Caged Fury
Caged Fury
Category
📺
TVTranscript
00:00:00I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
00:00:31How you doing, baby?
00:00:34I'm not going to see you later.
00:00:38We'll see.
00:00:48You!
00:00:55What now?
00:00:58103.
00:01:00So?
00:01:02She's out of her cell.
00:01:04You're not at your fucking post.
00:01:06I mean, you're having a cup of coffee.
00:01:08You got a problem with that?
00:01:09No!
00:01:10I got a problem with you!
00:01:12Fuck you.
00:01:14Hey.
00:01:16Fuck me, huh?
00:01:19No.
00:01:20Fuck you.
00:01:23Come on.
00:01:25Come on.
00:01:27Fuck you up, man.
00:01:29Come on.
00:01:31Come on.
00:01:48Good night.
00:01:52Good night.
00:02:22What?
00:02:47How you people doing out there?
00:02:49Well, all right.
00:02:51OK, well, I'm going to do a song now for all you cowboys
00:02:54and cowgirls, all you homefrees and homebreds.
00:02:58This here is a song about life itself,
00:03:01a song about what happens when life sort of knees you down
00:03:04low, you know what I mean?
00:03:06Let me hear some yeehaws out there!
00:03:08Yee-haw!
00:03:24Hi.
00:03:25Hi.
00:03:26Hi, sweetie.
00:03:27Hi, sweetie.
00:03:28Oh.
00:03:29I see you're packed.
00:03:32I've been packed forever.
00:03:33God, I can't wait.
00:03:34I want to go now.
00:03:35I know this isn't easy.
00:03:36But where did you get the guts?
00:03:37From you.
00:03:38I guess if you hadn't gone off to New York
00:03:39and lived to tell about it, well,
00:03:40I'd still be stuck here like Daddy's little girl.
00:03:41I know Daddy's not making it easy.
00:03:42Well, few fathers ever do.
00:03:43It's the nature of the beast, I guess.
00:03:44What kind of beast is that?
00:03:45Good morning, Daddy.
00:03:46Good morning.
00:03:47I wasn't talking about you.
00:03:48This has nothing to do with you.
00:03:49Well, if it had something to do with Tracy or with you,
00:03:50it had something to do with me.
00:03:51Well, I don't know about you.
00:03:52I don't know about you.
00:03:53I don't know about you.
00:03:54I don't know about you.
00:03:55I don't know about you.
00:03:56I don't know about you.
00:03:57I don't know about you.
00:03:58Daddy?
00:03:59Good morning.
00:04:00I wasn't talking about you.
00:04:01This has nothing to do with you.
00:04:03Well, if it had something to do with Tracy or with you,
00:04:05it had something to do with me, doesn't it?
00:04:10You know, Katie, I was talking to, uh, Mrs. Benson
00:04:13the other day about a part-time job she offered you.
00:04:17Dad, don't you understand?
00:04:21I don't want a part-time anything.
00:04:23I've gotta go.
00:04:24I've gotta take a shot.
00:04:25You don't gotta do anything to get dressed.
00:04:27That's all you gotta do.
00:04:28Then you gotta come out and have breakfast, that's all.
00:04:30Dad, I can't.
00:04:32I've got a 12-hour drive.
00:04:36Ah.
00:04:42You know that I never approved when your sister left home.
00:04:48It's just different, Katie,
00:04:51because Trace has always been...
00:04:55The wild one.
00:04:58What I'm trying to say is I was hoping...
00:05:00That I'd stay here forever
00:05:01and sing in the church choir, right?
00:05:07Well, there's nothing wrong with that, Katie.
00:05:10I sing every Sunday.
00:05:12Look, we've been through this over and over again.
00:05:15I don't understand.
00:05:16What I'm trying to say to you, Katie,
00:05:17is that if you wanna go to the city,
00:05:18why don't you go to Salt Lake City?
00:05:19I mean, it's right here, it's close.
00:05:21You can come home, you can find work in Salt Lake City.
00:05:22Dad, we're talking L.A., not some foreign country.
00:05:27Matter of opinion.
00:05:30The thing I'm trying to say is
00:05:31if you just wait a couple weeks,
00:05:33Trace finishes work in about two weeks,
00:05:36and she could go with you.
00:05:40You haven't seen each other really in two years.
00:05:43Kat will be together.
00:05:46Makes sense.
00:05:48She's been out there.
00:05:50She knows where to go and what not to do.
00:05:58No, Daddy, I can't.
00:06:01Trace, I've always depended on you.
00:06:03It's just time I grew up.
00:06:06I'll be all right, really.
00:06:12Well, I guess I better get started.
00:06:17Yeah.
00:06:22I'll give you some money.
00:06:24No, no, I'm fine, honest.
00:06:28Daddy, I love you.
00:06:31I love you.
00:06:33♪
00:06:57♪
00:07:04♪
00:07:11♪
00:07:20♪
00:07:23♪ My house burned down in a flash of thunder ♪
00:07:27♪
00:07:29♪
00:07:31This ain't the way to the highway.
00:07:32Where the hell are you going?
00:07:34♪
00:07:37We've been driving nearly 200 miles now,
00:07:40and I figure you owe me.
00:07:42What?
00:07:44You've been sitting there crossing,
00:07:46uncrossing them legs.
00:07:48I figure by now, you want it as bad as I do.
00:07:51Fuck you!
00:07:55I like it when you talk dirty to me.
00:07:57It makes me hot.
00:07:59Let me go!
00:08:00It's not as hot as you're gonna be, dirtbag!
00:08:03Shit.
00:08:04Ah!
00:08:05Shit, motherfucker!
00:08:07Fuck off!
00:08:17Hold that!
00:08:18What?
00:08:19Look, girl, I'd really like to be polite and introduce myself,
00:08:22but you don't really have a lot of time to think this one over.
00:08:24What's going on?
00:08:25Either you get this heaping gear or Lardass over there
00:08:27is gonna treat us to some weird-ass kind of loving.
00:08:29All right, all right.
00:08:30Ah!
00:08:40Oh, shit.
00:08:43Name's Rhonda.
00:08:44Cat.
00:08:46Well, it's really Catherine, but my friends call me Cat.
00:08:49So where are you headed?
00:08:51As far as you're going.
00:08:53I'm going to L.A.
00:08:55Suits me just fine.
00:08:58Last time I hit Hollywood,
00:09:00I was sweet 16 and caught between T-shirts and training bras.
00:09:04Now I got tits and street smarts.
00:09:08You remind me of my big sister Tracy.
00:09:11I'm everybody's big sister.
00:09:27This is it?
00:09:29You actually live here?
00:09:31Well, I admit the outside isn't much to look at,
00:09:34but my studio, that's something else.
00:09:37What else?
00:09:39You ever been inside a real roach motel?
00:09:43Yeah!
00:09:58What the fuck?
00:10:00What the hell?
00:10:02What the hell just happened?
00:10:03What the fuck?
00:10:04What the fuck?
00:10:05I'm sorry, I'm so sorry.
00:10:06I was drunk, and Iww!
00:10:07Hey, you know, I've been with you for a couple years.
00:10:09You make me feel so sad, why?
00:10:21You treat me sad, why?
00:10:24Right where they are.
00:10:35You made love for the first time with Buck?
00:10:38Love had nothing to do with it, baby.
00:10:41Sounds real romantic.
00:10:43You don't say no to old Buck.
00:10:46Hey, Buck!
00:10:48What do you want?
00:10:50A hot shower and a cold beer and I'll, uh...
00:10:53let you jot my bones.
00:10:56Right to get you, sweetie!
