Destino terror Manicomio Cresson Parte 2
paranormal, fenómenos paranormales, actividad paranormal, investigaciones paranormales, fantasmas, espíritus, casas embrujadas, eventos inexplicables, apariciones, cazafantasmas, experiencias paranormales, lo sobrenatural, misterios sin resolver, vida después de la muerte, fenómenos sobrenaturales, evidencia paranormal, avistamientos de fantasmas, fenómenos inexplicables, entidades paranormales, sucesos extraños
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Short filmTranscript
00:0016 HOURS EARLIER
00:07I want to see what happens when we enter the darkness more than ever before.
00:12In this trip, we will never use flashlights.
00:15What?
00:16I don't like this, Spina.
00:18Oh my God, man.
00:19What do they give you?
00:20Crescent.
00:21Sanatorium.
00:22And prison.
00:23I'm in the damn tunnel system.
00:25Can you repeat this sound?
00:30What the hell?
00:31I heard blows down there.
00:32He said count, like the three blows.
00:35Whatever it is, it's an imitator spirit.
00:37It's dominant.
00:38We're going back to Creston.
00:41Are you kidding me?
00:42What?
00:43Not even talking about that.
00:46My name is Dakota Layden.
00:48I'm leading my sister and my two best friends on a trip to explore the most beloved abandoned places in the United States.
00:56Oh my God!
00:59No, no!
01:02Let's go, let's go, let's go!
01:03I panicked.
01:04I'm experiencing how terror affects our relationship with the paranormal.
01:09Every night we separate to sleep alone.
01:13The trick?
01:14Only one of us knows where we're going.
01:20Horror destination.
01:24Next.
01:33Creston, Pennsylvania.
01:39Our experiences the night before in Creston's sanatorium and prison were absolutely terrifying.
01:45And now, for the first time ever, we are going back for a second consecutive night in a row.
01:51I have some questions that were definitely left unanswered last night.
01:54But I also have some new information about this place.
01:57This one won't be easy.
01:59And when I say we're going to go into the dark, I mean it in every sense of the word.
02:04And I can't leave until we figure out what the hell happened last night.
02:08We really only scraped the surface.
02:10Almost 30 acres.
02:12More than 20 buildings.
02:14This place has a very rich and deep history.
02:16We double more on the sanatorium side.
02:19And tonight, we're going to take care of the prison.
02:22With the spirits of criminals and criminals,
02:25we also need to be more worried about this imitating entity that we've already detected.
02:30Because we know this thing can follow us.
02:32We know this thing is not afraid to manifest itself.
02:34No matter the building we're in.
02:36Second night.
02:37Here we go.
02:38Sanatorium and prison in Creston.
02:40Now we can go back and answer about last night.
02:43I know we're excited.
02:44You're totally wrong.
02:46I hate you right now.
02:47I'll take the laptop.
02:48Okay.
02:49Last night, when we went down to the tunnels,
02:51we all heard what sounded like a music box.
02:53We didn't have the music box.
02:55We only used it when Alex was alone in the nursery.
02:58Tell me what you hear.
03:03Are you there?
03:06What are you doing?
03:07My God.
03:08The milk!
03:10I can hear music.
03:11What?
03:12It sounded like the music box.
03:14That is for sure the same sound as the music box.
03:18A hundred percent.
03:19The music box has a very distinctive sound,
03:22and that's quite the imitation of the music box.
03:25Yes.
03:26One thing that's so mind is that it sounded very loud
03:30as we were there, but it also sounds very loud on the audio.
03:34Yes.
03:35And you can hear the gears turning.
03:37Yes.
03:38We really feel like we're being followed by the imitating spirit.
03:42I'm curious to see if this night will be the same.
03:44There's only a couple of hours left before it gets dark.
03:46What do you think if we go around and see this place during the day time?
03:49Let's do it.
03:51Where do we start?
03:52Yes, where do we start?
03:53This is the administration building where I was.
03:56It's the administration?
03:57You scared me.
03:58Good for you.
03:59That building is creepy.
04:00And Tanner, you were in that one over there.
04:02It's much worse.
04:04That actually looks like a building,
04:06but that looks like it's been in ruins for many years.
04:08True.
04:09Chelsea, you were right here under us.
04:11Right under our feet.
04:13Wow.
04:16Now that there's light, I have a false sense of confidence.
