00:55:30She used the vacuum cleaner, she slipped, and here's the result.
00:55:34Oh, that's clever. Very clever!
00:55:36But you're going to get worse in no time.
00:55:38Otherwise, I swear, it's going to heat up.
00:55:39I'm going to wear a suit, you'll see.
00:55:40A piece of heartless, ungrateful,
00:55:42selfish,
00:55:43egocentric.
00:55:44She's like a real cop.
00:55:45She's going to kill everyone to be able to jump a nana.
00:55:47First, who's this one?
00:55:49Well, it's better now, huh?
00:55:50And bring back that stupid ball!
00:55:53We need to calm down!
00:55:55She's sick!
00:55:56Oh, that's a pain in the ass.
00:55:58What a pain in the ass to have brought me here with these two girls.
00:56:01You're trying to build a harem.
00:56:02Thank you, but I'm not interested.
00:56:04But you don't understand.
00:56:05I understand too well, on the contrary.
00:56:07I made illusions, that's all.
00:56:08But you...
00:56:09You're completely wrong.
00:56:10These are unbearable cousins of the province that I host,
00:56:11and I can't put them at the door.
00:56:12Cousin or not cousin,
00:56:13I really have the impression that you're mistaken.
00:56:15But no, I'm going to send them back immediately.
00:56:16No way!
00:56:17This girl got hurt wanting to serve you.
00:56:20You have to keep her until she's completely recovered.
00:56:23Good evening!
00:56:24Wait, I'll go with you.
00:56:25There's no need to put yourself in this situation.
00:56:26It's useless.
00:56:27I'm going to take a taxi.
00:56:28Good evening, see you tomorrow.
00:56:29I find that actors play in a way that's too theatrical.
00:56:31Well, seeing that it's theatrical, it seems normal to me.
00:56:33Sit down, I'm going to get a drink.
00:56:34But listen, they don't have to yell like that.
00:56:36We just have to wear microphones, after all.
00:56:38Do you remember when they used to steal chewing gums in the confectionery?
00:56:41And you brought me home holding me by the hand.
00:56:43How old could I have you?
00:56:45Oh, I was seven or eight years old.
00:56:47You were already a grown-up.
00:56:49And Gilles was a funny fighter.
00:56:51And a woman against, but a hell of a fighter.
00:56:53Oh, you're mean.
00:56:55I thought you were his friend.
00:56:56He's also my rival, but I'm probably more honest than him.
00:57:00What does that mean?
00:57:01No, nothing, nothing.
00:57:02No, you say it yourself.
00:57:03Gilles is my friend.
00:57:05And he helps me with my business.
00:57:07Only...
00:57:09I've known you maybe longer than him.
00:57:11No, leave me, you're going to ruin everything.
00:57:13I have to talk to you.
00:57:15You and your principles.
00:57:16If you think Gilles is embarrassed about it, yes.
00:57:18Well, if you ever change your mind.
00:57:20Good evening, Xavier.
00:57:22Good evening, little bourgeois.
00:57:33Julie, Julie, Julie, open the door, please.
00:57:35No, I've thought about it, I'm sorry, I won't do it again.
00:57:37No, open the door, open the door, I can't live without you.
00:57:40Open the door, Julie.
00:57:42Julie, open, open, please.
00:57:44Mom, are you okay?
00:57:46I'm not okay, I'm not okay.
00:57:48No, he threw me at the door, I'm not okay at all.
00:57:50I love him, you don't know what it's like, you don't have a wife.
00:57:52Or do you?
00:57:54Four.
00:58:01Hi, Max.
00:58:03What are you doing?
00:58:05I'm working for you.
00:58:06And I don't give a shit to dismantle the old horses,
00:58:08because we'll manage that from nice guys.
00:58:09You're not going to tell me that the coins you sell me, you produce them like that.
00:58:12Hey, at the price I give you.
00:58:14Hey, at the price I give you, no.
00:58:15And tell yourself, we have work to do.
00:58:16It's not pretty, shit.
00:58:18Hey, move a little, I don't have a word with you.
00:58:21Come on.
00:58:23Good evening, my dear.
00:58:25Good evening.