00:10:58Come here, baby!
00:11:01Yes! Who's this?
00:11:03My ride.
00:11:05Your ride got a name?
00:11:07Catherine.
00:11:09Cat as in, uh...
00:11:11pussy?
00:11:13Cat as in Catherine.
00:11:17You been being a good boy?
00:11:19He's been a very good boy.
00:11:23You're my whole world, babe.
00:11:26Get your act together and come on, show me the town!
00:11:30All right, well, you get your friends some clothes here
00:11:32and I'll tell you what, I'll take you to places
00:11:34where the hand of man is not yet set foot.
00:11:37All right, let's party!
00:11:39Buck, would you mind if I used your phone?
00:11:42I just need to call my dad and let him know I'm all right.
00:11:46I'll call collect.
00:11:48Yeah, sure.
00:11:50Hey, Cat...
00:11:53you owe me one.
00:11:55Ha, ha, ha!
00:11:58Look, Marilyn Monroe!
00:12:01And Clark Gable, right?
00:12:04You keep that up, people are gonna think you're a tourist.
00:12:08Well, for now.
00:12:10But I really want us to become an actor.
00:12:12Really? What restaurant?
00:12:14I don't understand. Old actor's joke.
00:12:17See, I see it every day, babe.
00:12:19I mean, girls like you and Rhonda come crawling off them buses
00:12:22from north to south,
00:12:24Rhonda come crawling off them buses
00:12:26from North Yardsdale, Vermont,
00:12:29Overshoe, Oklahoma,
00:12:31all wanting to be discovered.
00:12:34Well, I won't fail.
00:12:36You know, you're right.
00:12:38You know why?
00:12:40Because I got connections.
00:12:42I shoot stills at the Castaglia casting agency.
00:12:45Yeah!
00:12:47Ha, ha, ha!
00:12:51You're hot
00:12:53You're not
00:12:55Who kind
00:12:57It looks
00:12:59It's not bad
00:13:02Come here, sit down, babe.
00:13:04Come here, come here.
00:13:06Relax.
00:13:08Now, listen, girls,
00:13:10I got you a screen test set up tomorrow.
00:13:13So what can I get for you, Bucky?
00:13:15Tomorrow?
00:13:17Yeah, how about a pitcher of beer, doll?
00:13:19Yeah, old Bucky, he moves fast.
00:13:21You see, he moves fast.
00:13:23You see, he moves fast.
00:13:25You see, he moves fast.
00:13:27You see, he moves fast.
00:13:29You know, old Bucky, he moves fast.
00:13:31You see, Mr. G, he specializes in new talent.
00:13:34Seems too good to be true, Buck.
00:13:36We just arrived.
00:13:38Hey, look, you don't have to take my word for it.
00:13:40You see Lulu over there, who I just happened to manage?
00:13:43She'll tell you all about the agency.
00:13:45Really? That's terrific.
00:13:47See? Things are happening already.
00:13:49Now, where's that smile, babe?
00:13:55You don't go looking for the Vipers.
00:13:57I'm gonna fuckin' find you!
00:14:05I know what you're gonna say, okay?
00:14:09Well, if it's old ground, why are you still walkin' it?
00:14:13Because this asshole biker I've been tryin' to find has been shakin' down a buddy of mine.
00:14:18A buddy of yours?
00:14:19Just some guy, you know, from the stunt ridin' circuit.
00:14:22So?
00:14:23So, you can't go around fightin' everybody's battles for him.
00:14:27Fuck you.
00:14:58Would you like anything else?
00:15:00Later, sweet meat.
00:15:03Hey, Lulu.
00:15:04You know that person.
00:15:07Hey, it's strictly professional.
00:15:09Hey.
00:15:10What's happenin', baby?
00:15:11What's goin' on?
00:15:12Hey, you look nice.
00:15:13Oh, thank you.
00:15:16Chill out.
00:15:23You fuckin' bitch!
00:15:25Nice tip, Vinnie.
00:15:26I love it.
00:15:27You fuckin' bitch!
00:15:29Hit it! Hit it!
00:15:35You fuckin' bitch!
00:15:36Where did you let me go?
00:15:38I'll fuckin' kill her!
00:15:39I'll fuckin' just...
00:15:41Where did you let me...
00:15:43Come on.
00:15:44I'll fuckin' rip her shit off!
00:15:47Jesus Christ.
00:15:49Yeah, by the way, uh,
00:15:51you know, if you don't have a place to crash,
00:15:53you can crash with me.
00:15:55Then Rhonda, of course.
00:16:00Listen, Buck,
00:16:01were you serious about the audition tomorrow?
00:16:04I'm always serious.
00:16:08I really should call my dad.
00:16:18I think I'll check on Rhonda.
00:16:49laughs
00:17:09Oh!
00:17:10Yeah!
00:17:12Oh!
00:17:13Yeah!
00:17:14So start the show
00:17:15Are you ready to go?
00:17:17Oh!
00:17:18Oh!
00:17:19Yeah!
00:17:20Hello, Daddy?
00:17:22Hi, it's Kat.
00:17:24I'm in L.A., and guess what?
00:17:25My first day here,
00:17:26and I already got an audition.
00:17:28Hello?
00:17:33Don't hurt me.
00:17:35Say please.
00:17:36Please.
00:17:38I love a woman that's polite.
00:17:40No.
00:17:41What do you want?
00:17:42No, please, let me alone!
00:17:43No!
00:17:45Rhonda!
00:17:46You're gonna like it!
00:17:47You're gonna like it!
00:17:48You're gonna feel fuckin' good!
00:17:49Shut up, bitch!
00:17:50First you're gonna meet me,
00:17:52and then you're gonna meet the next one.
00:17:54Shut up!
00:17:55Shut up!
00:17:56Shut up!
00:17:57laughs
00:17:59Run!
00:18:00Oh!
00:18:01No!
00:18:02All right, you got a great invitation.
00:18:04Yeah!
00:18:05Yeah!
00:18:06Yeah!
00:18:07Yeah!
00:18:08Yeah!
00:18:09Yeah!
00:18:10Yeah!
00:18:11Yeah!
00:18:12Yeah!
00:18:13Yeah!
00:18:14Yeah!
00:18:15Yeah!
00:18:17Come on!
00:18:18Yeah!
00:18:19Yeah!
00:18:20Yeah!
00:18:21Yeah!
00:18:22Yeah!
00:18:23Yeah!
00:18:24Yeah!
00:18:25Yeah!
00:18:28Yeah!
00:18:29Yeah!
00:18:31Yeah!
00:18:32Oh!
00:18:33Yeah!
00:18:34Yeah!
00:18:40Go, motherfucker!
00:18:41gun shot
00:18:42gun shot
00:18:45♪♪
00:18:55♪♪
00:19:15♪♪
00:19:25♪♪
00:19:35♪♪
00:19:45♪♪
00:19:55♪♪
00:20:05♪♪
00:20:15♪♪
00:20:25♪♪
00:20:35♪♪
00:20:45♪♪
00:20:55Why don't you escort the young lady home then, Victor?
00:20:59Fine.
00:21:00You know, Dirk, I always take your advice.
00:21:03Oh, I don't have anything to say about this?
00:21:05Nope.
00:21:06Nope.
00:21:07♪♪
00:21:13Hey, Dirk!
00:21:14♪♪
00:21:24♪♪
00:21:34♪♪
00:21:44♪♪
00:21:54♪♪
00:22:04♪♪
00:22:14Where the hell have you been?
00:22:17Buck, I'm sorry.
00:22:18Things just happened so fast.