04:20Oh, no.
04:21This is the children's pavilion.
04:23This is where Alex was alone last night.
04:25Do you want to see where I did the hit experiment?
04:27Yes.
04:28It's on the second floor, right here, on this door.
04:33And then we heard that in the basement.
04:37What the hell?
04:38I think I heard a couple of hits there.
04:40He said like three hits.
04:43I don't want to stay here any longer.
04:45Yeah, we're leaving.
04:46We could really spend a lot of time here.
04:48We hit four areas last night.
04:50And tonight we'll hit four more.
04:52But there are 20 buildings in this area.
04:54I'm starting to think that two nights might not be enough.
04:57Jesus!
05:02Okay, that sounded like a slap.
05:04Yeah.
05:05I don't know if he heard where we were coming from or underneath.
05:08Isn't it if we go down there?
05:09Is that where the tunnels are?
05:11Yeah.
05:12Well, that's really bad for me.
05:16The fact that I can see everything and all the buildings
05:19makes this night even scarier.
05:23I can definitely go down the guardrail a lot.
05:26And we know that's not a good idea in a place like this.
05:29Now that there's light here, I have a false feeling of confidence.
05:34Oh, my God.
05:36Yeah, this is pretty freaking creepy.
05:39Tanner, this is where we left off, down this hall.
05:42Yeah, that's the only part I explored.
05:44To be honest with you, I was too nervous to move.
05:49So this is the most psychiatric part of the prison?
05:53Yeah.
05:54Damn, it's like a control room to close all the doors.
05:59Jeez, this is actually huge.
06:01It's falling apart.
06:03Yeah.
06:04Look at the roof.
06:05It's about to fall apart.
06:07Shouldn't we leave for safety reasons?
06:10Yeah.
06:11I think it's still scary.
06:13But I think now I'm a lot more aware of the environment because I can see.
06:17True.
06:18The administration.
06:22All right, let's find the tunnels.
06:24Just so you know, the tunnels will be exactly as daytime as nighttime.
06:29True.
06:30Because there are no windows down here.
06:33Oh, my gosh.
06:34You can really get lost down here.
06:36Yeah.
06:37In any case, I'm even more scared of the tunnels now that we've experienced so many things there.
06:43Damn it!
06:44God!
06:46I thought it was closed.
06:47Maybe it was the wind or something.
06:49Of course.
06:50It's so windy in the tunnels.
06:51It doesn't open.
06:52It's like something's blocking it.
06:53I'm so scared, guys.
06:56Can you do it again?
07:05I say we get out of here.
07:06It's time to go to the material room and read the file.
07:09Tonight we do four new buildings.
07:12Are you kidding me?
07:13And I'm curious to see if there's any relationship between the new buildings with what we noticed last night.
07:24All right, guys.
07:25It's the beginning of the second night.
07:27Instead of going in through the door as strangers, now we're going in as acquaintances.
07:32Chelsea, open it.
07:38Round two of the Crescent Sanatorium and Prison.
07:44Due to a century of painful deaths,
07:47lost hope, and violent personalities interacting in the Crescent Sanatorium,
07:52there are too many stories to uncover in one exploration.
07:56But there is one true resident, especially a sadist, who stands out as the most terrifying.
08:03The most prolific prisoner who was here was a serial killer named Joseph Kalinger, accused of killing three people.
08:10He was the most violent and well-known prisoner in this prison.
08:13Kalinger was responsible for a wave of crimes in the early 1970s,
08:18which began when he killed his eldest son, Joseph Jr., and another little boy.
08:25He killed his own son?
08:26Yes.
08:27How do you get to the point of killing your own son?
08:30It gets worse.
08:32He then kept on committing violent crimes with his other son, who was only 13 years old.
08:40How is that possible?
08:41That's disgusting.
08:42They went on to rob and sexually assault four families.
08:46His kingdom of terror only ended when Joe killed a young nurse and he was captured.
08:52He was sentenced to life in prison in 1976, and he was finally transferred here.
08:57In fact, he died in this prison in 1996 of a heart attack.
09:01They say that Kalinger's spirit is here.
09:03He's one of the most active and present ghosts.
09:05Oh, my God.
09:06I don't want to talk about tonight.
09:09Most active areas include Building 4 and Block 1.
09:15The minute you step inside Block I, you can tell that it was one of the most restricted units.