00:58:27Do you know what time it is?
00:58:30I'm starting to worry.
00:58:32What are you saying?
00:58:34I'm preparing to be a mother.
00:58:35Well, we still have time.
00:58:37Sometimes it happens sooner than we think.
00:58:39Do you always take the pill?
00:58:40Yes, but it could happen to me to forget.
00:58:42It happens in these cases, we risk having twins.
00:58:44Oh, don't make fun of it.
00:58:45Do you see the face of our parents if we arrive at the town hall with a child on our arm?
00:58:48We should let it pass.
00:58:49Oh no, no way.
00:58:50No, if I'm pregnant, I keep the child.
00:59:00Did you take your pill at least?
00:59:01Yes.
00:59:13Did you sleep well?
00:59:15Oh no, I had a nightmare.
00:59:17You know, I'm a little upset about last night.
00:59:19I was excessive.
00:59:20It's not your fault?
00:59:21No, not at all.
00:59:23I have to take possession of my new apartment today.
00:59:25Are you coming with me?
00:59:26Oh yes, okay.
00:59:27I'll help you with the decoration.
00:59:28I love that.
00:59:29Okay, I'll take a costume from Renoma, I'm on my way.
00:59:36Hi, did your secretary come with you?
00:59:38No, no, she's not very early, you know.
00:59:40She works like a dog.
00:59:41Fortunately, she has other qualities, if you see what I mean.
00:59:43Yes, yes, very good, very good.
00:59:44Oh yes, that's true.
00:59:46Do you have contracts for me?
00:59:47Oh, a lot.
00:59:48At the moment, apartments sell like hotcakes.
00:59:50Don't forget my commissions.
00:59:51Don't worry.
00:59:52Between your agency and Gilles' garage, I have a deal that I don't want to lose.
00:59:56Gilles?
00:59:57Well, I just refused him an apartment, that one.
00:59:58Why?
00:59:59He's cheating on me with the only girl I love.
01:00:01Christa?
01:00:02The bastard.
01:00:03He stabbed me in the back with Françoise.
01:00:05They're engaged, so to speak.
01:00:06You talk.
01:00:07No, but we're not going to do this forever, are we?
01:00:09Absolutely.
01:00:10See you tomorrow?
01:00:11Of course, sir.
01:00:12Bye.
01:00:17Yes?
01:00:19Yes, come in.
01:00:21Hello?
01:00:23Barbara?
01:00:24I'm sorry.
01:00:26It's hot, it's hot.
01:00:30I want to make love to you.
01:00:32No, no, I can't leave the office right now.
01:00:34It doesn't matter.
01:00:35I'm not going to do anything.
01:00:39I'm going to make love to you.
01:00:44Like this.
01:00:48Listen.
01:00:53I'm going to button your shirt.
01:00:58And I'm going to put your hand on your chest.
01:01:06I'm taking off your shirt.
01:01:08I'm opening your pants.
01:01:13Help me.
01:01:15No, it's not easy.
01:01:18I'm sticking to you.
01:01:21Yes, like this.
01:01:27Embrace me.
01:01:29Yes, like this, slowly.
01:01:32Oh, caress me.
01:01:35There, in the neck.
01:01:38I can feel you.
01:01:42Oh, your words are tense.
01:01:44You are very hard.
01:01:46Yes.
01:01:49Like this.
01:01:51Yes, embrace me.
01:01:52Yes.
01:02:01Like this.
01:02:32Hello?
01:02:33Yes, miss?
01:02:34You mean Mr. Pilar?
01:02:37Wait, I'll see if he can talk to you.
01:02:43Hello, yes.
01:02:45Ah, it's you, Françoise, yes.
01:02:46Well, what does that mean?
01:02:48I've been waiting for you since noon and it's been more than two hours.
01:02:50And first, who is this girl who answered me?
01:02:52No, it's not my fault, I have a considerable job and your hotel is still occupied.
01:02:56Yes, okay, I'll see you at eight o'clock.
01:02:58Okay, but I'm warning you that you have the right to a good scolding.
01:03:01Yes, yes, we'll see about that, yes.
01:03:03Goodbye.