00:22:20She was with a friend of mine.
00:22:22And me.
00:22:23We threw a little party.
00:22:25So you're the one that wrecked Mr. G's bar?
00:22:29I dig a guy that knows how to party.
00:22:33Hey, listen, man.
00:22:34Why don't you come on in here?
00:22:35I got some kick-ass blow.
00:22:36It's time to get off.
00:22:38Thanks, but no thanks.
00:22:40Look, Buck, I think you and Rhonda
00:22:42deserve some time together.
00:22:45We already had some time together.
00:22:48Oh.
00:22:49Listen, man.
00:22:50I got some tequila, you know?
00:22:52Mi casa, you casa.
00:22:54So why don't you come on in, huh?
00:22:56Buck!
00:22:57Get yourself in here right now.
00:23:00Round two.
00:23:02I'm going to get you some tequila.
00:23:05Get yourself in here right now.
00:23:08Round two.
00:23:19Well.
00:23:22Well?
00:23:29Your friend, um...
00:23:31Dirk?
00:23:32Yeah.
00:23:33I didn't know human beings could do things like that.
00:23:36It's amazing.
00:23:37Who said Dirk was human?
00:23:42Well, how did you learn to do all that?
00:23:46Survival.
00:23:49In L.A.?
00:23:51No, Nam, Beirut, Tripoli.
00:23:55A hundred different places you never even heard of.
00:23:58Dirk's been around the block a bit, you know?
00:24:01He's been a mercenary, a mystic, a bodyguard.
00:24:05You name it, he's been it.
00:24:07Or done it.
00:24:09Or had it done to him.
00:24:12And you and he are close?
00:24:14Yeah.
00:24:15Yeah.
00:24:16We're very close.
00:24:18He saved my life once or twice.
00:24:21So I take it you've returned the favor.
00:24:25Yeah.
00:24:27It happened.
00:24:31You've been around the block, too, huh?
00:24:40Who's there bothering you?
00:24:42I don't know.
00:24:44Well, I've never been this close to a violent person.
00:24:49What am I supposed to do with you?
00:24:52Well, you could start by asking me to hang around.
00:24:56Until you figure it out.
00:25:26Come on.
00:25:48Car horn honks
00:25:56Darling, did you top up those contracts I asked you to?
00:26:00I'll get right on it.
00:26:03Here, your size.
00:26:05I want you to take a look at these.
00:26:07Oh.
00:26:08Take a look at those.
00:26:12Here's the last headshot.
00:26:14Oh, thank you.
00:26:15And I'm sure you won't let that happen again now, will you?
00:26:18Look at baby.
00:26:20Well, hi, Buck.
00:26:22I'm here to see the boys.
00:26:24They're kind of in session right now, if you know what I mean.
00:26:27Yeah, I do.
00:26:29When are you going to come up to the studio
00:26:31and let me shoot your headshots?
00:26:33Well, Buck, I'm afraid that's not a very good idea.
00:26:37You think about it, all right?
00:26:40Let's go.
00:26:41Buck, wait a minute.
00:26:42You can't...
00:26:43Mr. G.
00:26:44It's Buck Lewis.
00:26:45You remember me?
00:26:47You'll be a good boy, Buck.
00:26:48Are you here?
00:26:50Yes, sir, Mr. G.
00:26:54That's Mr. G.
00:26:56Buck, wait a minute.
00:26:57You can't go in there.
00:26:58Hey, Tony, man, I got something to tell you.
00:27:00No, Buck.
00:27:01Tony, I'm real sorry.
00:27:02He just barged in.
00:27:03It's okay, it's okay.
00:27:04I got the girls I was telling you about.
00:27:06You know, the first-class broads and stuff.
00:27:08Do yourself a favor.
00:27:10Shove the sales pitch, leave the talent,
00:27:12and rotate yourself on out of here, Buck, old boy.
00:27:14Okay, whatever you say.
00:27:18Like Orchard said, we're real busy.
00:27:21Hey, guys, guys.
00:27:23Come on, girls, it'll be all right.
00:27:25Come with me.
00:27:26Come on, come on.
00:27:28Now give me everything you've got this time, toots.
00:27:31Oh, Mr. Castaglia,
00:27:33I would do absolutely anything for this job.
00:27:37I'd try my very best.
00:27:40I'm sure we'd be very, very good friends.
00:27:46Oh, Mr. Castaglia.
00:27:48Have the clear the goddamn couch area, will you?
00:27:51You know, I got an audition here in a couple of minutes.
00:27:53Got a couple of real candidates.
00:27:55I want they should have special treatment.
00:27:57Honey, that's gonna be all for today.
00:27:59What? That's it?
00:28:00Yeah, that's it.
00:28:03Tony, when will I hear from you?
00:28:06Have your people call my people, okay?
00:28:08We'll do sushi, babe.
00:28:10Sounds like fun.
00:28:11I've never done sushi before.
00:28:13Yeah, yeah.
00:28:15Who are they?
00:28:17Starlets, babe.
00:28:18Ascending to that fabulous firmament.
00:28:21Reserved for legends like Garbo and Dietrich
00:28:24and all those other famous old dead broads.
00:28:29Okay, girls, here's your recites.
00:28:31Why don't you look those over and have a seat?
00:28:34Thanks, babe.
00:28:36Okay, these are fresh off the frigging copy machine, all right?
00:28:39I want to see a cold reading.
00:28:41Here's the scene.
00:28:43Vinnie here plays Mr. Romano Capaletti,
00:28:46a respectable businessman,
00:28:48and he's hiring a secretary, okay?
00:28:50You guys are both flying for the same position,
00:28:53you know, if you catch my drift, okay?
00:28:56And you'll do anything, and I mean anything,
00:28:59to get the job, all right?
00:29:02Well, wait, what's my secondary motivation?
00:29:05You fucking believe these broads?
00:29:07Your motivation, sweetheart,
00:29:09is cash, mizuma, buckos.
00:29:12You land the job, you get the bread.
00:29:14Is this concept too much for you?
00:29:16Art is like life.
00:29:18That's kind of poetic, boss.
00:29:20But my motivation as a thespian.
00:29:22You're a thespian? You guys are thespians?
00:29:25That is some sick shit.
00:29:27And I'm the schmuck businessman
00:29:29who's gonna give you this frigging job,
00:29:31so convince me, baby, convince me.
00:29:33Tons of fun. Roll the tape.
00:29:35Roll sound, Pete. Rolling.
00:29:37Mr. Castaglia.
00:29:39Not Castaglia.
00:29:41Capaletti. Capaletti, okay?
00:29:43You're supposed to be acting here, okay?
00:29:46Mr. Capaletti, I really want this job.
00:29:49I'm sorry, Miss Collins.
00:29:51I don't really think you're qualified for this job, you see?
00:29:54I could be very grateful, Mr. Capaletti.
00:29:56Hold it, hold it, hold it, all right?
00:29:59I don't believe this shit for a second, huh?
00:30:01Come on, give me that script, all right?
00:30:03Do the scene without it, all right?
00:30:05Do the scene without the goddamn script.
00:30:07You want me to ad-lib? You want me to ad-lib my lines?
00:30:09The hell with the goddamn script.
00:30:11Lunch! I think it's time for lunch.
00:30:13They don't want to do the stupid scene right, huh?
00:30:16Whatever happened to professionalism?
00:30:18Okay, we'll do the scene.
00:30:20Okay? Okay.
00:30:25Roll tape.
00:30:27Action.
00:30:31Mr. Capaletti.
00:30:35You know, I've always believed in good business.
