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00:01:00Sylvia?
00:01:01Ciao, Raffaella.
00:01:02Could you check a license plate for me?
00:01:03I'll text you the details.
00:01:04I think I might have an admirer.
00:01:05Hello.
00:01:06Buongiorno.
00:01:07Hi.
00:01:08Hello.
00:01:09It's been a while, hasn't it?
00:01:11I bet you're not used to it yet, are you?
00:02:32Hello, who is this?
00:02:54I told Signora Paravesi she'll get her money, but she needs to be patient.
00:02:59No, I'm not in Panicale.
00:03:04Don't you dare threaten my family.
00:03:24So this is where you've been hiding out?
00:03:26Yeah, my own garden. Sneaky of me.
00:03:30You know you've been avoiding me.
00:03:31Not you. I saw Dad chatting up Antonella in Panicale yesterday.
00:03:38Did he say hello?
00:03:39No, no, he didn't see me.
00:03:42That's very good.
00:03:43No, it isn't good or bad yet. If you're trying to get round me, you'll have to do better than that.
00:03:56How are the two of you getting on?
00:04:00It's weird. Sometimes it feels like I've known him all my life. Then suddenly he's a stranger again.
00:04:08One day he won't be there at all.
00:04:11Maybe.
00:04:15You know, I'm picking up Alice from the airport later.
00:04:17Great. How long is she staying?
00:04:19Just a few days. She said she wants to take a break from her studying.
00:04:23Don't you think Alice should meet her grandfather?
00:04:26Oh my God, he's not just like Matteo.
00:04:30Let's all go out to dinner tomorrow night. Il Baccanale, my treat.
00:04:35You won't get a table.
00:04:49Giovanni, what a nice surprise.
00:04:52Farrah, your olive grove.
00:04:54It's lovely.
00:04:56But I don't have an olive grove.
00:04:58You do now.
00:05:00Silvia, is anything wrong? I haven't seen you since Villarossa.
00:05:06Sorry, there's some family stuff going on. That's all. I was going to call you.
00:05:14Hello, Capitano. We meet again.
00:05:17Signor Priest.
00:05:18No. His name is actually Henry Fox. He's my father.
00:05:48Silvia, last week on the murder scene I met Michael Priest.
00:06:00This week you tell me his name is Henry Fox. And he's your father?
00:06:05I know it must seem strange.
00:06:06Strange?
00:06:10Giovanni, this is a good thing. It's like I found a piece of myself that I didn't know was missing.
00:06:19Just be careful.
00:06:22We're all going out to dinner tomorrow. Alice and Antonella too. Why don't you come?
00:06:27Thank you, but I can't.
00:06:30That's a shame.
00:06:34See you soon. Ciao.
00:06:49I hope I didn't make things too awkward with your friend.
00:06:55He was surprised to see you, understandably.
00:06:58Look, it's time I got out from under your feet. I'm going to head off first thing in the morning.
00:07:04Because of Giovanni?
00:07:05No, no, no. I have to go to Madrid to check out a painting.
00:07:08But I've just arranged for us to have dinner with Isabella Matteo.
00:07:12Isabella agreed to that?
00:07:15Alice will be there.
00:07:17I'm sorry, but this Madrid thing could be quite important.
00:07:22More important than meeting your granddaughter?
00:07:27Sorry, some other time.
00:07:46Bye.
00:07:54Henry!
00:08:16Sylvia?
00:08:47Sylvia?
00:08:51Sylvia!
00:09:17I thought you were leaving this morning.
00:09:21Sylvia's disappeared.
00:09:23What?
00:09:25I think somebody's taken her.
00:09:27Taken her? What do you mean, taken her?
00:09:31There was a van, and her phone was lying in the road.
00:09:36Right. And have you called the Carabinieri?
00:09:39No. No, not yet.
00:09:46Yes, the captain is on his way. Please.
00:09:51Yes. Yes. Thank you.
00:10:17Hello?
00:10:20Who's this?
00:10:22My name is Henry Fox. I'm Sylvia's father.
00:10:25And why do you have a phone?
00:10:27I found it outside her house. Look, who are you? Are you a friend of Sylvia's?
00:10:32Maybe. Where is she?
00:10:35I don't know. She's disappeared.
00:10:37Dio, I should have called her before.
00:10:40Why? Did something happen?
00:10:43I can't talk right now.
00:10:45Just bring me her phone, so at least I can check her messages.
00:10:48You know her password?
00:10:50No, but it's not a problem.
00:10:52Look, I have to go. If you know something, tell me now.
00:10:57No. Meet me at Gelateria del Castellani, in Perugia. Two o'clock.
00:11:01Sit outside and read the newspaper. Don't tell anyone.
00:11:05Look, I just...
00:11:12Let's go.
00:11:20So, you heard the sound of the horn, and then you saw the van drive away?
00:11:27Yes.
00:11:29But you didn't see her get into the van?
00:11:31No.
00:11:33And what time was this?
00:11:35Around 7.30.
00:11:37There is a time mark, and no sign of a crash.
00:11:40Do you think I'm making this up?
00:11:42You don't know Silvia very well, do you?
00:11:45Sometimes she goes away without warning.
00:11:48Nobody just leaves without saying goodbye.
00:11:50Some people do.
00:11:52Her car is still here.
00:11:54And you found her phone on the road.
00:12:06Do you know her passcode?
00:12:08No.