09:20They were locked up in their cells for 23 hours a day and they didn't interact with other people.
09:26In this cell block were the worst criminals in the prison, including the serial killer, Joe Kalinger.
09:32If you call him by his name, he will interact with you, and it is a very heavy energy.
09:38They say that Kalinger's spirit is still working with Dana in his cell, even further away,
09:43and that he communicates with those who dare to come near.
09:47I don't want to do that.
09:49I'm telling you, I don't like this place.
09:53Block J is the largest and most modern of all the cell blocks.
09:59It is also where two prisoners took their lives before their sentences were off.
10:04Block J is one of the newest buildings.
10:06I think they built it around 2006 or so.
10:09It doesn't scare me outside.
10:11But when you walk inside, I think it's scarier than the other blocks.
10:15It's dark and there are bars on the shower doors.
10:18It makes me uncomfortable.
10:21REM pods are very active here.
10:24Some have said that they smell sulfur in the corridors.
10:27Unlike other buildings, here the spirits usually leave the women alone,
10:31choose not to bother them, and focus their energy on the men in the group.
10:36That's not what you usually hear in a prison.
10:39It's pretty unusual, really.
10:41The chapel.
10:43Built in 1914,
10:45chapels were held for both patients and prisoners.
10:49A chapel.
10:50You'd almost always think it's a super sacred place.
10:53It's a sanctuary, right?
10:54Not in this case.
10:55This is the exact opposite.
10:57I think the dark energy moves around the entire complex,
11:01but it's usually in the tunnels and in the chapel.
11:04And that tunnel entrance in the chapel,
11:06I think you can use it to go from one place to another.
11:10The energy changes drastically.
11:12It's very strong.
11:14Some people have been shaking uncontrollably,
11:17not because of the cold, but because of total exhaustion.
11:20That's weird.
11:21Yeah.
11:22It doesn't make sense.
11:23Exhaustion?
11:24There is also an entity with claws that has been seen on the ceiling.
11:29It will follow you and perch on the ceiling,
11:32watching you explore the rest of the building.
11:35My most terrifying experience took place in the chapel.
11:39I saw something peeking out of the upper window,
11:42as if it were moving through the ceiling.
11:45Then I saw how it took out its hands and moved away.
11:48I was totally terrified.
11:50In the end, my friend told me to leave.
11:52As we left, I said,
11:54it's following me.
11:55It's on my back.
11:56I felt like it was taking someone on a horse.
11:58I never went back there.
12:00That is now a level up.
12:03So this thing was watching us last night?
12:05Yes.
12:06We can't let anything follow us on our trip, Dakota.
12:09I know that.
12:12Block E.
12:14Old accommodation for the majority of inmates.
12:17Block E has a wide variety of paranormal activity.
12:20If you look at the cells, you're looking at them.
12:22You see them moving around in their cells.
12:24If you ask them to come out, they come out and they talk to you.
12:27Big figures of shadow appear in the fog and cover the light.
12:31You can hear noises everywhere,
12:33you can hear whispers next to the showers.
12:36But it's said that physical encounters are the most terrifying.
12:40Some have pulled their hair out
12:42and others have been touched,
12:44specifically by ghostly hands
12:47that caress their legs and backs.
12:50I think Chelsea should be very careful in Block E
12:53because they're very active and they want to touch you.
12:56I feel like if there's a feminine presence in that cell,
12:59they're going to take advantage of it and not in a good way.
13:02No.
13:03No way.
13:04Oh, my God.
13:05What?
13:06I'm actually glad I didn't read the whole thing last night
13:08because I don't know if I could have put up with it.
13:10Well, it's time to explore this place
13:13for the second consecutive night.
13:19So we just finished reading the file
13:21and we're about to start our second night.
13:24We have to go to a lot of buildings,
13:26so I think we should split up into pairs.
13:28Tanner and Alex, would you like to go to Building 4?
13:31OK, Al, you and me, mate.
13:33Let's go find Kalinger's cell.
13:35And Chelsea and I will go to Block J.
13:38OK, guys.
13:39OK, good luck.
13:40If you need us, don't use the radio.
13:42OK, see you later, guys.
13:44I mean, friends.
13:45Building 4.
13:46Wow, this building is very intense.
13:49So, what are we doing?
13:51We're going to Block 1,
13:53which is where Joseph Kalinger was held.