01:03:05This family, huh?
01:03:07It's my beautiful sister.
01:03:08She's a pain in the ass.
01:03:09I'll have to go see her, otherwise I'll have her on my back for 15 days.
01:03:11My poor Gilles.
01:03:12You shouldn't belong to a large family.
01:03:24I came because I needed to.
01:03:27And I don't have any money to give you.
01:03:30It works.
01:03:31Like on wheels.
01:03:39My darling.
01:03:40Who washed my clothes?
01:03:41It wasn't me.
01:03:42Was it you, Juliette?
01:03:43Ah, that's nice, I didn't have anything else to put on.
01:03:45Delicate, it's in the bathroom. I'll come back later.
01:03:48And your leg, is it better?
01:03:49It doesn't hurt as much, but I have to take pills to sleep.
01:03:54Do you still have money?
01:03:55Not much.
01:03:57I'll let you in later.
01:04:03It worked!
01:04:05Hurray!
01:04:06Hurray, hurray, calm down for a moment, huh?
01:04:09Yes, but we have to stay locked up here, while this gentleman rides in all the Azimuths.
01:04:13I know, but don't you worry about it.
01:04:15I don't know. In any case, I don't give a damn.
01:04:17I think I love him.
01:04:18I think I love him too.
01:04:20But you have Jean-Pierre.
01:04:21Ah, Jean-Pierre, I don't care, since he has his motorcycle.
01:04:24You should go and see him, so I can realize.
01:04:26You know, he's a pain in the ass.
01:04:28I'd like it to work out between him and you.
01:04:30That way, I could have Gilles for myself.
01:04:32There's no reason, old woman.
01:04:34There's no need to argue.
01:04:36Go to Jean-Pierre, get your money, and we'll see later.
01:04:42Hi, Max.
01:04:43Here.
01:04:46Hi.
01:04:48It's a pleasure to see you.
01:04:50Is Jean-Pierre not here?
01:04:51No. Is he the one you came to see?
01:04:53Really? He owes me 100 francs.
01:04:54I'd like to get him back.
01:04:56It would be difficult, because he left with the cash register.
01:04:58What?
01:04:59He's lucky I don't like cops.
01:05:00Anyway, he loses nothing to wait.
01:05:01Because if I put my hand on him, he'll have a hell of a time.
01:05:04He's completely crazy.
01:05:05Anyway, I don't care.
01:05:07I don't like him anymore.
01:05:08I'd like to get my money back.
01:05:11I'm lucky.
01:05:12And if you want money, I'll give it to you.
01:05:15You're nice, Max.
01:05:17I love you.
01:05:18But I don't want to hurt you.
01:05:19I love another guy.
01:05:21Gilles.
01:05:22I think I know him.
01:05:23It's not true.
01:05:24You like Gilles?
01:05:25What's wrong with this guy?
01:05:26Why do you all want to get into trouble?
01:05:28What do you want me to do?
01:05:29I'm in debt.
01:05:30It's not my fault.
01:05:34I like to move.
01:05:35I feel like I'm doing something new.
01:05:38You shouldn't move too often.
01:05:40It's a sign of instability.
01:05:43I think the apartment is really nice.
01:05:46I'm going to put the curtains down.
01:05:51I'll be right back.
01:06:01Gilles, it's not the right time.
01:06:03Champagne.
01:06:05Champagne?
01:06:07To celebrate the new apartment.
01:06:21To celebrate the new apartment.
01:06:51To celebrate the new apartment.
01:07:21To celebrate the new apartment.
01:07:22To celebrate the new apartment.
01:07:23To celebrate the new apartment.
01:07:24To celebrate the new apartment.
01:07:25To celebrate the new apartment.
01:07:26To celebrate the new apartment.
01:07:27To celebrate the new apartment.
01:07:28To celebrate the new apartment.
01:07:29To celebrate the new apartment.
01:07:30To celebrate the new apartment.
01:07:31To celebrate the new apartment.
01:07:32To celebrate the new apartment.
01:07:33To celebrate the new apartment.
01:07:34To celebrate the new apartment.
01:07:35To celebrate the new apartment.
01:07:36To celebrate the new apartment.