00:12:09Well, I gave it to our tech guys. They might be able to open it.
00:12:12I doubt it.
00:12:14I couldn't see the driver, but the van was a white Fiat Ducato 10,
00:12:19no signage or livery, registration DP507GF.
00:12:24You took a picture of the license plate?
00:12:26Yes, I did.
00:12:28And the driver's name?
00:12:30I don't know.
00:12:32And the driver's name?
00:12:34I don't know.
00:12:36And the driver's name?
00:12:38I don't know.
00:12:39DP507GF.
00:12:42You took a picture of the license plate?
00:12:44No, but the number's correct.
00:12:47Has anyone made any threats to Silvia?
00:12:50Not that I know of, no.
00:12:52No. No.
00:12:54What aren't you telling us?
00:12:57It's not important.
00:12:59It's a misunderstanding about some money with a client of mine.
00:13:03And what does that have to do with Silvia?
00:13:06Nothing.
00:13:09It's just that a man rang yesterday and was rather unpleasant.
00:13:13And?
00:13:15He knew I was staying here, or in Panacale, anyway.
00:13:19Oh, my God. You've been back in our lives for five minutes.
00:13:24Look, I really don't think this has anything to do with my work.
00:13:26Who's the person you owe money to, Xenofox?
00:13:29You'd be wasting your time, Capitano, and we need to find Silvia.
00:13:32The name, please.
00:13:35Greta Paravesi. She lives in Rome, the Via Messalina.
00:13:39The van belongs to a printer in Città della Pieve.
00:13:42He was reported stolen one hour ago.
00:13:45Give him our aviso a tutte le regioni.
00:13:47Già fatto.
00:13:49Wait, wait. There is one other possibility.
00:13:51Silvia's made some enemies since she's been here, hasn't she?
00:13:54Really?
00:13:56Yeah, yeah, yeah. She's earned a reputation as a bit of a detective.
00:13:59How so?
00:14:01Well, she found a woman who'd been missing for twenty years, and a stolen pig, and…
00:14:06It's hardly grounds for a vendetta, surely.
00:14:10There were other cases more serious.
00:14:12That very bad guy Silvia helped to put away.
00:14:16The Camel Gregori.
00:14:19Forze ci di mezzo, lui.
00:14:21You'll keep us updated?
00:14:23Of course.
00:14:25You sure there's nothing else we should know?
00:14:28Nothing.
00:14:30We will find her.
00:14:33Andiamo.
00:14:36Let's go.
00:15:06Are you dead?
00:15:37Does the Capitano know what Silvia used to do for a living?
00:15:41He's not stupid. I expect he's worked it out, like I did.
00:15:46Are you suggesting someone from Silvia's past has tracked her down and abducted her?
00:15:52That's precisely what I'm suggesting.
00:15:55I, um, I don't know.
00:15:59I don't know.
00:16:01That's precisely what I'm suggesting.
00:16:04I, um, I was in the same game a long time ago.
00:16:08What game are you in now?
00:16:10Can't imagine art historians get threatened that often.
00:16:14You'd be surprised.
00:16:16I'm going home.
00:16:18You coming?
00:16:19Thanks, but I have some calls to make.
00:16:30Hello?
00:16:52Hello?
00:17:01Are you okay?
00:17:04Oh God! No! No!
00:17:31Oh God.
00:17:49Hello? How can I help?
00:17:51Put me through to Felicity Morris, please.
00:17:53Tell her it's Henry Fox and it's an emergency. A code nine.
00:17:57I'm not familiar with that term, sir.
00:18:00And I'm afraid I can't confirm the names of personnel.
00:18:03Felicity Morris's position as head of the service is a matter of public record.
00:18:07I'm a former colleague of hers.
00:18:09What's the nature of the emergency, sir?
00:18:13It's about one of your agents, Silvia Fox.
00:18:17She's my daughter and she's gone missing.
00:18:19I'm in Italy. So is she.
00:18:21Or at least she should be.
00:18:23Can you hold on a moment, please?
00:18:31There's no agent of that name currently active on His Majesty's service.
00:18:35I didn't say she was currently active.
00:18:38You're saying you and your daughter were both former agents?
00:18:43Yes.
00:18:45Have you reported her disappearance to the Italian police?
00:18:48Yes, but they're not equipped to deal with something like this.
00:18:51You need to get someone out here immediately.
00:18:54I'm afraid that isn't an option, Mr Fox.
00:18:56I'm afraid that isn't an option, Mr Fox.
00:18:59Best to leave this to the local force.
00:19:01Hopefully they'll find your daughter soon.
00:19:03If not, she'll return over all accords.
00:19:05For God's sake, she's not a teenage runaway.
00:19:07Goodbye, sir.
00:19:19Morning.
00:19:21Hello, darling. Did you sleep well?
00:19:23Like a baby. Always do here.
00:19:27What's the matter?
00:19:29Sylvia's gone away and we don't know where.
00:19:32It's nothing new, is it?
00:19:34No, it's just your grandfather's worried about her.
00:19:37Well, he wouldn't be if he knew her.
00:19:40Sylvia can take care of herself.
00:19:46I told Antonella we'd meet her at the café in the piazza at eleven.
00:19:50She said she'd be back in an hour.
00:19:52Mmm.
00:19:54I told Antonella we'd meet her at the café in the piazza at eleven, if that's okay?
00:19:58Yeah, yeah, that's fine. Oh, don't say anything about what I just told you, will you?