13:56Who is one of the most famous serial killers
13:58in American history.
14:04Wow.
14:05I think we've found the area.
14:07Oh, my God.
14:10Hello?
14:11Hello?
14:17We're going to stay here for a while.
14:21Can you tell us why you're here?
14:26One thing that keeps giving me a bad feeling
14:30is that imitator spirit.
14:32It sounds bad, but I hope that if someone follows,
14:35it follows Dakota and Chelsea,
14:37because I just don't want to have to deal with that.
14:42Block J. Let's go.
14:44All right, let's try to make it out alive, Dakota.
14:46All right, Chelsea.
14:47I will try.
14:49You too.
14:51Block J.
14:53All right, this is freaky.
14:57Dude.
14:59So, this is where most of the inmates slept,
15:02is that correct?
15:03Yeah.
15:04This is a very strange building
15:06because spirits usually focus their attention on men
15:10and leave the women totally at peace.
15:17Is there someone here?
15:24We've been told you don't like men.
15:28Do you not like that I'm here?
15:36Ooh!
15:38Okay, what?
15:40Ooh!
15:43What the hell?
15:45It sounded like metal.
15:46It sounded like they were hitting something metallic.
15:49All I could imagine is an inmate hitting his door.
15:56Are you over in wing A?
15:58Yeah.
16:06This is A, wing A.
16:11Who made that noise?
16:21Dude, we've got to go find Joseph Kalinger's cell.
16:25Oh, shit.
16:27Bars and plexiglass?
16:30Yeah, this is it.
16:34Joseph Kalinger's cell.
16:35I think if we can, we should sit inside this cell.
16:41All right, I've got a digital recorder in my hand.
16:43We'll ask you a few questions,
16:45we'll play the recording,
16:46and hopefully we'll get some answers.
16:48Joseph, are you here with us?
16:56Joseph, why did you force your 13-year-old son to kill?
17:05Joseph, do you still feel the urge to kill people?
17:16All right, I'm going to play the recording,
17:18see if we can get anything.
17:21Joseph, why did you force your 13-year-old son to kill?
17:27Joseph, do you still feel the urge to kill people?
17:39He said a lot of things.
17:41It's like he's trying to say a whole sentence.
17:43But I can't tell what he's trying to say.
17:45Nothing at all.
17:46Can you turn up the volume?
17:48It's at maximum.
17:49It's at maximum.
17:51Joseph, do you still feel the urge to kill people?
17:56Joseph, do you still feel the urge to kill people?
18:00Dude, he's trying to say something.
18:02Oh, my God.
18:03You can clearly hear a voice.
18:04I haven't been able to tell.
18:06All right.
18:07Wow.
18:08But it doesn't feel good that he's answering that question.
18:11Do you still feel the urge to kill people?
18:13I'm sure he's pissed that we're in his cell right now.
18:17I've got an idea.
18:18You've got an idea?
18:19Since spirits focus on men,
18:22I think you could move by yourself to prison.
18:25What do you think?
18:27Oh, my God.
18:29You're a psychopath.
18:30We're not traveling all over the country
18:32to play the fool, Dakota.
18:34You are a fool.
18:35What I'm saying is...
18:36Listen to yourself.
18:37You're losing it.
18:38You're losing your mind.
18:40Dakota, I think you need to be alone anyway.
18:43I spend 90% of my life alone.
18:45You're one of the best investigators I know.
18:47Oh, thank you, Chels.
18:48You're going to another level.
18:50I don't believe you right now.
18:51I don't believe you.
18:54I'm just going to take a walk.
18:59My sister, over there,
19:01she's holding something in her hand
19:03that you can use to talk to us.
19:05Choose one word.
19:09Oh, gosh.
19:10This is very strange, Chels.
19:15How come you don't like it when there are men here?
19:21Time's up, 20 minutes.
19:28Nothing in the ovilus?
19:29Not a single word in the ovilus.
19:31What the fuck?
19:34I'm starting to think
19:35that it's good that you're here.
19:40Dude.
19:41What?
19:44The same noises we heard before
19:46are now coming from behind me.
19:48What?
19:49Maybe you should try the other wing.
19:51Seriously?
19:52You should go over there.
19:54Okay, great.
19:55Now send me to the other wing.
19:59I think we have to keep going.
20:01I agree.