01:07:37To celebrate the new apartment.
01:07:38To celebrate the new apartment.
01:07:39To celebrate the new apartment.
01:07:40To celebrate the new apartment.
01:07:41To celebrate the new apartment.
01:07:42To celebrate the new apartment.
01:07:43To celebrate the new apartment.
01:07:44To celebrate the new apartment.
01:07:45To celebrate the new apartment.
01:07:46To celebrate the new apartment.
01:07:47To celebrate the new apartment.
01:07:48To celebrate the new apartment.
01:07:49To celebrate the new apartment.
01:07:50To celebrate the new apartment.
01:07:51To celebrate the new apartment.
01:07:52To celebrate the new apartment.
01:07:53To celebrate the new apartment.
01:07:54To celebrate the new apartment.
01:07:55To celebrate the new apartment.
01:07:56To celebrate the new apartment.
01:07:57To celebrate the new apartment.
01:07:58To celebrate the new apartment.
01:07:59To celebrate the new apartment.
01:08:00To celebrate the new apartment.
01:08:01To celebrate the new apartment.
01:08:02To celebrate the new apartment.
01:08:03To celebrate the new apartment.
01:08:04To celebrate the new apartment.
01:08:05To celebrate the new apartment.
01:08:06To celebrate the new apartment.
01:08:07To celebrate the new apartment.
01:08:08To celebrate the new apartment.
01:08:09To celebrate the new apartment.
01:08:10To celebrate the new apartment.
01:08:11To celebrate the new apartment.
01:08:12To celebrate the new apartment.
01:08:13To celebrate the new apartment.
01:08:14To celebrate the new apartment.
01:08:16to celebrate the new apartment.
01:08:27To celebrate the new apartment.
01:08:29To celebrate the new apartment.
01:08:30To celebrate the new apartment.
01:08:38Crap, it' already dark.
01:08:41Dear sister,
01:08:43Dans quoi?
01:08:44Oh, no, stay with me.
01:08:46It's not possible. I have to go. I'll see you later.
01:08:49Then I'll go and get my things.
01:08:52Oh, no. It's a little premature, maybe.
01:08:55Yes, do what you want.
01:09:04I'm a bad liar. Why? Because I asked for the standard.
01:09:06There are several lines of group phones.
01:09:09It doesn't matter. They have so many groups that it doesn't work.
01:09:12It's in Paris. It's not Nevers.
01:09:13I don't get it.
01:09:15You didn't even call me.
01:09:18This wine is good. What do you think?
01:09:19I'm not talking about wine.
01:09:21You don't even care about me. What will it be after ten years of marriage?
01:09:26It looks like there's only work for you.
01:09:28No, work... Yes, yes.
01:09:35I'm fine. And you?
01:09:37I'm not doing very well. Jean-Pierre left with the cash.
01:09:40Business.
01:09:41Goodbye, sir.
01:09:43Business is slowing down. And I got hooked on a girl.
01:09:46That's natural. And she?
01:09:48She likes someone else. And you know who?
01:09:50You want me to know?
01:09:51It's easy to guess.
01:09:53Gilles?
01:09:54Yes, sir.
01:09:55You're not going to sleep like that. Don't fall asleep.
01:10:00Come on, wake up. Wake up.
01:10:06Wake up. Come on.
01:10:13Come on, wake up.
01:10:17No, Gilles, it's you.
01:10:44I've been waiting for you.
01:10:45What did you do until this hour?
01:10:48I had to go out with my beautiful sister.
01:10:50We had to shoot the cabaret. I'm exhausted.
01:10:53Oh, you're so good. I love you, my love. I adore you.
01:11:43Gilles, it's eight o'clock. We have to go to work.
01:12:11No, no, no.
01:12:12Wake up.
01:12:13I'm tired. I'm staying here.
01:12:15Gilles, we're wrong. Gilles, wake up.
01:12:22Now that you're up, I'm relieved.
01:12:25I'm going to sleep a little and I'll join you at the garage.
01:12:27You killed me last night.
01:12:43Excuse me, sir. Could you show me the way out, please?
01:12:47It's this way.