00:20:02Yeah, sure.
00:20:06I thought he was leaving this morning.
00:20:08Henry, or whatever I'm supposed to call him.
00:20:11Yeah, he was, but he'd changed his mind.
00:20:14Oh. Okay.
00:20:21Okay.
00:20:51Okay.
00:21:07Okay. Grazie.
00:21:09Ciao.
00:21:12Capitano?
00:21:15Rechiamo Gregori è stato trasferito da Rebibbia cinque mesi fa.
00:21:18Ora lo stanno cercando in sistema.
00:21:21Pensa davvero possa essere connesso con la scomparsa di Sylvia?
00:21:24Di tutte le persone con cui Sylvia si è scontrata qui, lui è quello che ha più contatti.
00:21:29E che serve più rancore.
00:21:31Dai, andiamo a Roma.
00:21:34Voglio sapere se Greta Padovesi sa qualcosa su Henry Forbes.
00:21:51Fuck.
00:22:16Fuck.
00:22:21Fuck.
00:22:52Fuck.
00:23:17Hello?
00:23:22Hello?
00:23:27Aiuto!
00:23:28No!
00:23:50Buongiorno.
00:23:51Buongiorno.
00:23:53Are you Raffaele?
00:23:55You have Sylvia's phone?
00:23:59I had to give it to the carabinieri.
00:24:03Wait here.
00:24:15Thank you, but...
00:24:17Take it.
00:24:18You are in a gelateria, you eat a gelato.
00:24:27What's going on?
00:24:29My daughter was abducted this morning from outside our house.
00:24:33Are the carabinieri looking for her?
00:24:35Yes, but I think they're looking in the wrong place.
00:24:38You said you should have called earlier.
00:24:40Why?
00:24:43Sylvia asked me to trace the registration number of a morbid.
00:24:47She had seen it around too often, you understand?
00:24:50It belongs to Hotel Sereno, near Trasimeno.
00:24:54Lots of the hotels have them to rent out to guests.
00:24:59What will you do now?
00:25:01Find out who's been using that moped.
00:25:20Mr. Padovesi, do you know a man named Harry Fox?
00:25:37No.
00:25:40And Michael Priest?
00:25:43I know him, yes.
00:25:45On a professional level, you understand.
00:25:51He recently sold a painting on my behalf.
00:25:54And you were satisfied with his work?
00:25:57Why do you ask?
00:25:59I said someone threatened him on his behalf for not doing what he was supposed to do.
00:26:03He wasn't threatened.
00:26:05He was just reminded that the debt had to be paid.
00:26:08Why didn't you hire a lawyer?
00:26:10I like to personally take care of my own business.
00:26:15Did Priest complain to you?
00:26:17No, but a member of his family suddenly disappeared.
00:26:22This has nothing to do with me.
00:26:25Who called Michael Priest?
00:26:29Aldo, my doorman.
00:26:33It's better for men to take care of certain things, you know?
00:26:37So?
00:27:07Come on.
00:27:32The residents ask me to do them a favor.
00:27:35Sometimes strange things.
00:27:38I try to be useful.
00:27:40It's all part of the job.
00:27:42The lady wrote you what she should have said.
00:27:45Panicale is a beautiful place.
00:27:48And your daughter's house is very nice.
00:27:52How did the lady know where she was staying, Mr. Michael Priest?
00:27:57The lady has a friend.
00:28:00I don't know.
00:28:02I don't know.
00:28:04I don't know.
00:28:06I don't know.
00:28:08I don't know.
00:28:10I don't know.
00:28:11Mr. Michael Priest.
00:28:13The lady has a large family.
00:28:16Where were you this morning at 7.30?
00:28:18I came to work.
00:28:20I started at 8.
00:28:23What do you think?
00:28:25Well, we know that Panicale wasn't here this morning.
00:28:29But do we know where his brother was?
00:28:32Or the lady's brother?
00:28:34Because you seem to be connected.
00:28:37I agree.
00:28:38Find out about his relationships, his past and his phone calls.
00:28:42And also about her.
00:28:44Yes, Captain.
00:28:46But it takes time to get the necessary authorization.
00:28:49And you do it without.
00:29:08Oh, shit.
00:29:39Who are you?
00:29:48A bit late for that game now, Sylvia.
00:29:55I'm not going anywhere.
00:29:57I'm not going anywhere.
00:29:59I'm not going anywhere.
00:30:01I'm not going anywhere.
00:30:03I'm not going anywhere.
00:30:05I'm not going anywhere.
00:30:06I'm not going anywhere.
00:30:11How did you find me?
00:30:13I still have some contacts.
00:30:16I must be getting careless.
00:30:18But the accident was a nice touch.
00:30:21Trying to do the right thing.
00:30:23It's always been your weakness.
00:30:26I thought you died in Matara.
00:30:29You thought right.
00:30:31Graham Conway was killed in a prison fight.
00:30:33I'm someone else now.
00:30:35Clever.
00:30:37That must have cost you.
00:30:39It was the only way out of that stinking jail.
00:30:43The jail you put me in.
00:30:45I just did my job.
00:30:47You were stealing from the Mataran people.
00:30:50From their rulers, perhaps.
00:30:53The people wouldn't have seen a penny.
00:30:55No, that's not true.
00:30:57The profits from the mines funded health and education programs.
00:31:00Very commendable.