20:02We should give him a chance to speak
20:04because we know he could say something.
20:06And recording for the second time,
20:08as a proof,
20:09Joseph, do you want us to keep going?
20:11Don't you want us inside your cell?
20:14We asked you if you were still feeling the urge to kill
20:17and you said something.
20:20Do you have the urge to kill again?
20:27Joseph, why did you kill all those people?
20:34Okay, I'm going to stop the digital recorder.
20:37I'm curious to see what we have.
20:39Joseph, do you want us to keep going?
20:41Don't you want us inside your cell?
20:46We asked you if you were still feeling the urge to kill
20:49and you said something.
20:54What?
20:55Wait.
20:56I asked something and it cut off.
21:01It's not playing anything.
21:03I can only hear the noise.
21:06It's not playing anything.
21:08I can only hear interference.
21:11Are you sure it's playing?
21:13Yes.
21:14Yes, time is passing.
21:16Are you sure it's the right fragment?
21:18Yes, it's still going.
21:20What?
21:24Okay, I'm going to stop the digital recorder.
21:26What the hell?
21:27What?
21:28You hear the first question
21:30and then nothing until you say,
21:32okay, all right, I'm going to stop the digital recorder.
21:36We asked if you were still feeling the urge to kill,
21:39the question you had answered the first time
21:41and then it cut off my question again.
21:44It's as if you had taken control of the recorder
21:46and you hadn't silenced us.
21:48But the fact that in the end you hear the,
21:50okay, I'm going to stop the digital recorder.
21:52I've never seen anything like it.
21:54I don't think it's a defeat because...
21:56We just did a full session before
21:58during which it worked perfectly.
22:00I want to show Dakota this.
22:02Let's see what she thinks about what happened here.
22:05Block J.
22:07Is the spirit that imitates people in here?
22:12Dakota?
22:13What the fuck?
22:15What was that?
22:16My radio.
22:18And I fell.
22:19Are you okay?
22:20Yeah, no, I'm just a little dumb.
22:26Dakota and Chelsea, do you copy?
22:28This is Dakota and Chelsea.
22:30We have something to show you when you're ready.
22:38Yo!
22:39What happened?
22:40Dude, you're not going to believe this.
22:42Buddy, you have to listen to this.
22:44We asked if you were still feeling the urge to kill
22:46and you answered something.
22:51And it stops.
22:52Right?
22:53It stops.
22:54It's gone.
22:55It's still going.
22:56Yeah.
22:57His voice just disappears.
22:59That never happened to us.
23:00I mean, maybe we touched a sensitive fiber.
23:02Did we do something to piss him off?
23:04Are you sure it was Joseph?
23:06It has to be.
23:07We were in his cell all the time
23:09asking him specific questions.
23:11All right.
23:12What do you say we keep going in pairs?
23:14I'm good.
23:15Let's go.
23:16At least for now.
23:17We're not dealing with the imitating spirit.
23:19At least we know.
23:23So, now Chelsea and I are going to Block E.
23:26A sinister walk to Block E.
23:29In Block E is where people have experienced
23:31a lot of physical interaction.
23:33Some have been grabbed by the leg,
23:35others by the ass.
23:36And in Block E is where they've seen figures
23:38walking in the shadows,
23:40starting in the hall.
23:42Let's go in there and see what happens.
23:56Hello?
24:00Is there anyone in here?
24:02B wing?
24:07Can you give us a signal if you're here
24:10that you can hear my voice?
24:15Compared to Block J,
24:17which we came from,
24:18Block E looks a lot more sinister.
24:20I almost feel the same energy
24:22as I did in the tunnel last night.
24:24Are the tunnels also connected to the prison?
24:26Yes.
24:27The tunnels connect all the buildings.
24:29God.
24:34There it is.
24:36Let's go to the chapel.
24:40Chapel.
24:41This is...
24:42My God.
24:44Yo.
24:47I don't like this at all.
24:50I'm going to set up this thermal camera.
24:52It said that there's some creatures
24:54that merodean through the ceiling.
24:56So if there's a change in the temperature,
24:58we can capture it and see it here.
25:01I feel like the first thing we should do
25:03is kind of just sit down and be in silence for a minute,
25:06see if we can hear anything,
25:08see anything, feel anything.
25:14Is there anyone or something here with us?
25:19If so, can you make a noise?