00:30:38And I think that if you hired me,
00:30:42well, I would be very good for your business.
00:30:45Take it off.
00:30:47I'm a very hard worker,
00:30:49and I could be very, very forever
00:30:52endearingly grateful to you.
00:30:54I'll show you just how good.
00:31:03You do want good business, don't you?
00:31:06And I'm sure that if you did hire me,
00:31:09well, I would be very, very, very grateful.
00:31:15You do like grateful people, don't you?
00:31:19Okay, wait, cut. Is that enough?
00:31:22Is that enough? That's horseshit, all right?
00:31:24I yell cut, goddamn it. I'm the goddamn director.
00:31:27Ain't I, Tons? Ain't I the friggin' goddamn director?
00:31:29Last time I looked.
00:31:31You stopped too soon. Don't you know the ground rules?
00:31:34You gotta show skin to win.
00:31:36Look, sweetheart, we got the best peep in town.
00:31:39We got your best hot oil.
00:31:41We got foxy boxy.
00:31:43We do lip service. We do oral massage.
00:31:45And we got the greatest buns on the beach.
00:31:47Not to mention film classics like
00:31:49Dykes on Bikes, Sluts in the Slammer,
00:31:52Leather Loving Lesbos,
00:31:54and my personal favorite,
00:31:56Catholic High School Girls in Trouble.
00:31:58We got it covered. Or uncovered.
00:32:00Yeah, we're talking about heavy-duty market penetration.
00:32:03Penetration is my life.
00:32:05Hey, listen, with us,
00:32:07the two of yous could really go places.
00:32:09I think the place we're really going is out of here.
00:32:12You coming, Rhonda? You bet.
00:32:14And I want to thank you, Vinnie.
00:32:16Tons of fun, Mr. Tootie.
00:32:18It's been a real slice of heaven, but we gotta go.
00:32:20Hey, hey, hey, hey, it's not Tootie.
00:32:22Hey, hey, Tony Tootie, Tarantino.
00:32:24That's me, babe. One in the morning.
00:32:26Jimmy!
00:32:30You let her go, you...
00:32:32I'm gonna fucking kill you!
00:32:34Let her go!
00:32:39Let her go, you bastard!
00:32:56They're out there half-naked, boss.
00:32:58I'm Mr. Staggley of the police department.
00:33:00Good. Have them arrest those two sluts.
00:33:02I run a decent place here.
00:33:04You know, it's nice to know there's real justice in the world, boss.
00:33:07Yeah.
00:33:19No answer.
00:33:28That's not like Katie.
00:33:32She'd be gone three days now.
00:33:36If Katie would call.
00:33:38Dad, I didn't put her up to this.
00:33:40She's a big girl. She's a mind of her own.
00:33:43Let me tell you something. I'm gonna tell you something.
00:33:47When your mama died...
00:33:50and you start running around...
00:33:54I'm gonna kill you.
00:33:58I'm gonna kill you.
00:34:12I thought I was gonna lose my mind.
00:34:14I don't wanna lose both of you.
00:34:16Dad, you're not gonna lose us.
00:34:20I'll head for L.A. I promise.
00:34:24I love you, Dad.
00:34:28I love you, too.
00:34:43Young lady, this charge is serious.
00:34:47We've just watched a videotape
00:34:49in which you are seen to proposition
00:34:51Mr. Romano Capaletti.
00:34:53But I told you, and I told the police.
00:34:55I was only acting.
00:34:57Mr. Capaletti has testified
00:34:59that you propositioned him.
00:35:01There are several other witnesses.
00:35:03We have just seen it on videotape.
00:35:06Capaletti? That's not his real name.
00:35:08His real name is Vinnie Castaglia.
00:35:10Your Honor, the real issue here is this.
00:35:13Is the scene that we saw on tape an act?
00:35:16Or was it for real?
00:35:18Wait! Buck knows!
00:35:20He knows what we were there for! Ask him!
00:35:22She sure did try to come on to me the night before.
00:35:26And then when I took her to school,
00:35:28she did the same thing to Mr. Capaletti.
00:35:31Catherine Ann Collins, Rhonda Wallace,
00:35:35I hereby sentence you
00:35:37to be incarcerated
00:35:39in the Honeywell State Prison for Women
00:35:42for a term not less than three months
00:35:45nor more than two years.
00:35:50Court's adjourned.
00:35:52This is Officer DeFever.
00:35:54You're under her personal supervision.
00:35:56I suggest you listen closely
00:35:58to everything she says.
00:36:00You'll be housed in cell block seven
00:36:02with 150 other inmates.
00:36:04The rules are real simple.
00:36:06You do everything I tell you when I tell you,
00:36:08and you do it right.
00:36:10First time you step out of line,
00:36:12you go in the cooler.
00:36:14Second time, I get to feel serious.
00:36:17Excuse me, sir.
00:36:19Sir!
00:36:20Si?
00:36:22There's a Mr. Lewis that lives there,
00:36:24and I've been calling him.
00:36:26My sister's staying with him.
00:36:28This is Mr. Lewis.
00:36:30Mr. Lewis?
00:36:31Yes, sir.
00:36:32Mr. Lewis?
00:36:33Yes, sir.
00:36:34Mr. Lewis?
00:36:35Yes, sir.
00:36:36Mr. Lewis?
00:36:37Yes, sir.
00:36:38Mr. Lewis?
00:36:39Yes, sir.
00:36:40Mr. Lewis?
00:36:41Yes, sir.
00:36:42Mr. Lewis?
00:36:43Yes, sir.
00:36:44Mr. Lewis?
00:36:45Yes, sir.
00:36:46He's staying with him.
00:36:47This is her.
00:36:48Have you seen her?
00:36:49Su hermana, si?
00:36:51Que lastima.
00:36:52What's a shame?
00:36:53The cops got her, lady.
00:36:54The police arrested my sister?
00:36:56But why?
00:36:57They say she was a puta.
00:36:59They say my sister was a whore?
00:37:02What?
00:37:03Call your parents and sister.
00:37:05But you said...
00:37:06And tell them you'll be out of the country
00:37:08on an acting job.
00:37:09Perhaps Mexico.
00:37:10Yes.
00:37:11Mexico would be perfect.
00:37:13Tell them you'll be back in a few months.
00:37:15Yeah, with time off for good behavior,
00:37:17you could be out of here in, say, eight weeks.
00:37:20Eight weeks?
00:37:21I can't.
00:37:22You have no choice.
00:37:27Make the call.
00:37:29But I can't lie to my dad that way.
00:37:32Make the call.
00:37:34Mexico?
00:37:35What's the matter with you, Katie?
00:37:37You out of your mind?
00:37:38Daddy, please.
00:37:39You have to understand.
00:37:40I have to.
00:37:41You don't have to do a damn thing, Katie.
00:37:43And whatever happens, I love you and Tracy.
00:37:46What are you talking about, whatever happens?
00:37:49You're not telling me everything.
00:37:50There's something wrong.
00:37:51Now, come on.
00:37:52Daddy?
00:37:57Please just trust me, okay?
00:37:59Just trust me.
00:38:01You just wait there till your sister gets here.
00:38:03You understand?
00:38:04I gotta go now.
00:38:05Don't hang up on me, Katie.
00:38:07When are you coming back?
00:38:09In two months.
00:38:11I love you, Katie.
00:38:13I love you too, Daddy.
00:38:16Goodbye.
00:38:23Let's go, man.
00:38:24Let's go.
00:38:25One more time and I'm messing you up, I'd say.
00:38:27Hey, man, I told you it wasn't my stuff.