01:12:50He's strong, that one.
01:13:21Come on.
01:13:22Come on.
01:13:25Gilles, Gilles.
01:13:27I need you.
01:13:31I love you, my love.
01:13:35I love you.
01:13:38I love you.
01:13:47No.
01:13:48No.
01:13:49It's over.
01:13:51No.
01:13:54Let me finish.
01:13:59I can't do this anymore.
01:14:03Gilles.
01:14:04No.
01:14:05Let me go.
01:14:06You're bothering me.
01:14:08You again.
01:14:09I love you.
01:14:10I love you.
01:14:17I love you.
01:14:19I love you.
01:14:25Excuse me, sir.
01:14:39Excuse me, sir, I'm interested in the car in front of you.
01:14:44Ah, the Jaguar, yes.
01:14:46Is it in good condition?
01:14:48I'd like to do an inspection.
01:14:50Yes, take it. The keys are on it.
01:14:53I was told the price was 10,000 francs.
01:14:55Yes, that's right. Why?
01:14:57Because I can't put more than 8,000 at Jules' house.
01:15:00I'll leave it to you for 8,000.
01:15:02No, no, no, don't thank me. It's not worth it.
01:15:05I beg you, leave me alone.
01:15:07I'm sick of depression.
01:15:09I don't even want to hear your voice.
01:15:10I'm going to drink, I'm going to spit, I'm going to spit.
01:15:12So, go ahead, go ahead.
01:15:20Hello, Mr. Joe?
01:15:21Hurry up, we're waiting for you on the other line.
01:15:24It's about Monique, your girlfriend.
01:15:26What?
01:15:28Where is that son of a bitch?
01:15:31She's cheating on you with a competitor.
01:15:33The bitch.
01:15:34Gilles Pilar.
01:15:36That little moron who slides his business card
01:15:38all the way into my mailbox.
01:15:39I'm going to break his face.
01:15:44The bathroom is free.
01:15:47Did you wash the bathtub?
01:15:48You have no right to steal my wife.
01:15:50I'm going to make you regret it.
01:15:52I'm going to make you want to steal the other woman.
01:15:54It's not worth it, colleague, it's not worth it.
01:15:57Grab this and try to remember.
01:16:02Pass me the butter.
01:16:06What could it be?
01:16:08It's not Gilles' turn yet.
01:16:10Maybe the postman.
01:16:11It's the cuties, I'm going to open it.
01:16:13Otherwise, it's not worth it.
01:16:14You'll know when we open it.
01:16:15That's true. I'm going.
01:16:21Come in, you little bitch.
01:16:22Come here right now.
01:16:23Every time you come here, it's after me.
01:16:24Get in.
01:16:25Get in.
01:16:26Get in.
01:16:28Get in.
01:16:29Get in.
01:16:30Get in.
01:16:31Get in.
01:16:32Get in.
01:16:35Get in.
01:16:41A quiet little breakfast.
01:16:48So?
01:16:49Tell me, you left very early this morning.
01:16:50I have a lot of work.
01:16:52Don't forget to pick me up at noon.
01:16:57Come and see me soon.
01:16:59I love you, my love.
01:17:02I love you, my darling.
01:17:03Me too.
01:17:04I love you too.
01:17:09Hello?
01:17:10Who is it?
01:17:11Juliette.
01:17:12Come quickly.
01:17:13I'm waiting for you.
01:17:17So, let's sum it up.
01:17:19Françoise, noon.
01:17:20Christa, 7 o'clock, at her place.
01:17:22No, at my place.
01:17:23Juliette, at my place too.
01:17:25Not the same number, I understand.
01:17:27No, noon, it's...
01:17:30It's Françoise.
01:17:32And then, shit.
01:17:34I have a solution for you.
01:17:36What is it?
01:17:37We'll make sure she meets all three of them with him,
01:17:39and at the same time.
01:17:40That's clever.
01:17:41And it will prevent us from convincing them.
01:17:42Very good idea.
01:17:43We'll get to the point.
01:17:45Let's suppose it works.
01:17:46And that she leaves all three of them.
01:17:48It's a bit crazy, isn't it?
01:17:49Why?