25:21Announce your presence.
25:28I feel like something is watching us right now.
25:31Like it's studying what's going on.
25:34I was thinking just the same thing.
25:36I feel like something is on the ceiling,
25:38watching us, watching us.
25:42Why are you in this chapel?
25:44This is supposed to be a place of God.
25:48There's a camera on the altar
25:50that detects the temperature.
25:52So if you move over here,
25:54we'll be able to detect you and see you.
26:03What was that?
26:05Dude, it sounded just behind us.
26:09I'm fucked right now.
26:11I don't feel that sensation all over my body.
26:14Where is that going?
26:21Is there someone here?
26:25We know there's someone here.
26:29Can you do it again?
26:33Would I do it at one of these doors?
26:37No, I'm pretty sure not.
26:39Or one of these.
26:44That sounds exactly like what we heard.
26:47What was that?
26:49I'm starting to feel sick.
26:51I need some fresh air.
26:55Here you can usually see figures of shadow
26:57that cover the light.
26:59So I've brought a new device.
27:01A laser grid.
27:03It's a laser that projects a bright grid.
27:05So maybe we can see it
27:07if we can get something to pass through.
27:10We've been told that people have seen you
27:12running around and blocking the light.
27:14Can you put yourself in front of one of those red lights?
27:24Can you come over this way?
27:26We will be able to see you.
27:31I feel like my eyes are playing tricks on me.
27:33I feel like I'm seeing a shadow.
27:35It's really hard to tell.
27:38Whoa, dude.
27:40What?
27:42My camera was super blurry.
27:44Really?
27:45Your whole face.
27:46Everything was super blurry.
27:48It's doing it again.
27:49What are you saying?
27:50I'm not kidding.
27:51What?
27:53What was that?
27:54The music box.
27:55The fucking music box.
27:56Oh, shit.
27:58It's the music box.
27:59What the fuck?
28:00Is somebody in here?
28:03Hello?
28:09I'm not kidding.
28:10What?
28:12What was that?
28:13The music box.
28:14It's the fucking music box.
28:15How is that possible, Chelsea?
28:17I have no idea.
28:19Twice.
28:20Yesterday we heard it in the tunnel.
28:21Now we've heard it in Block E.
28:23That means one thing.
28:24Whatever the imitator spirit is,
28:26it's here right now.
28:28Hello?
28:30The imitator spirit is here.
28:32Are you trying to scare us again?
28:37Jesus, Chelsea.
28:38I don't want to move.
28:39I'm so scared.
28:41My heart.
28:42I think it stopped for a second.
28:46Oh, God.
28:47Tanner, Alex.
28:49What's up, man?
28:51You're not messing with us right now, are you?
28:53What?
28:54No.
28:55What's up?
28:56We just heard the music box again in Block E.
28:59What the hell?
29:00It's not a joke.
29:01Chelsea and I don't want to move.
29:03Could you please come?
29:04Yeah, let's go.
29:05Okay, we're coming.
29:08Okay.
29:09What?
29:10What are you doing?
29:11Holy shit.
29:12Guys, get in here.
29:14We heard the damn music box again.
29:16Yeah.
29:17What?
29:18We were sitting at this table,
29:19trying to get something to cross in front of the laser grid,
29:22and we heard several bells from the music box,
29:24very faintly, but it came from the entrance,
29:26like where you just came in.
29:28Whatever the imitator spirit is,
29:30it's here right now.
29:31The crazy thing is that we were told
29:33it was in the children's hall,
29:35and what we've come to find out
29:37is that it's just following you wherever you're at.
29:40Yeah, well, it doesn't really matter
29:42if you're in the sanatorium building
29:44or in the prison building.
29:46It's following us.
29:48Let's go look.
29:49I want to go see what's around here.
29:52Hello?
29:55Can you activate the music box again?
30:00Guys, just go together.
30:03Oh, my God.
30:09Hello?
30:11How does this thing happen?
30:13I cannot understand it.
30:15Like, why is it using that specific sound?
30:18I don't get it.
30:19Think about it.
30:20It knows it's scary.
30:21We took time out of the day
30:23to go over what we were afraid of on the property.
30:26Maybe it was watching us while we were going over that.
30:29True.
30:30It knows how to scare us.
30:31Yeah.
30:32What is the limiter?
30:33What is that thing?