00:31:02Did you give your pal the same lecture?
00:31:04What pal?
00:31:06Richard Vaughan.
00:31:10The journalist?
00:31:12So he claimed.
00:31:14What do you mean?
00:31:16Vaughan worked for me.
00:31:18And I think he was one of you lot.
00:31:22Was the scheme Vaughan's idea?
00:31:25It was mine.
00:31:27From start to finish.
00:31:28I shipped the goods out to Vaughan and Kondulu.
00:31:31And he sold them on.
00:31:33The bastard disappeared while I was inside,
00:31:36taking ten million dollars of my money with him.
00:31:39You were surprised he didn't wait around to hand it over?
00:31:41No.
00:31:43But he didn't just leave Kondulu.
00:31:45He disappeared.
00:31:47Vanished.
00:31:49As only a spook can.
00:31:51And that's when it all started to make sense.
00:31:55He didn't work for the Serbs.
00:31:56He didn't work for the service, if that's what you mean.
00:31:59Don't bullshit me!
00:32:03How else would you have known about the operation?
00:32:06Vaughan told you.
00:32:08And the pair of you sold me out.
00:32:10Where's my money, Sylvia?
00:32:12I don't know.
00:32:14He didn't tell me about the smuggling, let alone offer me a cut.
00:32:21I just need to know Richard Vaughan's real name.
00:32:24And where he is now.
00:32:26I have no idea!
00:32:30I barely knew the man.
00:32:32I haven't spoken to him or thought about him in years.
00:32:38I understand you have to say that.
00:32:41Maybe take some time to think things over.
00:32:44A night or two.
00:32:46Down here.
00:32:48All alone in the dark.
00:32:50Who knows what you might remember.
00:32:56Fuck.
00:33:26Fuck.
00:33:56Fuck.
00:34:26Fuck.
00:34:56Fuck.
00:35:27Pick up.
00:35:42Okay, thank you.
00:35:45I can't believe it.
00:35:47Problems?
00:35:49Gregorio is in jail in Palermo.
00:35:52I'll have to ask the guys at the station to talk to him.
00:35:56Do you want me to go?
00:35:58No, no.
00:36:00You stay here.
00:36:04It turns out that Greta Padovesi's husband was Dino Lombardi.
00:36:08The crime boss.
00:36:11That's interesting.
00:36:14And the doorman?
00:36:16One of Lombardi's men.
00:36:18He was charged with assault and intimidation.
00:36:21Telephone interception?
00:36:22Done.
00:36:23The guys in Città della Pieve are checking the CCTV footage
00:36:26in the place where the van was stolen.
00:36:32We'll find her, Captain.
00:37:06You must be Alice.
00:37:07Yeah.
00:37:10I'm Henry.
00:37:12Your grandfather.
00:37:15No, I've heard a lot about you.
00:37:16Oh, dear.
00:37:18I'm afraid it's probably all true.
00:37:24So you're here on holiday?
00:37:28Yeah.
00:37:30Just for a few days.
00:37:32How about you?
00:37:34Bit of a long story.
00:37:37Yeah.
00:37:40Is your mother about?
00:37:42Yes, she's on the terrace.
00:37:45Yeah.
00:37:47So it's just through there and up the stairs.
00:37:50The stairs, yeah.
00:37:54Yeah.
00:38:01Alice said I'd find you up here.
00:38:05You've met?
00:38:07Briefly.
00:38:11She's lovely.
00:38:14Lovely.
00:38:23Any news?
00:38:25Well, there's been no word from the Carabinieri.
00:38:29I might have a lead.
00:38:35You have to pass this on to her, either.
00:38:37No, absolutely not.
00:38:39If this is someone from Sylvia's past,
00:38:41he's likely to be highly trained and completely ruthless.
00:38:44If he suspects the Carabinieri are on to him,
00:38:47he'll kill her.
00:38:48Or worse.
00:38:50Worse?
00:38:51What?
00:38:52Disappear.
00:38:54Leaving her somewhere she won't be found.
00:38:58What's going on?
00:39:00What's happened to Sylvia?
00:39:22Alice.
00:39:24Do you know that Sylvia used to be a spy?
00:39:28I mean, I...
00:39:29I don't know.
00:39:30But, well, she has a gun and mad self-defence skills,
00:39:34so I mean, I thought it had to be something like that.
00:39:36She used to work for MI6.
00:39:39And we think someone she encountered back then
00:39:43may be behind her disappearance.
00:39:46What?
00:39:47Someone she encountered back then may be behind her disappearance.
00:39:51No, you think that.
00:39:53I'm sorry, but it's also possible that she's been abducted
00:39:56by someone whom your grandfather owes money to.
00:39:59Yes, and I told you that's very unlikely.
00:40:02Now, if I'm right,
00:40:03and Sylvia's disappearance has any connection to her old life,
00:40:08then this is something we have to handle ourselves.
00:40:13Us?
00:40:15How?
00:40:17Well, Sylvia's not the only trained operative in the family.
00:40:23Mum.
00:40:25Don't be silly, darling.
00:40:31OK.
00:40:34So what happens now?
00:40:36We need to find out who the chap on the moped is
00:40:39and whether he's our man.
00:40:42Sorry, what moped?
00:40:47I don't know.
00:41:17Oh, God.
00:41:47Oh, God.
00:42:17OK.
00:42:47Come on.
00:43:05Help!
00:43:17Oh.