00:38:30Hey, man, I want to see my lawyer.
00:38:33I got it, Joe.
00:38:34I got it.
00:38:35All right, all right.
00:38:36Acuda, huh?
00:38:37Arrested on her first day in town.
00:38:39Your sister must be something.
00:38:41Detective Stoner,
00:38:42there's no way Cat would ever do anything like that.
00:38:45Can you just check it out?
00:38:47Dan, uh, Collins?
00:38:49Catherine.
00:38:50Catherine Day.
00:38:51Day?
00:38:52Yeah.
00:38:53When was she missing?
00:38:54Last Thursday.
00:38:55Thursday.
00:38:56Thursday.
00:39:01Nothing on the computer.
00:39:02You mean she was released?
00:39:03No, I mean she was never arrested.
00:39:05Then where is she?
00:39:06Uh, who knows?
00:39:08You got us.
00:39:09Doesn't take Charlie Chan to figure that one out.
00:39:11Run this by Homicide Slater.
00:39:13Right away, sir.
00:39:14Look it,
00:39:15your sister is like thousands of other runaways.
00:39:17You're gonna break away from home
00:39:18and try to make it on your own.
00:39:20She's not a runaway.
00:39:21I know my father didn't give her a blessing,
00:39:23but he knows where she is.
00:39:25Or was.
00:39:26Or should be.
00:39:27So where do we look?
00:39:29We don't.
00:39:30We wait.
00:39:31What do you mean, we wait?
00:39:32Hey, it's a big city, Sweetheart.
00:39:34A lot of little girls get lost.
00:39:37Hey, look it, Tracy.
00:39:38Either your sister's gonna make it real big in Hollywood,
00:39:41or poverty and hunger is gonna overtake her pride
00:39:43and she's gonna call you.
00:39:45How many days have you been away from home?
00:39:47Three.
00:39:48She could have called you in the meantime.
00:39:50So what's your home number in Utah?
00:39:52It's area code 317.
00:39:53Hey, let me get it.
00:39:54Let me get it.
00:39:55It's area code 317.
00:39:56Hey, Stoner.
00:39:57Got another floater in Lake Hollywood.
00:39:5916 stab wounds right up your alley, Sweetheart.
00:40:02Up yours, too.
00:40:04Hello, Dad?
00:40:05I'm fine, fine.
00:40:06Listen, have you heard from Kat?
00:40:08Just this morning.
00:40:10Where's she going?
00:40:13Mexico.
00:40:14For how long?
00:40:16Two months?
00:40:17No, Dad.
00:40:18I'm fine.
00:40:19I really am.
00:40:20I miss you, too.
00:40:21I love you.
00:40:22Bye-bye.
00:40:24Okay.
00:40:25Case closed.
00:40:26All right?
00:40:36Come with me, young lady.
00:40:38To where?
00:40:40To the warden's office.
00:40:42Don't be afraid.
00:40:44It's bright.
00:40:52Enjoy the warden's bed.
00:40:55She's hot.
00:40:56Yeah, yeah.
00:40:58Pretty hair, Four.
00:41:00Have a good time, Sweetie.
00:41:06Come on.
00:41:22Graduation day.
00:41:31Come in, Kat.
00:41:33Oh, no.
00:41:34Please.
00:41:35Please.
00:41:36Please.
00:41:41Welcome to Honeywell Prison, Kat.
00:41:45Get up and get in the chair.
00:42:00This is Mr. Santiago, Katherine.
00:42:03He's on your parole review board.
00:42:06He will question you privately
00:42:09in our adjoining room 101
00:42:12and determine whether or not
00:42:14you are a mottled prisoner
00:42:18and hence due for an early release
00:42:22or you must serve the entire two-year period.
00:42:28Can you help me, please?
00:42:33Hey, mamacita.
00:42:36Que tetes tan grandes.
00:42:39Te voy a chupar a todo el cuerpo.
00:42:44I don't understand what he's saying.
00:42:47I'm sure you'll have no trouble
00:42:49communicating, Katherine.
00:42:51The language of love is international.
00:42:55What?
00:42:57Don't be coy with me, young lady.
00:43:00If you'll just be kind enough
00:43:02to take off your uniform,
00:43:04we can get on with the interview.
00:43:07No!
00:43:12You must be out of your mind!
00:43:15What kind of a place is this?
00:43:18This is home.
00:43:19This is your home
00:43:21for a long, long time, my dear.
00:43:30No!
00:43:41No!
00:43:43No, no, no!
00:43:47No!
00:43:49Oh, baby!
00:43:54Daddy!
00:44:00Oh, God.
00:44:02What are you doing here?
00:44:04Don't fuck with Sybil.
00:44:06She can make your stay here a living hell.
00:44:09She's right.
00:44:11I've been in the slammer before
00:44:13and I never saw anything like this place.
00:44:17This place is unreal.
00:44:19No, this place is real.
00:44:21I've seen it many times.
00:44:24I know every inch of this place.
00:44:26You've served time here before?
00:44:28No, never.
00:44:30Now leave me alone and wait for commercial.
00:44:33Commercial?
00:44:34That's Daisy.
00:44:35The girls call her Crazy Daisy.
00:44:39She thinks all of this is on TV.
00:44:42This place is so awful,
00:44:44she's retreated into fantasy.
00:44:46Look!
00:44:48That's where they shot Birdman of Alcatraz!
00:44:51That's where they shot Birdman of Alcatraz!
00:44:53Okay, baby, basically...
00:44:55So what'd you do to get in here, Sled?
00:44:57Spit on the sidewalk?
00:45:01I didn't do anything.
00:45:03I didn't do anything at all.
00:45:05And up in the warden's office,
00:45:07this man nearly raped me!
00:45:11Here at Honeywell,
00:45:13they don't just lock you up.
00:45:15They teach you to be sexually submissive.
00:45:19Can't we complain to anyone?
00:45:21To whom?
00:45:22Visitors.
00:45:23They don't get visitors.
00:45:25But they can't do that.
00:45:27There's laws. This is America.
00:45:29They can't just lock you up.
00:45:31Honey, you left America behind you
00:45:33when those doors slammed shut.
00:45:35What they're trying to say is
00:45:37those of us who've been locked up before,
00:45:41we never heard about this place.
00:45:44She's right.
00:45:46This place is real different.
00:45:50I don't get it.
00:45:52Sleds never do.
00:45:54All I want to do is just stay out of trouble.
00:45:57You shouldn't have fucking came to Honeywell, that bitch.
00:46:00Don't you fucking touch me!
00:46:02I'm gonna pretty up a little face.
00:46:04I'm sorry, okay?
00:46:07Yeah, you are sorry.
00:46:09One sorry bitch.
00:46:11No, I didn't mean to...
00:46:13Don't you fucking touch me!
00:46:15I see this!
00:46:17Shut up, babe!
00:46:19Let me alone!
00:46:21Let me alone!
00:46:24Let me go!
00:46:26Let me go!
00:46:28No!
00:46:30Please!
00:46:32Let me alone!
00:46:34Let me alone!
00:46:36Shh!
00:46:38Who started it?
00:46:47Who?!
00:46:51Shh!
00:46:55I guess
00:46:57some little girls are just born to be bad.
00:47:05Daddy's gonna take you to the quiet room.
00:47:08No, you can't!
00:47:10Let me alone!
00:47:12No! No! No!
00:47:14No! No! No!
00:47:16No! No! No!
00:47:21No!
00:47:36Hello?
00:47:38Anybody home?
00:47:40Hello?
00:47:42Anybody home?
00:47:45Hello? Hello?