01:17:50Because she'll end up alone.
01:17:51We'll make it work.
01:17:52I'm going to kick her ass.
01:17:54She's my secretary.
01:17:56A real sexual obsessed.
01:17:57A nymphomaniac.
01:17:58I'm going to give her a mystic who thinks she's Venus
01:18:00every time she makes love.
01:18:02And I'm going to give her a masochist who throws me around
01:18:04non-stop to kick her ass.
01:18:09Hello?
01:18:10Xavier?
01:18:11Hello, how are you?
01:18:12I'm calling from Gilles' apartment.
01:18:13Gilles' apartment?
01:18:15He couldn't call me himself, could he?
01:18:17He's very busy.
01:18:18He has a new apartment.
01:18:19He's asking you to meet him at 5 o'clock.
01:18:215 o'clock?
01:18:22But he didn't tell me about this apartment.
01:18:24He just found it.
01:18:25I'll give you the address.
01:18:27But why did you take charge of this commission?
01:18:29He barely knows you.
01:18:30What do I know?
01:18:31Your boss is a bit strange.
01:18:33Hello!
01:18:35How are you?
01:18:36Hello.
01:18:40You look great.
01:18:41What do you mean?
01:18:42You haven't had a drink yet?
01:18:43I'm not drunk yet.
01:18:47I'd like to sleep.
01:18:48But not at my place.
01:18:49I'll take you to my studio.
01:18:50You'll be able to sleep peacefully.
01:18:54Gilles.
01:18:55Gilles, wake up.
01:18:58Christa just called.
01:18:59You absolutely have to meet her in your new apartment
01:19:01at 5 and a quarter o'clock.
01:19:03It's very important, she said.
01:19:05All right.
01:19:07I'm going.
01:19:10Have a nice day.
01:19:11See you soon.
01:19:17As soon as possible.
01:19:18Here, here.
01:19:19Here's mine.
01:19:22Oh, wow.
01:19:23It's a nice job, isn't it?
01:19:24Yes.
01:19:26Yes.
01:19:27It's a nice little boat.
01:19:28Well, that makes one.
01:19:29There you go.
01:19:32Look at Juliette.
01:19:33There?
01:19:34Yes, really.
01:19:35It works.
01:19:36Let's go out together.
01:19:37Let's go out.
01:19:55What floor?
01:19:57Second.
01:19:58I think so, yes.
01:19:59Oh, well.
01:20:10Miss.
01:20:11Is this where Gilles Pilar lives?
01:20:12Perfectly.
01:20:13He asked me to meet him at 5 o'clock.
01:20:15I also have an appointment with him at 5 o'clock.
01:20:17I'm his fiancée.
01:20:18I'm his fiancée.
01:20:20I'm his fiancée.
01:20:21I'm his fiancée.
01:20:22I'm his fiancée.
01:20:23I'm his fiancée.
01:20:24I'm his fiancée.
01:20:25What?
01:20:26Are you kidding?
01:20:27Not at all.
01:20:29And who are you?
01:20:30I'm his friend.
01:20:31I live with him in this apartment.
01:20:32But it's impossible.
01:20:33Come with me to another apartment.
01:20:34There must be a mess up there.
01:20:35It must not be nice to see.
01:20:36Shut up!
01:20:37Go!
01:20:39Go!
01:20:40Go!
01:20:41Go!
01:20:42Go!
01:20:43Go!
01:20:44Go!
01:20:45Go!
01:20:46Go!
01:20:48Go!
01:20:49Go!
01:20:50Go!
01:20:51Go!
01:20:52Go!
01:20:53Go!
01:20:55Go!
01:20:56Go!
01:21:13It's him!
01:21:14That bastard!
01:21:15He's going to get it!
01:21:17He's going to get it!
01:21:19Hello, ladies.
01:21:20We are at Mr. Pillar's.
01:21:21Hey! He's coming.
01:21:22It's going to be the end of the show.
01:21:24I think we're in the wrong place.
01:21:43Bastard! I told you to stay where you were!
01:21:45I told you to stay where you were!
01:21:49Bastard!
01:21:51He did it to us!
01:21:54I'd like to talk to him.