00:43:28Well, I think it'll work.
00:43:29Yeah, except for one thing.
00:43:31I should be the one to go, not you.
00:43:35Why do you think that?
00:43:37Someone will have seen you there today.
00:43:39When you go back tomorrow, asking questions,
00:43:42they'll start to wonder.
00:43:43No-one noticed me, I guarantee.
00:43:48I'm sure you were a good spy,
00:43:51but I doubt you were invisible, Henry, even in your prime.
00:43:55Darling, would you just go and put those out with the others?
00:43:58OK, yeah.
00:44:00Um...
00:44:02Are you staying?
00:44:03Well, that's very kind.
00:44:04You can if you like.
00:44:07Then I will.
00:44:15I'm not letting you put yourself in danger.
00:44:20It's a bit late to start acting like the protective father now, isn't it?
00:44:24Look...
00:44:27Are you sure this is the right thing to do?
00:44:30You're not just harking back to your glory days.
00:44:36I'm not sure I'll succeed, Isabel, but...
00:44:40I have to try.
00:44:42You don't have to get involved.
00:44:44Yes, I do.
00:44:45If it's our only way of finding Sylvia,
00:44:48she'd do the same for me.
00:44:51In that case...
00:44:54I need to teach you a few things.
00:45:10Come on.
00:45:40Come on.
00:46:10Come on.
00:46:41DOOR OPENS
00:46:43DOOR CLOSES
00:47:10MUSIC PLAYS
00:47:20Buongiorno, signora.
00:47:21Buongiorno.
00:47:22I have a reservation in the name of Ford.
00:47:24F-O-R-D.
00:47:31Welcome to the Hotel Sereno, signora Ford.
00:47:34Room 207, on the second floor.
00:47:37Is this your first visit to Rumba?
00:47:39No, in fact, I'm hoping to revisit some old haunts.
00:47:43It says on your website that you have mopeds that guests can use.
00:47:48We have only one. Let me check if it's available.
00:47:55I'm sorry, it's booked until the end of tomorrow.
00:47:58Would you like me to reserve it for you?
00:48:01No.
00:48:02I'll get back to you on that.
00:48:03OK.
00:48:05There is one other thing.
00:48:07Do you happen to have a copy of La Repubblica?
00:48:11I think so. Let me check it.
00:48:20Here it is.
00:48:22You're welcome.
00:48:25Have a nice day.
00:48:34I didn't think I'd hear from you again.
00:48:38Signora Paravesi, I owe you an apology.
00:48:42You owe me a great deal more than that.
00:48:45I did warn you the process might be complex.
00:48:48You will get your money, I assure you, but I need more time.
00:48:52You sent the Carabinieri to my home.
00:48:54That was risky, wasn't it?
00:48:56I had no choice. My daughter's missing.
00:48:59I don't care about your daughter.
00:49:01Get me my money, or I will make sure that no one in Rome does business with you again.
00:49:07Trust this man every day less.
00:49:10I'll bring him back here to find him.
00:49:15Yes.
00:49:18OK.
00:49:21Where?
00:49:24Send me the GPS coordinates.
00:49:26They found the van.
00:49:29Finally.
00:49:31At least what's left of it.
00:49:36The moped is rented to a man called Nick Wallace.
00:49:39He's got it until tomorrow night.
00:49:41Well done. Have you got into his room yet?
00:49:43Give me a chance.
00:49:45Let's speak later. I'm on my way to Rome.
00:49:48Why are you going there?
00:49:50To make use of the information you've so cleverly acquired for me, darling.
00:50:07They expect to find a lot, but at least there are no remains of the sea in there.
00:50:11Thank God.
00:50:20Take a look at all the areas of each abandoned building,
00:50:23and then contact the air support headquarters.
00:50:28I also want a helicopter.
00:50:30Yes, Captain.
00:51:00All right.
00:51:24All OK?
00:51:25Yeah.
00:51:30All right.
00:51:51Right.
00:51:52Right here.
00:52:00OK.
00:52:25I'm sorry, darling. I'm really sorry.
00:52:28You won't need it during the lesson.
00:52:32I can't see it.
00:52:34Call my mobile, please.
00:52:37I'm sorry. I'm not usually this forgetful. I'm just too relaxed.
00:52:41It's ringing.
00:52:45Voila.
00:52:51We don't have to play tennis, you know.
00:52:54Why don't we ditch the lesson and go back to bed?
00:53:05Very tempting, but the poor guy is waiting for us. We should go back.
00:53:11Come on.
00:53:14Come on.
00:53:16You're too good for me.
00:53:18You're too good for me.
00:53:48Come on.
00:54:19Hey.
00:54:21Hello, Miriam.
00:54:23So glad to find you still in action.
00:54:26Well, half the top brass have forgotten I'm here,
00:54:29and the other half too scared to tell me to retire.
00:54:34What can I do for you?
00:54:39I need a favour.
00:54:41You know I have a daughter, Sylvia.
00:54:43In Beirut, last I heard.
00:54:46And then something about a career break.
00:54:49That's right. She's living in Italy at the moment.
00:54:52She disappeared yesterday.
00:54:54Snatched from outside her house in Umbria and driven away in a stolen van.
00:54:59And you think it's related to her work for the service?
00:55:01Absolutely.
00:55:02Have you been in touch with Vauxhall Cross?
00:55:04I've tried.
00:55:05Let me guess.