00:47:47All right, all right, I'll be there already.
00:47:51Terrific!
00:47:53They finally got it right.
00:47:55Okay, now let's get in here and see what you got under those clothes.
00:47:58Watch your step. I don't want you to hurt yourself.
00:48:00I don't think you understand who I am.
00:48:02You want me to shoot you like this?
00:48:04I'm not a model. I'm looking for Kat.
00:48:06Katherine Collins.
00:48:08She's my sister.
00:48:12That's right.
00:48:14You do look like her. You got that same terrific smile.
00:48:17Your building manager told me she was arrested.
00:48:20And then my father got a call
00:48:22and said she's off in Mexico on some picture deal.
00:48:24Freaking Carlos. He doesn't know a rat's ass about Hollywood.
00:48:27Look, she got a movie. She got a gig in Mexico.
00:48:30And I'm telling you,
00:48:32she's down there shooting a film, having the time of her life.
00:48:35Now, let's go on in here, and I'll tell you all about it.
00:48:38But it's not like her. She would have told me.
00:48:40Look, she probably got too excited and just forgot to call.
00:48:43It's wonderful. She has a feature film and everything.
00:48:45But she would have told me.
00:48:47Too excited, she forgot to call you, all right?
00:48:51Now, come on. Just sit down here.
00:48:53Just sit down and relax, please.
00:48:55Here, just sit down. Come on.
00:48:59Close your eyes.
00:49:01Close your eyes.
00:49:03Close your eyes.
00:49:05There.
00:49:07Okay, now just breathe.
00:49:09Yeah.
00:49:11It's nice.
00:49:13Yeah. How's that feel?
00:49:15Feels great.
00:49:17You want it harder?
00:49:19Harder. Yeah?
00:49:21Mm-hmm.
00:49:26You know, I really should be going.
00:49:29I know.
00:49:31I'm sorry. I shouldn't have tried to kiss you. I'm sorry.
00:49:34It's okay.
00:49:36Hey, tell me something. Before you go, though,
00:49:38have you ever thought about being an actress?
00:49:40I did some acting in New York.
00:49:42Really? Yeah.
00:49:44Could I be a part on that film that your sister's shooting in Mexico?
00:49:47You could? I could.
00:49:49That would be so great.
00:49:51I mean, the both of us working together.
00:49:53You know, this is something we always dreamed about doing.
00:49:56How could I ever thank you?
00:50:00You could give me a little kiss.
00:50:02Okay.
00:50:04I think that's enough.
00:50:06Now, come on. Where's that little smile?
00:50:08I really... I think that's enough.
00:50:10So, why don't you take a minute, jerk?
00:50:12This joker, Buck,
00:50:14said he never even heard of Captain Collins.
00:50:16And I know better.
00:50:18I said that's enough!
00:50:20You bitch! Nobody hits me!
00:50:22Nobody fucks with me!
00:50:24Nobody fucks with me!
00:50:26Don't you dare touch me!
00:50:28Don't you dare touch me!
00:50:30Don't you dare touch me!
00:50:32Don't you lay a hand on her!
00:50:34You open the goddamn door, boy!
00:50:36Open the door, bitch!
00:50:38You fuckin' asshole!
00:50:40Man, I'm gonna blow your fuckin' head off!
00:50:42No, no, no!
00:50:44Take my hand!
00:50:46Say what you want!
00:50:48I'll kill your fuckin' ass!
00:50:55That asshole knows where my sister is.
00:50:57I'll ask him nicely!
00:50:59I'm gonna ask you nicely!
00:51:01I'm gonna ask you just once!
00:51:05That's Mr. T!
00:51:07What do you mean?
00:51:09Let's talk!
00:51:11Where?
00:51:12Stop in the driveway!
00:51:21I think I have to go for a movie audition.
00:51:23I like that idea a lot.
00:51:25Wait, wait!
00:51:26Listen, let me go first.
00:51:28They'll believe me.
00:51:30If they find out what's going on, I'll call.
00:51:32No way.
00:51:33Victor's right.
00:51:34You don't know what you're getting yourself into.
00:51:36Please, I figure the agency's just one link to a chain.
00:51:39Chances are they'll probably put me through the same scam.
00:51:42She's my sister.
00:51:43The only shot I've got.
00:51:45You gotta love this woman, right?
00:51:48But if you don't call by 8 o'clock,
00:51:50I will pay you a visit.
00:51:53Let's go.
00:51:56Come on, doll, it's time for a walk.
00:51:58Where?
00:51:59We've got a date with an angel.
00:52:01Fuck you!
00:52:02No, fuck her.
00:52:07Who's next?
00:52:17Don't stand on ceremony, my dear.
00:52:22Why don't you take off your things and come and join me?
00:52:26Lesbian freak!
00:52:28Die.
00:52:29Die?
00:52:32I think I can arrange that.
00:52:37This way, lady.
00:52:43Where are they taking us?
00:52:46Room 101.
00:52:48What's room 101?
00:52:51Relax.
00:52:54Enjoy.
00:52:55I'm part of the entertainment.
00:52:58Showtime, ladies.
00:53:03So, you want to be in the movies, huh, babe?
00:53:06Yeah.
00:53:07I think we could probably help you out with that.
00:53:09Oh, I think we can do that.
00:53:11Why don't you take a look at these sights, darling?
00:53:13I heard you got my sister Kat a feature film in Mexico.
00:53:16Yeah, that's right.
00:53:18And I think we could probably do for you what we did for her.
00:53:22Tracy Lynn Collins.
00:53:24You are hereby sentenced
00:53:26to be incarcerated in the Honeywell Prison for Women
00:53:30for a term of not less than three months
00:53:33or more than two years.
00:53:35Court adjourned.
00:53:54♪♪
00:54:04♪♪
00:54:14♪♪
00:54:24♪♪
00:54:34♪♪
00:54:43So, anyway, I told her, you know,
00:54:45that I didn't want to be there,
00:54:47that I thought she should go by herself.
00:54:49Excuse me, miss.
00:54:51Well, exactly.
00:54:52That's what I was trying to tell her.
00:54:54Tracy Collins?
00:54:56I'll have to get back to you.
00:54:59How can I help you?
00:55:01Tracy Collins.
00:55:03Never heard of her.
00:55:05You've been here all day?
00:55:07No, I was filling in for Vanna on Wheel of Fortune.
00:55:10Look, give me a break.
00:55:12I don't know who she is.
00:55:14She was looking for her sister, Kat,
00:55:16who got an acting job at the movie theater.
00:55:18Kat, who got an acting job in Mexico
00:55:20through your agency.
00:55:22Look, I don't know what you're talking about.
00:55:25Who runs this shit-can operation?
00:55:30I don't know.
00:55:32I can't say.
00:55:34And I don't intend to.
00:55:36May I?
00:55:38Tony!
00:55:40What the hell is going on?
00:55:42And who the fuck are you?
00:55:44Where's Kat and Tracy Collins?
00:55:46I don't know what the fuck you're talking about.
00:55:49One more time, sleazebag.
00:55:51Where are they?
00:55:53Get the fuck out of here.
00:55:55Inquiring minds.
00:55:57I want to know.
00:56:04Fuck you.
00:56:06This is for you, and this is for you.
00:56:08No!
00:56:16Press room.
00:56:46Oh, God, I can't believe you're here.
00:56:48Where's Daddy? Is he here?
00:56:50Honey, he's at home. Daddy's at home.
00:56:52I'm here. I promise.
00:56:54I'm gonna take care of you.
00:56:56Why are you dressed like that?
00:56:58Where's Daddy?