30:34I don't think it's something natural,
30:36I don't think it's something human.
30:38I think it's something that has adhered
30:40to all the death and pain that exists here.
30:42It's like an accumulation of all the bad things
30:44that have happened here.
30:45Whatever it is, it can go around the property
30:47and it doesn't care if it shows up
30:49wherever people are.
30:50God, I hate this.
30:51I hate it to the point of saying it.
30:53The next thing we have to do is go to bed separately.
30:56I don't want to do it, but it is what it is.
30:59I never want to hear the music box ever again,
31:02ever, ever, ever.
31:04Me neither.
31:05Right now it's time for us to go to bed.
31:09We believe that being alone and being isolated
31:12that it amplifies your fear
31:13and it amplifies the paranormal activity.
31:16And this time we don't have any lights to sleep alone.
31:19Oh my God.
31:21We've all agreed to sleep in the four scariest places.
31:25First, we have the chapel.
31:27Then we have block E.
31:30Then we have building 4.
31:33And last, we have the tunnels
31:35that are underneath the administration building.
31:39Tanner will write the four in pieces of paper
31:41and then we're going to each take out one
31:43and we're going to sleep there the rest of the night.
31:45I think, because he's such a wonderful person,
31:48Alex should do it first.
31:50I knew it.
31:51As soon as you said wonderful person,
31:53I knew it was going to be me.
31:55Everybody knows that Alex always takes out the tunnels.
31:59Except this time, it's not the tunnels.
32:02I'm sure it's not the tunnels.
32:05Oh!
32:06Dude, block E, not the tunnels.
32:09It's a piece of shit because you just heard the music box there.
32:12Tanner, do you want to take it out now?
32:14Come on, Tanner.
32:15It's your turn, Tanner.
32:17Oh my God, I'm nervous for you.
32:19I hate this part.
32:23Shit!
32:24No!
32:26No!
32:28It's the tunnels!
32:30Dude, what a piece of shit.
32:33One of the theories we have is that the limiter uses the tunnels to get to all the buildings.
32:39Okay, Chelsea, do you want to be the next one?
32:42Well, here I go.
32:50The chapel.
32:51The chapel.
32:53I have not been in the chapel yet.
32:56But an abandoned chapel sounds really bad.
33:00That means I've touched the fourth building.
33:03That's where Kalinger, the serial killer, is.
33:05The fourth building is really scary.
33:07Well, that means it's time for us to pack up and go to bed.
33:12Tanner to the tunnel.
33:13Okay.
33:14Tanner's tunnels.
33:15Tanner's tunnels.
33:16Sounds good.
33:17Sounds good.
33:18Tanner is terrified.
33:24Oh.
33:27The tunnels.
33:28I'm not very happy.
33:30In fact, I've had a hard time coming here after all that has happened.
33:36It's very dark.
33:38I'm just going to start by showing you how dark it is down here.
33:42This is what I see.
33:44Absolute and complete darkness.
33:46The following events took place over the course of the next three hours.
33:50The main experience we've all had is that there is one thing,
33:54one entity, that has been following us.
33:57I just hope that, whatever it is, it leaves me alone.
34:03So I'm going to use this recorder.
34:06Any small noise will be clearly heard around here.
34:11Oh, that's so bad.
34:16Improved real audio.
34:21Building 4.
34:23Joseph Kalinger, are you here?
34:30Was that you that affected the recorder before?
34:35I'm sitting in front of your cell.
34:4017 minutes have passed.
34:43I'm sitting in front of your cell.
34:50Okay, I'm going to stop the recorder.
34:52Well, I haven't received any answers.
34:56But at least my questions have been recorded.
35:02I'm afraid of being here alone.
35:05I mean, I'm in a giant room.
35:08I don't know where to look.
35:09I can't see anything.
35:11The only light source I have is the laser grid I have behind me.
35:17What's the use of that?
35:20I don't know.
35:26Chapel.
35:30Improved real audio.
35:38Hello?
35:39Improved real audio.
35:47Something is moving somewhere in the chapel.
35:54Is someone here?
36:03I have no idea what that was.
36:06Tunnels.
36:08I don't like being down here right now.
36:12It's a mess because I can't even see around me.
36:17I'm in total darkness.
36:22If there's someone down here with me,
36:26are you an evil spirit?
36:30Or are you just fooling people to have fun?
36:35I don't know.