00:55:07Some callow teenager on work experience hung up on you.
00:55:11He was perfectly polite, but he obviously thought I was some kind of fantasist.
00:55:16We're a pair of fossils, you and I.
00:55:19Have you alerted the Carabinieri?
00:55:21They're investigating.
00:55:23But I have a lead.
00:55:26And I don't think it would be wise to share it with them.
00:55:29But you'd like to share it with me.
00:55:31Yes, please.
00:55:35Who is he?
00:55:36I was rather hoping you might be able to tell me.
00:55:39He's staying at the Hotel Sereno near Castiglione del Lago under the name Nick Wallace.
00:55:45I'll get the picture run through our system and see what that yields.
00:56:09Okay.
00:57:10Want some?
00:57:12No, thank you.
00:57:40There's food, too.
00:57:42I'm not hungry.
00:57:45Liar.
00:57:57I'm not going to poison you, Sylvia.
00:58:00The Carabinieri will be searching for me.
00:58:03If anything happens to me, they'll track you down.
00:58:05I doubt it.
00:58:07I'm pretty good and I've been planning this for a while.
00:58:35Oh!
00:58:59Are you okay?
00:59:01It's my own fault.
00:59:03I couldn't resist these shoes.
00:59:05They are very chic.
00:59:06Yes, but not very practical.
00:59:08Do you mind if I just...
00:59:09No, of course not.
00:59:10Catch my breath.
00:59:15My name is Sabine.
00:59:17Arabella.
00:59:18Nice to meet you.
00:59:19And you.
00:59:30So...
00:59:32Have you had a chance to think about things?
00:59:35What's there to think about?
00:59:37Come on, Sylvia.
00:59:39You want to get out of here alive, don't you?
00:59:43If I tell you, how can I trust you to let me go?
00:59:48Well, you can't.
00:59:50But it's your only chance, so you might as well take it.
00:59:56Did you know Richard Vaughan was American?
00:59:58He didn't sound like a Yank to me.
01:00:00His father worked for some big oil company and he grew up in London.
01:00:05And?
01:00:06Vaughan didn't tell me about the smuggling.
01:00:09And he definitely wasn't MI6.
01:00:11But he could have been CIA.
01:00:14Even if he wasn't, the agency might have had its own reasons to help him disappear.
01:00:21Yeah, well, this is all very interesting.
01:00:24But I need him.
01:00:25Interesting.
01:00:27But I need his real name.
01:00:29I can't tell you what I don't know.
01:00:31Enough!
01:00:34Enough.
01:00:39You know the guy's life story.
01:00:41But not his name.
01:00:52His name...
01:00:55is Ryan Erickson.
01:00:58And his family came from Minnesota.
01:01:02That's all I know.
01:01:07You better be telling the truth.
01:01:25No.
01:01:55Ah.
01:01:57Ah.
01:02:26Ah.
01:02:33Come on.
01:02:40Yes.
01:02:53Oh, yes.
01:02:56Mm.
01:02:58A proper cup of tea.
01:03:00Fortnum's loose leaf.
01:03:02You see anything I miss about Britain?
01:03:04I get it sent out in the diplomatic bag.
01:03:07Oh, here we are.
01:03:10Nicholas Jacob Wallace entered the country three weeks ago on a South African passport.
01:03:16Mm, that's not good.
01:03:18It's showing a match for a man named Graham Arthur Conway.
01:03:22Why is Conway on your system?
01:03:23He's a former British military intelligence officer.
01:03:26Former? What is he now?
01:03:28Dead.
01:03:29He went rogue and was killed in a prison fight.
01:03:32Allegedly.
01:03:33Do you happen to know if Sylvia was in East Africa at the time?
01:03:36No, she'd moved on by then.
01:03:38But she was there a few years earlier when Conway was convicted.
01:03:42What was he done for?
01:03:44Running a mineral smuggling operation.
01:03:47He was suspected of the murder of two mine workers.
01:03:51Christ.
01:03:52But there wasn't enough evidence to charge him.
01:03:58That's odd.
01:03:59What?
01:04:00I'm trying to see who else of ours was in the region at the time, but the system keeps blocking me.
01:04:05Black ops?
01:04:06Yes, perhaps.
01:04:08Is there anything else I can do to help?
01:04:10Just a few bits and pieces from the stationery cupboard, if you'd be so kind.
01:04:15That's quite a shopping list.
01:04:18I should need it all back.
01:04:20Of course.
01:04:22Don't do anything foolish, Henry.
01:04:26We leave tomorrow, but it's been a fabulous trip.
01:04:29The first of many, I hope.
01:04:31Nick is a great guy.
01:04:33And where is he, this wonderful boyfriend of yours?
01:04:36I can't wait to meet him.
01:04:37He's gone hiking.
01:04:39Wants to get fit again after three weeks of indulgence.
01:04:42You've been here three weeks?
01:04:44It was meant to be ten days, but Nick's schedule changed and he said we should stay longer.
01:04:49Hmm.
01:04:51Are you here with your partner?
01:04:53No, I'm on my own. I'm celebrating my divorce.
01:04:57Oh, I'm sorry.
01:04:59Don't be. I'm well read.
01:05:03Excuse me.
01:05:08Hello?
01:05:09Avoid any contact with Wallace and get out of there now.
01:05:12Oh, hi, Nick!
01:05:13Thank you so much, yes, I'll be there right away.
01:05:16I must go.