00:57:00Tracy, what's going on?
00:57:02She came to keep you company.
00:57:04No. No, you have to get me out of here.
00:57:06You don't understand.
00:57:08All the things happening in this place.
00:57:10Ugly, ugly things.
00:57:12Oh, hey, it's not so bad in here.
00:57:14I'll take care of you.
00:57:16No.
00:57:22That's not a very nice way to speak to a friend.
00:57:24I've always tried to be real nice to you, haven't I?
00:57:30Yes.
00:57:32Well, you see that?
00:57:34Now, you know I do.
00:57:36Now, you just watch,
00:57:38and you see how nice I can be.
00:57:40Gloria.
00:57:46Hey, Spider's your friend.
00:57:48You know that.
00:57:54Time to fly.
00:58:00You got your parole, baby.
00:58:04She's crazy.
00:58:06Like a fucking bird.
00:58:08What about me?
00:58:10Why don't you be a good little girl,
00:58:12and maybe Spider will take care of you, too.
00:58:14Go on.
00:58:19Spider.
00:58:21Know me.
00:58:23I'll do anything.
00:58:31You already have.
00:58:33Oh, no!
00:58:35I don't have to do anything.
00:58:37I'm out of this fucking place.
00:58:41It's okay.
00:58:43It's only a superficial wound.
00:58:45I'm fine, man.
00:58:47I'll be out of here in a couple of hours.
00:58:49We don't have a couple hours.
00:58:51I know where they are, and I'm going in.
00:58:53Alone?
00:58:55My favorite way to fly.
00:58:57Spice, are you okay?
00:59:01No one's okay in this frigging joint.
00:59:05I thought you had Spider under control.
00:59:09Control?
00:59:11Him?
00:59:15He can't even control himself.
00:59:17What a damn animal.
00:59:21I'm sorry.
00:59:23He can't even control himself.
00:59:25What a damn animal.
00:59:27Spice.
00:59:29Look,
00:59:31you've been here longer than anyone.
00:59:33Isn't there anything,
00:59:35anything at all that we can do to get out of here?
00:59:39There's no saying.
00:59:43When rape is inevitable,
00:59:47you ought to just lie down and enjoy it.
00:59:50No.
00:59:52I'm not lying down for anyone,
00:59:54and neither should you.
00:59:56You don't have to do that.
00:59:58There's got to be another way.
01:00:00Well, somebody better come up with a goddamn idea.
01:00:02All right.
01:00:06Figure it out.
01:00:08There's got to be a way to get a message out there.
01:00:10So what's the plan?
01:00:13Let's arrange for both of us to be taken to the warden.
01:00:16I'll distract her,
01:00:18and you make the phone call.
01:00:20Distract her how?
01:00:22Good girls might get out eventually,
01:00:24but bad girls get out faster.
01:00:26Listen to you, Mama.
01:00:37If you would just trust me,
01:00:39there's absolutely no way I would let anything happen to you.
01:00:42Just sit down right here.
01:00:44Yeah.
01:00:48You are so lovely.
01:00:53God, you're so beautiful.
01:01:01Why don't you have a drink, Priscilla?
01:01:03I don't drink.
01:01:05It would make me very happy
01:01:07if you would have a drink.
01:01:09Hmm?
01:01:11You want to make me happy?
01:01:14I do want to make you happy.
01:01:25Dr.
01:01:27Dr.
01:01:33Dr.
01:01:57Dr.
01:02:10I can't!
01:02:14I can't!
01:02:27I can't!
01:02:37Police operator.
01:02:39I need help.
01:02:41I'm at Honeywell Prison.
01:02:43Okay, hold for the desk sergeant.
01:02:45Detective Sergeant Elston.
01:02:47Please help me.
01:02:49I'm trapped in Honeywell Prison.
01:02:51Speak up, lady.
01:02:53Hey, give me one of those damn donuts.
01:02:55Please help me.
01:02:57I'm trapped in Honeywell Prison.
01:02:59Might that be because you're a prisoner?
01:03:01Yes, but I'm innocent.
01:03:03I'm absolutely sure you are.
01:03:05At least give me half the damn donut.
01:03:13Hello?
01:03:15Yes, who's that? I'm here.
01:03:17I'm here. Go ahead.
01:03:19My name is Catherine Collins
01:03:21and I arrived the other day from Utah
01:03:23and I'm calling from the warden's office
01:03:25at Honeywell State Prison for Women.
01:03:27In California, right?
01:03:29California.
01:03:31Honeywell State Prison in California.
01:03:33Of course, in California.
01:03:35Look, can you help me?
01:03:37Of course I can help you.
01:03:39Miss Collins, I'll tell you what I'm going to do.
01:03:41I'm going to fall back on all of my experience
01:03:43as a detective, okay?
01:03:45And I'm going to conclude that you're a basket case.
01:03:47One damn nut.
01:03:49Because there's no Honeywell State Prison
01:03:51in California or any other damn state
01:03:53as best I know.
01:03:55Look, there must be some mistake.
01:03:57Please check this number.
01:03:595551313.
01:04:01Please help me.
01:04:05For God's sake, don't...
01:04:07I'll do what I can, lady.
01:04:11Your wife, Allison?
01:04:13Look, the city is burning down
01:04:15and we got all these damn idiots out there
01:04:17banging one another to death on the freeway
01:04:19and I get this dumb lady from Utah
01:04:21who calls me about this...
01:04:23Utah? What's your name?
01:04:25Name, name.
01:04:27Some Catherine Collins.
01:04:29Bingo.
01:04:31So you know the broad.
01:04:33She calls me and tells me she's in a warden's office
01:04:35in some Honeywell State Prison.
01:04:37Now, isn't that a crock of crap or what?
01:04:39Yeah, that falls squarely
01:04:41under the category of what?
01:04:43Now, trace the number.
01:04:45Yeah, yeah, but I got to tap this kidney
01:04:47Hey, Allison, now.
01:04:49Right.
01:04:51I'll pee in a cup.
01:05:17Oh, my God!
01:05:24You're okay.
01:05:26Get away.
01:05:28Tracy!
01:05:30Tracy!
01:05:32Tracy!
01:05:34Tracy!
01:05:36Tracy!
01:05:38Tracy!
01:05:40Oh!
01:05:42Oh!
01:05:44Oh!
01:05:47Oh!
01:06:02No!
01:06:04No!
01:06:14Oh, no.
01:06:17Oh, my God.
01:06:19Oh, my God.
01:06:21What have they done to you?
01:06:31Ah!
01:06:36Shh.
01:06:38Welcome to the quiet room.
01:06:42Ah!
01:06:44No! No!
01:06:46No! No! No!
01:06:48No! No! No!
01:06:50No! No! No!
01:06:52No! No! No!
01:06:54No!
01:06:56Ah!
01:06:58Shut up!
01:07:00She knows.
01:07:04Well, Catherine.
01:07:06So you've seen through
01:07:08our little charade.
01:07:10I don't understand.
01:07:12Do the words
01:07:14white slave trade
01:07:16mean anything to you, baby?
01:07:18You see, our international clients
01:07:20here watch casting tapes
01:07:22and then they make out shopping
01:07:24lists. We frame you out of town
01:07:26girls.
01:07:28Send you to a movie-set prison
01:07:30to break your
01:07:32spirit. But best of all
01:07:34is that most of the girls
01:07:36actually believe that they'd done something
01:07:38disgusting.
01:07:40So the stupid
01:07:42bimbos tell their parents
01:07:44and their boyfriends
01:07:46that they're going out of the country
01:07:48to watch a movie.
01:07:50It's fucking beautiful.