36:41I don't know what's going on, but I don't feel good.
36:45I feel like I've run out of energy all of a sudden.
36:48Like I've suddenly been drained.
36:54Man.
36:56It's just that now I don't feel like myself at all.
37:05It's being documented.
37:14No!
37:23I have a rush of adrenaline that keeps me awake.
37:27It's not like my eyes are tired.
37:30It's just that my body has no energy.
37:33I notice something's not right.
37:37I notice something.
37:39I notice...
37:49At this moment, all the audio was lost.
38:03Hello? Tanner to Dakota.
38:06This is Dakota.
38:07Hey man, I just heard the music box.
38:10What? You heard the music box?
38:12Man, I'm freaking out because...
38:16I feel weird right now.
38:19And on top of that...
38:21Man, Tanner, I can't hear you.
38:23There's interference.
38:25Are you sure it was the music box?
38:27I'm 100% sure it was the music box.
38:29Do you want me to come down with you?
38:31Say yes or no, I can barely hear anything.
38:34I don't know.
38:35I think I can keep going, but...
38:42I don't know what's going on.
38:43It's cut off.
38:45I don't know if he wants me to come down or not.
38:59I don't know what's going on.
39:29I don't know what's going on.
39:46I just can't do it.
39:55I just can't do it.
39:57I had to get out of there.
39:58I had to go.
39:59I didn't feel safe.
40:01I just didn't feel right.
40:04I had to go.
40:08I was just thinking that,
40:09hopefully, Chelsea is hearing the improved audio right now.
40:13I'm sure she'd love to hear it on the radio.
40:17Let's give it a go.
40:23Hey, Chelsea, how are you?
40:26Are you stupid?
40:36Chelsea, were you sleeping?
40:39You've pierced my ears.
40:44You should feel bad,
40:46considering you're wearing the headphones.
40:48I wouldn't have done it...
40:51if I'd remembered you were wearing them.
40:55But seriously,
40:56I think my soul has left my body.
41:01Hey, Tanner, Dakota here.
41:03I just wanted to let you know that the sun is coming out,
41:06and we have to go pick it up.
41:08Yeah, dude.
41:09I'm sorry to tell you this, but I left a while ago.
41:13Seriously?
41:20Dude.
41:21Dude.
41:22You okay, man?
41:23It's been the scariest night in the history of my life.
41:26What happened?
41:27I heard the music box behind me,
41:29and I was so scared.
41:31And as I was moving through the tunnel,
41:34boom, I heard a super loud noise.
41:37And they've always told us that if we feel uncomfortable or threatened,
41:40we have to get out.
41:42Get out, yeah.
41:43And I had to go.
41:44I had to get out of there.
41:46There's a point where it gets too dangerous,
41:48and I feel like you got to that point.
41:50I was just waiting a moment to get scared,
41:53and he decided to scare me out.
41:56Please tell me we're done with this place.
41:59We're done here.
42:03The reason I wanted to spend two nights here
42:05was to see what happens when you go from a prolonged exposure
42:08to a place with paranormal activity.
42:10Obviously, the first night was scary,
42:12but the second night was worse.
42:14And I think being in total darkness
42:16had a lot to do with the activity.
42:18Without a doubt, Tanner got the worst of this place.
42:20He ended up sleeping in the tunnel.
42:22This was the first time that someone
42:24left their assigned place in the middle of the night.
42:26So I'm definitely concerned about him.
42:28Going two nights to the same place,
42:30it got worse.
42:32It is a lot of stress to mark the line,
42:35and I think you did the right thing.
42:39This is a place with so much drama,
42:41so much darkness,
42:43but it is a little bit of a paranormal activity.
42:46I'm not saying that this was the most terrifying place
42:48that we have visited,
42:50because we have a long road ahead of us,
42:52and I'm going to go a little bit longer.
42:54Our next destination will test us.
42:58It's a place that should be full of positive
43:00and wonderful memories.
43:02But for us, I suppose,
43:04it's a place that we would like to forget.
43:07565 kilometers later.
43:09Who killed you?
43:11Professor.
43:12What?
43:13What?
43:14Professor!
43:15Are you serious?
43:16She just said Professor.
43:17Really?
43:18She said Professor.
43:19What?
43:20I have a feeling that the councilor knew something
43:22that someone didn't want him to know.
43:45To be continued.