01:05:17Thank you for being so adorable.
01:05:20It was good to meet you, Arabella.
01:05:22See you later, maybe?
01:05:25Hey!
01:05:28Who was that?
01:05:30A nice woman who is staying here.
01:05:32Oh.
01:05:34What's wrong?
01:05:36Nothing.
01:05:47Captain.
01:05:57Capitano Riva, any news?
01:06:06It's on.
01:06:09Jesus.
01:06:14Come on.
01:06:15The van was abandoned here, next to the border with Tuscany and the Atostrada, so Sylvia could be hundreds of kilometers away by now.
01:06:23Or she could be just up the road.
01:06:25Yes, which is why our officers are searching the immediate area.
01:06:29I'm sorry, was there something else? Because I should be getting back to Panicale.
01:06:35I must ask you again, sir.
01:06:38If there is a chance that Sylvia's disappearance has anything to do with one of your business dealings,
01:06:44tell me now.
01:06:46So you can harass my other clients? I promise you, there's nothing to tell.
01:06:51What exactly is your business, Senior Fox?
01:06:55I'm an art historian. I advise collectors and dealers.
01:07:00As I was doing for Lee Hamilton at Villarosa.
01:07:03Where he went by the name of Michael Priest.
01:07:06Why was that?
01:07:08I prefer to keep my private and professional lives separate.
01:07:11Laws in Italy governing the sale of art are very strict, you know.
01:07:15I'm well aware of that. Capitano Rivo, why are we wasting time talking about my work when we should be looking for my daughter?
01:07:22We?
01:07:25For Sylvia's sake, I hope you're not trying to conduct a year-long investigation.
01:07:31I'm an old man in a foreign country. What could I possibly do?
01:07:36Serious damage if you're trying to play the hero.
01:07:38What can you tell me about Sylvia's life before she moves to Italy?
01:07:42She's told me very little. You too, I imagine.
01:07:48Our secret services might be able to assist, but they won't, unless I have more information.
01:07:55I'm afraid I can't help you there.
01:07:59Arrivederci.
01:08:09So how does someone come back from the dead?
01:08:13With the right help and enough money, it's not that hard to fake your own death.
01:08:20Sabine said that she'd never met his family. They've only been together for a few months.
01:08:25Very convenient.
01:08:27Please get in touch with Rivo. Please, please. This man is a killer and a soldier.
01:08:34We can't fight him on our own.
01:08:36It's the only way we can fight him.
01:08:40Conway is still at the hotel, so Sylvia's not going to be far away.
01:08:45And if he and his girlfriend are leaving tomorrow evening, he has to make his final move either tonight or in the morning.
01:08:54Why can't we call the Carabinieri to keep him under surveillance?
01:09:00And what then?
01:09:01Supposing Conway doesn't realise and leads them to Sylvia, they'll go in mob-handed with an armed response unit.
01:09:08Now, they may get Conway, but there's no guarantee that Sylvia will come out alive.
01:09:16So what are we going to do?
01:09:21We'll get her back, Izzy. We will.
01:09:31Oh no!
01:09:47Oh no!
01:09:57Just take me instead. I'll be more use than mum.
01:10:01Why do you think so?
01:10:03I mean, I'm younger, I've got better eyesight, I can run faster.
01:10:07It's not quite as simple as that.
01:10:10Okay, so what does it take to be a good spy then?
01:10:13You're staying here. I'll message you once an hour.
01:10:17What am I supposed to tell Matteo?
01:10:19I don't know. I mean, he doesn't get back until after midnight. Just pretend you've gone to bed.
01:10:23I was writing him a note saying that I'm spending the night at Sylvia's.
01:10:26Well, he's going to find that weird.
01:10:28Probably.
01:10:31I'll explain in the morning.
01:10:35And I bet you can't run faster.
01:11:01What's going on?
01:11:32Jack is on.
01:11:35Conway and Sabine are back in their room. He told me he's going for an early morning hike.
01:11:43Make yourself comfortable.
01:11:46It's going to be a long night.
01:12:01Come on.
01:12:32See you later. I love you.
01:12:35What's happening?
01:12:38He's on the move.
01:13:01Dammit.
01:13:21He's come back into the hotel.
01:13:23Hope to God he hasn't seen us.
01:13:31Right, I'm going to go and have a closer look.
01:13:41Are you there?
01:13:44It's a bread van.
01:13:50The driver's taking the bread inside.
01:13:56Oh my God.
01:13:58Conway's back.
01:14:02He's stealing the van.
01:14:08Henry!
01:14:10What?
01:14:18Hello?
01:14:32Mateo?
01:14:35Mateo?
01:14:38We have to go get Mum.
01:14:39From Siva's house?
01:14:40No, no.
01:14:41Hey, hey, hey. Alice.
01:14:42What the hell is going on?
01:14:43Just get dressed and then come with me. I'll explain on the way, okay?
01:14:45Just come on. Now!
01:15:02Come on.
01:15:16Come on.
01:15:17Your whole family's goddamn crazy.
01:15:19His plan was a good one.
01:15:20So why didn't you tell me about it?
01:15:24Just get in.
01:15:27Go. I'm tracking him.
01:15:31Come on.
01:16:01Come on.
01:16:25You're not going anywhere.
01:16:31Fuck.
01:16:46Fuck.
01:17:01Fuck.