01:07:52No one
01:07:54looks for them.
01:07:56There is no missing person reports.
01:07:58And if some family in the Midwest
01:08:00decides to chuck her out,
01:08:02where will they look?
01:08:04Mexico?
01:08:06What about the people?
01:08:08What about all those people?
01:08:10Now, Catherine, that's the part
01:08:12you should have guessed. You see,
01:08:14the judge,
01:08:16Santiago,
01:08:18the district attorney,
01:08:20and me,
01:08:22we're all actors.
01:08:24Oh, God.
01:08:26Crazy Daisy was right.
01:08:28Crazy Daisy
01:08:30was right.
01:08:32Come on, baby.
01:08:34No!
01:08:36No, please!
01:08:38No!
01:08:40You got a new playmate.
01:08:42Spider-Man.
01:08:48And you know what?
01:08:50We're gonna start playing with this little thing here.
01:08:525,000 volts.
01:08:56Shoot your little baby.
01:09:06Ah!
01:09:24Fuck them up.
01:09:26Get them the hell out of here!
01:09:28Let go of me!
01:09:30Let go of me!
01:09:32Oh!
01:09:34Let go of me!
01:09:40Let go of me!
01:09:42Get away from her!
01:09:44Shit!
01:09:46Leave her alone!
01:09:48Tristan, get his keys.
01:09:50Not one step!
01:09:52Give me your gun.
01:09:56Real slowly.
01:10:04Stay there!
01:10:06Stay there!
01:10:08Come on, Tracy.
01:10:10Let's get out of here.
01:10:12All right, come on, come on!
01:10:14Get out!
01:10:24Come on!
01:10:26Get the kids!
01:10:34Come on!
01:10:36Get out of here!
01:10:38Come on!
01:10:40Come on!
01:10:46Tristan!
01:10:48Come on!
01:10:50Come on!
01:10:58Come on!
01:11:04Come on!
01:11:20Ah!
01:11:34What the fuck went wrong?
01:11:36Holy shit!
01:11:38We've got breakout on four, five, and six,
01:11:40and we got a goddamn fire!
01:12:04Shit!
01:12:20So...
01:12:24My little angels are out of their cages.
01:12:34No one...
01:12:36gets out of here alive.
01:12:38No one.
01:12:43Waste them.
01:12:45No one.
01:12:50Waste them.
01:13:15Come on!
01:13:26No, no, no!
01:13:30No!
01:13:45No!
01:14:15Shit!
01:14:26Ah!
01:14:30Ah!
01:14:32Ah!
01:14:38Shit!
01:14:45Ah!
01:14:55Ah!
01:14:59Ah!
01:15:01Ah!
01:15:15Ah!
01:15:17Ah!
01:15:28Ah!
01:15:33Ah!
01:15:45Ah!
01:15:49Ah!
01:16:10Ah!
01:16:15Ah!
01:16:26Ah!
01:16:28Ah!
01:16:32Ah!
01:16:34Ah!
01:16:36Ah!
01:16:38Ah!
01:16:41Ah!
01:16:51Ah!
01:16:59Ah!
01:17:05No!
01:17:07No, don't hurt me!
01:17:09Ah!
01:17:39Ah!
01:17:43Ah!
01:17:49Ah!
01:18:06Ah!
01:18:10Ah!
01:18:15Ah!
01:18:27Ah!
01:18:31Ah!
01:18:33Ah!
01:18:40Ah!
01:18:44Ah!
01:18:53Ah!
01:19:03Ah!
01:19:05Ah!
01:19:10Ah!
01:19:15Ah!
01:19:18Ah!
01:19:20Ah!
01:19:27Ah!
01:19:29Ah!
01:19:54Ah!
01:20:00Ah!
01:20:15Wake up!
01:20:17What are you doing sleeping?
01:20:19Wake up!
01:20:21Your mind is rearranging
01:20:24Don't you feel your body changing?
01:20:26Get up!
01:20:28Get up!
01:20:34Get up!
01:20:36Get up!
01:20:39Get up!
01:20:41Get up!
01:20:43Get up!
01:20:45Get up!
01:20:50Victor!
01:20:52Ah!
01:20:54My God, your arm. What happened?
01:20:56Oh, it's nothing.
01:20:58You're okay. That's what matters.
01:21:00I can't believe you're here.
01:21:02I'm glad that you care.
01:21:04Hey, I care more than you know...
01:21:07that you might be dead.
01:21:10You saved our lives.
01:21:12How could I ever thank you?
01:21:14It was my pleasure.
01:21:15Oh, no. It was mine.
01:21:19What about your dream?
01:21:21Did Dad die in there, too?
01:21:23He's not dead, Victor. Not ever.
01:21:25It's still alive, and I'm gonna make it in this town.
01:21:28You'll see. I'm gonna be a star.
01:21:30Ah, you're already a star.
01:21:32They just don't know it yet.
01:21:34Take care, Tracy.
01:21:37But where you going?
01:21:39I gotta see a man about a war.
01:21:43You coming?
01:21:44No.
01:21:47I got a tough fight here in L.A.
01:21:50I gotta keep her out of trouble.
01:21:55Kat?
01:21:56Where's Rhonda?
01:21:59She was with us.
01:22:02Oh, my God! She's still in there!
01:22:04No, Kat!
01:22:12Rhonda?
01:22:14Rhonda?
01:22:17Rhonda?
01:22:19Where are you?
01:22:21Rhonda?
01:22:23Rhonda?
01:22:26Rhonda?
01:22:30Rhonda, where are you? It's Kat.
01:22:39Oh, God, it's too late.
01:22:41I knew you'd come back for me.
01:22:43Help!
01:22:48Kat?
01:22:50Kat?
01:22:54Help!
01:22:56No!
01:22:58No!
01:23:00No!
01:23:02No!
01:23:07Die, motherfucker!
01:23:23No!
01:23:42Black comes to life! Black comes to life! Black comes to life!
01:23:53Black comes to life! Black comes to life! Black comes to life!
01:23:57Black comes to life! Black comes to life! Black comes to life!
01:24:00Black comes to life! Black comes to life! Black comes to life!
01:24:03Black comes to life! Black comes to life! Black comes to life!
01:24:06Black comes to life! Black comes to life! Black comes to life!
01:24:09Black comes to life! Black comes to life! Black comes to life!
01:24:12Black comes to life! Black comes to life! Black comes to life!
01:24:15Black comes to life! Black comes to life! Black comes to life!
01:24:18Black comes to life! Black comes to life! Black comes to life!
01:24:21Wake me up when it's all through. I'll make the man come after you.
01:24:28Black comes to life! Black comes to life! Black comes to life!
01:24:32Only in the movies.
01:24:37Black comes to life! Black comes to life! Black comes to life!
01:24:41Only in the movies.
01:24:45Take the car and follow me.
01:24:50Easier than one, two, three.
01:24:54Leave the scene without a trace. Forget you ever saw my face.
01:25:03Shoot the soldier, win the war.
01:25:07Get the girl and yell for more.
01:25:11Get the girl and yell for more.
01:25:16Cowboy's always gonna win. The redneck takes it all for ten.
01:25:23Black comes to life! Black comes to life! Black comes to life!
01:25:27Only in the movies.
01:25:32Black comes to life! Black comes to life! Black comes to life!
01:25:36Only in the movies.
01:25:40Only in the movies.
01:25:47Ooh, honey.
01:25:50I got to sit on my TV screen.
01:25:55Ooh, honey.
01:25:59Life in the movies makes my life seem boring and dumb.
01:26:04Yeah!