01:21:56Bastard!
01:21:57Bastard!
01:21:58Bastard!
01:21:59Son of a bitch!
01:22:00Son of a bitch!
01:22:01What do you want?
01:22:02Oh, shit!
01:22:03It's the prism he's got!
01:22:04We can't let him down.
01:22:05Come on, let's go.
01:22:06Come on.
01:22:07Pillar, pillar, pillar, pillar.
01:22:09Where is that son of a bitch?
01:22:11Son of a bitch!
01:22:18Bastard!
01:22:19Oh, Pillar, Pillar, Pillar.
01:22:21Pillar!
01:22:22Stop!
01:22:23Jules is in danger.
01:22:24There's a guy looking for you to get you down.
01:22:25Max!
01:22:28Xavier.
01:22:29Claude, I want to go with you.
01:22:31Pillar, Pillar, Pillar.
01:22:34There he is!
01:22:35Yes!
01:22:36We got him!
01:22:37We got him!
01:22:38We got him!
01:22:39Is there anyone who's not happy?
01:22:41If there's a reclamation to be made, it's up to us.
01:22:43Come on, get on board.
01:22:46Help!
01:22:47Help!
01:22:49Come on, Jules.
01:22:50You don't need us anymore.
01:22:51Let's go.
01:22:53Excuse us, old man.
01:22:54Well, we just wanted to help you.
01:22:56Yes, yes, that's fine.
01:22:58Come on, listen to me.
01:22:59Leave me alone.
01:23:00Come on, come on.
01:23:01Come on, Jules.
01:23:19What is it?
01:23:20It's a gift for Mr. Jules Pillar.
01:23:22From his friends.
01:23:23Claude, Max and Xavier.
01:23:25We're going to have to leave it in front of the door.
01:23:28Impossible.
01:23:29It must be put back in a clean hand.
01:23:32All right, I'll open it.
01:23:40What is it?
01:23:41It's a gift for Mr. Jules Pillar.
01:23:43From his friends.
01:23:44Claude, Max and Xavier.
01:23:46What is it?
01:23:47It's a gift for Mr. Jules Pillar.
01:23:49From his friends.
01:23:50Claude, Max and Xavier.
01:23:51What is it?
01:23:52It's a gift for Mr. Jules Pillar.
01:23:53From his friends.
01:23:54Claude, Max and Xavier.
01:23:55What is it?
01:23:56It's a gift for Mr. Jules Pillar.
01:23:57From his friends.
01:23:58Claude, Max and Xavier.
01:23:59What is it?
01:24:00It's a gift for Mr. Jules Pillar.
01:24:01From his friends.
01:24:02Claude, Max and Xavier.
01:24:03What is it?
01:24:04It's a gift for Mr. Jules Pillar.
01:24:05From his friends.
01:24:06Claude, Max and Xavier.
01:24:07What is it?
01:24:08It's a gift for Mr. Jules Pillar.
01:24:09From his friends.
01:24:10Claude, Max and Xavier.
01:24:11What is it?
01:24:12It's a gift for Mr. Jules Pillar.
01:24:13From his friends.
01:24:14Claude, Max and Xavier.
01:24:15What is it?
01:24:16It's a gift for Mr. Jules Pillar.
01:24:17From his friends.
01:24:18Claude, Max and Xavier.
01:24:19What is it?
01:24:20It's a gift for Mr. Jules Pillar.
01:24:21From his friends.
01:24:22Claude, Max and Xavier.
01:24:23What is it?
01:24:24It's a gift for Mr. Jules Pillar.
01:24:25From his friends.
01:24:26Claude, Max and Xavier.
01:24:27What is it?
01:24:28It's a gift for Mr. Jules Pillar.
01:24:29From his friends.
01:24:30Claude, Max and Xavier.
01:24:31What is it?
01:24:32It's a gift for Mr. Jules Pillar.
01:24:33From his friends.
01:24:34Claude, Max and Xavier.
01:24:35What is it?
01:24:37It's a gift for Mr. Jules Pillar.
01:24:38From his friends.
01:24:39No!
01:24:40No, no, no, no!
01:24:41This has only just begun!