01:17:07According to his CIA file,
01:17:09Ron Erickson was killed in a car crash in Nigeria three years ago.
01:17:16But you already knew that.
01:17:18I swear I didn't.
01:17:21I know you spooks stick together.
01:17:24But why are you still protecting Richard Vaughn?
01:17:27Why not?
01:17:29You're going to kill me anyway, aren't you?
01:17:31You know I have to.
01:17:35But not before you tell me what Vaughn's real name is.
01:17:41Where did you get that?
01:17:45From the jewellery box in your sister's bedroom.
01:17:51Isabel had nothing to do with this!
01:17:54Granted, she'd be dead by the end of the day,
01:17:57unless you tell me Vaughn's real name.
01:18:02No.
01:18:08You were right.
01:18:11Richard Vaughn was MI6.
01:18:14His real name is Adam Haynes.
01:18:17You sure about that?
01:18:20Yes.
01:18:21Then why should I believe you?
01:18:24I used to be married to him.
01:18:28Well, well, well.
01:18:32Come on.
01:18:35Where are we going?
01:18:38I don't know anything about the money, I swear.
01:18:42Adam and I were divorced long before I was posted to Matara.
01:18:47And he used to lie to me all the time.
01:18:50Yeah, well, I'll be sure to give him your regards when we catch up.
01:19:01Ah!
01:19:04Ah!
01:19:08Ah!
01:19:31Ah!
01:20:02Ah!
01:20:07He's dead.
01:20:11Are you okay?
01:20:16It's all right.
01:20:19You're okay.
01:20:20You're okay.
01:20:21You're okay.
01:20:29It's okay.
01:20:32Mm-hmm.
01:20:41Give me the gun.
01:20:42No, you'd best not touch it.
01:20:43I have to.
01:20:45If I'm going to say I fired the shot.
01:20:48I'm an Italian citizen, in good standing, with a clean record.
01:20:52And you?
01:20:53Just give me the gun.
01:20:57Let him do it.
01:20:59Thanks, Matteo, but there's no need.
01:21:02I'm just going to go.
01:21:04Give me a ten minute start.
01:21:06Then call the Carabinieri.
01:21:08Tell them you found Conway dead and Sylvia in shock.
01:21:11Sylvia will say I shot Conway, then took off.
01:21:15I'll take this with me.
01:21:29Thank you so much.
01:21:36Take care, my darling.
01:21:37You too.
01:21:42Alice.
01:21:45I didn't answer your question about what makes a good spy.
01:21:48What?
01:21:50None of the things that make a good human being.
01:21:58Henry.
01:22:04Will he be okay?
01:22:05He'll be fine.
01:22:12He knows how to disappear.
01:22:27Grazie, Matteo.
01:22:29I think it will be fine.
01:22:30Okay, I'll be right there.
01:22:43You sure you never saw him before?
01:22:50He was going to kill me.
01:22:53Do you know his name?
01:22:54Nick Wallis.
01:22:56He's the name on his driver's license.
01:22:58Doesn't mean anything to you.
01:23:03I don't believe you, Sylvia, but I don't care.
01:23:06Because I'm just so glad you're safe.
01:23:14Thanks.
01:23:24You're welcome.
01:23:54The person you're calling is unavailable. Please leave a message after the tone.
01:24:10Hi, Adam.
01:24:13A dead man tried to kill me.
01:24:17He wanted to know what you did with his ten million dollars.
01:24:20I'd like to know too.
01:24:50I'm sorry.
01:25:20I'm sorry.
01:25:50Sylvia?
01:26:20I'm sorry.
01:26:50I'm sorry.
01:26:51I'm sorry.
01:26:52I'm sorry.
01:26:53I'm sorry.
01:26:54I'm sorry.
01:26:55I'm sorry.
01:26:56I'm sorry.
01:26:57I'm sorry.
01:26:58I'm sorry.
01:26:59I'm sorry.
01:27:00I'm sorry.
01:27:01I'm sorry.
01:27:02I'm sorry.
01:27:03I'm sorry.
01:27:04I'm sorry.
01:27:05I'm sorry.
01:27:06I'm sorry.
01:27:07I'm sorry.
01:27:08I'm sorry.
01:27:09I'm sorry.
01:27:10I'm sorry.
01:27:11I'm sorry.
01:27:12I'm sorry.
01:27:13I'm sorry.
01:27:14I'm sorry.
01:27:15I'm sorry.
01:27:16I'm sorry.
01:27:17I'm sorry.
01:27:18I'm sorry.
01:27:19I'm sorry.
01:27:20I'm sorry.
01:27:21I'm sorry.
01:27:22I'm sorry.
01:27:23I'm sorry.
01:27:24I'm sorry.
01:27:25I'm sorry.
01:27:26I'm sorry.
01:27:27I'm sorry.
01:27:28I'm sorry.
01:27:29I'm sorry.
01:27:30I'm sorry.
01:27:31I'm sorry.
01:27:32I'm sorry.
01:27:33I'm sorry.
01:27:34I'm sorry.
01:27:35I'm sorry.
01:27:36I'm sorry.
01:27:37I'm sorry.
01:27:38I'm sorry.
01:27:39I'm sorry.
01:27:40I'm sorry.
01:27:41I'm sorry.
01:27:42I'm sorry.
01:27:43I'm sorry.
01:27:44I'm sorry.
01:27:45I'm sorry.
01:27:46I'm sorry.
01:27:47I'm sorry.